Makers of the USA

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Kendal Brown Started His Career In Ministry & Pivoted Into A Nationally Known Candlemaker Mar 13, 2022

Show notes

"So my craft is something that I call the contemplative process of candle making. The process of getting here or the route to getting to this place is a bit long and winded so I'll try to make it as brief as possible. I was an artsy kid, I was born in the bustling metropolis of Danville, Virginia. That's a huge laugh line for your listeners. It's not a bustling metropolis, but it's Southern Virginia right on the North Carolina border, and had a wonderful childhood. However, there wasn't an affirming environment for an artsy kind of kid growing up in rural Virginia in the south. So I kind of left those longings except for music and those desires kind of along the way as I grew older and couldn't imagine a life for myself as an artist or as a maker. But still had this longing. I would literally be driving in my car as an adult and I would look at my hands and say, I'm supposed to be doing something with my hands. I would have just kind of this inner knowing and you know, I used to play piano for churches, I used to draw and make paintings and do all kinds of artsy stuff, but just got older and just got farther and farther away from that. Long story short, about six years ago, I was in a department store and the candle section is always the first section that I go to because candles have been a part of my content. My writing process, my meditation process, my unwinding process for as long as I can remember. So went to the candle section picked up a candle and I don't tell everyone this because some folks may turn their heads a little bit. But I literally heard a voice that said, you can make this, and making a candle was nowhere on my radar. But as clear as I can hear my voice, I heard that voice and I went home like a madman and got on Google and "googled" -- how to make a candle. And, you know, watch tons of videos, I went to Barnes and Noble and scrounged around for books and got a few candle making supplies and ordered some things online and made some things for myself and friends and family and said, hey, you know, what do you think about this, and didn't know what I was going to do with it, but knew that I wanted to be a maker and knew that I wanted to do something with my hands. So just it was just itching to come out of me.," said Kendal Brown, owner and founder of 228 Grant Street Candle Co.

Kendal was continually searching for something to do with his hands and stumbled upon the craft of candlemaking. His studio and storefront are in the heart of Baltimore off of 228 Grant Street. The scents within his collection remind him of memories with his grandmother, she was quite the baker and canner. There was always something on the stove or in the freezer that could be magically put together for sustaining nourishment at his grandmother's. Her front porch served as a neighborhood therapy office. Candlemaking was quite the fit for Kendal with his upbringing in mind.

Tune in to learn more about Kendal's journey building 228 Grant Street Candle Co. You can learn more about his business by heading over to their website and visiting their Facebook and Instagram.

Also, tune in to the end to listen to Deanna Bogart, the featured musician of the episode. Her single Still A Girl In The Band is one you don't want to miss.

If you enjoyed this Makers of the USA episode, please leave a rating and review on Apple Podcasts, Spotify or Facebook. Please check out Makers of the USA's YouTube channel, Facebook and Instagram. Thank you all and stay safe and healthy.

From Musician to Crafter to Photographer, Erin Little Has A Unique Creative Palate Jan 08, 2022

Show notes

"I am a photographer. I have been doing it at this point, for about 14 years and it's kind of evolved over those years. Right now I'm focusing on interior and architectural photography. But in the beginning, what inspired me, was to take it from a hobby to a more professional level. I just really fell in love with the digital world and I had been using film so everything just kind of opened up and seemed much more accessible in terms of what you could really do with the craft, it just seemed easier, it was less expensive upfront. It was just more feasible and my daughter at that point was a baby and I started kind of like a blog, which became really popular back in the blogging days, and that really kind of launched my career very quickly. So within six months, I was already shooting gigs and getting hired and you know, it was just all very serendipitous and worked out well," said Erin Little.

Prior to Erin's photography career, her focus was raising her beautiful daughter and crafting children's clothing. She had an online shop and blog to help her promote her pieces. She handled her own photography and people grew to love her photography work when visiting her online shop.

I had kind of an interesting college path. I was a musician growing up so that was kind of my focus. I play classical piano and jazz trumpet and classical trumpet. So I actually auditioned to get into Berklee School of Music and like, just kind of passed it up. I was in this really defiant, kind of like, everybody just assumes that I'm going to do music because I've been doing it my whole life. But what if I don't want to go to a music school, it was really scary for me to think about going to a school where you went for one thing, and it was music, you know, you didn't have any other options. If you got to, like the junior year, and you're like, well, I don't know if this is what I want to do. So I gave that up. I ended up at Simmons down in Boston and really didn't enjoy it. So I kind of went my own way and then ended up at Goddard, which is a kind of a school, this hippie school in Vermont, and did that for two years. And like kind of, it's like a home, school-based kind of you do it yourself, but you meet your advisors once a semester and all that stuff. I really love that it allowed me to work full time and go to school. Then I found my way back to music. So I ended up at USM School of Music in the jazz program for jazz trumpet performance. So absolutely no photography in any of that. But I was always taking pictures during that whole time," said Erin.

To learn more about Erin Little and her journey behind the lens, listen to the episode or visit his website.

Séan Alonzo Harris' Creative Drive Stems From His Authentic Connection To His Subjects Jan 03, 2022

Show notes

"I asked for a tape recorder when I was seven years old, and I got a camera instead. I'm like, this is a tape recorder...my grandmother gave it to me and said you can record with that too. At the time, my parents had gotten divorced, and my parents were from DC and then we moved to Cambridge. The camera was a way for me to stay connected. I take photographs, I only use the camera when I went to DC. I never took photographs in Cambridge. I take all of these photographs and for some reason, I get back and I process them. I would put them up on the wall and kind of paginate them and map out my summer or holiday or whatever it was. So I was like creating this stuff. I just kept on doing and as time went on, I started to take more photographs. It was just something that clicked with me and then I saw some stuff in the darkroom and I was, mind blown. Then by the time I was nine years old, I had a Pentax K 1000. I just understood, it was something about it. I just could see." said Séan Alonzo Harris.

Séan currently lives in Maine but before venturing up north he attended the Art Institute of Boston, which now is the Lesley School of Art Design and he also had an incredible opportunity to intern with photographer John Hewitt.

"I ended up working with him and so my last semester in college... John was a little bit ruffled because I became part of his team. I went off, and I photo assist a lot. What I learned in grad school with photography, it all applied, and then put it into practice. So I did that for many years. I did that in New York City, to establish myself, and it took a really long time for me to establish myself, but I was always producing and creating work and, either personal projects, they call it commercial world, fine art that I've created over the years and got into a lot of shows. You know, grinding and just doing what I do waking up every morning, like, how can I attack this problem? You know, what's going on? Who can I get in front of? said Séan.

To learn more about Séan Alonzo Harris and his journey behind the lens, listen to the episode or visit his website.

Ron Furman Built A Fells Point Staple From The Ground Up & Its Legacy Continues Today Dec 11, 2021

Show notes

"When we took over it was a nice I guess disco. It was just a poor excuse for a disco I guess but that's what it was. But I was always into music. I loved music and that's what I wanted to do. So I started booking bands and you know, we went from local bands to regional bands to everybody. From Smashing Pumpkins to David Cassidy," said Ron Furman, owner and founder of Max's Tap House.

Ron and his family are originally from Baltimore and at the age of twelve got into the Max's business. From taking artifacts from historic buildings and repurposing them for his facility, Max's Tap House has a unique character and a top place to have a good time in the heart of Baltimore.

"If we can find use from something we used it. If you look at the first floor in the back that's all bowling alley that came out of the Old Southway Bowling Alley in Federal Hill. The second floor, the floor, and the walls all came out of the Secrets Distillery, the warehouse that was over in Dundalk before they tore it down. What was really neat when we cut the wood, you could actually smell the whiskey in it. It had a great aroma," said Ron.

Today Max's is the largest tap house in Baltimore as it holds over 68 taps and they even built the largest bar, over 55 feet.

Tune in to learn more about Ron's journey building Max's. You can learn more about Max's Tap House by heading over to their website and visiting their Facebook and Instagram.

Also, tune in to the end to listen to Freddie Long, the featured musician of the episode. His single Blanket is one you don't want to miss.

Sam Sikkema Preserves & Captains The Largest Historic Ship In the U.S., Victory Chimes Nov 23, 2021

Show notes

"I would say my craft is the preservation of traditional sailing. And I think the thing that inspired me to start it was just a lot of my connection to nature as a kid and how sailing and doing it in a sort of, I guess I for lack of a better term, say more organic way, with less plastic and less technology and sort of just, you know, more wherewithal, and that sort of inspired me to go the route of traditional sail, it also sort of fell in my lap to a degree, like a lot of things that, you know, you end up being lucky with. But I would say that that's one of the things that has kept me inspired to keep doing it over the years. I'm sure it's that connection that you can have to the natural world through having to work through you can't go around it, you can't go over it, you have to just work through it and figure it out and do it with you know, all of these traditional materials," says Captain Sam Sikkema.

