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    Music

    Ozark Highlands Radio

    Ozark Highlands Radio is a weekly radio program that features live music and interviews, recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners on a musical journey with historians, authors, and personalities who explore the people, stories, and history of the Ozark region.

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    Latest Episodes:
    OHR Presents: Lizzy Plotkin & Natalie Spears (Full Interview) Dec 06, 2020
    Show notes

    This week, Colorado old-time and progressive bluegrass singer-songwriter duo Lizzy Plotkin and Natalie Spears recorded live at Ozark Folk Center State Park. Also, interviews with these promising new artists. “Lizzy Plotkin and Natalie Spears revel in the endless groove of Appalachian fiddle/banjo duets, funky blues bass lines, and soulful harmony singing. Their original compositions and reverent interpretations of old-time and bluegrass standards draw from a rich history of listening and learning from great American music of the past. They have appeared on the stages of The John Hartford Memorial Festival, Jammin at Hippie Jack’s, BlackPot Festival, Swallow Hill, Steve’s Guitar’s, The Jalopy Theatre, and can be seen touring around their homes on the Western Slope of Colorado and beyond.” https://www.lizzyandnatalie.com/about “Natalie’s original compositions are a home-grown recipe of honest lyricism, soulful melodies, and placed-based inspiration. Drawing on the roots of Americana, including Old time and Jazz, she brings to life the history of these traditions with her own voice and quiver of instruments (banjo, bass, piano, and guitar). Her music offers listeners the space to both venture into the intimate corners of humanity and to rest easy under the strength of strings. Born and raised in the heart of Washington DC, Natalie took after her father, a Jazz and Classical pianist, and began playing piano at age five. By fifth grade she was schlepping her upright bass on the school bus, playing saxophone in her school band, and taking drum lessons. Music fell by the wayside after high school but in her early 20’s, Natalie stumbled upon American Roots music. While playing bass in an Old-Time string band, she became enamored by the driving rhythm of the clawhammer banjo, and since then, has dedicated herself to learning the instrument and its history.” http://nataliespears.com/welcome “Lizzy Plotkin’s place-based songwriting and fiddling is as exuberant as is it graceful. With reverence for the natural world and a humble, yet wise human perspective, Lizzy shares with listeners her joy and connection through original story, melody and voice. The sounds of Appalachian fiddles and banjos enliven Lizzy’s music, while she is equally drawn to the groove of old-jazz, blues and swing. Seamlessly combining a rich heritage of musical influence, she has sewn a folk fabric of her own. In 2012, Lizzy co-founded Colorado folk trio Free the Honey, released three records, reached #1 on the folk dj charts with their album Fine Bloom and performed nation-wide until 2016. As a guest instrumentalist, she has performed with a number of electronic, blues, jazz, bluegrass and country outfits such as The Polish Ambassador, Martha Scanlan, Drew Emmit Band, Ragged Mountain Bluegrass, Pure Prairie League, Gypsy Jazz Social Club and Trout Steak Revival . She lives full time in Almont, CO where she is an active community member and music instructor.” https://lizzyplotkin.com/bio/ In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of himself and Ozark original Frank Ellis performing the traditional tune “The Chicken Reel,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses a metaphysical aspect of hearing loss.


