On the Media

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Still Armed, Still Dangerous Apr 01, 2022

Show notes

More than a month into Putin’s invasion, Ukrainian resistance has proved mightier than the Russian leader seems to have anticipated. On this week’s On the Media, hear how Russia is following the well-established American track record of entering wars without plans for ending them. Plus, a sober look at Russia’s nuclear strategy. And, how the threat of nuclear apocalypse has shaped American culture since World War II. Then, a look at the 1983 made-for-TV film that spurred a national conversation about disarmament.

1. Gideon Rose, author of How Wars End, on what Russia should've learned from America's misadventures in Vietnam, Iraq, and Afghanistan. Listen.

2. Kristin Ven Bruusgaard[@KBruusgaard], postdoctoral fellow at the University of Oslo, on the actual threat of Russia's nuclear arsenal. Listen.

3. Alex Wellerstein [@wellerstein], historian of science at Stevens Institute of Technology, on why the threat of nuclear apocalypse can be hard to comprehend. Listen.

4. Marsha Gordon [@MarshaGGordon], professor of film studies at North Carolina State University, on one of the most important films about nukes. Listen.

Music:

Sacred Oracle by John Zorn
Horizon by Thomas Newman
In The Bath by Randy Newman
La Vie En Rose by Toots Thielemans
Gormenghast by John Zorn
White Lotus Theme by Cristobal Tapia De Veer
99 Luftballoons by Nena

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

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The Simpsons in a Time of Nuclear War Mar 30, 2022

Show notes

A new poll this week from AP-NORC found that when asked, close to half of Americans say they are very concerned that Russia would directly target the U.S. with nuclear weapons, and an additional 3 in 10 are somewhat concerned. Given that Vladimir Putin put his nuclear forces on high alert at the start of his invasion of Ukraine, and with the rhetoric heating up as the war continues, it's hardly surprising that people are worried.

All the talk of nukes got us thinking about a segment from a few years back in which Brooke spoke to playwright Anne Washburn, about her work Mr. Burns: A Post-Electric Play. In it she imagines a world that has been devastated by a nuclear incident and how the remaining civilization would process the destruction over time...by retelling an episode of The Simpsons and about what the episode's evolution over the decades says about society's need for stories and about the role of comedy in the face of tragedy.

Excerpts taken from the 2013 production at Playwrights Horizons, directed by Steve Cosson, and a 2017 production at Amherst Regional High School, directed by Nathan Baron-Silvern. Music by Michael Friedman.

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All the World's a Stage Mar 25, 2022

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This week’s confirmation hearings for Supreme Court Nominee Judge Ketanji Brown Jackson were filled with dog whistles and distractions. On our latest episode, hear how Republicans are using rhetoric about pedophiles to discredit their opponents. Plus, the story of an American author who learned and unlearned Putin’s myth about Ukrainian nazification.

1. Melissa Gira Grant [@melissagira], staff writer at The New Republic, on the cruel new Republican buzzword: "grooming." Listen.

2. Lili Loofbourow [@Millicentsomer], staff writer at Slate, on the eerie experience of watching Zelesnsky act in the television show, "Servant of the People" and more. Listen.

3. OTM presents a story from The Experiment, featuring Franklin Foer [@franklinfoer], on his family's debt to Ukrainians. Listen.

Music:

Sarabande (Barry Lyndon OST) by National Philharmonic Orchestra
German Lullaby by The Kiboomers
Juliet of the Spirits (Main Theme) by Nino Rota
Heroes by David Bowie
Lost, Night by Bill Frisell

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We Were Warned Mar 18, 2022

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As the horrific violence in Ukraine escalates, the global far-right is justifying Russia’s invasion with outlandish conspiracy theories. On this week’s On the Media, guest host Matt Katz digs into one viral lie that went mainstream. Plus, how internet sleuths are collecting digital evidence of alleged Russian war crimes to be used in international courts. And, we hear from the author of a new book about four foreign correspondents who shaped early American coverage of World War II.

1. Ben Collins [@oneunderscore__], senior reporter with NBC News, on the viral Ukrainian "bioweapon labs" conspiracy theory. Listen.

2. Eliot Higgins [@EliotHiggins], founder of Bellingcat, on how his organization uses open source investigations to track alleged Russian war crimes. And Alexa Koenig [@KAlexaKoenig], Executive Director of the Human Rights Center at the UC Berkeley School of Law, on how such digital evidence may be used by future war crime tribunals. Listen.

4. Deborah Cohen [@DeborahACohen], professor of history at Northwestern University, on her new book about four foreign correspondents who sounded the alarm on WWII. Listen.

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The Death of Historical Memory in Russia Mar 16, 2022

Show notes

Russia's Memorial International maintained an archive whose purpose was to amass and preserve the crimes against humanity committed in the Soviet Union. On March 3rd it was closed down by order of the Kremlin. It was only a month ago that we first aired this piece about the threats to the archive, but already the information and media landscape in Russia is unrecognizable. Unknown numbers of journalists have fled draconian new laws that could land them in prison for 15 years for contradicting the party line on the war in Ukraine and state controlled media has has tightened its stranglehold l of the airwaves. In the chaos of the past few weeks, Memorial’s closing was - tragically, just another data point…another nail in the coffin for truth seekers.

OTM producer Molly Schwartz - who was in Moscow but has since left, visited Memorial International and spoke with archivist Nikita Lomakin about the importance of preserving Russia’s oldest Human Rights organization. In this piece, Molly also interviews historian Ivan Kurilla, author of The Battle for the Past: How Politics Changes History, about how the attacks on the archive resonate with Russia's invasion of Ukraine.

