TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Government

    New Books in European Politics – New Books Network

    This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

    Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

    Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

    Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork

    Advertise

    Copyright: © New Books Network

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    Benjamin Teitelbaum, “Lions of the North: Sounds of the New Nordic Radical Nationalism” (Oxford UP, 2017) Jan 24, 2018
    Show notes

    Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse.

    In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden.

    Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website.


    The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Sarah D. Phillips, “Disability and Mobile Citizenship in Postsocialist Ukraine” (Indiana UP, 2010) Dec 14, 2017
    Show notes

    In Disability and Mobile Citizenship in Postsocialist Ukraine (Indiana University Press, 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union. Scrupulously studied and researched, the data that the author presents reflect social and political changes that have been taking place in the country. Most importantly, this study is centered around people, around the lives of people who change our perception of life, love, and care and our understanding of self and other. In this regard, Sarah Phillips explores how official policies and informal movements, connected with the framing of the concept of disability, shape the ways people with physical impairments are integrated into social consciousness.

    As Sarah Phillips’s study shows, the concept of disability in Ukraine has undergone considerable transformations which were conditioned and triggered by historical circumstances. A particular attention is given to the Soviet period when official terms for the defining of disability became part not only of the Soviet official language but also of Soviet mentality as well. “Invalid”—a term defining a person who has an impairment—was rather often understood as a social stigma, entailing detrimental consequences for the emotional and psychological health of the individual. This “labelling” contributed to the deepening of a gap, separating citizens without impairments and citizens with disabilities.

    The current stage of the disability policies in Ukraine is to a large extent shaped by the challenges that were emerging during the Soviet period. As Sarah Phillips convincingly demonstrates, a number of profound changes in terms of the improvement of disability rights movement have taken place. Volunteering initiatives and individual endeavors to recover from injuries and find new ways of social activities considerably re-shaped the understanding of disability. This research recounts personal stories of people who discovered inner strength and stimuli to re-define their lives after severe injuries. When recovering, they do not have much to rely on; their will to rediscover joy and love is probably the most significant factor. In spite of positive changes, postsocialist Ukraine still has a number of problems that hinder an effective and productive re-integration of people with disabilities into society. Lack of equipment and accommodations that would facilitate access to public amenities is one of the factors that reduces physical mobility of people with disabilities.

    Disability and Mobile Citizenship in Postsocialist Ukraine touches upon the question of how the individual develops their relations with the inside and outside worlds after traumatizing experiences that lead to physical impairments. Drawing attention to the issues and concerns that are central to people experiencing spinal injuries, Sarah Philips invites her readers to think about disability as a phenomenon that breaks boundaries. Of course, medical diagnoses matter and in many cases these are, so to speak, official documents that shape the relationships within communities. But what seems to be at stake is the development of individual and societal relations which are based on inclusiveness that marks the individuals endeavor to reach out to others. In this regards, the title itself—Disability and Mobile Citizenship in Postsocialist Ukraine—encodes a message: disability, in spite of stereotypes and prejudices,


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Ana Miskovska Kajevska, “Feminist Activism at War: Belgrade and Zagreb Feminists in the 1990s” (Routledge, 2017) Jun 01, 2017
    Show notes

    In Feminist Activism at War: Belgrade and Zagreb Feminists in the 1990s (Routledge, 2017), Macedonian researcher, peace-worker, and activist Ana Miskovska Kajevska analyses the way feminists in Belgrade and Zagreb reacted to the (post-)Yugoslav wars, with an emphasis on their discourses and activities regarding (sexual) war violence and on each other. Using a Bourdieu-based methodology supplemented by interviews, she challenges common assumptions that were not subject to scholarly debate before.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Benjamin Martin, “The Nazi-Fascist New Order for European Culture” (Harvard UP, 2016) Nov 29, 2016
    Show notes

    Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism.

    With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany.


    James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Jessica Greenberg , “After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia” (Stanford University Press, 2014) Sep 12, 2016
    Show notes

    Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe.

    Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign.


    Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Jeremy Ahearne, “Government through Culture and the Contemporary French Right” (Palgrave Macmillan, 2014) Jun 08, 2016
    Show notes

    How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture.


    Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Valerie Sperling, “Sex, Politics and Putin: Political Legitimacy in Russia” (Oxford UP, 2015) May 23, 2016
    Show notes

    The prevalence of media that reinforces a traditional masculine image of Vladimir Putin, Russia’s leader, is at the core of Valerie Sperling‘s analysis of gender norms and sexualization as a means of political legitimacy. Not surprisingly, the cover of her book Sex, Politics, and Putin: Political Legitimacy in Russia (Oxford...


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    John Lloyd and Cristina Marconi, “Reporting the EU: News, Media and the European Institutions” (I. B. Tauris, 2014) Dec 05, 2014
    Show notes

    How those within the Brussels Beltway in the EU institutions must pine for the simple days of the past. Not only was the European project in itself far less contested, but the nature of the journalism surrounding the EU was also far more accommodating.

