A track-by-track podcast on the space rock band HUM. “Stars” isn’t their only song.
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A track-by-track podcast on the space rock band HUM. “Stars” isn’t their only song.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © Glenn // LTG
Today I’m talking with LAURENT SCHROEDER-LEBEC & LARRY HERWEG, from the Chicago heavy rock band PELICAN.
Since 2001, they’ve released 7 LPs, plus a host of singles, splits, EPs, live albums, & compilations. Their most recent record, FLICKERING RESONANCE, is highly recommended & came out a couple months back on RUN FOR COVER RECORDS.
Pelican just finished a run of US shows & are currently touring Europe thru mid-August. They’ve also got plans for new material on the way.
In this episode, we talk about the Midwest music underground, loudness as celebration, & the elemental interplay of riffs & percussion.
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https://www.pelicansong.com
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https://pelican.bandcamp.com
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"I'd Like Your Hair Long" (120 Minutes)
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TIMESTAMPS:
02:09 // "Evergreen" (Pelican)
03:13 // Playing @ Loose Cobra
06:21 // Fireside Bowl & Chicago Scene
21:22 // Flickering Resonance LP
21:40 // "Gulch"
27:53 // "Cascading Crescent"
34:17 // Song Titles
42:57 // Recording @ Earth Analog
46:10 // Hearing/Seeing HUM
55:44 // "I'd Like Your Hair Long" Discussion
01:33:43 // "Pining For Ever" (Pelican)
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Joining me today is BALTHAZAR DE LEY — singer, guitarist, bassist, producer, engineer, studio technician, &, most recently, amp maker.
In the early ‘90s, he joined HUM, which was, back then, written in all lowercase. He played bass on their first record Fillet Show, & toured & wrote songs with them over the course of several years.
He then formed & fronted MENTHOL, formerly known as Mother, whose 3 beloved LPs combined off-kilter riffing & synth lines with surrealistic & Faustian tales of the '90s alt rock signing boom.
When Menthol parted ways, he began engineering records for other bands. He then worked as a studio technician for the Smashing Pumpkins for close to a decade.
In 2017, he founded BALTHAZAR AUDIO SYSTEMS, where he designs & builds vacuum tube guitar amplifiers. He also plays guitar in the Chicago shoegaze band LIGHTFOILS. Links below.
In this episode, we talk about youthful insouciance, a specific strain of ‘90s midwestern space rock, & the endearing & enduring power of smallness.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.”
Donations only, no paywalls.
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https://www.balthazaramps.com
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https://lightfoils.bandcamp.com
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TIMESTAMPS:
02:35 // "What's Your Rationale?" (Menthol)
04:19 // The Breeders Amp
06:30 // Bad Flannel
09:11 // "Frustration" (Bad Flannel)
12:10 // Joining HUM
15:16 // Rick & Rose
17:24 // Fillet Show LP
20:00 // "Space Gun" (Poster Children)
25:20 // Early HUM Influences
28:40 // Menthol
29:39 // Mud Records
35:22 // "Walk of Shame" (Menthol)
36:40 // Ardent Studios
40:00 // Writing Lyrics
44:23 // "Dry Heaves" (Menthol)
48:36 // "Bedheaded, Red-Eyed, & Bewildered" (Menthol)
49:57 // '90s Alt Rock Explosion
58:13 // Menthol Artwork / Danger: Rock Science!
01:04:21 // "Hello Kitty" Discussion
01:28:58 // Lightfoils & Balthazar Audio Systems
01:32:21 // "Strange Living" (Menthol)
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Today I’m talking with the artist, musician, filmmaker, & sociocultural prophet GERALD V. CASALE. In the early ‘70s, Jerry co-founded the mutant-pop performance art group DEVO, who have since released 9 studio albums, 10 EPs, a soundtrack, 10 live albums, 16 compilations, 25 singles, & 9 video albums, not to mention creating some of the most distinct & unforgettable images in American music history.
DEVO are currently touring North America in celebration of their 50th anniversary. A feature-length documentary on the band will premiere on Netflix on August 19th, & recently they’ve been restoring & rereleasing their early short films, including 1976’s THE TRUTH ABOUT DE-EVOLUTION.
