The podcast where DJ Louie XIV and guests completely overanalyze all your favorite pop stars, then rank them in the official Pop Pantheon.
Hosted on Acast. See acast.com/privacy for more information.
php/* */ ?>
The podcast where DJ Louie XIV and guests completely overanalyze all your favorite pop stars, then rank them in the official Pop Pantheon.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © 741598
The MTV Video Music Awards will air this Sunday, August 28 2022, from the Prudential Center in Newark, NJ but does anybody care? For this week’s Pop Pantheon B-Side, Dunzo’s Troy McEady is back to discuss the history of the once-must-watch award show with DJ Louie, what made them the most raucous and exciting live event around at their peak, how grabbing a VMA headline could change a pop star’s career forever and what’s gone wrong with the show in recent years. Then, Louie and Troy count down their favorite “VMA Moments” in history.
Listen to Louie and Troy's episode on MTV's TRL
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Music critic Shaad D’Souza joins DJ Louie to talk about one of modern pop’s most captivating, divisive and perplexing figures, Miley Cyrus. Louie and Shaad open with a break down of Miley’s emergence on the smash Disney show, Hannah Montana, how the character’s own double life as a pop star and a “normal girl” mirrored Miley’s own, and the chaste image and anodyne pop-rock empowerment anthems on which Miley-as-Hannah made her name and, later in career, had to torch. They next dive into Miley’s various, often bold but almost always awkward attempts to break out of the Hannah Montana box, first with her calculated pivot towards sexed-up dance pop on 2010’s nonstarter Can’t Be Tamed and much more effectively on 2013’s Bangerz, a fascinating, garish record that repositioned the former Disney kid as a freewheeling, hip hop-obsessed party monster, a brazen and un-self-aware culture vulture and, for the first and perhaps only time in her a career, a trendsetting pop star. Louie and Shaad debate the record’s prescient centering of trap in mainstream pop, as well its table-setting fusion of rap and country, how we view Miley’s egregious cultural appropriation through a contemporary lens, and whether the album’s whirlwind of controversy obscured some of the record’s delicate, honest songwriting and virtuoso vocal performances. Later, they discuss how Miley squandered a lot of remaining good will with her next two projects, 2015’s utterly bizarre Wayne Coyne-collabo Miley Cyrus and Her Dead Petz and 2017’s middle-of-the-road country-pop-leaning Younger Now, and if Miley has effectively repositioned herself in recent years with a series of well-received live performances and covers and a turn towards rock homage on her 2020 album Plastic Hearts. Finally, Louie and Shaad rank Miley Cyrus in the official Pop Pantheon.
Read Shaad's review of Plastic Hearts in Pitchfork
Check out Louie's Miley Cyrus Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Shaad D'Souza on Instagram
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Every episode of Pop Pantheon contains at least some mention of the Billboard's iconic singles chart, the Hot 100. So for this week's B-Side, DJ Louie is joined by chart analyst, cultural critic and host of Slate's podcast Hit Parade to talk the 60 year history of the chart, the way its metrics have evolved over time, what role having hits on the Hot 100 plays in a pop star's mythology and legacy, whether or not we can compare current hits like this week's #1 "Break My Soul" to past ones given how Billboard's methodology has been altered to fit new data and music-consuming ecosystems, some weird kinks that have prevented massive hits like "I'm a Slave 4 U" from reaching to the top of the charts, and what fixes Chris might make to improve the Hot 100, still our best tool for measuring a hit record.
Listen to Chris Molanphy's podcast Hit Parade
Check out Chris' last appearance on Pop Pantheon, discussing The Supremes and Diana Ross
Tickets to DJ Louie's Pop Party, Gorgeous Gorgeous, on 8/12 in Downtown Los Angeles!
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Chris Molanphy on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Beyoncé’s seventh studio album and her first in over six years, Renaissance, is finally upon us!
For the fourth and final episode of our series on Queen B, DJ Louie is joined by The New Yorker’s Doreen St. Félix to discuss the new record. Louie and Doreen share gut-check reactions, break down Renaissance's themes of bacchanalia and sexual freak-dom and how they register through Beyoncé’s signature meticulousness, its lush, dynamic sonic palette which runs the gamut from house to disco to afrobeat, this weekend’s controversy with Kelis and whether an artist of B’s stature’s can celebrate other artists and sub-cultures- like ballroom- without subsuming them, and why this may be a superlative pandemic record, a manifestation of Beyoncé’s delayed adolescence and of a superstar’s fantasy of what life is like for people who, unlike her, can actually go to a club.
Read Louie's review of Renaissance in Buzzfeed
Tickets to DJ Louie's Pop Party, Gorgeous Gorgeous, on 8/12 in Downtown Los Angeles!
