NEM#225: Loudon Wainwright III, the Reporter-Songwriter
Dec 14, 2024
Loudon has released 30 albums since 1970. He’s the quintessential singer-songwriter, relying on crafty, personal lyrics delivered dynamically and typically solo with acoustic guitar (though sometimes piano, banjo, ukulele, or a cappella), though his studio work has varied in production style and orchestration level over the years.
We discuss “How Old is 75” from Lifetime Achievement (2022), “Road Ode (Live)” from Career Moves (1993), and “Be Careful There’s a Baby in the House” from Album II (1971). We wrap up by listening to “Missing You” from Last Man on Earth (2001). Intro: “The Swimming Song” from Attempted Mustache (1973). Learn more at lw3.com.
NEM#224: Steve Dawson (Dolly Varden) Elevates Americana
Oct 28, 2024
This Chicago singer/songwriter fronted Dolly Varden for six albums from the ’90s through 2013. He also started releasing solo records in 2003 and has just released his seventh.
We discuss “A Mile South of Town” (and listen at the end to “Oh, California”) from Ghosts (2024), the title track from The Dumbest Magnets by Dolly Varden (2000), and “Bronko Nagurski,” a 1989 recording by the early iteration of Varden, Stump the Host. Intro: “Saskatchewan to Chicago” by Dolly Varden from For a While (2013). More at stevedawsonmusic.com and dollyvarden.bandcamp.com.
NEM#223: Dale Crover (Melvins) the Accidentalist
Sep 29, 2024
Though Dale is known as the long-time drummer for Washington sludge-metal band Melvins (’88-present), he’s also a guitarist and singer who led the band Altamont though four alternative rock albums (’97-’05) and has now released his third full-length, stylistically varied solo album.
We discuss “I Quit” from Glossolalia (2024) featuring Soundgarden’s Kim Thayil, “Bad Move” (co-written w/ Dan Southwick) from The Fickle Finger of Fate (2017), and “The Bit” (co-written with Buzz Osborne) by Melvins from Stag (1996). End song: “El Stupido” by Altamont from The Monkees’ Uncle (2005). Intro: “Spread Eagle Beagle” by Melvins from Houdini (1993). More at dalecrover.com.
As a young person in NYC, Amy played briefly in a punk band, then in the “cow punk” band Last Roundup with her brother, and then in a vocal trio called The Shams that released an album and an EP around 1993. She finally emerged as a full front-person as a solo artist in 1997; she’s since released nine solo albums plus three more with her husband Wreckless Eric, who now serves as her producer.
We discuss “Bricks” from Hang In There With Me (2024), “Genovese Bag” by Amy Rigby and Wreckless Eric from A Working Museum (2012), and “Beer and Kisses” from Diary of a Mod Housewife (1997) feat. John Wesley Harding. End song: “Dancing with Joey Ramone” from Little Fugitive (2005). Intro: “Dark Angel” by The Shams from Quilt (1993). More at amyrigby.com.
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NEM#221: David Nagler Goes Brazilian
Aug 16, 2024
The New York-based singer/keyboardist/guitarist issued three albums and four EPs with Nova Social (initially called Stretch) from ’98-’14 while also serving as music director for Wesley Stace’s Cabinet of Wonders variety show. After four solo releases, he’s formed a new project setting his droll lyrics in a ’60s Brazilian setting called As For the Future.
We discuss “Koan for the Music Business” (and listen at the end to “Encyclopedia of Songs”) from this project’s 2024 eponymous album, “See the Devil” by David Nagler & The Legislation from Songs of Advice and Adversity (2020 EP), and “Drunk at the Prom” by Nova Social (co-written with Thom Soriano) from For Any Inconvenience (2011). Intro: “Theme in Yellow” (feat. Jeff Tweedy) from Carl Sandburg’s Chicago Poems (2016). More at davidnagler.com, facebook.com/asforthefuture, and carlsandburgchicagopoems.com.
John Wardle (named Jah Wobble by Sid Vicious) started playing bass in John Lydon’s post Sex Pistols band Public Image Ltd. in 1978, left after two albums, and has since recorded 50+ solo and collaborative albums, largely led by the bass, but spanning many genres including some particularly famous work in the world-music area.
We discuss “Last Exit” from A Brief History of Now (2023), “21 Towards Lewisham Shopping Centre” from The Bus Routes of South London (2023), “Fly Away” from Jah Wobble & Invaders of the Heart from Ocean Blue Waves (2019), and “Blowout” (a 1985 single). End song: “Visions of You” by Jah Wobble’s Invaders of the Heart (feat Sinéad O’Connor) from Rising Above Bedlam (1991). Intro: “Public Image” by PiL from First Issue (1978).
NEM#219: Oliver Wakeman Beyond the Keyboard
Jul 17, 2024
Oliver is the son of Yes keyboard wizard Rick Wakeman, and has not shied from this association, displaying similar sounds and chops, and serving as Yes’ keyboardist himself for four years. His work has in part played in this prog rock space, creating concept albums with Clive Nolan, working with Yes’ Steve Howe and Peter Banks, and playing with Starcastle and (another band his father used to be in) Strawbs. However, he’s also created a few explicitly New Age albums, the Oliver Wakeman Band seems more centered on hard rock, and Oliver has an evident love for ’80s power ballads.
We discuss “Golden Sun in Grey” from Anam Cara (2024) (feat. Hayley Griffiths singing), “Is This the Last Song I Write?” from Ravens and Lullabies (2013) (an album credited to Gordon Giltrap and Oliver Wakeman; the vocals are by Paul Manzi), and “Mind Over Matter” from The 3 Ages of Magick (2001) (an album credited to Oliver Wakeman with Steve Howe). End song: “To the Moment” by Yes from From a Page (recorded 2010, released 2019). The intro is “Diving” from Oliver’s first album, Heaven’s Isle (1997). More at oliverwakeman.co.uk.
NEM#218: Pat Mastelotto: Prog Neanderthal Drum-Painting
Jun 29, 2024
Pat has been a session drummer since the mid ’70s, was a founding member of Mr. Mister in the ’80s, and played in all line-ups of King Crimson since ’94. He’s also a producer and no stranger to electronics.
We discuss “31” by Tu-Ner from T-1 Contact Information (2023), “Flinch” by TUNER from Totem (2005), “Life Goes On” by Mr. Mister from I Wear the Face (1984), and we conclude by listening to “Prog Noir” by Stick Men (2016). Intro: “Vroom Vroom” by King Crimson from Thrak (1995).
NEM#217: Richard Thompson’s Moments in Time
Jun 11, 2024
Richard started as guitarist in the folk-rock staple Fairport Convention in 1967 but left in 1970 after five albums. He then recorded his debut solo album, six as Richard and Linda Thompson, and has since recorded 20 more solo albums of lyrically inventive, stylistically varied tunes that nearly always feature very skilled guitar work.
We discuss “Freeze,” the first single from his new album Ship to Shore, “The Ghost of You Walks” from You? Me? Us? (1996), and “Don’t Take It Lying Down” from Still/Variations EP (2015). End song: “When I Get to the Border” by Richard and Linda Thompson from I Want to See the Bright Lights Tonight (1974). Intro: “1952 Vincent Black Lightning” from Rumor and Sigh (1991). More at richardthompson-music.com.
NEM#216: Kim Richey Learns to Cherish Collaboration
May 27, 2024
Kim has recorded about ten meticulously recorded country-evolving-to Americana albums out of Nashville since 1995. We discuss "Joy Rider" (and listen at the end to "Floating on the Surface") from Every New Beginning (2024), "A Place Called Home" from Rise (2002), and "I’m Alright" from Bitter Sweet (1997), which is also the home of the intro, "Every River." More at kimrichey.com.
NEM#215: Lynn Drury’s New Orleans Emotionality
May 03, 2024
Singer-songwriter Lynn has released 10 albums since 2001. We discuss the title track (and listen at the end to "I Waited Too Long") from High Tide (2024), "11:11" from Rise of the Fall (2017), and "Drugstore" from Crossing Frequencies (2001). Intro: "City Life" from Sugar on the Floor (2011). Hear more at lynndrury.com.
NEM#214: Head vs. Gut Songwriting w/ Roger Joseph Manning Jr., David Christian, Rachel Taylor Brown
Apr 18, 2024
It's a new, discussion-only format, just for this episode (and perhaps some rare ones in the future)! When we write, how much is planned vs. improvised? How much is inspirational vs. double-or-triple checked? How does this factor weigh into how much music we release, how eclectic our sound is, and how well we improvise with others?
This discussion features three returning guests:
Roger Joseph Manning Jr. was the keyboardist/singer for Jellyfish and Imperial Drag, and more recently as a solo artist and with the Likerish Quartet. Hear his solo episode. The end song on this episode "I'm Startin' a Band" from his Radio Daze EP (2023).
David Christian is the singer/guitarist for Britain's Comet Gain. Hear his solo episode. The intro music to this discussion is "Love and Hate on the Radio" from Radio Sessions 1996-2011.
Portland-based Rachel Taylor Brown has released 10 solo albums. Hear her solo episode. Her song choice relevant to this discussion was "Stagg Field."
NEM#213: Paul Chastain (Velvet Crush): Flavors of Brightness
Apr 01, 2024
Illinois singer/bassist Paul had his first release in 1985 and joined with drummer Ric Menck to form a band eventually called Velvet Crush, which released six albums from 1991-2004. He has since played in Matthew Sweet's band and has released two albums under the name The Small Square.
We discuss "Can't Let Go (Oh, Tommy)" by The Small Square from Ours & Others (2023), "California Incline" by Velvet Crush from Stereo Blues (2004), and "Flower Field" by Choo Choo Train from Briar Rose EP (1988). Intro: "Hold Me Up" by Velvet Crush from Teenage Symphonies to God (1994). End song: "SML" from The Small Square (2015, remastered 2023). More at smallsquaremusic.com and actionmusik.bandcamp.com.
Graham has released 25+ studio albums of soul-infused British singer-songwriter goodness since 1976, first with the Rumour, but often in the second half of his career playing live entirely solo.
We discuss "Lost Track of Time" by Graham Parker and the Goldtops from Last Chance to Do the Twist (2023), "Going There" by Graham Parker & The Rumour from Mystery Glue (2015), "She Wants So Many Things" from Struck By Lightning (1991), and "Between You and Me" by Graham Parker & The Rumour from Howlin' Wind (1976). Intro: "Local Girls" from Squeezing Out Sparks (1980). Hear more at GrahamParker.net
NEM#211: Louis Michot (Lost Bayou Ramblers) Evolves Cajun Music
Feb 20, 2024
Coming from a family who played traditional cajun music in Louisiana, violinist Louis and his accordion-playing brother Andre have released nine albums (plus some live releases and EPs since 2001), winning two Grammy awards, plus Louis has had a couple of releases under the name Michot's Melody Makers, and he just released his first solo album.
We discuss the title track (and listen at the end to "Ti Coeur Bleu" from Rêve du Troubadour, that 2023 solo album, plus "Marée Noire" from Mammoth Waltz (2012) and "Mexico One Step" from Bayou Perdu (2005). Intro: "Grand Marais" by Michot’s Melody Makers from Blood Moon (2018). Learn more at louismichot.com and lostbayouramblers.com.
NEM#210: Matt Piucci (Rain Parade) Retires BACK to Music
Feb 02, 2024
After Matt's "paisley underground" band Rain Parade recorded two albums and an EP from '83-'85, he was a member of Crazy Horse (taking the Neil Young guitar role in Neil's absence), and released a few albums intermittently as he worked in law enforcement. Now that he has retired, he's back devoting all his time to music, and Rain Parade has been touring and released its first album of the millennium.
We discuss the title track from this 2023 release, Last Rays of the Dying Sun, then the title track by the Hellenes' I Love You All the Animals (2018), and "Blue" from Rain Parade's Glass Palace EP (1984). Finally, we listen to "Reason for Living" from the self-titled album by Boatclub (2008). Intro: "What She's Done to Your Mind" (a 1982 single). More at rainparade.bandcamp.com.
NEM#209: Bruce Hornsby Is a Lifelong Student
Jan 18, 2024
Bruce is best known for his first album The Way It Is (1986), but has come light years since then through 18+ albums, experimenting with different styles, playing over 100 shows with the Grateful Dead, and scoring numerous projects for Spike Lee. He's won three Grammys and recorded with music royalty including Elton John, Ornette Coleman, Branford Marsalis, Willie Nelson, Bob Dylan, etc.
We discuss "Sidelines" (feat. Ezra Koenig from Vampire Weekend) from 'Flicted (2022), "My Resolve" (feat. James Mercer of The Shins) from Non-Secure Connection (2020), and a new live version of "Shadow Hand" from the 25th Anniversary Edition of Spirit Trail. End song: "Cast-Off" (feat. Justin Vernon of Bon Iver) from Absolute Zero (2019). Intro: "The Way It Is" (Live from Köln, 2019). More at brucehornsby.com
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NEM#208: Laura Osnes: From Broadway to Nashville
Dec 29, 2023
After winning a TV reality competition in 2007 to become Sandy in Grease on Broadway, Laura went on to star in shows like South Pacific, Bonnie & Clyde, Anything Goes, and Cinderella. In 2021 she left Broadway and is now a pop-country songwriter.
We discuss her 2023 singles "Getaway" and "Enough," and her performance of the Bonnie & Clyde song "How 'Bout a Dance," from Dream a Little Dream:Live at at the Café Carlyle (2012). End song: "Fell for You" (feat. Chuck Wicks). Intro: "Hopelessly Devoted" from the Grease Soundtrack (2007). More at lauraosnes.com.
Jason plays bass for Bob Mould's band, is a touring member of Superchunk, and has been making the promo rounds as he tours as guitarist with actor Michael Shannon to play R.E.M.'s debut Murmur live for its 40th anniversary. He's a singer-songwriter who played as Verbow in the 90s, and more recently as Split Single.
We discuss two Split Single tunes: "Bitten by the Sound" from Amplificado (2021), "Monolith" from Fragmented World (2014), plus Verbow's "Fan Club" from Chronicles (1997). End song: "Blood Break Ground" from Callado (2022). Intro: "He’s a Panther" by Verböten (his first band, when he was but a tween, live in 1983). Learn more at splitsinglemusic.com.
Eric Goulden has recorded 29 albums since 1978, typically as Wreckless Eric but also with his wife Amy Rigby or under band names like Captains of Industry and The Len Bright Combo.
We discuss "Standing Sunday Morning" from Leisureland (2023), "Another Drive-In Saturday" by Wreckless Eric & Amy Rigby from their self-titled debut (2008), and "Depression" by Le Beat Group Electrique from their self-titled album (1989). Outro: "Father to the Man" from Transience (2019). Intro: "Whole Wide World" (single version, 1977).
NEM#205: Tom Heyman: Unreliable Narrator
Nov 06, 2023
Tom is best known as a steel guitar player who has guested with artists like Alejandro Escovedo, John Doe, and Sonny Smith. He started in the late '80s with the Philadelphia energetic alt-country band Go to Blazes. After five albums with them, he moved to San Francisco in 1997 and has since released six solo albums of Dylan-esque, lyrically driven folk-rock.
We discuss "Desperate" from 24th Street Blues (2023), "Chickenhawks and Jesus Freaks" from That Cool Blue Feeling (2013), "Bloody Sam" by Go To Blazes from Any Time... Anywhere (1994), and listen to "Etch A Sketch" from Show Business, Baby (2017). Intro: A Waylon Jennings cover, "Brand New Goodbye Song" (2008).
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NEM#204: Tim and Sue Lee Learn Their Craft, from Windbreakers to Bark
Oct 15, 2023
Tim began with The Windbreakers in Mississippi in 1982 and has released around 30 albums including solo albums starting in the late '80s plus albums with his wife Susan Bauer Lee (first on bass, then on drums) as The Tim Lee 3 and now Bark.
We discuss Bark's "Love Minus Action" from Loud (2023), "Magnolia Plates" by Tim Lee 3 from 33 ⅓ (2015), "Like Sand" from Tim's Crawdad (1998), and the title track from The Windbreakers' Run (1987, with lyrics by Sherry Cothren). We conclude by listening to "Dead Guy Story" from Concrete Dog (2006). Intro: "All That Stuff" by The Windbreakers from Terminal (1985). Learn more at bark-loud.com.
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NEM#203: Andy White Tells the Truth
Sep 28, 2023
Andy has released 20 albums since 1986, touring with just him and his acoustic guitar. We discuss "The Happiness Index" from AT (2023), his second collaboration with Tim Finn; the title track from The Guilty and the Innocent (2017); and "Speechless" from Out There (1992). End song: "Italian Girls on Mopeds" from Boy 40 (2003). Intro: "Vision of You" from Rave On (1986). More at andywhite.com.
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REISSUE-NEM#41: Glenn Mercer (Feelies): Produce Yourself
Sep 16, 2023
Glenn's albums with the Feelies since 1980 have a unique sound, due to his insistence that production is part of the composing process.
We discuss "Been Replaced" and "Gone Gone Gone," from The Feelies' 2017album Here Before, then "Larmaie" from Glenn's instrumental solo album Incidental Hum (2015). We conclude by listening to "Should Be Gone" by the Feelies from Here Before (2011). Intro music: "The High Road"by the Feelies from The Good Earth (1986).
This reissue concludes with the Feelies newly released live recording of "Who Loves the Sun?" from their album of Velvet Underground covers, Some Kinda Love. Learn more at thefeeliesweb.com.
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NEM#202: Richard Lloyd (Television): Guitar is Combustible
Aug 31, 2023
Richard joined Television in 1973 and has released three albums with them, plus seven solo albums starting in 1980. He has also played with Matthew Sweet, John Doe, Rocket from the Tomb, and others, and has a 2019 memoir Everything Is Combustible.
We discuss "So Sad" from The Countdown (2018), "Glurp" from Radiant Monkey (2007), "Pleading" from Field of Fire (1985), and "Misty Eyes" from Alchemy (1980). We conclude by listening to "May This Be Love" from The Jamie Neverts Story, Richard's album of Jimi Hendrix covers. Intro: "Venus" by Television from Marquee Moon (1977). More at richardlloyd.com.
