A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions.
Hosted on Acast. See acast.com/privacy for more information.
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A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © Witch, Please Productions
In this Material Concerns episode, Hannah and Marcelle talk about the 2005 Music Video Awards (and the Gosling/McAdams kiss), Noah as the The Notebook's (unreliable?) narrator, the line between melodrama and camp, and Gosling's undeniable charisma.
As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
She's back! Beloved podcaster and author Vanessa Zoltan (she/her) joins Hannah and Marcelle to dig into one of the most famous "weepies" of the 21st century: The Notebook (2004). If you cry at the line "If you're a bird, I'm a bird," have the phrase "What do you want?" ringing in your head, or regularly view the 2005 MTV Movie Award for Best Kiss, then this episode is for you. Hannah first contextualizes The Notebook in early aughts America (think post 9/11 conservative politics) and Vanessa offers some info about Nicholas Sparks, author of The Notebook. They then jump into a theory section all about melodrama! You may be familiar with the concept — perhaps you've even accused a friend or family member of being melodramatic — but can you really define it? What about the idea of "a Melodrama of Failure?" Hannah turns toElisabeth Robin Anker’s book, Orgies of Feeling: Melodrama and the Politics of Freedom, to bolster her thesis and the episode ends with a conversation about the relationship between the American Dream, sovereignty, Christian conservatism and heterosexuality.
If you have thoughts, questions or comments, submit them over Instagram for our next Material Concerns episode!
For more Vanessa, check out Hot & Bothered, the podcast she co-hosts with Hannah McGregor all about romantic films. You can also listen to her new show Let's Ask Taylor Swift anywhere you get your pods.
Learn more about Material Girls on our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
In this Material Concerns episode, Hannah and Marcelle talk about being emotional support for Americans, fancy linen paper in the 1700s, memes, monoculture and more!
As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
This week, longtime friend of the pod, Neale Barnholden (he/him), joins Marcelle and Hannah to discuss the materiality of comic books and their influence on modern-day meme culture! They talk reading conventions, colonization, de- and re-contextualization, as well as the raced and classed history of comics. Together, they then dive into Paul Davis's idea of "the culture text" (adaptations, parodies, references of the text created by culture at large). They consider how Richie Rich came to reference Donald Trump in 2016, how comic artist KC Green's dog in a burning house (the "This is Fine" meme) became ubiquitous, and how we might make sense of our current visual culture in relation to the "lurid" history of comic books.
There's a lot to unpack in this episode and if you have thoughts, questions or comments, submit them over Instagram for our next Material Concerns episode!
Follow on Neale on Instagram @ominousgarfield. Buy his book, From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics, at your local bookstore! You can also see more Neale on our Patreon!
Learn more about Material Girls on our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
As chaotic as the title suggests, this episode features our Witch, Please Productions team on mic! We've got Gaby, Zoe and Coach joining Hannah and Marcelle to discuss Wicked, listener-submitted questions, 2024 Spotify stats and more.
As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
What is more zeitgeist-y than Wicked Part One? Well, arguably, the memes, interviews, and merch ABOUT Wicked Part One! In this episode Hannah and Marcelle are joined by the wonderful author, Youtuber and internet busybody, Leena Norms, to discuss this year's blockbuster— and the paratexts surrounding it. If you've been targeted an Elphaba eyeshadow palette, a Glinda-themed popcorn bucket, or anything online that says "holding space," then you've engaged with Wicked's paratexts. And guess what? We've got some theory to help you make sense of it all! Whether you loved, hated or still haven't seen the Wicked movie, this episode is for you. No* one was spared its marketing campaign.
*good deed goes unpunished.
For more Leena, head to Leenanorms.com and check out her new book Half-Arse Human! You can also see more Leena on our Patreon!
You can learn more about Material Girls at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next episode with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us on Patreon.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
Welcome back to Material Concerns! In this episode, Marcelle and Hannah answer your questions. They talk Golden Girls, Friends, All-Inclusive Resorts, and Coach's Birthday! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Over the course of its seven seasons, The Golden Girls had 25 million viewers and earned 68 Emmy nominations. Each of the girls, Rue McClanahan (Blanche Devereaux), Bea Arthur (Dorothy Zbornak), Estelle Getty (Sophia Petrillo) and Betty White (Rose Nylund) won Emmy's for their performances and more than three decades later, the show is still in syndication. All to say, the show was popular! Beloved friend of the pod and The Golden Girls super fan, Marshall Watson (he/him), joins Hannah and Marcelle on this episode to talk about the progressive politics of show, the social issues that were at the center of its stories, and the reason(s) many queer kids, Marshall included, found comedy, representation, and hope from "four old queens" in the late 80s and 90s.
A note about content: This episode focuses on the HIV/AIDs crisis and the decades-long failure of the American government to provide funding, resources, and care to marginalized communities most impacted by the virus. If you need to skip this episode, we understand and encourage you to take care of yourself!
Quick Links:
https://www.actuporalhistory.org/
https://www.dukeupress.edu/we-are-having-this-conversation-now
You can learn more about Material Girls at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next episode with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us on Patreon.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
Welcome back to Material Concerns! In this episode, Marcelle and Hannah answer your questions. They talk phone games, the Witch, Please team as different types of witches, genre conventions and Twin Peaks! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In honor of spooky season, we bring you an episode about the beloved cult classic, Twin Peaks! This show from Mark Frost and David Lynch, starring Kyle MacLachlan, is widely understood as one of the most influential television series ever! And yet it its original run began April 1990 and ended just fourteen months later in June 1991. In this episode, Marcelle explores why this show, that began as a hit, fell in ratings so quickly. Hannah and Marcelle then discuss the power of cult followings and how pieces of pop culture are kept alive for decades after their initial heyday.
If you're a fan of Twin Peaks, or if you're someone who doesn't understand why it has had a lasting impact on television, then you're going to love this episode that gets into the details of the show's rise and fall and, most importantly, its fandom.
***
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Today we’re dropping a bonus conversation into your feed featuring Adrian Angus, a dear friend of Marcelle's who passed away unexpectedly in September. This bonus episode was originally released as a Patreon perk back in March 2021. At the time, our flagship show was Witch, Please, a scholarly podcast about the Harry Potter world and this bonus accompanied our Book three episode about The Prison Industrial Complex with guest Mercedes Eng — which you can listen to wherever you get your podcasts.
October 19th, would have been Adrian’s 40th birthday, so it seems fitting to share this snapshot of Adrian’s joy, intellect, and insight with current listeners of Material Girls. If you enjoy this episode, you can join Witch, Please Productions in donating to the Black Public Defender Association in Adrian’s honor at: blackdefender.org/donate
Thanks for listening! <3
Hosted on Acast. See acast.com/privacy for more information.
Thank you for your questions about dopamine, dinosaurs and cats! In part one of this Material Concerns episode, we also launch a new segment called "Make It Make Sense" where Hannah and Marcelle rely on no research to guess why certain things are popular! Thanks for your suggestions via Instagram! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
For this episode, we're joined by Jesse Meadows (they/them) to discuss the most zeitgeist-y neurotransmitter around: dopamine! Have you been targeted Instagram Reels and Tik Toks about increasing your dopamine levels or managing ADHD through pleasure abstinence? Well that may have more to do with tech bros, billionaires and health capitalism than you think! Tune in for a conversation about pseudo-science, "hedonic Calvinism," eugenics, Big Pharma, manipulative algorithms and more!
Check out Jesse's Dopamine Dispatch: https://www.sluggish.xyz/t/dopaminedispatch!
To read more of Jesse's work, we HIGHLY recommend subscribing to Sluggish: https://www.sluggish.xyz
You can also find Jesse's video essays on Tik Tok: https://www.tiktok.com/@slug.town
***
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
You had so many great questions about Hannah's forthcoming book, Clever Girl and our Jurassic Park episode all about spectacle —and we answer a lot of them in part one of this Material Concerns episode! As a reminder, for just $5 USD/month you'll get part two, our extensive backlog, ad-free episodes, and oh so much more!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In this episode, Hannah and Marcelle discuss what made Steven Spielberg's Jurassic Park (1993) the ultimate CGI summer blockbuster, the history of American spectacle, and the monstrosity of the movie's out-of-control lady dinosaurs! Hannah leads this episode and if you're left wanting more, we have great news: their forthcoming book, Clever Girl: Jurassic Park, is available for preorder right now! Clever Girl "is a smart and incisive exploration of everyone’s favorite dinosaur movie and the female dinosaurs who embody what it means to be angry, monstrous, and free." Classic Hannah!!!!
And do you want even better news? The whole Witch, Please Productions team is gathering this October to celebrate Hannah's book at Coach's beloved childhood bookstore, Women & Children First! Join us on October 11th at 7 pm CST to hear Hannah in conversation with Marcelle about Clever Girl! We want to see you! Come join us!
Clever Girl: https://ecwpress.com/products/clever-girl-jurassic-park-pop-classics
Save the Date:https://www.womenandchildrenfirst.com/event/person-event-clever-girl-hannah-mcgregor
***
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We continue our summer slowdown with a new Material Concerns episode once again featuring answers to YOUR questions. Marcelle is in Ontario for a family TRIP (not a vacation because kids are present!!) and Hannah is recovering from travels east!
In this episode, they answer your hard hitting questions like "why is your team so hot!!!!?" Part two of this conversation will be available at all our tiers on Patreon on Thursday! For just $5 USD/month you'll get to hear Marcelle and Hannah discuss more about Reservation Dogs and what's goin on in their lives!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We're so thrilled to be joined by the incredible Karrmen Crey (she/her) for this episode about FX's coming-of-age dramedy, Reservation Dogs! Released via Hulu from 2021-2023, this show is notable not only for its rich storytelling and beloved protagonists (shoutout to Bear, Cheese, Elora, and Willie Jack!), but also for its entirely Indigenous creative team from the creators to the cast and crew. In this episode, Marcelle (who is a huge fan of the show) offers some insight into how Reservation Dogs came to be. We're talking co-creators Sterlin Harjo and Taiki Waititi, the success of Thor: Ragnarok, and the influence of both The Sundance Film Festival and Toronto’s imagineNATIVE Film and Media Arts Festival. Karrmen then helps Marcelle and Hannah think through Indigenous sovereignty in the context of cultural production, pulling on her own research about the rise and influence of Indigenous media. And then, FINALLY, Marcelle, Hannah and Karrmen talk about specific episodes and characters that mean something to each of them. If you haven't watched the show already, you'll still get a ton out of this episode that really breaks down the material effects of representation created by the represented.
Karrmen Crey is an Associate Professor in the School of Communication at Simon Fraser University. To learn more about her work, check out Producing Sovereignty: The Rise of Indigenous Media in Canada, available now!
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Welcome back to another Material Concerns episode! We recorded this episode live for all our Patreon supporters so you'll notice there's a slightly different vibe; namely, Coach is on mic! We talk theory, past episodes, what's making our hearts flutter these days, and more. If you want more, tune into Part II, all about the second half of Bridgerton Season Three, through our Patreon. Become a paid supporter at any tier and you'll get access to the video and to the audio!
We'll be back in two weeks with a regular episode! Until then, xo!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Have you ever been to a Tupperware party? Or perhaps a Pure Romance party? Avon? Then you may be familiar with pyramid schemes! In this episode, Marcelle guides Hannah through the history of Tupperware parties and their rising popularity post WWII. She then offers some Lauren Berlant theory (which always makes for a good episode!!); specifically, their concept of "cruel optimism." If that sounds familiar, it's because we first visited this theory in our Queer Eye episode. Enjoy the episode and become a Patreon supporter today to attend our LIVE episode recording on July 12th at 5 pm EST!
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We continue our summer slowdown with a new Material Concerns episode featuring answers to YOUR questions. As a reminder, we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. In this episode, they talk about how Dirty Dancing, summer camp, Bridgerton, the female gaze and so much more. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss a bit more about Bridgerton.
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In this episode, we're talking about the HBO series The Last of Us, which was adapted from the popular video game of the same name! If you like the show, zombie content, playing video games, or thinking about how art gets transcoded across mediums, then this episode is for you! AND if you don't know what transcoding means, then this episode will really knock your socks off because Marcelle does a great job defining the word — as well as adaptation itself! Together, Hannah and Marcelle consider the process of adaptation and the intertextuality between original content and its adaptation(s). Of course, for all you Last of Us fans, they also talk about Long, Long Time — aka the Bill and Frank episode. And without spoilers!
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We're starting a summer slowdown! That means we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. They'll talk about how they're doing, what they're up to, research they didn't get to in "regular" episodes, content they're consuming and more! In this Material Concerns episode they give personal updates and chat about the other shows we have going on at Witch, Please Productions. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss The Tortured Poets Department. If you want to read Marcelle's hot take about Taylor's newest album, head to ohwitchplease.substack.com!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In this episode, Marcelle and Hannah are joined by Andrea Warner (she/her), the author of The Time of My Life, an exploration of Dirty Dancing as a deeply feminist film. We begin with a conversation about sexy films that made our younger selves all hot and bothered before heading into the segment "Why This? Why Now?" Hannah guides us through the difficulty that writer and producer Eleanor Bergstein faced in getting this movie made and distributed. We talk Reagan, Roe v. Wade, and nostalgia for the 1960s. Hannah then introduces us to American literary critic Fredric Jameson, cultural historian Bill Osgerby, and Russian-American cultural critic Svetlana Boym. Together, Hannah, Marcelle and Andrea parse through their respective work about postmodernism, nostalgia, late capitalism and the construction of history to get a better understanding of why Dirty Dancing is such a compelling film. We end the episode with a discussion of the appropriation of Black music in the movie, the power dynamics within Baby and Johnny's romance and the unique representations of mutual aid.
If you love Dirty Dancing, join the club (with Hannah and Andrea)! If you haven't seen it, you get to be in a club with Marcelle. FOR NOW (we will get her to watch it!).
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Witch Please Productions is on Spring Break, so we're taking the opportunity to re-introduce you to Gender Playground, a podcast co-hosted by Marcelle Kosman and Raimi Marx about the joys of gender-affirming care for kids. This show launched to our Patreon last year and through patron support, we were able to launch it to the public in February of this year! We're dropping Episode 5 into your feed: Plans, Trans, and Autonomy.
In this episode, Marcelle and Raimi discuss “transition.” We begin with an anecdote from Marcelle about the discomfort she feels labelling her daughter Billie as trans, given Billie started using she/her pronouns soon after becoming verbal. Together, Marcelle and Raimi think through the shortcomings and utility of labels, gender as a social construct, and the importance of affirming the gender and gender expression of people of all ages.
Raimi then explains “transition” as an umbrella term that includes a range of actions pertaining to internal, social, legal and physical changes and choices folks may make. Marcelle asks some questions and there’s a fair amount of giggling!
As always, we end with a couple recommendations and a promise to continue our discussion of transition in coming episodes.
We’re continuing to find our audience for this podcast and we need your help! If you enjoyed this episode, please share it with family and friends — and leave an Apple Review!
If you’d like to directly support production of this show, head to ohwitchplease.com/sponsorships. For just $250 USD, you can become a Gender Playground sponsor, run an ad on our show and get a shoutout.
We'll be back in two weeks with a new episode of Material Girls. :)
Hosted on Acast. See acast.com/privacy for more information.
Material Girls is on Spring Break! But don't fret! We unlocked an episode of Making Worlds, our Patreon-exclusive video podcast hosted by Hannah McGregor.
Making Worlds is dedicated to the liberatory possibilities of other worlds! In each episode Hannah speaks with a guest (or two) about a sci-fi, fantasy, speculative fiction, or magical realism text that has changed the way they view the world.
In this episode, Hannah talks with scholars (and friends) Lucia Lorenzi (she/they), and Clare Mulcahy (she/her) about Dimension 20! They explore the intimacy of collaborative world-making and the magical possibilities of pretending together. Then Lucia and Clare share what they take from Dimension 20 into their own lives. It’s a heartfelt discussion between three friends who really love Dimension 20, so get cozy and enjoy!
If you want more Making Worlds, become a Patreon supporter at Patreon.com/ohwitchplease. If you want more Witch, Please Productions, head to ohwitchplease.com for transcripts, reading lists, and merch! You can follow us on Instagram @ohwitchplease for reels and other fun content! And you can follow our Substack which features a monthly newsletter called The Monthly Hoot where you get access to an assortment of recommendations, podcast updates, and monthly playlists. We also release behind-the-episode newsletters that delve into the research process for our public scholarship. Go to ohwitchplease.substack.com to subscribe for free.
Music Credits: Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved.
