TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Music

    Love is the Message: Dance, Music and Counterculture

    Love is the Message: Music, Dance & Counterculture is a new show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and dance party organisers.

    Tune in, Turn on and Get Down to in-depth discussion of the sonic, social and political legacies of radical movements from the 1960s to today. Starting with David Mancuso’s NYC Loft parties, we’ll explore the countercultural sounds, scenes and ideas of the late 20th and early 21st centuries.

    ”There’s one big party going on all the time. Sometimes we get to tune into it.” The rest of the time there’s Love Is The Message.

    Advertise

    Copyright: © Love is the Message podcast

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    Beat Down Babylon: Reggae Arrives Feb 17, 2022
    Show notes

    In this week's episode Jeremy and Tim focus on the birth of Reggae in Jamaica. Beginning with the island's first popular music, Ska, we hear how the music of Alton Ellis and Desmond Decker transformed into Rocksteady, with it's slower pulse, rootsy feel and serious lyrical turn. Set against the backdrop of Kingston's high crime rate and Rudeboy culture, Tim and Jeremy recount how this music took on the feeling of suffering and anguish many Jamaicans experienced in their lives. We hear how these musicians began to look less to America for their musical inspirations than to the island's Mento folk traditions as the Reggae sound began to crystalize in the late '60s.

    Also in this episode, we are introduced to the pioneering producer and performer Lee 'Scratch' Perry (more from him next episode), explore the emerging link between Reggae music and Michael Manley's socialist People's National Party, and consider the problematic gender and sexual politics of a genre so focused on emancipation and liberation. Join us next time as we dive deep into Dub...
    Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.
    Produced and edited by Matt Huxley.
    Tune in, Turn on, Get Down!

    Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod
    Tracklist:

    Alton Ellis and the Flames - Girl I Have Got A Date
    Alton Ellis - Rock Steady
    Desmond Dekker & The Aces – Israelites
    Lee 'Scratch' Perry - People Funny Boy
    Junior Byles - Beat Down Babylon
    The Abyssinians - Satta Massagana
    Marcia Griffiths - The First Cut is the Deepest
    Books:
    Lloyd Bradley - Bass Culture: When Reggae Was King


    LITM Extra - Live Conversations January '22 [excerpt] Feb 10, 2022
    Show notes

    This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
    This is the audio from our recent patrons-only 'Live Conversations' between ourselves and our patrons, which took place over Zoom in January of this year. Tim, Jeremy and our guests discussed the relationship between Afrofuturism and Afro-Psychedelia, the 'Robotic Sublime' of electronic music, Boomer politics and more, as well as a lengthy and unexpected conversation about how the Extreme Metal scene overlaps with those cultures discussed on the podcast, and a breakdown of the 8 hour Beatles documentary, Get Back.
    We intend to hold these events semi-regularly, so do come along to the next one if you can.
    Produced and edited by Matt Huxley.
    Tune in, Turn on, Get down!


    Rasta, Rocksteady and Race: Jamaica in the Early '60s Feb 03, 2022
    Show notes

    In this week's episode Tim and Jeremy turn their attention to the island of Jamaica. They recount a history of Jamaica as a British Colony and the liberation struggles that grew up in the face of Imperial rule, including the work of Marcus Garvey, the Back to Africa movement, and the eventual socialist prime minister Michael Manley. We hear about the emergence of Rastafarianism in the early Twentieth century, considering the importance of Zion or a promised land to the Rastas, their development into an anti-colonial vanguard, and the role of Indian mystical and religious rites on their own spiritual practices.
    Jeremy and Tim also introduce us to some major players of the early '60s Jamaican music scene, including the head of Studio One Coxsone Dodd and the founder of Island Records Chris Blackwell. Finally, the pair reflect on how the history of Abolition has been written, how we should seek to remain transparent in the present, and tie these questions of historiography to the BLM protests and toppling of the statue of Edward Colston in Bristol in 2020.
    Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.