Captain Sam grew up in Michigan sailing on the great lakes. His father introduced him to sailing which at first Sam didn't really care for and enjoyed the speed of powerboats instead but then over time he grew a passion for sailing.

"There is not a school for being a Merchant Mariner. There certainly is a Maritime Academy which is an excellent way to go. I certainly considered that getting out of high school, though, I have to say, when I was getting out of high school, the idea of doing any more school period ever was not really on my radar. So one of the things that I think is really cool about sailing, and especially traditional sailing is that it is in a lot of ways an oral tradition and the best way to learn is through experience. So it's pretty much all on-the-job training. I was fortunate that I was able to kind of, you know, get into it right out of school and be put to sea and just start going and getting that experience and learning and seeing the world and yeah, you know, went on from there," said Captain Sam.

Captain Sam continues the conversation with Kristan on the foredeck of the Victory Chimes discussing the history of the vessel, his past career leading up to being the captain of the Victory Chimes, the experience of Windjamming, and so much more.

To view, the Maine Windjammer Association fleet visit their website, Instagram and Facebook.

To view, the Victory Chimes visit their website, Instagram and Facebook.

Photo Credit: Quinton Donleavy

Thanks to sponsors Berlin City Auto Group and Cliff House Maine.

For more information on the Cliff House Maine event with the Windjammers, click here.

Pete Ross Crafts Gourd Banjos, Ranging From His Own Design To Replicas Of Historic Instruments Nov 15, 2021

Show notes

“I was always like a record store hound since I was in elementary school and so I started working record stores and I worked at weird indy stores. Yeah, like underground music they're cool back in the 80s. And yeah, and but those stores often had like a strong kind of roots music component as well and by chance I heard a recording that been a field recording of a fiddle and banjo player made in the 40 or 41 and I just put it on because I had to keep something playing in the store right. I wasn't really paying attention because it was busy and then a few songs played and I was like man what is this. I had heard bluegrass and stuff like that before, but this didn't sound at all like that. It was like way more acerbic and emotionally direct. It really had a coarseness to it that probably appealed to my ears because of all this sort of harsh underground music I'd listen to. But the other thing that was interesting to me about it was that they were both African American musicians. I didn't really know what it was and if it had been just sort of filed in the blues section, yes. Whoever filed it didn't know, either. And, you know, I knew there were some customers in the store, who are really into like, 78. Collecting and really, really rich music collecting. And so I played it for one of them. And he's like, yeah, that's pretty good. And I was trying to get a feel for what it was. He didn't say much. And then he came into the store, like a few weeks later, and he says, Hey, Pete, you still listen to that country music? I was like, Is that what that is? Like? I didn't really know because I didn't quite sound like anything I'd heard. So it's sort of the idea of African Americans playing this music that I always thought it was kind of the most cracker fire music out there. It was a revelation. And then I'm just curious. I started reading more about the history of that music and then the instrument specifically. I found out that the banjo itself was an African American instrument originally. I found out pretty quickly, at least at that point, it seemed that none from that earliest period of history had survived. I was just so driven to learn more about it. I realized to hear one play, I had to make it myself. So that's what got me started,” said Pete Ross.

Kristan was shocked about how much Pete knew about the history of this beautiful instrument and who knew the banjo had a connection to Baltimore.

“The earliest commercial maker was here. The instrument was played by African Americans here as well at the tobacco plantations on the eastern shore. I was sort of exploring my identity, somebody from a state that doesn't carry a lot of cultural identity in the minds of the rest of Americans. But I was sort of discovering like, this is the place where these things happened, right? But it was a southern state that even though didn't join the Confederacy, the economics here grew around mass force labor to Kansas, growing tobacco here, right. And it was important that wasn't forgotten either. So I started, like, how much do you identify with that? Well, not really. But it's also I didn't grow up in Baltimore. I grew up in Maryland. So that all played in my mind. I had spent some time in high school in Baltimore come up here to see the punk bands and all in the little crappy little clubs and abandoned buildings. So I got to know the lay of the land. As you grow closer DC as DC having more intensely gentrified, the sort of more blue collar surroundings, and Baltimore, just like, I felt more comfortable with it. Like I said before, you know, it's sort of the perfect place to have sort of delete that kind of bohemian lifestyle because you don't have to devote so much of your lifetime,” said Pete.

Kristan learned more about Pete’s mentors, musicians he crafted banjos for, his time growing up in Maryland, the step-by-step process on how he crafts his banjos and so much more.

To learn more about Pete’s craft visit his website and Instagram.

Photo Credit: Matt Sprague

Baltimore Native Brandon Woody Brings His Own Style of Trumpet Playing To The World Nov 01, 2021

Show notes

"So my craft is music, I am a creator, I'm a composer, a bandleader. Those are like the main things that I'm focusing on but play the trumpet. I've been playing for about 15 years and how I got into it. I used to play the drums, I used to bang on pots. First, I used to bang on pots and pans when I was growing up. My mom and dad were still together and then I went to elementary school, the first instrument that I wanted to play was the drums. I had focused on that instrument for a whole year and I felt like by the end of the school year, I still didn't get anywhere on the instrument. I didn't really progress. I didn't see any progress. So I had this talent competition...I had this music teacher in elementary school named Mr. Freeman, and he said, you know, go ahead, do the talent competition, like even helped me out, you know, practice on some music for the talent competition. So I did it. And then I just did awful, did an awful job, and then there was like this older kid that ended the whole talent competition that also played drums, and he won. So wow, that broke my heart. I was like, how's that? Oh my gosh, not even just that he won. I was definitely happy for him. But the fact that I did, I thought in my mind that I did a terrible job in front of hundreds of people in my elementary school at such a young age. I was like six, seven years old. I just stopped playing the drums and then took a summer off of music in general. Just like playing a lot outside and then that September, whatever year that was that I went back to elementary school probably like third grade. I was probably eight years old. I had the choice to pick between saxophone and trumpet. still wanted to, you know, be involved in music. I think the main thing that made me do that was because last year when I was playing drums, I was getting butterflies, like, you know, five minutes before band rehearsal, I would always get these butterflies in my stomach. I didn't even know what they were. But just like the kind of nervous, kind of passion like really hard passion feeling of like, something that you are just getting into, but you really love it and you still don't even know what it is. Right? So I still had those butterflies next year. So I was like, oh, yeah, definitely got to still make music and trumpet just had fewer keys on it. A trumpet only has three vowels. The saxophone has endless keys. So I just thought it would be easier to play trumpet, honestly. And it wasn't, definitely wasn't, I couldn't take the instrument home, I couldn't, I couldn't read the instrument and take it home until I made a sound on it in school. So I would come in early every day for like two whole weeks trying to make a sound on the horn and I finally made a sound on the horn after two weeks and he allowed me to take it home. I lived in apartments, you know, all my life for you know, a lot of my life, especially after I started playing the trumpet because I was just living with my mom and my brother. My mom and dad split up like a little bit before that. But, uh, you know, people in apartments are, you know, they're not trying to hear a young kid playing the trumpet when they got whatever they got, not knowing that, like, you know, these hours that I'm putting in these apartments are really changing and affect my life for the, for the better. It was crazy, because anytime that I would, this was definitely an example of my mom's love, advocacy, and hard work, and strength, as a single mom as a single black mom in Baltimore. You know, anytime somebody in an apartment building, you know, would knock on the door, whatever, she would just curse them out. You know? And I would keep practicing," said Brandon Woody.

Brandon is a highly talented trumpet player who grew up in the heart of Baltimore. He went from learning trumpet in middle school to performing with trumpet playing legends and now starting his own fashion line with major national brands. Kristan learned about Brandon's life growing up in Baltimore, the milestones in his music career that got him to where he is today, and even the struggles he went through being a black musician.

To learn more about Brandon Woody's craft, visit his website and Instagram.

Photo Credit: Megan Elyse

Alison Thibault Brings The Craft Of Color To Vinalhaven Oct 17, 2021

Show notes

“I'm able to make color by working with glass and the glass that I work with is fused dichroic glass, which I work in a kiln. But what really got me started was I had a pair of earrings that my Mom had given me years ago and I lost one. I was inspired to make a match for that earring at the same time that I was looking for a new way to find work to walk through my day,” said Alison.

Alison was a commercial banker in Northern Virginia and she found that a nine-to-five job wasn’t her calling. Her mother gave her a book called The Artists Way by Julia Cameron and this really opened her eyes to get into a more creative hobby which has now turned into her full-time job. She also has a family filled with creatives and she never thought she would go in a similar direction as her family members.

