Stay ConnectedA weekly comics interview podcast hosted by David Harper of SKTCHD that gets the story behind the stories and creators we love, as well as the broader comic book industry.
Website: SKTCHD.com
Patreon: Patreon.com/OffPanel
Instagram: @slicedfriedgold/@SKTCHDcomic
Bluesky: @davidharper.bsky.social/@SKTCHD.bsky.social
Email: david@sktchd.com
It's Off Panel #400, and to make this anniversary episode of Off Panel special, it's the first ever call-in show, as listeners of the show ask the questions and I have the answers. That's right. I'm the guest, as I answer questions about the future of my theoretical comic shop, what my Stilt-Man series would be about, what takes me out of the reading experience, French museums, the responsibilities of the job, comic revisits, cat dad thoughts, favorite writers/artists, comic price points, surprising things I learned from the podcast, different formats at the Big Two, how I do what I do, which Original 5 X-Men has to go, my wife's comic thoughts, what more creators should do, the podcasts I learned the most from, and more.
The Beat's Heidi MacDonald returns to Off Panel to talk about the past month or so of crazy news in the world of comics. MacDonald discusses the merits of Free Comic Book Day, the onslaught of news, building up The Beat's staff, Ike Perlmutter's departure, how Marvel looks post changes, the impact of this move, IDW's layoffs and reorganization, IDW's identity, where things went wrong, where IDW is headed, our DSTLRY thoughts, Substack and Zestworld, what makes DSTLRY work (conceptually), the drop culture comic, the digital comics landscape, what young cartoonists are focused on, and more.
The Editor-in-Chief of Abrams ComicArts, Charles Kochman, joins the show to talk about the history and present of that graphic novel division of Abrams Books. Kochman discusses the details of his job, his work on Diary of a Wimpy Kid, his publishing background, the origins of Abrams ComicArts, the artists they work with, how MarvelArts came together, drawing in direct market creators, the evolution of Abrams ComicArts, its general vibe, taking on manga, the current landscape, and more.
Writer James Tynion IV joins the show to talk about launching his new Image series, W0rldtr33, in the current industry environment. Tynion discusses hitting final order cutoff, the collector market, cultivating hits, W0rldtr33's origins, its 90s aesthetic, the importance of a title's vibe, the key to a good first issue, its visuals, why it ended up at Image, learning from projects, publishing at Dark Horse, how publishers differ, creating your own cash flow, setting up his future, and more.
Cartoonist Joe Sparrow joins the show to talk about his work in animation and his new graphic novel at ShortBox, Cuckoo. Sparrow discusses taking on new roles, the advantages and pressure of comics, how animation jobs work, how his two roles impact each other, his influences, taking on shorter comics, the origins of Cuckoo, the superpowers of it all, how much of him is in the book, the evolution of its need, his comic making process, the book's cast, the appeal of ShortBox, and more.
Erica Henderson and Ryan North join the show to talk about their new graphic novel, Danger and Other Unknown Risks. They discuss the origins of the book, how it evolved, its Y2K setup, the Chosen One concept, scripting the book, their collaboration, the prologue of the book, how the visuals changed the writing, the space of graphic novels, how the realms impact everything, the book's main character, how people deal with the state of the world, all-ages comics, and more.
Writer Torunn Grønbekk joins the show to talk about her path to comics and her work on comics like Thor and Red Sonja. Grønbekk discusses the greatness of Nic Klein, her natural art lean, the Norway comic scene, how comics saved her, her breaking in story, the origins of her writing Jane Foster: Valkyrie, co-writing as a gateway, launching her Marvel career during the pandemic, being a pinch hitter, writing Red Sonja, her instinctual nature, genre leans, where she wants to go next, and more.
Retailer Steve Anderson joins the podcast to chat about how things are going at his comic shop chain, Third Eye Comics. Anderson discusses how he manages his seven shops, the importance of being proactive, the ComicsPRO experience, DC's smart moves, how he's feeling about comics retail, previous pessimism, pathing customers to comics, why success felt harder in 2022, his upcoming shop launches, what's working at his shops, trade waiting, building spectacle, what isn't working, how to adjust to uncertainty, and more.
Manga journalist Deb Aoki joins the podcast this week to chat about the explosion in manga sales the past few years and what has led to it. Aoki discusses her Emerald City Comic Con experience, making connections for manga stories, how she became a manga journalist, the world of writing about manga, Japan's manga sales, speaking to different audiences, the impact of adaptations, price and accessibility, why there are always manga "booms," the amount of product, simplicity in manga stories, supply chain issues, the gifts of manga storytellers, and more.
Writer/artist John Allison returns for a conversation about the upcoming The Great British Bump-Off and his larger views on comics right now. Allison discusses the origins of The Great British Bump-Off, its evolution, pairing baking shows with mystery stories, the episodic nature of finite series, Shauna Wickle, how writing Shauna differs from other characters, the book's supporting cast, Primrose the cat, the greatness of Max Sarin, how they work together, the title's tone, how his feelings about the comic industry have evolved, his Patreon, where he's at now, and more.
Our TOPPODCAST Picks 
