A track-by-track podcast on the space rock band HUM. “Stars” isn’t their only song.
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A track-by-track podcast on the space rock band HUM. “Stars” isn’t their only song.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © Glenn // LTG
This week I’m talking w/ DAVID CHAVEZ & RACHEL STANG from the Kansas City band FOREVER ☆.
A few months ago, they released a 7-song EP called 2ND GEN DREAM on À LA CARTE RECORDS, & it’s bursting with euphoric waves of guitar, smeared ethereal vocals, & the manic energy of drum n bass.
Highly recommend checking that out, along with their 3 SERIES EP from 2023. Links below.
David also works at SEEN MERCHANDISING, where he probably had a hand in screen-printing the HUM shirt you’re wearing right now.
In this episode, we talk about the mechanics of the breakbeat, the acoustics of sonic weapons, & the cosmic patterns of deep space.
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https://foreverstar.bandcamp.com/music
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TIMESTAMPS:
02:08 // "Heat Seeking Missile" (F☆)
03:25 // 2nd Gen Dream EP
12:23 // 2GD Layout
15:55 // "Blade Silver Metallic" (F☆)
22:10 // "Competizione" (F☆)
27:40 // Discovering HUM
35:22// "Little Dipper" Discussion
58:56 // "Your Angel Speaks" (F☆)
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Joining me today from the outskirts of Austin, Texas is singer, guitarist, & songwriter ANDY SWITZKY.
In 1989, Andy co-founded HUM, & he wrote for & played on their demo, the first LP (Fillet Show), & the subsequent 2 singles (Hello Kitty & Sun Dress).
He was a vital part of the Champaign music scene in the ‘80s & ‘90s, & also made music in Tugrik Dhugugrik, Designer Mustard Gas, Obvious Man, & Alaskan Mothership.
From time to time, he uploads material from that period to his SoundCloud page; link below.
In this episode, we talk about the mid-to-late ‘80s Champaign music scene, blending the dissonant with the melodic, & trying to match the volume of your awe-inspiring drummer.
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https://soundcloud.com/aswitzky
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Steve Albini's Basement Studio
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TIMESTAMPS:
02:16 // "Lake of Fire" (Alaskan Mothership)
03:29 // Early Music Fandom
07:29 // First Bands
10:16 // Tugrik Dhugugrik
11:34 // "Mucus" (T.D.)
12:48 // Obvious Man
15:46 // "Facts & Figures" (O.M.)
17:51 // Designer Mustard Gas
18:39 // “Workstation” (D.M.G.)
20:42 // Forming HUM
22:20 // “Kissing Me is like Kissing an Angel, She Said” Demo Tape
30:18 // "Time is Melting"
34:45 // "Kissing Me..."
37:44 // "Diamonds"
41:32 // Fillet Show LP
50:48 // "Sunshine" (Alaskan Mothership)
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Today I’m talking with guitarist & producer KURT BALLOU — a true luminary of the heavy music scene, on both sides of the mixing board.
In 1990, he co-founded the pioneering metalcore band CONVERGE, whose 11th studio album, LOVE IS NOT ENOUGH, arrives on February 13.
Kurt also owns & operates GOD CITY STUDIO in Salem, MA, where he records, engineers, produces, & mixes a breathtaking array of bands. He’s given an instantly recognizable mix of grit & clarity to scores of landmark punk, metal, & hardcore records, including LPs by his own band, as well as Cave In, Isis, Pg. 99, Torche, Trap Them, Russian Circles, & many more.
In this episode, we discuss the mechanics of track sequencing, the alien geometry of sound capture, & the dreamy rhythms of deep time.
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https://godcitystudio.com
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https://www.godcityinstruments.com
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TIMESTAMPS:
02:19 // "Love is Not Enough" (Converge)
03:27 // Album Leaks
06:52 // New LP & Track Sequencing
12:09 // Studio Geometry
16:01 // ‘90s Boston Rock Scene
21:22 // Hearing HUM / “Stars” on the Radio
27:34: "Isle of the Cheetah" Discussion
01:00:38 // "Eagles Become Vultures" (Converge)
[Misc: Karate, "This Plus Slow Song"]
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Today’s conversation is with TIM DOW, one of my all-time favorite drummers.
He’s played in and/or toured with SHINER, YEAR OF THE RABBIT, SEASON TO RISK, THE JOY CIRCUIT, ON, VAE VICTIS, & more.
He was in Shiner from 1993 to ‘98, & drummed on their early landmark records, SPLAY & LULA DIVINIA, as well as on their first 6 EPs. Both LPs have since been remixed & remastered, & then reissued in 2024 on SPARTAN RECORDS.
After leaving Shiner, he played in a couple of early 2000s L.A. bands with Failure’s Ken Andrews: first the pop-leaning electronic project ON, then the heavier rock band Year of the Rabbit. He & his Y.O.T.R. bandmates, Jeff Garber & Sol Snyder, then tracked & self-released their first & only studio record, so far, called EP 1.
He’s also done studio session work for Pete Yorn, Abandoned Pools, Jonny Polonsky, & others.
In this episode, we talk about ‘90s recording styles, the web of alt-rock riff tropes, & the revved-up release of thunderous drumming.
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"Iron Clad Lou" Video
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TIMESTAMPS:
02:34 // "Brooks" (Shiner)
07:10 // Pre-Shiner Recordings
12:23 // Shiner & Indie Production
19:47 // Riff Drumming
22:43 // "Sailor's Fate" (Shiner)
26:12 // "My Life as a Housewife" (Shiner)
32:22 // '90s Drumming Influences
33:18 // L.A., Ken Andrews, & Year of the Rabbit
39:12 // "Absent Stars" (Y.O.T.R.)
41:59 // The Joy Circuit
44:32 // "X's" (T.J.C.)
45:48 // Pete Yorn Sessions
48:42 // "Undercover" (P.Y.)
49:42 // HUM's E2K Tape
56:34 // "Iron Clad Lou" Discussion
01:26:13 // "Sideways" (Shiner)
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Sat down today with KEITH M., singer & guitarist of the Brooklyn post-hardcore/screamo band MEMORY ENTRY.
Earlier this year, they released their 5-song debut EP, Our World is Going to Disappear, on IODINE RECORDINGS, & they’ve got new stuff on the way. Link below.
Since 2020, Keith has hosted THE NEW SCENE PODCAST, which released its 300th episode a few weeks back. He’s done wide-ranging interviews with members of Quicksand, the Jesus Lizard, Jawbox, Melvins, Seaweed, & many others, as well as with friends of this pod, Chris Enriquez from Spotlights & Josh Brigham from Hopesfall.
In this episode, we do a recent gig round-up, discuss the revealing language of dreams, & explore the chilly vastness of the arctic soundscape.
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TIMESTAMPS:
02:17 // "Lost Dreams" (Memory Entry)
03:19 // Shiner + Ink & Dagger Shows
09:59 // Memory Entry: Influences & Origins
13:21 // Dream Logics
19:22 // The New Scene Podcast
26:41 // Hearing HUM
32:46 // "The Inuit Promise" Discussion
1:07:36 // "Holler Wild Rose" (Memory Entry)
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Today I’m joined by DEREK NIEDRINGHAUS & LYLE HODGES, who were both involved, in different ways, in the making of Centaur's debut album, In Streams.
Derek plays bass in Centaur, & does art design for the band, including the iconic & oddly soothing Gaudí-inspired In Streams cover. He also plays bass in CASTOR, who just re-released their discography in remixed & remastered form as a vinyl set called Moving Backgrounds, on Earth Analog Records. He previously made music in Sarge, the Big Bright Lights, & National Skyline, among others.
Lyle was a studio assistant, tape op, & White Russian maker during the recording of In Streams. He's also been in many bands himself, including Amphibian, Tractor Kings, The Mezzanines (NYC edition), & he currently performs in ELECTRIC STALLION & CHROME CHRIST. He runs Twin Radar Records as well.
In this episode, we talk about Centaur’s hazy origins, the precarious ecosystem of the recording process, & the healing flows of pure volume.
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https://matttalbott.bandcamp.com/album/in-streams
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https://castorindierock.bandcamp.com/album/moving-backgrounds
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TIMESTAMPS:
02:34 // "Fields" (Centaur)
04:58 // Hearing & Seeing HUM
13:51 // Centaur Origins
16:55 // Recording In Streams
26:35 // Working with Keith Cleversley
37:30 // Release Date
41:29 // In Streams Artwork
50:28 // Sonics & Atmosphere
53:18 // "Placencia"
59:06 // The Champaign Sound & Writing Lyrics
01:04:58 // In Streams Themes
01:11:29 // "Life Begins"
01:18:58 // "The Same Place"
01:34:31 // "In Streams"
01:45:14 // Cover Songs
01:47:29 // "Strangers On 5"
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Today I’m joined by SCOTT KIMBLE & DON KING from the Champaign, Illinois band TERMINUS VICTOR.
Their most recent album, EVERENDING, came out in 2023, & was tracked by Matt Talbott @ Earth Analog. It’s textured, it’s heavy, a little sludgy, a little spacey; it’s awesome from front to back. Highly, highly recommended. Link in the show notes.
Before T-Vic & its predecessor HUSHTOWER, Scott played in Little Black Spiders, Wicked Walls, & the Falbonauts, & Don played in Social Imaginary & Bristle.