Hosted on Acast. See acast.com/privacy for more information.
Like the serious academics they are, Hannah and Marcelle not only researched Disney in academic journals, they also went to the happiest place on earth! They made custom Theodor Adorno t-shirts, scooped Marcelle's eight-year-old and Gender Playground co-host, Raimi Marx, and wen on their way! In this bonus episode, they answer your questions about the experience. Sharing one mic, Raimi, Marcelle and Hannah talk about managing expectations, capitalism's hold on joy, the relationship between surrealist world-making and psychedelics and so much more! If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation (including the story about Robbie — the Disney employee who made a bad day better), all the bonus perks we've already released, and Hannah's new video podcast, Making Worlds.
And, if you enjoyed this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in one week for a regular episode!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
What drove Hannah and Marcelle to go to Disneyland? And what is with all the rainbow Mickey ears? And where does pinkwashing end and real change begin? Tune into this episode about the happiest place on earth to find out! In this episode, Marcelle leads Hannah through a history of the term pinkwashing. She then draws on an article by Karine Duplan called “Pinkwashing Policies or Insider Activism? Allyship in the LGBTIQ+ Governance–Activism Nexus,” to better understand what leads to making public spaces inclusive for queer and trans folks. Together, Hannah and Marcelle think through their own pleasure in experiencing Disneyland, while dissecting the tension between corporations' bottom lines and the value of representation and inclusivity. Ultimately, Marcelle and Hannah consider: if pinkwashing is by necessity surface-level public image campaigning that masks ongoing harm, is Disney doing something different?
You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We're thrilled to be joined by Anne Helen Petersen for this episode about the popularity of athleisure! If you don't already know, Anne Helen Petersen (she/her) is the incredible writer, journalist and recovering academic behind the beloved newsletter Culture Study. She is the host of a brand new podcast of the same name and the author of four books, most recently Out of the Office: The Big Problem and Bigger Promise of Working From Home (co-written with Charlie Warzel) and Can’t Even: How Millennials Became the Burnout Generation.
Together we begin with a history lesson from Hannah about WWII's effect on the fashion industry, particular women's clothing and the rise of spandex. Hannah offers some insight from cultural critic Jia Tolentino and her essay, "Athleisure, barre and kale: the tyranny of the ideal woman." We then move on to some helpful framing from theorist Michelle Foucault, sociologists Daniel Nehring and Anja Röcke, and feminist scholars Julie Brice and Holly Thorpe. We talk neoliberalism, fatphobia, and, of course, our culture's obsession with optimization.
We end with an honest discussion about the role of pop culture analysis in helping us navigate the murky waters of ideology. We loved having Anne on the show and if you like this episode, we recommend heading to patreon.com/ohwitchplease for more! Anne joins us for two perks you DO NOT want to miss. And of course, you can find more of Anne's specific, timely and thoughtful writing all over the internet @annehelenpetersen!
You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back in two weeks for another episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
For this episode, we're joined by the incredible Karen Tongson, Professor of Gender & Sexuality Studies, English, and American Studies & Ethnicity at the University of Southern California. She is the author of Why Karen Carpenter Matters and Relocations: Queer Suburban Imaginaries. Her newest book, normporn: Queer Viewers and the TV That Soothes Us provides theory for this episode about the beloved TV show, Gilmore Girls.
We begin with a discussion of the early 2000s postfeminist Bush era that defined the early days of Gilmore Girls. Karen then offers some insight into the viewing practices of queer adults who have returned to this show en masse over the last two and a half decades since its pilot aired. We talk about the appeal of the Gilmore girls themselves, the tragedy of Lane Kim's journey into adulthood, the conservative reproductive politics that shape the show and the phenomenon of queer viewers finding both a pleasure and a shame in consuming sentimental content that showcases a fantasy of assimilation and acceptance.
normporn: Queer Viewers and the TV That Soothes Us (NYU Press) was released in November 2023 and is available now! You can find more of Karen on her two podcasts, Waiting to X-Hale and The Gaymazing Race, and on Instagram@tongsonator.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Remember about fifteen years ago when we all went a little nuts for sweet potato fries? What was going on there? Well it turns out, that beloved appetizer was more than a tasty treat circa 2007. In this episode, Marcelle leads Hannah through research about the “orange-flesh sweetpotato” and its relationship to GMOs, cash crops, fat phobia and food imperialism. She pulls on the work of Joe Kobuthi for an analysis of food systems that informs her understanding of the sweet potato's zeitgeist-y moment.and she ends with a thesis that's got quite a bite to it.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Do you play D&D? Do you have a friend who does, but you don't totally *get* what it is? Did you see the recent film Dungeons and Dragons: Honor Among Thieves and think "wow, that role playing game went MAINSTREAM!?" Then this episode is sure to satisfy your curiosity about this zeitgeisty game! Hannah, who herself plays D&D, leads Marcelle through a history of the tabletop role-playing game created by Dave Arneson and Gary Gygax, tracing its origins all the way to Dungeons & Dragons 5E (the most recent edition). They then use ludology, the study of games and gaming, to understand the unique role D&D has at the intersection of gaming and narrative. And then, as always, the episode is wrapped up with a beautifully tied together thesis (from Hannah) about the transformation, or rather, realization of the game through the radical acts of people playing it.
To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
There was so much more to say about Wonka and Twilight. In Part I of this bonus episode (aka a 'Material Concern' episode), we talk about fatphobia in children's literature, the "representation" of indigeneity in Stephanie Meyer's the Twilight Saga, and so much more. If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation, all the bonus perks we've already released, and Hannah McGregor's new video podcast, Making Worlds.
And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in one week for a regular episode!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Are you Team Edward or Team Jacob or some secret third option?**
Marcelle asks this question only at the very end of the episode, and you know why? Because there is so much more to discuss when it comes to Stephanie Meyer's Twilight. And who better to dig into this novel's plot and place in pop culture than Jackson Bird (he/him) who, over fifteen years ago, was a Twi-hard. If you frequent fan spaces, you might know Jackson through his previous work with Harry Potter Alliance or his very popular Youtube channel. Or perhaps you know him from guest spots on the podcast Harry Potter and the Sacred Text, his own (now retired) podcast Transmission, his 2017 Ted Talk (How to Talk and Listen to Transgender People), or his book, Sorted: Growing Up, Coming Out, and Finding My Place. Or maybe he's a new person to you, in which case, you're welcome — he rocks!
In this conversation, Marcelle, Hannah and Jack discuss what was going on in 2005 that primed Twilight for such wide success. They ask: Why were young readers so hungry for a character like Bella? What does the plot of the novel suggest about the reading appetite of millennial readers coming of age in an era defined by impossible beauty standards and purity politics? When we refuse to disregard the interests, passions and literary preferences of young people, what can we discover about one another, our culture and ourselves?
To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*
AND, if you want to participate in our Q&A episodes, be sure to follow us on Instagram @ohwitchplease to submit your inquiries!
**Team Bella!?!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We're so excited to announce that our new show, Making Worlds, begins January 25th!
This video podcast, hosted by Hannah McGregor (maybe you know them?!?), will be released monthly via our Patreon. In each 30ish-minute episode, a guest will bring Hannah a text that has helped them imagine the liberatory possibilities of another world. We’re talking sci-fi, fantasy and speculative fiction! Hot!!!! Our first episode? Why it simply had to be about Our Flag Means Death! What says liberatory possibility more than gay pirates!? And, we're really lucky to have writer Hope Rehak as our first guest. That name sound familiar? Well that's probably because she's kind of beloved on the internet for, among other things, her OFMD content! She's also Coach's sister. :)
The episodes we’ve recorded so far have been full of passion, enthusiasm, and genuine joy and we can’t wait for you to see them. Audio-only versions will be available on Patreon as well, but you should tune into the video versions if you’re able. Hannah’s makeup is worth it.
Want to see our logo? Subscribe to our Substack or our Youtube channel. Want to get access to the show? Become a Patreon supporter at patreon.com/ohwitchplease for just $54 USD/year. Have questions about what's going on with our other to-be-launched show Gender Playground? Answers are in the Substack!
Special thanks to Jay Arner and Jessica Delisle who wrote our theme song!
Used by permission. All rights reserved.
Hosted on Acast. See acast.com/privacy for more information.
In this week's episode, we're joined by the incredible Leena Norms (she/her) to talk about Timothée Chalamet's latest venture: Wonka.
This holiday blockbuster from director Paul King (Paddington, Paddington 2) made many people on the internet cringe even before it's release in mid December. It was notably in the *discourse* through memes and tweets that suggested Kylie Jenner perhaps got 'the ick' from Timmy's performance. The good news is that Marcelle, Hannah and Leena went to go see the movie opening weekend, so you don't have to! Unless, like Marcelle, you want to see it TWICE.
In this conversation, Marcelle, Hannah and Leena discuss Netflix's collaboration with the Roald Dahl Story Company (and Taika Waititi's connection!), Dahl's legacy in Britain's cultural imagination, and the lengths studios go to keep his work relevant to new audiences despite the rampant fat phobia and antisemitism within his texts. They talk Noodle, the notable absence of chocolate from the film's marketing, the Jewish writers behind the script, and, of course, Hugh Grant the Oompa Loompa.
To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Witch, Please Productions is on break for the holidays!
Of course we still wanted to put some fun content out while we’re away from our computers, so we recorded a holiday bonus that features Gaby, Zoe, Hannah, Marcelle and Coach mostly speaking over one another while they attempt to play Material Pursuit — a game of trivia that Marcelle created by pulling on content from Material Girls and our previous show, Witch, Please.
If you want to listen to the whole thing, you can! For free! Just head to patreon.com/ohwitchplease and you’ll see the UNLOCKED post. It’s titled: Merry-terial Girls: An Incomprehensible Holiday Bonus!
Thank you so much for your support as we transitioned to our new show this year. We’re so excited for more Material Girls in 2024 — and a couple of fun surprises we have up our sleeves, too!
Happy holidays!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
One of Marcelle's favorite books is The Night Circus, so she decided to be brave and do an entire episode about the best-selling fantasy novel by Erin Morgenstern. Why brave? Well because sometimes it's hard to think critically about something you love! We all know that. ;) This episode, Marcelle leads us through a quick chat about how the book was set up for success in 2011, followed by some theory about reading ecosystems from Book Was There: Reading in Electronic Times by Andrew Piper. And then, of course, she applies her brilliant mind to a brilliant thesis!
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We hit our fundraising goal for Palestine Children’s Relief Fund in October and this is the bonus episode we promised as a thank you for your support. As of today, you, our listening community, have raised $8900 — and our goal was $5000! That’s incredible and we’re so grateful for your resource sharing and messages of solidarity.
This bonus episode is a conversation between Marcelle and Hannah about a paper Marcelle published in 2015 called Comic relief: the ethical intervention of 'Avodah 'Aravit (Arab Labor) in political discourses of Israel–Palestine. The text of the article available for you on our episode page at ohwitchplease.ca. You can read it by heading to our site, or just listen to Marcelle read the abstract in the opening part of the episode. Here is the direct link: https://www.ohwitchplease.ca/all-episodes/materialgirls-sitcomandreframingisraelpalestine
As a heads up, this paper was written in 2014 in response to anti-Arab and anti-Palestinian racism in North America. That racism wasn’t new in 2014, and it remains powerful and widespread today, amplified by the mainstream media’s dehumanizing portrayals of Palestinians in its coverage of the so-called “Israel-Hamas war.” Marcelle's conversation with Hannah is very much about that racism and that dehumanization; about the discourses that perpetuate dehumanizing stereotypes about Palestinians and Arabs. You may not have the spoons for this conversation right now, and that’s ok! It’ll be here for you when you’re ready, and you’re always welcome to pass the episode along to someone who’s looking for more information about the crisis.
Thanks again for supporting Witch, Please Productions and our collective contribution to the urgently needed financial aid for Palestine Children’s Relief Fund. The link to contribute is here: https://pcrf1.app.neoncrm.com/ohwitchplease.
We'll be back next week with an episode about pop culture.
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
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Hosted on Acast. See acast.com/privacy for more information.
At Material Girls, we’ve been thinking a lot about the idea of using social media for social change and what those calls imply about the role of social media in our collective imaginations. And so, in the spirit of always historicizing, we recorded this episode to look back on the Black Lives Matter protests of 2020 and, specifically, to an online event known as Blackout Tuesday.
If you were one of the people who posted a black square on your Instagram account — or someone who thought about it but didn't — this episode is for you! Hannah offers some really helpful insight pulling on Jia Tolentino's essay, "The I in Internet," the work of sociologist Irving Goffman, Montreal-based scholar Kelsey Blair and Canadian author and activist Naomi Klein. Together, Hannah and Marcelle dig into what it means that our social media tools, regardless of how they are used, are corporately-owned.
To learn more about Hannah's research for this episode and to read Witch, Please Productions' statement on Israel and Palestine, head to https://ohwitchplease.substack.com/.
And, if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We had to talk about Taylor Swift more — especially as so many of you had great comments, feedback and specific inquiries! We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Ms. Taylor Allison Swift. We talk Gay-lore, billionaires, private jets, the Jets and holding many feelings at once.
Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease!
And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in one week for a regular episode!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We're so lucky to be joined this episode by Erin Keif (she/her) of the beloved Headgum podcasts Hey Riddle Riddle and Sitcom DnD. If you're a fan of Les Mis, or any musical, you'll appreciate this really special episode that covers Stuart Hall's theory of encoding/decoding, while also getting into the lyrics and musicality of the megamusical: Les Misérables.
Hannah guides Marcelle and Erin through a history lesson that covers Thatcherite England and defunding of the arts in the 70s and 80s, while bringing her own relationship to Claude-Michel Schönberg's music and Alain Boublil's lyrics into the conversation. Erin, a musical enthusiast (among other things), brings some much-needed levity (as well as a catchphrase) to a discussion that touches on some more difficult themes including: death, parental loss, and violence against the oppressed.
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Given last week's release of 1989 (Taylor's Version), we just had to have Swiftie and Tay-lore expert Margaret H. Willison (she/her) on the show to talk about one of the (if not THE) most influential pop stars of the last decade. We start with a conversation about Taylor as an artist and Margaret provides context to help us understand how and why Taylor's Eras Tour and the 10 studio albums that led to it have created such a buzz. Then Marcelle leads Hannah and Margaret through Lauren Berlant's theory of intimate publics with an eye towards the Swiftie fandom and Taylor's fluid feminist politic. We finish the episode with Marcelle's incredible thesis and a discussion about capitalism, what makes an icon and what might be next for Swift.
Margaret H. Willison is a frequent guest on NPR's Pop Culture Happy Hour, a freelance writer and cultural critic, and one of three women behind the beloved Substack Two Bossy Dames. She is a friend of the show and if you want to know more about her, you can find her @MrsFridayNext on Instagram!
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Why is Star Wars so popular? What were the material conditions that set the first film, A New Hope, up for success in 1977? What can a Marxist critique help us understand about the film?
In this episode, Marcelle leads Hannah through a conversation about one of her favorite franchises by first taking a close look at George Lucas's politics and the state of Hollywood in the 1970s. Marcelle and Hannah then think through the movie's seemingly progressive narrative — and the way it's been co-opted by people of all political views. Pulling on the work of Theodor Adorno and Max Horkheimer, Marcelle offers a Marxist reading of the film's lasting legacy and asks: what is conservative about the film? How does the film work to undermine and/or reinforce the ideology of repressive state apparatuses?
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In this episode we talk about Bridgerton with a very special guest — Vanessa Zoltan. We discuss Bridgerton the book series and its move into the mainstream through the Shondaland adaptation on Netflix. Vanessa gives us some insight on romance fiction as a genre and Hannah leads us through theory from Janice Radway's book Reading the Romance.
If you like Romance novels and/or juicy television, this episode is for you! We think through the radical possibilities of romance reading, how we can make sense of certain recurring tropes and what we may learn from the rise in romance reading since 2020. Come for the theory, stay for Hannah saying Vanessa's life is a combination of "stern daddy" and "chaotic women."
To learn more about Vanessa Zoltan, you can head to notsorryworks.com or vanessazoltan.com.
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We had to talk about Avatar more — especially James "horny for the ocean" Cameron. We structured this bonus like our usual Patreon-only Q&A episodes, except this time we only answered questions you submitted about Cameron's blockbuster hit. We talk colonialism, pony tails and doing whatever Coach tells us to! Thanks for submitting such thoughtful questions.
Part II of this bonus will be available on Patreon this week to all of our tiers! Join today for just $5 USD/month to get the rest of the conversation in your feed and for all the bonus perks we've already released! Head to Patreon.com/ohwitchplease!