    One of the main lessons of John Lloyd and Cristina Marconi‘s fascinating book Reporting the EU: News, Media and the European Institutions (I. B. Tauris, 2014) is how much it has mirrored the evolution of the European project itself. In the first couple of decades the journalists were as likely to be true believers as the Eurocrats in the corridors of power, even if their reports tended to reflect the concerns and interests of the individual countries that they served. That started to change as the EU (under various names) grew and changed.

    In the 1980s the British press developed a real streak of Euroscepticism, and journalists in general began to ask more questions than the Eurocrats were used to. Big developments such as the Maastricht Treaty and the expansion into the poorer corners of the former Soviet Empire begged bigger questions. And then there was the euro crisis, and the current wave of popular Euroscepticism that has found a home in almost every corner of the continent. All the while Eurocrats and EU boosters charged that Euroscepticism was something contrived through the practicing of hostile journalism by spiteful editors in thrall to shadowy media tycoons. If only the people of Europe had a fair picture of what they did, they’d say: then they’d fall in behind the European project once again.

    At least the euro crisis has led to the EU finding its way to the front pages of newspapers, along with a widespread realisation that what goes on within that Brussels Beltway (and in places like Berlin) matters to all its citizens far more than they’d realised. The authors of the book hope that recognition will continue to give the EU, for all its complexity, a legitimate place in Europe’s popular media, worthy of this peculiar set of institutions that has grown to have such an impact in so many parts of daily life.

    I hope you enjoy the interview!


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Matthew Carr, “Fortress Europe: Dispatches from a Gated Continent” (New Press, 2012) Nov 19, 2014
    Show notes

    From London to Rome, Paris to Stockholm, there is no other contemporary issue that can move the general public’s political needle quite so quickly as immigration. In the seas between Libya and Malta, Tunisia and Italy, hundreds risk the crossing to a presumably new and better life, and many of those hundreds lose their lives in doing so. Many more try to enter from Turkey to Greece and Bulgaria, from Belarus and Ukraine to Poland, Romania, Slovakia and Latvia, and from Morocco up across the treacherous waters of the Gates of Hercules to Spain. Others crowd into internal pinch points within the EU, such as the port of Calais, just a few watery miles from the white cliffs of Dover.

    Matthew Carr‘s excellent book – Fortress Europe: Dispatches from a Gated Continent (New Press/Hurst, 2012) – is an attempt to make sense of this gigantic issue. He is a journalist, so there are compelling human stories involving those making the hopeful and often fateful journeys. There is also a comprehensive study of how the Union, in dissolving so many of its own internal borders, has systematically built up its external frontiers. The author makes the case that this has led to countless individual tragedies, but – perhaps more importantly – that such an attempt to counter flows of people either looking for better lives, escaping tyranny, or both, is futile and ultimately counter-productive.

    Comprehensive solutions, whether technical or political, are unsurprisingly harder to identify. But that does not make this book any less compelling. Migration problems cannot be wished away, whatever the politicians say – the only real response is to understand the issue in all its humanity and all its complexity. That’s the value of this book.

    I hope you enjoy the interview.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Mark Corner, “The European Union: An Introduction” (I. B. Tauris, 2014) Oct 16, 2014
    Show notes

    Some say it should be a loose collection of sovereign nation states; others say it should aspire to be a kind of super-nation state itself. Or is it, in truth, a messy but workable mixture of a number of extremes, ideals and concepts? These are the type of questions that Mark Corner‘s new book The European Union: An Introduction (I. B. Tauris, 2014) seeks to both ask about the EU and tentatively answer. This is not just another routine tour around the institutions and functions of the European Union – instead, it’s a sharply written introduction to the EU that makes the reader understand it beyond the constraints of terms such as ‘nation state’. It’s also a very timely book, as the 28 member bloc is under scrutiny as never before, especially in the wake of both the euro crisis and the continent-wide rise of Eurosceptic parties. It’s a recommended read for anybody trying to make sense of one of the grandest twentieth-century projects that is still evolving and adapting to the world today.


    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.


    Previous 1 58 59 60 61 62 Next

    Related Podcasts

    Inside Strategic Coach: Connecting Entrepreneurs With What Really Matters

    1

    Inside Strategic Coach: Connecting Entrepreneurs With What Really Matters Business
    WSJ Your Money Briefing

    2

    WSJ Your Money Briefing Business
    FORTUNE Unfiltered with Aaron Task

    3

    FORTUNE Unfiltered with Aaron Task Business
    FORTUNE OnStage Presents: The Most Powerful Women

    4

    FORTUNE OnStage Presents: The Most Powerful Women Business
    Slate Money

    5

    Slate Money Business
    In The Dark – The New Yorker

    6

    In The Dark – The New Yorker Business News
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights