Stay ConnectedThoughtful, funny, heartfelt interviews and in-depth documentaries about musicians, authors, comedians, and other cultural creators.
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © Vish Khanna
Alex Edkins returns to discuss the new Weird Nightmare album Hoopla, leaving Toronto to live in his childhood hometown of Ottawa, how touring and work travel can be difficult for a husband and a father, why the Buzzcocks and the Replacements inspired this latest batch of songs, the time a broken up METZ played Everybody’s Live with John Mulaney at the host’s request and interacting with him and Conan O’Brien, his thoughts on the end of METZ, recording with killer rhythm section Loel Campbell and Roddy Kuester and with producers Jim Eno and Seth Manchester, why he wrote such sentimental, nostalgic songs about his youth, upcoming shows, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!
Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Ep. #1056: ‘Plenty for All: The Art of Rick Fröberg’ with Sohrab Habibion & Johnny Temple
All Things Konsidered: The Beatles Anthology
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Tucker Elkins and Aaron Graham from Ray Bull are here to discuss their new album, Please Stop Laughing, loving New York, being reunited with your old furniture and coffee mugs after your roommate moves out, art school, high art, academia, and folk art, their efforts to create viral segments to draw people to their music, having eclectic musical interests and learning how to play music on some of the loudest instruments around, loving Rufus Wainwright and his whole musical family, exploring various musical directions without having an identity crisis, working with producer Al Carlson and how two people can reflect Ray Bull’s sound live, shows, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!
Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
All Things Konsidered: The Beatles Anthology
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Eric Bachmann returns to discuss the wonderful new Crooked Fingers album, Swet Deth, his recent heart attack and an update on his health, the eerie nature of the lyrical themes and his son’s cover art for Swet Deth, working with featured guests like Sharon Van Etten and The National’s Matt Berninger, sentimentality and self-loathing, why this new album was almost two separate but similar records, the surprising story behind the sweet yet pointed song, “Spray Tan Speed Queen (In a German Car),” his current outlook on the future of Archers of Loaf, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!
Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
All Things Konsidered: The Beatles Anthology
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Raymond Biesinger returns to discuss 9 Times My Work Has Been Ripped Off – An Informal Self-Defence Guide for Independent Creatives, what inspired him to write this book, his personal experiences with intellectual property and wage theft, distinctions between patented inventions and homage and emulation in artistic realms, the role A.I. plays in creative plagiarism, the scourge of uncredited work, memes, and my conflicts about compiling funny tweets and posts by other people, artistic intention vs. perception, his plans for future books and projects, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!
Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
Last Week in Funny Tweets* April 24, 2026
Ep. #1088: Cadence Weapon / Rollie Pemberton
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
The first of two interviews I conducted with the late Vic Chesnutt took place over the telephone on Tuesday, September 4, 2007, at 3:00 PM ET. The occasion was the impending release of the majestic North Star Deserter, which was his first album on Constellation Records. It was co-produced by Jem Cohen and features contributions from Thee Silver Mt Zion Memorial Orchestra & Tra-La-La Band, along with Guy Picciotto (Fugazi), Chad Jones & Nadia Moss (Frankie Sparo), Eric Craven & Genevieve Heistek (Hangedup), Bruce Cawdron (Godspeed You! Black Emperor, Esmerine) and T. Griffin (The Quavers).
To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!
Related episodes/links:
Ep. #900: Fugazi and Jem Cohen
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Rollie Pemberton, a.k.a. Cadence Weapon returns to discuss his new album Forager and his new book of socio-cultural criticism essays, Ways of Listening: Building a Deeper Relationship with Music in the Streaming Era, the parallels between his writing on his album and his book, his renewed interest in crate digging for records and thrifting for great clothes, resisting passive cultural consumption during the age of the algorithm, the Juno Awards, Drake, and Canada’s confidence conundrum, being both the “Black Ian Curtis” and the “Black Bryan Ferry,” working with producer Junia-T and live musicians to rediscover his love of hip-hop and rapping, special Forager market events, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!
Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #770: Adam Horovitz from Beastie Boys
Ep. #370: Cadence Weapon, Aliya Pabani, Emma Hunter, and Miguel Rivas on Long Night
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
David Fuller, Niko Kapetan, Bailey Minzenberger, and Korgan Robb from Friko are here to discuss their new album, Something Worth Waiting For, the state of Illinois and dystopian literature, bonding in a high school music theory class, loving noise-infused pop bands like Pavement, the Breeders, and, from Liverpool, England, the Beatles, inspiration from local bands like Smut and the Felix Culpa, the story of Friko, articulating Niko’s songwriting talents as though he is not on this call with us, why numbers seem to be invoked so often on this album, why they worked with producer John Congleton and what makes him such a great “coach,” tour dates, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!
Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
All Things Konsidered: The Beatles Anthology
Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements’
Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements’
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray’ Koster are here to discuss Live at 6 O’Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy’s long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie’s first solo album Coke Machine Glow and him asking Travis to play on it, Downie’s deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie’s work outside of the band, Downie’s penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!
Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #889: Rick White and The Sadies
Ep. #842: Daniel Romano’s Outfit
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Richard Reed Parry returns to discuss Were “The Watchtowers” by Dallas Good + Richard Reed Parry, his Skybarn recording studio, being a new dad and adjusting to life off the road, how he first got to know Dallas after they were randomly chosen to participate in a Dawson City Music Festival collaborative workshop, a shared love of the Everly Brothers and other key artists and records, instant friend crushes and a yearning to collaborate on music, how they wrote lyrics together in a shared, outdated daytimer, insights about how vocals and other recordings of Dallas were used posthumously, how the sessions for Colder Streams by the Sadies and the Watchtowers informed each other, a unique contribution by Neko Case and making an album with songs about the tragic loss of one of the creators of that same album, why it’s a Record Store Day exclusive, news about Richard’s other bands and pursuits, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!
Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1049: Rebecca Foon and Aliayta Foon-Dancoes
Ep. #889: Rick White and The Sadies
Ep. #669: Dallas Good Remembered
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Janel Leppin returns to discuss her new solo album Slowly Melting and Pluto in Aquarius by Janel Leppin's Ensemble Volcanic Ash, her ability to compartmentalize her visual art impulses from her musical ones, why she frequently releases more than one album on the same day, how Susan Alcorn and David Lynch remain constant inspirations, an eye-opening Mdou Moctar tour, making protest jazz music in a politically volatile time, her compelling and dynamic use of the cello as a lead instrument in jazz expressions, her tribute to Deerhoof, why she employs fuzz and distortion, loving pedals and naming songs after different ones, upcoming shows, another new record, other future plans, and much more.
EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!
Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.
Related episodes/links:
Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1069: The Messthetics and James Brandon Lewis
All Things Konsidered: The Beatles Anthology
Support this show http://supporter.acast.com/kreative-kontrol.
Hosted on Acast. See acast.com/privacy for more information.
Our TOPPODCAST Picks 