Most of our conversation explores Jerry’s music video filmography from the ‘90s, when he worked with bands like HUM, Foo Fighters, Soundgarden, Silverchair, & many others.
In this episode, we talk about the power of the moving image, the suffocating everyday presence of screens, & the struggle to prevent your vision from being smothered by the suits.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.” Donations only, no paywalls.
Thanks for listening.
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https://www.geraldvcasale.com
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https://clubdevo.com
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TIMESTAMPS:
02:31 // "Mechanical Man" (DEVO)
03:15 // Early Cinephilia
05:11 // D.I.Y. Filmmaking
07:08 // "(I Can't Get No) Satisfaction" Video
12:28 // Production Process
13:57 // VFX & "Girl U Want" Video
17:12 // '90s Video Work
22:57 // Foo Fighters, "I'll Stick Around" Video
27:22 // Soundgarden, "Blow Up the Outside World" Video
31:08 // Silverchair, "Freak" Video
34:44 // HUM, "Green to Me" Video
43:44 // "Auto Modown" (DEVO)
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Today’s guest is JACOB GIVENS, TikTok phenom, musician, podcaster, actor, writer, & comedian.
His enthusiasm for music has attracted over 500,000 followers across his social media platforms, & he’s racked up millions of views from viral videos about iconic moments in 90s alternative & beyond.
He also runs the podcast WATERPROOF RECORDS, where he’s done episodes on HUM, the Flaming Lips, Deftones, the Smashing Pumpkins, Jane’s Addiction, & many more.
In this episode, we talk about the pull of theatricality, the power of ‘90s vocal hooks, & the feral euphoria of palm muting.
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If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.”
Donations only, no paywalls.
Thanks again for listening.
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TIMESTAMPS:
03:19 // Tulsa to Champaign
07:59 // Reaction Videos & Silent Film
17:56 // "The '90s Alt-Rock Vocal Hook Supercut"
22:54 // HUM on MTV
28:22 // “Green to Me” Discussion
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Today’s guest is the multi-talented JEFF GARBER — singer, guitarist, composer, producer, & engineer. From the mid-to-late ‘90s Jeff played in the Champaign, IL indie rock band CASTOR, who released 2 LPs, a single, & some compilation tracks, all of which have just been remixed, remastered, & pressed to vinyl on Matt Talbott’s EARTH ANALOG label. That set is called Moving Backgrounds; it’s now up for pre-order on POLYVINYL RECORDS. Link below.
Jeff’s next project, NATIONAL SKYLINE, which he started with Nick Macri (C-Clamp), Derek Niedringhaus (Castor), & Jeff Dimpsey (HUM), put out over a dozen releases, some on indie labels & some self-released.
He moved to Los Angeles in 2001 under the suggestion of producer/engineer/mixer Ken Andrews (Failure). Along with Andrews, Tim Dow, & Solomon Snyder, he formed YEAR OF THE RABBIT, who signed with Elektra Records & released their stellar self-titled album in 2003, followed by tours with A Perfect Circle & Pete Yorn.
After the demise of Elektra Records, he trained as an engineer & producer under Andrews throughout the 2000s. With the release of National Skyline’s 2009 epic Bliss & Death, Garber drew the attention of several key figures at MTV. That self-released album had several songs featured on TV shows The Hills, Jersey Shore, & Teen Mom.
Jeff went on to provide thousands of music tracks for shows on ABC, NBC, Fox, AMC, & many more. He's been awarded SESAC’s Honors in Cable Television & also received network TV honors at BMI.
He's currently the composer for the Netflix hit series Virgin River & Full Swing, & he writes & records music in his basement studio in Altadena, CA.
In this episode, we talk about the magnetism of college towns, end-of-the century anxiety, & endless endless layers of guitars.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.” Donations only, no paywalls.
