Ozark Highlands Radio

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OHR Presents: Dale Ann Bradley Apr 02, 2024

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This week, Kentucky Music Hall of Fame member and six time International Bluegrass Music Association Female Vocalist of the Year, Dale Ann Bradley, recorded live at the Ozark Folk Center State Park. “Dale Ann Bradley is a Kentucky native who is proud of her state. Her music reflects that love as she often sings of the state’s multiple charms including sparkling streams, rolling hills and mountains, lush hillsides filled with native plants and beautiful landscapes. She also includes songs about coal mines (her father was a miner) and another business, that of moonshine stills. Thanks to a great-uncle who noted Dale Ann’s interest in music, an 8-track player appeared at her home, along with tapes of some of her favorite singers. When she was 14, she was given her first guitar. ‘It was a little plywood, small body guitar, but it had six strings, and I made a pick from a milk jug. I drove everybody crazy learning to play it.’ The singer learned to play her guitar and soon was singing the songs she heard on the radio and off the 8-track player. When she was a junior in high school, the new band director at school and his wife, known as Back Porch Grass, sang in the summer at Pine Mountain Stage Park in Pineville. Acknowledging her talent, they asked Dale Ann to join them, which gave her the opportunity to learn to entertain an audience. Attending one of her concerts is almost like having a friend in your living room, as she chats back and forth with the audience and doesn’t hesitate to share jokes on herself as well as the rest of her band. In 2018, Dale Ann was inducted into the Kentucky Music Hall of Fame, joining many people she looked up to including Bill Monroe, Keith Whitley, Sonny Osborne, and Sam Bush. The singer is a six-time winner of IBMA’s Female Vocalist of the Year and took home the Gospel Recorded Performance of the Year in 2021 for ‘After While.’ She has been named Female Vocalist of the year by the Society for the Preservation of Bluegrass Music of America three times.” -https://www.daleannbradley.com/about In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Texas swing legend Laura Lee McBride performing the classic Western song “I Bet Ya My Heart I Love Ya” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins talks about the Ozark tradition of growing and refining molasses.

OHR Presents: Voices Mar 20, 2024

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This week, voices. A collection of contemporary folk singers with unique and authentic voices recorded live at Ozark Folk Center State Park. Ballad singing is a primary form of expression in folk music. Folk ballads merge melody and story to recount events but also transport the listener to an emotional space. How well a ballad can bring the listener into that space very much depends on the singer. Less important to an effective folk singer are the rudimentary aspects of singing than is the authentic sound of their voice. The timbre and character of the singer’s voice in service to the ballad becomes the vehicle, transporting the listener into that emotional space. Ozark original and legendary folk balladeer Almeda Riddle for an example. As much as the stories Almeda relates, it’s the sound of her instantly recognizable and authentic voice that moves listeners deep into the hills and hollers of the Ozarks. Featured on this episode are an all-star lineup of contemporary folk balladeers including: world renowned vocalist & educator Moira Smiley with the Jayme Stone Project; Ozark original & Smithsonian Folklife Festival performer Carolina Mendoza; Ozark original and Creek Rocks vocalist & multi-instrumentalist Cindy Woolf; OFC regular & prolific singer-songwriter Carolyn Carter; Ozark original vocalist & multi-instrumentalist Pam Setser with The Ozark Granny Chicks; inimitable folk singer & multi-instrumentalist Grace Stormont; and award winning Eureka Springs, AR singer-songwriter Melissa Carper with The Buffalo Gals. In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1973 archival recording of Ozark original singer, Aunt Ollie Gilbert, performing the traditional Ozark ballad “The Ballad of Cole Younger” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the “Voice of the Ozarks,” the legendary Ozark original balladeer Almeda Riddle. Featured is a 1957 recording of Almeda performing the traditional Ozark ballad “The Oxford Girl,” courtesy of the Lyon College Wolf Folklore Collection.