Check out Louie's Beyoncé Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Doreen St. Félix on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Part 3/4! Beyoncé’s latest solo album, Renaissance,drops on July 29th so to get everyone prepared, Pop Pantheon will be releasing a series of four episodes on the work and legacy of Queen Bey, each with a different guest!
In our third installment, DJ Louie is joined by author of Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, Yale University’s Dr. Daphne A. Brooks, to discuss the latest decade of Beyoncé’s solo career. Louie and Dr. Brooks begin with the quagmire that pop stars- and particularly black female pop stars- face as they enter their mid 30s in the fickle, ageist pop cultural landscape and how various icons of the genre like Aretha Franklin, Diana Ross, Tina Turner and Janet Jackson have re-engaged audiences during this period of their lives and careers. They then discuss Beyoncé’s culturally transformative 2013 self-titled 5th studio album, how the surprise release and inclusion of visual components for each song solved the problem of finding a hit single, created a singular shared cultural experience, and forever changed the way pop stars would release music, the rich musical textures which filtered black musical tradition through mordern electro-R&B, and the ways in which this record depended Beyoncé’s artistry and self-revelation, as well as her feminism and activism. They then unpack her 2016 single “Formation”, its confrontational video and performance at the 2016 Super Bowl, and how the song functions as both a call to action and certified rump shaker for the ages, before diving into her masterwork of that same year, her sixth album, the audiovisual magnum opus Lemonade. Louie and Dr. Brooks break down how Lemonade reimagined the feminist ideal of the “personal as political”, using Beyoncé’s own story of domestic disruption to narrate a broader story about American history, how it effectively reclaimed genres like rock ‘n roll and country for Black women, and the innovative ways Beyoncé mined her own pain to radically heal herself, her marriage, her people and the nation through this project. Finally, Louie and Dr. Brooks dive into Beyonce’s latest three side projects, 2018’s collaboration with Jay-Z Everything is Love, 2019’s live concert film Homecoming and 2020’s Lion King companion-piece Black is King, all of which have helped enrich and deepen her artistry and activism and served as a victory lap for her storied career and what, when we look back on it in 50 years or more, Beyoncé’s enduring legacy will be as the greatest and most important pop figure of the 21st century thus far.
Stay tuned for next week’s installment, in which we’ll be giving first reactions to Beyoncé’s new record Renaissance, her seventh studio album and first in over six years!
Tickets to DJ Louie's Pop Party, Gorgeous Gorgeous, on 8/12 in Downtown Los Angeles!
Check out Louie's Beyoncé Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Part 2/4!
Beyoncé’s latest solo album, Renaissance,drops on July 29th so to get everyone prepared, Pop Pantheon will be releasing a series of four episodes on the work and legacy of Queen Bey, each with a different guest!
In our second installment, DJ Louie is joined by author and journalist Julianne Escobedo Shepherd to discuss the first decade of Beyoncé’s solo career. Louie and Julianne begin with Beyoncé’s first steps outside of Destiny’s Child, including her film appearances in 2001’s MTV’s Carmen: A Hip Hopera and 2002’s Austin Powers in Goldmember, as well as on record with “Work It Out” and, most importantly, her feature on future-husband Jay-Z’s smash 2002 hit “‘03 Bonnie and Clyde”. They then discuss the major themes of the first period of Beyoncé’s solo music: ecstatic monogamous love, betrayal and infidelity, wealth accumulation and imbalanced gender dynamics and how they’re all represented on Beyoncé’s first solo album, 2003’s blockbuster Dangerously in Love and amplified on her second, 2006’s funky, terse fan-favorite, B’Day. They then dig into how B’Day’s harder edge and relative commercial underperformance-- and the attention her co-star Jennifer Hudson swept up from under Beyoncé in the film adaptation of the musical Dreamgirls-- led to the more widely-appealing, if less singular, I Am… Sasha Fierce in 2008, and, after firing her father Mathew as manager, how Bey began to shape a new phase of career with 2011’s languid, lowkey 4, in which she was no longer beholden to trends or hit-chasing, expanding her impact into something much greater than conventional pop stardom and providing the platform for the thrilling audio-visual projects which would both define the next decade of her career and change the music industry forever.
Stay tuned for next week’s installment, in which we’ll dive into 2013’s BEYONCÉ the visual album, 2016’s Lemonade, 2018’s Everything is Love, 2019’s Homecoming and 2020’s Black is King!
Check out Louie's Beyoncé Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Julianne Escobedo Shepherd on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Part 1/4!