This is a segment from our February 11, 2022 program I’m No Expert.

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The Escape Mar 11, 2022

Show notes

The refugee crisis sparked by Russia’s invasion of Ukraine may be the fastest-growing displacement of people in Europe since World War II. On this week’s On the Media, hear the story of an internet community that guided an influencer and his family through the warzone. Plus, how Russia’s draconian anti-press laws have driven journalists out of the country.

1. Michael Wasiura [@michael_wasiura], writer and former pundit, on how his role giving the American perspective on Russian state TV became obsolete and what he's doing now. Listen.

2. Alexey Kovalev [@Alexey__Kovalev], investigative editor at Meduza, on his experience fleeing Russia after the Kremlin tightened it's grip on information about the war, choking out independent media. Listen.

3. Micah Loewinger [@MicahLoewinger], OTM correspondent, on the Ukrainian Twitch streamer who used his virtual military skills and online community to get his family to safety when the invasion began. Listen.

Music:
Frail as a Breeze by Erik Friedlander
Glass House (End Title) by David Bergeaud
Time is Late by Marcos Ciscar
Horizon 12.2 by Thomas Newman
Peace Piece (Bill Evans) by Kronos Quartet

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The Kremlin's M.O. Mar 09, 2022

Show notes

This is a piece we first ran last September. It's reported by OTM producer Molly Schwartz who until the war in Ukraine started was a fellow on a journalism program in Moscow. Molly’s recounted for us the effects of a bizarre and cumbersome law - one of the many tactics used by the Kremlin to silence dissenting voices.

Following widespread protests across Russia last year in support of jailed opposition leader Alexey Navalny, Putin's government has engaged in a wave of crackdowns on dissent, expelling and imprisoning opposition leaders, and shutting down independent news outlets. They've also, since April 2021, added 30 Russian journalists or news outlets to the government's list of "foreign agents."

Journalists or news organizations who are labeled as "foreign agents" don't have to to shut down or stop publishing. Instead, they have to jump through various bureaucratic hoops — like reporting all their income and expenses to the Ministry of Justice (to be publicly posted on its website), and, perhaps most Kafkaesque of all, including a 24-word legal disclaimer on top of everything they publish. This includes every article, every advertisement, every tweet, every Instagram story, every response to a friend's comment on social media.

This is a segment from our September 24th, 2021 program, The Subversion Playbook.

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The Fog of War Mar 04, 2022

Show notes

Footage captured and shared by Ukrainian civilians is helping the world see through the fog of war. But not every video in your news feed is the real deal. On this week’s On the Media, how to sift fact from fiction with our new Breaking News Consumer's Handbook: Ukraine Edition. Plus, how journalists and analysts are using OSINT to track the war. Then, how an international white Christian nationalist movement is fueling Putin’s views and violence.

1. Jane Lytvynenko [@JaneLytv], senior research fellow at the Technology and Social Change Project at Harvard University’s Shorenstein Center, on how to sort out the real from the fake while keeping up with the news from Ukraine. Listen.

2. Peter Aldhous [@paldhous], science reporter at Buzzfeed, on how open-source intelligence is changing how we all experience war. Listen.

3. Casey Michel [@cjcmichel], writer and investigative journalist, on white Christian nationalism—here and in Russia. Listen.

4. Jason Stanley [@jasonintrator], professor of philosophy at Yale University, on the anti-Semitic conspiracy theories that plague eastern Europe. Listen.

Music:

Exit Music For A Film by Brad Mehldau
Motherless Child by LaTonya Peoples
Eye Surgery by Thomas Newman
The Artifact & Living by Michael Andrews
Trance Dance by John Zorn
Using the Apostate Tyrant as His Tool by Kronos Quartet
Final Retribution by John Zorn
Waltz (From Swan Lake) by Europa Philharmonic Orchestra

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'La Brega' in Puerto Rico Feb 25, 2022

Show notes

This week, OTM presents stories from Puerto Ricoas told in a podcast series called "La Brega," hosted by Alana Casanova-Burgess. Hear what that term means, how it's used, and what it represents. Also,how one of the most famous homebuilding teams in American history tried to export American suburbanism to Puerto Rico... as a bulwark against Cuban communism.

1. Alana [@AlanaLlama] explores the full meaning(s) of la brega, which has different translations depending on who you ask. According to scholar and professor emeritus at Princeton, Arcadio Diaz Quiñonez, the closest English word is "to grapple." Alana also speaks to Cheo Santiago [@adoptaunhoyo], creator of "Adopta Un Hoyo" (Adopt a Pothole), which encourages people to paint around and photograph potholes to alert other drivers. Because the roads are rarely fixed properly, the challenges of potholes and what people do to get around them is a metaphorical and literal brega in Puerto Rico. Listen.

2. Next, Alana turns to the boom and bust of Levittown, a suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Alana (herself the granddaughter of an early Levittown resident) explores what the presence of a Levittown in Puerto Rico tells us about the promises of the American Dream in Puerto Rico. Listen.

Created by a team of Puerto Rican journalists, producers, musicians, and artists from the island and diaspora, "La Brega" uses narrative storytelling and investigative journalism to reflect and reveal how la brega has defined so many aspects of life in Puerto Rico. All episodes are out now, and available in English and Spanish.

Listen to the full series: Apple Podcasts | Spotify | Stitcher | Google Podcasts

Music in this series comes from Balún and ÌFÉ

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