OHR Presents: The Casey Penn Band Mar 05, 2024

Show notes

This week, Ozark original ACMA nominated and rising national bluegrass sensation The Casey Penn Band recorded live at the Ozark Folk Center State Park. Also, an interview with Casey Penn. As a bonus, music and commentary from Ozark original prodigies and Mountain View’s very own Ozark Strangers. Based in Central Arkansas, Casey Penn is an Arkansas Country Music Award-nominated songwriter and a performing bluegrass and Americana artist. She's represented by Mountain Fever Records, for which she has released three singles and a debut album (One Step Away / February 2023). Her newest single, "We Go Together Like a Guitar and a Fiddle," is available now and is climbing the Bluegrass Unlimited Top 30 charts. Her full album is climbing the Top 15 Album Chart for Bluegrass Unlimited as well. Casey is a former founding member of the Americana duo Lee Street Lyrical. Now dissolved, the band was signed to MFM’s Travianna Records and was a repeat ACMA nominee for Acoustic Act of the Year. “I’ll Never Be A Mountain Girl,” written by Penn and Irene Kelley, reached #8 on Bluegrass Today’s Weekly Grassicana chart. Casey is joined in this performance by: her husband Will Penn on acoustic bass; singer-songwriter Roger King on guitar, dobro, and vocals; Gravel Yard band member Titus Turner on mandolin; and Titus’ sister, multi-instrumentalist Tiffany Turner on banjo, guitar, and vocals. Although the Ozark Strangers are young, they’re by no means novices. Born out of the Ozark Folk Center State Park’s Music Roots program, these young men have built a name for themselves in the local bluegrass scene. Ranging in age from 13 to 19, the Strangers have already been performing professionally for years. Under the tutelage of Music Roots educator and renowned bluegrass producer Crystal McCool, the Ozark Strangers have competed at the Silver Dollar City KSMU Youth in Bluegrass Contest and have released a live album. The band’s roster includes: Sugar Foot Gordon Parker on mandolin; Jordan Brannon on guitar; Truett Brannon on fiddle; Zach Ledbetter on acoustic upright bass; and Jake Ledbetter on banjo. In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original bluegrass band Gospel Grass performing the traditional song “Everlasting Arms” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater pays homage to folk icon Jean Ritchie, featuring the song “Sings the Soldier.”

OHR Presents: Steam Machine Feb 10, 2024

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This week, authentic Minneapolis old time bluegrass string band Steam Machine recorded live at Ozark Folk Center State Park. Also, an interview with the bands founders AJ Srubas and Rina Rossi. Joining AJ and Rina in this performance are David Robinson on banjo and Andrew Deia on upright bass. “Steam Machine is a midwest based old time/bluegrass music project fronted by award winning in-demand Minneapolis fiddler AJ Srubas and Twin Cities old time music & dance instigator Rina Rossi on guitar. A spectacular shortlist of stellar musicians perform with the band on banjo and bass, and when possible, mandolin. “Originally formed in Minneapolis in 2017, Steam Machine brought to the national stage a midwest influenced string band aesthetic that didn’t draw such hard lines between bluegrass and old time music. Smooth powerful fiddling, driving three finger banjo, front-of-the-beat rhythm backup combined into a “suspiciously entertaining” sound. “Two time Appalachian String Band Music Festival (Clifftop) Traditional Band Contest ribbon winners and Folk Alliance Midwest Official Showcase Artists, since 2018 they have been touring the region and the country performing at diverse venues from roots music hubs to bluegrass and Americana festivals, and teaching workshops at traditional music epicenters across the country from the Augusta Heritage Center (WV) to Festival of American Fiddle Tunes (WA) with many others in between. At home in Minneapolis, they are heavily involved as organizers in many of the local community old time and bluegrass institutions. “While not purists, Steam Machine does listen closely to the “old stuff” and strives to capture the essence of what makes these tunes and songs special, as they hear it. The project continues to be an evolving vehicle for playing music they love and honoring the brilliance left behind by old time heroes like Lyman Enloe, Cyril Stinnett and more. Equally at home playing for an oldtime/bluegrass loving crowd or listeners new to these sounds, Steam Machine aspires to keep midwest style old time bluegrass music alive and well wherever they go.” - https://www.steammachinemusic.com/what-we-do In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Bob Olivera performing the classic cowboy song “Tumbling Tumbleweeds” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater sleuths out the origin of the folk song “The World is Old.”

OHR Presents: Seamus Egan Jan 30, 2024

Show notes

This week, traditional Irish musician, songwriter and multi-instrumentalist Seamus Egan recorded live at Ozark Folk Center State Park. Also, an interview with Seamus. “It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan. From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today. As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others. As a composer, he was behind the soundtrack for the award-winning film The Brothers McMullen, co-wrote Sarah McLachlan’s breakout hit, ‘Weep Not for the Memories,’ and has scored numerous documentaries and indie films since. As a bandleader, Solas has been the pre-eminent Irish-American band of their generation for the past 20 years, continuously renewing Irish music with fresh ideas, including a collaboration with Rhiannon Giddens on their 2015 album. As a performer, few others can make so many instruments or such wickedly complex ornaments seem so effortless.” - https://seamuseganproject.com/about Seamus is joined in this performance by Owen Marshall. “Vogue magazine calls musician Owen Marshall ‘A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot’ (Vogue 2009). With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. In addition to touring with acts such as The Press Gang, Copley Street, Haas, Marshall, Walsh, and dance band Riptide, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.” - www.owenmarshallmusic.com In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Bob & Melissa Atchison performing the traditional tune “Miss Miranda” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores shape note singing and the haunting “Abolitionists Hymn.”

OHR Presents: Ben Haguewood Jan 19, 2024

Show notes

This week, hammered dulcimer prodigy, singer-songwriter, multi-instrumentalist and Ozark original Ben Haguewood recorded live at Ozark Folk Center State Park. Also, an interview with this upstart hammer wielding dulcimer master. Ben Haguewood is an Ozark original hailing from the tiny hamlet of Potosi, Missouri near the heart of the Mark Twain National Forest. Although a relative newcomer to the competitive world of hammered dulcimer playing, Ben has left his mark on the art form both as a player and a composer. Since becoming a regular Ozark Folk Center performer as a teen, he’s voraciously absorbed all the traditional folk music he could and collected many friends along the way. Ben has been in more than a few bands over the years but his partnership with champion old-time fiddler Kailee Spickes stands out as most enduring. The duo make up two fifths of the band “Taller Than You” and all of the band “Blackberry Summer.” Possessing a seemingly inexhaustible desire to create, both separately and together, Ben and Kailee have explored multiple instruments, musical styles, and even songwriting. From rousing traditional jigs to delicate original ballads, you’ll enjoy this journey through the music of Ben Haguewood. In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 2022 archival recording of Ozark original and dulcimer instructor to Ben Haguewood, Janice Huff, performing her original tune “Back of the Moon” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater examines nonsensical lyrics in traditional songs.

OHR Presents: Playlist One Jan 02, 2024

Show notes

This week, a retrospective of the very first season of Ozark Highlands Radio featuring a variety of outstanding performances recorded live at Ozark Folk Center State Park. Host Dave Smith and OHR producer Jeff Glover provide context and commentary for this captivating collection. Each year at the Ozark Folk Center State Park, we record many hours of live music. We cherish all of it, but some of these performances stand out as being uniquely interesting or moving. On this episode, OHR producer Jeff Glover guides us through some of the most memorable moments of season one. Featured on this show are: thumb picking guitar Jedi and country music legacy Thom Bresh; OHR guest host, writer, and renowned folk musician Aubrey Atwater; singer-songwriter Wil Maring with award winning guitarist Robert Bowlin; OHR host and our very own Dave Smith; Ozark originals The Lazy Goat String Band; Missouri folk sensations and Ozark originals Cindy Woolf & Mark Bilyeu; Outlaw Country star Malcolm Holcomb with multi-instrumentalist Jared Tyler; Ozark originals The Clark Family; world champion mountain dulcimer master Jeff Hames; writer, auto harpist and singer Bryan Bowers; and Ozark original husband and wife duo Lukas & Eden Pool. In this week’s “From the Vault” segment, OHR host Dave Smith offers a 1975 archival recording of Ozark original musician, educator, country music legacy, and the original keeper of “the vault,” Mark Jones, performing the traditional tune “Arkansas Traveler” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins presents a profile of renowned Ozark original folk singer Almeda Riddle, the voice of the Ozarks.

OHR Presents: Railyard Live - Chucky Waggs & the Company of Raggs Dec 13, 2023

Show notes

This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Ozark original true folk troubadours Chucky Waggs & The Company of Raggs, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture. Chucky Waggs is a multi-instrumentalist, singer/songwriter and recording artist based out of the hills of Eureka Springs, AR. Chucky Waggs plays a mix of acoustic and electric guitar, 5 string and tenor banjo, dobro, resonator guitar, harmonica, musical saw and kazoo, while using his feet to stomp out the back beat on a thrown together drum kit during live performances. Drawing influences from early American roots music, as well as early punk and rock and roll, he's often joined on stage by numerous accompanying musicians during live performances to add to the energy and dynamic of his original material. This group is commonly referred to as the "Company of Raggs.” The result ranges from intimate, often humorous, folk ballads, to all out rowdy stomp alongs. - https://chuckywaggs.com/bio In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Dave Para performing the traditional song “Frankie and Albert” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater presents a collection of coal mining disaster songs.

OHR Presents: Railyard Live - Arkansauce Dec 01, 2023

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This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring post-folk newgrass phenomenon Arkansauce, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Rogers Arts & Culture Coordinator Kinya Christian. Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture. “Arkansauce is Tom Andersen on bass, Zac Archuleta on guitar, Ethan Bush on mandolin, and Adams Collins on banjo. Their music features improvisational string leads matched with complex melodies, intriguing rhythms, and deep thumping bass grooves. Each member sings lead and harmony parts as well as contributes to the lyrics, which offer authentic, intelligent songwriting with hard-hitting hooks. “We are a band that spends most of our time in the back of a van hurtling toward long nights, good times, and a destiny unknown,” says Ethan. “Our inspiration is gathered by events unfolding in our own adventures in real time. These days, the desire to create, inspire, and redefine within our scene seems to be the main driving force behind our music.” The melodies of the Ozark Mountains' rolling hills and raging rivers can be heard in this progressive string quartet’s distinct blend of newgrass.” https://www.arkansaucemusic.com/info In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Bill Sky Family Trio performing the traditional song “Twilight is Stealing” from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater traces the peregrination of the tune “John Stenson’s No. 2.”

OHR Presents: Railyard Live - Eureka Strings Nov 14, 2023

Show notes

This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs folk orchestra, Eureka Strings, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Eureka Strings’ bassist, Dave Gesualdo. Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture. Eureka Strings is a folk orchestra. A seven piece menagerie of instrumentation and musical styles based in Eureka Springs, Arkansas. The band features Dave Gesualdo on bass, Warren Dietzel on drums, Damian Sisca on keys, Alex Hawf on mandolin & vocals, Dylan Hawf on fiddle, Bear Morrison on guitar & vocals, and Sophia Clarke on guitar & vocals. Their sound is difficult to define, first appearing as a mild mannered country/southern rock band. But when they quickly begin to color outside of those lines, the listener finds Eureka Strings is a full blown genre bending psychedelic musical experience. Original southern twang and brutal folk candor meld with angular jazz chords, space grass virtuosity, southern rock energy, and slap bass to create an infectious country-fried Funkadelic-esque party on the stage. In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Sylamore Creek Quartet performing an unknown tune from the Ozark Folk Center State Park archives. In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the themes of conundrums and impossible tasks in traditional music.

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