And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in one week for a regular episode!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Did you love James Cameron's Avatar upon its release in 2009? Have you since watched it and thought, huh, now what were we thinking 14 years ago? Were you critical of it from the start? Baffled by the public's interest in colonialism and hot blue aliens? Then this episode is for you.
Tune in for a conversation about this beloved sci-fi blockbuster. Hannah leads Marcelle talk colonialism, sexism, marketing budgets and how the interests of white dude billionaires drives our reality. Together, they discuss Jay David Bolter and Richard Grusin’s iconic 2000 book Remediation: Understanding New Media to better understand hypermediacy's role in this film's success. Ultimately, Hannah comes to some BIG conclusions about this movie and it's lasting impact on not just the zeitgeist, but also our literal planet earth. That's right! There are some pretty devastating ecological impacts of CGI and VFX — and in case you were wondering, yes, this episode is also a lesson on irony!
If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
In this episode we’re asking why ‘goblin mode’ is so danged zeitgeist-y such that in 2022 it became the Oxford English Dictionary's Word of the Year. Joined by McKayla Coyle (they/them), author of Goblin Mode: How to Get Cozy, Embrace Imperfection, and Thrive in the Muck, we dig into the term that took twitter by storm last year. Hannah leads Marcelle and McKayla through a discussion on 'the abject,' a concept from Bulgarian-French feminist philosopher Julia Kristeva. We talk about the racialized and ableist construction of bodies and boundaries — and how that may help us understand the radical potential of going 'goblin mode.'
To learn more about McKayla Coyle, check out their Instagram, Bookstagram, Spotify (particularly their 1D ultimate jams playlist) and their website https://www.mckaylacoyle.com/.
If you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
What makes the Fab Five so fab? In this episode, Hannah leads Marcelle through a discussion of contemporary masculinities and their commodification via pop culture! They talk neo-liberalism, self-care discourse and the interplay of Trump's rise to power and "reaching across the aisle" through entertainment. Hannah pulls on theory from the late Lauren Berlant for a lesson on intimate publics and 'cruel optimism.'
This episode is for you if you:
If you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We had to talk about the Barbie movie! We structured this bonus like our usual Patreon-only Q&A episodes, only this time we only answered questions you submitted about Greta Gerwig's blockbuster hit. We talk mainstream feminism, satire, the limits and possibilities of camp, aesthetics and so much more! If you needed a hearty discussion about the movie after viewing it as a thinking person in 2023, then we have you covered! Thanks for submitting such thoughtful questions.
Part II of this bonus is available on Patreon to all of our tiers! Join today for just $5 USD/month to hear the rest of the conversation! Head to Patreon.com/ohwitchplease!
And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
Note: Hope Rehak's Newsletter, mentioned in this episode, is called Obsessions This Week!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in one week for a regular episode!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
We had to talk about Barbie! This episode is all about Barbie dolls and way they took over the toy industry in the 90s. We've since recorded an episode about the movie which will be available on our Patreon in the coming weeks.
For now, please enjoy this episode that touches on liberal feminism, petro-capitalism, the history of Big Plastic, Barbie (the metonym!) and so much more. Over the course of an hour, Marcelle leads Hannah through a theory-informed breakdown of why Barbie, created in 1959, had her biggest moment in the early 90s and how we might begin to make sense of discourse surrounding Greta Gerwig's blockbuster, Barbie — the movie.
If you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
***
Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
It's here! Welcome to the first episode of Material Girls, a scholarly podcast about pop culture co-hosted by Hannah McGregor and Marcelle Kosman.
This show aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
In this pilot episode, Marcelle leads us through a discussion of Prince Harry's memoir, Spare, and a mini lecture on tender masculinity. She pulls on theory from bell hooks, Robert Morrell, Chris Haywood and Thomas Johansson (among others) and ultimately makes a claim that Hannah dutifully picks apart — in a totally academic, non-bullying way!!!
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease!
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the
album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Welcome to Material Girls! A new show from the team behind the beloved podcast, Witch, Please. Every episode you'll get your pop culture fix with some academic theory added to the mix. Join feminist scholars Hannah McGregor and Marcelle Kosman for episodic dives into the zeitgeist. Together they ask the materialist question "why this, why now?" about books that are on everyone's nightstands, songs that are on rotation, movies that have captured Twitter discourse — and so much more.
Subscribe to the feed and get ready for the pilot episode coming July 25th!
Hosted on Acast. See acast.com/privacy for more information.
Well Witches... we're here, at the end of Witch, Please the podcast. If you've been following us on Instagram, then you know that we are so grateful for the last eight seasons AND we're so excited for our new flagship show: Material Girls, a scholarly podcast about popular culture.
You'll notice that, much like our usual Wrap Up episodes, this final episode is pure chaos. We were lucky enough to record this final Witch, Please episode in person which means what we lack in sound quality and coherence, we (hopefully) make up for in glee and games. Tune in for the giggles, stay for the Devastating Fun Facts™ and listen to the very end for a blooper Coach decided to keep in.
We hope this is a fun episode for you but fear not, we'll be back in two weeks with **serious theory** in our pilot episode of Material Girls. And heads up! We're keeping our Witch, Please feed, so stay subscribed to be notified when Material Girls drops! If you're wondering about our other show, Gender Playground, you can head over to ohwitchplease.ca/gender-playground to learn more.
AND if you want to be a part of this next chapter featuring more perks and more content than ever before, head to Patreon.com/ohwitchplease to support Witch, Please Productions, feminist media for a radically* inclusive world. We need your support now more than ever!
*fuck terfs we're taking back radical
***
Hosted on Acast. See acast.com/privacy for more information.
For our final regular episode, we decided to revisit Fan Studies! We begin with a review of our episodes on Foucault and authorship, Michel de Certeau and the tactics of the disempowered, Jane Tompkins and circulation and Michael Warner's idea of discourse publics. Even though it's our last regular Witch, Please episode, don't be fooled, our Transfiguration segment is a HEADY one and Hannah leads us through mind-bending theory about affective economies and affective economics (two different things!!). If you like feminist theory, you'll love the discussion of Sara Ahmed's 2004 article “Affective Economies," and if you're a media theory nerd (which we suspect you may be...), you'll appreciate when Hannah brings Henry Jenkins into the mix to think about the relationship between media industries and fandoms.
Ultimately, the conversation, inevitably, gets a bit meta and we apply our newly discovered/uncovered/learned theory to the test with a discussion about the changing face of the Harry Potter fandom, the fandom around Witch, Please the podcast and the radical possibilities AND limits of both.
For this episode, we invited our Faculty Club to join in for OWLS so if you hear some unfamiliar voices and brains at work, that's why! Big shoutout to our Faculty Club (a high Patreon tier) for helping us with this last episode and for the financial support. You're why Coach has the hours to add so many sound effects. Hoot, hoot.
***
Hey you! We're launching a new show called MATERIAL GIRLS! We've shared our first two episodes on Patreon to get the input of all our Patreon supporters as we develop the series which will launch this summer after we wrap up the Appendix Season. Join our Patreon today to listen to the first episode of our new show and to get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected. We need your help to start this next chapter of Witch, Please Productions!
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We're thrilled to share the pilot episode of Gender Playground!
Gender Playground is a new show from Witch, Please Productions and is co-hosted by longtime friends Marcelle Kosman and Raimi Marx. This podcast is all about gender-affirming care for the kids in your life, and YOU are the intended audience! Whether you're a caregiver, parent, family-member, chosen-family-member, teacher, doctor, childcare professional, or just someone who wants to create a more loving world for kids, this show is for you!
This first episode is about gender expression and gender euphoria. In it, Marcelle and Raimi talk about Marcelle's daughter playing dress up, Marcelle's desire to balance her daughter’s creative freedom and safety, and what caregivers can do to better expand their own imaginations around gender and self-expression within and beyond the binary.
For more resources and information about today's topic(s), head to ohwitchplease.ca/gender-playground!
Note: We briefly touch on the current panic around "permanence" and although we don't name the buzzword "detransition" in this episode, we are aware that it's used in mainstream discourse to limit access to gender-affirming and life-saving care for trans and nonbinary youth. We will touch on this topic more in the following episodes and we plan to dedicate a full episode to it once we can sustain the show past our mini-season.
Until then, head to ohwitchplease.ca/gender-playground for some useful research on the low rate of detransition.
Links to the Recommendations from Our Pilot
Heads up! We’re trying to reach $7000/month in Patreon support by August 1st to ensure the sustainability of this new podcast! We’ve produced a mini-season of four episodes to test whether there’s an audience for the show. With financial support from our listeners, we’ll be able to produce new episodes that continue tackling this complex issue from a place of joy and love.
Join our Patreon today to get access to the following three episodes released over the next few weeks and to show your support of this show. Head to Patreon.com/ohwitchplease, find a tier that works for your budget and DM us to let us know you joined in support of Gender Playground! Thanks for listening. We really hope you enjoy the show!
Special thanks to the folks that made this episode and its accompanying resources happen: Reese Carr, Erik Magnus, Gaby Iori, Zoe Mix, Hannah McGregor, Hannah Rehak and AJ Jaramaz.
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In this bonus episode, Hannah and Marcelle are joined by comedian and podcaster Ely Kreimendahl (she/her) for a discussion about shame, relationships, being adults and podcasting! If you haven't already fallen in love with Ely's show, Shame Spiral, check it out! Now is the time! We'll be back in two weeks with a regular Witch, Please episode that adds to the Appendix! Note: This conversation was recorded in February 2023!
Enjoyed the episode? Get more bonus content just like it on Patreon! You can become a supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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This week we're joined by Nia (they/them) for a conversation about critical adoption studies — a field of scholarship that explores adoption as a legal, political, and economic institution that severs and creates familial bonds. We begin with a review of our episodes on motherhood, class, feminist literary theory, queer theory, critical race theory and the nation-state before heading into a chat about narratives of adoption. Through a closer look at the way Harry and Voldemort are both positioned as orphans with vastly different destinies, we consider how their unique relationships to kinship, motherhood and reproduction inform our understanding of them as a hero and a villain, respectively.
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HEY!!! We're launching a new show! We've shared our pilot on Patreon to get the input of all our Patreon supporters as we develop the series which will launch this summer after we wrap up the Appendix Season. Join our Patreon today to listen to the first episode of our new show and to get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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We're so excited to be joined by Aubrey Gordon (she/her) for an episode about anti-fatness in the Harry Potter series. We begin with a quick review of disability studies, monstrosity, and sentimentality before jumping into a conversation about anti-fatness, body positivity and fat liberation. Aubrey is the co-host of (beloved podcast) Maintenance Phase and the author of What We Don't Talk About When We Talk About Fat and "You Just Need to Lose Weight" and 19 Other Myths About Fat People. With her help, we talk about the relationship between eugenics, white supremacy, mass media (specifically young adult fiction) and anti-fatness as it shows up in our relationships, the books we read, our political landscape and beyond.
If you've been waiting for us to do a deep-dive on Dudley, then this episode is for you! What can we make of his forced dieting throughout the series? What ideology underpins the characterization of Petunia as it relates to her son's weight? Why do we read Molly Weasley's parenting differently? We also discuss Hagrid, Madame Maxime and Horace Slughorn as they align with familiar stereotypes of fat people.
We love Aubrey and we figure you're already a super-fan! Still, it's worth noting that if you want more Aubrey you can learn more about her at her website, check her out on Twitter or Instagram, read her books, and listen to her incredible podcast with Michael Hobbes, Maintenance Phase.
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HEY YOU! We're launching a new show! We've shared our pilot on Patreon to get the input of all our Patreon supporters as we develop the series which will launch this summer after we wrap up the Appendix Season. Join our Patreon today to listen to the first episode of our new show and to get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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As you know, we love to laugh! That's why we were thrilled when a brilliant listener, Dix McDevitt (she/her), pitched us an episode about giggling in the Harry Potter series. In Revisions, we talk through Disability Studies, Queer Theory and Trans Studies to prepare for a framework devised by Dix herself about diegetic, semi-diegetic and non-diegetic laughter. Intrigued? You should be! This episode made Coach gasp in awe many times over and had Hannah and Marcelle laughing even more than usual. Tune in for a conversation about Harry's various responses to all kinds of laughter — and his particular distaste for giggling girls.
Did you know that we're launching a new show? WELL WE ARE! We've shared a pilot on Patreon to get the input of all our Patreon supporters as we develop the new show! Have strong opinions? Know what you like in a podcast? Want to help us co-create the next iteration of our show? JOIN TODAY and you can be part of that dialogue AND you can get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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We said we would and so we did! Here is our episode on l'auteur! In this episode, Marcelle leads us through a brief Revisions segment because there is just too much to get into! We talk ideology, discourse, structuralism, celebrity and capitalism before heading into a chat about two dead French guys (Barthes and Foucault) and 'the death of the author." Then in Owls we put our theory to work as we think through J.K. Rowling's presence in the circulation of the Harry Potter series and the way new technologies of publishing have changed the scope of her "author function."
If thinking about "the author" makes you crave a great way to say fuck transphobia and transphobes, please donate to our fundraiser for Edinburgh Rape Crisis Centre — an organization that's been directly affected by JKR's transphobia. You can find the link here and on our website ohwitchplease.ca. We're halfway to our goal of $5000 by April 30th. We can do it with your help!
Also, did you know that we're launching a new show? WELL WE ARE. We've been talking about it a bit over on Patreon and that's where you should go if you want to be totally clued in to the happenings at Witch, Please. But, to give you a taste, here's what you need to know: We're launching two pilots in the next month on our Patreon to get the input of all our Patrons regarding which show we should keep making! Have strong opinions? Know what you like in a podcast? Want to help us co-create the next iteration of our show? JOIN TODAY and you can be part of that conversation AND you can get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this bonus episode, Marcelle is joined by Michelle Thompson to discuss Hogwarts Legacy! If you've been curious about this game and the shitstorm surrounding it, think of this convo as your primer! We'll be back in two weeks to add to our Appendices.
If you want more of Michelle, check out her podcast Never Was a Gamer! If you want to watch Stephanie Sterling's full video about Hogwarts Legacy, check it out here!
Enjoyed the episode? Get more bonus content just like it on Patreon! You can become a supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode we bring in a guest, Niki Fitzgerald (she/her), to talk about Witch Hunts. Niki is an NHS doctor specialising in Care of the Elderly and General Internal Medicine. She has recently completed her Masters in Applied Medical Humanities and her dissertation was titled Is Medicine Obsolete? An Abolitionist Feminist Reimagining with Flourishing and Care. Niki joins us for a rich conversation about the shift from feudalism to capitalism which corresponded with the Witch Hunts of the 16th and 17th century. She gives us some really helpful new context to better understand the long history of female subjugation — and some new tools for making sense of Wendelin the Weird from the Wizarding World! If you liked our episodes on Class, Magical Capital, Feminist Theory and the Nation State, you will love this episode!
Longtime listener? Help us produce this show by supporting us on Patreon! You can become a supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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Welcome back to our Appendix Season — a chance to look at the Harry Potter series as a whole.
In this episode we bring in a guest, Andrea Dara Cooper (she/her), to talk about Holocaust Studies. Andrea is Associate Professor and Leonard and Tobee Kaplan Scholar in Modern Jewish Thought and Culture at UNC-Chapel Hill — and she is the author of Gendering Modern Jewish Thought (Indiana University Press, 2021). Tune in for a conversation about the function of allegory in Harry Potter. When does it work in this series? When does it fall short? What are the political implications of relying on the Holocaust to make new meaning in a fantasy world both chock full of stereotypes and severely lacking in diversity? If you enjoyed our episodes on Animal Studies, Eugenics, and Werewolves as Metaphor (just to name a few!), this is required listening!
Note: Hannah's computer crashed while recording so we apologize for the poor quality of her sound!
Help us produce this show by supporting us on Patreon! You can become a supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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Welcome to our Appendix Season — a chance to look at the Harry Potter series as a whole.
To kick it off, we're revisiting Sentimentality with a deep dive into Beth Driscoll’s book The New Literary Middlebrow! "But middlebrow is not synonymous with sentimentality?!??!" That's right, but by halfway through this episode you'll understand why Hannah had to bring in Driscoll's writing for a broader conversation about the appeal and mainstream success of the Harry Potter series. If you liked our previous episodes on Sentimentality and Eugenics, you'll love this first-ever Appendix Season episode!