    Produced and edited by Matt Huxley.
    Tune in, Turn on, Get Down!
    Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod

    Tracklist:
    Lord Power & Calypso Quintet - Penny Reel
    Andy & Joey - I Want To Know
    Delroy Wilson - I Want Justice
    Lance Haywood And Ernest Ranglin - Begin The Beguine
    Owen Gray and the Caribs - Mash It
    Bob Marley - Judge Not
    Millie Small - My Boy Lollipop

    Books and Films:
    Eric Williams - Capitalism and Slavery
    Tim Lawrence - Life and Death on the New York Dance Floot, 1980-1983
    BBC4 - Roots, Reggae, Rebellion (with Akala)


    LITM Extra - Interview with Daphne A. Brooks pt.2 [excerpt] Jan 27, 2022
    Show notes

    This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.

    In this week's patrons-only episode we conclude our two-part interview with Black Feminist scholar and music critic Daphne A. Brooks. Following from our previous show, Daphne disucsses some of the contemporary figures in her new book Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, including Janelle Monáe, who along with the Wonderland Arts Collective engage in an act of intellectual worldbuilding around her music, and the deep archival searching of jazz singer Cécile McLorin Salvant. With reference to Beyoncé Tim, Jeremy and Daphne consider to what extent we are living through an ascendent period of Black feminist consciousness and discuss the way such Black female megastars are held in cultural production.

    We also took advantage of speaking with Daphne to ask her about the Harlem Cultural Festival, the so-called 'Black Woodstock' which the excellent new film and firm LITM favourite Summer of Soul documents, as well as to commemorate the recent passing of two titans of Black cultural writing, Greg Tate and bell hooks. We are so grateful to Daphne for being so generous with her time, insight and humour.

    Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.

    Produced and edited by Matt Huxley.

    Tracklist:

    Janelle Monáe - Make Me Feel
    Cécile McLorin Salvant - Ghost Song
    Beyoncé - ***Flawless
    Burnt Sugar - Conduction #5
    Burnt Sugar - Rock'n'Roll Suicide


    Roots and Routes: Flows of Influence in '70s Africa Jan 20, 2022
    Show notes

    In this week's episode Jeremy and Tim complete their three-part study of African music by looking at the flows of musical influence across the Black Atlantic. They explore how diasporic sounds reflected back on music being made in African nations, including the heavy Latin rhythms found in the Malian Super Rail Band and the fingerprint of Duke Ellington on the Ethiopian Jazz of Mulatu Astatke.

    Tim and Jeremy also investigate how state subsidies in aid of building national culture affected musical production, flesh out the geopolitical background these independence movements took place against, and dedicate a long discussion to Manu Dibango and his talismanic record, Soul Makosa.
    Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.
    Produced and edited by Matt Huxley.
    Tune in, Turn on, Get Down!
    Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod

    Tracklist:
    The Super Rail Band - Rail Band
    Orchestra Baobab - Baila Mi Gente (feat. Medoune Diallo)
    Manu Dibango - Hymne de la Coupe d’Afrique des Nations
    Manu Dibango - Soul Makosa
    Manu Dibango - Lily
    Mulatu Astatke - Dewol
    Ebenezer Obey- Inter-Reformers A Tunde
    Miriam Makeba - I'mm You'mm We'mm

    Books:
    Paul Gilroy - The Black Atlantic
    Banning Eyre - In Griot Time
    Manu Dibango - Three Kilos of Coffee


    LITM Extra - Interview with Daphne A. Brooks pt.1 [excerpt] Jan 13, 2022
    Show notes

    This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
    In this week's patrons-only episode we are happy to present the part 1 of our very first interview on LITM. Jeremy and Tim were happy to welcome the Black Feminist scholar and music critic Daphne A. Brooks to the show to discuss her new book, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio.

    In this episode Daphne talks with Tim and Jeremy about the writers, practitioners and 'organic intellectuals' who have created a new discourse around Black female sound, taking in figures such as the writer and collector of field recordings Zora Neale Hurston, the writer, journalist and singer Pauline Hopkins, and the writer and playwright Lorraine Hansberry. They dig into what it means to hold precious these forgotten figures, affectionate writing praxis, and the relationship between curatorial or archival work and contemporary music making. In part 2, coming in a fortnight, we will hear about some of the contemporary artists featured in the book, including Janelle Monáe and Beyonce.

    Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.

    Produced and edited by Matt Huxley.

    Tracklist:
    Zora Neale Hurston - Wake Up Jacob (trad. recorded 1928 in the field)
    Mamie Smith - Crazy Blues
    Elvie Thomas & Geeshie Wiley - Over To My House
    Elvie Thomas & Gershie Wiley - Last Kind Words Blues

    Books:
    Daphne A. Brooks - Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
    Daphne A. Brooks - Jeff Buckley’s Grace
    Zora Neale Hurston - Their Eyes Were Watching God
    Pauline Hopkins - Of One Blood


    Fela, Funk, and Nigeria in the Early '70s Dec 16, 2021
    Show notes

    In this week's episode Tim and Jeremy continue with the second part of their mini-series on the music of '60s and '70s Africa. They start with an exposition on the ideas put forward in Paul Gilroy's seminal book The Black Atlantic. With reference to a variety of historical theorisations of the experience of Black people since the period of slavery, we hear how Gilroy offered a diasporic understanding, showed the moderness of black cultural production, and opens questions of why music ended up paying such a central role in the culture of North America, Europe and the Caribbean.

    Jeremy and Tim then turn their attention to Nigeria in the early '70s. We hear about the titanic influence of Fela Kuti on world music, how he exchanged ideas and influences with James Brown on his 1970 tour of Africa, and how the length of the records of the Afrobeat sound he pioneered lent themselves to the emerging dancefloors of NYC and beyond. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.
    Produced and edited by Matt Huxley.
    We'll be taking a very short break over the festive period, but will be back early in January 2022 to pick up where we left off.
    Tune in, Turn on, Get Down!
    Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod

    Tracklist:
    Geraldo Pino and the Heartbeats - Power to the People
    Fela Kuti - Viva Nigeria
    James Brown - There Was A Time (I Got To Move)
    Fela Kuti, Africa 70 and Ginger Baker - Black Man's Cry
    Fela Kuti - Shakara
    Lijadu Sisters - Fasiribo

    Books:
    Paul Gilroy - There Ain't No Black in the Union
    Jack Paul Gilroy - The Black Atlantic
    Judith Butler - Gender Trouble
    Tricia Rose - Black Noise
    Carlos Moore - Fela: This Bitch of a Life


    LITM Extra - Afrofuturism pt.3 [excerpt] Dec 09, 2021
    Show notes

    This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
    In this week's patrons-only episode, Jeremy and Tim finish their mini-series on Afrofuturism. As it's LITM, the guys finally dig into the contested role of Disco to Afrofuturism, taking in the futuristic innovations of Larry Levan, the queer cyborg aesthetics of Sylvester, and the key developments being made on the synthesizer in the the Disco tracks of the early 80s.

    Tim and Jeremy also discuss the guitar innovations of Sister Rosetta Tharpe, the singular force of Afrika Bambaataa, Prince's fusion of electronic and rock sounds, while closing out on two contemporary artists - Janelle Monáe and Moor Mother - who's self-conscious use of cybersoul and Afrofuturist tropes ring true today.
    Produced and edited by Matt Huxley.

    Tracklist:
    Sister Rosetta Tharpe - Up Above My Head
    Ednah Holt - Serious, Sirius Space Party (Club Version)
    Afrika Bambaataa & Soulsonic Force - Planet Rock
    The Peech Boys - Don't Make Me Wait
    Janelle Monáe - Take a Byte
    Moor Mother - After Images
    Books:
    Gale F. Wald - Shout, Sister, Shout!


    Counterculture to Modernity? Music from Africa in the 1960s Dec 02, 2021
    Show notes

    In this week's episode Jeremy and Tim expand their series on Afro-Psychedelia with a multi-show exploration of the music of Africa, beginning today in the 1960s. They discuss the contested and shifting conceptualisations of Africa through history, the emergence of Marcus Garvey and Pan-Africanism, Paul Gilroy's seminal book The Black Atlantic, and the production of the specific relationship between Black Americans and Africa as a form of identity.

