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    Society & Culture

    Jack Dappa Blues Heritage Preservation Radio

    Jack Dappa Blues Heritage Preservation Foundation (JDBHPF) is a nonprofit established in 2011, officially becoming a 501 (c) 3 in 2016 to create public programs that raise cultural and ethnic awareness of Black traditional music, traditional art, folklore, oral histories, and the experiences of Black people in the United States. Standing on the foundation of the Blues People’s legacy, JDBHPF works to celebrate, preserve, and conserve Blues music and culture while highlighting the many events in American history that have cultivated our communities and musical expressions.

    Advertise
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    Latest Episodes:
    Veronika Jackson - The Woman I Am Mar 20, 2020
    Show notes

    In this episode of Jack Dappa Blues Radio, I speak with America's Folk and Blues Singer Veronika Jackson. She shares with us her journey of making her latest album, "The Woman I Am", and states that "In these trying times, encouragement and a good message always helps." Her message of making this record is - "This CD is meant to touch people's Heart! Men and Women and Children, To be able to listen to it and be encouraged ” - Veronika Jackson. Listen to my interview with her and enjoy the selection of songs off of the album that’s part of this broadcast! http://veronikajackson.com/

    @VeronikaJackson


    https://jackdappabluesradio.tv/

    https://jackdappabluesstore.online/

    To Donate - paypal.me/LamontJack

    To Sponsor - lamontjackpearley@jackdappabluesradio.tv denisepearley@jackdappabluesradio.tv


    Joseph 'Mojo' Morganfield - Blues Legacy Mar 15, 2020
    Show notes

    In this episode of Jack Dappa Blues Radio, I speak with Joseph 'Mojo' Morganfield, the youngest son of Muddy Waters.

    BIO -

    Joseph Morganfield, Born April 14, 1964, in Chicago Illinois. Joseph is the youngest son of the World Famous Muddy Waters. Joseph began his career following in his fathers' footsteps. As a young boy, Joseph would travel and perform with his father growing up in the Blues. His brothers are also Blues performers Big Bill Morganfield, and Larry Morganfield. He attended Westmont High School, in Westmont Illinois. He was learning guitar from his father Muddy Waters, and his fathers' guitarist Bob Margolin. However, having won a basketball scholarship while studying communications at the University of Northern Iowa. Joseph put music temporarily behind him in favor of playing college basketball. Taking up his music once again in clubs and many other festivals around Chicago and the United States. Planing to preform in Europe soon. Joseph performed on stage with Grammy Award Winners -Don Was, Jamey Johnson, and Warren Haynes at The Chicago Theater - The Last Waltz. Also with his brother Big Bill Morganfield at the Chicago Blues Fest. In 2019 Mojo Opened for Bad Company featuring Paul Rogers, he also performed on stage at the Chicago Blues Festival with his Band The Mannish Boyz. He is an Ambassador, Supporter, and Promoter inductee in the Prestigious Chicago Blues Hall of Fame. Attending many public events on behalf of his father Muddy Waters, keeping the name and the blues legacy alive.

    The Mannish Boyz Band -

    • MEMBER(S):
    Joseph Mojo Morganfield-Vocalist
    Paul Handover-Harmonica
    Chris Alexander-Drums
    Rick Kreher-Guitar
    Mike Flynn-Bass

    Song List -

    I Can't Get No Grindin'

    Mississippi Found Me

    Let's Play Chess

    Image by www.portraitsinblues.com

    Booking Information: Tom Lounges

    Tom Lounges Entertainment Tom@tomloungesentertainment.com Beatboss@aol.com (219) 781-9131

    To sponsor programming contact lamontjackpearley@jackdappabluesradio.tv

    To Donate paypal.me/LamontJack


    The African American Folklorist - Wanda G Addison Mar 14, 2020
    Show notes

    Featured Folklorist

    Wanda G Addison, PhD

    In this episode I speak with February’s African American Folklorist of the month is Wanda G. Addison. Addison, an African American folklorist, and Professor of English sat on the board of the American Folklore Society, and through storytelling, social groups and community practices use her folklore experience for cultural sustainability and preservation of intangible cultural heritage. Coming from an English Literature background, on the road to her Ph.D., Addison took a Pro Seminar class in Folklore. One of her assignments focused on oral literature, specifically documenting the voice and story of women. This sparked a calling in her that led to a long and achieved trajectory of researching, documenting and teaching.