Start this season off right and join our Patreon! You can become a Patreon Supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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We're on a break! Please enjoy this episode of #WitchPleaseTellMe, a monthly Patreon perk we're sharing with you in between seasons! We'll be back in two weeks with our first episode of Season 8, "The Appendix Season." Until then, please enjoy a rambling, fun and chaotic episode featuring the entire Witch, Please Team (Hannah, Marcelle, Coach, Zoe and Gaby). You'l hear all about our plan for Season 8, along with way too many intimate details about everyone's relationship to parasociality (other stuff, too!)
If you like this episode, hop over to Patreon and become a supporter for just $5/month to hear the rest! If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. For access to our transcripts, visit ohwitchplease.ca.
To stay in touch, follow us everywhere @ohwitchplease.
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In this episode, we wrap up Harry Potter and the Deathly Hallows and thus Season Seven of Witch, Please. We talk about Hermione and Ron's sex life in Granger Danger and the history of white wedding dresses in Lewk Book. And, of course, we round out the episode with Marcelle's Devastating Fun Facts TM. This may be the end of Season Seven. but don't fret. We're going to be back in a few weeks for our eighth season (still about Harry Potter) that we've affectionately and aptly titled "The Appendix Season." Listen to the episode to hear more about what we have planned (hint: lots of special guests!).
As always, you can become a Patreon Supporter for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. For access to our transcripts, visit ohwitchplease.ca. To become a Patreon supporter head to Patreon.com/ohwitchplease.
To stay in touch, follow us everywhere @ohwitchplease.
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We'll be back in two weeks for our final Season 7 Wrap-Up Episode, but this week we're sharing a bonus interview from Patreon. We were so honored to have been joined by Kiana and Vicky in December for a conversation about Women for Iran (formerly Women for Liberty of Iran) an organization comprised of Iranian women supporting the people of Iran from the UK.
In this conversation, Kiana and Vicky answer Hannah and Marcelle's questions (ones you may have, too) about the state of the protests in Iran, what context we need to understand the ongoing revolution, why the death of Mahsa Amini marked a turning point for the movement and how we might be able to support the ongoing fight for justice.
Please take a listen and be sure to follow @WomenForIran on Insta and Twitter! For more information about Women for Iran, you can click here. Kiana also recommends this Twitter account and this news outlet for updates.
Note: This episode was recorded in early December.
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We're finally here, Witches — at our long-awaited House Elves episode. We've been talking about Dobby, Kreacher, Winky and the general house elf population for so many seasons and we finally have a perfect guest joining us for discussion. Jessica Marie Johnson (she/her) is an Associate Professor in the Department of History at Johns Hopkins University and a Fellow at the Hutchins Center for African and African American Studies at Harvard University. She is also the Director of LifexCode: Digital Humanities Against Enclosure. Jessica is a historian of Atlantic slavery and the Atlantic African diaspora. She is the author of Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World, and, if you believe it, she used to babysit Coach!
If you're a longtime listener of the show, please consider becoming a Patron before the New Year. We're hoping to reach 1000 patrons by January 1st and we're really close! For just $2 USD/month you can help us pay our producer, our apprentice, ourselves, our website costs, etc. Patreon support is simply what what makes producing this show possible. If you find yourself with a spare $24 this year, we'd be really grateful for your financial support. If becoming a paying subscriber isn't in the cards right now, please leave us a review instead! Reviews help more listeners find us and that's a huge help!
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In the wise words of Lizzo, it's about damn time! Our latest episode is all about Sentimentality, an 18th century philosophical intervention that emerged in opposition to rationality. Hannah (whose recent book, A Sentimental Education, is all about this topic) guides the episode. We revisit our discussions on Orientalism, Animal Studies and Print Culture, before jumping into an overview of what Sentimentalism is all about— and how we might read Harry Potter and Deathly Hallows as a novel written in that literary tradition.
If you like thinking about character development, intersectional feminism and the power (or lack thereof) of the written word, then this episode is for you! We also get a little meta and think through how books become sentimental for a reader. For example, how a series about friendship and the fight between good and evil inspires two lady scholars to make an entire podcast about it for a dedicated listenership of people 25 years after it was first published. Just as an example!!
If you're a longtime listener of the show, please consider becoming a Patron this time of year! We're hoping to reach 1000 patrons by January 1st and we're really close. For just $2 USD/month you can help us pay our producer, our apprentice, ourselves, our website costs, etc. It is truly what makes producing this show possible. If you find yourself with a spare $24 this year, we'd be really grateful for your financial support. If becoming a paying subscriber isn't in the cards right now, please leave us a review instead! Reviews help more listeners find us and that's a huge help!
We have aa lot planned for the New Year (including merch now available on our website ohwitchplease.ca), so be sure to follow us on Instagram or Twitter @ohwitchplease to stay connected.
Special thanks to our Witch, Please team: Gaby Iori, Erik Magnus, Zoe Mix, and Hannah Rehak.
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We’re taking a little break to gear up for the holiday season. So instead of enjoying a regular episode, please enjoy this episode of Comfort Creatures, a podcast hosted by Ella McLeod and Alexis B. Preston. Comfort Creatures is a show from Maximum Fun — the folks who brought you classic podcasts like My Brother, My Brother and Me, Still Buffering, The Adventure Zone and many others. In this show, Ella and Alexis bring on guests to chat about pet ownership and the power of furry friends!We were lucky enough to be guests on Comfort Creatures back in August and we had such a good time. Of course, that means we talked for far too long and so the episode was broken up into two episodes.This is Part One. After the episode if you want to hear Part Two, head over to their show feed wherever you catch your podcasts and check it out.
We’ll be back in two weeks for another episode about Harry Potter and the Deathly Hallows.
To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
Special thanks to our Witch, Please team: Gaby Iori, Erik Magnus, Zoe Mix, and Hannah Rehak.
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In this episode, we do a deep dive into eugenics, a nineteenth-century pseudosciences that justified a lot of racist, ableist, and generally violent oppressive behaviours. We review our conversations about class, critical race theory, disability, neurodivergence, and trauma from our episodes with K. Alex, Jess Battis, Tea Garbeza, Lucia Lorenzi, and Addie Merians, before taking a close look at Cecily Devereux's Growing a Race: Nellie McClung and the Fiction of Eugenic Feminism. Tune in OR skip this one if that would be better for you! Take care of yourself first! We'll be back in two weeks with another episode about Harry Potter and the Deathly Hallows.
To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
Special thanks to our Witch, Please team: Gaby Iori, Erik Magnus, Zoe Mix, and Hannah Rehak.
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Matt Potts is back to talk about resurrection! We first revisit theory Matt introduced to us last season on our episode about "the soul" and then consider the nature of Harry's death in the Deathly Hallows. What can we make of Harry's sacrifice? The scene in King's Cross? The conviction of the series and... (Matt said it first...!) the conviction of the New Testament! Tune in for an episode about zombies, Jesus, and Harry Potter.
To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
Special thanks this week to AJ Jaramaz (who edited this episode) along with our Witch, Please team: Gaby Iori, Erik Magnus, Zoe Mix, and Hannah Rehak.
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We're back with a new episode on New Media! To begin, we revisit Print Culture, Critical Archival Studies and the work of Canadian theorist Marshall McLuhan before jumping into a conversation about the phonograph! Well, kind of... We take a look at Lisa Gitelman’s book Always Already New: Media, History, and the Data of Culture, to better understand how new technologies are normalized and made familiar such that we forget information is being mediated at all. We talk about Potterwatch radio, Dumbledore's deluminator, horcruxes, patronuses and more while taking a very close look at Harry Potter and the Deathly Hallows.
To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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Hey Witches! We'll be back on Tuesday with our regularly scheduled episodes, but we thought we'd give you the promised sneak peek at Hannah's new book A Sentimental Education. On September 22, Hannah launched her book at Iron Dog Books through a conversation with Minelle Mahtani (Associate Professor at the Institute for Social Justice at UBC) and Lucia Lorenzi (artist and recovered academic).
In this bonus episode, you'll find that conversation as well as a sneak peek of the audiobook version of A Sentimental Education (which is now available on Kobo). If you'd like to learn more about Hannah's writing, you can check out her website hannahmcgregor.com or head over to your local bookseller to scoop a copy of A Sentimental Education! You can always order it online as well anywhere you find books.
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Maia Kobabe (e/em/eir) has been censored enough! We're putting this exclusive bonus interview out to the public because it was just so dang fun to record and Maia is a true gem who deserves as big an audience as we can give em. We'll be back with regular episodes in two weeks (October 18th).
If you don't already know Maia, e is the author of Gender Queer and the brilliant mind behind other zines, comics, and social commentary sprinkled throughout the internet. You may recognize Maia from Instagram, Tumblr, or from the loud and constant conservative backlash around eir memoir since its publication in 2019.
As you'll hear in this bonus interview, Maia is a gift to the fan communities e occupies — and e is a fan of our show (which is just a really nice thing we get to talk about a bit). To get to know Maia better, check out eir book reviews on Goodreads and Storygraph. Or take a look at eir work on Patreon and Tumblr.
Happy listening and a very happy belated Banned Books Week! What a way for us to celebrate! We're honored!
If you want more Patreon exclusive content, become a supporter here for as little as $21.60/year: patreon.com/ohwitchplease
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We continue our journey through Harry Potter and the Deathly Hallows with another special guest, Erin Wunker! Erin is a settler scholar and an Associate Professor in the Department of English at Dalhousie University in Halifax Nova Scotia. She is the author of Notes from a Feminist Killjoy: Essays on Everyday Life and the forthcoming Routledge Introduction to 20th and 21st Century Canadian Poetry. She join us for this episode to talk about mothers in the Harry Potter series! We discuss how motherhood has been constructed over the last few centuries and what we can learn from the characterization of Petunia Dursley, Molly Weasley, and Lily Potter. We also think through subversive modes of motherhood and representations of care throughout the book, looking at Hagrid in particular.
To support the show, you can become a Patreon Supporter at any tier for extra perks and bonus content including episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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We continue our journey through Harry Potter and the Deathly Hallows with a special guest, Shira Lurie! Shira joins us to discuss historical memory in the Wizarding World. We're talking statues, stories, memorials and archives. If you enjoyed our episodes on Critical Archival Studies, Chosen One Narratives, Hauntology and Life Writing, then you'll love this episode! You can follow Shira Lurie on Twitter @ShiraLurie.
Help us kick off Season 7 by joining our Patreon! You can become a Patreon Supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode, we begin Harry Potter and the Deathly Hallows! We cannot believe we're already at the start of Book 7, but honestly, we're so excited to finally get into it! We decided to go back to the start and revisit 'Chosen One narratives' which we discussed in Season 1, Episode 1 of the reboot. We pull on Northrop Frye's Anatomy of Criticism and Joseph Campbell's work about "monomyth." But, you know us, we hate letting boring old white guys go unchecked, so we also review works by Alise M. Wisniewski and Na’amen Gobert Tilahun who unpack the function of “chosen one” narratives in popular culture. Tune in for a conversation about Harry's journey as a "chosen one" and the ways the book adheres to and subverts our expectations of this western literary tradition.
Start this season off right and join our Patreon! You can become a Patreon Supporter at any tier for more perks and bonus content include episodes, interviews, bloopers, comics, merch and more. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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You can submit a question to our Q&A through this google form. Be sure to follow us on social @ohwitchplease to stay totally up to date on all things Witch, Please.
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Like us at Witch, Please, Lark and Jessie (along with the whole team at Fandom Forward) are committed to ethically and intentionally engaging with fandoms. If you're someone whose ever thought about how fan spaces can be empowering, hurtful and everything in between, then this episode is for you! Tune in and find out more about Fandom Forward.
Learn all about Lark and Jessie here! Read more about "Firing JKR" here. Get involved with Fandom Forward here!
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In this episode, we wrap up Harry Potter and the Half-Blood Prince, and thus Season Six of Witch, Please. We talk Hermione in Granger Danger and fashion in Lewk Book, and of course we round out the episode with Marcelle's Devastating Fun Facts TM. Tune in for this goofy episode that gathers some loose threads but mostly just contains chatter about moments in Harry Potter and the Half-Blood Prince that we were particularly tickled by.
As always, you can become a Patreon Supporter for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. For access to our transcripts, visit ohwitchplease.ca. To become a Patreon supporter head to Patreon.com/ohwitchplease.
To stay in touch, follow us everywhere @ohwitchplease.
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In this episode we discuss Life Writing. We begin with a review of the monomyth and Structuralism, followed by a deep dive into the work of Sidonie Smith and Julia Watson. Using their book Reading Autobiography: A Guide for Interpreting Life Narratives, we consider the Pensieve in the Harry Potter series. How can we read the memories that go into it as life writing? What do we know from the texts about the 'credibility' or 'truthfulness' of each character's recollections? How does the unreliability of the Pensieve memories drive Harry's desire for honesty from the people around him?
For access to our transcripts, visit ohwitchplease.ca. To become a Patreon supporter head to Patreon.com/ohwitchplease. To stay in touch, follow us everywhere @ohwitchplease.
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In this episode we dig into Marginalia! After a brief revision of our episodes on Print Culture and Fan Studies, we take a look at the it's long histoy using Heather Jackson’s book, Marginalia: Readers Writing in Books (2001). Marcelle begrudgingly leads us through the contribution of the Romantics (specifically Samuel Taylor Coleridge) and we ultimately get to take a long hard look at Harry Potter and the Half-Blood Prince. Not just the book! We actually get to think through Harry Potter and his relationship to the Half-Blood Prince! How can the history and study of marginalia help us think through young Snape's notes? Why are the annotations in Harry's Potions textbook so enticing?
For access to our transcripts, visit ohwitchplease.ca. To become a Patreon supporter head to Patreon.com/ohwitchplease. To stay in touch, follow us everywhere @ohwitchplease.
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In this episode we are joined by Matt Potts, co-host of Harry Potter and the Sacred Text. Matt is a reverend and a professor at Harvard specializing in literature, literary theory and Christian theology. He joins us for an episode all about "the soul" in Harry Potter and the Half-Blood Prince. You'll hear that we can barely contain our excitement in this episode as we dig into theology for the first time, all while pulling on some theory and frameworks from our episodes on Hauntology and Critical Race Studies.
Thanks to everyone who helped us reach our goal of having 1000 patrons by Hannah's birthday on May 25th. We re-scheduled our LIVE Witch Please Tell Me Q&A for this coming weekend, June 4th at 1 pm Pacific so you can still become a Patron this week if you want to join our live show! Just visit Patreon.com/ohwitchplease.
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This week we get into Security Theatre — and what a timely topic it is! We go over what we learned from Book 3, Episode 6 with Mercedes Eng who walked us through the carceral logics of the Wizarding World. And we review Book 4, Episode 2 about the nation state and the way Benedict Anderson theorized nations as “imagined communities” that are imagined as limited, sovereign, and in need of protection. Then we play a game Cloaks or Hoax! A goofy opportunity for Hannah to make Marcelle laugh before deciding which security measures from the Ministry are performative and which ones might actually keep people safe. Followed by a breakdown of Security Theatre as understood by Bruce Schneier in his 2003 book Beyond Fear: Thinking Sensibly About Security in an Uncertain World. This episode is a great listen for those of you trying to make sense of the "safety measures" put into place after 9/11 that we still encounter two decades later (not to mention how those persist in stark contrast to the rapidly lifted mask mandates).
As a reminder, we need your help to reach 1000 Patreon supporters before Hannah's birthday on May 25th! Reaching 1000 supporters would be a financial game-changer for us and we're promising you a LIVE Witch, Please Q&A if we reach the goal — we're only about 70 supporters away! You can become a Patreon Supporter at any tier for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Tell a friend about the show or leave us a review on Apple Podcasts — everything helps keep our boat afloat. And be sure to follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode, we're talking about Masculinity Studies with our special guest, Aspen!
We begin with a brief review of our episodes on Feminist Theory, Celebrity Studies, Trans Studies and Chosen One Narratives (just to name a few) before getting into a discussion about masculinity in the Wizarding World. Aspen offers us a brief historical overview of the roots of Masculinity Studies, as well as an analysis of the field's shortcomings and ever-evolving scope. We learn a bit about Gayle Rubin's work, Rae Wyn Connell’s groundbreaking book Masculinities, Dana D. Nelson's National Manhood, and other contributors to the growing field. Tune in for an episode that digs into Harry and Draco's respective indoctrinations, and takes a closer look at the way masculinity is defined, created and policed in the series. To get in touch with Aspen you can email aspen.urning@gmail.com.