    OHR Presents: Lizzy Plotkin & Natalie Spears Dec 05, 2020
    Show notes

    This week, Colorado old-time and progressive bluegrass singer-songwriter duo Lizzy Plotkin and Natalie Spears recorded live at Ozark Folk Center State Park. Also, interviews with these promising new artists. “Lizzy Plotkin and Natalie Spears revel in the endless groove of Appalachian fiddle/banjo duets, funky blues bass lines, and soulful harmony singing. Their original compositions and reverent interpretations of old-time and bluegrass standards draw from a rich history of listening and learning from great American music of the past. They have appeared on the stages of The John Hartford Memorial Festival, Jammin at Hippie Jack’s, BlackPot Festival, Swallow Hill, Steve’s Guitar’s, The Jalopy Theatre, and can be seen touring around their homes on the Western Slope of Colorado and beyond.” https://www.lizzyandnatalie.com/about “Natalie’s original compositions are a home-grown recipe of honest lyricism, soulful melodies, and placed-based inspiration. Drawing on the roots of Americana, including Old time and Jazz, she brings to life the history of these traditions with her own voice and quiver of instruments (banjo, bass, piano, and guitar). Her music offers listeners the space to both venture into the intimate corners of humanity and to rest easy under the strength of strings. Born and raised in the heart of Washington DC, Natalie took after her father, a Jazz and Classical pianist, and began playing piano at age five. By fifth grade she was schlepping her upright bass on the school bus, playing saxophone in her school band, and taking drum lessons. Music fell by the wayside after high school but in her early 20’s, Natalie stumbled upon American Roots music. While playing bass in an Old-Time string band, she became enamored by the driving rhythm of the clawhammer banjo, and since then, has dedicated herself to learning the instrument and its history.” http://nataliespears.com/welcome “Lizzy Plotkin’s place-based songwriting and fiddling is as exuberant as is it graceful. With reverence for the natural world and a humble, yet wise human perspective, Lizzy shares with listeners her joy and connection through original story, melody and voice. The sounds of Appalachian fiddles and banjos enliven Lizzy’s music, while she is equally drawn to the groove of old-jazz, blues and swing. Seamlessly combining a rich heritage of musical influence, she has sewn a folk fabric of her own. In 2012, Lizzy co-founded Colorado folk trio Free the Honey, released three records, reached #1 on the folk dj charts with their album Fine Bloom and performed nation-wide until 2016. As a guest instrumentalist, she has performed with a number of electronic, blues, jazz, bluegrass and country outfits such as The Polish Ambassador, Martha Scanlan, Drew Emmit Band, Ragged Mountain Bluegrass, Pure Prairie League, Gypsy Jazz Social Club and Trout Steak Revival . She lives full time in Almont, CO where she is an active community member and music instructor.” https://lizzyplotkin.com/bio/ In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of himself and Ozark original Frank Ellis performing the traditional tune “The Chicken Reel,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses a metaphysical aspect of hearing loss.


    OHR Presents: The Lemon Bucket Orkestra (Full Interview) Nov 22, 2020
    Show notes

    This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band. “Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’ “Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more. “Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.


    OHR Presents: The Lemon Bucket Orkestra Nov 21, 2020
    Show notes

    This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band. “Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’ “Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more. “Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.


    OHR Presents: The Ken & Brad Kolodner Quartet (Full Interview) Nov 08, 2020
    Show notes

    This week, award winning Baltimore, Maryland Old-time and progressive Bluegrass sensation The Ken & Brad Kolodner Quartet recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this musical father and son. “The dynamic father-son team Ken & Brad Kolodner weave together a captivating soundscape on hammered dulcimer and clawhammer banjo blurring the lines of Old-Time, Bluegrass and American Roots music. Regarded as one of the most influential hammered dulcimer players in North America, Baltimore’s Ken Kolodner has joined forces with his son Brad Kolodner, a renowned clawhammer banjo player. They've sculpted their own brand of driving, innovative, tasteful acoustic roots music with a ‘creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation.’ The hypnotizing groove of the percussive hammered dulcimer and rhythmic clawhammer banjo is the core of their sound. They are joined by bassist Alex Lacquement who locks everything together with his commanding presence and the dynamic multi-instrumentalist Rachel Eddy on fiddle and guitar. The quartet won 1st place in the Neo-Traditional Band Contest at the Appalachian Stringband Festival in the summer of 2019. They released their fourth studio album "Stony Run" in March 2020.” https://www.kenandbrad.com/about.html In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Mary of the Wild Moor,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the literal and philosophical dilemmas posed by low water bridges for people who depend on them to get home.


    OHR Presents: The Ken & Brad Kolodner Quartet Nov 07, 2020
    Show notes

    This week, award winning Baltimore, Maryland Old-time and progressive Bluegrass sensation The Ken & Brad Kolodner Quartet recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this musical father and son. “The dynamic father-son team Ken & Brad Kolodner weave together a captivating soundscape on hammered dulcimer and clawhammer banjo blurring the lines of Old-Time, Bluegrass and American Roots music. Regarded as one of the most influential hammered dulcimer players in North America, Baltimore’s Ken Kolodner has joined forces with his son Brad Kolodner, a renowned clawhammer banjo player. They've sculpted their own brand of driving, innovative, tasteful acoustic roots music with a ‘creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation.’ The hypnotizing groove of the percussive hammered dulcimer and rhythmic clawhammer banjo is the core of their sound. They are joined by bassist Alex Lacquement who locks everything together with his commanding presence and the dynamic multi-instrumentalist Rachel Eddy on fiddle and guitar. The quartet won 1st place in the Neo-Traditional Band Contest at the Appalachian Stringband Festival in the summer of 2019. They released their fourth studio album "Stony Run" in March 2020.” https://www.kenandbrad.com/about.html In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Bob & Kay Blair performing the traditional song “Mary of the Wild Moor,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley discusses the literal and philosophical dilemmas posed by low water bridges for people who depend on them to get home.


    OHR Presents: Erin Enderlin (Full Interview) Oct 25, 2020
    Show notes

    This week, nationally renowned Arkansas singer-songwriter Erin Enderlin recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this award winning wordsmith. “‘One of the best things about country music was that it was adult music,’ Erin Enderlin says of the country songs she grew up listening to in Arkansas. ‘It was real music that dealt with hard issues in life so that people going through those things don’t feel so alone.’ “The observation is signature Enderlin: She has a way of turning a song or even just a thought into an outstretched hand to the lonely or ashamed. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier firmly cemented her as something more. She’s a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Backsliders, avengers, lovers, and victims––they’re all swapping forlorn tales on the collection, which is a fresh take on the concept album set in a small Southern town. “Now, Enderlin is home in Nashville, reflecting on that record and the past couple of years as she enjoys a little downtime after opening a run of shows for Jamey Johnson. 2018 was an especially busy year for the singer-songwriter. She was named a member of the 2018 CMT Next Women of Country, a recipient of the Arkansas Country Music Awards Songwriter and Album of the Year recognitions, and runner-up to Jason Isbell in the Best Singer-Songwriter field in the Nashville Scene’s touchstone Best of Nashville issue. Already a go-to writer for stars having penned mega country hits such as Alan Jackson’s ‘Monday Morning Church,’ Lee Ann Womack’s ‘Last Call,’ Luke Bryan’s ‘You Don’t Know Jack,’ and a host of other songs for Randy Travis, Joey+Rory, and more. Enderlin continues to add marquee cuts to her catalog including, ‘The Bar’s Getting Lower’ recorded by Reba for her upcoming album Stronger Than the Truth. Terri Clark also featured five Enderlin-written gems on her Raising the Bar album and Whisperin’ Bill Anderson recorded and released her ‘Waffle House Christmas,’ then featured her in the song’s beloved video. After hearing Enderlin perform on the radio broadcast of the Grand Ole Opry while en route there herself, Jeannie Seely decided to sing the song she heard Enderlin deliver, the gut-punching ‘I Let Her Talk.’ This summer, Enderlin is up for six more Arkansas Country Music Awards.” - https://www.erinenderlin.com/bio In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Jim & Denise Lansford performing the song “My Dear Old Southern Home,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley contemplates the promise of rain for those who’s lives and livelihoods are tied to the land.


    OHR Presents: Erin Enderlin Oct 24, 2020
    Show notes

    This week, nationally renowned Arkansas singer-songwriter Erin Enderlin recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this award winning wordsmith. “‘One of the best things about country music was that it was adult music,’ Erin Enderlin says of the country songs she grew up listening to in Arkansas. ‘It was real music that dealt with hard issues in life so that people going through those things don’t feel so alone.’ “The observation is signature Enderlin: She has a way of turning a song or even just a thought into an outstretched hand to the lonely or ashamed. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier firmly cemented her as something more. She’s a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Backsliders, avengers, lovers, and victims––they’re all swapping forlorn tales on the collection, which is a fresh take on the concept album set in a small Southern town. “Now, Enderlin is home in Nashville, reflecting on that record and the past couple of years as she enjoys a little downtime after opening a run of shows for Jamey Johnson. 2018 was an especially busy year for the singer-songwriter. She was named a member of the 2018 CMT Next Women of Country, a recipient of the Arkansas Country Music Awards Songwriter and Album of the Year recognitions, and runner-up to Jason Isbell in the Best Singer-Songwriter field in the Nashville Scene’s touchstone Best of Nashville issue. Already a go-to writer for stars having penned mega country hits such as Alan Jackson’s ‘Monday Morning Church,’ Lee Ann Womack’s ‘Last Call,’ Luke Bryan’s ‘You Don’t Know Jack,’ and a host of other songs for Randy Travis, Joey+Rory, and more. Enderlin continues to add marquee cuts to her catalog including, ‘The Bar’s Getting Lower’ recorded by Reba for her upcoming album Stronger Than the Truth. Terri Clark also featured five Enderlin-written gems on her Raising the Bar album and Whisperin’ Bill Anderson recorded and released her ‘Waffle House Christmas,’ then featured her in the song’s beloved video. After hearing Enderlin perform on the radio broadcast of the Grand Ole Opry while en route there herself, Jeannie Seely decided to sing the song she heard Enderlin deliver, the gut-punching ‘I Let Her Talk.’ This summer, Enderlin is up for six more Arkansas Country Music Awards.” - https://www.erinenderlin.com/bio In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Jim & Denise Lansford performing the song “My Dear Old Southern Home,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley contemplates the promise of rain for those who’s lives and livelihoods are tied to the land.


    OHR Presents: Tribute to Cathy Barton Oct 04, 2020
    Show notes

    This week, we celebrate the life and music of traditional folk troubadour and Ozark original the late Cathy Barton. Enjoy Cathy and her husband Dave Para recorded live at Ozark Folk Center State Park. Also, interviews with Cathy & Dave. “A lifelong musician, Cathy Barton grew up singing and started learning the ukulele in elementary school in Hawaii. After moving to Missouri, she took up the guitar and banjo and eventually developed a champion old-time banjo style. After hearing a record by Bill Spence on community radio, she became one of the first hammered dulcimer players in her region and helped expand the popularity of the instrument, inspiring many players nationally. Her playing was vibrant, powerful and spot on. She was also a generous and thoughtful teacher. Music was always fun for her and she tried to pass that on as much as any technique to her students and audiences. Cathy and her husband Dave Para shared a love for singing and cultivated a versatile and distinctive harmony duet and a reputation for giving dynamic performances acclaimed for variety and expertise. ‘Why do they sound like a whole band,’ the great banjoist Alan Munde once commented.” - https://bartonpara.com/bp/ In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Cathy Barton and his own sister Alisa Jones singing the song “The Water is Wide,” from the Ozark Folk Center State Park archives. Dave Smith sits down with writer, musician and traditional dancer Aubrey Atwater to discuss the life, music, and enduring musical legacy of folk icon Cathy Barton, one of traditional folk music’s most dedicated champions.


    OHR Presents: The Steep Canyon Rangers Sep 20, 2020
    Show notes

    This week, Grammy Award winning North Carolina modern bluegrass supergroup The Steep Canyon Rangers recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the band’s leader and mandolin Jedi Mike Guggino. “Steep Canyon Rangers are Asheville, North Carolina’s GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. The Rangers are made up of Woody Platt on guitar and vocals, Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums and vocals, and Barrett Smith on bass and vocals. Steep Canyon Rangers have been on a journey that is uniquely their own. The band started in college at UNC-Chapel Hill, then dove head first into bluegrass in its most traditional form, and over the years have risen to the top of the bluegrass genre headlining top festivals such as Merlefest and Grey Fox Bluegrass. Only to then be discovered by Steve Martin, famous actor and banjo player. Martin has taken the Rangers on a nearly decade long tour introducing them to hundreds of thousands of new fans and giving them prime time TV exposure. This has helped SCR become the most recognizable modern name in bluegrass music. The band has continued to tour extensively on their own, without Martin, and have expanded their genre into country and Americana with the addition of a drummer, alongside an incredibly versatile bassist - to accompany the original core band. The Rangers are big players in the bluegrass/country and Americana scene today. They are often compared to predecessors The Band, Nitty Gritty Dirt Band, and the modern Zac Brown Band.” - https://www.steepcanyon.com/about In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark originals Frank Ellis, Cathy Barton, and Taylor McBain performing the classic tune “Grey Eagle” from the Ozark Folk Center State Park archives.


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