Stay ConnectedPaul Rose aka the musician, DJ, and label boss known as Scuba talks to people of significance from the world of electronic music about their experiences, observations, and attempts to cultivate a life for themselves in the murky and sometimes treacherous waters of the music industry.
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Copyright: © Copyright 2023 Scuba
Paris is rarely cited (somewhat unfairly) as one of the key cities of electronic music, but the influence of French musicians is absolutely huge. You know the names, and you definitely know the tracks. But there's a lot more to it than Daft Punk and Justice.
Chloé Thévenin has been a key figure in Paris for the last two decades, as resident at the hugely important night Le Pulp, and at Rex Club, while also developing a reputation as a highly technical producer operating in different styles and in collaboration with a range of musicians.
We discuss all of the above, plus delving into her journey as a musician from beginnings in the Paris club scene in the early 90s, recent developments in AI and spacial audio, and the cultural importance of clubs in the development of electronic music and culture.
This is a good one, and you're going to enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
Is music journalism in as bad a place as people say it is? I've certainly said it... really quite a lot. Maybe to the extent that I've been a bit unfair on the overall quality of music writing today, and having a total ban on music writers on the show was also possibly taking things a bit too far.
Today though, the ban is lifted. Shawn Reynaldo is a former editor of XLR8R, and contributor to many of the august music publications we all love to hate, but now operates mostly out of his First Floor platform on Substack. He's just released a book entitled First Floor Vol 1, and we spend most of this week's episode digging into some of the issues covered in it.
These include... streaming platforms, musical gatekeepers, media snobbery, the commercialisation of dance music, local scenes, and a lot more meaty stuff besides.
I love this sort of conversation, and you're definitely going to enjoy listening to it.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
We haven't done a solo pod since the 'Thoughts On Releasing Music' two-parter which covered episodes 58 and 59. Those two were really popular, surprisingly so... to me at least. I enjoy doing these because it forces me to get my thoughts together in a way that I sometimes struggle to usually. And the topics we're covering today definitely require some clear thought.
Obviously the episode title is a bit provocative. It could totally be happening though. Generative AI and LLMs are things we're going to be discussing a lot in the coming weeks and I thought it would be useful to get my fairly-uneducated intuitions on the subject down on record. Clearly I'm hoping to learn a lot more about this area from having long conversations on the show people who actually know what they're talking about - that usually helps.
And then we get into something that I did a really bad job of addressing on my recent appearance on Beats In Space. The decline in the cultural importance of music, that is. I'm not sure if I do much of a better job here, and I think writing an article or something is going to be the best way of really describing it. But I have a go.
Anyway, this is a different sort of solo pod to the last ones but I hope it'll be as enjoyable. Or at least provoke a few thoughts anyway.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
Welcome to Episode 75 of the Not A Diving Podcast. That's quite a lot of episodes, and probably more than I thought we'd get to at the outset but it's been a highly enjoyable ride and we're not slowing down any time soon.
This week on the show we welcome a former resident of one of my favourite clubs, Smartbar in Chicago. Alinka is an Ukraine-born, American expat in Berlin, a great DJ and a producer making some really interesting music.
We discuss her journey in music from the early 2000s, via a hiatus and subsequent rebirth with the Twirl parties and label in collaboration with Shaun J. Wright, formerly of Hercules and Love Affair. We also cover scene attitudes towards politics, the legacy of Chicago, the rave scene, and lot more besides.
This is a good one, you're going to enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
In the storied days of vinyl, snooty record shop staff, and white label promos, the diligent producer would cultivate many aliases, seemingly at least one for every nuance of his studio output. With DSP tagging and the endless collaborations that are a featured of today's recorded music, does that approach make sense anymore?
That is a paraphrasing of my first question to Kevin McHugh, aka Ambivalent, aka LA-4A, on today's podcast. You'll have to tune in to get his answer in full, but let's just say he feels justified in his recently-released album under that second alias, entitled Folio.
It's a great piece of work, and we discuss it, in addition to continuing the conversation in recent episodes on the topic of Minimal, the state of the Techno scene today, nostalgia in dance music, and much else besides.
This was a great conversation in which I learnt a lot about Kevin as a producer and as a person. You're going to enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
The majority of DJs spent the pandemic mostly of stood in front of a camera, attempting to perform the impossible task of transplanting a rave into the bedrooms of the few people lucky enough to be watching at the other end of a fibre optic cable.
We are only beginning to come to terms with the implications of what the failure of that approach have had for our culture, but DJ Bone did something completely different.
'Further' was a hugely successful series of events which combined music, talking, and a bit of socially-distanced vibing out. At Radion in Amsterdam, there was a real effort made to add something extra within the constraints of some of the most draconian lockdown measures anywhere in the world.
DJ Bone just released an album of the same name as those events, which he sees as jumping off point to his career even at this relatively advanced stage. We discuss that in detail, as well as those events, and what they mean in the context of what he's done in music since the 90s.
We also discuss his roots as a party-goer in Detroit, the wider state of Techno and dance music generally today, and what needs to change to get back on track after a few years of real turmoil.
This was a great conversation in which we dig into some really meaty areas, and get some incredible detail on the birthplace of Techno. You're going to enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
What does it mean to run an underground dance label for twenty years? Admittedly I should have the answer to this question but in reality every label is different and every story is different too.
Damian Lazarus launched Crosstown Rebels in 2003, having previously worked at FFRR and run City Rockers with Phil Howells. It quickly became one of the most important house labels and has released an enormous amount of significant and generally great music over the years.
He also runs the Get Lost party in Miami and Day Zero near Tulum, and we actually spend most of the conversation discussing these events and Damian's experiences at Burning Man which partly inspired them.
We also discuss the changing nature of the scene, the importance of certain substances, and hedonism generally, as well as what it means to run a label twenty years after having started one.
This is a great episode and you're definitely going to love it.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
Is minimal the same as mnml? What about minimal techno? Microhouse? At least it's not HARD TECHNO anyway. That's the worst.
Well maybe not the actual worst, but bad enough to spawn a popular musical movement in direct opposition to it. What that movement actually consisted of is more of a difficult question than you might imagine though. Just look at that first paragraph.
Jeremy P Caulfield is a Toronto guy who moved to Berlin in 2003, just when the minimal sound of that particular city was beginning to really incubate. Through his label, Dumb Unit, production work, and DJ sets, he was a big part of that sound as it emerged to briefly dominate the European clubbing landscape.
Personally, I really love the music of that era and it was a great opportunity to sit down with Jeremy to pick his brain on the whole thing, from the boom to the bust.
We also talk about the contemporary techno scene, similarities with the 90s, his hiatus from music, mental health, and a lot more besides.
This was a great conversation which you're definitely going to enjoy!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
It's all Business Techno now isn't it? Well, maybe. And who better to confirm or deny that statement than the man who coined the term itself, Guy Brewer aka Shifted.
Prior to entering the Techno arena, Guy was part of the storied DnB combo Commix. They released some great music in the 2000s, before the call to Berlin became impossible to resist and the lure of late evenings in Kreuzberg discussing the nuance of kick drums proved just too strong.
As we discover in this week's conversation, the above isn't even that much of a caricature of the real events. We discuss the pleasures and benefits of really good localised scenes, how market forces have distorted and commodified the more 'underground' parts of the dance scene, and whether music tech has really been as much of a disaster for creativity as I have tentatively argued in recent weeks.
We also discuss Guy's new project, Carrier, and the more general, ongoing challenges of creativity. This was as really rewarding conversation and one that you're going to enjoy!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features regular bonus podcasts and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!
In other news, the Hardcore Heaven EP is now SOLD OUT on vinyl. Hope all of you who managed to grab one are happy with the product. Two of the tracks will be available digitally in the coming weeks, different versions to the ones that appear on the vinyl though. Grab em here.
But we DO still have copies of the Hotflush 20th anniversary 3 x 12" gatefold vinyl available. You can grab one of those here.
Finally have a listen to a release from our friends over at Echorex. It's a Big Miz original remixed by the fantastic Niina... take a listen here.
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
Daniela Caldellas is an electronic musician from Brazil. Having broken through as part of Digitaria on DJ Hell's International DeeJay Gigolo Records and latterly on Jamie Jones' Hot Creations, she launched Terr as a solo project in 2016 and has just released a debut album entitled Consciousness As A State Of Matter under that name via Phantasy Sound.
We discuss her journey from Bela Horizonte to Berlin via Barcelona, the culture shock of the touring lifestyle, trying to keep your perspective while working as an artist, and the importance of other interests.
Daniela is an interesting person who just released a great record - dig into the conversation and then check the album!
Degradation by Yoikol ft. an SCB edit of the title track is OUT NOW.
Grab a copy of the HF20 compilation on 3 x 12" gatefold sleeve vinyl HERE.
If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...
...in the Hotflush Discord Server
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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