NEM#201: Ivan Neville Gets Personal (but Still Funky)
Aug 21, 2023
Ivan is the keyboardist/singer/multi-instrumentalist son of Aaron Neville and has played with the Neville Brothers, The Rolling Stones The Spin Doctors, etc. He has released eight albums since 1988, half of these under the band name Dumpstaphunk.
We discuss "Pass It Around" and listen to "Hey All Together" from Touch My Soul (2023), "They Don’t Care" by Dumpstaphunk from Dirty Word (2013), "What You Want from Me" from Saturday Morning Music (aka Scrape) (2002), and "Stay What You Are" (feat. Aaron Neville) from Thanks (1995). Intro: "Not Just Another Girl" from If My Ancestors Could See Me Now (1988). More at ivannevillemusic.com and dumpstaphunk.com.
NEM#200: Mikaela Davis: Singer-Songwriter-Harpist
Aug 05, 2023
Mikaela has a degree in harp performance and has been recording since 2011. We discuss "Cinderella" (and listen at the end to "Leave It Alone") from her second label-released album, And Southern Star (2023), "Left Hand Path" (2002, released on the compilation album Spelljams), and "In My Groove" from Delivery (2018). Intro: "When You're Away" (recorded 2015). Hear more at mikaeladavis.com.
NEM#199: Alan Jenkins’ Cornucopia of Experiments
Jul 20, 2023
Alan has released 50+ albums, starting in the late '70s with The Deep Freeze Mice, then with several collaborative bands, experimental surf in the '00s with The Thurston Lava Tube, and now typically records as Alan Jenkins and the Kettering Vampires.
We discuss "The Multibear" from Be My Enemy £1 (2023), "Hitler’s Knees" by The Deep Freeze Mice from Saw a Ranch House Burning Last Night (1983), "The Morozovo Meteorite” by The Melamine Division Plates from Novosibirsk (2023), and "The Eagle Hates Your Poetry" by Alan Jenkins & The Creams from ie (1994). End song: "Nobody’s Getting My Hair" by The Chrysanthemums from Decoy for a Dognapper! (2022). Intro: "A Red Light for the Greens" by The Deep Freeze Mice from The Gates of Lunch (1982). For more, see cordeliarecords.co.uk.
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NEM#198: Chris Stamey Keeps on Developing
Jul 10, 2023
Chris started in the mid 70s in Sneakers, then backed Alex Chilton, started a record label, and then founded the dB's, which he left after two albums in 1983. He then became a producer and has released nine solo albums plus avant garde guitar collaborations with Kirk Ross and four reunion albums with Peter Holsapple and/or the dB's.
We discuss "I Will Try" from The Great Escape (2023), the title track from Lovesick Blues (2013), "Glorious Delusion" from Fireworks (1988, released in 1991), and "I Don't Think of You" by Chris Stamey & The Fellow Travelers feat. Ramune Martin from A Brand-New Shade of Blue (2020). Intro: "The Summer Sun" (1977 single). More at chrisstamey.com
NEM#197: Bonjo Iyabinghi Noah’s African Head Charge
Jun 22, 2023
Bonjo started in the '70s as a session hand percussionist, played for a few years with Creation Rebel, and became a band leader in 1980, first recording a bit as Noah House of Dread, then creating African Head Charge, which has had more than 20 releases. More at africanheadcharge.bandcamp.com.
We discuss "Microdosing" and listen to "A Bad Attitude" from A Trip to Bolgatanga (2023), "Fear of a Man God" from Voodoo of the Godsent (2011), "Orderliness, Godliness, Discipline and Dignity" from Songs of Praise (1990), and "Children of Misery" by Noah House of Dread from Heart (1980). Intro: "Stebani's Theme" from My Life in A Hole in the Ground (1981).
NEM#196: Michael Gira (Swans) Is Not Done
Jun 09, 2023
Swans started in the early '80s with a brutal sound gradually became more subtle and textured. The band broke up in 1995 after ten albums (and three other releases under the name World of Skin), then Michael released a couple of solo albums and six alt-country releases as Angels of Light before starting a new chapter of Swans in 2010 which has now released its sixth album.
We discuss "Michael Is Done" from The Beggar (2023), "It's Coming It's Real" from Leaving Meaning (2019), and "Power for Power" from Filth (1983). You then get to hear Michael's opus "The Beggar Lovers (Three)," also from the new album. Intro: "Screen Shot" from To Be Kind (2014). Hear more at swans.bandcamp.com.
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NEM#195: Nicholas Tremulis Reads Better Books
May 26, 2023
Nick has fronted 10+ carefully arranged solo albums since 1985 in various styles from R&B to Latin to alt-country.
We discuss "Amanda and the God’s Honest Truth" from Rarified World (2021), "Buffalo Man" from Little Big Songs (2008), and "River of Love" from More Than Truth (1986). End song: "Super Human Love" from For the Baby Doll (2013). Intro: "Heartbeat Getting Stronger" from Nicholas Tremulis (1985). Follow @NickTremulis1.
NEM#194: Vashti Bunyan Is Not a Folk Singer
May 01, 2023
Vashti was discovered in the mid-60s by the Rolling Stones manager, recorded a seminal acoustic album in 1970, then quit music until her work was rediscovered in 2000, recording two albums and releasing an autobiography since then.
We discuss "I Want to Be Alone" (a 1965 single), "Rose Hip November" from Just Another Diamond Day (1970), "Wayward from Lookaftering (2005), and the title track from Heartleap (2014). Intro: "Train Song" (1966 single); the singles were released on Some Things Just Stick in Your Mind (2007). More at anotherday.co.uk.
NEM#193: Peter Case’s Songs About Now
Apr 08, 2023
Initially compared as a rock singer with John Lennon in the late '70s and early '80s with The Nerves and The Plimsouls, his subsequent sixteen solo albums beginning in 1986 have embraced blues, solo acoustic guitar, and on his new album, highly percussive piano (on his new album).
We discuss "Have You Ever Been in Trouble?" from Dr. Moan (2023), "Every 24 Hours" feat. Richard Thompson from Let Us Now Praise Sleepy John (2007), "When You Find Out" by the Nerves from their self-titled EP (1976). End song: "Anything" from Torn Again (1995). For more, see petercase.com.
NEM#192: Guitarist Ivan Julian Serves the Song
Mar 25, 2023
Ivan was a founding member of Richard Hell and the Voidoids in 1977, fronted The Outsets in the '80s, and has put out two solo albums while playing with Matthew Sweet, Shriekback, and other projects.
We discuss "I am Not a Drone (Alone)" (and listen to "Voodoo Christmas") from Swing Your Lanterns (2023), the title track from Naked Flame (2011), and "Liars Beware," by Richard Hell and the Voidoids from Blank Generation (1977). Other clips: "Everything or Nothing" by Outsets from Punk Voodoo Collection (1984) and "Someone to Pull the Trigger" by Matthew Sweet from Altered Beast (1993). For more, see ivanjulian.com.
NEM#191: Chris Slusarenko and John Moen As (And Before) Eyelids
Mar 04, 2023
Chris and John are veterans of the Portland music scene since the mid '80s. By the '00s, John was drumming for bands like the Decembrists, while Chris was playing bass for Guided by Voices. They recorded together as Boston Spaceships (aka The Takeovers) with GBV frontman Robert Pollard from 2005-2011 and then founded Eyelids, which has now issued 17 releases including four full albums.
We discuss "Runaway, Yeah" from A Colossal Waste of Light (2023), "Seagulls Into Submission" from 854 (2014), "Shrunken Head" by Chris' band Svelt from Souvenir (1996), and we listen to "Blindfold Follies" by John's band The Maroons from You’re Gonna Ruin Everything (2002) and "Ceremony" by Eyelids from The Accidental Falls (2019). Intro: "My Will" by The Takeovers from Bad Football (2007). For more, see musicofeyelids.com.
NEM#190: Jad Fair (Half Japanese): Being Productive = Being Yourself
Feb 19, 2023
Jad estimates he's released over 180 albums between his band, solo, and collaborative work. He started Half Japanese with his brother David in 1975.
We discuss "Fate Is On Our Side" by Jad with Samuel Locke Ward from Happy Hearts (2023), "Hold On" by Half Japanese from Perfect (2016), "Frankenstein Must Die" (1977), "Do It To It" from Now It's Back (2021), and conclude by listening to "Cupid" by Teenage Fanclub and Jad from Words of Wisdom and Hope (2002). Intro: "Said and Done" by Half Japanese from Charmed Life (1988). For more see jadfair.net. For the results of Jad's 150 albums in one year experiment, see jadfair1.bandcamp.com.
NEM#189: Claire Hamill’s Epic Journey
Feb 03, 2023
Claire is a folky singer-songwriter whose 13 albums since 1971 have ventured into prog, new age, dance, adult contemporary, and more.
We discuss "Aphrodite Obscured" from A Pocket Full of Love Songs (2022), "Love Has a Mind of Its Own" from Over Dark Apples (2019), "The River Song" from One House Left Standing (1971), and conclude by listening to "The Last Shirt" by Claire Hamill and Andrew Warren from Summer (1998). Intro: "Leaf Fall" from Voices (1986).
NEM#188: Pat Irwin (Raybeats, B-52s, SUSS) Writes for TV (and Himself)
Jan 20, 2023
Pat started in the late '70s New York No Wave scene with 8-Eyed spy, but quickly got into soundtrack work for shows like Nurse Jackie, plus cartoons and indie films.
We discuss clips from Dexter: New Blood (2022), Bored to Death (2011), and Rocco's Modern Life (feat. the B-52s, with whom he was playing at the time in 1992), plus "In Another Time" from Duets for Electric Guitar and Piano (2018) (the outro is the version of that with J. Walter Hawkes from Wide Open Sky (2019)), "Hoodlum Priest" by The Raybeats from Glass: The Lost Philip Glass Sessions (1982), and conclude by listening to "Winter Was Hard" (2022) by SUSS.
REISSUE-NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)
Jan 07, 2023
Richard garnered early fame as drummer for '60s New Jersey garage band The Doughboys and has put out 14 albums, largely as a one-man band, since 1988.
We discuss the title track (and near the end play "And Then") from Incognito (2017) and Cornerstone (1998) and “Agnostic’s Prayer” from Tiers and Other Stories (2011). End song (new for this reissue): "Washington Rock" from 67,000 Miles an Album (2022). Intro: "Falling Away" from Hey Man! (1990). Learn more at richardxheyman.com.
If you like this podcast, you may want to check out Music Rewind at musicrewindpodcast.com.
NEM#187: Eszter Balint Interprets Her Past
Dec 23, 2022
Eszter is an actor/musician, gaining initial fame starring in Jim Jarmusch's first major film Stranger Than Paradise (1984). She has released four albums of often autobiographical songs since 1998.
We discuss "The First Day" (and end by listening to "Freaks") from I Hate Memory (2022) feat. Stew and Syd Straw; this album has been made into a stage show. We then turn to "Exit at 63" from Airless Midnight (2015) and "Almost Gone" from Flicker (1998). The introduction is the theme from her debut film, Screamin' Jay Hawkins' "I Put a Spell on You." For more, see eszterbalint.com.
NEM#186: Simon Ratcliffe (Basement Jaxx, Village of the Sun): From House Music to Jazz Fusion
Dec 09, 2022
Simon has produced programmed dance music since the early '90s, winning Grammys and topping charts with his partner Felix Buxton as Basement Jaxx through their seven albums and several EPs.
We discuss "Village of the Sun" by his new project of that name from First Light (2022), "Flying by the Sun" by Ratcliffe from Dorus Rijkers EP (2011), to "Alkazaar" by Basement Jaxx from Zephyr (2009), and "Ephemerol" a 1992 single Simon released under the name Tic Tac Toe. Intro: "Where's Your Head At" by Basement Jaxx from Rooty (2001). For more, see thevillageofthesun.bandcamp.com and basementjaxx.com.
NEM#185: Bruce Thomas’ Bass Lines Before, After, and During the Attractions
Nov 27, 2022
Bruce is best known as Elvis Costello's bassist for his first on about a dozen albums as The Attractions, but he's been in bands since 1970 and has done numerous session gigs.
We discuss his work on "Blood Makes Noise" by Susanne Vega from 99.9 Degrees (1992), play clips from several of the most famous Attractions tunes plus "La La La La Loved You" by The Attractions from Mad About the Wrong Boy (1980), the first half of the title track of Quiver's Gone in the Morning (1972), and we conclude by listening to "There's a Place" by Spencer Brown and Bruce Thomas from Back to the Start (2018). Intro: "Radio Radio" by The Attractions feat. Fito Paez from Spanish Model (2021). For more info, see brucethomas.co.uk.
Sponsors: Buy and sell music products like beats, loops, etc. at beatstars.com/NEM, which is free for beginners, or get a free one-month virtual store using code NEM. Upgrade your showering at nebia.com/nem (code NEM).
NEM#184: Mike Baggetta Feels Out the Guitar
Nov 11, 2022
Mike has put out 18 releases of largely instrumental guitar music since 2004 and is now playing with legendary bassist Mike Watt and with drummer by either Jim Keltner.
We discuss the title track to Everywhen We Go (2022), "Hospital Song" from Wall of Flowers (2019), and "The Mystery Of" from Main Street Stop Valve (2020). End song: "(What's So Funny 'Bout) Social Justice" from mssv Meets Nels Cline (a 2022 EP). Intro: The title track by Tin/Bag from There, Just As You Look For It (2005). For more see mikebaggetta.com.
NEM#183: Neil Gust (No. 2, Heatmiser) Walks Around
Oct 28, 2022
Neil is known as the long-time collaborator of the late Elliot Smith in the Portland band Heatmiser, which released three albums and an EP starting in 1993. Then Neil fronted the band No. 2 for two albums before taking a break until recently from music.
We discuss "You Might Be Right" (and listen at the end to "I'm on a Mission") from the new No. 2 album First Love, "Critical Mass" from No Memory (1999), and "Why Did I Decide to Stay" by Heatmiser from Cop and Speeder (1994). Intro: "Rest My Head Against the Wall" by Heatmiser from Mic City Sons (1996). Hear more at no2music.bandcamp.com.
Sponsors: Upgrade your showering at nebia.com/nem (code NEM). Check out the Unsung Podcast for more music chatting.
NEM#182: Allan and Barb Vest Together as doubleVee
Oct 14, 2022
Through the 00's and four studio albums, Allan led the "baroque pop" Oklahoma band Starlight Mints. Then he met his wife Barb; as doubleVee, they've released two albums and an EP since 2017.
The three of us talk about "The Middle Side of Me" from Treat Her Strangely (2022), then the title track from Jack the Rider (2017), then "Submarine #3" by Starlight Mints from The Dream That Stuff Was Made Of (2000). End song: "Map the Channels" from Songs for Birds and Bats (2019). Intro: "Eyes of the Night" by Starlight Mints from Drowaton (2006). More at doublevee.net.
Sponsors: Buy and sell music products like beats, loops, etc. at beatstars.com/NEM, which is free for beginners, or get a free one-month virtual store using code NEM. Upgrade your showering at nebia.com/nem (code NEM).
Robyn has been producing a distinctive flavor of very British rock with surrealist lyrics for 35+ albums since 1979.
We discuss "The Raging Muse" (and close by listening to "The Shuffle Man") from Shufflemania (2022), "Mad Shelly's Letterbox" from Robyn Hitchcock (2017), "Television" from Spooked (2004), and "Glass" from Fegmainia! (1985). Intro: "I Wanna Destroy You" by The Soft Boys from Underwater Moonlight (1980). More at robynhitchcock.com.
Rebecca has balanced her musical career with her acting career since the mid '80s, starting in Scotland with Ruby Blue and then moving to New York in 1989 and releasing 10+ solo albums.
We discuss "Silent Sound" from Parts of Speech Pieces of Sound (2022), the title track to the Stark Naked EP (2020), and "24 Hours of Love" from New York Girls' Club (1996). End song: "You Have Got My Number" from Blue Dress On (2013). Intro: "So Unlike Me" by Ruby Blue from Glances Askances (1987). More at rebeccapidgeonmusic.com.
Sponsors: Buy and sell music products like beats, loops, etc. at beatstars.com/NEM, which is free for beginners, or get a free one-month virtual store using code NEM. Upgrade your showering at nebia.com/nem (code NEM).
NEM#179: Mike Lindup’s Atlantean Visions and Level 42
Sep 04, 2022
Mike played keyboards and shared lead vocals for synth jazz-pop Level 42's initial run for nine albums from 1982-1994 (and rejoined in 2006) and is working on his fourth solo release.
We talk about his new single, "Atlantia," plus "Madness" from On the One (2011) and Level 42's "Weave Your Spell" from The Pursuit Of Accidents (1982). End song: "Heart of the Matter" from Conversations with Silence (2003). Intro: "Something About You" by Level 42 from World Machine (1985). More at mikelindup.com.
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM#178: Chastity Brown in Wonderment
Aug 19, 2022
Chastity has since 2007 released seven albums from Minneapolis that she calls "new blues," but which spread into pop, Americana, soul, and Irish-flavored spirituals.
We discuss "Wonderment" and listen at the end to "Back Seat" from Sing to the Walls (2022), "Drive Slow" from Silhouette of Sirens (2017), "Many Prayers" from Do the Best You Can (2007). Intro: "Colorado" (a 2014 single included on 2017's Silhouette of Sirens). More at chastitybrownmusic.com.
Sponsors: Buy and sell music products like beats, loops, etc. at beatstars.com/NEM, which is free for beginners, or get a free one-month virtual store using code NEM. Get 15% off at at MasterClass.com/examined.
NEM#177: Susan Cattaneo Leaves Nashville and Finds Herself
Aug 05, 2022
Susan teaches songwriting at Berklee and has released six albums since 2009. She wanted to be a Nashville songwriter, decided to then sing country songs herself, but that felt phony, so she remade her whole style.
