Miles and Elizabeth go on a journey to mint an NFT. But in order to do that they have to write and record a song, buy cryptocurrency, set up a wallet, and list an NFT for sale. But things don’t quite go as they planned.
In this first episode of our mini-season about NFTs and you’ll learn all the things you need to know in order to understand what music NFTs are and how they work.
Bonus! A City Department just raised their rate for musicians to $200 per hour.
Mar 29, 2022
The City of Austin’s Economic Development Department just raised their rate of pay for musicians to $200 per hour per musician. Hear why that happened, and how they hope this change will inspire other departments.
What Mayor Adler has to say about the Live Music Fund
Mar 07, 2022
Hear what Austin Mayor Steve Adler has to say about the history of the Live Music Fund, why he raised concerns about the Live Music Fund Event Program, and what he thinks should guide the conversation moving forward.
Musician pay for live shows in Austin hasn’t changed in 40 years. Here are some other ways they’ve found to make money with music.
Feb 15, 2022
Austin musicians are making the same amount of money per gig as they did in 1979. In the latest episode, we look at gig pay through the years and talk to musicians Greg Clifford and Beto Martinez about how they’ve found ways to make money from music that don’t involve playing live.
Drummer Greg Clifford is pictured in his home where he produces lo-fi music on Feb. 8, 2022, in Austin. Michael Minasi/KUTX
Musician and producer Beto Martinez is pictured in his home studio on Feb. 9, 2022, in Austin. Michael Minasi/KUTX
Live music doesn’t always pay the bills. So what else can you do?
Feb 01, 2022
In this episode, you’ll learn how much money the average Austin musician makes per gig, and why it can be hard to make a living playing live music.
Then you’ll learn all about an alternate revenue stream for musicians — sync licensing. Nathalie Phan, founder of SoundSync Music, will explain the ins and outs of sync licensing from an agent’s perspective and Austin rapper Tee-Double will walk you through the artist’s perspective.
During Nathalie’s segment you’ll hear the song “Black Tea” by Slug, Elijah Fox, Soul Food Horns and Yasper.
During Tee-Double’s segment you’ll hear “Caped Up” from his album Local Transplant.
Nathalie Phan is pictured in her home on Jan. 31, 2022, in South Austin. Michael Minasi/KUT
Hip-hop artist Tee-Double is pictured in his home studio on July 15, 2021, in Austin. Michael Minasi/KUTX
Could affordable housing save Austin’s music scene?
Jan 18, 2022
In the latest episode, you’ll learn how Austin non-profit Foundation Communities helped musician James Shelton find affordable housing the central Austin. And you’ll get a crash course in how affordable housing works from Foundation Communities Executive Director, Walter Moreau.
Walter Moreau of Foundation Communities is pictured on Jan. 12, 2022, outside of Bluebonnet Studios. Michael Minasi/KUTX
Bonus! Gina Chavez and Joe Greenwald at ACL Music Festival
Jan 04, 2022
Miles Bloxson speaks to Latin Grammy nominee Gina Chavez and artist manager Joe Greenwald at Austin City Limits Music Festival back in October of 2021. They talk about navigating the pandemic and issues facing the Austin music scene.
Miles Bloxson of KUTX speaks with Gina Chavez and Joe Greenwald as part of the Bonus Tracks stage for the Pause/Play podcast on Weekend One of Austin City Limits Music Festival in Austin, TX on Oct. 9, 2021. Jordan Vonderhaar for KUTX
How some Austin musicians are finding housing help with HOME
Dec 21, 2021
In the latest episode, you’ll learn about Austin Housing Opportunities for Musicians and Entertainers or HOME. This Austin organization helps older musicians with housing and living expenses.
How Austin’s housing market helped build the music scene, and how it could destroy it
Dec 07, 2021
In the latest episode of Pause/Play, we’re looking at how the housing market helped build Austin’s music scene, and how it could be the thing that destroys it. You’ll hear from Austin artists about how the housing market has changed for them over the years and why some of them have decided to leave. You’ll also learn about the connection between cheap housing and thriving music scenes, musician incomes, and Austin’s housing market from experts Nicky Rowling, Michael Seman, and Audrey McGlinchy.
Bonus! Music Scenes as Economic Clusters
Nov 30, 2021
Here’s another way to think about music scenes — they’re legitimate economic clusters! Don’t know what we mean by that? Well, you can listen to this bonus episode and learn a little economic theory courtesy of Michael Seman, assistant professor in the LEAP Institute for the Arts’ arts management program at Colorado State University.
