Stay ConnectedOpera for Everyone is a radio show and podcast that makes opera understandable, accessible, and enjoyable for all. Pat Wright hosts the show, inviting guest co-hosts to participate in the mission she and Keely Herron developed after lively discussions of operas they had enjoyed seeing together. Music soars. Epiphanies abound. Hilarity ensues.
The show airs Sundays from 9.00 a.m. to 11.00 a.m. on 89.1 KHOL in Jackson, Wyoming.
Cover artwork by illustrator Rosie Brooks (www.rosiebrooks.com)
Copyright: © All rights reserved
One of the world’s most formidable generals and one of history’s most beguiling politicians are joined by two frustrated young men and an irresistible widow in Handel’s Baroque masterpiece, Giulio Cesare in Egitto. Join Pat, Kathleen, and Grant for a journey through history, literature, and myth in exploring the influences and meaning of this enduring opera.
For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.
One of the world’s most beloved operas, Mozart’s Le Nozze di Figaro, is not only the focus of this episode, but also the inspiration for Elly Uncomposed: A Novel Opera, a magical realist novel by author and retired opera singer, Valerie Niemerg. Like the opera Figaro, some truly serious and important topics are addressed in Elly Uncomposed, but with a charmingly comical touch.
Join Valerie and Pat for a wide-ranging conversation about her delightful book, stories about her time in professional opera, and an exploration of Le Nozze di Figaro.
A people yearns for freedom. The power of their prayers, set to Verdi’s incomparable music, have stirred audiences ever since the première of Nabucco in 1842. The impact of this opera may relate to Verdi’s own struggle to overcome personal tragedies preceding the composition the music. It also resonates with the passions of the Italian people of his day, and their desire to free themselves from foreign domination. Drawing inspiration from scripture, Verdi and his librettist created an opera that tells a timeless story, and gave Italians one of their great anthems, Va pensiero.
Hosted by Pat and Grant
Handel’s beloved Messiah, known for its thrilling Hallelujah Chorus, is a long-standing favorite during the Christmas season. Neither an opera, nor Christmas music, this English-language oratorio was composed for the Easter Season and premièred in Dublin in 1842. The magnificent text was crafted from the King James Bible by Handel’s friend, Charles Jennens. Join Pat and Grant for their newly remastered conversation about this enduring Baroque masterpiece.
Have you ever asked what might be going on backstage at an opera house? Or wondered about what secrets hide behind those glittering stages? Drawing on 21 years as a violinist in the Metropolitan Opera, Erica Miner guides her readers through a dramatized version of the opera world in her mystery novel, Aria for Murder, the first in the “Julia Kogan Opera Mystery” series. Join Pat for a conversation with Erica about her experiences in professional opera and the work of crafting them into thrilling works of fiction.
Find Erica at: ericaminer.com
Glittering and gloriously tuneful, Die Fledermaus (“The Bat”) is the most enduring operetta of Vienna’s famous “Waltz King,” Johann Strauss II. Its plot features revenge, infidelity, disguised identities, and a glamorous ball at its center, given by a wealthy host who requires his guests to keep the party lively. Toasting “King Champagne,” the characters of this “spirited” operetta recognize the royalty of sparkling wine: the beverage that motivates, infuriates, and ultimately exonerates them.
Hosted by Pat and Rosie
Masks, both literal and figurative, abound in Verdi’s Un Ballo in Maschera, “A Masked Ball.” Conspirators feign support of a leader they despise. A noblewoman must veil both her face and her feelings from her husband. The governor must put on a disguise to understand his subjects, and his beloved. The governor’s chief councilor dons a mask to take murderous revenge on him for an imagined betrayal. Even the setting itself, colonial Boston, is a thin disguise for the original setting, Sweden under Gustav III.
Hosted by Pat and guest co-host Michael Severance, long-serving bassoonist and contrabassoonist with the San Francisco Opera Orchestra.
A beloved king becomes reviled by his family and his people as previously hidden dark deeds come to light. A young woman loses her innocence and freedom through the machinations of the lord of the underworld. The timeless ancient Greek stories of King Oedipus and Persephone captured the imagination of Igor Stravinsky, a composer unafraid to present drama in new and unexpected formats. Join Opera for Everyone as we explore the characters, and the powerful music of these two short operas.
Hosted by Pat and Kathleen Van De Wille
There is no secular story nearly so important to the Western tradition as the Odyssey, a timeless tale of heroism, achievement, and loss. The subject matter of this epic poem has found its way into many works of art, and likely the earliest opera adaptation was Monteverdi’s Il Ritorno d’Ulisse in Patria, first performed in 1639 in the city of Venice. Monteverdi’s opera tells one of the oldest remembered human stories through the new form of art of which he was one of the pioneers, the opera. His reimaginings of Greek myth often fused Christian and pagan elements into a beautiful and complex melange, and this is no exception. At once philosophical and lyrical, Il Ritorno d’Ulisse in Patria comes to us from a very different time from our own, but continues to thrill through its inventiveness and beauty.
Hosted by Pat and Grant
We all know that feeling when we want to marry one rebel leader, but our father wants us to marry the chief rebel leader, but then one day a wandering king disguised as a huntsman starts chatting us up on the moors. With this timeless and relatable set-up (based on a poem by Sir Walter Scott that is credited with starting the Scottish Romantic movement) Rossini crafts an opera that blends romance and political intrigue. Featuring a druid chorus, a major character unceremoniously killed offstage, and an unexpectedly happy ending, La Donna del Lago (“The Lady of the Lake”) is a wonderful example not only of Rossini's beautiful music, but also of Sir Walter Scott's seldom-read masterpiece.
Hosted by Pat Wright and Kathleen van de Wille
For more of Kathleen's musings on the power and possibilities of story, read and subscribe to Constructive Criticism on Substack. (Discussed at 1:44:01 on this podcast.)
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