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https://www.polyvinylrecords.com/products/castor-moving-backgrounds
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TIMESTAMPS:
03:15 // "Pontiac" (Castor)
04:34 // Castor News
08:40 // Origins
14:07 // "Trackstar" (Castor)
15:26 // Influences & Inspirations
18:31 // "Anecdotes" (Castor)
23:52 // Recording with Matt Talbott
26:52 // National Skyline
30:06 // "Reinkiller" (National Skyline)
35:52 // Year of the Rabbit
37:57 // The Gospel of Fantastic Planet
40:11 // YOTR Live
41:17 // "Let It Go" (Year of the Rabbit)
46:56 // Showcase Showdown
52:50 // Electra 2000 Tape
55:40 // Inlet LP
1:00:36 // "Folding" Discussion
1:30:13 // "Dust Gun" (Castor)
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"Folding" Live in STL (2018)
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Sat down today with Carson Wilcox, the drummer of the Dallas, TX bands BLEED & NARROW HEAD.
Bleed just released their excellent S/T DEBUT LP on 20 Buck Spin. It fuses a wide range of styles from the alt-metal of the late '90s & early 2000s, but it's also got elements of lesser-cited bands like Curve, Filter, & God Lives Underwater. It's a super cool compound of things. I also highly recommend the SOMEBODY'S CLOSER EP that came out a couple years before it.
Bleed are currently touring the West Coast with One Step Closer until early June, & this October Narrow Head are going on the road with Rival Schools.
In this episode, we talk about owning your influences, '90s-specific mutations of the “Paradise City” riff, & why drummers going slightly off-grid can work so well.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.” Donations only, no paywalls.
I appreciate all the support so far, & thanks, as always, for listening.
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https://20buckspin.bandcamp.com/album/bleed
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https://narrowheadtx.bandcamp.com
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TIMESTAMPS:
02:21 // "Marathon" (Bleed)
03:24 // Bleed LP: Mixing & Influences
10:19 // "Silver" (Bleed)
12:10 // Programming & Post-Production
15:40 // "Ash Anywhere" (Narrow Head)
17:09 // Hearing (& Playing) HUM
27:44 // "Firehead" Discussion
48:30 // "Through the Cylinder" (Bleed)
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Today’s guests are RICK VALENTIN & ROSE MARSHACK from the Champaign, IL indie rock band POSTER CHILDREN. They co-founded the group in 1987 & have since released 12 LPs, along with various singles, EPs, compilations, & a feature film.
They’ve been on indies, majors, & everything in between, & they took an avant-garde approach to music tech & media — doing enhanced CDs, early mp3 releases, DIY websites & design, & the proto-podcast podcast RADIO ZERO, which they’ve broadcast from 1998 to the present.
Rick & Rose also run 12 INCH RECORDS, home to bands like HUM, Love Cup, Dis-, & their non-Poster Children projects Salaryman & Thoughts Detecting Machines. They also also teach in the School of Creative Technologies @ Illinois St. University.
In 2023, Rose published her first book, PLAY LIKE A MAN: MY LIFE IN POSTER CHILDREN, which is absolutely essential reading for anyone who cares about indie & alternative culture in the last 4 decades. It’s a cool mix of genres, moving from tour diary to music criticism to scene history & beyond.
They’ve been on my Mount Rushmore of possible guests for a long time, & it was super fun & revealing to get granular with them about all things rock, whether indie or major, from the late ‘80s to today.
In this episode, we talk about regional style, the Champaign-Urbana band member maze, the idea of rock music as both art & technology, & much much more.
If you’d like to back the podcast, click “support the show” at the bottom of the notes & then “see membership options.” Donations only, no paywalls.
Thanks for listening.
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https://posterchildren.com
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BOB MOULD (Letterman)
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STEVE ALBINI, "The Problem with Music"
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POSTER CHILDREN, R.T.F.M. Enhanced CD Tour
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TIMESTAMPS:
03:01 // “Eye” (Poster Children)
03:57 // Opening for Bob Mould
09:34 // R.T.F.M. LP
12:50 // “Dream Small” (Poster Children)
13:45 // Enhanced CDs
20:47 // Mark Rubel & Pogo Studio
29:01 // HUM Member Genealogy
34:44 // 12 Inch Records
40:38 // Fillet Show LP
50:44 // “Space Fuck”
59:02 // “Formaldehyde”
01:01:21 // “Hortense”
01:03:56 // “I Like It”
01:12:06 // YPAA Vinyl
01:15:01 // Play Like a Man Book
01:21:22 // Art & Science
01:28:26 // “Matter Crush” (Poster Children)
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Today’s guest is CARLOS RAMIREZ, co-founder & editor-in-chief of NO ECHO, a worldwide hardcore website that just celebrated its 10th anniversary. It’s a vast & respected resource for all things hardcore, metal, & punk, updated daily across the web & the usual social media platforms.
