Stay ConnectedOpera for Everyone is a radio show and podcast that makes opera understandable, accessible, and enjoyable for all. Pat Wright hosts the show, inviting guest co-hosts to participate in the mission she and Keely Herron developed after lively discussions of operas they had enjoyed seeing together. Music soars. Epiphanies abound. Hilarity ensues.
The show airs Sundays from 9.00 a.m. to 11.00 a.m. on 89.1 KHOL in Jackson, Wyoming.
Cover artwork by illustrator Rosie Brooks (www.rosiebrooks.com)
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On this episode of Opera for Everyone we listen to Idomeneo, an opera seria in three acts by Mozart with an Italian libretto by Giambattista Varesco. The work was commissioned by Karl Theodor, Elector of Bavaria and premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany, as part of a court carnival. The opera tells the story of Idomeneo, the King of Crete, his son Idamante, and the princess Ilia, who Idomeneo captured when he defeated Ilia's father the Trojan king Priam in the Trojan war.
On this episode of Opera for Everyone we listen to Semiramide by Gioachino Rossini which is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Assyria. This is an opera in two acts set to an Italian libretto by Gaetano Rossi. The story is set in the ancient kingdom of Assyria and the action takes place in Babylon around the Eight Century BCE. Semiramide is a queen whose husband, King Ninus, died 15 years prior to the action of this story. The opera begins as Semiramide is about to announce who will be Assyria's next King. The queen's covert lover, Assur, is certain his loyalty over the past 15 years will be rewarded with a crown. Several hopeful candidates have arrived including Arsace, who is later revealed to be Nino - the long lost son of Semiramide and King Ninus. Arsace is in love with the princess Azema, who is also in love with him. We learn that before the King was killed and Arsace/Nino was taken away, that he and Azema were betrothed. Although it's unclear why they have such strong feelings upon first encountering one another their destiny together seems sealed. The story follows the twists and turns of several hopeful Kings jockeying for position, and the appearance of the ghost of King Ninus who reveals that Arsace is his son and that he must avenge his death by killing Semiramide or Assur who conspired to kill the King 15 years ago. In the end, Nino, Semiramide, and Assur descend into the tomb of King Ninus, and Nino is compelled to avenge his father's death. In the dark of the tomb, Nino takes aim and strikes - only to learn that he has killed his mother when he intended to kill Assur. The opera ends on a happier note with the marriage of Nino and Azema. Hosted by Keely Herron and Pat Wright.
On today's episode of Opera for Everyone, we review Handel's opera Tamerlano. The story takes place in 1402 in Prusa. The defeated Ottoman Emperor Bajazet is brought in chains to the court of Tamerlano. He has ordered Andronico to remove the chains, but Bajazet is mistrustful of this action. Bajazet adds that the only reason he does not commit suicide is his love for his daughter, Asteria. Tamerlano arrives and orders Andronico to try to getn Bajazet and Asteria’s consent for Asteria to marry him, with a reward for Andronico of the Greek throne, marriage with Irene, and freedom for Bajazet. Andronico is troubled, as he brought his love Asteria to try and soften Tamerlano, only to see him fall in love with her. Tamerlano tells Asteria his intentions and the offer to Andronico, which makes her angry at Andronico’s seeming betrayal. Tamerlano is an opera in three acts written by George Frideric Handel with an Italian libretto by Nicola Francesco Haym. The story is based on the story of Tamerlano by Agostin Piovene, as well as another libretto entitled Bajazet after Nicolas Pradon's Tamerlan. Tamerlano is considered one of Handel's major works, and it was composed in only 20 days 1724 - the same year he wrote Giulio Cesare and Rodelinda. Hosted by Pat Wright with special guest Grant Wright.
On this episode of Opera for Everyone we review the much beloved opera classic LaBoheme by Giacomo Puccini.
This episode of Opera for Everyone features Luciano Pavarotti as Nemorino and Kathleen Battle as Adina in a 1990 Metropolitan Opera production of Gaetano Donizetti's L'Elisir D'Amore conducted by James Levine. This "Opera Buffa" - comedic opera - premiered in 1832 at Teatro Cannobiana, in Milan. The opera in two acts with a libretto by Felice Romani, is set in a small village in the Italian countryside. The story focuses on a romance between the beautiful young Adina, and Nemorino a shy and insecure man who works on her land. L'Elisir D'Amore is considered to represent the best of the bel canto tradition that reigned in Italian opera in the early 19th century The show-stopping tenor aria “Una furtiva lagrima” in Act II is a favorite aria for many opera lovers.
