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    Arts

    Jeffery Saddoris

    I released my first podcast in 2009. I was hooked and have been recording deep-dive conversations with interesting and creative people about what they do and why they do it ever since.

    I like to think of these shows as three aspects of a larger conversation around creativity. In Process Driven, I talk with creators from a wide range of disciplines to discuss what they do and why. Deep Natter offers purposeful conversations with a variety of co-hosts that explore both the philosophical and practical sides of creativity and making art. Iterations is centered around solo observations and reflections, mostly around visual arts and my own creative process—like an inner monologue caught on tape.

    Advertise

    Copyright: © Jeffery Saddoris

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    Latest Episodes:
    In Between 06: Finding a Creative Rudder Mar 22, 2019
    Show notes

    I had a realization recently that the type of photography I was pursuing really didn’t hold much interest for me. I enjoy the process of making pictures, but the subject matter is leaving me feeling disconnected and frankly disappointed with the pictures I was making. I was talking about it with Jon the other day and he asked me how the work I want to create differs from the work I think I should create? It turns out that answering the question wasn’t as easy as I thought because before you decide on the what, you first need to know the why.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    I’d love to hear what you think of the show. Connect with me on Instagram @jefferysaddoris or email me at talkback@jefferysaddoris.com.

    You can catch up with what Jon is up to on Instagram @jonwilkening or on his website at jonwilkening.com.

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


    Iteration 49: A Handful of Connections and Stories Mar 15, 2019
    Show notes

    I’ve been frustrated with my own photography for quite a while, and I think that frustration played a big part in the whole “which camera should I buy?” saga. Look, I think I am a good photographer — sometimes maybe even really good — but lately I’ve been having a hard time connecting with the photographs I make. Many of them are interesting from a technical perspective, and I love the experience of seeing the world through a viewfinder and the challenge of finding an interesting composition. But, beyond that, there’s something missing and the work just doesn’t land for me. It doesn’t grab me and I think it has to do with my connection — or specifically the current lack of it — to the subject matter that I photograph.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    LINKS

    Here’s an amazing behind the scenes look at the stunt driving in Mad Max Fury Road. It’s incredible to see just how much of that movie was done practically, rather than CGI.

    From the real to the unreal is the work of 3D artist Josef Bshara whose work is just fantastic. I did a little 3D back in the day in Lightwave and 3DSMax, but nothing as complex or realistic as this.

    And I meant to put this in the last episode but it slipped my mind. On Taking Pictures listener Josh Eikenberry has managed to cull six years of OTP show notes into one monster list. So if you want to see what we talked about over the course of 325 episodes, Josh has you covered.

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    Iteration 48: Is There Money in Podcasting? Mar 07, 2019
    Show notes

    The other day, a friend of mine sent me a text message asking why I haven’t set up a Patreon for my podcasts.

    “Why would I do that?” I asked.

    “Asks the person who has wondered how he can get paid for the podcast he puts out,” he replied.

    There were a few more exchanges after this, but you get the idea.

    This was being asked by one of my closest friends and I know that it was absolutely from a space of love and out of the belief that what I do has value – monetary value – and he wants to see that value acknowledged in dollars. And to be fair, he has a valid point. I do too. But it’s not a simple as if/then – as in if you produce a podcast — or any creative work for that matter — then you’ll get paid for it. There are a lot of moving parts, so to really unpack it, we have to have an honest conversation about podcasting and money.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    LINKS

    Arnaud Sagnier is a terrific collage artist who publishes under the name @Grafikstreet. His work is a mashup of vintage and modern aesthetics and the way he combines source material is just fantastic.

    Tom Crouch is a British singer songwriter who I found through a collaboration he did with the band Joseph, who Adrianne and I saw with Dawes and Shovels and Rope a couple months ago. You can find Tom @liminalofficial

    Tim Okamura is an incredible painter who blows me away with every new piece. His technique is tight but loose. His subject matter is powerful and he just seems like a super cool guy.

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    Process Driven 27: Richard Beaven Mar 01, 2019
    Show notes
    “With each of the studies we’ve talked about, I’ve had to have the motivation, the passion, the interest, the fascination with the subject and I’ve needed to go out and make those photographs.”

    My introduction to the work of Richard Beaven came via a text message from Jon Wilkening, which read simply “you need to talk to this guy” with a link to his Instagram. I think it took all of two images to realize he was right. Richard’s latest project is called
    All of Us. It’s a beautiful body of work — 275 portraits made over the course of a year in the town of Ghent, New York — that manages to capture not only the soul of the town but also the people who call it home. Richard’s work is centered around connection, both to his subjects and their environments. And whether he’s immersing himself in
    Trump Country or spending time on small family ranches in rural America, the stories Richard tells through his photographs are in many ways the stories of us all. They are about belonging and being seen for exactly what and who we are.

    CONNECT WITH RICHARD
    Website: http://richardbeaven.com/
    Instagram: @richardbeaven
    Twitter: @richardbeaven

    MUSIC
    Please Listen Carefully
    (Jahzzar) / CC BY-SA 4.0


    Iteration 47: Which One Do You Want To Be? Feb 21, 2019
    Show notes

    A number of you have asked why I am selling what review after review calls the best APS-C camera on the market today to buy a two-year old Micro 4/3 camera that I’ve already bought and returned once before? Well, it’s complicated, but if you’ll give me a little bit of rope, I’ll promise to try and wrap it up without hanging myself.

    What camera should I buy? It’s a question I get asked a lot. And I try to stay pretty consistent with my advice. If you were an On Taking Pictures listener, you know that I could answer the question for everyone but my myself. My search for a new camera became an epic saga and the butt of jokes for years on the show.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    LINKS

    Here & Now recently posted an interview with climber Alex Honnold and adventure photographer Jimmy Chin and his wife Elizabeth on their Oscar nominated documentary Free Solo, which follows Honnold as he climbs the 3,000 plus foot sheer granite face of El Capitan without any safety ropes to catch him.

    Also, if you dig seeing how the special effects in your favorite movies are done, follow movies.effects on Instagram. The feed features side by side photos and before and after clips so you can get a sense of what it takes to bring these big budget fantasies to life.

    And this is either really cool or really creepy, depending on your perspective, but Ukranian artist Olga Kamenetskya transforms overly made up toy dolls into hyper realistic looking figurines. According to the article on My Modern Met “Kamenetskaya strips the dolls’ makeup and opts for bushy facial hair, freckles, and even wrinkles in their skin. The results are so lifelike that you’d expect to see these people walking down the street.”

    Em1 Mkii vs. PhaseOne IQ3
    Josef Müller Brockmann
    My paintings

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    In Between 05: Where Does It All Come From? Feb 14, 2019
    Show notes

    Kristopher Matheson is one of my favorite people to talk to. Not only is he a terrific photographer, he’s also funny as hell. We don’t talk often, but when we do, I always come away inspired and wanting to dive a little deeper into my own work. Not too long ago, Kristopher started posting images from a series he calls “Behind Glass.” I love pretty much everything Kristopher posts, but there was something about these pictures that really caught my attention. I called him up to ask where the idea came from and since Kristopher is a pretty fastidious journaler, I expected a detailed explanation citing influences and connections to other projects. Instead, he said “I have no idea.” Wait, what now?

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    If you’ve listened to In Between before or listened to recent episodes of my other shows Iterations, and Process Driven, you’ve heard me mention my “Jeffery Saddoris: Everything” feed. Over the next several weeks, I’m going to be phasing out the individual show feeds and instead using the Everything feed for, well…everything. If you’re enjoying In Between and Iterations and you’ve been waiting for new episodes of _Process Driven—_which I promise are coming soon—please consider subscribing to Everything so that you don’t miss anything.

    You can connect with me on Instagram @jefferysaddoris or email me at talkback@jefferysaddoris.com.

    Connect with Kristopher on Instagram @kristopher.matheson, on Twitter @krismatheson, or by visiting his website at krismatheson.com.

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


    Iteration 46: Who’s in Your Corner? Feb 08, 2019
    Show notes

    “The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.”

    – William Arthur Ward

    I have been drawing as far back as I can remember. My mom used to tell me that I could draw before I could talk. I’ve spoken on previous Iterations about my childhood love of art supply stores, which is still kind of true. All I ever wanted to be as a kid was an animator at Disney and I drew constantly. That changed a bit in high school when I was introduced to photography, but I didn’t stop drawing. In fact, I wanted to go to Art Center College of Design in Pasadena to study photography and illustration. As it happened — and this must have been my sophomore or junior year — Art Center was awarding scholarships for weekend classes, and one of them was being taught by a real Disney animator. All you had to do to be considered was submit a portfolio of your work. I told myself that I didn’t have a shot, and even if I did, there was no way we could afford the $40,000 a year that it cost to go there. On top of that, there was my dad and his repeated “artists are a dime a dozen” speeches echoing in my head. So I didn’t even try. In fact, I went the other way and started making up excuses for why I no longer even wanted to go to Art Center. To borrow from The Book of Pressfield, it was Resistance plain and simple. But my high school art teacher, Mr. Andrew, didn’t agree.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    The new issue of Time magazine which is called The Art of Optimism – 34 people changing how we see our world. The editorial that begins the issue is called “Why art is the antidote for our times” by Director Ava DuVernay and the issue includes articles by Laverne Cox, Bill Gates, and Guillermo del Toro. There’s also a terrific article called “12 Leaders Who Are Shaping the Next Generation of Artists” which features interviews and commentary on where art is at and where it’s going.

    Flashbak posted a really great series of photographs of New York taken by Too Papageorge in 1966-67. One of the things that makes them so special — other than capturing New York in a way that many of us have never seen it — is that the photos were all taken on Kodachrome and they just show what an amazing film Kodachrome was – the colors, the shadows – and for many photographers that film stock was what defined their style.

    In honor of Black History month, the New York TImes has launched a terrific new project called Overlooked, which begins “Since 1851, The New York Times has published thousands of obituaries: of heads of state, opera singers, the inventor of Stove Top stuffing and of the Slinky. The vast majority chronicled the lives of men, mostly white ones. Now, we’re adding the stories of other remarkable people.” The site is really well done and new obituaries will be added weekly. There’s also a form to allow users to nominate candidates for future entries.

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    Show Updates — February 2019 Feb 06, 2019
    Show notes

    I want to give you a quick update to some of the changes I’m making to my shows over the next several weeks. If you’ve listened to any of the recent episodes of Iterations, In Between, or Process Driven, you’ve heard me mention my new Everything feed. For those of you who may have missed it, subscribing to the new feed gets you everything I do. Every Iteration, every In Between and every Process Driven. Plus, you’ll also get special one-off conversations and any new show that I happen to do all in one feed that’s available in your favorite podcast app and now also on Spotify. I’m adopting the YouTube model of “subscribe to me, not my show.” What that means is that the individual show feeds are going away as of April 1st, so if you are subscribed to one or more of the individual shows and want to keep getting it or them, please subscribe to Everything so you don’t miss anything.

    My goal here is consistency, both for me as a producer and for you as a listener. I want to be able to produce compelling conversations on a regular basis and build a community of listeners that feel like they (you) are a part of them. To that end, if you have an idea for an en episode or feel like you may want to join in on the conversation, send me an email at talkback@jefferysaddoris.com or connect with me on Twitter or Instagram @jefferysaddoris. I’d love to hear what’s on your mind.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    Music in this episode: Step On (Jahzzar) / CC BY-SA 4.0


    Iteration 45: A Little Bit Out of Your Depth Jan 29, 2019
    Show notes

    Over the weekend, I took a workshop in encaustic painting. For those of you unfamiliar with the term, it’s basically painting with hot wax and it’s a process that’s been around for literally thousands of years. The are records of the Greeks using it as far back as the 5th century BC. The process involves heating beeswax with damar resin crystals which forms what’s known as “medium.” From there, you add pigment — either oil-based or dry powder — to create whatever color you’re after. What first drew me to the idea of encaustic was how much faster it seemed than the acrylic process I currently use in my paintings. Some of my pieces are 15 or even 20 layers deep and when the gels are applied thick to create the impasto type of textures that I use, it can take hours or even days to dry between layers. So, it’s not unusual for me to take weeks to finish a piece and, if I’m being honest, there have been several instances where I was either bored with the piece or I basically forgot where I wanted to go with it. So the idea of encaustic has been in the back of my head for a while as a potential solution to speeding up my process and as a way to inspire new work.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    Ben Bond is a photographer from Ghana whose latest BTS video is a terrific example of using simple gear well to achieve really superb results. For this shoot, Ben used one light firing into a 120cm octa and a Fuji X-T3 with the 18-55 kit lens. The results are just brilliant.

    Journalist and photographer Will Hunt has written a new book called Underground: A Human History of the Worlds Beneath Our Feet in which he explores some of the communities that call the sewers, tunnels, and catacombs beneath cities like New York and Paris home. Will was recently a guest on Fresh Air where he talked a bit about the project.

    If you’re looking for creative inspiration, The Metropolitan Museum of Art has added nearly 600 full text books and catalogs to their digital collection that cover art, design and photography, which you view, search, and even download for free.

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    In Between 04: The Weight of My Own Ideas Jan 23, 2019
    Show notes

    In my last Iteration, I was talking about social media, specifically how this year I was looking to refine or even completely redefine how I use it, personally and professionally. One of the biggest challenges for me historically has been consistency, both in terms of what I make and how I share it, and I think the bulk of the challenge comes around just how much I’m trying to do and the fact that when I look at it on paper, I end up almost feeling paralyzed by the weight of my own ideas, and as a response I don’t do anything. Sean Tucker reached out after listening to it and offered some terrific insights on how he uses social media and also some suggestions for how we can use it so it feels more like a tool and less like a distraction.

    Subscribe: iTunes | Pocket Casts | Overcast | RSS

    If you’ve listened to In Between before or listened to recent episodes of my other shows Iterations, and Process Driven, you’ve heard me mention my Jeffery Saddoris Everything feed. Over the next several weeks, I’m going to be phasing out the individual show feeds and instead using the Everything feed for, well…everything. I’ll be releasing more details about what’s coming in 2019, but the short version is if you’re enjoying In Between and Iterations and you’ve been waiting for new episodes of _Process Driven—_which I promise are coming soon—please consider subscribing to Everything so that you don’t miss anything.

    You can connect with me on Instagram @jefferysaddoris or email me at talkback@jefferysaddoris.com.

    If you would like to connect with Sean, you can find him on Instagram @seantuck, on YouTube @seantuckerphoto, or on his website at http://www.seantucker.photography

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


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