Why Taméca Jones, Austin’s Queen of Soul, is leaving for LA
Nov 16, 2021
Austin singer and songwriter Taméca Jones is leaving Austin for LA at the end of the year. In the latest episode, you’ll hear the reasons why the Austin Music scene isn’t working for her. Plus you’ll learn more about our music ecosystem.
You’ll also hear from and Peter Schwarz about the reality of music businesses in Austin’s music ecosystem. And Nikki Rowling explains how so many businesses operating independently can lead to burnout.
We’re Not New York, LA or Nashville. So What Kind of Music City is Austin? Part 1: Dayglow
Nov 02, 2021
We’ve said the words Austin music ecosystem so many times on this podcast. But what do we actually mean when we say that? And how is our ecosystem different from other music cities like LA, Nashville or New York?
In this episode we’ll try to start to answer those questions. First you’ll hear from Austin artist Sloan Struble aka Dayglow, who moved to Austin in part because of the music scene and who has no plans to leave. You’ll also hear from three experts Michael Seman, Nikki Rowling and Peter Schwarz, who will shed some light on what Austin’s music ecosystem is actually like and how it compares to other music cities like New York, LA or Nashville.
Erin Walter poses for a portrait at Far Out Lounge and Stage on August 5, 2021. Michael Minasi/KUTX
Portrait of Jung Kwak, Associate Professor in the University of Texas at Austin School of Nursing. Photo by Matt Wright-Steel, courtesy of the Texas Exes
We talk to musicians about what’s changed for them at this stage of the pandemic. You’ll learn what they’re doing differently creatively and with their businesses and how they’re feeling overall about the constantly changing Austin music landscape.
We talked to three club owners about what’s changed for music venues since things have opened back up, plus we explore the saga behind the Shuttered Venue Operators Grant.
In this episode its all about the fans! You’ll hear about how they coped when there were no live shows and how they feel now that things are opening back up.
AUSTIN, TX. May 27, 2021. Joanna Castillo poses for a portrait with three 15-inch high piles of music shirts that celebrate a variety of artists, venues, concerts and festivals. Castillo bought between 40-50 shirts in just the past year to support artists that were unable to perform due to the coronavirus pandemic. Michael Minasi/KUTX
AUSTIN, TX. May 28, 2021. Jonathan Weldon, his wife Laura, and sons Pierce, 8, and Oliver, 4, have been organizing small concerts in their front-yard over the course of the coronavirus pandemic. Michael Minasi/KUTX
Is the Pandemic Over for Austin Music?
Jun 01, 2021
We ask the question, “Is the Pandemic Over For Austin Music?” You’ll hear from public health experts, a musician, a fan, a venue owner and a venue manager about what whether or not the CDC’s change in mask guidance for vaccinated individuals coupled with the big reopening in Austin music venues that took place on Memorial Day weekend signals the end of the pandemic for Austin’s music scene.
In the latest episode of Pause/Play we tackle the question “To Play, or Play or not Play?” We asked 15 Austin Musicians the same questions — Have you performed during the pandemic? Are you ready to perform now? What would it take to make you feel comfortable performing the way we used to pre-pandemic? Their answers provide insight into what it’s been like to be a musician during COVID and what kind of decisions artists are faced with now that more people are getting vaccinated and COVID restrictions are loosening.
AUSTIN, TX. May 7, 2021. Pause/Play. Tameca Jones is pictured in Central Austin. Michael Minasi/KUTX
In the latest episode of Pause/Play we talk to the lunch ladies of Free Lunch, musician J Soulja, the founders of Mosaic Live Wire and entrepreneur and artist Cam the TSTMKR about how they’ve pivoted during the pandemic.
AUSTIN, TX. April 20, 2021. Jazz Mills, of Free Lunch, serves fresh fruit at an event. Michael Minasi/KUTX
AUSTIN, TX. April 24, 2021. From the left: Dan Redman, Mike Henry, and Stuart Sullivan, of the Mosaic Sound Collective and Mosaic Live. Michael Minasi/KUTX
We’re looking at the art of live streaming. You’ll hear the different ways people are approaching it and what it could mean for the future of the Austin music community.