On this episode of Opera for Everyone we listen to the opera Tosca by Giacomo Puccini. Tosca is an opera in three acts with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered in 1900 in Rome, Italy at the Teatro Costanzi. The story is based on the French-language play "La Tosca" by Victorien Sardou. It's a melodrama set in Rome in June 1800, where Napoleon's invasion of Italy threatens the Kingdom of Naples' control of the city. The drama - based on real life events - focuses on an escaped political prisoner named Cesare Angelotti, his friend the famous painter Mario Cavaradossi, and Cavaradossi's lover, the beautiful, devout and talented singer Floria Tosca. Tosca is a passionate, dynamic opera fueled by deception, murder, suicide, and love, and it features some of Puccini's best-known and loved arias.
On this episode of Opera for Everyone we listen to the Opera Otello by Guiseppe Verdi, and also continue our conversation with dramatic baritone Lester Lynch, who plays Iago in this production. Otello is an opera in four acts to an Italian libretto by Arrigo Boito. The opera is based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan in 1887. It follows the story of Otello, a moor commanding a military unit in Cyprus, his wife Desdemona, and several of his officers. Iago, an ensign, is jealous of his colleague Cassio who has been promoted to captain by Otello. Iago plots to make Otello suspicious that his wife is in love with Cassio and has been unfaithful. In the end, Otello kills Desdemona and then himself. Iago is unrepentant.
On this episode of Opera for Everyone, we welcome special guest Lester Lynch, who is a baritone opera singer performing with some of the world's leading operas. He discusses his album "On My Journey Now" a collection of spirituals and hymns, as well as his experience as an African-American vocalist and musician. This episode is in honor of the life, work and legacy of Martin Luther King Jr.
Mozart & Salieri is an opera in one act by Nikolai Rimsky-Korsakov set to a Russian libretto taken almost verbatim from a novella of the same name by Alexandr Pushkin. It's based on the oft-disputed legend that Salieri poisoned Mozart out of jealousy for his genius. The novel occurs in a single afternoon and evening with Mozart dropping by Salieri's apartment in Vienna to play his nearly-completed "Requiem." The two go together to an inn for dinner where Salieri poisons Mozart.
On today's episode we listen to Manon by Jules Massenet, an opera in five acts set to a French Libretto by Henri Meilhac and Philippe Gille. The story is based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. The story begins in 1721 with a party of friends including Guillot Morfontain making merry at an Inn. Manon, escorted by her cousin Lescaut, of the Guards, arrives on her way to a convent. She is of the peasantry, but vain as well as beautiful. Guillot leaves his friends, to pay attention to the young girl. He meets with no success, and is finally compelled to retreat. The Chevalier Des Grieux, however, who appears upon the scene during the temporary absence of the cousin Lescaut, is more successful. Although about to take holy orders and become a priest, Des Grieux is charmed and infatuated by Manon's beauty and seeming simplicity; while she, in her vanity, seeks for a higher social position, and is also fascinated by the young Chevalier's manliness. The result is an almost immediate elopement of the pair. Act 2 begins in the couples cozy apartment in Paris. Before Des Grieux can secure his father's consent to their marriage the young man is placed in jeopardy by Lescaut and De Brétigny. The two men are soon pacified; shortly afterwards Des Grieux is seized by six men in the Count's (his father's) employ, and all taken away from Manon. In Act 3 we find Manon under protection of De Brétigny. But she learns that Des Grieux (whom she really loves) is now the priest at St. Sulpice; and she flies from Brétigny to win back her lover. In the second scene there is an interesting and dramatic situation, wherein Manon succeeds in inducing Des Grieux to renounce the priesthood and renew his love with Manon. In the 4th act is seen the interior of the gambling-house in Paris. Des Grieux is unjustly accused of cheating, and he and Manon are about to be arrested where Count Des Grieux appears and release the Chevalier; but Manon, through the effort of Guillot who seeks revenge, is condemned to jail and eventual deportation to the French colony Louisana. In the last scene, as Manon is being marched away to the ship that will take her to Louisiana, Manon again meets her lover Des Grieux, and dies in his arms.
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