We discuss "Broken Things" (and listen at the end to "Time + Love + Gravity") from All Is Quiet (2022), "Revival" from Haunted Heart (2014), "Shave" from Heaven to Heartache (2011). Intro: "Work Hard Love Harder" from The Hammer & the Heart (2017). More at susancattaneo.com.
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM#176: Bill Lloyd’s Power Pop from Nashville
Jul 22, 2022
Bill has been a hit-making country songwriter for his duo Foster and Lloyd as well as artists like Martina McBride and Trisha Yearwood, but his true love has been power pop, starting with Sgt. Arms (our intro song is the 1982 single, "Caught in Traffic," a 1982 single) through his 10+ solo albums.
We discuss the title track from Don't Kill the Messenger (2020), "What Time Won't Heal" (co-written with Graham Gouldman) from Working the Long Game (2018), and "Off and Running" a track from the expanded version of his first solo album Feeling the Elephant (1987). End song: "Rough Edges" by Cimarron 615 (a 2022 take on a song that he wrote with Rusty Young and Radney Foster for the band Poco). More at billlloydmusic.net.
NEM-Pretty Much Pop Crossover: So-Called Greatest Albums Feat. Mobley, Noah Berlatsky, Jon Lamoreaux
Jul 08, 2022
It's a music discussion episode! How does canonization work in popular music? Is Rolling Stone's 500 Best Albums of All Time list just a modest record of the favorite albums of people associated with Rolling Stone? Is it a statement of what “experts” in popular music enjoy? Does it reflect English-American popularity, and what responsibility to list-makers have to experience and include world music, indie music, and other music by those not powerful enough to have promotional backing?
Mark is joined by journalist Noah Berlatsky (who wrote The Best Greatest Albums of All Time Ever), musical artist Mobley, and The Hustle podcast host Jon Lamoreaux to discuss the album as a format, music curation, the subjectivity of taste, and our childhood love affairs with particular albums.
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM#175: Richie Ramone Builds His Own Brand
Jun 23, 2022
Richie Reinhardt drummed for The Ramones for three albums and has released two solo albums and some singles. We discuss his new single "Not Afraid," his 2013 solo version of "I Know Better Now" from Entitled (2013), "Human Kind" by Ramones from Too Tough to Die (1984), and "I Fix This” from Cellophane (2016). Intro: "Somebody Put Something in My Drink" by Ramones from Animal Boy (1986). End song: "The Last Time" (a 2018 single). For more see richieramone.com.
NEM#174: Drew Grow’s Subconscious is the Through Line
Jun 10, 2022
Portland's Drew Grow has put out around 10 albums since the 90s, gradually developing his jagged, visceral style through several projects. We discuss the title track from Cockroach in a Ghost Town, the debut album from his new band Slang with Janet Wiess, then "Abandon" from the eponymous album by Modern Kin (2014), and "Spider" from his debut solo album Next Lips (2007). End song: "King Gunn" also from the new Slang album. Intro: "Lights" by Careen from Crash Couture (2005).
Queen Esther started releasing her solo albums mixing Americana and jazz in 2004, with her fifth in the works now.
We discuss "The Whiskey Wouldn’t Let Me Pray" from Gild the Black Lily (2021), "Somebody Else’s Baby" from The Other Side (2014), and “Trouble” from by Hoosegow (Queen Esther and Elliot Sharp) from Mighty (1996). End song: "Where Is Home?" from Rona (forthcoming). Intro: "Help Me" from Talkin’ Fishbowl Blues (2004). For more see queen-esther.com.
Sponsors: Upgrade your showering at nebia.com/nem (code NEM).
NEM#172: Mark Stewart (The Pop Group): Mad Processing w/ Haikus
May 13, 2022
Mark led the Pop Group through two albums in the late 70s two later reunion album and has released nine solo albums of trippy, experimental dance music.
We discuss "Rage of Angels" (feat. Front 242) from VS (2022), "Age of Miracles" by The Pop Group from Citizen Zombie (2015), and "Liberty City" by Mark Stewart & the Maffia from Learning to Cope with Cowardice (1983). End song: "Cast No Shadow (Leather Strip Mix)" by feat. Stephen Mallinder and Eric Random from VS. Intro: "She Is Beyond Good and Evil" by The Pop Group from Y (1979). More at markstewartmusic.com.
NEM#170: Bob Mould From Hüsker Dü to Sugar to Now
Apr 15, 2022
Bob has released 20+ albums since the early '80s. We discuss "Forecast of Rain" from Blue Hearts (2020), "I Don’t Know You Anymore" from Beauty & Ruin (2014), "JC Auto" by Sugar from Beaster (1993), and "In A Free Land" by Hüsker Dü, 1982 singe remixed for Savage Young Du (2017). End song: the title track to his new acoustic EP, The Ocean. Intro: "If I Can't Change Your Mind" by Sugar from Copper Blue (1992). For more see bobmould.com.
NEM#169: Wesley Stace (aka John Wesley Harding) Likes Words
Apr 01, 2022
Wesley started performing as John Wesley Harding in the late '80s (often eliciting comparisons in his early work to Elvis Costello), moved from England to the U.S. in 1991, and has 20+ releases, switching to his own name in 2013 as a result of his success as a novelist.
We discuss "The Impossible She" (and end by listening to "Come Back Yesterday") from Late Style (2021), whose music was written by David Nagler; "When I Knew" from Wesley Stace (2013), and "Your Ghost (Don’t Scare Me No More)" from Awake (1998). Intro: The title track from Here Comes the Groom (1990). For more see wesleystace.com.
Clive is a keyboardist, orchestrator, singer, and composer of three musicals and several concept albums as a solo artist or collaborator. He's played with Pendragon since 1986 and has led the bands Shadowlands and Arena since the 90s.
NEM#167: David Christian (Comet Gain) Sings for the Awkward and the Wayward
Mar 04, 2022
David has released 8 albums and some EPs as the London-based Comet Gain since 1994, putting out literate, energetic, sloppy rock, typically splitting the lead vocals with a female voice. As a pandemic project, he just released his first album under his own name.
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM#166: L. Shankar’s World of Violin and Voice
Feb 19, 2022
Shankar played with John McLaughlin in Shakti in the mid-70s and has released over 25 solo albums while backing A-list artists including Phil Collins, Peter Gabriel, Frank Zappa, Elton John, Bruce Springsteen, Eric Clapton, Metallica, Korn, and more.
NEM#165: Paula Cole Beautifully Picks at Wounds
Feb 05, 2022
The Grammy winner and 90s hitmaker has released 10 studio albums since 1994 after backing Peter Gabriel on his Secret World tour in the early '90s.
We discuss "Blues in Gray" from Revolution (2019), "Father" from 7 (2015), and "Hush, Hush, Hush" from This Fire (1996). We also listen to "Steal Away/Hidden in Plain Sight" from American Quilt (2021). Intro: "I Don’t Want to Wait," also from This Fire. For more, see paulacole.com.
NEM#163: Lilli Lewis Is Not Just a Jazz-Singing Pianist
Jan 07, 2022
Lilli is also an activist, folk-rock diva, and record label exec. She's released 10 albums and 3 EPs since 2003. We discuss "Coffee Shop Girl" and listen to "Copper John" from Americana(2021), "Warm and Gentle People" from We Belong (2019), and "Song for the End of Days" from Castles of Her Crystalline (2005). Intro: "Lady" from The Coming of John (2003). Hear more at folkrockdiva.com.
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM#162: Ray Benson (Asleep at the Wheel): Texas Swing for Half a Hundred Years
Dec 24, 2021
Ray started Asleep at the Wheel in 1969 and has put out 26 albums of original tunes and classic covers while touring constantly.
We discuss the title track from Half a Hundred Years (2021), "Pedernales Stroll" from Keepin' Me Up Nights (1990), and "Am I High" from The Wheel (1977). Intro: "The Letter (That Johnny Walker Read)" from Texas Gold (1975). Closer: "The Road Will Hold Me Tonight" feat. Emmylou Harris and Willie Nelson, recorded in the early 80s but only released now on the new album. Learn more at asleepatthewheel.com.
NEM#161: Chuck Prophet Is On the Couch
Dec 10, 2021
Chuck joined Green on Red as guitarist in 1985 and has released 15 solo albums of tuneful guitar rock since 1990, touring constantly and doing a lot of co-writing.
NEM#160: John McCutcheon Learns the Lessons of Folk
Nov 26, 2021
John has released 45 albums since 1975 of original folk, traditional folk, children's music (garnering six Grammy nominations for those), and instrumentals: He is fluent on guitar, banjo, violin, dulcimer, and more.
NEM#159: Steve Bartek (Oingo Boingo) Is a Writer, Not Just an Arranger
Nov 12, 2021
Steve is best known as guitarist/arranger for Oingo Boingo through their eight albums from 1981-1995 and for following its leader Danny Elfman into a life creating movie soundtracks. However, his activity as composer goes all the way back to the late '60s.
We discuss "Tango" by jackiO from their self-titled album (2019), "The Wake" and "Checking Out/Streets of Managu" from his soundtracks to Guilty as Charged (1991) and The Art of Travel (2008), and "Rainy Day Mushroom Pillow" by Strawberry Alarm Clock from Incense and Peppermints (1967). Outro: "Nothing to Feel" by Fejj from Alive (1979) Intro: the title track to Dead Man's Party by Oingo Boingo (1985).
Sponsor: Upgrade your showering at nebia.com/nem (code NEM).
NEM-Pretty Much Pop Crossover: The Music of Your Youth w/ Jon Lamoreaux
Oct 30, 2021
To what degree to our childhood favorites persist into adulthood? Are we doomed to love the songs of our generation best? What causes the generation gap in musical tastes?
Your host Mark Linsenmayer, plus Pretty Much Pop regulars Erica Spyres and Brian Hirt, and Jon, the host of The Hustle Podcast, share their nostalgia and discuss "guilty pleasures," the different pre-critical stages at which songs burrow themselves into our brains, aging pop stars, film soundtracks, and more.
NEM#158: Dar Williams: Songs as Thought Processes
Oct 17, 2021
Dar has released 11 albums on labels since 1993 of highly literate, introspective folk-pop songs. We discuss "Berkeley" (and listen to "Today and Everyday") from I'll Meet You Here (2021), "Empty Plane" from Emerald (2015), and " Are You Out There" from End of the Summer (1997). Intro: "As Cool As I Am" from Mortal City (1996). For info see darwilliams.com.
NEM#157: DEVO’s Gerald V. Casale: Guises of Social Critique
Oct 01, 2021
Jerry is DEVO's co-frontman and chief philosopher. They've released nine albums since 1978. His solo career has been sporadic, with a release as Jihad Jerry & the Evildoers in 2006 and a few singles. We discuss his new song and video "I'm Gonna Pay U Back," and one of those Jihad Jerry tracks (that album now reissued to include the new track) "The Owl," and the 1979-recorded Devo track "Fountain of Filth" (released on Hardcore Devo Vol. 2). We conclude by listening to his 2016 single "It's All Devo." Intro: "Whip It" by Devo from Freedom of Choice (1980). For more see geraldvcasale.com.
Sponsors: Save 10% on Nebia shower stuff by using code nem at nebia.com/nem (excludes pre-order products). Get 3 months free of Amazon Music Unlimited at Amazon.com/nempod.
NEM#156: Emma-Jean Thackray’s Modern Mix of Jazz, R&B, and More
Sep 17, 2021
Emma-Jean is a trumpeter, singer, multi-instrumentalist, and techie who runs her own label. She's had five releases since 2016. We discuss "Say Something" (and listen at the end to "Spectre" from Yellow (2021), "Open - Remix feat. Blu" (a 2020 single), and "Um" from Um Yang (2020). Intro: "Baro Bop" from Walrus (2016). For more see emmajeanthackray.com.
Melvin has played bass on over 200 albums since 1980 in the worlds of jazz, rock, and hip-hop, and has numerous songwriting credits, playing with Defunkt, Arto Lindsay, Henry Rollins, Bernie Worrell, Vernon Reid, etc.
We discuss his solo tune featuring Kokayi "Get Some" from 4+1 Equals 5 for May 25 (2021), the title track from The Terror End Of Beauty (2018) by his trio Harriet Tubman, and "Howard Beach Memoirs" by Power Tools (with Bill Frisell and Ronald Shannon Jackson) from Strange Meeting (1987). We end by listening to "Canto por Odudua" by Melvin Gibbs' Elevated Entity from Ancients Speak (2009) Intro: "Melvin's Tune" from Defunkt (1980). More at music.melvin-gibbs.com.
Sponsors: Visit HelloFresh.com/examined14 and use code examined14 for up to 14 free meals with free shipping. Save 10% on Nebia shower stuff by using code nem at nebia.com/nem (excludes pre-order products).
NEM#154: Chris Connelly (ex-Revolting Cocks/Ministry): From Apocalyptic Industrials to Poets in Love
Aug 20, 2021
Chris started in the Scottish electronic band Finitribe in the early '80s and then moved to Chicago in 1988, doing stints in Revolting Cocks, Ministry, Pigface, et al, before embarking on a 23-album solo career.
NEM#153: Steve Kilbey (The Church) Reveals the Secrets to Being Prolific
Aug 08, 2021
Steve has written over 1000 songs across 17 Church albums starting in 1980, 13 solo albums and numerous collaborations. His style is theatrical and psychedelic, and his lyrics aim for "maximum ambiguity."
Sponsors: Use code NEMPOD to get 30 days free of Amazon Music Unlimited. Get 15% off the Nebia by Moen Shower Spa and other Nebia products at nebia.com/NEM.
NEM#152: Glen Phillips (Toad the Wet Sprocket) Builds His Capacity
Jul 23, 2021
Glen led smooth alt rock legends Toad the Wet Sprocket from '88 to '97 through six albums, has released 7 often folky solo albums (and 3 more Toad albums since their reunion) since then plus various side projects.
Cathal started in Ireland in 1980 with Microdisney, and after five albums with then broke that up to form Fatima Mansions in 1988. After seven albums with them, he started a solo career and has now after a decade-long hiatus (during which he released a few collaborations) has come back with his sixth solo release Song of Co-Acklan. We discuss "Unrealtime" and (in closing) hear the title track from that album, plus "Denial Of The Right To Dream" from The Sky's Awful Blue (2002) and "Valley of the Dead Cars" by The Fatima Mansions from Against Nature (1989). Intro/outro: "Town to Town" by Microdisney from Crooked Mile (1987). For more, see cathalcoughlan.com.
NEM#150: Josh Caterer (Smoking Popes): Punk + 40s Melodies (+ Occasional Jesus)
Jun 24, 2021
Josh released three albums and some EPs in the 90s with his brothers as the Chicago-area punk band Smoking Popes, then became a Christian and released an album and a half as Duvall, then reformed the Smoking Popes to release three more albums since 2008. He's also released some religious material as a solo artist, and his new album is composed of live covers of classic songs and reworkings of his own material.
NEM#149: Rod Abernethy’s Return to Acoustic (from Video Game Soundtracks)
Jun 04, 2021
Rod released his first album "Solo" in 1975, played in some bands, but after losing on Star Search, turned to soundtrack work, emerging only in 2018 with three straight albums of acoustic singer-songwriter and instrumental material.
NEM#148: David Cross (ex-King Crimson): Electric Violin Dinosaur Battles
May 21, 2021
David played in perhaps the most revered line-up of King Crimson at the end of its original run from '72-'74. He released his first "solo" album (as Low Flying Aircraft) in '87, then eight more under his own name plus several collaborations.
Sponsors: Get 15% off an annual membership at MasterClass.com/examined. Visit nebia.com/nem and use code NEM for 10% off your shower upgrade and accessories.
NEM#147: Steve Almaas: From Punk to the Rodeo
May 07, 2021
Steve was in one of Minneapolis' first big punk bands, The Suicide Commandos, but after one album in 1977, he soon left for New York City and eventually hit it relatively big with two records on IRS as Beat Rodeo, with a solo career continuing the country-rock style beginning in 1992 through nine albums.
We discuss "The Way I Treated You" (and listen to "Goodbye Nicolina," featuring The Jayhawks' Gary Louris) from Everywhere You’ve Been (2021), "Try Again" by The Suicide Commandos from their reunion album Time Bomb (2017), and the title track from Steve's first solo record East River Blues (1992). Intro: "Just Friends" from Staying Out Late w/ the Beat Rodeo (1984).
Sponsor: Visit nebia.com/nem and use code NEM for 10% off your shower upgrade.
NEM#146: Nels Cline Writes Jazz Fusion (And Plays Guitar for Wilco)
Apr 23, 2021
Though best known as lead guitarist for Wilco since 2004, Nels has recorded 30+ instrumental albums, often as band leader. We discuss "Headdress" by The Nels Cline Singers from Share the Wealth (2020), "The Nomad’s Home" from Coward (2009), and "Fives & Sixes" from his first solo release, Angelica (1987). We conclude by listening to "Imperfect Ten" by The Nels Cline 4 from From Currents, Constellations (2018). Intro: "You Are My Face" by Wilco from Sky Blue Sky (2007), co-written with Jeff Tweedy. More at nelscline.com.
NEM#145: Jay Gonzalez: Concise but Colorful
Apr 09, 2021
Jay is best known as sideman for Drive-By Truckers since 2008 but has written songs for Athens bands like The Possibilities and Nutria since the 90s and has three solo releases.
We discuss the title track (and listen at the end to "I Wanna Hold You") from Back to the Hive (2021), "%!" and "Shenorock Lane" from The Bitter Suite (2015), and "Turning Me On" from Mess of Happiness (2012). Intro: "Tough to Let Go" by Drive-By Truckers from The New OK (2020). For more see jaygonzalez.com.
NEM#144: Dennis Davison (The Jigsaw Seen): How Much Is Enough?
Mar 27, 2021
Dennis fronted the Baltimore punk band Ebenezer and The Bludgeons in the late 70s, and after some transitional projects moved to L.A. where his '60s-ish guitar pop band The Jigsaw Seen released nine albums from 1989-2015.
Sponsor: Visit nebia.com/nem and use code NEM for 15% off your shower upgrade.
NEM#143: In Search of Eric Dover (Imperial Drag, Slash’s Snakepit, etc.)
Mar 12, 2021
After joining Jellyfish in 1993 just before its demise, Eric's big break came when he was asked to sing for Slash's Snakepit. He then returned to Roger Manning from Jellyfish for an album as Imperial Drag, worked as sideman (e.g. for Alice Cooper) and studio guy and had two releases as Sextus. He's now back with Roger in The Lickerish Quartet, which released two EPs.
Sponsor: Visit nebia.com/nem and use code NEM for 15% off your shower revolution.
NEM#141: Robert Forster (The Go-Betweens) Looks Back Novelistically
Feb 13, 2021
Robert co-fronted the Australian-born post-punk band The Go-Betweens through nine albums in the '80s and '00s with Grant McLennan before the latter's death in 2006 and has also released seven solo albums.
We discuss "No Fame" from Inferno (2019), "Here Comes a City" by The Go-Betweens from Oceans Apart (2005), and "On My Block" by The Go-Betweens from Before Hollywood (1983). We conclude by listening to "Let Me Imagine You" from Songs to Play(2015). Intro: "Clouds" by The Go-Betweens from 16 Lovers Lane (1988).
NEM#140: Larry Keel: Hillbilly Shredder to Singer-Songwriter
Jan 30, 2021
Larry has appeared on 20+ albums since co-founding Magraw Gap in 1990 and then becoming bandleader on '97. He's known for his lightning flat picking and has more recently added a good dose of social commentary and fundamental questioning to his songwriting.
We discuss "Mars’ Cry" (and listen to "Try") from American Dream (2020), "Crocodile Man" from One (2019), and "Diamond Break" from Backwoods (2009). Intro: The title track to The Sound (1999). For more, see larrykeel.com.
Sponsor: Get a month's free trial of guided meditations at headspace.com/NEM.
NEM#139: Don Rauf’s Life In A Blender
Jan 15, 2021
Don started the NY-based Life in a Blender in the late 80s and has put out ten albums of tunes with off-kilter lyrics and increasingly elaborate arrangements. We discuss "The Ocean is a Black and Rolling Tongue" (and listen at the end to "Soul Deliverer") from Satsuma(2020), "Falmouth" from We Already Have Birds That Sing (2014), and "Chicken Dance" from Two Legs Bad (1997). Intro: "Mounds of Flesh" from Welcome to the Jelly Days (1988). For more see lifeinablender.net.
NEM-Pretty Much Pop Crossover: Story Songs w/ Rod Picott
Jan 01, 2021
Recycling a great music discussion featuring a past NEM guest from Mark's other entertainment podcast for the New Year!
Plenty of songs try to tell stories, but do the pop song format and narrative really mix? Rod Picott joins Pretty Much Pop to talk about classics by Bob Dylan and Johnny Cash, formative nightmares like "Leader of the Pack" and "The Pina Colada Song, borderline cases like "Bohemian Rhapsody," and more. How does this form relate to theater, videos, and commercials?
Mark Lint’s PEL Network Holiday Party 2020: Merry Chatting and Songs
Dec 24, 2020
Join the office party, where Mark holds mini conversations on philosophy, art, and life with all PEL and PMP co-hosts, plus Ken Stringfellow, Jenny Hansen, and the members of Mark Lint's Dry Folk, whose 12 tunes are presented in succession with nary a partridge in sight. Will these 12 spirits turn you (or Mark) from errant ways? BYOB!
NEM#138: Markus Reuter: Composer or Tap Guitar Hero?
Dec 18, 2020
Markus began composing as a teen, "found his tribe" in getting connected to King Crimson's Robert Fripp in the early 90s, and has put out 40+ solo and collaborative albums of experimental music since 2000, including work in Stick Men with Crimson's Tony Levin and Pat Mastelotto.
We discuss "Swoonage" from Truce (2020), "Boon" by Marcus Reuter and the Matangi Quartet from String Quartet No. 1 'Heartland' (2019), and "11-11" by Tuner (Pat Mastelotto and Markus Reuter) from POLE (2007), and end by listening to "The Cult of Bibbiboo" by centrozoon from The Divine Beast (2001). Intro: "Condition IV" from Falling for Ascension (2017). More at .
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NEM#137: Brian Cullman, Writer About Town
Dec 04, 2020
Brian's been writing music and music journalism since the late '60s, has produced artists like Taj Mahal, Lucinda Williams, and Ollabelle, and has released three solo albums and an EP since 2008.
We discuss "Killing The Dead" (and discuss "Wrong Birthday") from Winter Clothes (2020, written with now-deceased Ollabelle guitarist Jimi Zhivago), discuss "And She Said" from The Opposite of Time (2016), and "The Promise" from All Fires The Fire (2008). Intro: "The Book of Sleep" by OK Savant, recorded live at CBGBs in 1990. For more, see briancullman.com.
NEM#136: Mark Bingham: To and In New Orleans
Nov 21, 2020
Mark got signed as a teen in 1966, left to play theatrical prog jazz in Indiana during college, had a spell in a "no wave" band in New York, and finally settled down in the '80s as an in demand producer and collaborator in New Orleans, working with groups like R.E.M., Flat Duo Jets, and John Scofield. He's only finished two solo albums but has a ton of archive recordings being released soon, and now plays guitar in a cajun band.
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NEM#135: Peter Milton Walsh (The Apartments): No Assembly-Line Recording
Nov 06, 2020
Peter started The Apartments in Australia in the late '70s and has been its only consistent member. After releasing his first full album in 1985 and being featured on a John Hughes soundtrack, he released four lush, moody albums in the '90s but then retired when family tragedy struck until the late '00s; he's had four releases since 2011.
NEM#134: Laraaji’s Free Association Meditations
Oct 23, 2020
Jazz multi-instrumentalist Edward Larry Gordon Jr. became Laraaji around the same time he started releasing meditative zither music in the late 70s and was then discovered by Brian Eno, who produced our intro, "The Dance No. 1" from Ambient 3: Day of Radiance (1980). Laraaji has since had around 40 releases of largely improvised music.
NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation
Oct 10, 2020
Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.
Ward has issued about ten releases of lyric-driven, stylish pop since 2003. We discuss the title track from Leonard at the Audit (2020), "Titans" from Diminish (2018), and the title track from Pulling Out (2008). Intro: "Sabbath" from Ward White Is the Matador (2014). End: "Bubble and Squeak," also from the new album. For info see wardwhite.net.
NEM#129: New People – Matt Ackerman and Mark Lint on Collaboration
Aug 22, 2020
Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013).
We discuss "Down So Low" (intro: "Love Is the Problem") from The Easy Thing (2008), "Manager" from Impossible Things (2011), and "Local" and "At the Time" from Might Get It Right (2013), plus "We Who Have Escaped" (later in 2013, released on Songs from the Partially Examined Life). Intro: "Love Is the Problem" also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com.
NEM#128: Roger Joseph Manning Jr.’s Crazy Fun with Arrangements
Aug 14, 2020
Roger rose to fame as keyboardist/songwriter for Jellyfish in the early '90s, then formed Imperial Drag, The Moog Cookbook, TV Eyes, backed Beck, and finally released two albums under his own name starting in 2006. He's recently released a solo EP and one with The Likerish Quartet that reunites him with some other members of Jellyfish.
We discuss "Lighthouse Spaceship" by The Lickerish Quartet from Threesome, Vol. 1 (2020), "The Turnstile at Heaven’s Gate" from Catnip Dynamite (2008), "Time to Time" by Malibu (a solo techno project) from Robo-Sapiens (2007), and listen to "Operator" from his solo Glamping EP (2018). Intro: "The King is Half-Undressed" by Jellyfish from Bellybutton (1990). For more, see thelickerishquartet.com and rogerarranging.com.
NEM#127: KatieJane Garside Is an Impulse of Chance
Aug 02, 2020
KatieJane gained fame fronting British grunge band Daisy Chainsaw, left after their first full album but resumed the project under the name Queenadreena for four albums in the '00s, then partnered with Chris Whittingham in 2007 to live on a boat and play as the stripped-down Ruby Throat for four albums. That band has now become loud again and been re-christened Liar, Flower.
We discuss "My Brain is Lit Like an Airport" and hear the title track from Geiger Counter (2020), then look back to "Hu'u" by Ruby Throat from Baby Darling Taporo (2017) and "Lesions In The Brain" by Lalleshwari (a one-off solo moniker) from Lullabies in a Glass Wilderness (2007). Intro: "Love Your Money" from Daisy Chainsaw from Eleventeen (1992). For more, see katiejanegarside.com.
NEM#126: Jim Peterik Eyes Much More Than the Tiger
Jul 18, 2020
Jim has released 30+ albums since 1964 with Ides of March, Survivor, Pride of Lions, et al. Intro: His biggest hits, the title tracks of Vehicle (1970) and The Eye of the Tiger (1983).
We discuss his new solo single "Empty Arena" and two Ides of March tunes, "Friends Like You" from Play On (2019) feat. Mindi Abair and "L.A. Goodbye," recorded in 1992 but originally from Common Bond (1971). End song: "The Spirit of Chicago," a 1992 recording released on Ideology: Version 11.0. For more, see jimpeterik.com.
NEM#125: Victor DeLorenzo (ex Violent Femmes) Starts with Drums
Jul 04, 2020
Victor started as a singer/songwriter, drummed with the Femmes for five albums in the '80s, and has since recorded six solo releases and five more with NINETEEN THIRTEEN, plus other collaborations, jazz jamming, and work in the theater.
NEM#124: Alev Lenz’s Tracts of Blood and Sisterhood
Jun 19, 2020
Alev started in Germany with her metal band "Alev" in the early '00s and has released three atmospheric, idea-filled solo albums since 2009 plus several soundtracks and collaborations.
We discuss "The Chair" (and at the end listen to "Cigarettes & Blow") from 3 (2019), plus the title track from Two-Headed Girl (2016), "Flowers of Love" from Storytelling Piano Playing Fräulein (2009), and "In this Mouth" by Anoushka Shankar feat Alev Lenz from Love Letters (2020). Intro: "Fall Into Me" from the Black Mirror Soundtrack (2016). For more, visit alevlenz.com.
NEM#123: Rick Kemp (Steeleye Span) Slows Down
Jun 05, 2020
Rick played bass on 15 albums with Steeleye Span between 1971 and 2016 and had released five solo albums since 1996 (plus another with his then-wife Maddy Prior). We discuss “Race Against Time” from Perfect Blue (2018) and two Steeleye tunes: “Cromwell’s Skull” from Dodgy Bastards (2016) and “Samain” from They Called Her Babylon (2004). We conclude by listening to “Bachelor’s […]
NEM#122: Jack Hues (from Wang Chung) Plays Jazz and Prog
May 22, 2020
Jack fronted Wang Chung for five albums in the '80s, left the limelight to produce, and got a jazz combo going by 2000 which he's released five albums with, reformed Wang Chung, and only now is having a debut solo release, the double album Primitif.
We discuss "Whitstable Beach" from that album, "Class War and Sex War" by Jack Hues and the Quartet from A Thesis on the Ballad (2015), and "Brahms Blues" by The-Quartet from Illuminated. (2006) We conclude by listening to "To Live and Die in L.A." by Wang Chung from Ochesography(2019).
NEM#121: K.C. Clifford on Brokenness and Power
May 08, 2020
K.C. has created seven releases of confessional folk (sometimes gospel, sometimes country) since 2000. We discuss "No More Living Small" and listen to "You Couldn't Stay" from her 2020 self-titled album, then talk about "Broken Things" from Orchid(2010) and "Find My Way Home" from Teeth-Marks on My Tongue (2004). Intro: "Emily" from Times Like These (2000). For more see kcclifford.com.
NEM#120: Steve Harley is Wiser and Less Hungry
Apr 24, 2020
Steve started fronting Cockney Rebel in the early '70s and has released a dozen albums of of narrative-driven, tuneful songs.
We discuss "Compared with You (Your Eyes Don’t Seem to Age)" and listen to "Only You," his two originals from his new solo album Uncovered (2020) then look back to "Faith & Virtue" from Stranger Comes to Town (2010) and Cockney Rebel's "Bed in the Corner"/"Sling It" from The Psychomodo (1974). Intro: "Make Me Smile (Come Up and See Me)" by Steve Harley & Cockney Rebel from The Best Years of Our Lives (1975). Learn more at steveharley.com.
NEM#119: Chris A. Maxwell: The Power of What You Don’t Fully Understand
Apr 10, 2020
Chris fronted Gunbunnies in the early '90s and was then a member of Skeleton Key, but he's best known for being half of the production team Elegant Too. Since 2014 he's released two solo albums.
We discuss two songs from 2012's New Store No. 2, the title track and "Most of What I Know I Learned from Women." We then talk about Elegant Too's work with They Might Be Giants (feat. Doughty) on "Mr. Xcitement" from Mink Car (2001) and also working with St. Vincent on the Bob's Burgers tune "Bad Girls" (2013). We conclude with Chris's "Imaginary Man" from Arkansas Summer (2016). Intro: "Stranded" by Gunbunnies from Paw Paw Patch (1990). Outro: Elegant Too's theme for ESPN's 30 for 30. For more see maxwellsongs.com and elegatnttoo.com.
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NEM#118: Matt Wilson (Trip Shakespeare) Is Still a Writer
Mar 27, 2020
Matt released 4 albums and got on a major label with Trip Shakespeare in the late '80s, released a solo album in '98, ran bands with fellow Tripper John Munson for three albums over many subsequent years, ad has now released his first album as Matt Wilson & His Orchestra, When I Was a Writer. We discuss "Decent Guy" and listen to the title track from that album and look back to "Dreams" by Twilight Hours from Stereo Night (2009) and "Sun Is Coming" from his solo album Burnt, White, and Blue (1998). Intro/outo: "Toolmaster of Brainard" by Trip Shakespeare from Are You Shakespearienced (1989). For more see minneapolismatt.com.
NEM#117: Chris McQueen (FORQ, Snarky Puppy): Like Fusion, But Cool
Mar 13, 2020
Chris has played guitar for Snarky Puppy since it started in 2004, has led rock bands and explored acoustic guitar duets. We discuss "M-Theory" by FORQ from Four (2019), the title track to Western Theatre by Matt Read and Chris McQueen (2019), and "Coven" by Snarky Puppy from Immigrance (2019), and end with "Strut" by Foe Destroyer from their self-titled album (2013).
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NEM#116: hackedepicciotto: Nomadic Cinematographers
Feb 28, 2020
Einstürzende Neubauten's Alexander Hacke and artist/singer Danielle de Picciotto have released seven albums of often instrumental, always experimental music together since 2011, the last four as hackedepicciotto.
We discuss "The Banishing" and "Third From the Sun" from The Current (2019) and "Propehcy" from Menetekel (2017), plus intro music is "Let There Be Joy" from Joy (2018). We conclude by listening to "Survivors" from Danielle's solo album Deliverance (2019). For more, see hackedepicciotto.de.
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NEM#115: Julie Slick: Pedal Art Visualizer
Feb 14, 2020
Julie joined the Adrian Belew Power Trio in 2006 and released two solo albums starting in 2010. She then joined another bassist, Marco Machera for four albums, the last three as Echotest. Why two basses? Because Julie uses tech to change the sound of her bass to allow her to cover an orchestra's worth of parts.
We discuss "Ladies' Legs at the Temperature Hotel" and "No, You Are Dead/The Gate of Light" by Echotest from Daughter of Ocean (2019), plus "Pi" from her solo album Terroir (2012), and listen to "Supercell" by Echotest from From Two Balconies (2017). Intro/Outro: "Mela" from Julie Slick (2010). For more, see julieslick.com.
NEM#114: Michaela Anne’s Hyper-Reflective Country
Jan 31, 2020
Michaela has released four albums of carefully styled, lyrically rich country since 2011. From her latest, Desert Dove (2019), we discuss the title track, plus you'll hear "By Our Design" as the intro and "Somebody New" as the closer. We also discuss "Worrying Mind" from Bright Lights and the Fame (2016) and "Is This What Mama Meant" from Ease My Mind (2014). For more, see michaelaanne.com.
NEM#113: Bid (Monochrome Set): All-Permissive British New Wave Forever!
Jan 17, 2020
The Monochrome Set has under the leadership of Bid released 15 albums of eccentric British pop since 1980, and he's had another nine as Scartlet's Well. His songs often employ a '60s dance vibe, literary lyrics, and a try-anything approach to arrangements.
NEM-Pretty Much Pop Crossover: The Singer Not the Song w/ Ken Stringfellow (feat. Game Theory)
Jan 03, 2020
Do you just embrace the pure sound of music or does context matter to you, i.e. the artist's intentions and body of work?
Ken Stringfellow (Posies, R.E.M., Big Star), previous NEM guest for #39, joins Mark plus Erica Spyres and Brian Hirt for a special podcast-crossover episode to talk about what grabs us about music, it it gets to your ears, singers vs. songwriters, the concept "genius," and how this attitude towards music translates to our intake of other media (e.g. favorite film directors).
NEM#112: Radney Foster Finds His Voice
Dec 20, 2019
Radney started as a Nashville songwriter and performed in the 80s with Foster & Lloyd. has released about a dozen albums since '91 that increasingly break away from country music standards into something more personal.
We discuss two recordings from For You to See the Stars (2017) that have accompanying short stories (written when he literally lost his voice): "Sycamore Creek" and "Raining on Sunday," plus "Nobody Wins" from Del Rio , TX 1959 (1992). End song: "Godspeed (Dulce Sueños)." Intro: "Crazy Over You" by Foster & Lloyd from their eponymous album (1987).
NEM#111: Marty Willson-Piper Has Room for Everything
Dec 07, 2019
In The Church, he was half of a world-famous twin guitar machine for 30 years starting in 1980 but has also released seven solo albums and been in several other bands, most notably releasing four albums with his old friend Dare Mason as Noctorum.
We discuss two 2019 Noctorum tracks, "The Moon Drips" from Afterlife and "Dancing with Death" from The Afterdeath EP, plus "You Whisper" from his solo album Art Attack (1988). We conclude by listening to "Forget the Radio" from his solo album Hanging Out in Heaven (2000). Intro: "Spark" by The Church from Starfish (1988). For more see martywillson-piper.com.
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NEM#110: Joe Louis Walker’s Blues Soup
Nov 22, 2019
Joe has played alongside B.B. King, Ron Wood, and even back to Hendrix, Hooker, and Monk. As a solo artist he's put out around two dozen albums since 1986. He's a blues man but mixes in gospel, soul, rock, and many other styles.
We discuss the title track of Hellfire (2012), "Keep the Faith" from Hornet's Nest (2013), the title track from The Gift (1988), and listen to "Soldier for Jesus" from Viva Las Vegas Live (2019). Intro: "Don't Play Games" from Cold Is the Night (1986). For more, see joelouiswalker.com.
NEM#109: Producer Guy Sigsworth (Seal, Björk, etc.) Goes Solo
Nov 08, 2019
Guy has been a highly sought-after British producer/keyboardist since the early '90s and is just now releasing his debut album, Stet. We discuss "Mono No Aware" and "Dorian" from that album and "Unravel" from Björk's Homogenic (1997). End song: "Let's Go" by Frou Frou from Details (2002). Intro: "Crazy," co-written with Seal from his debut album (1991).
Ace bassist Mike started with punk legends MINUTEMEN in the early '80s, broke into the majors with fireHOSE going into the 90s, and was so beloved by the alternative music scene that his first solo album in '94 was star-studded, with Eddie Vedder and Dave Grohl in the supporting tour. Mike has released three concept albums over the years and has collaborated on dozes of projects as well as backing Iggy Pop in the reformed Stooges.
NEM#107: Barry Andrews (Shriekback): Objectifications of Groove
Oct 11, 2019
Barry started in '77 playing keys with XTC and after two albums started his own band Shriekback in '81, with whom he's had 14 releases plus some solo albums. He's known for inventive soundscapes placed over solid grooves and philosophical lyrics delivered in a low chant.
We discuss three Shriekback tunes: "Such, Such Are the Joys" from Why Anything? Why This? (2018), "Amaryllis in the Sprawl" from Glory Bumps (2007), and "Stimulate the Beaded Hamster"/"Pond Life" from Naked Apes and Pond Life (2000). We conclude by listening to a solo tune, "Virgin of the Ladder" by Barry Andrews from Contaminated Pop (2019). Intro: "Nemesis" from Oil & Gold (1985). For more, see shriekback.com.
NEM#106: John Colpitts (aka Kid Millions/Man Forever): Heavy Meditations
Oct 04, 2019
John founded the Brooklyn space-rock cooperative Oneida in the mid 90s and has put out 13 albums with them plus four as his solo project Man Forever and several others as collaborations or as Kid Millions.
We discuss two tracks by Man Forever from Play What They Want (2017): "You Were Never Here" and "Twin Torches" (feat. Laurie Anderson), then Oneida's "All in Due Time" from Romance (2018), and listen to "Nine Years of Facing a Wall" by Fox Millions Duo from Biting Through (2019). Intro: "Sheets of Easter" by Oneida from Each One Teach One (2002). For more, see johnwilliamcolpitts.com.
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NEM#105: Wayne Hussey (The Mission): Salad Daze to Mission Accomplished
Sep 20, 2019
Wayne started in the late 70s, was on the first Dead or Alive Album, made his name as guitarist for The Sisters of Mercy's first full album, then led The Mission UK from 1986 through 11 albums plus two solo albums and some collaborations.
We discuss "Wither on the Vine" from Songs of Candlelight & Razorblades (2014), then two Mission songs: "Phantom Pain" from Another Fall from Grace (2016) and "Tower of Strength" from Children (1987). We conclude by listening to a 2016 solo single "My Love Will Protect You." Intro/outro: "Marian" by Sisters of Mercy from First and Last and Always (1985). For more, visit themissionuk.com.
NEM#104: Dave Schramm: The Return of the Schramms
Sep 07, 2019
Dave was the original guitarist for Yo La Tengo in the mid '80s and left to lead The Schramms for six albums plus two solo albums while being an in-demand guitarist supporting artists like Freedy Johnston, Richard Buckner, Kate Jacobs and Chris Stamey.
We discuss three Schramms songs, "Faith is a Dusty Word" from Omnidirectional (2019), "I'll Believe" from 100 Questions (2000), and "Wild Innocence" from Dizzy Spell (1996), and conclude by listening to another Omnidirectional tune, "The Day When." Intro: "The Way Some People Die" from Walk to Delphi (1989). For more info, see theschramms.com.
NEM#103: Homer Flynn on The Residents’ 50 Years
Aug 16, 2019
The Residents were formed in 1969 and have released around 50 albums of theatrical, experimental music with humor and humanity. They're great to freak people out with. The band is anonymous; Homer is the head of their management arm, The Cryptic Corporation.
We discuss "Good Vibes" from Intruders (2019), with music by Eric Feldman who replaced long-time Residents composer Hardy Fox upon his retirement in 2015 (and his death in 2018); "Blue Rosebuds," both the original Duck Stab (1978) version and the live Shadowland (2014) versions; "Kiss of Flesh" from God in Three Persons (1988); and we conclude by listening to "If Only" from the new Hardy Fox tribute album "The Godfather of Odd." Intro: "Fire (Santa Dog)" (1972) and outro: "The Simple Song" from Commercial Album (1980). For more, visit residents.com.
NEM#102: John Andrew Fredrick (The Black Watch): Literary Anglophilia
Aug 10, 2019
John has released 17 albums and 5 EPs of guitar-based post-punk as the Black Watch since 1988. He's also an English professor who's published 5 books.
We discuss "Eustacia's Dream" from Magic Johnson (2019), "Emily, Are You Sleeping?" from Led Zeppelin Five (2011), "Inner City Garden" from The Hypnotizing Sea (2005), and premiere "Much of a Muchness" from the forthcoming Crying All the Time EP. For more, see johnandrewfredrick.com.
NEM#101: Helen Money (Alison Chesley): Rock Cellist
Jul 27, 2019
Alison was studying classical music when she joined Jason Narducy in 1994 in a duet that grew into two Verbow albums. She's since recorded four solo cello albums and been a guest musician on over 100 albums, playing with Bob Mould, Superchunk, Anthrax, Broken Social Scene, etc.
We discuss "Become Zero" and "Vanished Star" from Become Zero (2016), then "Beautiful Friends" from Arriving Angels (2013) and listen to "For My Father" by Jarboe/Helen Money (2015). Intro: "New History" by Verbow from White Out (2000); closing music from "Political Song for Michael Jackson to Sing" from In Tune (2009). For more, see helenmoney.com.
NEM#100: Dan Stuart Faces Truth and Writes Fiction in Mexico
Jun 21, 2019
Dan fronted Arizona cow-punk band Green on Red from 1979 to 1992, releasing seven albums and three EPs, and has since released four solo albums and some collaborations, growing increasingly literary, with two of his recent albums accompanied by novels.
We discuss two tracks from The Unfortunate Demise of Marlowe Billings (2018): "A Killer Now" and "Sky Harbor," plus "La Passionaria" from Can o’ Worms (1995). We conclude by listening to "Who Knows" by The Slummers from Love of the Amateur (2010). Intro/outro: "Sixteen Ways" by Green on Red from Gas, Food, Lodging (1985). More at marlowebillings.com.
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NEM#99: Globelamp (Elizabeth LeFay): Raw, Psychedelic Folk
Jun 02, 2019
Elizabeth got her start in the psych-punk band Meowtain in Olympia, WA, emerged as Globelamp in 2011 with an EP, was briefly a touring member of Foxygen, and has put out three albums since 2014.
We discuss "Everything's a Spiral" and listen to "Black Tar" from Romantic Cancer (2018), "Controversial/Confrontational" from The Orange Glow (2015), and "Warrior" from Star Dust (2014). Intro: "Hex" from Meowtain (2012). For more, see facebook.com/globelamp.
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NEM#98: Phil Judd Entertains Himself
May 17, 2019
Phil founded New Zealand's Split Enz with Tim Finn in 1972, recorded a seminal punk single with Suburban Reptiles, had an Australian #1 hit with The Swingers, then moved to solo and soundtrack work until 2006, since which he's recorded five thickly textured solo albums including extensive one-man-band work.
We discuss the title track from Flightless Bird (2019), "Kite Flying Day" from Play It Strange (2014), and "Lamplight" by Schnell Fenster from The Sound of Trees (1988). We conclude by listening to "No One's Best Man" from Novelty Act (2016). Intro/outro: "Sweet Dreams" by Split Enz from Second Thoughts (1976).
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NEM#97: Taking Danny Seraphine Back to Chicago
May 03, 2019
Danny drummed with Chicago from its founding in 1967 through 1990 and wrote several songs for the band during the mid-late '70s, often with David "Hawk" Wolinski.
We discuss "Little One" (and our intro music, "Take Me Back to Chicago") from Chicago XI (1977), "Street Player" from Chicago 13 (1979), and "Devil's Sweet" from Chicago VII (1974). End song: "The Real World" by California Transit Authority from Sacred Ground (2013). For more, see dannyseraphine.com.
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NEM#96: Andrew McMahon Throws in All His Favorite Things
Apr 19, 2019
Andrew has put out nine albums and a few EPs of piano-and-vocal-based pop using various band names since he was in high school in the late '90s.
We discuss two of his Andrew McMahon in the Wilderness tracks: "Blue Vacation" from Upside Down Flowers (2018) and "Synesthesia" from The Pop Underground EP, then "Me and the Moon" by Something Corporate from North (2003), and conclude by listening to "Swim" by Jack's Passenger from The Glass Passenger (2008). Opening music: "I Woke Up in a Car" by Something Corporate from Leaving through the Window (2002). For more, see andrewmcmahon.com.
NEM#95: R. Stevie Moore Just Happens… Frequently!
Apr 04, 2019
Stevie has been recording pop tunes and/or wild experiments nearly continually since the late 60s, with hundreds of albums, many of them compilations of home recordings.
We discuss "Pop Music" and "Take Back" from Afterlife (2019) and "The House Is Not in Order" by R. Stevie Moore and Alan Jenkins and the Kettering Vampires from The Embodiment of Progressive Ideals (2018) and conclude by listening to "I H8 Ppl" by R. Stevie Moore and Jason Falkner from Make It Be (2017). Bonus songs: "Pervert" from World War 4 (2016) and (at the end) "Goodbye, Piano" from Phonography (1976). Intro: "I Like to Stay Home" from Glad Music (1986). For more, see rsteviemoore.com.
NEM#94: Ian Moore Grown Far Beyond Blues-Rock
Mar 22, 2019
Ian has released ten studio albums and three EPs since 1993, starting as an Austin guitar hero and evolving into an eclectic, subtle Seattle songwriter who teaches songwriting courses.
We discuss "1000 Blackbirds" from Toronto (2018), the title track from Strange Days (2017), and "Abilene" from Luminaria (2004). End song: "Sad Affair" from El Sonido Nuevo (2011). Intro: "Satisfied" from Ian Moore (1993). For more, see ianmoore.com.
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NEM#93: Peter Aaron Lives in the Blues-Punk Moment
Mar 09, 2019
Peter started in hardcore punk and used the blues to add depth for his band the Chrome Cranks, which released four studio albums and a live album in the mid-1990s then another in 2012. Since then he's been a music journalist and author, writing about the Ramones, the Band, and others, with occasional musical projects. We discuss his new single "Bomb Train Blues" (2018) with the band Young Skulls, Chrome Cranks tracks "Dark Room" from Chrome Cranks (1994), and "Rubber Rat" from Ain’t No Lies in Blood (2012). We conclude by listening to "Purge 4" from Purges by Peter Aaron and Brian Chase (2016). Intro/outro: "Hot Blonde Cocktail" by the Chrome Cranks from Love in Exile (1997). For more, see peteraaron.org.
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NEM#92: Steve Young (Hedflux): Electronica Breaking Club Conventions
Feb 19, 2019
Steve started producing tracks for dance clubs in 2007, changing his style in 2013 to slow down, carve out space for spontaneous performance, and develop "audio alchemy" over a few EPs and two recent albums.
We discuss "Equinosis" from the Mercurial EP (2018), "Superluminal Sound" from his Soul Science album (2016), and the title track from his Wanderlust EP (2013). We conclude by listening to "Origins" by Hedflux and Alex Delfont from Kin (2018). Opening/closing: "Music Is My Weapon" (2007). For more, see hedflux.com.
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NEM#91: Rachel Taylor Brown’s Decorated Aphorisms
Feb 08, 2019
Portland-based singer-songwriter Rachel has released 10 albums of off-kilter, usually piano-based, lyric-heavy indie rock since the mid '00s.
We discuss "Maker" and "God" (plus the intro "Gyre") from Run Tiny Human (2018), "Taxidermy" from World so Sweet (2011), and "Ormolu" from Ormolu (2006), and also listen to "We'll Have A" from Falimy (2014). For more, see racheltaylorbrown.com.
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NEM#90: Sam Phillips Brings Intuition Out of Dreams
Jan 25, 2019
Sam has released sixteen albums of catchy, textured pop music since 1983.
We discuss "I Want to Be You" and "Tears in the Ground" from World on Sticks (2018), "How to Dream" from Fan Dance (2001), and conclude by listening to "When I’m Alone" from Push Any Button (2013). Intro: "Baby I Can’t Please You" from Martinis and Bikinis (1994). For more, visit samphillips.com.
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NEM#89: Dusty Wright’s Metaphysical Americana
Jan 05, 2019
After starting in the '80s with the Trolls and the Bastards of Execution, Dusty has released six albums as a solo artist since 1997.
We discuss a new, unreleased song "Pardon My Love," then "Man in the Mirror" from Gliding Toward Oblivion (2018) and "High Flyin' Bird" by GIANTfingers from around 2003. We conclude by listening to "(Art at) the Speed of Life" by the Dusty Diamonds from 1994. Intro/outro: "Karma" from dust! (2000).
NEM#88: Lincoln Barr’s Off-Center Vulnerability
Dec 19, 2018
Lincoln established the Seattle-based singer/songwriter vehicle Red Jacket Mine in 2003, made three albums and an EP with them, and in 2017 released his first solo album, the jazzy, live-in-studio Trembling Frames.
We examine "Desperate Tormentors" and hear "How To Escape" and a bit of "Memory Up and Die" from that album, and discuss Red Jacket Mine: "Apricot Moon" from Lovers Lookout (2009) and "Jesus's House" from Hello, Old Cloud (2008). For more, see lincolnbarrmusic.com.
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NEM#87: Chris Cacavas Fronts His Depression
Dec 08, 2018
Chris rose to fame on keys for Arizona's country punks Green on Red from '81–'87, and has since then been fronted 12 albums while doing session keyboard work.
We discuss "Pale Blonde Hell" by Chris Cacavas and Junkyard Love from Pale Blonde Hell (1994), "Do Me No Favors" from Anonymous (1997), and "Don't Think Twice" from Bumbling Home from the Star (2002). We listen to "I Won't Feel Well" from Love's Been Re-Discontinued (2013). Opening music: the title track from Green on Red's Gravity Talks. For more, see chris-cacavas.com.
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NEM#86: Seth Swirsky Provides Instant Pleasure
Nov 18, 2018
Seth Swirsky was a highly successful staff songwriter for over 20 years, and has put out three solo albums and three albums as The Red Button since 2004. He's a huge Beatles fan and has released a Beatles documentary Beatles Stories and has multiple books about psychology and baseball.
We discuss his heavily covered and sound-tracked tune "Love Is a Beautiful Thing"; you'll hear the version by Al Green from Don't Look Back (1993), then "Matchbook Cover" from Seth's album Watercolor Day (2010) and "Picture" by The Red Button from As Far as Yesterday Goes (2011). The end suite is "Shine/Circles and Squares/Go" from his album Circles and Squares (2016). Intro music is from the title track to Instant Pleasure (2004). For more, see seth.com.
NEM#85: John Etheridge (Soft Machine) Is For Everything!
Oct 27, 2018
John is an amazing guitarist who started in the late-'60s British blues boom, had his first compositions set to tape with Darryl Way's Wolf in the early '70s, then joined the latter line-ups of jazz-prog legends Soft Machine (replacing Alan Holdsworth) in the late '70s. He's collaborated with luminaries like violinist Stéphane Grappelli, guitar great John Williams, and Andy Summers from The Police, and released eight solo albums prior to teaming up with former members of Soft Machine for another six albums.
We discuss "One Glove" by Soft Machine from Hidden Details (2018), his rendition of Rodgers and Hart's "My Romance" from I Didn’t Know (2004), and "Venerable Bede" from Ash (1994). We conclude by listening to "Blue Breeze" by John Etheridge and Vimala Rowe from Out of the Sky (2015). Intro/outro from "Huffin'" by Soft Machine from Alive and Well: Recorded in Paris (1978). For more, visit john-etheridge.com and softmachine.org.
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NEM#84: Laura Davis Was “The Girl in the Back” (of the Student Teachers)
Oct 11, 2018
Laura Davis-Chanin of the Phi Fic podcast drummed in the late '70s NYC punk band The Student Teachers and has written about it in The Girl in the Back: A Female Drummer's Life with Bowie, Blondie, and the '70s Rock Scene (2018).
We discuss the book and listen to songs from Invitation To... The Student Teachers (2013): "Looks," "Christmas Weather," plus as an intro, "Channel 13." Laura also co-wrote lyrics to two Blondie songs: we hear some of "Angels in the Balcony" from Autoamerican (1980) plus "Slow Motion" from Eat to the Beat (1979).
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NEM#83: Rat Scabies’s Damned Drumming
Oct 01, 2018
Christopher Millar played for about two decades with first-generation British punk band The Damned starting in 1976, and has now released his debut solo album, P.H.D. (Prison, Hospital, Debt).
We discuss "Dazy Bones" and "Rat's Opus" from that 2018 album, then look back to The Damned's "History of the World (Part One)" from The Black Album (1980), then end by listening to Rat's cover of the Kraftwerk classic "Autobahn" with The Germans from Do Not Fuck With the Germans (2003). Intro/outro: "Love Song" by The Damned from Machine Gun Etiquette (1979). For more, visit ratscabies.com.
NEM#82: Byron Isaacs Emerges from Bassland
Sep 14, 2018
Byron is an in-demand session/touring bassist whose main band since 2004 has been NYC's Ollabelle. We talk about "Losing You" and "Gypsy Wind" from his debut solo album, Disappearing Man (2018), plus "Gone Today” by Ollabelle from Riverside Battle Songs (2007), and finish with"Horizontal Man" by Lost Leaders from their 2014 eponymous album. Intro: “Heaven’s Pearls” by Levon Helm from Electric Dirt (2009). For more, visit byronisaacs.com.
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NEM#81: Lindsay Murray Is Gretchen’s Wheel
Aug 30, 2018
Lindsay has released four albums and an EP of depressed alternative rock under the band name Gretchen's Wheel since 2015, providing a modern model of accessible yet professional DIY recording.
We focus on Black Box Theory, covering "Untethered," "Tatyana," and "Plans," plus "Save the Day" from Sad Scientist (2017). Intro: “Total Loss” from Fragile State (2015). For more, visit gretchenswheel.com.
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NEM#80: Rod Picott: Literary Workin’ Man
Aug 19, 2018
Nashville singer/songwriter/fiction-writer Rod laid sheet rock for years before releasing his first album in 2001; he has now released ten albums of vivid Americana.
We focus on his new double album Out Past the Wires, discussing "Take Home Pay" and "Date of Grace" (with intro/outro from "Be My Bonnie"), then look back to "Rust Belt Fields" from Welding Burns (2011) and finally listen to “You're Not Missing Anything” from Hang Your Hopes on a Crooked Nail (2014). More at rodpicott.com.
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NEM#79: Prateek Kuhad’s Bilingual Love Songs
Aug 05, 2018
Prateek was named artist of the year for 2016 by MTV India, and has been releasing tasteful, lyrics-focused songs about relationships in English and Hindi since 2011.
We focus on his 2015 album Tokens and Charms: "Go," "Oh Love," and "Flames," plus the 2017 single "Tum Jab Pas," and the title track from his brand new EP cold/mess. Intro/outro: "Raat Raazi" (2013). For more, visit prateekkuhad.com.
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NEM#78: Tara Lynch’s Unflinchingly Honest Metal Debut
Jul 21, 2018
Tara has long been building her heavy metal guitar skills, but has only recently gone public, building a huge social media following and now releasing Evil Enough, an album featuring musicians who've played with Black Sabbath, Ozzy Osbourne, Yngwie Malmsteen, etc.
We discuss "Antidote" and "Banished from My Kingdom," and close with "Unbreakable." Opening music: "Gui-Tara Rises." Hear more at taralynch.com.
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NEM#77: Shawn Phillips: Uncategorizable from Texas
Jul 07, 2018
Shawn started as a '60s folk singer, went to England to cavort with the greats of classic rock, and emerged in the '70s with ten albums of eclectic, progressive music with shamanic lyrics delivered with a twang.
We discuss "Woman" from Second Contribution (1971), "A Christmas Song" from Faces (1972) and "Mr. President" from Furthermore (1974), then play two songs from his new album, Continuance: “C’mon Round” and "Bach to the Fusion." Opening music: “I’m a Loner (I’m a Drifter)” from I’m a Loner (1964). For more, see shawnphillips.com.
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NEM#76: Phil Manzanera’s Impossible Guitar
Jun 23, 2018
Phil was a core member of Roxy Music through the '70s and early '80s, has released 10+ solo albums since 1975 and many collaborations—appearing on around 80 albums in total—with an experimental yet tasteful guitar that's sometimes mistaken for a keyboard or something else.
We discuss "No Church in the Wild" from The Sound of Blue (2015), which is a cover of the song by Jay Z and Kanye West based around a sample from Phil's song "K-Scope" from the album of that name (1970). We then talk about "Wish You Well" from 6:00pm (2004) and the title track from Diamond Head (1975). Finally we listen to "Magdalena" from Live in Japan (2017). Intro music: "Over You" by Roxy Music from Flesh & Blood (1980).
For more, visit manzanera.com.
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NEM#75: Nick Saloman (The Bevis Frond): Indie Every Day!
Jun 08, 2018
Nick has released 22 albums as The Bevis Frond since 1986, alternating jangle-pop with psychedelia and power-guitar rock… pretty much anything '60s-flavored.
We discuss "Longships" from Example 22 (2015), "Opthalmic Microdots" from White Numbers (2013), and "Coming Round" from London Stone (1992). We conclude by listening to "Portobello Man" from Valedictory Songs (2000). Intro: “He’d Be a Diamond” from New River Head (1991). Hear more at bevisfrond.bandcamp.com.
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NEM #74: Colin Moulding (XTC) Kills and Scatters the Editor
May 29, 2018
As bassist/co-frontman for XTC, he released around 14 albums between 1978–2000, and for the first time since, he has a new release, the Great Aspirations EP now under the name TC&I.
We discuss "Scatter Me" and "Kenny" from this 2017 release, plus "Say It" an 2002 XTC song, and conclude by listening to "Where Did the Ordinary People Go?" the final 2005 XTC single. Intro music: "Making Plans for Nigel" from Drums and Wires (1979). For more, see facebook.com/tcandimusic.
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NEM #73: David J Colors His Poetry
May 18, 2018
David J. Haskins gained fame with Bauhaus in the late '70s/early '80s, gained more fame with Love and Rockets, and has since 1983 released around ten albums plus several EPs and other collaborations.
We discuss "The Auteur (Redux / Reprise)" a 2018 single (featuring Rose McGowan and Emily Jane White), "Vaudeville Ghost Light" from Carpe Noctem (2016), credited to M.C. Nightshade and the Theatre Bizarre Orchestra, and "Eulogy for Jeff Buckley" from Not Long for This World (2011). End song: "The Day the David Bowie Died" from Vagabond Songs (2017). Opening song: "No New Tale to Tell" by Love and Rockets from Earth, Sun, Moon (1987). For more, see davidjonline.com.
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NEM#72: Sarah McQuaid Kills Her Darlings
Apr 30, 2018
Sarah has recorded five solo albums since 1997, starting with traditional folk songs, sometimes guitar instrumentals, and now focusing on originals that mix British and American folk in a style influenced by Joni Mitchell, among others. She has lately pared back her songwriting to ensure that every note counts.
We discuss the title track and "The Silence above Us" from If We Dig Any Deeper It Could Get Dangerous (2018) and "Hardwick’s Lofty Towers" from The Plum Tree and the Rose (2012). Closing song: "Yellowstone" from Walking into White (2015). Opening instrumental: "The Day of Wrath, That Day," also from the new album. For more, see sarahmcquaid.com.
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NEM#71: Aaron David Gleason Is a Wry Observer
Apr 16, 2018
Aaron was born into show business, staring young in L.A. in the early '00s with All Hours, then went solo, moved to New York, became an actor, and has now released his first album in seven years, Wry Observer.
We discuss the title track from that album plus "Brooklyn at Dawn" (the intro music is from that too: "The Last to Die in Battle"). Then we look back to "Box Office Stud" by All Hours (2004) and finish by listening to "Bright Lights" from the album Aaron David Gleason (2010). Learn more at aarondavidgleason.com.
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Amy has recorded nine albums of emotionally stark but often artistically decorated original folk music, punctuated by cover tunes like the opening music here, Townes Van Zandt's "Buckskin Stallion Blues," which appeared in the film Three Billboards Outside Ebbing, Missouri.
We discuss "Mouth to Mouth" from The Autopilot Knows You Best (2000), "The Nightjar’s Blues" from The Cimarron Banks (2010), and "Natural Arc" from Songs for Creeps (2006), which also contains our closer, "I'm A-Gone Down to the Greenfields." Visit amyannelle.bandcamp.com.
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NEM#69: Craig Wedren Catch-Up: “Safe Home/Fadeland”
Mar 28, 2018
On NEM#15, Craig introduced us to his songwriting style: How a hardcore aesthetic informs even his most syntho creations, and how whimsicality and beauty can coexist harmoniously. Craig has since then released the Adult Desire album, and returns to talk to us about the song "Safe Home/Fadeland" and about the Adult Desire 360 VR application. Intro: "Amnesian Wedding March." Outro: "I Was a Soldier." Visit craigwedren.com.
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NEM#68: Billy James (Ant-Bee): Experimenting with Idols
Mar 22, 2018
Billy now does press for many of his idols, but began as a drummer in music school and started Ant-Bee in the late '80s, as a Zappa-esque improv live act and as a Beach Boys–psychedelic solo recording effort. He's released four albums, increasingly featuring his clients.
We discuss two tracks from Electronic Church Muzik (2011): "Flutter-Bye, Butter-Flye" (feat. Michael Bruce) and "The Language of the Body" (feat. poetry by Gong's Daevid Allen and layering on parts by Zappa alums). We then look back to two tracks from With My Favorite "Vegetables" & Other Bizarre Muzik (1994): "The Girl with the Stars in Her Hair" and a Beach Boys cover, "Do You Like Worms?" Opening/closing music: "Eating Chocolate Cake (In the Bath)" from Pure Electric Honey (1990). For more info, see ant-bee.com and glassonyonpr.com.
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NEM#67: RHEMA’s Marc Jackson and Jeffrey Casey: Original Gangastas of Techno
Mar 05, 2018
RHEMA as a six-piece band produced an album called Voyage of the Rock Aliens that accompanied their appearance in the film of that name. The band then broke up, but songwriters Marc and Jeffrey continued to work together on various projects, and have finally now produced a proper album as RHEMA called Shine, drawing on their '80s roots but incorporating modern electronic music textures.
We discuss "Rebel Flame" and "The World Is So Small" and listen to "Life in Front of You" from that new album, and discuss one old song, "Combine Man," specifically a 2009 Marc Jackson remix. Intro: "21st Century." For more information, see rhemaband.com.
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NEM#66: Arrica Rose’s Dreamy Dramas
Feb 17, 2018
Arrica has released five albums and three EPs of floaty, poetic, California rock since 2006.
We discuss "Whole Lotta Lows" and "X-Ray Eyes" from Low as the Moon (2017) and "When the Clouds Hang This Low" from Let Alone Sea (2011). We conclude by listening to "On and On" by Dear County from Low Country (2016). Intro music: "Sail Away" from Antebellum (2010). For more, visit arricarose.com.
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NEM#65: Jherek Bischoff Risks Every String
Jan 27, 2018
Jherek started off as bassist in the late '90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works.
We discuss the title track from Cistern (2016), "The Nest" featuring Mirah from Composed (2012), and "Blackstar," featuring Anna Calvi, from a David Bowie tribute with Amanda Palmer called Strung Out in Heaven (2016). We conclude by listening to "Eyes" feat. David Byrne, also from Composed. Opening/closing music: "Automatism" from Cistern. For more info, see jherekbischoff.com.
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NEM#64: Mike Huberty (Sunspot): Rock from the Other Side
Jan 14, 2018
Mike fronts a hard-working Madison power trio in the glam rock vein that's put out 7 albums and 7 EPs since 2000. He also runs (and records a new song every week for) a podcast about the occult.
We discuss "Sulfur" from The Wilderness of Almost Was and Never Were (2017), "Saturday Night Gospel" from Dangerous Times (2014), and "Prozac Girl" from Loser of the Year (2003). We conclude by listening to "We Are the Darkness" from The Slingshot Effect (2011). Opening music: “Stardust (Acoustic)" from Arthuriana (2013).
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NEM#63: Revisiting Bradley Skaught, Jeff Heiskell, Steve Petrinko: 2017 Year-End Extravaganza
Jan 01, 2018
To celebrate year #2, previous guests return: Bradley (see #32) talks "Duet" from Take Out the Poison, Jeff (see #5) presents "Still Life with Broken Heart" from Emotional Terrorism, and Steve (see #6) discusses "Wind of Change" from A Tribute to the Bee Gees '66 to '78. Finally, hear Tyler Hislop (see #24) about his "Wounds and Nihilism (Feat. Mark Lint)." Opening music: "Dawning on Me" by Mark Lint.
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NEM#62: Anthony Phillips: Private Pieces, Soundtrack Parts, and Prog Rock
Dec 21, 2017
Anthony was the original guitarist and a key songwriter in Genesis from '67–'70, released some prog rock albums in the '70s, then shifted largely to a mix of acoustic guitar pieces and synth soundscapes, often for soundtracks.
We discuss "Nocturne" from Seventh Heaven (2012, with Andrew Skeet), "From the Jaws of Death - Touching the Face of God" from Wildlife (recorded 1999) and "Magdalen" from Sides (1979). We then listen to "Sanctuary" from Private Parts & Pieces VIII: New England (1992). Opening music: "F# Demo (The Musical Box, Instrumental)" from 1970. End music: "Mystery Train III" from Private Parts & Pieces XI: City of Dreams (2012). For more information, see anthonyphillips.co.uk.
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NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)
Dec 09, 2017
Richard garnered early fame as drummer for '60s New Jersey garage band The Doughboys and has put out 11 albums, largely as a one-man band, since 1988.
We discuss the title tracks from Incognito (2017) and Cornerstone (1998) and “Agnostic’s Prayer” from Tiers and Other Stories (2011). End song: "And Then" from Incognito. Intro: "Falling Away" from Hey Man! (1990).
Learn more at richardxheyman.com.
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NEM#60: Alejandro Escovedo’s Hard Road
Nov 26, 2017
Alejandro started as a punk guitarist for the The Nuns, moved to Austin in the '80s and became a songwriter with True Believers. He has since put out 14+ solo albums of story-driven, lyrically intense, stylistically varied Texas rock.
We'll be discussing "Beauty and the Buzz" from Burn Something Beautiful (2016), "Sally Was a Cop" from Big Station (2012), and "Pissed Off 2AM" from With These Hands (1996). End song: "Velvet Guitar" from A Man Under the Influence (2001). Opening: "Hard Road" from True Believers (1986). More at alejandroescovedo.com.
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NEM#59: Annie Haslam’s Renaissance: Sing Now, Figure It Out Later
Nov 19, 2017
Annie fronted British symphonic rock band Renaissance for nine albums starting in 1971, but only in the late '80s became a lyricist. She's now released eight studio albums and two new Renaissance albums.
We discuss "Blessing in Disguise," the title track from her 1994 album; "Grandine il Vento", the title track from Renaissance's 2013 album, and “Precious One” from Annie's The Dawn of Ananda (2000). End song: "Symphony of Light," also from Grandine il Vento.
Opening music: "Introlise" from Annie in Wonderland (1977) and Renaissance's "Northern Lights" from A Song for All Seasons (1978). More at anniehaslam.com.
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NEM#58: John Jughead Pierson’s Semi-Famous Theatrics
Nov 06, 2017
John gained semi-fame playing guitar with pop-punk Chicago-area legends Screeching Weasel starting in 1986, but became a band-leader/songwriter with eclectic-acoustic Even in Blackouts in 2002, featuring singer Liz Eldredge. He's also an author, playwright, and juggler.
We discuss "Rapture in the Third Person" and "Motives Misunderstood in the Key of C" from EIB's Thresholds from the Basement (2009) and "1,000 Stories" from The Fall of the House of Even (2006). End song: The new, otherwise unreleased EIB track "Reason" (rough mix). Intro music: “Talk to Me Summer” by Screeching Weasel from Anthem for a New Tomorrow (1993). Learn more at johnjugheadpierson.com.
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NEM#57: Richard Amp’s Exploratory Atmospheres
Oct 22, 2017
Richard F. Walker has released 20+ albums, usually with his London space-rock band Amp. We discuss "Just Get It (Why Don’t You)" and "Les Ombres Sur la Lune" from Q Factors (A Mixtape) (2017) and "Tomorrow" from Stenorette (1988), and listen to "Levil Devil" from US (2005). Opening music is from Transmissions (part 1) (2005), and closing music is from "Mort Irritées" from AMP Studio's Uncertainty Principles (2016). More at ampbase.net.
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NEM#56: “Dr. Frank” Portman Writes His Inner Teenager
Oct 08, 2017
Frank has led punk band The Mr. T Experience in the Bay Area since 1985, and has also released three successful music-related books for teens since 2006.
We discuss "Down With the Universe" from King Dork Approximately (2016), "Big, Strange, Beautiful Hammer" from Yesterday Rules (2004), and "More Than Toast" from Our Bodies Our Selves (1993). We conclude by listening to "Even Hitler Had a Girlfriend," a 2014 single by Dr. Frank & the Bye-Bye Blackbirds. Opening/closing music: “Danny Partridge” from Everybody’s Entitled to Their Own Opinion (1986). Learn more at frankportman.com.
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NEM#55: Don Preston, Mother of Keyboard Invention
Sep 20, 2017
Don has composed and played jazz since the '50s, was a Frank Zappa sideman through his classic '60s albums and beyond, and has since released 20+ albums, scored 20 films, and has performed with numerous artists including John Lennon, Lou Rawls, and Nat King Cole. He has also been called "the father of modern synthesis" for his work in electronic music.
We discuss "Winds of Change" (3rd movement, 2001), "Palmer Park" (1975), and "Analog Heaven #7" (1975). End song: "Piano Solo" from TriAngular Bent (2016). Opening/closing music: "King Kong" from Uncle Meat by the Mothers of Invention (1969).
This conversation includes bonus conversations and songs! Get it by supporting the podcast via patreon.com/nakedlyexaminedmusic or through a podcast network membership.
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NEM#54: Kaki King’s Guitar Progression
Sep 08, 2017
Kaki is a guitar virtuoso who has recorded eight albums and three EPs of largely instrumental work since 2003.