Help us hit 1000 Patreon supporters before May 20th! Reaching 1000 supporters would be a financial game-changer for us and we're promising you a LIVE Witch, Please Q&A if we reach the goal! You can become a Patreon Supporter at any tier for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Tell a friend about the show or leave us a review on Apple Podcasts — everything helps keep our boat afloat. And be sure to follow us on Instagram or Twitter @ohwitchplease to stay connected.
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Hey friends! Please skip this episode if that feels right for you. We'll be back in two weeks and we want you to take care of yourselves first!
In this episode, we discuss Rape Culture. We begin with a brief review of our episodes about discourse, queer theory and classism before diving into the pervasiveness of rape culture in our daily lives and in the Harry Potter series. We'll dig into what it means that Ron feels entitled to be angry at Hermione's interest in other men, how Harry comes to understand he has a crush on Ginny, the role of love potions in the Half-Blood Prince (and in Voldemort's family history), and so much more.
Note: In this episode we quote from a New Statesmen article by Laurie Penny. While Penny's article is a useful source in unpacking rape culture in the west, our citations are not endorsements for either the author or the publication.
And a heads up! If you join our Patreon at the Prefect tier before May 1st, you'll receive our forthcoming enamel pin in the mail! You'll also help us inch closer to our goal of having 1000 Patreon supporters before Hannah's birthday in late May! Reaching 1000 supporters would be a financial game-changer for us and we're promising you a LIVE Witch, Please Q&A if we reach the goal! You can become a Patreon Supporter at any tier for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode, we are talking ghosts! Tune in for a conversation with our guest, Lydia, as we consider Hauntology as an analytical tool for better understanding the Harry Potter series — specifically the Half-Blood Prince. Lydia guides us through a revisitation of Jacques Derrida and an introduction to Avery Gordon (among others) who ask us to consider the meaning of absences in narratives, histories, and our own imaginations. What haunts Harry? What haunts the Wizarding World in the aftermath of a war? What haunts the Harry Potter series in 2022? Tune in for a truly epic conversation that leans on our episodes about the Gothic, Critical Race Studies, Disability Studies, Trauma and others to establish an exciting new framework for us to explore.
And a heads up! If you join our Patreon at the Prefect tier before April 15th, you'll receive our forthcoming enamel pin in the mail! As always, you can become a Patreon Supporter at any tier for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode, we begin Harry Potter and the Half-Blood Prince by revisiting pedagogy! If you've enjoyed our past episodes about the professors at Hogwarts then you will love this episode digging into Horace Slughorn, Severus Snape, and (if you believe it) Albus Dumbledore! Tune in for a conversation based around the article “Collectors, Nightlights, and Allies, Oh My: White Mentors in the Academy,” by Dr. Martinez-Cola, an assistant professor of sociology at Morehouse College. Martinez-Cola's research largely focuses on the critical comparative study of race, class, and gender as it relates to culture, social movements, and comparative/historical sociology — which is all very helpful when trying to understand the way professors in this series are helpful, hurtful, or both to their students.
And a heads up! If you join our Patreon at the Prefect tier before April 1st, you'll receive our forthcoming enamel pin in the mail! As always, you can become a Patreon Supporter at any tier for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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This week we’re releasing some insider Patreon bonus content instead of a regular episode!
Please enjoy this #WitchPleaseTellMe Q&A from May 2021. It’s a goofy little episode where we talk about our favorite lipsticks, where to store “eating chocolate,” and books that changed us! Join at the $10 USD/month tier (Wizarding World Feminist Utopia) to gain access to over a year of bonus episodes, unedited episodes from our original run, and #WitchPleaseTellMe Q&As.
Hot Tip: If you choose to pay annually, you’ll get 10% off. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected. Thanks for listening and thanks for your support!
We’ll be back with a new episode on March 22nd all about Harry Potter and the Half-Blood Prince!
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In this episode, we wrap up The Order of the Phoenix, and thus Season Five of Witch, Please. We talk Hermione in Granger Danger and fashion in Lewk Book. We make a list of what we want to keep our eyes on in the coming book and round out the episode with Marcelle's Devastating Fun Facts TM (all of which make Hannah cry). Tune in for this wild episode that gathers some loose threads but mostly just contains chatter about moments in The Order of the Phoenix that we were particularly tickled by.
Heads up, in two weeks we will be putting out content usually reserved for our Patreon subscribers! So stay tuned and be sure to follow the show so you're notified when we release that extra special episode. As always, you can become a Patreon Supporter for more perks and bonus content. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode we're joined by Aisha Wilks (she/her) for a dive into Mad Studies. Pulling on past episodes about Disability Studies, Critical Race Theory, Lycanthropy as Metaphor, PTSD and The Prison Industrial Complex, we take a look at St. Mungo's, the Longbottoms, Luna Lovegood and other representations of madness throughout Harry Potter and the Order of the Phoenix. Aisha guides us through a review of the social and medical models of disability — and helps us understand the "good" and "bad" mad characters who exist within the series. If Order of the Phoenix isn't your favorite book because of Harry's attitude and general dismay, then this episode is for you! Not only are you in good company (Aisha is not a fan of this particular book), but you may also walk away with some more insight as to why it doesn't work for you!
Content Warning: We just want to give you a heads up that we discuss mental illness, suicide, forced incarceration — and trauma more generally. Of course do what's best for you and skip this episode if that feels right!
Become a Patreon Supporter today and watch the footage of our Live Witch, Please Tell Me Q&A from last month! If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode Marcelle leads us through an overview of famous Edmontonian and Media Studies scholar, Marshall McLuhan! We tackle McLuhan's “Tetrad of Media Effects” (a chart!) and use it to think through the DA's gold coins, Umbridge's Educational Decrees, The Daily Prophet, and other forms of communication that flood Harry Potter and the Order of the Phoenix. We also draw on previous episodes about ideology, class, magical capital, books and archives.
We're pretty sure this is the most fun two people have ever had with McLuhan's work but maybe you'll listen and have even MORE fun. Let us know by leaving a review on Apple Podcasts or wherever you listen to your shows!
And don't forget, if you become a Patreon Supporter TODAY you can join our LIVE Witch, Please Tell Me Q&A on Saturday, January 29th, at 1 pm Pacific. Patrons at every tier are invited to attend this Zoom Webinar where we'll be answering your questions in real time! If you can't attend, don't fret! We will release the video footage through Patreon afterwards! Follow us on Instagram or Twitter @ohwitchplease to stay connected.
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In this episode, we are joined by jaye simpson to talk about centaurs! jaye is an Oji-Cree Saulteaux Indigiqueer from the Sapotaweyak Cree Nation. They are a writer, advocate and activist published in several magazines including Poetry Is Dead, This Magazine, PRISM international, SAD Magazine: Green, GUTS Magazine, SubTerrain, Grain and Room. They are in two anthologies: Hustling Verse (2019) and Love After the End (2020). jaye joins us to discuss Firenze and the characterization of centaurs in Harry Potter and the Order of the Phoenix.
You can follow jaye on Twitter @fka_jayesimpson and support their GoFundMe for gender affirming care, here. They're the best and deserve all the love — which will be obvious when you listen to this fun and engaging episode!
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Shoutout to everyone who helped us reach our $5000 USD/month goal by becoming Patrons or upgrading their Patreon Tier. Everyone who joined our Patreon, no matter the tier, is invited to attend a LIVE recording of #WitchPleaseTellMe (our Q&A series) on January 29th. Join Patreon today at $2/month (or $5, $10, $13, or $30) to attend the Zoom!
Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the show through a review on Apple Podcasts. Your support keeps Witch, Please running!
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Hey Witches! We’re dropping this Bonus Episode into your feed as a little end-of-year thank you for everything you’ve done to make the Witch, Please reboot such a success. You’ve listened to the show, shared it with family and friends, and joined our Patreon. Instead of making resolutions for the New Year, give yourself the gift of bonus content from Witch, Please by joining at the $2, $5, $10, $13, or $30 tier! We are releasing the Zoom footage from our recording on our Patreon — so you can listen to this bonus episode as a podcast, but if you become a Patron, you can WATCH us chaotically record it with a crying, barfing baby-screwt. If you pay annually, you’ll get 10% off and if you join before January 1st, you’ll help us unlock a Live Witch, Please Tell Me Q&A for all patrons. We're hoping to $5000/month and we're just inches away!
If becoming a patron is currently not in the financial cards — we get it! You can support our work by continuing to share the show with your hot friends, rich crushes and fun cousins. By far the best part of making Witch, Please is getting to know you, our listeners, who share unique interests and expertise with us on social, via Patreon, and in our Apple Reviews. Thank you for listening and happy (almost) New Year.
We'll be back in two weeks with a new episode about The Order of the Phoenix.
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Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. Your support keeps this show running!
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In this episode, we take a closer look at the range of shapeshifters we meet in the Harry Potter series. Between Animagi, Werewolves, Metamorphmagi, Veelas, and Boggarts there is a lot to cover— and we need the Greeks, scholar Llewelyn Negrin, a history of Calvinism, and, of course, Judith Butler, to do it!
Join us for a discussion on shapeshifting, as we apply what we've learned from our episodes on lycanthropy, female monstrosity and animal studies, to take a closer look at Nymphadora Tonks, in particular. Let's get to know one of the most beloved queer icons from the Wizarding World a bit better, shall we?
Note: The sound on this episode is a little funky because we recorded it in-person! Just know that any hiccups you hear (other than the ones caused by Baby Blast-Ended Screwt) are the price we paid to enjoy one another's company during an in-person recording for the first time in two years!
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We are running a Holiday Patreon Drive! If we earn $5000 USD/month from our Patreon by January 1st, 2022, we are going to host a LIVE Witch, Please Tell Me (*Our q&a bonus content!*) for all Patrons at every tier! Join today at a monthly rate that works for you and you'll bring us one step closer to our goal! Our tiers range from $2-$13 and we're just $300 away from hitting our goal!
Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. Your support keeps this show running!
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Well Witches, we finally did it — we recorded an episode about fan studies and fan-fiction. And our wonderful guest, Amanda K. Allen (she/her), made it possible! Amanda is a professor of Children’s Literature at Eastern Michigan University who she came onto the show to discuss fan fiction conventions and genre at the intersection of power, adolescence, and the early days of the internet. Join us as we explore the rich history and legacy of fan-fiction through Harry Potter and the Order of the Phoenix.
Content Warning: We discuss the taboo nature of some fan fiction "ships" (i.e. Snape/Hermione and Hermione/McGonagall), as well as some tropes and conventions of non-consent, coercion and forced marriage and reproduction.
For listeners interested in understanding the ethics surrounding fan fiction writers' tendency to include graphic and disturbing elements within fan fiction (rape, non-consensual situations, torture, etc.), an excellent and helpful text is Kristina Busse's Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities. In particular, listeners might be interested in the tenth chapter, "Fictional Consents and the Ethical Enjoyment of Dark Desires." [Busse, Kristina. Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities. U of Iowa P., 2017.]
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Don't forget, we are running a Holiday Patreon Drive! If we earn $5000 USD/month from our Patreon by January 1st, 2022, we are going to host a LIVE Witch, Please Tell Me (*Our q&a bonus content!*) for all Patrons at every tier! Join today at a monthly rate that works for you and you'll bring us one step closer to our goal! Our tiers range from $2-$13.
Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. Your support keeps this show running!
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This week we dig into publics! The Order of the Phoenix is absolutely brimming with secret, self-organized clubs and we're taking some time to consider how they're formed, what makes them powerful and why we see similarities between the Order, the Death Eaters and Dumbledore's Army. Join us as we defamiliarize the very idea of organizing through Michael Warner's definition of publics, building on what we already know about ideology and discourse. It's a good one folks!
Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! For Witch, Please merch visit our TeePublic shop. Your support keeps this show running!
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In this episode we are joined by the wonderful Dr. Addie Merians. Addie (she/her) is a postdoc in Post-Traumatic Stress Disorder. She has her PhD in counseling psychology from the University of Minnesota and her research focuses on trauma and resilience, especially in relation to systemic oppression. In Season One of our reboot, we spoke with Lucia M. Lorenzi, PhD, to unpack trauma theory and to explore gaps, inconsistencies, and unreliable narration as sites where trauma lives in the Harry Potter books. Now, as we think about The Order of the Phoenix, Addie helps us make sense of Harry's behavior in the aftermath of Cedric Diggory's death, the culture of PTSD and silence within The Order itself, and so much more.
Content Warning: We speak explicitly about PTSD as a diagnosis, different types of trauma, and specific symptoms of stress, depression and anxiety. Please take care of yourselves and skip this episode if you need — and feel free to check out some helpful resources of support from our guest, Addie, below:
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Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! For Witch, Please merch visit our TeePublic shop!
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It's time for Season 5! You know what that means, Witches? It means we have a whole season coming your way about Harry Potter and the Order of the Phoenix.
This week, we kick it off with Critical Archival Studies: the study of archives (how they're built, sustained and naturalized) at the intersection of race, class, gender, sexuality, and ability. We'll discuss the interrelated (and at times competing) archives of the Wizarding World including The Hall of Prophecy, Dumbledore's Pensieve, the ever-unveiling bylaws of the Ministry of Magic, and even the collection of portraits lining the halls of Hogwarts.
Stay connected and follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Note: If you join at the $10 or $13 tier before October 30th, you can attend our Halloween Watch Along of Hocus Pocus. Get on the discord and join in on the fun for an afternoon spent with the Witch, Please community! For Witch, Please merch visit our TeePublic shop!
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Hey Witches! We're dropping into your feed today with a special bonus episode featuring guest Ella McLeod. Ella joined Hannah and Marcelle in June for a Patreon-only episode to discuss policing of magic in the Wizarding World. It's a great chat originally released to Witch, Please patrons in our $5, $10 and $13 tiers — and we thought, you know what, as we get ready to launch into season 5, why not give our general audience a taste of what we get up to on our Patreon? In this conversation, we talk artificial scarcity, the arbitrary delineation of squibs, the "domestication" of cats, the power of wand access and so much more.
If you'd like to hear our full backlog of Patreon bonus content, you can become a patron today! And if you join at the $10 or $13 tier you'll be just in time to join us on Discord for our Hocus Pocus Watch Along on October 30th. Of course, if becoming a paid subscriber is just not in the budget right now, we understand! It's just as helpful to tell your friends and family about the show, to leave us a review, and to follow us on Instagram or Twitter @ohwitchplease.
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It's hard to believe, but we are at the end of season four and thus at the end of Harry Potter and the Goblet of Fire! In this wrap-up episode, we discuss the transformation of Hermione into an object of desire via her relationship with Viktor Krum, the demarcation of class and gendering through clothing, the Riddle of the Sphinx, Hagrid's personal journey as a teacher, and so much more. Tune in for this playful episode that gathers some loose threads but mostly just contains chatter about moments in The Goblet of Fire we were particularly tickled by.
Heads up, next week we will be putting out content usually reserved for our Patreon patrons! So stay tuned and be sure to subscribe so you're notified when we release that extra special episode.
Follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Note: If you join at the $10 or $13 tier before October 30th, you can attend our Halloween Watch Along of Hocus Pocus. Get on the discord and join in on the fun for an afternoon spent with the Witch, Please community!
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In this episode, we return to a question that has challenged us since the beginning of this podcast: what’s the deal with the Weasleys’ class status? Are they working class, impoverished gentry, or something else altogether? To answer that question, we add some new critical tools to our discussion of the way class operates at Hogwarts and the Wizarding World at large by exploring magical capital. As in our previous episodes, we draw on the work of revolutionary Marxist Keeanga-Yamahtta Taylor and consider what access to magic (through education, buying of wands, "innate" talent, family bloodlines, magical cultural capital, etc) tells us about the class stratification of both beloved and despised characters who populate this series.
Be sure to follow us on Twitter @ohwitchplease and let us know what you think of the episode! And check us out on Instagram for pics of Marcelle's new baby, Witch, Please fan art, and random polls and questions we ask to help influence future episodes and Patreon content! Join our Patreon for exclusive bonus content including bonus interviews, Q&As, Watch Alongs and more —our tiers range from $2-$13!
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In this episode we are joined by author Jess Zimmerman (she/they) to discuss the history of monstrous representation in cultural texts across history. Jess, who recently published a wonderful book, Women and Other Monsters, offers her vast knowledge about Greek mythology and metaphor to our investigation of Harry Potter and the Goblet of Fire. We ask questions like: what makes monsters monstrous? How do representations of femininity get used to characterize monstrous threats to "the hero" of our journey? Why is Fleur's "Veela blood" both monstrous and eroticized, while Madame Maxine's "Giant blood" only the former? And how do Molly Weasley's fits of anger fit into this feminist reading?