Carlos played bass in the mid-to-late '90s NYC powerviolence band BLACK ARMY JACKET, who released their discography compilation Open Casket in 2023 on Brainscan & State of Mind Recordings. He later played in LAKOTA, DENY THE CROSS, & HOPE COLLAPSE.
In this episode, we talk about the ‘90s revival in underground music, the ambivalent status of genre tags, & the way certain riffs can unify & transcend different styles of music.
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NO ECHO Playlists (Spotify)
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TIMESTAMPS:
02:16 // "Hope for the Haunted" (Lakota)
03:26 // Starting NoEcho.net
13:26 // '90s Revival & Genre Tags
21:43 // Hearing HUM
26:06 // HUM @ Irving Plaza
30:04 // Vibes vs. Songs
32:46 // "Dreamboat" Discussion
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Today’s guest is CHRIS ENRIQUEZ, music industry professional by day, drummer to many many bands by night.
Chris has worked for a wide range of heavy music media, including Revolver, Guitar World, Loudwire, Brooklyn Vegan, The Hard Times, Alternative Press, & as of 2025, he left all brands to join NEW NOISE MAGAZINE.
In the late ‘90s & early 2000s, he played drums in the influential Long Island post-hardcore band ON THE MIGHT OF PRINCES, whose full story is told in the documentary film Hold on to a Time, which Chris produced & directed. Link below.
In the mid-2000s, he moved to New York City, where he drummed in Primitive Weapons, who toured with Quicksand, Glassjaw, Dillinger Escape Plan, Thursday, & others.
He’s since joined SPOTLIGHTS, JULIE CHRISTMAS, & the reformed ORANGE 9MM, all of whom have upcoming shows you can check out on his Instagram, @chrisenriquezdrums. He also does remote drum sessions for musicians around the world.
In this episode, we talk about what makes certain ‘90s bands timeless, the aesthetics of texture & imperfection, & what it would be like to drown in sound.
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On the Might of Princes, Hold on to a Time (Documentary)
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Chino Moreno, Baker's Dozen (The Quietus)
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Radiohead, "No Surpises" (Grant Gee)
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TIMESTAMPS:
02:42 // "The Particle Noise" (Spotlights)
03:38 // Deftones @ MSG
06:05 // Post-90s Longevity & Punk Roots
17:19 // "Black Sheep & Prodigal Sons" (Primitive Weapons)
18:12 // Joining Orange 9mm
21:35 // "Suspect" (O9mm)
22:58 // '90s 2.0
25:21 // HUM on MTV
27:38 // Hearing Electra 2000
32:50 // "Double Dip" Discussion
01:04:15 // Upcoming Shows
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Today’s guest is BRAD WOOD, super-producer, mixer, engineer, & musician.
Brad’s done hundreds of records, many of which are by some of my favorite bands — Tar, Sunny Day Real Estate, Codeine, Veruca Salt, Seam, Liz Phair, Triple Fast Action, Far, That Dog, & so on.
Brad also worked on HUM's second album Electra 2000, a couple of their early singles on 12 Inch & Mud Records, & on “Diffuse,” which was originally a compilation track but later added to the reissues of E2K on Martians Go Home & Earth Analog Records.
In this episode, he looks back on recording some of those early albums, gives a verbal virtual tour of his former studio, Idful Music Corporation, which was a crucial nucleus of '90s indie & alternative culture, & talks about the ways in which classical music motifs emerge in heavy riffing.