    Jeremy and Tim look at the national liberation movements of the mid-twentieth century, starting with Highlife music in Ghana, Congolese Catholic chorales, and two legends of South African music and activism - Hugh Masekela and Miriam Makeba - including their improbable meeting in a musical production of King Kong. Finally, Tim and Jeremy link up Babatunde Olatunji's seminal album Drums of Passion with psychedelic currents already explored in the show like the Grateful Dead, John Coltrane, Santana, and the dancefloor of the Loft.

    Tim and Jeremy look at the national liberation movements of the mid-twentieth century, starting with Highlife music in Ghana, Congolese Catholic chorales, and two legends of South African music and activism - Hugh Masekela and Miriam Makeba - including their improbable meeting in a musical production of King Kong. Finally, Tim and Jeremy link up Babatunde Olatunji's seminal album Drums of Passion with psychedelic currents already explored in the show like the Grateful Dead, John Coltrane, Santana, and the dancefloor of the Loft.

    Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast. Produced and edited by Matt Huxley.
    Tune in, Turn on, Get Down!
    Become a patron by visiting www.patreon.com/LoveMessagePod

    Tracklist:
    Babatunde Olatunji - Gin-Go-Lo-Ba
    Santana - Jingo
    E T Mensah - Ghana Freedom
    E. K.'s No. 1 Band - Ene Maa Abaso
    Les Troubadours Du Roi Baudouin -- Sanctus (Missa Luba Song)
    Monks of Keur Moussa - Le Seigneur Nous Offre Sa Bienveillance
    Hugh Masakela - Grazing in the Grass
    Miriam Makeba - Kwazulu (In the Land of the Zulus)
    Letta Mbulu - Mahlalela

    Books:
    Paul Gilroy - The Black Atlantic
    John Chernoff - African Rhythms, African Sensibility: Aesthetics and Social Action in African Musical Idioms
    Ned Sublette - "The Kingsmen and the Cha-Cha-Cha". In Eric Weisbard (ed.), Listen Again: A Momentary History of Pop Music.
    Timothy Taylor - Global Pop: World Music, World Market


    LITM Extra - Afrofuturism pt.2 [excerpt] Nov 25, 2021
    Show notes

    This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.

    In this week's patrons-only episode, Tim and Jeremy continue their mini-series on the aesthetic and political content of Afrofuturism. Beginning with Kodwo Eshun's 1998 book More Brilliant Than The Sun, Tim and Jeremy interrogate the thinking of a number of academics and journalists around the Cybernetic Cultural Research Unit, their body of work around cyber theory, and the music of the 'Hardcore Continuum' in the context of '90s intellectual culture.

    Tim and Jeremy spend time talking about the Detroit Techno of Drexciya, consider the complex position of soulfulness within Afrofuturism, and dig further into the contested ideas around the promise of technology. Finally, we hear about the origins of dubstep, with Jeremy making a strident case against the aestheticization of alienated urban life under capitalism - with some swinging UK Garage thrown in for good measure.

    Tim and Jeremy will conclude with part 3 on Afrofuturism in a fortnight.
    Produced and edited by Matt Huxley.

    Tracklist:
    Drexciya - Andreaen Sand Dunes
    Lenny Fontana - Spirit of the Sun (Steve Gurley Full Vocal Mix)
    Maddslinky - Dark Swing

    Books:
    Kodwo Eshun - More Brilliant Than the Sun
    Jeremy Gilbert & Ewan Pearson - Discographies: Dance, Music, Culture, and the Politics of Sound
    Donna Haraway - Simians, Cyborgs and Women: The Reinvention of Nature


    Previous 1 13 14 15 16 17 19 Next

    Related Podcasts

    Twenty Thousand Hertz

    1

    Twenty Thousand Hertz Arts
    NPR Music

    2

    NPR Music Music
    Here’s The Thing with Alec Baldwin

    3

    Here’s The Thing with Alec Baldwin Arts
    Drink Champs

    4

    Drink Champs Music
    Soundtracking with Edith Bowman

    5

    Soundtracking with Edith Bowman Music
    Red FM Bauaa

    6

    Red FM Bauaa Music
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights