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    Music

    Made It In Music: Interviews With Artists, Songwriters, And Music Industry Pros

    Many want to “make it” in the music industry. Few successfully make it in. Even fewer stay in. The goal of this podcast is to help bring some clarity to your path towards a music career. We want to help you not only get in, but stay in. To this end, hosts Seth Mosley and X O’Connor will dig deep with luminaries of the music industry. These are people who have “made it” and today have very notable careers. Many are Grammy winners and work with prominent record labels. Some of our listeners might be on the creative side as a songwriter, artist, producer, or engineer. Others might be on the business side interested in marketing, management, A&R, or radio. The “Made It In Music Podcast” is designed to serve both sides; we are certain you will find a place in this community. How do you get a record deal, get a hit artist to cut your song, build fans, or get on tours? We tackle these questions and more. Before you know it, you will be able to say that you too have “Made It In Music!”


    Hosted on Acast. See acast.com/privacy for more information.

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    Copyright: © Full Circle Music

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    Latest Episodes:
    Cris Lacy: How Record Labels Search for New Talent Dec 09, 2019
    Show notes

    Cris Lacy, Executive VP A&R at Warner Chappell, discovered her passion for music at a young age. She remembered listening to a tape of her and her grandfather singing “You Are My Sunshine” and she was correcting him on how to sing it! She has still been helping artists such as Dan + Shay, Kenny Chesney, and many more make it in music.


    Cris Lacy was always surrounded by music. She went to Vanderbilt, interned, worked for a publishing company, and eventually became a song plugger for twelve years. Cris reminisces on what it was like to be around writers all the time. She explains her love for when “somebody shows up with something that didn’t exist 5 or 6 hours before.”


    “I think it’s the most magical thing. And then...you go and try to find a home for that”.


    She describes the difference between roles in publishing versus A&R. She did not want to relinquish control from the songs while in publishing. Moving to A&R allowed her to keep control of the song from start to audience.


    What does it look like to find new talent?

    1. Great team scouring to look for new songs and live shows. (You go to shows every night of the week and travel on weekends.)
    2. Recommendations for artists come from everywhere: writers,, publishers, club owners, agents, etc. (Main question asked from writers, producers or musicians: “Is this worth my time?” If they are spending time with these people- they’re worth it!)
    3. Research and analysis team watching for trends on DSP’s.


    What does it look like to get signed? Every artist has a different journey.


    She explains how she met Cody Johnson and saw him play 8 years ago at a show for 20 people. “His voice was so unique”, she remembered. However, it took him 8 years to sign. Ashley McBryde is another artist she signed. “Incredible vocalist. Great personality self deprecation very funny. Clear perspective in her banter.” They signed Dan + Shay on the spot. Even the time between signing and putting out music is different for every artist.


    “We call it fairy dust… even if the songs aren’t perfect, the fans aren’t perfect, the venue isn’t perfect- there’s just something that's intangible with artist.. It's like there is a light emanating from them.”


    What does it feel like when you know? Cris explains, “It feels like something in my chest.. It's a very physical specific feeling... It’s a warm & fuzzy feeling.”


    A&R’s role? “It’s our job to dive deep on finding new people”. If people are talking about something big that’s happening, A&R has to see who the artist is. “It's finding out what their vision is and trying to figure out if we can add value to that.”


    What you really need a label to do is to be “honest and tell you your babies are ugly.”

    You don't want everyone to agree- you need someone to tell you the truth.


    “An artist needs a label to tell them when their art is ready”


    Does an artist need anything in place before being signed?

    Biggest thing: Know who you are! It’s good to have a big following, put music out, and play shows, but if you don’t know who you are then it’s going to crumble. All the artists who were successful: they never waited for someone else to do it for them.


    “There is no substitute for hard work”


    Advice for artist who has been in Nashville for 5 years and has not gotten a deal:

    Keep going!! “It can take 10-12 years. It’s like winning the lottery! You’re gambling a lot… but the win is big. I don't think it's a game for anyone who can do anything else.” Also, “Creating. That feeds your soul- find joy in the creation. Put emotion into whatever you're doing. People can hear that.”


    “If you can’t imagine doing anything else, that’s probably a good indication you’re on the right track.”

    Hosted on Acast. See acast.com/privacy for more information.


    Rebecca St. James: How to Re-Launch a Music Career Dec 02, 2019
    Show notes

    Rebecca St. James, Australian Christian singer-songwriter, author, and actress, shares her journey of how God has begun relaunching her musical career.