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https://www.bradwoodmusic.com
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"Diffuse" Live // 1995
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TIMESTAMPS:
02:16 // 30th Anniversaries
05:50 // Atonal Hooks
06:31 // "Seether" (Veruca Salt)
09:02 // "25" (Veruca Salt)
11:13 // Idful Music Corporation
16:09 // Early-Mid '90s Chicago Scene
21:16 // "Dont Feed the Suits..."
24:26 // Studio Psychology & Perfectionism
32:23 // Recording HUM
40:09 // Electra 2000
45:46 // "Diffuse" Discussion
01:08:57 // "Cave-In" (Codeine)
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Today’s conversation is with KELLII SCOTT, the drummer of FAILURE. He’s also played in Liquid Jesus, Blinker the Star, Veruca Salt, Dumpster, Campfire Girls, & others.
Since the pandemic, Kellii's been doing remote drum sessions for any musician looking for percussion work on their recordings. Message him on Instagram @kelliiscott for details (link above).
In this episode, we talk about the post-Sunset Strip LA rock scene, the legacy of Failure's hit song “Stuck on You,” recording their landmark album Fantastic Planet, why drumming with restraint is so difficult, & the ways in which the touring life feels like a mission into deep space.
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TIMESTAMPS:
02:11 // “Petting the Carpet” (Failure)
02:42 // Underheard L.A. Bands
04:37 // “Mindray” (Lusk)
05:51 // “Stuck on You” Video & Legacy
17:27 // Recording & Sequencing Fantastic Planet
27:28 // Fantastic Planet Closers
38:44 // Hearing HUM & Becoming Penpals
40:52 // Resisting the “90s Band” Tag
45:46 // 2015 Tour; Seeing HUM in the 90s; BSP note
49:42 // Inlet
57:57 // “Desert Rambler” Discussion
1:34:14 // Failure Documentary & Next LP
1:36:40 // Remote Drum Sessions
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Today I’m talking with PHIL HARDER, a filmmaker who’s directed music videos for HUM, Low, Failure, Babes in Toyland, Firehose, Local H, Bailter Space, Afghan Whigs, Seaweed, & many others.
In 1985, he & producer RICK FULLER started HARDER/FULLER FILMS, a music video & commercial production house that generated a wide range of visual work across 4 decades.
In December of ’97, they shot the “Comin’ Home” video with HUM at the Icehouse in Minneapolis, using a mixture of DIY effects & big budget gloss, staging the band in a psychedelic dream of espionage, locusts, & trippy liquids.
In this episode, we talk about the material quirks of the film format, the rise & fall of MTV culture, & what it was like to be in the nerve center of the ‘90s visual world.
(Phil broadcasted from a boat in Amsterdam; excuse the cabin noises...)
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TIMESTAMPS:
02:24 // Firehose, "Walking the Cow" (Intro)
03:00 // Video to 8mm to 16mm & Beyond
08:57 // A Band Apart
09:46 // Foo Fighters, "Next Year"
13:33 // Bailter Space, "X"
18:33 // Treatments & Creative Control
23:12 // Incubus, "Drive"
26:22 // '90s Budgets / Failure, "Stuck On You"
31:19 // Visual Effects & Retro Digital
37:05 // Didjits / HUM, "Comin' Home"
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phil-harder.com
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Today’s guest is JASON GERKEN from SHINER. He’s one of your favorite drummers’ favorite drummers, & he's also played in HUM, Molly McGuire, Gunfighter, The Birth Defects, & a handful of others.
Shiner’s first record, Splay, was recently remixed & remastered via SPARTAN RECORDS, who also just reissued the band’s second, third, & fourth LPs — Lula Divinia, Starless, & The Egg.
Shiner are about to play some dates in the Midwest, including one at Matt Talbott’s bar Loose Cobra in Tolono.
Jason played & toured with HUM in 2015, on a run of shows all over the U.S. with Mineral & Failure, & he’s got lots of cool insights into the successes & challenges of those gigs. It’s telling that we both occasionally drift into the present tense when describing Bryan’s drumming because that stuff will obviously always feel contemporary.
In this episode, we talk about finding space to tour, getting that phone call to join HUM, the intricacies of practicing & playing with the band, & drowning in lots & lots of drum fills.
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SHINER Reissues // Spartan Records
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GERKEN Interview // Drummers on Drumming Podcast
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PAGE HAMILTON Interview // Chris Demakes a Podcast
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TALBOTT Intro // Pittsburgh '98
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TIMESTAMPS:
02:24 // "The Egg" (Shiner)
03:08 // Upcoming Gigs
06:05 // The Egg LP
11:12 // "Jaded Eyes" (Government Issue)
14:23 // "Pills" (Shiner)
17:22 // Drumming Influences
19:27 // HUM in KC
20:23 // The Phone Call, Practicing, & Playing
27:49 // "Comin' Home" Discussion
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Today I’m talking to COLEY DENNIS, guitarist & founding member of the Athens, GA rock band MASERATI. They’ve covered tons of sonic territory, from post-hardcore to electronic to psychedelia to heavy disco to space rock & beyond. He’s also got a new loud & dreamy rock project called RED DWARF STAR, beaming in from Lausanne, Switzerland where he now lives.
In this episode, we talk about the culture shock of the expatriate life, plugging into the early 2000s Athens music scene, & the striking harmony of the light & heavy.
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TIMESTAMPS:
02:05 // “This is a Sight We Had One Day from the Mountain” (Maserati)
03:09 // Switzerland
05:42 // Athens ‘00s
11:36 // Maserati Then & Now
15:23 // Red Dwarf Star
18:05 // “Lady Aurora Borealis” (R.D.S.)
22:27 // HUM on MTV
27:29 // Inlet & Enter the Mirror
30:31 // “Wallwalker” (Maserati)
32:03 // “Cloud City” Discussion
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“Cloud City” @ AV Fest // 2011
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Today I'm talking to TOM MULLEN from WASHED UP EMO.
Tom’s been in the music business for decades, doing digital marketing, executive work, & an array of creative projects at labels like Vagrant, TVT, Equal Vision, Sony, & others.
He started the Washed Up Emo website in 2007, & has since expanded it into a podcast with over 250 episodes, a book series, & a DJ night.
In this episode, we talk about how the changing media landscape of the late 90s & early 2000s intersected with alternative music culture, the ambivalence around "Midwest emo" as sub-genre & brand, & where Hum might fit within that specific context. We also explore one of the band’s most beloved b-sides, looking at its strange place in their discography. Where does it truly belong?
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SMILE POLITELY Interview: Matt Talbott
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TIMESTAMPS:
02:16 // Booking Hopesfall & Saves the Day
05:00 // Early Podcasting Landscape
13:43 // Curiosity & Connection
17:35 // Washed Up Emo Podcast
20:15 // "Midwest Emo,” the Anachronism
24:19 // HUM re Emo
34:27 // WRUV, MTV, & the Cat's Cradle
36:37 // The Quiet-Loud
39:52 // Pre-YPAA Sessions
46:45 // DIH Reissue Playback @ Sony
51:45 // "Boy with Stick" Discussion
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Other songs:
Deftones, "Minerva"
Title Fight: "Head in the Ceiling Fan"
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Today I’m talking to Sven, the host of CHAMPAIGN IS ALSO A BAND. His show takes a hyper-focused look at songwriters from the Champaign-Urbana music scene (past & present), & each episode tells the story of a song with the people who wrote it.
HUM fans should definitely check out his interviews with RICK from POSTER CHILDREN & the guys from TERMINUS VICTOR, both linked below.
He also runs a tape label called FAILED POEM RECORDS, which features local C-U musicians & donates all proceeds to a charity of the band’s choosing.
In this episode, we talk about the sonic mystique of college towns, the raw materials of songwriting, & why neglected b-sides can be so important.
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TIMESTAMPS:
02:27 // CIAB Podcast & C-U Scene
08:09 // College Town Aura
12:39 // Poster Children & Terminus Victor
19:46 // Sunday Songwriter Snakepit & MT Live
24:16 // "Baby, Baby" Discussion
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CIAB Episodes:
https://champaignisalsoaband.podbean.com/e/episode-100-rick-valentin-of-poster-children-he-s-my-star
https://champaignisalsoaband.podbean.com/e/episode-8-isaac-arms-of-withershins-fire-flies
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Failed Poem Records
https://failedpoemrecords.bandcamp.com/album/infringement
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Other songs: Ween, "Sarah"
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Tap in for some HUM lore from JOSHUA BRIGHAM, guitarist & co-founding member of Charlotte, NC post-hardcore band HOPESFALL. We talk about MTV as contraband, recording The Satellite Years with Matt Talbott, & the cosmic distance of the road life.
