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    Music

    Ozark Highlands Radio

    Ozark Highlands Radio is a weekly radio program that features live music and interviews, recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners on a musical journey with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.

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    Latest Episodes:
    OHR Presents: Hubby Jenkins Mar 17, 2018
    Show notes

    Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, Country Blues & Oldtime music phenomenon and Carolina Chocolate Drops member Hubby Jenkins recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Hubby. Mark Jones offers an archival recording of Ozark originals Bess & Lester Kelley performing the Carter Family song “All the Good Times are Past & Gone.” Writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years. Hubby Jenkins is a talented multi-instrumentalist, who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn, he delved into his Southern roots, following the thread of African American history that wove itself through country blues, ragtime, fiddle and banjo, and traditional jazz. Hubby got his higher musical education started as a busker. He developed his guitar and vocal craft on the sidewalks and subway platforms of New York City, performing material by those venerable artists whose work he was quickly absorbing. An ambitiously itinerant musician, he took his show on the road, playing the streets, coffee shops, bars, and house parties of cities around the U.S. After years of busking around the country and making a name for himself, Hubby became acquainted with the Carolina Chocolate Drops. Since 2010 he has been an integral part of the Grammy award winning Carolina Chocolate Drops and continues to make solo performances. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Bess & Lester Kelley performing the Carter Family song “All the Good Times are Past & Gone,” from the Ozark Folk Center State Park archives. From his series entitled “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the curious history of Dogpatch USA, a unique theme park in the Ozarks for 25 years. The first of a three part series, this episode chronicles the early years of an Ozark theme park based on the famous cartoon “Li’l Abner,” created by cartoonist Al Capp.


    OHR Presents: The Savoy Family Cajun Band Mar 10, 2018
    Show notes

    This week, distinguished traditional Louisiana Cajun music connoisseurs The Savoy Family Cajun Band recorded live at Ozark Folk Center State Park. Also, interviews with renowned fiddler Joel Savoy. Mark Jones offers an archival recording of Ozark originals Ervin & Lily Freeze performing the song “Let Those Brown Eyes Smile at Me.” Author, folklorist, and songwriter Charley Sandage presents a portrait of Blanchard Springs National Park, featuring an interview with long time U.S. Forest Service visitor information specialist Tony Guinn. The Savoy Family Cajun Band consists of father Marc, mother Ann, and brothers Joel & Wilson Savoy. Marc Savoy was born and raised in the small Cajun prairie town of Eunice, Louisiana. Drawing inspiration from 'bals de maison' (house dances) in his father's outdoor kitchen, Savoy obtained his first accordion and began playing it at the age of 12. Playing the instrument led to repairing it and after disassembling enough accordions he began to build them. Playing the accordion has always been a natural part of his life from the dancehall to the home. The musicians with whom he has played Cajun music read like a who’s who of the finest in Cajun music, from the Balfa Brothers, DL Menard, Doc Guidry to early fiddle masters Dennis McGee and Wade Fruge. Ann Allen Savoy is a musician, photographer, record producer, and writer. Her destiny was sealed when she began to listen to rare collections of Cajun 78’s. She met her future husband, acclaimed accordion builder/musician Marc Savoy, and after their marriage she began documenting the Cajun culture, taking photographs, interviewing important musicians, and transcribing the Cajun French songs. Her documentation ultimately became a book, Cajun Music: A Reflection of a People Volume 1, which won the prestigious Botkin book award from the American Folklore Society. An avid photographer since high school, her photos have been exhibited at the Virginia Museum of Fine Arts and at the Festival of American Music in Eugene, Oregon. Joel Savoy is one of the most requested fiddlers in SW Louisiana today. Joel grew up in Eunice, Louisiana, literally at the feet of Cajun heros like Dennis McGee, Dewey Balfa, Michael Doucet, and Wade Frugé. In 2006 Joel founded Valcour Records. He’s worked and played with Linda Ronstadt,T-Bone Burnett, Steve Buckingham, Allison Krauss, Linda Ronstadt, Steve Miller, Tim O’Brien, Darol Angor and many more. Joel also builds accordions with his father, makes electric guitars and hi-end tube amps and studio gear, and is an excellent recording engineer. Wilson Savoy, the youngest son of Marc and Ann, has made music since before he could walk. He began playing boogie-woogie and blues piano, inspired by Louisiana native Jerry Lee Lewis, at the age of 10. Wilson took up the accordion after graduating from high school. His major influences are his father, Amede Ardoin, and Iry Lejeune. Besides being a musician he is an avid filmmaker, and has produced films of many of the finest bands in SW Louisiana. (www.almenafilms.com) When he isn’t making and producing music videos and short biographies he is traveling with his three times Grammy nominated dynamic young band, the Pine Leaf Boys. - http://www.savoyfamilycajunband.com/index.html In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Ervin & Lily Freeze performing the song “Let Those Brown Eyes Smile at Me,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of Blanchard Springs National Park, featuring an interview with long time U.S. Forest Service visitor information specialist Tony Guinn.


