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    Music

    NACOcast: A Classical Music Podcast

    Explore the world of classical music with members of Canada’s National Arts Centre Orchestra and special guests.

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    Latest Episodes:
    Karina Canellakis Jul 04, 2018
    Show notes

    Karina Canellakis is the newly appointed Chief Conductor of the Netherlands Radio Philharmonic Orchestra in
    Amsterdam, beginning in the 19/20 season.

    Winner of the 2016 Sir Georg Solti Conducting Award, Karina is internationally acclaimed for her emotionally charged
    performances, technical command and interpretive depth. She made her European conducting debut in 2015 with the
    Chamber Orchestra of Europe in Graz, Austria, replacing the late Nikolaus Harnoncourt, returning the following June to
    conduct Concentus Musicus Wien in four symphonies of a Beethoven Cycle. She first made headlines in 2014 filling in at
    the last-minute for Jaap van Zweden in Shostakovich Symphony No. 8 with the Dallas Symphony Orchestra, where she
    held the position of Assistant Conductor for two seasons.


    The Man with the Violin May 04, 2018
    Show notes

    “Every time a child passed through the station, the child wanted to stop, and every time, the adult with them pulled them along on their way.” Sean Rice interviews author Kathy Stinson, illustrator Dušan Petričić and composer Anne Dudley who all had a hand in creating the music performed by the NAC Orchestra’s telling of The Man With The Violin in December 2017. The book and the music were inspired by the real-life story of world-renown violinist Joshua Bell and the National Post's experiment on a January morning in Washington’s subway station.

    \n\n

    The Man with the Violin: Suite for Violin and Orchestra is a co-commission with the National Arts Centre Orchestra and the National Symphony Orchestra. The work was premiered at the Kennedy Center, Washington D.C. in February 2017.


    Natasha Gauthier with Alice Sara Ott and Eivind Gullberg Jensen Apr 10, 2018
    Show notes Natasha Gauthier of Artsfile.ca interviews pianist Alice Sara Ott and conductor Eivind Gullberg Jensen who performed the Grieg Piano Concerto together with the NAC Orchestra, at the NAC, in January 2018. Join them as they talk about personal firsts, world travels, and the whirlwind life of a musician.

    Institute for Orchestral Studies Mar 06, 2018
    Show notes

    Sean Rice, second clarinetist of the NAC Orchestra, interviews the five apprentices who participated in the NAC's annual Institute for Orchestral Studies in the fall of 2017. They were:

    Alexander Volkov, violin
    Gabrielle Bouchard, violin
    Alisa Klebanov, viola
    Grace Sommer, cello
    Talia Hatcher, double bass

    The Institute for Orchestral Studies (IOS) is an apprenticeship program designed to prepare highly talented young musicians towards successful orchestral careers. It was established in 2006 under the guidance of former Music Director Pinchas Zukerman, and is funded by the National Arts Centre Foundation through the National Youth and Education Trust. Apprentices take a seat in regular NAC Orchestra rehearsals and performances, and get private lessons, coaching and mentorship throughout their apprenticeship.


    Joana Carneiro, NACO and the Tanztheater Wuppertal – Pina Bausch dance company Feb 05, 2018
    Show notes

    Portuguese conductor Joana Carneiro, a well-travelled artist, talks with Sean Rice about her first time with the Pina Bausch dance company and with the NAC Orchestra, all in the same week in September 2017.


    Chip Hamann's new CD, Canadian Works for Oboe & Piano Dec 06, 2017
    Show notes

    Sean Rice interviewed the NAC Orchestra’s principal oboe Chip Hamann about his new album, a two-disc album that was released in June 2017. It was the first classical recording at the Isabel Bader Centre in Kingston. What a fantastic and incredible hall to record!

    The double-cd set is called Canadian Works for Oboe and Piano, a collaboration with Ottawa pianist Fred Lacroix. It all started with John Burge’s Sonata Breve No. 4 for oboe and piano, composed in 2012. Fred Lacroix was also rather instrumental in the creation of this recording. Chip outlines several ideas that contributed to his CD which is available on the Canadian Music Centre’s website.

    …
    Sean Rice a interviewé Chip Hamann, hautbois solo de l’Orchestre du CAN, au sujet de son nouvel album, un album à deux disques qui a été publié en juin 2017. Ce fut le premier enregistrement de musique classique au centre Isabel Bader à Kingston. Quelle salle fantastique et incroyable pour un tel enregistrement!

    L’ensemble s’intitule Canadian Works for Oboe and Piano, et est une collaboration avec le pianist d’Ottawa Frédéric Lacroix. Le tout a commencé avec la Sonate Breve no 4 pour hautbois et piano de John Burge, composée en 2012. Frédéric Lacroix à eglaement joué un rôle important dans la création de cet enregistrement. Chip souligne plusieurs idées qui ont contribué à son CD, œuvre disponible sur le site web du Centre de musique canadienne.


    Robert Chafe, lyricist for "Heirloom" co-produced with Larysa Kuzmenko Oct 31, 2017
    Show notes

    Robert Chafe is a 2010 Governor General Award recipient for his play, Afterimage. His extensive body of work also includes such plays as Place of First Light, Charismatic Death Scenes, Belly Up, Emptygirl, Oil and Water, Butler's Marsh, and Tempting Providence. Butler's Marsh and Tempting Providence also earned Robert a 2004 Governor General Award nomination. Robert is Artistic Director for the company, Artistic Fraud, based in St. John's, and he collaborates quite frequently with our head of English Theatre here at the NAC, fellow Newfoundlander, Jillian Keiley. We are incredibly fortunate that Robert is able to join us today to talk about his work, Heirloom.

    The NAC Orchestra and Shallaway Youth Choir performed "Heirloom" by Larysa Kuzmenko and Robert Chafe (based on Brahms Intermezzo, Op. 118, No. 2) on April 27, 2017.


    Joel Quarrington and his new album: Schubert "An Die Musik" Sep 20, 2017
    Show notes

    Principal Bassist, Joel Quarrington, joins us to talk about his brand new solo album, Schubert: An die Musik, that he recorded with Canadian pianist, David Jalbert. We discuss his love of the music that he recorded and his album release at this year's Double Bass Convention in Ithaca, NY.


    Ideas of North Aug 31, 2017
    Show notes

    Maestro Alexander Shelley shares his thoughts on the National Arts Centre Orchestra's 2017-18 opening festival of music, Ideas of North - featuring an array of Scandinavian composers and performers, including many of Sibelius' symphonies and tone poems. Principal Guest Conductor, John Storgårds, will perform Kaiji Saariaho's Violin Concerto and Guest Conductor Hannu Lintu joins Maestros Shelley and Storgårds on the podium for the series of concerts.


    ENCOUNT3RS - Creation and Colaboration May 19, 2017
    Show notes

    In this bilingual panel discussion on Creation and Collaboration that preceded the world premiere of ENCOUNT3RS (April 20-22, 2017), animator Catherine Clark speaks with the six Canadian artists involved in this historic NAC dance-music commission celebrating Canada 150. Following a discussion between Executive Producer of Dance Cathy Levy and Music Director Alexander Shelley in 2015, choreographer Jean Grand-Maître (Alberta Ballet) and composer Andrew Staniland; choreographer Emily Molnar (Ballet BC) and composer Nicole Lizée; and choreographer Guillaume Côté (The National Ballet of Canada) and composer Kevin Lau were invited to create three new one-act ballets and three original orchestral scores to be performed by the NAC Orchestra under Alexander’s baton. The outcome was an extraordinary dance and music triple bill. The panel conversation centred on the genesis and creative process for each collaboration; the choreographer-composer relationship; the ground-breaking nature of this project; the impact this rare opportunity had on the creators and performers; the role art plays in helping us better understand the world we live in and in bringing us closer together; and the legacy of ENCOUNT3RS. In closing, the artists praised the NAC for commissioning a project of such magnitude and for its unrelenting urge to see it through.


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