On March 10th the Texas governor re-opened the state. Now businesses can operate at 100% capacity. He also lifted the statewide mask mandate. We talked to musicians, venue owners & staff about how they plan to navigate the reopening.
We talked to people from across the spectrum of the Austin music ecosystem around the 1-year anniversary of the cancellation of SXSW. In this episode, you’ll hear how they’ve coped, pivoted, evolved, gained new perspectives and dealt with trauma during the last 12 months.
Music and Activism with Jonathan “Chaka” Mahone
Feb 09, 2021
Jonathan “Chaka” Mahone from the Austin hip-hop duo Riders Against the Storm talks about how his experience as a Black musician in the Austin music community led him to create the DAWA Fund and the Black Live Music Fund. He also explains why his music is the reason he is able to continue to serve the community he loves.
Graham Williams, the founder of Margin Walker, discusses his journey in the Austin music scene and explains why nine months into the pandemic he decided to close Texas’s largest independent concert promoter for good.
In the latest episode of Pause/Play Homer Hill tells the story of the Urban Music Fest and how it’s been hit hard by the pandemic. You’ll also learn the history of the festival, and hear the challenges Homer has faced in his thirty plus years as a Black Business owner in Austin, Texas.
Hear from people across the spectrum of the Austin music scene talk about their live music experiences during the pandemic.
In the first segment you’ll hear Pedro Carvalho and Lawrence Boone from the venue The Far Out Lounge talk about how they’ve managed to stay open and have consistent live music. Then KUT reporter Andrew Weber takes you to a show that’s also a Dumpster Fire. Matt Ott from the Austin non-profit Black Fret brings you perspectives from an indoor show at ACL live. And Miles Bloxson talks to three fans about their risk tolerances and relationships with live music during COVID.
Live Music has returned to Austin, even as COVID cases continue to surge in Texas. Hear about three live music experiences from the perspective of a fan, three musicians and a promoter.
For the first 50 days of quarantine during the coronavirus pandemic, Austin musician Jackie Venson live-streamed hours of musical performances from her home. She awoke at the end of the meditative marathon to a new normal for Austin musicians: no touring, no in-person shows, and no idea of what would come next. But in her calmed state of mind, Venson focused on her practice and her music, and used her platform to stand for Black musicians and Black lives. Last month, she received the honor of playing her first ACL Live performance – a culmination of her patience and perseverance in this uncertain year.
Follow Austin musician Jackie Venson as she makes her debut on the iconic Austin City Limit’s TV show. You’ll hear how Jackie has been pivoting during the pandemic, and find out how Austin City Limits has been adapting to taping shows without a live audience.
In this episode, you’ll hear from the owners two Austin venues. Brodie Elkins tells the story of Scratchouse which closed due to the pandemic. Then Maggie Lea and Tamara Hoover talk about how they’ve kept their venue, Cheer Up Charlies, afloat and explain what it’s been like to get ready to reopen.
Prepared for the Worst: Being a Musician During COVID-19
Oct 19, 2020
From finances to healthcare access, being a musician during a pandemic isn’t easy – even in the Live Music Capital of the World. In episode two of Pause//Play, the new podcast from KUT/KUTX Studios, Austin musicians Mobley and TEDDYTHELEGACY tell their stories of survival and creativity. Video by Julia Riehs
In this episode you’ll hear the pandemic stories of two Austin Musicians — Mobley and Teddythelegacy. You’ll find out how their ability to access financial help has impacted their lives, what creative projects they’ve been working on and hear their perspectives on the uprisings for racial justice.
What happened to Austin’s live music scene after the shutdown of SXSW?
On March 6th, 2020 the Austin City government canceled SXSW. That decision had an economic ripple effect throughout the city. It also marked the true beginning of the COVID-19 crisis for Austin. In this episode, hosts Miles Bloxson and Elizabeth McQueen explore why Austin calls itself the Live Music Capital of the World. They’ll look at the effect that the cancellation of SXSW and the subsequent shut down of the bars had on Austin through the experiences of some of the musicians, venue owners, venue staff, and music non-profits who make up this live music ecosystem.
Trailer: Pause/Play on the Austin music scene
Sep 09, 2020
“Pause/Play” will tell the pandemic stories of artists, venues, venue staff, festivals, sound technicians, music non-profits and more. What has the shutdown been like for them so far? What help have they received in order to survive? What adaptations have they been making, and what do they see as the future for Austin Music?