    From watching her first concert at 6 weeks old in the Sydney Opera House, parading her 5 year old peers around singing, “The Sound of Music”, to releasing her first worship record at age 16, Rebecca was continuously giving her all to pursue her passion of singing.


    However, Rebecca explains the challenges she faced from beginning her career at such a young age.


    “I wish I had’ve known at that point... how much self-care and balance in life is important to having something to say and something to give”


    One big misconception people have of the music industry is that everyone has it all figured out... But we all struggle and no one actually has it all together!


    Discover how Rebecca learned to “pour back into her soul” after years of exhaustion and how she practices self-care and rediscovers her identity in Christ. After a hiatus from performing, being an author, actress, wife, and mom, she brings us back to the moment God told her she was going to sing again and how things began to naturally fall into place from writing new music to signing with Bethel.


    “He can bring spring out of a winter season”


    Learn as Seth and Rebecca discuss:


    • How technology has shaped the music industry
    • The music industry 30 years ago compared to now
    • The different “genres” of Christian music (CCM vs. Worship)


    “I just get so excited about feeling like i could be a part of a song that the church worldwide could sing”


    Rebecca shares excellent advice on:


    • How to create a great team- especially in Nashville,
    • Where to find inspiration in writing,
    • How to write songs that last beyond your lifetime,
    • The importance of authenticity.


    “Pray for God to ordain and lead your adventure in serving him”

    Keep up with Rebecca St. James online:

    Facebook: RSJames

    Twitter: RebeccaStJames

    Hosted on Acast. See acast.com/privacy for more information.


    Leo Birenberg: Composing for Big Budget Films Nov 18, 2019
    Show notes

    Leo Birenberg is a film score composer based out of Santa Monica. He has worked on movies/shows like Kung Fu Panda, Cobra Kai, and Tigtone on adult swim. Leo goes into his upbringing, his projects he’s worked on, and what he has learned from the industry.

    Leo studied music theory and composition at New York University and University of Southern California. Leo spent a lot of his time creating short films with his friends in college and he started his first film score for his college roommate’s class project.




    “A lot of success in the composing industry was because of the relationships made in college.”



    Leo tells about working with Christophe Beck, Canadian composer, and the opportunity to work on major pictures like the Hangover movies, the Muppet movies, and Disney’s Frozen. While Leo was learning valuable skills from with with Christophe, he also kept helping his friends from college with their web series and short films.

    Leo gives his insight on what it takes to be a composer, the tools he uses to compose, and how to make the most of every opportunity.




    “Just say YES to everything.”


    Having many opportunities in the composing industry, Leo talks about how it does not matter if you are qualified to do a certain job. He says to say yes to everything, because you will be learning during those opportunities.


    Check out Leo’s content or reach out to them at:

    Website: www.leobirenberg.com

    Twitter: leobirenberg

    Instagram: Leobirenberg

    Hosted on Acast. See acast.com/privacy for more information.


    Brandon Harrington: Making the Music Dream a Reality Nov 04, 2019
    Show notes

    Brandon Harrington is the host of “Surviving the Music Industry” podcast. Always wanting to play gigs, Brandon learned exactly what it took to “survive” the music industry.

    “I love the dream…but I will actually do it.”

    Brandon started up his own podcast in 2015. He wanted to do something that Nashville didn’t have. He also wanted to help people and found out that he could help people in this way.

    He tells about his story and what he did in order to find his way into the music industry. He goes into his upbringing, networking, and how to get yourself out there.

    “The most important thing to do is make friends, not connections.”

    Brandon goes into detail with how he realized what he wanted to do. He jumped straight into a Christian band playing gigs, traveled to the Philippines for missionary work, and got into music from there.

    Learn how Brandon found his way into the industry and how he became who he is today. Brandon tells what actions to take in order to get yourself into the music industry.

    “Don’t be a dreamer. There are not enough doers."


    Check out Brandon's Podcast, Surviving the Music Industry on:

    SmiPodcast.com

    Apple Podcasts

    Stitcher

    Google Play

    YouTube

    Twitter

    Instagram

    Facebook

    Hosted on Acast. See acast.com/privacy for more information.


    Missi Gallimore: Finding the Perfect Songs for a Record Oct 21, 2019
    Show notes

    At her start, Missi Gallimore had little knowledge of how the music industry worked. Today, she is the reason behind some of our favorite songs. She discovered, “Blue Ain’t Your Color”, “Live Like You Were Dying” and many more hits. Listen as this music business genius shares her journey of how she made it in music.


    Even though she loved music, Missi had zero knowledge at all of the music industry- her start happened by chance. She began working for Billy Sherril by someone sending him her resume and he invited her over to listen to his song of Charlie Rich. She told him she didn’t like it… he hired her right away!


    Missi now works in A&R with clients, Tim McGraw and Keith Urban. She also owns several publishing companies, and is a co-founder of Get It Done Entertainment.


    How did she find great songs? Hard work, listening to a ton of songs a week, and cultivating relationships with publishers.


    She also describes the challenges of her job. Getting artists a record deal seem to be more difficult than ever- but we still need a record label!


    Missi also discusses the change she would like to see and where she thinks country music is headed. What’s the most important part of the music business? A great song! She emphasizes the importance and responsibility of publishers and songwriters. She also gives a charge to writers and publishers in Nashville: Stop following the trends!


    “They're the ones who make the wheels turn here so they’re going to have to change something.”


    She also discusses:


    • What she personally looks for in a song,
    • To never give up and how to stay true (even Tim McGraw was told he’d never make it!),
    • Why radio is still important… for now,
    • How to take things slow and be strategic

    Hosted on Acast. See acast.com/privacy for more information.


    Meredith Andrews: Balancing Life as An Artist and Worship Leader Oct 07, 2019
    Show notes

    Meredith Andrews is a worship leader and an artist from North Carolina. Growing up singing in a small church, she tells us her journey to the music industry.


    She tells us about balancing her personal life with performing and what steps she was able to take in order to do that.

    “Being really intentional of what I say yes to.”

    Meredith talks about her connections with music and what makes her come alive. Through her experiences she has learned that music is the way people connect to things.

    “Music is the vehicle.”


    Overcoming your fears in the music industry is a big challenge and Meredith talks about what helped her with pushing through the noise. Meredith goes on to talk about her relationship with God and how she doesn’t want people to see her, but beyond her.

    On Meredith’s journey from a performing artist to a worship leader there were lots highs and lows, but the one thing that remained constant was her faith in God.

    “I was starting to redefine success in my eyes.”


    Find Meredith's latest album and tour dates at MeredithAndrews.com.

    Hosted on Acast. See acast.com/privacy for more information.


    Clay Hunnicutt: How to Get the Attention of a Record Label Sep 23, 2019
    Show notes

    Clay Hunnicutt, who ran Nashville’s WSIX, helped launch The Bull in Atlanta, and is now President of Big Loud Records, takes us through his journey of how he made it in music.


    Interning at a radio station in Chattanooga sparked Clay’s love for the music business. Ever since, he has been non-stop using his creativity and taking every opportunity thrown his way to get to where he is now.


    “It’s about taking risks… I call it stepping off the edge”


    He moved to Cleveland and turned a radio station 10th in the market into 1st. He then moved to Nashville to run WSIX, Nashville’s #1 for New Country hosted by iHeart Radio. Later, he went to Atlanta to help launch The Bull, another #1 for New Country.


    “It’s about the creation process- I get bored after 2-3 years. Once you’ve done things, you need to do something different – you need to create and have more energy”


    Big Loud records is only four years old and has already had major success and signed several major artists. He currently works with artists such as Morgan Wallen, Chris Lane, and Jake Owen.


    “There’s no better feeling than watching even [artists like] Jake Owen sing the songs we worked on with them and having the fans sing it back to them”


    What do you think it takes to get a label’s attention?

    Clay shares the top things he looks for when signing an artist:


    • Their voice
    • Their “Star Power”
    • Their metrics (following, social media)


    Clay also shares tips on how to appropriately pitch yourself. He advises to get to know as many people as you can – it’s all about who you know. Don’t be afraid to do anything – even taking out the trash. Lastly, work your butt off!


    Clay also dives deep into the start of his career at Big Loud Records. He explains how to build a great team, how to think with the future in mind, and what the early season of Big Loud Records looked like.


    “There was a vision, there was a belief. People really want to make an impact”

    Hosted on Acast. See acast.com/privacy for more information.


    Jason Jones & Joshua Wurzelbacher: Looking Professional and Telling Visual Stories Sep 09, 2019
    Show notes

    What exactly is a creative director? What do they do? What are they looking for?

    In this podcast, we interview two successful creative directors, Josh Wurzelbacher and Jason Jones, who share their insights on how they got to where they are now, their roles, and helpful advice.


    Josh Wurzelbacher worked at Capitol for three years, and is now creative director for Centricity. Jason Jones co-founded a marketing website which lead him to a creative marketing position at Capitol, and later to where he is now, director of marketing and creative services at Integrity Music.


