Following every episode of HBO Max’s period drama The Gilded Age, Pod Clubhouse’s Mike and Caroline will break down the show’s broad strokes and nitty-gritty, while providing some historical reference.
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 205)
Nov 27, 2023
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s period drama, The Gilded Age!
Photograph by Barbra Nitke/HBO
This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 2, “Close Enough to Touch”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 204)
Nov 20, 2023
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s period drama, The Gilded Age!
Photograph by Barbra Nitke/HBO
This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 4 of Season 2, “His Grace the Duke”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 203)
Nov 13, 2023
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s period drama, The Gilded Age!
Photograph by Barbara Nitke/HBO
This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 3 of Season 2, “Head to Head”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 202)
Nov 06, 2023
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s period drama, The Gilded Age!
Photograph by Barbra Nitke/HBO
This week on a super-sized episode of New Money, Old Rules: The Gilded Age Podcast (yes, every week is super-sized as of late – we’ve missed talking about the show), Caroline and Mike discuss Episode 2 of Season 2, “Some Sort of Trick”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 201)
Oct 30, 2023
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s period drama, The Gilded Age!
Photograph by Barbara Nitke/HBO
This week on a very late (we explain in the episode) and super-sized episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike are back to discuss the Season 2 Premiere, “You Don’t Even Like Opera”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers)
Apr 07, 2022
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age!
This week on a special episode of New Money, Old Rules: The Gilded Age Podcast, Caroline & Mike sit down with series composers, Harry Gregson-Williams and Rupert Gregson-Williams.
Can’t get enough of The Gilded Age‘s music? Well, now you can download the official soundtrack for purchase from the iTunes Store and Amazon Music. It’s also available for stream at Spotify, Apple Music, Soundcloud, and everywhere else you listen to music.
The official soundtrack features 39 tracks from the show’s composers, Harry Gregson-Williams and Rupert Gregson-Williams, and has a run time of 1 hour and 18 minutes.
Here is a link to the soundtrack on Spotify!Standing-Rupert-Gregson-Williams-at-Keyboard-is-Harry-Gregson-Williams-photo-credit-by-Riley-Donavan
GUEST BIOS:
HARRY GREGSON-WILLIAMS is one of Hollywood’s most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. He most recently wrote the music for “The Last Duel” and “House of Gucci” both directed by Ridley Scott. In addition, he wrote the music for Disney’s live action feature film “Mulan” which was directed by Niki Caro with whom he worked previously having scored her film “The Zookeeper’s Wife.” Gregson-Williams also co-wrote the original song “Loyal Brave True” for “Mulan” performed by Christina Aguilera. He and his brother composer Rupert Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”
He was the composer on all four installments of the animated blockbuster “Shrek” franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning “Shrek.” He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson’s “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” He has collaborated multiple times with a number of directors, including Ben Affleck on “Live by Night,” “The Town” and “Gone Baby Gone”; Joel Schumacher on “Twelve,” “The Number 23,” “Veronica Guerin” and “Phone Booth”; Tony Scott on “Unstoppable,” “The Taking of Pelham 1 2 3,” “Déjà Vu,” “Domino,” “Man on Fire,” “Spy Game” and “Enemy of the State”; Ridley Scott on “The Martian,” “Prometheus,” “Exodus: Gods and Kings,” “Kingdom of Heaven,” “The Last Duel” and “House of Gucci”; Bille August on “Return to Sender” and “Smilla’s Sense of Snow”; Andrew Adamson on the “Shrek” series, the first two “Narnia” movies and “Mr. Pip”; and Antoine Fuqua on “The Replacement Killers,” “The Equalizer,” The Equalizer 2” and “Infinite.” Some of his other recent film projects include the documentary “Return to Space” directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin with an original score by Harry and composer Mychael Danna which marks their first collaboration together and premieres April 7, 2022 on Netflix, Disneynature’s all-new feature film “Polar Bear” which streams exclusively on Disney+ beginning April 22, 2022, “The Ambush” directed by Pierre Morel, “Life in a Day 2020” directed Kevin Macdonald, “The Meg” directed by Jon Turteltaub, Aardman’s “Early Man” directed by Nick Park for which he received an Annie Award nomination and Disneynature’s “Penguins.” His television credits include “Whiskey Cavalier,” the miniseries “Catch-22” along with his brother Rupert Gregson-Williams and creating the main title theme and scoring two episodes of the anthology series “Philip K. Dick’s Electric Dreams” for which he received an Emmy nomination for the episode titled “The Commuter.”