In the first of four episodes in our new series covering the work and career of pop titan Beyoncé, DJ Louie is joined by Senior Writer at Rolling Stone, Brittany Spanos, to discuss the group that started it all: Destiny’s Child. Louie and Brittany begin with a broad history of black R&B girl groups, specifically the ‘90s wave of which DC was a part, and the ever-evolving way black women have presented themselves in the pop space. They then discuss Beyoncé’s early life, how she and her father Mathew Knowles helped form Destiny’s Child with the initial lineup including Kelly Rowland, LaTavia Roberson and Letoya Luckett, their 1998 self-titled debut and it’s surprise #3 hit, the remix of their ballad “No No No”, “No No No Pt. 2” featuring Wyclef Jean which showcased Beyoncé’s signature singing-rapping hybrid. Next, they dive into their smash sophomore album, 1999’s The Writing’s on the Wall and its innovative singles, all of which featured the groups virtuosic harmonies, a sharp pop feminist perspective that often traded in the role money plays in gender dynamics, and futuristic staccato R&B production courtesy Darkchild and others, before diving into all the tea on how, at the peak of their success, the initial line-up very messily and publicly gave way to a new trio: Beyoncé, Kelly and new member Michelle Williams. Louie and Brittany then cover DC’s blockbuster third album, largely an answer to the negative press of the group shake-ups, 2001’s Survivor and its attendant hits, the member’s various solo endeavors, and how Beyoncé returned to the group following her solo success for one final chapter, 2004’s Destiny Fulfilled. Finally, Louie and Brittany rank Destiny’s Child in the official Pop Pantheon.
Stay tuned next week for our next episode, Beyoncé Pt. 1, which will cover the first half of Beyoncé’s solo career from 2003’s Dangerously in Love through 2011’s 4!
Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!
Check out Louie's Destiny's Child Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Brittany Spanos on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
In this week's B-Side episode, Executive Director of Music at Billboard Jason Lipshutz joins DJ Louie to discuss the Song of the Summer! Louie and Jason dig into the history of the concept and Billboard's SOTS Chart, discuss the most recent winners and what makes for the ideal Song of the Summer, whether having a SOTS can meaningfully change the trajectory of pop star's career, and then each name their favorite Songs of the Summer of all time.
Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!
Check out Pop Pantheon's Song of the Summer Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Jason Lipshutz on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
Journalist and author of the 33 ⅓ book Duran Duran’s Rio, Annie Zaleski, joins DJ Louie for a deep-dive into ‘80s British pop-rock band and seminal music video-pioneers, Duran Duran. First, Louie and Annie parse the various music scenes-- glam rock, new wave, “The New Romantics”-- from which Duran Duran emerged before discussing the band’s formation in Birmingham in the late ‘70s and early ‘80s, their deal with storied label EMI, and what factors lead their 1981 self-titled debut, a prescient blend of rock and dance music, to become a smash overseas but fail to impact here in America. They then move on to the band’s second record, 1982’s blockbuster Rio, their groundbreaking and trendsetting videos for singles like “Rio” and “Hungry Like the Wolf”, the latter of which won the inaugural Best Music Video prize at the 1984 VMAs, how the group cleverly broke onto American radio thanks to their then-novel use of dance remixes, and how their massive success with teenage girls led them to be dismissed as fluff by the rockist critical establishment. Louie and Annie then lay out Duran Duran’s continued success with albums like 1983’s Seven and the Ragged Tiger and 1986’s Nile Rodgers-produced Notorious, why the band quickly fell out of favor with mainstream audiences during the late ‘80s and early ‘90s, how they made one of the most unlikely comebacks in pop history with 1993’s Duran Duran (The Wedding Album) featuring two of their definitive hits, “Ordinary World” and “Come Undone”, and what their recent induction into the Rock ‘n Roll Hall of Fame means for their legacy. Finally, Louie and Annie rank Duran Duran in the official Pop Pantheon.
Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!
Buy Annie Zaleksi's 33 1/3 Book on Duran Duran's Rio
Check out Louie's Duran Duran Essentials Playlist on Spotify
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Follow Annie Zaleski on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.
In an emergency B-Side (Bey-Side??), DJ Louie, along with Pop Pantheon producer Russ, break down everything about Beyoncé's latest single, the '90s house-nodding club anthem "Break My Soul", which dropped last night. Louie and Russ lay out where Beyoncé's commercial and artistic trajectory stands leading into this new era, from which genres, songs and artists "Break My Soul" draws, whether or not it's any good, pontificate on whether Bey can score a radio hit in the third decade of her in her career, what the song might portend for the rest of her forthcoming solo album, Renaissance Pt. 1, her first in 6 years, and what they each hope the album sounds like.
Listen to Louie's appearance on Eat, Pray, Britney
Join the Pop Pantheon Discord!
Follow DJ Louie XIV on Instagram
Follow DJ Louie XIV on Twitter
Follow Pop Pantheon on Instagram
Follow Pop Pantheon on Twitter
Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and More
Shop Merch in Pop Pantheon's Store
Follow Pop Pantheon on Instagram
Follow DJ Louie XIV on Instagram
Hosted on Acast. See acast.com/privacy for more information.