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    Arts

    Jeffery Saddoris

    I released my first podcast in 2009. I was hooked and have been recording deep-dive conversations with interesting and creative people about what they do and why they do it ever since.

    I like to think of these shows as three aspects of a larger conversation around creativity. In Process Driven, I talk with creators from a wide range of disciplines to discuss what they do and why. Deep Natter offers purposeful conversations with a variety of co-hosts that explore both the philosophical and practical sides of creativity and making art. Iterations is centered around solo observations and reflections, mostly around visual arts and my own creative process—like an inner monologue caught on tape.

    Advertise

    Copyright: © Jeffery Saddoris

    • Apple Podcasts
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    Latest Episodes:
    Process Driven 32: Karl Taylor Feb 21, 2020
    Show notes

    This might be one of the most process driven episodes of
    Process Driven
    yet. I’ve known Karl Taylor for more than a decade. I was introduced to his work by my friend Patrick in the form of a DVD of Karl‘s
    Photography Master Class
    . What struck me straight away was Karl‘s enthusiasm for photography – that and his encyclopedic knowledge of the medium. 12 years after its initial release, Karl has created a brand new remastered version of his original introduction to photography built on a decade of learning and refining what was already an incredible understanding of both the art and science of photography. In this conversation we talk about some of the things he’s learned over the past 10 years, including a deep-dive into the biology of how we see and process images.

    CONNECT WITH KARL
    Website: https://karltaylor.com
    Platform: https://karltayloreducation.com
    Instagram: https://instagram.com/karltaylorphotography

    MUSIC
    Please Listen Carefully
    (Jahzzar) / CC BY-SA 4.0


    Process Driven 31: Ryan Struck Feb 13, 2020
    Show notes

    When I saw the work of photographer Ryan Struck, particularly his surf and lifestyle photography, I knew I wanted to talk to him. From the first photo, it was obvious that Ryan wasn’t just an outsider simply documenting this lifestyle, he was living it and I bet he had an interesting story to tell. Turns out, whether he’s self-funding a documentary about the community surrounding an all-female surf competition, or photographing abandoned televisions on the streets, interesting stories don’t just fuel his photography, they fuel his life.

    LINKS
    Tofino
    Queen of the Peak

    CONNECT WITH RYAN
    Website: https://ryanstruck.com/
    Instagram: @ryanstruck

    MUSIC
    Please Listen Carefully
    (Jahzzar) / CC BY-SA 4.0


    In Between 16: 1917 and a Shiny Tennis Match Feb 04, 2020
    Show notes

    A couple weeks ago, I got a text from my friend Sean who had just gotten out of the cinema seeing 1917, the new World War I epic from director Sam Mendes. The text simply read “so good.” I remember seeing the trailer for the film months ago and thinking that it looked incredible. But most of recent the buzz about the film seemed to center around the idea that it was all shot in one continuous take. In fact, the first plot keyword you’ll see in the IMDB listing for the film is “one take.” You’ll also read it or a variation of it in virtually every review of the film. The problem is it’s not true. 1917 was filmed to appear as one continuous shot, which it is a remarkable achievement on a film of this scale, but that doesn’t make it any more true. When I got the “so good” text from Sean, I remember asking him whether the one shot thing worked or if it came off as more of a gimmick. “I don’t know,” he responded. “I have mixed feelings I think.” Now that we’ve both seen it and had a chance to think about it, I thought it might be fun to talk about it. As you’ll hear, and as is often the case when Sean and I talk, the conversation went down a number of rabbit holes, which is one of the reasons I love talking to him.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS | Stitcher

    If you enjoy listening to In Between, please consider leaving a review or rating wherever you listen to help others discover the show.

    LINKS

    1917 on IMDB - https://www.imdb.com/title/tt8579674/
    Roger Deakins Filmography - https://www.imdb.com/name/nm0005683/
    Making a Murderer - https://www.netflix.com/title/80000770
    Don’t F**k with Cats - https://www.netflix.com/title/81031373
    Cartel Land - https://www.amazon.com/Cartel-Land-Dr-Jose-Mireles/dp/B078SDYF83/
    Kelly Slater 24/7 - https://www.hbo.com/specials/247-kelly-slater
    Werner Herzog Masterclass - https://www.masterclass.com/classes/werner-herzog-teaches-filmmaking
    Of Walking in Ice - https://www.amazon.com/Walking-Ice-Munich-Paris-November-14-December/dp/0816697329/

    CONNECT

    You can find Sean on Instagram @seantuck, or on his website at https://www.seantucker.photography. Also, be sure to check out his YouTube channel, where he has just released a brand new video called “Balancing Your Photography with a Busy Life.”

    If you have an interesting story to share, I’d love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.

    Music in this episode: Take Me Higher (


    In Between 15: Input, Inspiration, and Possibility Jan 16, 2020
    Show notes

    The recent death of Rush drummer Neil Peart hit me like a ton of bricks. While I consider myself a visual artist, I can’t think of a single painter, or sculptor, or photographer whose death has or even would affect me as dramatically as Neil’s has and I can’t really reconcile why that is. It’s just not a simple answer. I’ve been a Rush fan since 1982, but as I’ve said before, it wasn’t the music that grabbed me initially, but the lyrics. Yes, the musicianship was superb, but the themes and the language that Neil used to explore those themes was unlike anything I’d ever heard or more to the point read before. There was also the timing of it all – that time in my life when who I was or was becoming had not yet solidified and I was still malleable and curious and full of wonder. All of this has gotten me thinking about the ways and degrees that others inspire us throughout our lives and I thought it might be interesting to spend some time unpacking it a little with Jon Wilkening, who always helps take the conversations in directions I wouldn’t have thought of.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to In Between, please consider leaving a review or rating wherever you listen to help others discover the show.

    LINKS

    Rush: Beyond the Lighted Stage
    The Joe Rogan Podcast
    Tim Ferriss
    Black Swan: The Impact of the Highly Improbable

    CONNECT

    You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

    If you have an interesting story to share, I’d love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


    In Between 14: What’s Effort Got to Do with It? Jan 08, 2020
    Show notes

    I have a question for you, and the answer depends at least partly on the primary perspective you take – either as an audience member or a maker — when you think about how to answer. It centers around effort in art-making and to what degree the visibility of that effort affects how we connect to the work, both as the artist and as a viewer. Again, the answer is entirely subjective, but it’s something I’d like to continue to explore in multiple conversations over time. But before we get to that, we’re talking about culling our creativity — letting go of some of the distractions both literal and metaphorical and keeping — and really leaning into — the things that continue to challenge and inspire us to make.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to In Between, please consider leaving a review or a rating on iTunes to help others discover the show.

    CONNECT

    You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

    If you have an interesting story to share, I’d love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


    Iteration 60: Are You Overdue for an Update? Dec 11, 2019
    Show notes

    In the last Iteration I talked about the importance of giving yourself little victories in the work that you do — tiny wins that you can finish in a day or two that can often re-energize you or jumpstart your creative momentum on larger, more time-consuming projects. In this episode, I want to share a couple of examples of little wins that I’ve given myself in the last week. You may have noticed — or you may not have, and that’s okay too — but I’ve given the cover art for each of my three current podcasts a slight redesign. They still have a similar feel to the previous versions, but they all work together a bit better and feel more on point with my overall design aesthetic if that makes sense. I’ve also made some tweaks to my website — nothing really major, but I’ve tweaked the fonts and the color palette so there’s a bit more visual cohesion between the design of the show covers and the site.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to Iterations, please consider leaving a review or a rating on iTunes to help others discover the show.

    LINKS

    My Blue Note playlist on Spotify
    Orba by Artiphon
    Dark and Stormy icebox cake

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    Iteration 59: Big Projects, Little Victories Nov 27, 2019
    Show notes

    We’re getting close to the end of the year and if you’re like me, you’re already looking ahead to 2020 – maybe you have been for a while – trying to come up with some great new project or maybe multiple projects that will make the next year better than this one.