Gregson-Williams has scored three of the five games in the highly successful “Metal Gear Solid” franchise for Konami and scored “Call of Duty: Advanced Warfare” for Activision, which became the top-selling video game of 2014 and earned him various music gaming awards. Throughout his career, Gregson-Williams has collaborated with a diverse array of recording artists such as Regina Spektor, Imogen Heap, Tricky, Peter Murphy, Flea, Hybrid, Paul Oakenfold, Sasha, Trevor Horn, Trevor Rabin, Lebo M., Perry Farrell and Tony Visconti.
Born in England to a musical family, Gregson-Williams earned a music scholarship to St. John’s College, Cambridge, at the age of 7 and later gained a coveted spot at London’s Guildhall School of Music & Drama, from which he recently received an honorary fellowship. He started his film career as assistant to composer Richard Harvey and later as orchestrator and arranger for Stanley Myers, and then went on to compose his first scores for director Nicolas Roeg. His subsequent collaboration and friendship with composer Hans Zimmer led to Gregson-Williams providing music for such films as “The Rock,” “Armageddon” and “The Prince of Egypt” and helped launch his career in Hollywood.
In 2018, Gregson-Williams received the BMI Icon Award, in recognition of his unique and indelible influence on generations of music makers, and the Society of Composers & Lyricists’ prestigious Ambassador Award. He has also been a regular mentor at the Sundance Composers Lab, working directly with talented emerging composers from all over the world.
RUPERT GREGSON-WILLIAMS was born in England and educated at St. John’s College Choir School, Cambridge.
A multi-award winning composer, Gregson-Williams has written the scores for a wide range of feature films, including the Oscar-winning “Hotel Rwanda,” for which he was awarded the European Film Award for Best Composer; the animated films “Abominable,” “Over the Hedge” and Jerry Seinfeld’s “Bee Movie,” receiving an Annie Award nomination for his score for the latter. He received an Emmy nomination in 2017 for Outstanding Music Composition for a Series (Original Dramatic Score) for his work on “The Crown.”
Gregson-Williams also wrote the music for the hit film “Aquaman” directed by James Wan which was released in December 2018; scored the blockbuster and critically acclaimed “Wonder Woman” directed by Patty Jenkins which opened in 2017; the award-winning war drama “Hacksaw Ridge,” starring Andrew Garfield and directed by Mel Gibson, which premiered at the Venice International Film Festival and opened nationwide in 2016 and the international hit “The Legend of Tarzan,” starring Alexander Skarsgård and Margot Robbie and directed by David Yates.
Most recently, Gregson-Williams wrote the original score for “Fatherhood” starring Kevin Hart and directed by Paul Weitz (June 2021) and the popular Netflix Animation film “Back to the Outback” which was directed by Harry Cripps and Clare Knight and was released in December 2021.
For television, Gregson-Williams’s most recent projects were “Behind Her Eyes” for Netflix in 2021, “Catherine the Great” starring Helen Mirren which premiered on HBO in October 2019 and the limited series “Catch-22” directed and executive produced by George Clooney for Hulu which premiered in May 2019 for which he wrote the music with his brother Harry Gregson-Williams. He wrote the music for TNT’s “The Alienist” starring Dakota Fanning, Luke Evans and Daniel Bruhl which premiered in January 2018. He has also composed the music for various other TV projects, including the Emmy-award winning HBO series “Veep,” AMC’s “The Prisoner,” and Sky Vision’s “Agatha Raisin.” He received an Emmy nomination for the 2002 telefilm “Jack and the Beanstalk: The Real Story,” for Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore).
He and his brother composer Harry Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”
Gregson-Williams has had a long association with Adam Sandler and has composed the scores for many of his films over the years. Their collaborations include “Click,” “Bedtime Stories,” “Grown Ups,” “Just Go with It,” “Blended,” “The Ridiculous 6,” “The Do-Over,” “Sandy Wexler” “Murder Mystery” and “Hubie Halloween.”
His other film credits include “The Eight Hundred.” “Winter’s Tale,” directed by Akiva Goldsman; “Made of Honor,” starring Patrick Dempsey; and “Thunderpants.”
His commercial and film collaborations have included working with Ben Folds, Mark Knopfler, Hans Zimmer and Skylar Grey.
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 109)
Mar 27, 2022
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age!
Photograph by Alison Cohen Rosa/HBO
This week on a very super-sized episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss the Season 1 Finale of The Gilded Age, “Let the Tournament Begin”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Julian Fellowes and Sonja Warfield Interview)
Mar 26, 2022
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age!
On a special episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike sit down to chat with series creator, writer, and executive producer, Lord Julian Fellowes and series co-writer and co-executive producer, Sonja Warfield!
NOTE: This interview was recorded via Zoom and so it has less optimal audio than we’re used to.
Guest Bios:
Writer, director, producer, novelist and actor Julian Fellowes has had an extensive and lauded career in film, television, publishing and the dramatic arts. He received the Academy Award for Best Original Screenplay in 2002 for Gosford Park, which was his first produced film. Fellowes is creator, sole writer and executive producer of the worldwide hit series Downton Abbey which over its six seasons received 69 Emmy Award nominations; winning 15, including writing and Outstanding Miniseries or Movie for Fellowes. He also received a Golden Globe Award and Special BAFTA Award for Downton Abbey. His film writing credits include Vanity Fair, Separate Lies (National Board of Review Directorial Debut Award), From Time to Time, The Young Victoria, The Tourist, Romeo & Juliet, The Chaperone, the Downton Abbey movie and the upcoming Downton Abbey: ANew Era. His television writing credits include Little Lord Fauntleroy, The Prince and the Pauper, Titanic, Doctor Thorne, Belgravia, TheEnglish Game and The Gilded Age. He is responsible for the ‘book’ of the Broadway musicals, Mary Poppins and School of Rock – The Musical for which he received a Tony nomination. He also wrote the books for Half a Sixpence and The Wind in the Willows, both of which played in the West End in 2017. He has written three Sunday Times Best Sellers, Snobs, Past Imperfect and Belgravia. In January 2011, he was given a peerage and entered the House of Lords as the Lord Fellowes of West Stafford.
Sonja Warfield is a television writer and author best known for her work on the Emmy Award-winning NBC sitcom Will & Grace as well as BET’s hit comedy The Game. Currently, she’s Co-Executive Producer for HBO’s highly anticipated historical drama The Gilded Age. Over the course of her nearly 20-year career, Sonja’s also picked up credits from a diverse range of television shows including Disney Channel’s popular Liv and Maddie; BET’s Zoe Ever After, which featured pop star Brandy; the animated series She-Ra for Dreamworks/Netflix, where she also penned an original song; and the ABC comedy Jake in Progress. She’s developed and written pilots/projects for ABC, NBC, Netflix, Nickelodeon, Lifetime, Universal TV, Sony Pictures Television and HBO. Ms. Warfield also writes feature films, including a screenplay adaptation of a novel for Alcon Entertainment and 2S, a Hilary Swank production company.
In addition to television and film, Ms. Warfield is author of the entertaining, empowering and inspiring book Get Your Butt Off My Couch (And Your Hand Outta My Wallet), a woman’s guide to getting rid of her deadbeat husband, boyfriend or boo-thing. Sonja and her book have been featured on numerous radio and television programs including The Dr. Phil Show.
Ms. Warfield has a B.A. in Cinema/Television-Critical Studies from the University of Southern California where she has taught television writing.
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
New Money, Old Rules: The Gilded Age Podcast (Episode 108)
Mar 15, 2022
Show notes
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age!
Photograph by Alison Cohen Rosa/HBO
This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 8 of The Gilded Age, “Tucked Up in Newport”!
Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we’d love to hear from you!
Music: “String Quartet No. 12 in F Major, “American”, Op. 96: IV” by Antonín Dvořák.
New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.
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Writer, director, producer, novelist and actor Julian Fellowes has had an extensive and lauded career in film, television, publishing and the dramatic arts. He received the Academy Award for Best Original Screenplay in 2002 for Gosford Park, which was his first produced film. Fellowes is creator, sole writer and executive producer of the worldwide hit series Downton Abbey which over its six seasons received 69 Emmy Award nominations; winning 15, including writing and Outstanding Miniseries or Movie for Fellowes. He also received a Golden Globe Award and Special BAFTA Award for Downton Abbey. His film writing credits include Vanity Fair, Separate Lies (National Board of Review Directorial Debut Award), From Time to Time, The Young Victoria, The Tourist, Romeo & Juliet, The Chaperone, the Downton Abbey movie and the upcoming Downton Abbey: A New Era. His television writing credits include Little Lord Fauntleroy, The Prince and the Pauper, Titanic, Doctor Thorne, Belgravia, The English Game and The Gilded Age. He is responsible for the ‘book’ of the Broadway musicals, Mary Poppins and School of Rock – The Musical for which he received a Tony nomination. He also wrote the books for Half a Sixpence and The Wind in the Willows, both of which played in the West End in 2017. He has written three Sunday Times Best Sellers, Snobs, Past Imperfect and Belgravia. In January 2011, he was given a peerage and entered the House of Lords as the Lord Fellowes of West Stafford.