We discuss "Close Your Eyes & You’ll Burst into Flame," from Everybody Loves You (2003), "Can Anyone Who Has Heard This Music Really Be a Bad Person?" from Dreaming of Revenge (2008) (intro music: "Pull Me Out Alive" from that album), and “Trying to Speak II” (feat. Ethel), from The Neck Is a Bridge to the Body (2015). End song: "Cargo Cult" from Glow (2012).
For more info visit kakiking.com.
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NEM#53: David Brookings Is Obsessed
Sep 01, 2017
David has recorded seven albums since 2000. Usually one wants to avoid the term "Beatlesque," but David is a Beatles freak who once recorded his performances all 209 Beatles songs over 209 days.
We discuss "Time to Go" from David Brookings and the Average Lookings (2016), "Dead Battery" from Chorus Verses the Bridge (2005), and the title track from Obsessed (2007). We conclude by listening to "If I Don't Make It Back" from The Maze (2013). Opening music: "You’re Right, It Went So Wrong" from the current album.
For more, see davidbrookings.net. Hear more Nakedly Examined Music. Like our Facebook page. Please support the podcast at patreon.com/nakedlyexaminedmusic.
NEM#52: Kim Rancourt’s Authentic NYC Rock n’ Roll
Aug 21, 2017
Kim is a poet, archivist, and New York City tour guide. We discuss his album plum plum featuring "The Dream Band": his producer friend Don Fleming, Joe Bouchard (Blue Öyster Cult), Steve Shelley (Sonic Youth) and NEM guest Gary Lucas. We discuss "Circle's Gotta Go" and "Arizona Burning," and conclude with "Claudine." We also discuss "I Comb My Hair with My Hand" by Jad Fair and the Shapir-O’Rama from We Are the Rage (1996). Intro: "East Side Story" by When People Were Shorter and Lived Near the Water from Bill Kennedy's Showtime (1993). Follow Kim on Facebook.
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NEM#51: Andy Powell (Wishbone Ash): The Privilege of a Legacy
Aug 04, 2017
Britain's Wishbone Ash started in 1969 and has released 25+ albums, with guitarist/singer Andy the sole member left from the original band.
We discuss "American Century" from Blue Horizon (2014), "Master of Disguise" from Bare Bones (1999), and "Roads of Day to Day" (1970, released on First Light, 2007). End song: “In Crisis” from The Power of Eternity (2007). Intro music: "Blowin' Free" from Argus (1972). Visit wishboneash.com for more.
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NEM#50: Anton Barbeau’s Neo-Psychedelic Musings
Jul 27, 2017
Californian-turned-British singer-songwriter Anton has released over 25 albums since 1993, generally moving from alterna-guitar-pop to colorful-pychedelic, but remaining tuneful.
We discuss "High Noon" and (and listen to "Swindon") from Magic Act (2016), "Dust Beneath My Wings" by Three Minute Tease (2011) and its subsequent incarnations, and the title track from In the Village of the Apple Sun (2006). Intro: "King of Missouri" (2002). Learn more at antonbarbeau.com.
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NEM#49: Scott McCaughey Minus 5 Plus Young Fresh Fellows Equals Magic
Jul 20, 2017
Scott established himself fronting Seattle's Young Fresh Fellows starting in 1981, then around 1994 joined R.E.M. as a recording/touring member and started The Minus 5 with R.E.M.'s Peter Buck.
We discuss The Minus 5's "In the Ground" from Dungeon Golds (2015), "All the Time" from their Old Liquidator (1995), and "Weymer Never Dies" from their Of Monkees and Men (2016). We conclude by listening to "Another Ten Reasons" by Young Fresh Fellows from Tiempo de Lujo (2012). Intro music: "Two Lives" from their Topsy Turvy (1985). For more information, see minus5.com and youngfreshfellows.net.
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NEM#48: Thalia Zedek’s Slow Burn Memory Games
Jul 09, 2017
Most famous for her '90s Boston grunge band Come, Thalia has since 2001 put out six albums and some EPs, with a stripped-down yet not acoustic sound that makes good use of her low, smoky voice and tasteful electric guitar, often accompanied by viola and/or piano with prominent drums.
We discuss "Northwest Branch" by The Thalia Zedek Band from Eve (2016); opening music is "Afloat," also from that album. We then cover "Desanctified (Full Circle)" from Been Here and Gone (2001) and "Hell is in Hello" from Trust Not Those in Whom Without Some Touch of Madness (2004). End song: "Regatta" from the self-titled debut album (2016) by a collaboration called E.
Learn more at thaliazedek.bandcamp.com and Thalia's Facebook page. Hear bonus audio for this episode by supporting NEM at patreon.com/nakedlyexaminedmusic or through a a PEL podcast network membership.
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NEM#47: Jason Falkner: Mid-Fi One-Man Moments
Jun 20, 2017
After stints with The Three O'Clock and Jellyfish, Jason co-fronted The Grays and then worked solo, also playing with Beck, Aimee Mann, Paul McCartney, etc. and acting as one-man-backing-band/producer for other artists.
Songs: "Sincero Amore" and (ending with) "Horror Show" from Make It Be (2017) with R. Stevie Moore, "The Lie in Me" from All Quiet on the Noise Floor (2009), and "Both Belong," by The Grays from Ro Sham Bo (1994). We conclude by listening to "Horror Show," also from Make It Be. Opening music: "I Live" from Jason Falkner Presents Author Unknown (1996). For more, see jasonfalkner.com.
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NEM#46: Chandler Travis: Strongman of North America
Jun 11, 2017
Chandler was a comedian in the '70s, launched a rock group in the '80s, and has released dozens of albums, fronting multiple bands at a time.
We discuss "The Strongman of North America" by The Chandler Travis Philharmonic from Waving Kissyhead Vol. 2 & 1 (2017), “The Crutch of Music” by the Catbirds from Catbirds Say Yeah (2012), and “Fluffy” by the Philharmonic from Llama Rhymes (2003). We conclude by listening to another Kissyhead track, "By the Way." Opening music: "Long As You Have Somebody Else" by The Incredible Casuals from That’s That (1987). For more, see chandlertravis.com.
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NEM#45: Steve Hackett: Visualize the Music (with 300+ tracks!)
May 22, 2017
Steve released six studio albums with Genesis between 1971 and 1977 and twenty-five solo albums that feature his virtuosic guitar and the spirit of '70s prog rock. He now works with producer/keyboardist Roger King to create dense, cinematic soundscapes.
We discuss "In the Skeleton Gallery" (and listen to "Anything but Love") from The Night Siren (2017), "Love Song to a Vampire" from Wolflight (2014), and "Omega Metallicus" from Darktown (1999). Opening/closing music: Steve's solo from "Firth of Fifth" from Genesis's Selling England by the Pound (1973). More at hackettsongs.com.
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NEM#44: Lys Guillorn: Freedom from Explanation
May 07, 2017
Lys is a Connecticut singer/guitarist with an eccentric country twang who's put out two albums, plus EPs and other stuff since 2003. We discuss "M.K." from the I'm a Boy EP and also get to hear "Nothing to It" and a bit of the title track from that EP. We also address "Silver" from Winged Victory (2013), and "When I Was a Tiger Lily" from Three Songs (2006). Opening music: "Little Wren" from Lys Guillorn (2003). More at lysguillorn.com.
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NEM#43: Steve Wynn (Dream Syndicate): Coming Up 7’s
May 01, 2017
Starting with the Dream Syndicate in the early '80s in L.A. and then going solo in 1990, Steve has released over 35 albums of lyrically driven rock.
We discuss "Resolution" from Northern Aggression (2010), "Punching Holes in the Sky" from Crossing Dragon Bridge (2008), and "There Will Come a Day" from Here Come the Miracles (2001). We wrap up with "I'm Not Listening," a 2007 recording released on Sketches in Spain (2013). Opening music: "Tell Me When It's Over" by Dream Syndicate from The Days of Wine and Roses (1982). Learn more at stevewynn.net.
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NEM#42: Karla Kane: Don’t Choose Princess
Apr 23, 2017
Karla has put out four albums since 2006 with the Corner Laughers, a Bay Area band that has been categorized as "twee" given Karla's ukulele, sparkly Brit-pop ornamentation, and similarly colorful lyrics.
We discuss "Queen of the Meadow" from Matilda Effect (2015), the Nov. 2016 single "Don't Hush, Darling," and "Grasshopper Clock" from Poppy Seeds (2012). We also listen to "Fairytale Tourist" from Matilda Effect, and the opening/closing music is from that album's "Midsommar." Learn more at cornerlaughers.com.
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NEM#41: Glenn Mercer (Feelies): Produce Yourself!
Apr 17, 2017
Glenn's albums with the Feelies since 1980 have a unique sound, due to his insistence that production is part of the composing process.
We discuss "Been Replaced" and "Gone Gone Gone," from The Feelies' new album Here Before, then "Larmaie" from Glenn's instrumental solo album Incidental Hum (2015). We conclude by listening to "Should Be Gone" by the Feelies from Here Before (2011). Intro music: "The High Road" by the Feelies from The Good Earth (1986). Outro music: "Like Yesterday" by Wake Ooloo from Stop the Ride (1996). Learn more at thefeeliesweb.com.
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Clive is the guy who dreamt up the melodies and initial motifs for "The Promise" and other songs for When in Rome in the late '80s, and after leaving the business for a while, the continued use of that one big song (most notably for the Napoleon Dynamite closing sequence) enabled his return to touring and recording.
We discuss two songs from his solo album Independence (2013), "Fall" and "Just Another Love Song," and then look back to the 1988 self-titled When in Rome album for "Something Goin' On." We close by listening to a 2016 single performed with his fellow WIR frontman Andrew Mann, "Lost (Driving All Night)." The intro/outro music is of course "The Promise." Hear more Clive at soundcloud.com/clive-farrington1.
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NEM#39: Ken Stringfellow: Posies, Big Star, etc.
Mar 20, 2017
Since 1988, Ken has put out several sparkly/grungy albums with The Posies, more under his own name and in various collaborations, played in the revived version of Big Star and in the touring band for R.E.M., and much more. He's a busy guy!
We discuss "The Sound of Clouds" by the Posies from Solid States (2016), "Shittalkers!" and "Jesus Was an Only Child" from his solo album Danzig in the Moonlight (2012), and "Turn My Back on the Sun" from Big Star’s In Space (2005).
We close by listening to "Whatever Hell" by Holly and Ken from The Record (2015). Opening/closing music: "Solar Sister" by The Posies from Frosting on the Beater (1993).
Hear more at kenstringfellow.com.
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NEM#38: Jonathan Segel’s Long-Form Songs
Mar 06, 2017
Jonathan played in the '80s with Camper van Beethoven and has since put out 40+ solo albums, sometimes with songs, sometimes guitar improvisations, or instrumental music for dance or film.
We discuss his lengthy art-rock songs with political content: "Sleep for a Hundred Years" and the title track from Superfluity (2017), then look back to "Civil Disobedience" from Edgy not Artsy (2003). End song: "Hey You (I Know You Know Me)" from All Attractions (2012). Opening music: "Auspicious Circles" from Site (2008). Closing music: "Still Wishing to Course" from Camper Van Beethoven (1986).
Learn more at jonathansegel.com.
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NEM#37: Nik Kershaw: Follow the Melody
Feb 19, 2017
Nik had some huge hits in the '80s (e.g., "Wouldn't It Be Good") and has been described by Elton John as "the best songwriter of a generation."
We discuss "These Tears" from his most recent album EI8HT (2012), "Lost" from You've Got to Laugh (2006), and the acoustic re-recording of 1984's "The Riddle" for No Frills (2010). Closing song: "Men United" (2016), written for Prostate Cancer UK's A Gift for Men United.
For more, visit nikkershaw.net.
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NEM#36: Robbie Fulks: Ambassador of Country
Feb 05, 2017
Robbie has recorded 12 solo albums of crafty-lyric, country-folk music since 1996, including the new, Grammy-nominated Upland Stories. We discuss "America is a Hard Religion" and "Fare Thee Well, Carolina Gals" from that album, then look back to "Where There's a Road" from Georgia Hard (2005) and conclude with "I Told Her Lies" from South Mouth (1997). Opening/closing music: "Hamilton County Breakdown" a 1989 live recording released on The Very Best of Robbie Fulks. Learn more at robbiefulks.com.
NEM#35: Daniel Ash: Going Against Your Own Grain
Jan 23, 2017
The singer/guitarist shifted gears many times through Bauhaus, Tones on Tail, Love and Rockets (which shifted from acoustic to electric to electronica), and has since put out five distinctive solo albums.
We discuss, from the collection Freedom I Love (2017), the title track and "Indie Boys"; and then "Christian Says" from Stripped (2014). End song: "Flame On" from the Hog Fever soundtrack (2016). Intro music: "So Alive" from Love and Rockets. Learn more at www.danielashmusic.com.
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NEM#34: Todd Long: Don’t Have to Say “Frontman”
Jan 14, 2017
Todd held down the beat and wrote some songs for Grand Rapids, MI's Molly in the '90s through 2003, then wrote more songs and sang a bit for Dutch Henry for about ten years, then pushed forward to sing and write all the songs for his projects The Star Darts and now Cartorson.
Featuring Cartorson's "The Last Time" and "Hearts on the Highway" from the new Richfield Skyline EP, "Say It" from Shooting Star Darts (2014) and "44 Days" by Dutch Henry from All That Space (2007). Opening music: Molly's "Another Day of Regrets" from The Finger (2002). Learn more at toddlongmusic.com.
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NEM#33: Asif Illyas Colors It Old School (i.e., ’80s)
Jan 08, 2017
Asif led Canadian band MIR from 1998 to 2008, and has since recorded with real instruments for commercials and films, and released a one-man-band Police-influenced album Synesthesia in 2013.
We discuss the title track and "Electrical" from that album, also MIR's "A Day in Your Life" from 7 Directions (2004). We conclude by listening to "The Chosen One" from MIR's A Soldier's Carol Christmas EP (2008). Intro music: "No Taxidermy," produced for Empire Theaters.
Learn about Asif's music at asifillyas.com and his studio at theshire.ca.
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NEM#32: Bradley Skaught’s The Bye-Bye Blackbirds: Crafting Power Pop
Dec 27, 2016
Bradley fronts the Bay Area band, The Bye-Bye Blackbirds, which inhabits the niche of Byrds-influenced "power pop" even though Bradley really doesn't like that term. We discuss the band's 2016 boogie single "Let Your Hair Fall Down," the country ballad "Hats" from Fixed Hearts (2011), and a pre-Blackbirds song eventually recorded for Fixed Hearts, "Elizabeth Park."
End song: "All in Light" from We Need the Rain (2013); opening music: "The Ghosts Are Alright" from Houses & Homes (2008). Visit byebyeblackbirds.com.
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NEM#31: Michael Manring’s Limitless Bass Guitar
Dec 18, 2016
Michael has played on 500+ recordings; he was the house bassist for the Windham Hill label in the '80s and has put out seven solo albums. He expands what electric bass can do by using many tunings, even retuning on the fly using a custom-built system, using his bass as a percussion instrument, and sometimes playing multiple basses at once.
We discuss "Excuse Me, Mr. Manring" from Soliloquy(2005), and "My Three Moons" and "The Enormous Room," both from Thonk (1994). The opening music is "Thunder Tactics" from Unusual Weather (1986), and we wrap up with "Unclear, Inarticulate Things" by Attention Deficit from Idiot King (2001).
Learn more at manthing.com.
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NEM#30: Paul Wertico and David Cain: Improv Without a Net
Dec 04, 2016
Jason fattens out his eclectic guitar pieces by writing string and horn parts, and The Jason Seed Stringtet includes members of the Chicago Symphony sawing away furiously. Hear more at jasonseedmusic.com.
We'll discuss "Ishtar," a Bulgarian/Latin-inflected piece from In the Gallery (2013), "Any Night Now" a more traditional chamber jazz number from 2015, and "Mammoth" from the Jason Seed Exlier Ensemble's album 3 (2008). We'll wrap up by listening to "Pinch" from the Stringtet's The Escapist (2010). Intro music: "Invocation" from In the Gallery.
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NEM#28: Jill Freeman on Fairy Tales and Psychological Truth
Nov 12, 2016
Jill was part of a 3-woman vocal band in the '80s called The Life is Grand Band, and then in 1995 released Songs About Sex & Depression, and only in 2015 unveiled her long-awaited study of the dark psychology of fairy tales, A Handmade Life.
We focus on this most recent project, discussing "Letters from Murdertown" and "Eyes of Fire," and playing at the end "Walking on Glass." Our third discussion song goes back to the previous album with "Everything Makes Me Cry." Opening music is The Life Is Grand Band's "Harry’s Song" from Feel Like Makin' Art (1989).
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NEM#27: Peter Knight (Steeleye Span): Free Fiddlin’ in the Face of Death
Oct 30, 2016
Peter's violin was a key part of Steeleye Span's updating of traditional folk songs from 1971–2013. His original songs were among the group's most heartfelt. We talk about being creative with traditional music, authenticity, and finally getting the hang of songwriting late in his career.
We discuss "We Shall Wear Midnight" from Steeleye Span's Wintersmith (2013 with Terry Pratchett), "Bows of London" from Gigspanner's Layers of Ages (2015), and "From a Lullaby Kiss" (2014 solo). End song: "Who Told the Butcher" from Bedlam Born (2000 Steeleye); intro: "The Butterfly" from Lipreading the Poet (2008 Gigspanner).
For more info, see peterknight.net and gigspanner.com.
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NEM#26: Pat Doty: Tubas Unite!
Oct 23, 2016
This orchestral tubist and pop songwriter has composed fun new additions to the solo tuba repertoire and classically influenced piano-vocal songs.
We discuss "Mendota" and "Love for My Own" and listen to "Disco Tubas" from Dare to Entertain (2015), and also discuss some of his "Concerto for Tuba and Orchestra." More at patdoty.com.
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NEM#25: Bill Bruford: Drumming Matters
Oct 02, 2016
Bill was the original drummer for Yes, a default member of King Crimson, and briefly played with Genesis and the late '70s supergroup U.K., but most of his output has been with his own jazz-inflected Earthworks and Bruford, as rock proved too confining for his rhythmic and tonal creativity.
We discuss King Crimson's "One more Red Nightmare" from Red (1974), "Thistledown" from If Summer Had Its Ghosts by Bill Bruford, Eddie Gomez and Ralph Towner (1992), and "The 16 Kingdoms of the 5 Barbarians" from Every Step a Dance, Every Word a Song by Bill Bruford/Michiel Borstlap (2004). We also hear "Hell's Bells" and the title track of One of a Kind by Bruford (1979), plus "Five Per Cent for Nothing" from Fragile (1972) by Yes.
Learn more at billbruford.com. Hear more Nakedly Examined Music.
Tyler (editor of this podcast!) can rap endlessly, and has filled up ten albums with his machine-gun musings on life and politics. A great intro to indie hip-hop for the ignorant (like me)!
Songs: "Negative Space," "Long Way Down," and "Ciphers" (feat Grimm) from Long Way Down (2015), and "Kids of the Earth" from Quest for Meaning (2008).
Hear more at soundcloud.com/sacrifice.
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NEM#23: Sean Beeson’s Two-Minute Hi-Tech Symphonies
Sep 18, 2016
Sean writes music for video games. He uses five computers, with massively realistic orchestra sounds, and he performs every part with a breath controller for expression.
We discuss "Beyond the Desert" (from Empires Apart), "Mega Adventure Time" (from Adventure Time: Magic Man’s Head Game for Gear VR), and "Celestial Light" (from Stellar Wanderer).
We conclude by listening to a non-video-game tune, "Salve Regina" featuring Fr. Gabriel. Opening music is "Dr. Evil’s Lair of Doom."
Hear more at seanbeeson.com. Hear more Nakedly Examined Music.
NEM#22: Jon Langford (Mekons) on “Natural” Art
Aug 15, 2016
Jon has been a key member of art collective The Mekons since 1977, injecting country/folk/reggae/etc. influences into a seminal punk band to create an inimitable melange that has put out 19 albums, plus he puts out solo albums and is involved with many side projects including the country-punk Waco Brothers.
We discuss "Lil' Ray O' Light" from his solo album Here Be Monsters (2014) and two Mekons songs: "This Funeral Is for the Wrong Corpse" recorded in 1991 and released on I Have Been to Heaven and Back: Hen's Teeth and Other Lost Fragments of Un-Popular Culture, Volume 1 in 1999, and "Cockermouth" from Natural (2007).
We conclude by listening to the title track from the 2016 Waco Brothers album Going Down in History. Intro/outro music is from "Mephis Egypt" from The Mekons Rock 'n' Roll (1989).
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NEM#21: Trey Gunn and the Discipline of Tap Guitar
Aug 08, 2016
Trey is master of a many-stringed type of guitar that you play by tapping with both hands at the same time. His mentor was Robert Fripp, with whom he played in the seminal progressive rock band King Crimson. He has also released over a dozen exploratory solo albums. Learn more at treygunn.com.
We talked about "Kuma" from his solo album The Third Star (1996), "Level Five" from King Crimson's The Power to Believe, and "God's Monkey" from the David Sylvian/Robert Fripp album The First Day (1993).
We conclude by listening to Trey's current touring group The Security Project, as they play the Peter Gabriel classic "No Self Control" from Live 1 (2016). Beginning and end music is from Trey's Live and Hugo House EP (2015).
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NEM#20: Dave Nachmanoff Crafts Specific Yet Universal Stories
Jul 29, 2016
Dave is a consummate craftsman in the acoustic singer-songwriter vein, but with the added bonus that he's an amazing guitar player, who for 15 years or so has acted as sideman for '70s Brit-legend Al Stewart, i.e., filling in the entirety of the musical palette apart from Al's singing and strumming. And Dave has a philosophy Ph.D., and put that to use in crafting his most recent album Spinoza's Dream (2016), where each song reflects a particular philosopher.
We talk about the title track from that album, plus two songs from Step Up (2011): "Sheila Won’t Be Coming Home" (a duet with Al Stewart) and "Descartes in Amsterdam" (originally written and recorded in 1997). We finish by listening to "All Good" from the new album. The opening music is Dave's instrumental version of Al's hit "Year of the Cat" from Wordless Rhymes (2005).
Learn more at davenachmanoff.com.
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NEM#19: Chad Clark (Beauty Pill): Smart Went Electro-Soundscapey
Jul 07, 2016
Chad's 2015 album Beauty Pill Describes Things As They Are has received heaps of nice reviews, with its carefully crafted, groove-oriented soundscapes and cinematic lyrics. We discuss "Afrikaner Barista" and "Steven & Tiwonge," and then go back to Beauty Pill's first release with "The Idiot Heart" from the Cigarette Girl from the Future EP (2001).
We close by listening to "The Prize," a cover of an Arto Lindsay song. The opening music is “A Good Day” by Chad's previous band, Smart Went Crazy, from Con Art (1997). Learn more at www.beautypill.com.
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NEM#18: Jill Sobule Takes America Back
Jun 29, 2016
Jill is a big personality, rivaling Elvis Costello in the creation of acerbic, stylistically varied singer-songwriter material, and shes been putting out tuneful, story-laden albums since 1990. Visit jillsobule.com.
We discuss "Jetpack" from Underdog Victorious (2004) and get to meet her frequent co-writer Robin Eaton, "Empty Glass" (co-written with Elise Thoron) from The California Years (2009), and "Pilar (Things Here Are Different)" from Things Here Are Different (1990). Finally, we hear a new recording of her political manifesto "America Back." The intro/outro music is "Supermodel" from her 1995 self-titled album.
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NEM#17: Carrie Akre’s Different Ways of Fronting
Jun 04, 2016
Carrie fronted Seattle grunge favorite Hammerbox in the early '90s, then moved to the more poppy guitar rock band Goodness for the latter part of the decade, and released three solo albums in the '00s. The overall movement is from harsh exuberance to quiet reflectivity, and Carrie's role evolved with her starting off as new newbie to rock bands singing over already-composed music and ending up in a much more controlling position, as she experiments with different musicians to get deep textures.
We discuss "No" from Hammerbox's Numb (1993), "Cozy" from Goodness's Anthem (1998), and "Reflection" from her solo album Home (2000). We also listen to "Coat of Arms" from the Rockfords' self-titled 2000 album (a band that features members of Goodness as well as Mike McCready from Pearl Jam), and the opening music is Hammerbox's single "When 3 is 2," also from No.
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NEM#16: Narada Michael Walden Funks the Moment
May 26, 2016
Narada started as a fusion drummer in the '70s (with Mahavishnu Orchestra, Jeff Beck, etc.) then released numerous solo albums and produced and wrote for artists like Whitney Houston, Mariah Carey, Aretha Franklin, and many more. He believes in working fast: creating a mood and getting the most out of it.
We discuss "Freedom" (written by Richie Havens) from Evolution (2015), "I Shoulda Loved Ya" from The Dance of Life (1979), and the title track from Garden of Love Light (1976). We also listen to "Billionaire on Soul Street," also from Evolution. The opening music is from "Freeway of Love" which Narada wrote and produced for Aretha Franklin, and the outro music is from "How Will I Know?" which Narada produced and wrote the verses to for Whitey Houston.
Learn more about Narada at naradamichaelwalden.com.
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NEM#15: Craig Wedren’s Non-Linear Clarity
May 15, 2016
Craig led Shudder to Think from 1986 to 1998 and has since had a solo career and done soundtrack work. Shudder to Think was a band that started as part of Washington DC's "hardcore" scene, but challenged musical conventions to try to achieve U2-level success with Captain-Beefheart-level weirdness (they failed). We discuss their song "Pebbles" from Get Your Goat (1992), then go post-Shudder to "Show Down" by Craig's short-lived pop-dance band, Craig Wedren & Baby. Then we talk about working on assignment on "I Am the Wolf, You Are the Moon," for Wet, Hot American Summer: First Day of Camp. We also listen to "Heaven Sent" from Crag's album Wand (2011).
The opening music is "X-French Tee Shirt" from Pony Express Record (1994) and the closing music is the theme from The State. Learn more at craigwedren.com.
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NEM#14: Jonathan Donahue (Mercury Rev): Mountain Man of Subtlety
May 01, 2016
After serving a stint with the Flaming Lips, Jonathan has been putting out albums with Mercury Rev since 1991. Over time, their music has shifted from noisy alternative rock to symphonic, soundtrack pop songs... still psychedelic, but now with an unapologetically Disneyesque influence, with the magic of nature swirling out through harp glissandos and french horns, all standing behind a simple, stark melody delivered by Jonathan's high, Neil-Youngesque voice, which sings of nature and things more abstract.
We discuss "Autumn's in the Air" from The Light In You (2015), "Holes" from Deserter's Songs (1998), and "Empire State (Son House in Excelsis)" from See You on the Other Side (1995). We also listen to "Central Park East" also from the new album and intro music is "Car Wash Hair" from Yerself Is Steam (1991).
Learn more about Mercury Rev at mercuryrev.com.
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NEM#13: Beth Kille Rocks and Leads Others to Rock
Apr 22, 2016
Beth fronted Clear Blue Betty from 2000–2007, then in 2009 became a solo artist, co-founding Madison's Girl's Rock camp and letting music consume all of her professional life. She's a classic singer-songwriter whose mission is to help others unlock their creative rockery.
We talk about "Wrong Side of Gone" from the Beth Kille Band's 2015 EP Stark Raving Songbird, "Dead Man in a Dream" from Dust (2012), and "Through the Walls" from the EP of that name by Clear Blue Betty (2007). Plus, "Little Bit Drunk" from Beth Kille's Ready(2010). The intro music is "Go Back" from Clear Blue Betty's Never Been a Rebel (2004).
Learn and hear more at bethkille.com. Hear more Nakedly Examined Music.
NEM#12: John Philip Shenale: String Arranger, Composer, Producer
Apr 12, 2016
Phil is the long-time string arranger for Tori Amos and has done a heap more production, arrangement, and keyboard work. He has a very deliberate production style, carefully crafting a very natural-sounding theatrical background using both cutting-edge and very old tools.
We talk about "Cross the Channel" from the Brik & Shenale EP (2012), Phil's arrangement and production of "Stars that Speak" by Willie Deville from Pistola (2008), and "Pornokiss" from a project Phil initiated called The Royal Macadamians from their album Experiments in Terror (1990).
We also listen to a brand-new Shenale instrumental "Gautama in Love." The opening music is from "Yes, Anastasia" by Tori Amos from Under the Pink (1994). Learn more about Phil at johnphilipshenale.com.
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NEM#11: Bob Manor: No Alt-Country for Old Men
Apr 04, 2016
Bob leads the Madison, WI band The Getaway Drivers; he shares the vocal duties with his wife Shiela Shigley. Though Bob has displayed a lot of affection toward old-timey, world-weary music since starting off his major songwriting efforts around 2000 at the ripe age of 28ish, The Getaway Drivers' new album Bellatopia is a conscious attempt to break with that, though Bob still likes telling stories informed by nostalgia for a long-gone past.
We discuss "Suburban Summer Shine" and "Signs" from the new album, as well as "Stuck" from the Bob Manor 2005 album Ghosts of Yesterday. We end by listening to "Stay" from The Getaway Drivers (2006). The opening/end music is from "A Call Out" from the new album.
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NEM#10: Nick Eede (Cutting Crew): Escape from the ’80s
Mar 25, 2016
In 1986 Nick van Eede released a song ("I Just Died in Your Arms") that will be played long after we are all dead. But he's got a lot more going on than that, and on his new album (still under the moniker "Cutting Crew") he's recorded his best songs from the last decade without regard for continuity with the sound that made him famous.
We discuss "Reach for the Sky" from The Scattering (1989), "Berlin in Winter" from Add to Favourites, "Frigid as England" from Compus Mentus (1992), and wrap up by listening to "Looking for a Friend," also from the new album. Learn more at cuttingcrew.biz.
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NEM#9: Roderick Romero: Psychedelic Treehouse Poet
Mar 19, 2016
Roderick Wolgamott Romero founded and fronted the Seattle 90s space rock band Sky Cries Mary. So how does a poet get a band? Is a poet's process different from a typical lyricist's?
We discuss "Gliding" from Taking the Stage Live: 1997–2005 (2011), "December Snow" from Roderick's in-progress project One Point Moment Still (featuring Romanian techno duo We'd), and "Queen of Slug Theater" from Moonbathing on Sleeping Leaves (1997).
We also listen to "You Are" from Sky Cries Mary's final studio album, Small Town (2007), and the opening/closing music is "Walla Walla" from A Return to the Inner Experience (1993).
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NEM#8: Tim Quirk Is the Philosopher-King of Beers
Mar 11, 2016
Tim describes himself as not a singer, but a writer with a band, and he shouted at the front of Too Much Joy in the late' 80s–'90s and has since recorded as Wonderlick while working as a big dog in the digital music industry with Google, Rhapsody, and now Freeform.
We discuss "King of Beers" from Cereal Killers (1991), "Donner Lake" from Wonderlick (2002), "Just Like a Man" from Mutiny (1992), and also listen to "Extraordinary People" from Wonderlick's Super (2015). Read Tim's words at tbquirk.com, and toomuchjoy.com.
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NEM#7: Gary Lucas on Zen and the Avant Ghetto
Mar 04, 2016
Gary is a guitar virtuoso who's put out more than 30 albums, typically by writing guitar instrumentals that then get a melody and words added by a singer/songwriter, the most famous of these being Jeff Buckley (Gary wrote a book about it!), but also Joan Osborne, and he started out playing with Captain Beefheart.
We discuss "Will O' the Wisp" (a new instrumental), "Overture" (with singer Jann Klose), and "The Wall" (from his album of Chinese pop The Edge Of Heaven. We also listen to "The Kid" (with Peter Hammill), and talk about working with all these singers, working intimately with your instrument, and putting out music that is experimental yet accessible. Learn more at garylucas.com.
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NEM#6: Steve Petrinko: Self-Contained Stalwart
Feb 28, 2016
Steve is a one-man band, overdubbing his compositions both in jazz (steel drum!) and pop/rock (featuring his unique and sometimes disco-high voice). He's also drummed and/or fronted bands (including one in college with your host Mark). The common thread through all of this is a love of his craft: a dedication to creation in the studio, whether or not anyone hears the result.
We discuss "P.I." from his last original full pop album to date, Acoustinaut (2002); his jazz number "Perseverence" from the 2013 EP Where You Going with That?; and "Darkness" from his full-band album BAMF! (1997). Plus we hear the 2012 single "Warren Zombie Apocalypse." Get Steve's music at www.cdbaby.com/Artist/StevePetrinko.
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NEM#5: Jeff Heiskell: Positive Vérité
Feb 22, 2016
Jeff was the voice of JudyBats until '94, and is now Heiskell. He sings with character, or characters, always articulate, overly introspective, with intimacy issues. We discuss his current status as happy, self-funded, free-styled, hands-off yet obsessive compulsive solo artist and his high-pressure, compromise-filled time on a major label that led him to quit music altogether for a while.
Songs covered: "Firefiles" and "Just Can't Say" from Heiskell's Arriving (2015) and "What We Lose" from the JudyBats' Full-Empty (1994). Plus we listen to "Our Story" from Down in the Shacks Where the Satellite Dishes Grow (1992). Learn more at heiskellmusic.com.
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NEM#4: Gareth Mitchell: Granular Creativity
Feb 15, 2016
Gareth Mitchell is a post-rock academic, an innovative guitarist who now uses recorded splices of treated guitar (among other things) made into loops to meticulously construct electronic music, as on his upcoming album, 72. We dive deep into his tracks "Circle" and "Decay" from this album and get a taste of his dreaming singer/songwriter material with "Sovereign" from Spectre (2012). We also debut the track "Granulations."
Gareth is as thoughtful an artist as you could possibly want to talk to, and really gives us some great insight into his unique approaches to composition. Learn more at garethmitchell.info.
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NEM#3: Kevin Godley: Pure Play in the Devil’s Shoes
Feb 05, 2016
Kevin Godley is a multi-media master, having directed many of the coolest music videos you've ever seen. But before that, he was half of Godley & Creme and 1/4 of 10cc, singing, drumming, and mostly coming up with ideas, ideas, and more ideas. Today he runs Whole World Band, a platform for collaborative video creation, and recently released his iBook autobiography Spacecake, but he still performs on occasion, and for the first time produced some solo music as part of his soundtrack to the audioplay Hog Fever.
We first discuss his song from that project, "Confessions" (2015), then "Punchbag" from the Godley & Creme album L (1978), "Barry's Shoes" from GG06 (2006), and finally play "Lost Weekend" (feat. Sarah Vaughan) from Consequences (1977).
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NEM#2: Fritz Beer: Knuckle Draggin’ To and Fro
Jan 28, 2016
Fritz maintains a cool, direct front-man persona even while engaging in self-help, snarling social commentary, and referencing classic literature. He aims to write simple, repetitive songs that catch you and hit you and make you their dog. He's been out there since the '80s, moving around the country from band to band, but consistently delivering the goods.
We discuss "Spray Job" (The Bishops, 1994), "Try Something New" (Punchy, 2001), and "When I Say Jump" (Crown Vic, 2013), and also play "I'm on a Leash" (Crown Vic, 2008). Learn more about Fritz at fritzbeermusic.com.
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NEM#1: David Lowery on Story Songs and Songs About Nothing
Jan 02, 2016
Welcome to Nakedly Examined Music, an offshoot of "The Partially Examined Life" focusing on the head and heart of songwriting. The front man of Cracker and Camper van Beethoven joins Mark Linsenmayer to discuss his songs: "All Her Favorite Fruit," "I Sold the Arabs the Moon," and "Take the Skinheads Bowling." Plus "Almond Grove." Learn more at davidlowerymusic.com.
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