    I love the idea of big projects and in fact I’ve already started laying the groundwork for what’s looking more and more like the biggest solo project of my career – but while I’m more excited about it than I’ve been about anything in a while, I’m also terrified that I won’t be able to pull it off or that it will end up being less than what I think it could or should be. Big projects are great when you finish them but, man, they can be a slog. And typically the bigger the project, the more we hope or expect from it in terms of response once we actually do finish it.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to Iterations, please consider leaving a review or a rating where you listen to podcasts to help others discover the show.

    LINKS

    https://www.charliecliftphotography.com
    The Beastie Boys book
    David Hurn Documentary on BBC Two

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    Process Driven 30: John Keatley Nov 15, 2019
    Show notes
    “So much goes into it and I’m finding even for myself the stuff I’m learning or the stuff that’s changing who I am isn’t necessarily reflected visually in the final image.”

    One of the first photographers I reached out to when I started recording conversations and podcasting was John Keatley. I was introduced to his work by my friend Kevin and what struck me straight away was how seamlessly John’s commercial work fit with his conceptual photographs. Though each body of work is distinct, John’s eye for detail and his love of ambiguity runs through all of it. While we don’t talk often, when we do I find that the conversations stick with me and often they inform the way I think about my own work as well as the work of others. He’s recently entered the world of fine art photography with a project called UNIFORM that centers around his personal exploration of identity and, as he puts it, “a deep need to be seen.” In addition to a series of limited edition prints, UNIFORM is available as a book, John’s first in fact, and that’s where we begin in this episode.

    LINKS
    To purchase a copy of the UNIFORM book, visit https://www.johnkeatley.com. For pricing and availability on UNIFORM prints, email studio@johnkeatley.com.

    The Jim Morrison contact sheet that John mentioned was taken by Joel Brodsky and featured in a show called
    CONTACT
    at the Fahey/Klein Gallery. See the image at http://www.faheykleingallery.com/exhibitions/contact#5.

    CONNECT WITH JOHN
    Website: https://www.johnkeatley.com
    Instagram: @johnkeatley
    Twitter: @johnkeatley

    MUSIC
    Please Listen Carefully
    (Jahzzar) / CC BY-SA 4.0


    Iteration 58: Only One Way to Find Out Nov 10, 2019
    Show notes

    My dad and I never really did a lot together when I was growing up. I mean, yes I spent summers with him and my stepmother Linda in Arizona but it was always with a group of people – and don’t get me wrong, it was a terrific way to spend the summer. But rarely was it ever just the two of us.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to Iterations, please consider leaving a review or a rating on iTunes to help others discover the show.

    LINKS

    Charmolipi: joy making sorrow – Full FIlm
    An Intimate Look Inside The Art Studio Of Scott Avett
    Color Grading Netflix’s Mindhunter

    Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0


    In Between 13: The Eyes Have It Oct 31, 2019
    Show notes

    “Because I had really poor depth perception, everything in my world flattened into two dimensions. I struggle to incorporate depth into my work because that’s not how I engage with what I see.” — Jo Mackby

    If you listen to any of my other shows—particularly Iteration 52—you know that earlier this year I had surgery on my eyes to correct a condition called Strabismus. About a month ago, I got an email from a listener and a photographer who recently had a similar surgery although I’ve since learned that her condition was much more dramatic than mine. I’ve never met anyone else with the same condition, let alone had the surgery to correct it. I responded to her email and asked if she would be willing to have a conversation about how her experience compared to my own, specifically around how it shaped her approach to art, both as a viewer and as a maker.

    Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS

    If you enjoy listening to In Between, please consider leaving a review or a rating on iTunes to help others discover the show.

    CONNECT

    You can find Jo on Instagram @jomackby or on her website at jomackby.com

    If you have an interesting story to share, I’d love to hear from you. Email me at talkback@jefferysaddoris.com or connect with me on Instagram @jefferysaddoris.

    Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0


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