New Books in History

Latest Episodes:

Karen L. Bowen and Dirk Imhof, "The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp" (Harvey Miller, 2025) Apr 08, 2026

Show notes

Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution.

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David Arditi, "Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok" (Anthem Press, 2026) Apr 07, 2026

Show notes

Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners’ uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture.

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Scott M. Kenworthy, "The People's Patriarch: Tikhon Bellavin and the Orthodox Church in North America and Revolutionary Russia" (Oxford UP, 2026) Apr 06, 2026

Show notes

On October 28, 1917, just days after the Bolsheviks seized power, the great Council of the Russian Orthodox Church voted to restore the patriarchate, which had been abolished by Peter the Great two centuries earlier. The Council chose Tikhon (Bellavin), the son of a humble village parish priest, to be head of Russia's largest religious confession. At the time, the majority of Orthodox Christians were devoutly religious. Tikhon's vision of the Church, which he began putting into practice during his years as the Orthodox bishop of North America (1898-1907), was that of an organic body which welcomed the participation of all believers. The Bolsheviks had other ideas. They aimed to create a revolution that would be carried out by the state on behalf of the people. And they sought to eradicate religion as "superstition" and not only to disestablish the Church, but to destroy it altogether. Although the alternate Russia which Tikhon represented would be crushed by the superior force of the Bolsheviks, he helped navigate the Church through immense challenges so that, in the end, the Orthodox Church outlived the Soviet experiment. The People's Patriarch tells the story of the clash of visions for the new Russia in 1917 through the lens of the humble man chosen to lead the Church, whose life exemplifies the transformations within the Orthodox Church in late Imperial Russia and its fate during the Revolution. The People's Patriarch is the first critical biography of one of the twentieth century's most important Orthodox Christian leaders, based on an exhaustive use of previously untapped primary sources, including Tikhon's letters and encyclicals, previously classified documents from the top Bolshevik leadership and Soviet secret police, and materials from a dozen archives in five countries.

Scott M. Kenworthy is Professor in the History Department at Miami University (Ohio), where he also teaches for the Russian, East European and Eurasian Studies, and Religious Studies programs.

Roland Clark is a Professor of Modern European History at the University of Liverpool.

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Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026) Apr 05, 2026

Show notes

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes(Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.

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Christine Grandy, "Race on Screen: Audience Racism in Twentieth-Century Britain" (Cambridge UP, 2026) Apr 04, 2026

Show notes

What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television.

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Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026) Apr 04, 2026

Show notes

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?

In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich(Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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Danielle Bainbridge, "Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive" (NYU Press, 2026) Apr 03, 2026

Show notes

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.

At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.

Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky.

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Caroline Tracey, "Salt Lakes: An Unnatural History" (W. W. Norton, 2026) Apr 03, 2026

Show notes

Salt lakes are some of the most beautiful and unusual landscapes that you can find on this planet, even as they can be quite alien to people used to fresh bodies of water. They're also uniquely threatened, both by everyday human activity such as farming and industry and by the looming problem of anthropogenic climate change. As the lakes dry up, the consequences to the surrounding ecosystems can be devastating; meanwhile, people who live nearby can suffer from declining air quality, toxic levels of exposure to minerals in the lakebeds, and long-term health concerns. In Salt Lakes: An Unnatural History (W. W. Norton, 2026) that's part memoir and part history and geography, Caroline Tracey describes a series of journeys across North America and Central Asia that brought her close to numerous different salt lakes. She outlines their history, the threats facing them, their ecological and cultural significance, and how people are trying to protect and conserve them. And even as she does the work of telling their history, she also makes clear the effect that these landscapes had on her in developing a greater understanding of her own sexuality and place in the world.

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The Club: Where American Artists Found Refuge in Belle Epoque Paris Apr 02, 2026

Show notes

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.
Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris(Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people.

A Neuroscientist's Guide to a Healthier, Happier Life

Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Robert Cribb and Sandra Wilson, "Twelve Japanese War Criminals and One Who Got Away" (U Hawaiʻi Press, 2026) Apr 01, 2026

Show notes

“Japanese war crimes are notorious. During the Second World War, as Japanese forces overran Southeast Asia and the Pacific, they massacred, murdered, raped, and tortured Asians and Westerners who fell into their hands. They also mistreated hundreds of thousands of prisoners of war (POWs) and civilian internees. After the war ended in 1945, the victorious Allied powers conducted trials in which they brought Japanese perpetrators to justice, as they also did with Germans in Europe…

In this provocative new book, Twelve Japanese War Criminals and One Who Got Away, published by University of Hawaiʻi Press (2026), historians Robert Cribb and Sandra Wilson analyse thirteen case studies of Japanese war crimes. They attempt to answer a crucial question with contemporary relevance, how does one become a war criminal?

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