“I never considered myself that person until I went through this process and that broadened what I was going to look for, as far as work. So then I started thinking, well, maybe I could write the great American novel, or I could, you know, make a line of note cards, and it just started me on a different path. So it wasn't a big stretch when I did lose that earring and I was driven to make a match for it. As I was doing that, and I started the process of learning how to make fused glass, I would wear my work, because that was the point. People started asking to buy the work right off of me. So I listened. And I went, you know, I, I did a few things that my banking background helped me with, I figured out the cost analysis of the process. Was this something that I was going to be able to actually make a living at? The answer was, yes,” said Alison.

Alison has made over 193 different colors into her glass pieces and she continues to think of innovative ways of growing her craft. You can find her website here and find her on Facebook and Instagram. Tune in to hear more about Alison's story.

Also, the featured musician of this episode is Joshua Eden who is originally from Vinalhaven. Here is his track Certain Kind of Love.

Dan Janssen Handcrafts The Finest Razors Out Of A Historic Mill In Baltimore Oct 07, 2021

Show notes

“I like to say that I make the world's finest razors pure and simple. I hand-turn wooden razor handles that fit modern cartridges like Gillette, Schick, and double edge blades. I'm still trying to get in Dollar Shave Club in Harry's but I'm so small, they don't know I exist yet. But one day, that's a good goal to have. I've always been a woodworker. More as a hobby. I was a social worker for 10 years in Maryland and I would come home every night stressed out from doing paperwork and meetings all day. The only way I could decompress was to go into my workshop in the basement, a very small basement and I started off doing the typical tables, shelves, things like that. Then I found woodturning and I absolutely loved it. I started making bowls, pins, various spindle things. I made some Harry Potter ones for my nieces. It's just relaxing. It's kind of an intuitive tool. I made a razor because I was looking for a double edge razor and I couldn't find one except in an antique store and they were usually pitted and in bad shape. I just couldn't find one. So I said you know what, I'm going to turn a wooden handle on a lathe and I'm going to somehow attach a double edge blade to it and I figured it out. I made one a friend saw it said “Will you make me one?” and my hobby turned into a very, very part-time business,” says Dan Janssen, Owner, and Founder of Imperium Shaving.

Dan has accomplished many things in his career including his time as a social worker but the meat of his career is when he started this shaving business. It started as selling razors here and there to his friends and now he is selling them all over the nation. People are looking for unique options when buying local and razors is certainly a unique craft.

To learn more about Dan's craft, visit his website, Instagram and Facebook.

To learn more about the featured musician, Cris Jacobs, visit his website, Instagram and Facebook. Also, the track that is promoted is Jack The Whistle And The Hammer.

Andy Cook, Founder & Executive Director of Made in Baltimore, Shares His Passion For Makers Oct 02, 2021

Show notes

“I'm an urban planner by profession and through my work as an urban planner for the city of Baltimore developed the Made in Baltimore program. So I would say that my craft is an economic development community organization. I’m also interested in all of the different types of activities that our, our member businesses do for their work. I do have a background as an artist, and through that work have done a good, fair amount of carpentry and screen printing and other types of things that a lot of our members do as well,” says Andy Cook, Founder, and CEO of the Made in Baltimore organization.

Andy Cook started an organization that was much needed for Baltimore. Baltimore continues to have a bad rep whenever you hear about it on the news but Baltimore is a community of makers, entrepreneurs, and craftspeople that lift up the heart and soul of the city.

“I came up with the idea for a local brand initiative in Baltimore, that's kind of the term of art for what we do here, Made in Baltimore wasn't the first local brand initiative. There are others and other cities around the country, I looked a lot towards examples in San Francisco, in New York, San Francisco made and made in NYC were programs that started before us. Also, guidance from a national organization called the Urban Manufacturing Alliance, which was kind of not exactly an umbrella organization for all of these different local brands, but they host an annual conference for people doing this type of work, supporting urban manufacturing. It was at one of their conferences in 2014, that I learned about this type of activity and thought, yeah, there's nobody doing this in Baltimore City, somebody probably should,” says Andy.

Kristan chats with Andy more about how the program assists its members in their business operations, what the future holds for the program, and much more. Tune in to hear more about Andy Cook and the program he has built from the ground up.

To learn more about Made in Baltimore click here. Follow Made in Baltimore on Instagram and Facebook.

The featured musician of this episode is Deanna Bogart who is a part of this series and her popular track Fine By Me Good Bayou.

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