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MT Song Intros // Pittsburgh '98
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THE SATELLITE YEARS 2.0:
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TIMESTAMPS:
02:06 // MTV Confidential
14:06 // Feedback Walls
24:48 // The Satellite Years
33:21 // "Escape Pod for Intangibles"
43:08 // "Apollo" Discussion
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Other songs: Spacemen 3, "Hey Man" // Codeine, "Cave-In"
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IG // lonelierthangodpod@gmail.com
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Today I’m talking to NICK VANCE & JIM BRANSCOME, from the CINEMATIC VOID PODCAST.
CINEMATIC VOID is a beloved cult film series that runs weekly in Los Angeles through the American Cinematheque. It features gonzo gems from all genres, including horror, sci-fi, Eurotrash, transgressive exploitation classics, & lesser-known oddities.
Nick & Jim have also been in many bands -- some together, some apart -- & you can find links to those projects below.
In this episode, we talk about coming up in the Baltimore punk scene, the ambivalent return of guitar music, & the journey into a close encounter of the insect kind.
I encourage you guys to join the episode discussions at R/HUM on Reddit. I’m curious to get your takes, alternate interpretations, & general thoughts. These episodes are just a starting point.
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INSPITE: https://inspite.bandcamp.com/album/only-the-dead
DOUBLE LIFE: https://doublelifela.bandcamp.com/album/indifferent-stars
KENT STATE: https://kentstate.bandcamp.com
DEEP SLEEP: https://gravemistakerecords.bandcamp.com/album/turn-me-off
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TIMESTAMPS:
03:13 // Baltimore punk scene (The Loft; Reptilian Records)
09:14 // Grindcore Juvenilia (Inspite)
13:28 // Coming to L.A.
16:24 // Kent State & Conspiracism
19:11 // Double Life
22:53 // Cinematic Void
27:28 // Guitar music returns
29:04 // HUM & the 90s
34:54 // "Aphids" Discussion
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Spoken Word Outro (translated from Dutch):
As we relaxed & watched the retreating aphids, the window appeared to glow along with the sunset's blazing orange hues. They amuse us without difficulty. It’s just like watching an old vintage film played back slowly & backwards.
Maybe more like water slowly draining from a bathtub.
I like it here & enjoy being around aphids on a daily basis. I'm not sure if I'm their God, or they are mine. Sometimes I can actually hear their sounds emanating from the little old cracks in the wood. As if they’re walking around. It sounds like a song.
When it starts, it's like our cats jumping on the bed. They seem so content; not a worry in the world. All unhappiness is left at home in the dark crevices of the water well.
It just goes to show, one does not really have to be alone. //
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Joining me today from Evansville, IN is the multi-instrumentalist, rock ‘n’ roll polymath, & all-around super-talented dude, MATT MCGUYER. He's on guitar & vocals in AMBLARE, guitar & backing vocals in MOCK ORANGE, drums in OFF-OX, & he recently wrapped a midwest tour drumming with FAERIE RING. He's also got a solo project, with an album in production.
In this episode, Matt gives a loving tribute to his late friend & AMBLARE bandmate, Bryan St. Pere, who was, of course, deeply revered for his truly unique drumwork in HUM. We also talk about growing up in a rock n roll family, the mysticism of the creative process, & the unexpected sensuality of a song about salamanders.
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AMBLARE: https://amblare.bandcamp.com
MOCK ORANGE: https://www.mockorange.net/discography
OFF-OX: https://off-ox.bandcamp.com
FAERIE RING: https://faeriering.bandcamp.com
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LTG POD // lonelierthangodpod@gmail.com
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OVERVIEW //
MISSION CONTROL (LYRICS 1.0; Marion Morris)
IG // lonelierthangodpod@gmail.com
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