We make a couple references here to a previous conversation the guys had with Sven from the Champaign is Also a Band podcast, in which they go deep into the fan-favorite song “This Isn’t Real.” Link below.
In this episode, we talk about early ‘90s gig-watching, the power in restraint, & the importance of keeping things “noily.”
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"This Isn't Real" Discussion (C.I.A.A.B.)
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”In the Den” (2/24/18)
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TIMESTAMPS:
02:22 // "Stress in the Midwest" (T.V.)
03:38 // The Blind Pig
09:42 // Early T-Vic Shows
14:04 // "Taking the Advantage" (T.V.)
15:20 // From Duo to Trio
18:28 // Everending LP
24:07 // Recording @ Earth Analog
27:57 // Songwriting for Everending
30:59 // "To the Very End" (T.V.)
37:59 // "This Isn't Real" (T.V.)
40:02 // Hearing & Seeing HUM
46:24 // Inlet
52:19 // "In the Den" Discussion
01:28:11 // "Here Comes Everything" (T.V.)
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Joining me today from Scotland is GEOFF EVANS, an admin for the fan-driven HUM Reddit & Facebook groups.
With over 13,000 members between them, these pages have helped keep the band in the public consciousness for decades, & they're both reliable sources of news, discussion, & music recommendations.
In this episode, we talk about the joy of the live experience, wearing your fandom on your sleeve (literally), & the parallel universes of unreleased music.
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"Inklings" Versions:
Chicago, IL // 2010
Austin, TX // 2011
Chicago, IL // 2011
Charlotte, NC // 2015
Gainesville, FL // 2017
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TIMESTAMPS:
02:26 // HUM Tattoo
04:53 // Hearing & Seeing the Band
07:42 // Fan Socials
15:28 // "Inklings" Discussion
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Today’s conversation is with JOEY GINALDI, drummer of the Pennsylvania bands MAGIC AMERICA & CLEVER HOUR.
Magic America just released their debut album, Get in the Truck, a couple weeks back on Funeral Party Records. The first video, for the song “Carried by Angels,” is now up on YouTube.
Clever Hour, which also features Jake Clarke from Superheaven & Evan King from Magic America, put out their 5-song self-titled debut EP in 2024. Links below.
Joey’s also recorded and/or toured with many other bands from the northeast, including Knifeplay, Webbed Wing, Pony, Thought Patterns, Euphoria Again, & others.
He’s also an accomplished graphic designer, having done album art, layouts, shirts, & other merchandise for Superheaven, Drug Church, Destiny Bond, Foxing, Teethe, Run for Cover Records, & many many more to come. The best place to see all of that is on his Instagram, also linked below.
In this episode, we talk about hometown DIY pride, the transcendent impact of the band Curve, & the elements that make a perfect song truly perfect.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.” Donations only, no paywalls.
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https://www.instagram.com/joeyxginaldi
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https://magicamericaphl.bandcamp.com/album/get-in-the-truck
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Magic America, "Carried by Angels" Video
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https://setterwindrecords.bandcamp.com/album/demo-24
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TIMESTAMPS:
02:33 // "Burning Desire" (Clever Hour)
03:56 // Philly Roots
07:33 // Local Bands, First Bands
22:31 // Clever Hour EP
23:33 // "A Worried Existence" (Clever Hour)
28:03 // Magic America LP
29:44 // "Texting the Dead" (Magic America)
35:06 // Discovering HUM
40:36 // "I Hate It Too" Discussion
01:13:44 // Design Influences & Approach
01:19:57 // "Lights On" (Magic America)
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Joining me today is RAY HARKINS, vocalist of the Southern California melodic hardcore bands TAKEN, MIKOTO, &, most recently, BLOODGUILT.
Taken burned brightly from the late ‘90s until 2004, releasing one LP & 2 EPs on Goodfellow Records. They’ve since added a demos & b-sides compilation, a collected version of the first 3 records, & a 2018 EP titled With Regard To, on Other People Records. Links below.
Ray’s also run the DIY music & culture podcast, 100 WORDS OR LESS, for the better part of a decade, with over 670 episodes in the archive. He’s interviewed everyone from Ken Andrews & Page Hamilton to members of Fleshwater & Bleed to the Jesus Lizard, Quicksand, & dozens of other scene lifers crucial to the growth & expansion of underground music.
In this episode, we talk about the Big Bang of music culture in ‘90s Orange County, the shifting meanings of heaviness, & the waveform pathos of the EKG machine.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.”
Donations only, no paywalls.
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TIMESTAMPS:
02:29 // "The Most Feared Thing" (Taken)
03:32 // '90s Orange County
14:17 // LA/OC Venues
21:00 // Taken
27:58 // Hearing HUM: YPAA & DIH
36:45 // "If You are to Bloom" Discussion
01:13:05 // "Eternity was on Our Lips" (Taken)
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