Tune in for a powerful new way to read some of the series' most beloved and interesting women characters.
Follow Jess Zimmerman on Twitter @j_zimms and scoop her book at any local bookstore or online! And be sure to follow Witch, Please on Twitter @ohwitchplease and Instagram and let us know what you think of the episode. Join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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We're revisiting pedagogy, Witches!
We first tackled this topic to kick off Season Three by defining the term and considering the teaching methods of various Hogwarts professors (using a D&D Alignment Chart, of course). In this episode, however, we get a bit more granular and look closely at the teaching style of Barty Crouch Jr. and his impersonation of Professor Moody. Ultimately, we get to ask the question: Is Professor Moody AKA Barty Crouch Jr. a great teacher? Can he be one despite his obvious flaws (like...being a Death Eater)? With a little help from Jane Gallop's book, PEDAGOGY: The Question of Impersonation, we dig into the man, the myth, the Moody: Barty Crouch Jr. Tune in for what might be the most lively discussion about pedagogy ever caught on tape.
Content Warning: In this episode, we briefly discuss child abuse and grooming as it pertains to Barty Crouch Jr.'s teaching style.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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This is a must-listen, Witches!
Guest Taylor Allgeier-Follet joins Hannah and Marcelle for a conversation on Trans Studies and The Goblet of Fire. Taylor (they/them) is a PhD candidate at University College Dublin who brings their expertise as both an academic and a person who has read the Harry Potter series over forty times. In this episode, Taylor, Hannah and Marcelle dive into transcoding and transphobia as it relates to the characterization of Rita Skeeter. If you're interested in the evolution of Trans Studies and Trans Theory, then you'll love this episode that stems from the work of Susan Stryker, Grace Lavery, Patricia Elliot and Lawrence Lyons — just to name a few.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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What happens when Marcelle asks Hannah to do an episode on gay whimsy? We get an episode on post-critique! Dive into this theory with Hannah and Marcelle as they discuss what post-critique offers readers and its downfalls in a world where critique has real, material value. In other words, come for the theory and stay for the discussion about Blast-Ended Screwts. Ron's love of Viktor Krum, and the Prefect's bathroom (all whimsical, pleasurable details of The Goblet of Fire!).
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You don't want to miss this episode, Witches!
Guest K. Alexandra joins Hannah and Marcelle for a conversation about Critical Race Theory and The Goblet of Fire. Noted by some as a Harry Potter trivia queen, K. Alex is also an educator, activist and member of communities such as Black Girls Create, Black Hotties at Hogwarts, Fandom Forward, and Wizards in Space Literary Magazine. She's basically a badass who swooped in to catch us up on this academic discipline and how we can use it to think through the characterization of beloved characters like Angelina Johnson, Lee Jordan, Parvati and Padma Patil — and Hermione, just to name a few.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Imagine this... imagined communities! In this episode, Hannah and Marcelle talk all about the Triwizard Tournament and the Goblet of Fire's relationship to nation states and nationalism.
If you've read this book and thought, "Huh... why are they all rooting for Ireland?" you may finally find yourself with some answers. And if you've just celebrated Canada Day or the Fourth of July or you're just thinking about borders and patriotism (as one does), you won't be disappointed – Hannah and Marcelle talk all about the formation of communities (imagined or not) in and outside of the Harry Potter world through a thorough overview of scholar Benedict Anderson's work and some light bullying of him as well, (of course).
Note: In this episode we refer to Uganda as the only African nation mentioned in the series, but we talk about Egypt a bit earlier on! Our mistake!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Guess what Witches, it's time to jump on the Hogwarts Express because we're back with our fourth season — all about Harry Potter and the Goblet of Fire!
In this episode we get down and dirty with the structuralists. You may be thinking, aren't those a bunch of old white guys who thought everything could be reduced to the same component parts? To which we say, yes kind of. But as we begin a book that's all about tasks, quests, and our "hero's journey" towards victory in the Triwizard Tournament, we need some tools to help us think about plot! Tune in for this brain-bending overview of structuralism and post-structuralism through the ideas of Barthes, Foucault and Borges — and Hannah and Marcelle, of course.
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Well Witches, it’s time to hop on the back of the nearest hippogriff and fly into the sunset, because we’re officially wrapping up Harry Potter and the Prisoner of Azkaban. Oh how time flies when you’re examining disability, metaphor, and the prison industrial complex! It's almost as if time is... a construct? (Kidding, kidding, physicists please don't come for us.)
We spend this episode sorting Harry Potter characters into Dungeons and Dragons classes, interrogating the magic of boggarts, and bracing ourselves for another round of Marcelle's Devastating Fun Facts.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Special guest, poet and educator Mercedes Eng, joins us to take a closer look at Azkaban, the carceral logic of the wizard world, and how it reflects our own ideas about monstrosity, punishment, and innocence. We take a look at restorative and transformative ideas of justice and debate whether the nightmarish portrayal of Azkaban is a radical call for prison abolition or an insidious device meant to make our own prison system look reasonable.
Content warning: this episode discusses trauma linked to incarceration, settler colonialism, racism, police brutality and sexual assault.
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Greetings, Witches!
Our last two episode on Animal Studies and Disability Studies laid the groundwork for this week's episode all about how to read Remus Lupin and his Lycanthropy. In an ebook released on Pottermore, J.K. Rowling stated that she meant Lupin's werewolf condition to be a metaphor for AIDS. This week we look at the way that metaphors of illness circulate ideologies about those who are ill - implying certain truths about their worthiness, deviance, and threat to society. We discuss specifically the history of AIDS and its metaphors, and examine how reading Lupin as a character with AIDS reinforces rather than challenges dangerous narratives about queer and disabled folks.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
Resources:
How She Read by Chantal Gibson
Illness as Metaphor + AIDS and its Metaphors by Susan Sontag
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Greetings, Witches!
In this episode, we're once again applying a disability studies lens to the wizarding world. This time, we're looking at questions of access, accommodation, and community support for characters we might read as disabled in Harry Potter and the Prisoner of Azkaban. We're joined by disabled poet and visual artist, Tea Gerbeza, who is an MFA in Writing candidate at the University of Saskatchewan. With Tea, we dive deep into the interpretation of Remus Lupin as a disabled character whose existence and bodily difference as a werewolf marks him in sharp contrast to normative wizarding society. We explore alternate futures for Lupin where, instead of social isolation and mistreatment, Lupin is met with the resources and accommodation he needs. We discuss the vital importance of community support for disabled people that goes beyond the limitations of formal institutions. For Tea, to read Lupin as disabled is to resist the failure of this text to meaningfully include disabled perspectives, and we invite you to join us in this expansive, resistant reading!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Witches, meet us at the edge of the Forbidden Forest.
We're returning to the rich territory of animal studies to understand the limitations of human vs. animal hierarchies. We'll spend some time with marginal figures in the wizarding world who cross the human/animal divide, challenge social and political norms, and invite us into new ways of being. In particular, we'll be spending quite some time with Remus Lupin and his fellow marauders. We'll also discuss how systemic dehumanization, or the rendering of certain people as animalistic or less than human, is a tool of state violence.
Content note: Throughout this episode, there are references to historical and contemporary instances of racism, violence, and dehumanization as enacted upon Black people and Indigenous people.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Greetings, Witches!
As always, we're eternally grateful for the time you spend listening with us. In this episode, we're unpacking the mechanics of time and time-travel as they play out in Harry Potter and the Prisoner of Azkaban. We identify the connections between western time-travel narratives and the industrial revolution and the infinitely insidious force of capitalism. We plunge into the philosophical implications of this book's particular kind of time-travel narrative, which desires to predict the future and to change the past. How fixed is our reality? How much agency do we have over our fates?
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Attention, class!
This is the episode all of you superbly studious witches have been waiting for! We draw upon our own expertise as longtime students and educators to discuss the, frankly, wild and unpredictable pedagogical approaches of Hogwarts faculty. Have any Hogwarts faculty managed to create affirming and generative learning environments, even within a school that routinely places students in dangerous circumstances, wields discipline unevenly, and lacks student support services of any kind? How can looking at Hogwarts help us to understand our own educational institutions and our place within them (or outside of them)? Ready your quills and refer to your books, witches, because we've got a lot to say on this topic!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Greetings, Witches!
We’re excited to bring you a special something from our partners at Not Sorry Productions. The Real Question is a new podcast from Vanessa Zoltan and Casper ter Kuile, the magical minds behind Harry Potter and the Sacred Text. Like us, they’re two friends who like to put their heads together and pour over their favorite texts as they navigate life’s questions. In every episode of The Real Question, Vanessa and Casper will investigate one of their own questions through the lenses of two texts. They'll reach far and wide, across the broad spectrum of media that's touched them—using shared dialog to uncover new meaning. We hope you'll listen along side us!
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Well, Witches, we've reached the end of another book together. We spend this episode, among other things, revisiting the tragic squandering of Hermione's talent and expertise as part of the adventure squad, detailing Gilderoy Lockharts' luscious wardrobe and its implications, tearing up at another round of Marcelle's Devastating Fun Facts from the Harry Potter World, and digging deeper into the Weasley's class status and other lingering questions we have about the series.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Beloved bookish witches, join us for a discussion of print culture as it appears in the wizarding world. We'll unpack our own biases and beliefs about the significance of books as physical objects and how capitalism and commodification created the sentimental, coveted idea of the book many of us hold in our hearts. We will page through Harry Potter and the Chamber of Secrets in search of printed matter and the ways it circulates in wizarding society, how it intersects with notions of class and ideas of good and evil, and how it governs access to knowledge.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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This week we've brought together the Who's Who of the Wizarding World for the event of the season you won't want to miss – an episode on Celebrity Studies! Notable guests include the winner of Witch Weekly's Most Charming Smile Award (five times in a row!) and Poor Famous Harry Potter, who can't even go into a bookshop without making the front page. With a little help from Colin Creevey's camera, we focus our critical lens on how celebrity is constructed in the Wizarding World and our own, what it means to be a 'reluctant celebrity', and how the fame of a certain Author Who Shall Not Be Named gives her license to publish utter nonsense and get away with it.
NB: You may notice that mid-way through this episode, Marcelle's voice starts to sound different. Unfortunately, her microphone failed while recording and we couldn't find the right spell to fix it!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Citations:
Trevor Parry-Giles (2011) Harry Potter and the paradoxical critique of celebrity culture, Celebrity Studies, 2:3, 305-319, DOI: 10.1080/19392397.2011.609338
Susan K. Martin & Kylie Mirmohamadi (2014) Harry Potter’s Secret: The Rise of Publishing Sensations from Mary Braddon to J. K. Rowling, English Studies, 95:2, 131-148, DOI: 10.1080/0013838X.2014.882126
Su Holmes & Sean Redmond (2010) A journal in Celebrity Studies, Celebrity Studies, 1:1, 1-10, DOI: 10.1080/19392390903519016
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Special guest, Jes Battis PhD, joins us to unpack the history of disability studies and help us understand both the characters in Harry Potter and the world they inhabit as affected by ableism.
As mentioned in the episode, Jes wrote a book on Buffy the Vampire Slayer and chosen family! You can check it out here.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Beware, Witches! Deep in the belly of a dark and chilly castle lurks an abundance of secrets! In case you hadn't noticed, the Harry Potter books are chocked full of Gothic literary devices. Unraveling the mysteries of the Hogwarts castle and the cast of characters inside reveals new insights about the concepts of monstrosity, disgust, and the boundaries of social acceptability.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Season's Greetings Witches!
In this most magical of seasons, we are bringing you a bright star from our archives—a holiday special featuring Neale Barnholden! We hope this fun, slightly chaotic episode brings some warmth and joy to your hearts. As this episode comes from an earlier era of Witch Please, there are some things you should know:
1. Recorded back in 2015, this episode is a goofy mix of genuine and deeply ironic commentary. For example, our remarks about The Fellowship of the Ring being racist are all genuine; our remarks that a woman riding a horse unaccompanied by a man is unrealistic and lewd are DEEPLY ironic.
2. There are a number of references to and discussion of drinking (we were drinking when we recorded this episode).
3. Some of our language is more ableist than we would use today (e.g. "crazy," "dumb," "blind").
4. I (Marcelle) refer to baby hippogriff using the pronoun "he," which is incorrect. Eliot uses she/her pronouns.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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We have an episode for you that, in our professional opinion, is very gay. And by gay we mean inviting expansively, radically, resistantly queer readings of a text that is trying very very hard to perform heterosexuality and binary gender! We breeze by the obvious details—like Lockhart's character flaws as coded within his failure to correctly perform masculinity or Harry & Draco's flagrant obsession with each other—and into some of this text's more subversive queer potentials.
This episode acknowledges the existence of sex, so use discretion if in the company of young ears! This episode also discusses the continued abuse of Harry by the Dursleys, so take care of yourselves.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Greetings Witches! We're so excited to be moving on to Harry Potter and the Chamber of Secrets with you! Break out your feminist reading glasses, because we're approaching this text with the tried and true (but also ever evolving) principles of feminist theory. We're returning to the origins of Witch Please and pulling from feminism's foundational texts to guide us through this second Harry Potter installment (which, by the way, contains several issues—including: parental neglect and abuse, starvation, gendered violence, violence against animals, violation of bodily autonomy, and death—so please take care of yourselves).
Also, a note about feminism, women, and girls: In this episode, we'll be talking about the experiences of characters this text presents as women and girls. But when we talk about women and girls we want to make very clear that we at Witch Please have an expansive definition of what that means and are working, in our own vocabulary to find ways of talking about feminist issues without automatically centering cis women. Trans women are women. People of marginalized genders across a variety of experiences may resonate with characters presented in this text as women and girls, and we support those readings. We've received some very generous feedback from listeners as to how we can use more inclusive and affirming language around gender, and we always welcome these critiques!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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We've arrived at the end of our journey though Harry Potter and the Philosopher's Stone, but before we dig into the Chamber of Secrets, we have a few loose ends to tie up! This episode is full of some brand new segments that help us work through questions, concerns, musings, and future directions for discussion. We bring back a much beloved segment: Granger Danger (!!!!!!!!) in order to give some airtime to the greatest witch of her age. We spend some time unpacking a metaphorical suitcase full of wizarding fashions and Marcelle presents us with a handful of FUN!FACTS! that may or may not be true of the wizarding world. And there's more. There's always more.
Thank you for sticking with us as we renewed the Witch Please spirit and found new ways of viewing this book. We look forward to having you with us as we explore book two!
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Special guest, Lucia M. Lorenzi, PhD, joins us to unpack trauma theory and helps us understand both the characters in Harry Potter and the world they inhabit as affected by traumatic events. We also explore the narrative form of the text itself—its gaps, inconsistencies, and unreliable narration as sites where trauma lives.
Content warning: this episode, broadly, discusses various experiences and consequences of trauma throughout. Of particular note are discussions around child abuse and neglect, starvation, parental death, nightmares, and flashbacks. Please take care of yourselves and feel free to skip this episode if you need.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Dearest Witches, gather round for some lessons in class solidarity! In this episode, we'll discuss the formation of class structure in Western society, the inherent relationship between race and class, and the ways in which the Harry Potter books reach for but don't quite deliver a vision for a cross-class uprising against the powers that be. How do some characters occupy complicated or shifting class positions? What would it take for Harry, or other characters of privilege to be true class traitors?
Content warning: at 01:06:30, there is a brief mention of the history of eugenics as it pertains to Neville Longbottom's early childhood.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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Snuggle up to your familiars, Witches, because today's episode is all about animals (and critical animal studies!). What distinguishes the "animal" from the "human" and why did Western society come to arrive at that distinction? How does separating humans from their fellow animals work to enforce destructive social, political, and ecological power dynamics? What do we make of the way magical and non-magical creatures (and the humans who care for them, commune with them, or use them) are portrayed throughout the Harry Potter books?
Content warning: This episode includes discussion of anti-Black racism including racial stereotyping, dehumanization, and physical violence. This discussion largely occurs in the Transfiguration segment of the episode (24:22 to 39:57) and is marked by a content warning at the beginning of the episode and at the beginning of the Transfiguration segment. Please take care of yourselves and feel free to skip all or parts of this episode as needed.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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In this episode, we unravel the many layers of Orientalist tropes that permeate the Harry Potter world. How do some not-so-subtle visual and narrative cues--turbans, hooked noses, and mysterious powers from the "East" tell readers who to fear, dislike, and distrust in these books? How can we heighten our awareness of tropes like these and call out these negative portrayals when we see them?
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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It’s FINALLY HERE! In honor of Hogwarts day, September 1st, we present to you the first day of class you’ve always dreamed of from your two favourite lady scholars: Witch, Please | Ep. 1, The Chosen One.
Our first episode goes back to the very beginning–to the concept of origin stories themselves–to explore how and why Harry Potter fits into a long tradition of “chosen one” narratives. Harry, we learn, is a very special boy in all the ways English literature tells us special boys ought to be. Harry is a hero, following the tidy path of the classical hero’s journey. But what are the limitations of building characters and building worlds this way? What kinds of stories and perspectives are missing when authors rely on such tried tropes? Join us for a thorough unpacking of Harry’s special-boy-hero-complex and don’t forget to prepare your quills and parchment–you may want to take notes.
Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!
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BIG NEWS, WITCHES! Through a brand new partnership with Not Sorry Productions (the brilliant team behind Harry Potter and the Sacred Text), we’re coming back! New and better than ever, which is to say, produced by somebody else and not actively losing money. W O W.
Speaking of not losing money, if you’d like to support this reboot, check out our new Patreon! Rewards include unedited audio from the first season, bonus interviews, Q&As, and movie watch-alongs!
Enjoy our extremely goofy teaser/reboot announcement, and meet us back here on September 1 for the first episode of the brand new Witch, Please!
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WE ARE GETTING ROGUER EVERY EPISODE TBQH
So this one’s on time, but witches? It is pretty. silly. We sat down, in the same room, with our favourite guy-with-a-film-degree, and we talked about the fan-made prequel film Voldemort: Origins of the Heir. If you don’t mind spoilers, this Telegraph review will set the tone for the episode.
This episode contains fewer sound effects than usual because it was too hard to fit them in between all the laughter. It also contains an above average amount of us being delighted with ourselves. Strap in!
OH P.S. there is brand new merch in our store with more to come, so go get your Malcoy and #NoTallMen swag and hold out for even more in the future!
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OH MY GOLLY WE ARE SO ROGUE IT IS RUUUUDE.
But we are ever grateful for your patience and love, dear listeners! This episode comes to you after much travel and celebration and exhaustion and desperately-needed rest on the part of your hosts. It means the world to us that you’re so chill about the lag since S03E01. (Also, time is just a social construct so, like, what even is a fortnight?)
This episode contains the audio recoding from Marcelle’s keynote lecture at the 86th Annual ABQLA Conference. (Librarians are AWESOME! I had the BEST time!!!) Maybe you want to scroll through the slides as you listen? This is a grand idea because our erstwhile tech support Trevor Chow-Fraser made them and they are beauuuuuutiful. You can find a PDF at the bottom of this post. (Just assume it’s a new slide every minute or so; sorry there’s no indicator of when to flip the page…)
In this lightly edited episode, Hannah and Marcelle get heavily silly. We hope you enjoy!
SLIDES: Hermione Keynote FINAL
(Slide deck c/o Trevor Chow-Fraser, Robot of our hearts!)
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OKAY IT IS NOT JUNE ANYMORE SO THIS IS LATE but we’re back with a brand new episode for this, the final season of Witch, Please: WITCH, PLEASE GONE ROGUE! We’re coming to you straight from The Wizarding World of Harry Potter, except that we didn’t want to bring our recorder into the park and then we were too tired to record a proper episode that night and then we got really busy for a couple of months but LISTEN. It’s a great episode. Just trust us, okay?
Mega extra special thanks to Julie Frances for being our Orlando guide and to Raimi and Steph and the Baby Hippogriff and Nana Hippogriff for making the trip so special, and to ALL OF YOU who donated for making it possible, and especially to Katie Robison for setting up the GoFundMe! EVERYONE IS GREAT!
http://ohwitchplease.ca/wp-content/uploads/2018/07/S3E1-Wizarding-World.mp3
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image credit: Melbourne Writers Festival
Well, witches, it’s that time of year again for the first time (technically the second time): time to say “later witches” and actually mean “see you in a few months.” This is our first ever (intentional) Season Finale, but don’t desair! We’ll be back again next summer BIGGER, BOLDER, and SEXIER THAN EVER! You’re gonna love it. So, until then… later witches xoxo.
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Image of courtesy of Buzzfeed
Episode CW: discussion of intimate partner abuse
To record this episode, Hannah and Marcelle sat in a bed together for two hours with a singularly chill-less cat and had wildly divergent opinions about a book, sort of at one another, while the cat purred way too loudly.
Does that make it sound fun? TRUST US IT IS. If nothing else, we can promise the horniest episode we’ve ever delivered, as we sit down to talk about Rainbow Rowell’s Carry On and hash out the differences between fan fiction, intertext, and adaptation; the gayness of various cover designs; and why traditional narrative forms are so deeply satisfying.
Hang around for a new #trywitches challenge and an enthusiastic installment of #witchpleasetellme. Take it away, Todd!
Credit: the exciting plot summary music is “Epic” from bensound.com. Also Hannah sings like two seconds of “The Bare Necessities” at some point.
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photo credit: @wildflowersyeg
Good evening witches and magicians and wizards of all ages! Welcome to this evening’s musical performance of Witch, Please!
This fornight has Marcelle “in the field” interviewing Konstantine Kurelias and Amanda Brace, two staff members of the Winspear Centre, about the Edmonton Symphony Orchestra’s enchanting production of The Music of Harry Potter! As a special treat, you’ll also hear Marcelle debrief the performance with longtime friend and basically brother Stephen Tchir—a Master of Music and member of the band The Provincial Archive.
As always, don’t forget to listen all the way through for our latest #trywitches tournament challenge and the answer to this episode’s #witchpleasetellme question!
Credits:
In this episode you’ll hear a LOT of music, including tracks from Kesha’s new album Rainbow, which is streaming for free on Spotify; Christopher O’Riley’s piano cover of Radiohead’s “Airbag”; selections from the many Harry Potter tunes (all of which can be found on YoutTube but, honestly, do petition your local Symphony Orchestra to perform the music if they can!); and a few classical classics that are 100% in the public domain we swear. AND we enthusiastically recommend that you check out the books of N.K. Jemisin for more life-changing fantasy.
Good gravy it’s after 4am. xoxo
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Hey witches! We’re popping into your feed on a Friday to drop the newest episode of Hannah’s new podcast, Secret Feminist Agenda! We thought this conversation about witchcraft and embracing your inner Hagrid would be particularly up your alley. Enjoy!
This week I’m joined by authors/witches extraordinaire Jaya Saxena and Jess Zimmerman to talk about their forthcoming book Basic Witches (preorder it here!). If you’re in the New York area, you can head to the launch at The Astoria Bookshop on August 29th! If you think Jaya and Jess sound dope as heck (which they are, why not check out some of the other stuff they’ve written?
http://ohwitchplease.ca/wp-content/uploads/2017/08/SFA-1.7-Crossover.mp3The podcast theme song is “Mesh Shirt” by Mom Jeans off their album “Chub Rub.” Listen to the whole album here or learn more about them here.
Jaya and Jess’s theme song is “Witch” by The Bird and the Bee. Go listen to it.
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By popular demand, we sat down and watched A Very Potter Musical and boy did we have some thoughts. Some… thoughts.
ANYWAY, if you still like us after this episode and you’d like to chip in to send us to Orlando, you can do that here. If you like the sound of boring self care, check out Hannah Daisy and maybe buy some of her stuff.
Don’t forget to listen all the way to the end for our latest #trywitches tournament challenge and the answer to this episode’s #witchpleasetellme question!
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Queue neatly and check your ticket, because we’re heading back to England for the Warner Bros. Studio Tour with special on-location guest Rachelle Saunders (of Episode Sigma fame).
Check out the photos Hannah took on the tour!
Don’t forget to listen all the way to the end for our latest #trywitches tournament challenge and the answer to this episode’s #witchpleasetellme question!
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Howdy partners! Grab yer ten galleon hats and join us as we impose our critical feminism on Calgary, Alberta during the Stamp—er………. that is the Comics and Entertainment Expo that took place this past April. Marcelle hosted a one-witch panel wherein she discussed the rise of fascism in the Harry Potter series. You’ll notice references to slides during the talk; you can view or download them from the links below 🙂
In keeping with our shiny new format, Hannah and Marcelle cap off the episode with fanfare, shout-outs, and the latest #trywitches tournament challenge. Plus they answer another #witchpleasetellme question!
Mega props to all the folks who came out for the Comics Expo panel, especially those who braved a question, and super thanks to the Expo organizers for letting us rabble rouse just a bit!
The slides!
View the slideshow as a PowerPoint
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Well hello again, witches! Thanks for tuning in for this week’s mega super long but mega super lovely episode featuring the Foggo Family. An under-slept Marcelle joins the Foggos as they discuss what the Harry Potter series and the podcast Witch, Please mean to them as a family and as fans.
***** OH AND MEGA SUPER APOLOGIES FOR THE AUDIO SHENANIGANS IN THIS EPISODE. IT IS 50% TOO LITTLE SLEEP 50% I FORGET HOW TO PODCAST *****
In keeping with our seasonal format, Hannah and Marcelle play catchup before the main event of the episode, and then at the end we get into our new seasonally-appropriate features. We hope you enjoy!
Credits:
In this episode we plug Cheryl Foggo’s books; if you’d like to learn more about her work check out her Facebook page here.
We also play the song Cheryl discusses from her daughters’ DADA playlist, “Ain’t Gonna Let Nobody Turn Me Around” (performed by The Roots). You can listen to the whole track here or buy it here.
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Welcome back, witches! We sure have missed you, and we’re excited to get started on Season 2 (new numbering system TBA). The focus of this season will be the Harry Potter fandom, and Hannah kicked things off by attending Harry Potter and the Cursed Child in London with HP megafan, author, and journalist Anna James. Join us for a conversation about the liveness of theatre, three-piece suits, and harpsichords!
After Marcelle and Hannah are done catching up, this episode gets pretty danged spoilery, so here’s a little chapter guide if you want to avoid them:
Do listen to the end, because we introduce some new segments and their accompanying hashtags. Oh yes, and if you want to take Hannah and Anna’s advice and reproduce your own Cursed Child experience, here’s a completely illicit link to some of the tunes.
Speaking of illicit tunes, thanks to http://www.bensound.com/ for the inspirational music, and to the Internet for easily letting us find a three second Hamilton clip FAIR USE WE ARE SCHOLARS.
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Hey witches! We're dropping back into your feed momentarily to let you know about three upcoming events!
Finally, the first episode of Witch, Please 2.0 will be dropping on Monday, June 19. Stay tuned for your erstwhile podcast hosts to tackle the Harry Potter fandom, including a certain much-demanded musical. See you soon, witches!
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Hold onto your hard drives, witches, because we have an announcement for you!
We've been thinking over the past months about ways to make Witch, Please sustainable. After two years of fortnightly episodes, we're worried about fizzling out over the next year. We don't want to fizzle out, dear witches, because hanging out with you is too much fun. And so we have arrived at: A PLAN.
Proudly announcing: Witch, Please 2.0, this time with seasons, and maybe an even more incomprehensible numbering system?
Starting this summer, we are going to begin producing annual seasons of new episodes. Shorter seasons will let us keep going for longer, and ensure that we can stick around to talk about the next 4,000 Harry Potter movies. Episodes this summer will include Hannah's visit to London, our promised viewing of A Very Potter Musical, a discussion of the music of the wizarding world, and more!
Until then, we'll stay on Twitter and in your hearts. But for now: later, witches.
Download this announcement/episode (announcisode?)
Credits: cheerful announcement music courtesy of http://www.bensound.com/!
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HAPPY 2017, WITCHES!
We don’t believe in resolutions because they are a neoliberal conceit intended to keep you politically docile by convincing you that your very being is a perfectable project. But we do believe in trying to educate yourself every damn day, and in that spirit, this minisode is accompanied by some recommended readings. Enjoy!
Content Warning for this episode: discussion of racialized violence and murder.
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Image source: Miss Nobody on tumblr
Greetings from the Roaring Twenties, witches!
In this excitingly lengthy new beast of an episode, Marcelle and Hannah are joined by your favourite Guy with a Film Degree: Neale Barnholden! Your hilarious hosts FINALLY talk about that new venture into the Wizarding World by money machines JK Rowling and Warner Brothers: Fantastic Beasts and Where to Find Them!
Get cozy, because this episode is fantastically long!
Credits:
The jazzy interlude rounding out our six minute CW conversation comes to us from bensound.com
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Image credit: Ashley Hostetter “The Charming Classroom”
Welcome back, witches! We are gearing up to tackle Fantastic Beasts and Where to Find Them! In this fantastic minisode, Marcelle sits down with Harry Potter marketing wiz and wandmaker-in-training Rachelle Saunders (of Science for the People fame) to talk about branding and Harry Potter. So grab your House Scarf and an official Witch, Please mug of hot cocoa and cozy up for this magical exploration of marketing in the Potterverse!
Credits:
The sound effect of the melodious human singing “Sexyyyyyyyyyy” came from maurolupo.
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Photo credit: Max Lalanne / The Tufts Daily
Howdy, witches! This extended universe not-so-mini minisode comes to you hot off the mics in America! Hannah and Marcelle (and Trevor!) (and the hippogriff baby, too!!) had the pleasure of visiting Tufts University to deliver a workshop on podcasting and to speak on a panel with Tufts Experimental College Professor Lydia XZ Brown about disability, race, and queerness in the Harry Potter series. It was awesome!
If you’d like to learn more about Lydia and their work (and you really should!), visit their website: autistichoya.net
Thanks to everyone who came out to the workshop, the panel, AND OUR AWESOME MEETUP AT GRENDEL’S DEN! You fantastic humans truly inspire us and we are stoked to be chipping away at the white supremacist patriarchy by your sides.
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Image source: Fantastic Beasts “Final Trailer”
Welcome to the future, witches! In this episode, Marcelle and Neale tackle the trailers for the first (of FIVE?!?!) movie in the Fabulous Beasts and Their Locations Fantastic Beasts and Where to Find Them film franchise. We honestly cannot believe we are going to do this five more times, but for sure by the second or third movie release we’ll live in the same city as Hannah again so these minisodes will be even more hilarious!
HEY! Speaking of being in the same city: Marcelle and Hannah and Trevor and the hippogriff baby will be in Medford/Boston, MA on Monday November 14th and Tuesday November 15th, so check out our twitter account (link to your left) for details about your Fantastic Hosts and Where to Find Us! Here’s the Facebook event for our panel at Tufts with Lydia XZ Brown!
Credits:
The sound effect of the melodious human singing “Sexyyyyyyyyyy” came from maurolupo.
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Image from page 988 of “Popular electricity magazine in plain English” (1912) (Internet Archive Book Image)
This arbitrarily-categorized Extended Universe Episode saw one of your brave hosts venture out of her cozy living room and into stormy Vancouver in search of a real live theatrical BUT TOTALLY COMMUNITY-DRIVEN AND FREE SO IN NO WAY LEGALLY LIABLE reading of Harry Potter and the Cursed Child.
Thanks to Laura Fukumoto, Nicole Yukiko, and everyone who took part in this magical event, for letting me record SHORT AND THUS COVERED BY FAIR DEALING segments of the reading, as well as a number of delightful interviews. Enjoy!
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Image: filmratings.com
Gather ’round, witches! We’re back with another minisode! This week, Marcelle asks resident Guy With A Film Degree Neale Barnholden all about trailers and somewhat ironically they talk for an hour!
PSA: we had a LOT of unexpected technical difficulties before, during, and after recording, so please think of this episode as a rather rough cut.
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Pull out your rulers, witches, and start measuring your margins, because this episode we’re getting into the nitty and the gritty of book design. Hannah is joined by book designer (and brand new colleague at her brand new job!) Mauve Pagé in a discussion of three different editions of Harry Potter and the Philosopher’s Stone. We talk about kerning! We talk about x-height! We talk about widows! And as all those exclamation marks indicate, you should be excited!
P.S. Things get visual in this one, so you might want to follow along with the gallery below.
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Welcome back, witches! Today’s episode wraps up our discussion of the second half of Harry Potter and the Cursed Child and after this we’ll never speak of it again—at least, not until the next edition of play script gets published with all that sweet, sweet paratext you know we crave…….. Seriously, though, we’re stoked for the re-issuing of the post-production script with, like, photos and shit. But for now we make do with the incomprehensible stage directions and many, many title pages.
Enjoy!
Credits:
Dramatic reading background music once again care of Bensound. In fact, we like Ben’s work so much that this week the delightful tune “Cute” accompanies the Twitter list! And the melodious songstress singing “Sexyyyyyyyyyy” came from maurolupo.
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Image: Tasha Chawner, flickr
Grab your contraband Time Turners, witches, because we’re zipping back in time to episode 15A: the first half of our discussion of the play script for Harry Potter and the Cursed Child!
Speaking of time, in this episode Hannah and Marcelle dive into recording from two different timezones! The results are PRETTY GOOD!
Dramatic reading background music by Bensound.
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Source: Flickr, The Commons
Grab your opera glasses, witches, because this week Hannah is joined by actor, director, and playwright Jeremy Mason for a discussion about the pleasures of reading plays, and why Rowling might have turned to the theatre for her newest addition to the Harry Potter canon. Don’t forget to take notes, because we’ll be asking you for your questions about Harry Potter and the Cursed Child in the coming weeks.
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Image source: Deviant Art
Are you prepared for a rambling, margarita-fuelled discussion of pamphlets, propaganda, British fascism, lightning bolts, and how to browbeat your beloved hosts into getting your very own episode? No? Then you should probably skip this one. But if you actually love all those things, plus gratuitous lightning sound effects*, then this minisode is for you!
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Image source: Tumblr
Welcome to our brand new podcast, The Harry Potter Hour, Starring Feminism! It’s a lot like our old podcast Witch, Please except, uh, Newer and Different!
This truly is the last episode of classic Witch, Please, though. After this it’s all paratexts, minisodes, and shenanigans! No more rules, no more social decorum, no more consistency. If the episode seems a little early, that’s because the Internet screwed up and we didn’t know how to fix it we wanted to give you a special present before leaving you NOT FOREVER PLEASE DON’T FREAK OUT. Look to your podcatchers on August 1 for the next minisode. Until then, you can settle in comfortably with your reliably clever and hilarious hosts as we’re joined by the über popular Guy With A Film Degree Neale Barnholden to talk about the last official Harry Potter film, Harry Potter and the Deathly Hallows, Part 2.
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photo credit: slgckgc on flickr
But we’re not dead yet! cry your coven mistresses as we claw our way back into your podcast apps. That’s right, witches! We still have two more official (and, like, scores more unofficial) episodes for you!
Tonight we’re joined by real life guy with a film degree, Neale Barnholden, for the ultimate—no, no then penultimate—wait no! the antepenultimate—WHATEVER, FOR ANOTHER EPISODE! Turn on all your lights and settle in with a companion species for a spooky episode from the podcast boneyard about the second-last (or is it?!) of the Harry Potter films, Harry Potter and the Deathly Hallows Part One.
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With Marcelle a million miles* away, we’re presenting to you a live event organized by Edmonton Potterwatch. “Project Firenze: Minority Representation in Fantasy Literature” was the organization’s first-ever live panel on that topic, focusing this time on the Magic in North America stories and the representation/appropriation of Indigenous cultures. We were joined by Lucinda Rasmussen and Roxanne Harde from the University of Alberta, and moderators Emily Hoven and Nina Legesse, to talk about YA, North American history, and the empowerment of owls in Rowling’s work.
(Please pardon the sound quality: it was a live venue and we had one mic to share amongst six speakers of wildly varying volumes!)
Further Reading:
*11, 134 km
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Well, this is it, witches. Buckle in for an extra long episode, because this is the LAST (third) part of our discussion of the LAST (seventh) book (Harry Potter and the Deathly Hallows) and we have a lot of ground to cover and old friends to mourn.
But don’t you worry. Even though we make about a hundred jokes about it, we’ll be back with more moviesodes and minisodes before the summer is through!
{TW for sexual assault, rape culture}
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Image Credit: Eric/Kimber on Flickr
Howdy witches!
Marcelle edited tonight’s episode in a flurry of packing so please forgive the dearth of whimsical sound effects! We hope that even without an obscene number of honks and hoots you’ll enjoy this second instalment of our discussion of Harry Potter and the Deathly Hallows. But, to be honest, we’re so internet famous now that we might just start making weird avant-garde artsy episodes to fuck with you. Probably not. But we could!
{TW: episode contains use of the song “Taps” and references to death}
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Howdy, witches!
While Hannah was off feministing her heart out in Ontario, Marcelle and Trevor and Neale recorded a live episode at the Calgary Comic and Entertainment Expo! A word of warning: the sound quality is lousy but there are some cute hippogriff baby coos AND the attendees were RADIANT! Also there’s a slide show to accompany our panel below if you like visuals.
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Photo credit: Peter Trimming, Flickr
Tonight, witches, we bid farewell to a friend and confidante. As the Harry Potter series draws to an end Hannah and Marcelle get selectively weepy because compassion fatigue is real and, like, everybody dies in this book. So pour yourself a stiff drink and, while you’re at it, pour one out for Hedwig that she may soar again in our dreams.
{TW: episode contains use of the song “Taps” and references to death}
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Pull out your scissors and glue sticks, witches, because today we're bringing you a very special montage-filled minisode. As part of our public lecture, “Witch, Please: Feminist Fandom, Public Pedagogy, and Podcasting,” delivered at the University of Calgary, Marcelle prepared two audio montages of our book and movie episodes. They're pretty charming, and you should probably listen to them and share them with everyone you know.
If you'd like to see a little more of our public lecture, you can check out the live tweet stream and some gratuitous gifs on our Storify.
Download this fragmented minisode
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Settle down students because class is about to begin! Cheer for your U of A Champions Hannah and Marcelle as they swoop into the University of Calgary’s English Department on their shiny new Red Arrow broomsticks. It’s kind of like the Triwizard Tournament, except it’s like really safe for all involved.
Graciously invited by Dr. Derritt Mason and his Children’s Literature class, Marcelle and Hannah have a topical back-and-forth before opening up the floor to questions that will challenge their wits and long term memories. Will our covenheads reign supreme? (Spoiler alert: everybody wins in this scholarly romp!)
PS: Special thanks to photographer extraordinaire @sarahraemurray for this perfect image of Academic Joy.
Update: If you’d like to read along with us, here are the relevant articles!
Maria Tatar: No More Adventures in Wonderland
Native Appropriations: “Magic in North America”: The Harry Potter franchise veers too close to home
Native Appropriations: Magic in North America Part 1: Ugh.
Righting Red: Magic & Marginalization: Et tu, JK? 🙁
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Get your adult colouring books ready, witches! In tonight’s minisode Hannah and Marcelle descend the rabbit hole of adult colouring books, producing a relatively unedited stream-of-consciousness discussion about books, libraries, censorship, Nazism(?!), racism in general, and how good Snape would look in jewel tones.
Aaaaaaand! if you live in the Calgary area we hope you’ll come to our public talk at the University of Calgary on Thursday March 17th. Details about the event can be found here! We look forward to seeing you there!
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Image Source: Martin Fisch on Flickr
Get ready for a sexy romp with our favourite witches and wizards in this week’s critical analysis of the sexy film adaptation of Harry Potter and the Half-blood Prince. If you haven’t seen the sexy trailer, check it out here as it features sexily in our sexy critique.
And if that isn’t sexy enough, break out your Malcoy flirting fans because beloved guy-with-a-sexy-film-degree Neale Barnholden returns to explain all the sexy technical terms necessary to understand this sexy teen comedy.
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Image from tiffany terry on flickr
This outrageously tardy episode marks our FIRST birthday as a podcast, which means it’s also our first anniversary with YOU! We’ve come a long way these last twelve months and our coven has reached farther than we ever dreamed. We even got a fancy-pants makeover to celebrate! Above all, YOU are all the very best, and, to show our appreciation, we bring you our silliest and smartest episode yet!
Get your chips ready as we continue our analysis of Harry Potter and the Half-blood Prince.
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Hey witches!
Our discussion of Harry Potter and the Half-blood Prince is on hold for a fortnight as we bring you our adventures at Nerd Nite Edmonton! We drank a bunch of wine and got up on a stage to talk about literary criticism, feminist criticism, and fan theories. It was the best.
Enjoy!
UPDATE: If you’d like to follow along with the slides, here they are!
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Hey Witches!
It’s late and there’s a hippogriff baby in need of attention, so let’s get right to it: here for your listening pleasure is the first half of our discussion of Harry Potter and the Half-blood Prince (see what I did there?).
Enjoy!
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Ho Ho Ho, Witches! We’re back in the expanded universe of the podcast with Episode Kappa in which we cackle at fraternity, get a lil’ tipsy on vegan egg nog, and VERY bravely sing some songs. We wrote the songs just for you, dear listeners, so scroll down to find the lyrics and sing along!
Word of caution: if this is your first time tuning in to Witch, Please, this episode is probably not the best introduction to the podcast itself (though it is most definitely the best intro to your podcast hosts and regular guest stars). Listen at your own risk of confusion!
We’ll be back to our regularly schedule fortnightly shenanigans in January, so blow the dust off your copy of Harry Potter and the Half Blood Prince so you’ll be ready to follow along.
Sending you hugs, kisses, and shitty jingly bell sound effects,
Marcelle, Hannah, Neale, & Trevor.
Witch This?
T. Chow-Fraser; D. Elfman.
What’s this? What’s this?
There’s elvish everywhere
What’s this?
A dragon in its lair
What’s this?
I can’t believe my eyes
I must be dreaming
Me oh my this isn’t fair!
What’s this?
What’s this? What’s this?
There’s something very wrong
What’s this?
That goblin’s singing songs
What’s this?
The hills are full with
Elves and dwarves and hobbits
Out for gold and secret treasure
Through the mountains on adventure
What is this?
What’s this?
There’s wizards singing folk songs
Instead of blasting spells
They seem to live forever
Unlike Nicholas Flammel
Can Gandalf really magic?
He’s really good with swords
Is history the real magic here?
I simply can’t decide…
Oh, look!
What’s this?
He’s forged an evil ring
One ring! To give to every king. Inspired!
One ring to rule them all and in the dark
To him he’ll bind them, oh my gods
What’s this?
What’s this?
It’s Sam, gaze deep in Frodo’s eyes. How queer
Get up that mountainside
Or die!
If Sau-ron gets the ring of power
Elves and humans all will cower
And war will come to everyone
So, now, correct me if I’m wrong
This looks like fun?
This looks like fun!
Oh, could it be? I got my wish?
What’s this?
Oh my, what now?
The dwarves are all kaput
And look, a balrog underfoot
Nazguls
Orcs and trolls and orientals
Oliphaunts and trees
Don’t start making coney stew
You’ll never get to eat… *sigh*
What’s this?
The ministry is missing
And no death eaters in sight
And in their place there seems to be
A big red flaming eye
Instead of He Who Can’t
Be Named, hear ringwraiths on the wing
If you want him come and claim him
What’s with this damn ring?!
The sights, the sounds they’re everywhere
And all around
I’ve never felt so good before
This empty place inside of me is filling up
I simply cannot get enough
I want it, oh, I want it, oh, I want it for my own
I’ve got to know
I’ve got to know
What is this place with so much mirth?
What is this?!
Middle Earth, hmm…
Poor Hacks
H. McGregor; D. Elfman.
What have we done?
What have we done?
How could we read so blind?
List’ners lost, where were we?
Spoiled all, spoiled all.
Everything’s gone all Tolkien…
What have we done?
What...
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Ahoy witches! Join us for another mat leave minisode as we travel back in time to learn about Quidditch IRL! This recording comes from the 2015 Edmonton Comics and Entertainment Expo and features the vocal talents of the Edmonton Aurors Quidditch team. We hope you enjoy!
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This week, as Marcelle and our erstwhile tech support selfishly abandon us to care for a newborn, Hannah and genuine guy-with-a-film degree Neale Barnholden go on magical tour of cinematic and material history, featuring dragons! It’s a Q&A minisode, minus the mini. Buckle in, dear listeners, because things are going to get shouty.
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Tonight is a magical night for citizens in the North Land called Canada. In addition to a Federal Election with a potentially record-breaking voter turnout, there’s also some kind of sports event starring some carnivorous birds that people are taking pretty seriously. Also, the latest episode of Witch, Please!
In tonight’s episode Hannah and Marcelle tackle the fifth movie without any actual film expertise from our favourite Actual-Guy-with-a-Film-Degree, Neale. But fear not, covenmates, Neale will be back. And on the topic of absenteeism, this might be Marcelle’s last episode for a little while because she’s gonna have a baby or something. Possibly tonight! Who knows! The important thing is that you can rely on Hannah to keep things going and something or other about when things get dark look to the light.
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**Just a wee correction to keep this episode in line with our outrageously complicated numbering system! The real number 10 will be uploaded as scheduled on Monday!**
Nothing gets your magical blood pumping quite like a room full of Harry Potter fans ready to talk about feminism! Witches, we are just over the moon on a Firebolt to bring you our first ever live episode, recorded at the Edmonton Comic & Entertainment Expo.
Special thanks to all you listners who made it out that afternoon! You sure know how to make an angry feminist team feel special.
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You know what, witches? Growing up is hard. In tonight’s episode your hosts Hannah and Marcelle relive their teenage years and cry a bunch.
Get your hankies and enjoy!
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Is it getting hot in here or is it just that cleansing fire? Either way, we are thrilled to bring you the long-awaited first half of our discussion of Harry Potter and the Order of the Phoenix.
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Gird your loins, witches, because it’s time for ANOTHER #witchpleasetellme minisode. Thrill to the sounds of Hannah bravely confronting Trevor, the erstwhile robot troll of our hearts. Will she defeat this perilous foe? Only time will tell! (Spoiler: no.)
Don’t fret if your question wasn’t selected. Now that the episode is recorded, we’ll re-post your queries on Twitter so that everyone can see how brilliant our listeners are.
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Here it is. The episode that’s too hot to upload through a mere, smear mobile phone.
Game on, witches.
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Howdy, witches!
We recorded this episode in Marcelle’s rasberry-filled yard, all the while stuffing our faces with these spectacularly tart backyard berries. If only we realized at the time how entirely à propos our snack choice was! Can you find all the “raspberries” in tonight’s episode? Listen and find out.
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Hello, dear witches!
Tonight we present to you… our second minisode! While Hannah rubs elbows in Montreal, Marcelle answers your questions with the help of our erstwhile tech support and the robot of our hearts: Trevor.
Thanks to everyone who submitted #witchpleasetellme questions! We love interacting with our listeners even more than we love the Harry Potter series. And, now that she’s allowed to look at the twitter feed, Marcelle will re-post all of your excellent queries for everyone’s enjoyment!
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Welcome back, witches! We are thrilled to bring you our second (too-long) episode of Witch, Please about Harry Potter and the Goblet of Fire. In today’s episode, “The Goblet is Political,” guest host Andrea Hasenbank helps us wrap our heads around the issue of labour (domestic, craft, and pre-industrial) in the wizarding world.
We’re dealing with a lot of big, serious topics, so you may notice a slight derth of whimsical sound effects. We’re pretty optimistic that the discussions themselves will compensate for this absence.
xo
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Here we are, witches, with the first of TWO too long episodes about Harry Potter & the Goblet of Fire. Marcelle is back from her adventures in the Eastern Standard Time Zone (a mystical land whose residents think Witch, Please episodes appear on Tuesdays!) and joins Hannah for an 85-minute discussion about displacing racial violence onto “grievable subjects,” precarity, sexual violence, Game of Thrones, and more.
Spoilers ABOUND in this episode, so proceed with caution.
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Our first ever, surprisingly long minisode. Sylvie and Rebecca join Hannah for some unusual segments and old-timey foley work.
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This episode was a real adventure–not just the editing, but the recording process, too. An extra long wait for an extra long episode: it makes sense, if you think about it!
We are excited to present to you Witch, Please Episode 6: Neale Barnholden and the Final Cut, which would make a pretty decent band name IMHO.
Extra special thanks to CJSR fm, the Edmonton Public Library, and the wonderful viewers and organizers of Edmonton’s Accio Books.
Enjoy!
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Oh hi there! You’re still waiting for the second half of Episode 5, huh? Well you’re in luck! Episode 5B is ready for your listening pleasure.
xo
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Book lovers, we're back from our week-long hiatus. It's been too long. Without further ado (but with so very Much Ado), we present to you Episode Four!
Bisoux
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Get ready to level up, Second Years!
It’s time we stop pretending there won’t be spoilers in this podcast. We’ll do our best to give you ample warning when a spoiler is coming, and we won’t discuss the spoilers at length, so hopefully our listeners reading along with us don’t have the magic ruined for them. But if you are reading along with us—and for the first time—we really want to encourage you to go on and read ahead. xo
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We are excited to bring you the second episode!
PS: It’s a Monday, and we’re going to keep releasing on Mondays. If you prefer to listen to Witch, Please on Fridays, you are responsible for securing your own time turner.
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