    What exactly is a creative director?

    Jason and Josh describe it as being


    “The third leg on the stool… partner with A&R and marketing to make sure there is a compelling visual story that coincides with the sonic story they’re trying to create.”


    It’s all about songs and sound in the music industry. Creative directors have to be the “advocates for visual language”.


    Biggest difference in creative now:

    We live in a single based culture. How should we handle that?

    The most important part, especially now with so much content and white noise being put out every day: It has to be authentic. The key to authenticity? First, figure out what the artist likes and does naturally. Second, work hard! They want the artist to be productive, too.


    “You can afford to be more raw and authentic now.”


    How do they help their artists make the creative process a manageable task?

    1. Resource management. How much do we have to make this happen?
    2. What can we add to what they’re already good at doing? Maybe they’re good at taking photos, but can’t edit them all- put an editor on the road with them.
    3. What do we need to completely supplement? Maybe they have no idea how to do video- put a videographer on the road with them.
    4. Help the artists understand how it helps accomplish their mission.


    What should independent artists do? Surround yourself with other creatives to collaborate with! Barter services and create great relationships.



    Check out Josh and Jason’s content or reach out to them at:

    Josh’s Instagram: Wrzl.jpg

    Jason’s Email: jason.jones@integritymusic.com

    Hosted on Acast. See acast.com/privacy for more information.


    Emily Ann Roberts: The Truth About The Voice & Success Aug 26, 2019
    Show notes

    Emily Ann Roberts is a country artist who was runner up on season 9 of The Voice. She tells about how being on Blake Shelton’s team on The Voice has taught her valuable experiences and where to go from here. She goes on to talk about what all she had to do in order to get where she is today.


    “Everything starts now.”


    From singing in churches, talent shows, a Mexican restaurant, and making a YouTube channel, Emily kept pursuing her dream and got connected with a casting director which started the change in her life.


    Emily Ann Roberts tells her story about the steps she took to get her music out there and facing her challenge of being a woman in country music.


    “Focus on my craft, and if it’s great it doesn’t matter if you are a male or a female. It should just be great.”


    How do YOU make it?


    Emily dives into:

    • How she started playing
    • Making connections
    • The value of experiences

    “Figure out what makes you different…there is only one you.”


    Find the video mentioned in this episode here: Carrie Underwood – “Something in the Water” (Emily Ann Roberts Cover)


    Find Emily Ann on social media:

    Facebook: https://www.facebook.com/EmilyAnnRobertsMusic/

    Instagram: https://www.instagram.com/emilyann_music/

    YouTube: https://www.youtube.com/channel/UCdf9dbFlTQ9TQHRQN1OVz5A


    Find her music on:

    iTunes: https://itunes.apple.com/us/artist/emily-ann-roberts/1040553354

    Spotify: https://open.spotify.com/artist/4ZuggB1YawAAZOBL4pI9J8?si=9RLQY6fNQuuM4YUM2VAd2w



    Hosted on Acast. See acast.com/privacy for more information.


    Stephanie Wright: Inside the Record Label Machine Aug 12, 2019
    Show notes

    So, what exactly is A&R? What does someone in A&R do day-to-day? Most people have a lot of misconceptions when they think about this role…


    Stephanie Wright tells her story about how she landed her first major label job in Nashville (Capitol Records) with zero music industry experience or degree, but it eventually led to her current role as Senior Vice President of A&R at Universal Music Group Nashville.


    With her start in an administration role, she found ways to use her creativity in any situation she could, which eventually led to her discovering artists Brandy Clark, Erin Enderlin, and then signing Kacey Musgraves.


    “I’m glad I took this [slower] path— it gave me an appreciation for the whole process of making a [music] project”


    Stephanie goes into detail on what the A&R role truly means, how to deal with established artists versus newer artists, how A&R uses strategy to accomplish artists’ goals, and what she thinks a “sign-able” artists looks like.

    “My job is just to keep [artists] authentic…[people] who have something about them that sets them apart…at the core that’s what everyone is trying to find”


    Great news for artists— the label really isn’t trying to change you!


    Stephanie dives deep on:

    • UMG’s company structure,
    • What genres mean at UMG (spoiler: they are more difficult to define in this digital age)
    • How those genres relate to how she aims to brand an artist
    • How A&R is constantly evolving
    • What labels are looking for in an artist


    “You have to be flexible and fluid in how you are going about launching an artist, there’s not a one size fits all anymore.”

    Hosted on Acast. See acast.com/privacy for more information.


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