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    Arts

    NIGHTMARE MAGAZINE – Horror and Dark Fantasy Story Podcast (Audiobook | Short Stories)

    Edited by Wendy N. Wagner, NIGHTMARE is a critically-acclaimed digital magazine of horror and dark fantasy. In its pages, you will find all kinds of horror and dark fantasy, from zombie stories and haunted house tales, to visceral psychological horror. Every month NIGHTMARE will bring you a mix of original short stories and flash fiction, and featuring a variety of authors: from the bestsellers and award-winners you already know to the best new voices you haven’t heard of yet. When you read NIGHTMARE, it is our hope that you’ll see where horror comes from, where it is now, and where it’s going. The NIGHTMARE podcast, produced by Grammy Award-winning narrator and producer Stefan Rudnicki of Skyboat Media, features original audio short stories and poems 3-4 times a month.

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    Copyright: © All content copyright Nightmare Magazine

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    Latest Episodes:
    Amanda Downum | Fossil Heart Aug 03, 2016
    Show notes

    Nan Walker doesn’t mean to fall asleep. She never does. But tonight the creak of the ceiling fan lulls her. Evie curls warm against her side, one long leg thrown over hers. Nan’s eyes sag, her fingers relax, and her worn paperback slides onto the bed. Sleep strokes gentle hands across her eyes. The nightmare waits, constant, unchanging: muddy water, stale wet air. The car shudders in the torrent as the flood rushes past outside. | Copyright 2016 by Amanda Downum. Narrated by Judy Young.

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    An Owomoyela | Whose Drowned Face Sleeps Jul 20, 2016
    Show notes

    When she comes into the loft, she glares at me with the bright-eyed, serpentine resentment of the dead. In the dry attic, water drips from her hair and pools at her feet. Her lips pull back. I’d forgotten that I used to grimace like that---teeth bared like an animal’s. I’m not her and she isn’t me. When I say “I,” I might mean either one of us, but that’s not precise. I have no past, so I took her memories. I have no name, so I took her name. I had no body, but I have hers now. | Copyright 2016 by An Owomoyela and Rachel Swirsky. Narrated by Gabrielle de Cuir.

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    Gavin Pate | Red House Jul 06, 2016
    Show notes

    This is the story you remember. The girl lost in the woods. How they find her after eight days, the mud smeared on her arms and legs, clumped in her hair and under her nails. Through the rain she sees the policeman running, lifting her up in his thick brown jacket, driving her back down the jagged lumber road towards the highway in his truck. She won’t answer his questions, won’t untangle her thin ten-year-old limbs. She runs her tongue along her broken tooth and the cop hits the sirens to run the stoplights, the world flying by in a haze of streets and rain. Copyright 2016 by Gavin Pate. Narrated by Claire Benedek.

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    Marc Laidlaw | The Finest, Fullest Flowering Jun 15, 2016
    Show notes

    A sour note shrieked from the limousine’s speakers, making Milston’s fingers curl in his lap. He took a moment to compose himself before rapping precisely, and with a now steady hand, on the glass separating him from the driver. The tone had droned into a hum that tunelessly dreamt of someday becoming hypnotic. “What is this we are listening to, and is there any way to turn it off?” “Down, sir, but not off, I’m afraid.” | Copyright 2016 by Marc Laidlaw. Narrated by Stefan Rudnicki.

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    David Tallerman | Great Black Wave Jun 01, 2016
    Show notes

    Staff Sergeant Walker steps away from the Ridgeback, wipes sweat from his eyes with a dust-grimed bandana, and tries to make sense of the scene before him. The heat has grown punishing. For a moment it twists the air, so that grey walls and desiccated bushes and sun-scorched faces above dark shalwar kameez all shiver unsettlingly. Walker wipes his eyes again and gradually the shimmering steadies. Yet still, the prospect doesn’t quite add up. | Copyright 2016 by David Tallerman. Narrated by Stefan Rudnicki.

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    Lisa Goldstein | Sawing May 18, 2016
    Show notes

    Clarissa watched from the wings as the Great Bertoldi sawed a woman in half. Down went the saw through the coffin-like box, then up, then down again. A cigarette burned at the side of his mouth, on the edge of his smile. The saw broke through the box. He put it down and slid metal plates between the two halves, then rolled the sections apart. The woman’s head poked out from the end of one of the sections, feet from the other. | Copyright 2016 by Lisa Goldstein. Narrated by Andrea Thompson.

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    Adam-Troy Castro | The Old Horror Writer May 04, 2016
    Show notes

    He’s harder to find than most. I have the basis for comparison because I’ve gotten to all of them sooner or later, from the big names to the obscurities. There are some who give up so thoroughly, and disappear so completely, that it’s as if they never existed at all. This guy’s far from the worst. He’s an old man now, twenty years removed from his last novel and ten from his last short story; he’s no longer a member of HWA or SFWA, and the agency that used to handle his interests now has him in their estate file. | Copyright 2016 by Adam-Troy Castro. Narrated by Stefan Rudnicki.

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    Naomi Kanakia | The Girl Who Escaped From Hell Apr 20, 2016
    Show notes

    I thought when they handed over a kid there’d be some complex system of interlocking safeguards, like they use to transport a nuclear warhead across the country, but her mom just plopped the girl into my car. I asked if I needed to register her with someone, and my ex looked at me like I was crazy, so I hopped on I-80 and drove west, out into the desert. Abby was six years old, a mini-person, and she could talk in full sentences and everything. | Copyright 2016 by Rahul Kanakia. Narrated by Stefan Rudnicki.

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    Ian Whates | Reaper’s Rose Apr 06, 2016
    Show notes

    Unpleasant? No, I wouldn’t say that. In fact, quite the opposite. You know the smell of pot? Well of course you do, you’re a policeman . . . No, I didn’t mean anything by that. It’s just that in your line of work you’re bound to have come across it, that’s all. What I’m trying to say is that this smells a bit like pot but without that horrible sweatiness; you know, it has a sort of oily, herbal smell, less acrid and a lot more floral and, well, nicer than pot. Sorry, I know I’m doing a terrible job of describing this. | Copyright 2016 by Ian Whates. Narrated by Stefan Rudnicki.

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    Sandra McDonald | The Modern Ladies’ Letter-Writer Mar 16, 2016
    Show notes

    Dear Susie: There are customary ways to begin a letter and end it, to address the envelope and set it to post. We have delivered to you (while you slept so prettily, your pale face a serene oval in the moonlight) this polite and improving manual of letters for the Fair Sex. We know you will be grateful. Do be aware that some correspondences may involve vows of fealty, freshly spilled blood, supernatural appeals to divine beings, and sacrifices of unusual scope. A modern lady avoids squeamishness about such matters. | Copyright 2016 by Sandra McDonald. Narrated by Gabrielle de Cuir.

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