    OHR Presents: Celebrating Ozark Heroes Mar 05, 2018
    Show notes

    Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, a celebration of Ozark traditional music pioneers and their influences. This special episode features Betse Ellis & Clarke Wyatt, The Creek Rocks, and The Aching Hearts recorded live at the Ozark Folk Center State Park. Mark Jones offers an archival recording of Ozark originals The Apple Family performing the traditional song “Who’s Gonna Dance With Sally Ann.” Author, folklorist, and songwriter Charley Sandage presents the Off the Beaten Path Studio Tour of the Ozarks, featuring an interview with Becky Dahlstedt, one of the organizers of the tour. https://www.betseandclarke.com/bio/ http://www.thecreekrocks.com https://theachinghearts.com/bio


    OHR Presents: Molsky's Mountain Drifters Feb 24, 2018
    Show notes

    This week, preeminent old time fiddler Bruce Molsky and his Molsky’s Mountain Drifters recorded live at Ozark Folk Center State Park. Mark Jones offers an archival recording of Ozark original Moon Mullins performing the tune “Tiptoe Through the Tulips.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the M&NA railroad of the Ozarks, featuring an original song & interview from Tom Simmons, the very first director of the Ozark Folk Center. Bruce Molsky is a self-described “street kid” from the Bronx who bailed on college and big city life for a cold-water cabin in Virginia in the 1970s. His mission? To soak up the passion that was dramatically upending his parent’s life plan for him – authentic Appalachian mountain music – at the feet of its legendary pioneers, old masters who are now long gone. Molsky’s Mountain Drifters also includes banjoist Allison de Groot and guitarist & singer Stash Wyslouch. Today, Bruce Molsky is one of the most revered “multi-hyphenated career” ambassadors for America’s old-time mountain music. For decades, he’s been a globetrotting performer and educator, a recording artist with an expansive discography including seven solo albums, well over a dozen collaborations and two Grammy-nominations. He’s also the classic “musician’s musician” – a man who’s received high praise from diverse fans and collaborators like Linda Ronstadt, Mark Knopfler, Celtic giants Donal Lunny and Andy Irvine, jazzer Bill Frisell and dobro master Jerry Douglas, a true country gentleman by way of the Big Apple aptly dubbed “the Rembrandt of Appalachian fiddlers” by virtuoso violinist and sometimes bandmate Darol Anger. Molsky digs deep to transport audiences to another time and place, with his authentic feel for and the unearthing of almost-forgotten rarities from the Southern Appalachian songbook. His foils are not only his well-regarded fiddle work, but banjo, guitar and his distinctly resonant vocals. From tiny folk taverns in the British Isles to huge festival stages to his ongoing workshops at the renowned Berklee College of Music, Molsky seduces audiences with a combination of rhythmic and melodic virtuosity and relaxed conversational wit – a uniquely humanistic, downhome approach that can make Carnegie Hall feel like a front porch or parlor jam session. - https://www.mountaindrifters.com In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Moon Mullins performing the tune “Tiptoe Through the Tulips,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the M&NA railroad of the Ozarks, featuring an original song & interview from Tom Simmons, the very first director of the Ozark Folk Center.


    OHR Presents: Antsy McClain & Muriel Anderson Feb 18, 2018
    Show notes

    This week, celebrated singer/songwriter & hometown humorist Antsy McClain with world renowned harp-guitarist Muriel Anderson recorded live at the Ozark Folk Center State Park. Also, interviews with Antsy & Muriel. Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the White River Line railroad of the Ozarks, featuring an interview with George Lankford, professor emeritus at Lyon College in Batesville. Antsy McClain brings his unique blend of music and “humor with heart” to the stage, combining his original songs with a hilarious slide show, including Antsy’s own life observations, social commentary and imaginary sponsors from his home town trailer park of Pine View Heights. As a master storyteller with the likes of PBS, NPR and TEDTalks under his belt, Antsy includes humorous and serious songs in his shows. Songs such as “One Less Trailer Here in Pine View Heights,” My Baby Whistles When She Walks,” and “The Junk Drawer of Your Heart,” are keenly humorous observations about love and loss, while his more serious songs, like “Field Trip,” “I’m Everyone,” or “Falling in Love in America,” are more akin to personal journal entries written in the act of living. It’s this tightrope walk between humor and heart that makes Antsy McClain a true original. - http://unhitched.com/antsys-bio/ One of the world’s foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson is the first woman to have won the National Fingerstyle Guitar Championship. Her CD “Nightlight Daylight” was chosen as one of the top 10 CDs of the decade by Guitar Player Magazine her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery. She has performed/recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her obvious joy of music, humor and her facility across the genres of folk, classical, jazz, bluegrass and international music is revered by guitarists worldwide. An engaging performer, Muriel’s unique approach to the instrument virtually transforms the guitar into a lyrical choir, then a marching band, then a Japanese koto, then a Bluegrass band, one minute launching into a Beatles’ tune and the next, a Rodrigo concerto. Her video “Why Worry” has garnered a total of over 8 million views. Muriel is host of the renowned Muriel Anderson’s ALL STAR GUITAR NIGHT® and founder of the MUSIC FOR LIFE ALLIANCE charity. - http://murielanderson.com/press/bio/ In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.


    OHR Presents: The Paul Brock Band Feb 11, 2018
    Show notes

    This week, world renowned Irish button accordion & melodeon player Paul Brock & his band recorded live at the Ozark Folk Center State Park. Also, interviews with this master of Irish traditional music. Mark Jones offers an archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the Little Red River of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn & Angela Chandler, Arkansas Geological Survey supervising geologist. Button accordion and melodeon player Paul Brock is a multiple All-Ireland champion from Athlone, County Westmeath now residing in Ennis, County Clare. Brock’s solo album, Mo Charidin (Gael-Linn), was described by the Rough Guide to Irish Music as “a masterpiece of accordion playin.” Brock co-founded Brock McGuire Band in 2000 with fiddle player Manus McGuire. The band has gone on to record a number of highly acclaimed albums including Green Grass Blue Grass, a collaboration with 14-time GRAMMY Award winner Ricky Skaggs celebrating the connection between Appalachian and Irish music. In 2014, the band performed a fully-scored program of their music with the Mississippi Symphony Orchestra in Jackson, Mississippi. As a soloist, Brock has toured extensively internationally. He has performed with leading musicians and has been a special guest artist on a number of occasions with acclaimed Irish band The Chieftains. In 1989, Brock and McGuire co-founded Moving Cloud, with whom he recorded two award winning albums for Green Linnet Records. Brock’s 2006 collaboration with Enda Scahill, Humdinger (Compass Records), was voted “Irish Music Album of the Year” by The Irish Times and “Instrumental Album of the Year” by The Irish American News. Brock’s many album credits include A Tribute to Joe Cooley (Gael-Linn) with fiddler Frankie Gavin. - https://paulbrockband.com For this performance, Paul Brock is joined by famed Irish composer & teacher Denis Carey, multi-instrumentalist, singer, and dancer Dave Curley, and also multi-instrumentalist Shane Farrell. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Ulys Pilcher performing the traditional tune “Sally Goodin,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the Little Red River of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn and Angela Chandler, Arkansas Geological Survey supervising geologist.


    OHR Presents: The Barefoot Movement Feb 03, 2018
    Show notes

    This week, high energy Neo-Grass acoustic music phenomenon The Barefoot Movement recorded live at the Ozark Folk Center State Park. Also, interviews with The Barefoot Movement vocalist & co-founder Noah Wall. Mark Jones offers an archival recording of Ozark original Brooke Breeding performing the traditional tune “Tying the Leaves.” Author, folklorist, and songwriter Charley Sandage presents a portrait of the White river of the Ozarks, featuring interviews with Arkansas Game and Fish Commission Stream Fisheries Biologist Jeff Quinn and historian & folklorist Dr. George Lankford. Heartfelt, energetic, and down home. Heralded by CMT Edge as "one of the most promising bands on the bluegrass scene," the music of the Nashville based group The Barefoot Movement is as down to earth as their intention for members of their audience: sit back, relax, take your shoes off, and stay a while. All the worries and frustrations of the world melt away as this charming, acoustic band takes listeners back to a simpler place and time. Whether you're seeking emotional ballads or rip-roaring barn-burners, you can expect a collection of music that offers something for everyone. With two full length albums, an EP of traditional music, several cross-country tours, and appearances at some of the top bluegrass festivals in the United States already under their belt, the possibilities for this act are endless. The group has enjoyed almost non-stop touring including a trip to Burkina Faso, Africa where they were guests of the American Embassy, and in September of 2014, they received a Momentum Award, naming them "Band of the Year" by the International Bluegrass Music Association. - http://www.thebarefootmovementofficial.com/bio/ In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Brooke Breeding performing the traditional tune “Tying the Leaves,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River, America’s first national river.


    OHR Presents: Leyla McCalla Jan 27, 2018
    Show notes

    This week, New York born Haitian-American classical & folk music sensation and former Carolina Chocolate Drops member Leyla McCalla recorded live at the Ozark Folk Center State Park. Also, interviews with Leyla. Mark Jones offers an archival recording of Ozark original & hammered dulcimer legend Jay Round performing a medley of traditional Irish tunes. Author, folklorist, and songwriter Charley Sandage presents an introduction to Ozark geology, featuring an interview with Arkansas Geological Survey supervisor Angela Chandler. Leyla McCalla is a Haitian-American living in New Orleans, who sings in French, Haitian Creole and English, and plays cello, tenor banjo and guitar. Deeply influenced by traditional Creole, Cajun and Haitian music, as well as by American jazz and folk, her music is at once earthy, elegant, soulful and witty — it vibrates with three centuries of history, yet also feels strikingly fresh, distinctive and contemporary. Violist Free Feral - Guitarist, banjoist, and triangle Daniel Tremblay Leyla’s debut album, Vari-Colored Songs: A Tribute to Langston Hughes, was named 2013’s Album of the Year by the London Sunday Times and Songlines magazine, and received additional raves from a number of other publications, including the New York Times, Boston Globe and Offbeat, for its haunting mixture of music and message. - https://leylamccalla.com In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original & hammered dulcimer legend Jay Round performing a medley of traditional Irish tunes, from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode gives us an introduction to Ozark geology, featuring an interview with Arkansas Geological Survey supervisor Angela Chandler.


    OHR Presents: The Jason Roberts Band Jan 19, 2018
    Show notes

    This week, two time Grammy Award winning Texas Swing fiddler and Asleep at the Wheel member Jason Roberts & the Jason Roberts Band recorded live at Ozark Folk Center State Park. Also, interviews with Jason. Grammy Award winning fiddle player Jason Roberts brings his signature style to the Jason Roberts Band. Having spent his childhood among legends in Texas honky-tonks -- and then nearly 20 years with the world-famous band Asleep at the Wheel -- Jason has soaked up the very best of Western Swing and brings his own signature style to this traditional American genre. Two Grammy Awards and four individual Hall of Fame inductions later, Jason and his Jason Roberts Band delight fans around the world. Music is a family thing in the Roberts clan. Jason’s grandfather, Buck Roberts, a fellow Texas Western Swing Hall of Famer, toured nationally with The Roberts Brothers Rhythmaires in the 1940’s and 50’s. A 12-year-old Jason eventually fronted a band with his grandfather and other Rhythmaires’ veterans. From the other side, Jason’s grandmother played swing piano well past her 100th birthday. Jason learned to play on his grandfather Carl’s fiddle, an instrument that’s on stage with him to this day. Legendary fiddler Johnny Gimble (Jason’s kin by marriage) took notice of young Jason's remarkable natural talent and took him under his wing. Jason has said, “Every good lick I know, I stole from Johnny Gimble.” By the time he was 15, Jason had played with greats like Gimble, Leon Rausch, Bobby Boatwright, Herb Remington, and other members of Bob Wills’ Texas Playboys. From the White House to The David Letterman Show and the Kennedy Center to Bob Wills’ hometown of Turkey, Texas, Jason has helped keep the spirit of Western Swing alive across generations. His fiddle magic and endearing personality make him a fan favorite everywhere he plays. https://www.jasonrobertsband.com In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of four Ozark originals; Buddy Lancaster, Tom Simmons, Jackie Stewart, and of course Mark Jones performing “Bile Them Cabbage Down,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River, America’s first national river.


    OHR Presents: A.J. Croce Jan 13, 2018
    Show notes

    This week, American singer-songwriter and musical legacy A.J. Croce recorded live at Ozark Folk Center State Park. Hear A.J. speak of getting to know his famous musical father, Jim Croce, through his inherited collection of personal archival recordings. “A.J. Croce: Two Generations of American Music,” is a blend of A.J’s own soulful music, his father’s enduring hit songs, and some of the music that they shared as influences, together. It is a glimpse into the life of one of America’s greatest songwriters and his equally talented progeny. Adrian James "A.J." Croce is an American singer-songwriter. He is the son of singer-songwriters Jim Croce and Ingrid Croce. “According to Willie Nelson, “A.J. Croce has wisdom beyond his years. With his music, he represents his generation with a profound sense of honesty in his lyrics and quality in his delivery. The future of entertainment is safe in his hands!” Some artists are afforded the chance to tell their personal stories as they see fit, at a particular moment when they know the time has come. But for many, there is no choice — the story emerges hardwired to the music and they become forever identified with it no matter how their story may evolve or change. A.J. Croce has been inextricably linked to a version of his own story by virtue of his name. He’s experienced a lifetime of comparisons to a father he lost at age two, whose music bears little resemblance to his own output yet still serves as a reference point despite the years that have passed and the many iconic mentors who have stepped in to offer their counsel, creativity, and endorsement throughout his long career. It’s curious that it now feels necessary to include the reference, as enough time has passed that a new generation of tastemakers and journalists might not know who Jim Croce was — that he was a golden-voiced everyman, a singer-songwriter-guitarist who died too soon, leaving one of pop music’s most beautiful and memorable ballads (written about a young A.J.) in his wake. Croce the younger, on the other hand, is a piano man, first and foremost, and a vocal stylist second. His muted growl pulls from a host of American traditions and anti-heroes — it’s part New Orleans, part juke joint, part soul, but somehow evokes New York, a continuum where John Lurie meets Lou Reed. He is further a songwriter, driven by a personal muse, informed by a life on a boomerang of tragedy.”


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