    That experience gave her the purpose and passion to make sure women’s voices who went unheard, would be heard clearly, and directly from the source. Addison’s understanding of the process of the folklorist in regards to the approach taken when allowed into the world, culture and kinfolk traditions of a people are what separates her from many. The care and poise she possesses grants her the ability to receive the story of the folk, rather than interpret it based on preconceived notions. This attribute reflects Addison’s sincere drive to document and preserve the personal narrative of African American women, specifically over 50. In my interview with Addison, she explains her mission and why the story of women in that age group needs to have representation and preservation of their voice and story.

    American Folklore Society

    Wanda Addison Twitter - @onesungirl

    Sign up to receive The African American Folklorist Newspaper

    Purchase Merch http://jackdappabluesstore.online/


    Gina Coleman, IBC and the Misty Blues Music Journey Jan 08, 2020
    Show notes

    On this episode, I speak to Gina Coleman, the frontwoman of the blues band Misty Blues! She shares with us their journey to the IBC finals, her love for playing the cigar box guitar, and how blues runs in the family!

    Gina is a graduate of Williams College. She began singing in 1990 on a dare by her co-workers and hasn’t turned back since. She began performing in a duet, The Siblings. Gina shortly started her own duet, Cole-Connection, which blossomed to a five-piece band that allowed her to showcase some of her original music. Gina has performed in the Williamstown Theater Festival as the lead gospel singer in “A Raisin in the Sun.” She also made several appearances at NYC’s famed Bitter End. Misty Blues was a featured group at Mass MoCa’s blues festival. Gina and the band have had the pleasure of performing with Charles Neville from the legendary Neville Brothers at several venues in Western, MA and opening for blues staples ... Tab Benoit, John Primer, Albert Cummings, and Michel Powers. Musical influences include Janis Joplin, Bessie Smith, Billie Holiday, and Tuck & Patti.



    James Bunch - Hip Hop Farmers Initiative Jan 05, 2020
    Show notes

    On this episode, I speak with James Bunch (Peetie Wheatstraws Grand Nephew) and his son - n - law about Bunch's agriculture initiative "Hip Hop Farmers." James, born July 1957 in a little place called cotton plant Arkansas, grew up on a farm picking cotton and turned his agricultural experience into a successful career. Farming and agriculture is a huge staple of African American heritage, tradition and folklore, Bunch is working to reconnect our youth and adults to an industry that would generate economies, jobs, healthy foods as well as bringing generations and traditional music together.

    Their mission is:

    “Setting a new standard in outreach by utilizing 21st-century technologies and social media targeting underserved inner-city and rural communities".

    http://www.Twitter.com/HipHopFarmers

    https://www.facebook.com/HipHopFarmers

    Contact

    (901) 315-6008

    bunchology@gmail.com




    Hermene Hartman - The Legacy of Chicago's N'DIGO Jan 04, 2020
    Show notes

    On this episode, I have the honor to speak with activist, publisher, teacher, entrepreneur, and Chicago historian Hermene Hartman. She shares the beginnings of N'digo Print and walks us through to its current studio and television program! Hartman is a true historian, folklorist and she works tirelessly to platform Chicago the way it should be seen!


    N'DIGO STUDIOis a new talk show, independently produced. It is Chicago-centric and features interviews with notables and newbies. Hermene Hartman and Shannon Peoples are the co-hosts.

    N'DIGO STUDIO brings real talk with African American insights to the discussion. We will talk to the politicos, authors, and hot topics on current social issues, pop culture, and race and roundtable discussion. We will take deep dives in the art of conversation on topics that perhaps miss mainstream media.

    Hermene Hartmanhas published NDIGO a weekly newspaper for 30 years, in print for 26 and now exclusively online and in email columns. Her media career began as a TV producer with CBS, working with the late Warner Saunders. She was a college professor in the Behavioral Sciences and an administrator at City Colleges. She released a contemporary history book, NDIGO LEGACY: BLACK LUXE 110 in 1997. It is an anthology of African American Chicagoans and includes the first profile on President Barack Obama. Hartman has been a pundit, a voice, on TV news shows to include WGN TV, Fox News, WTTW-TV and The O’Riley Show. Her comments have been provocative and insightful on Chicago's personalities, issues, political races, race and controversial issues of the day.

    N'DIGO STUDIOS – Sizzle Reel - youtu.be/wlMF87aiAKo



    Dolphin's Of Hollywood - The John Dolphin Story Dec 29, 2019
    Show notes

    What does Dolomite, Lawanda Page, Scatman Crothers, Sam Cooke Pee Wee Crayton, T- Bone Walker, Johnny Lee Hooker, Bill Brown, Clyde

    McPhatter, Charlie White, and King Records have in common with Central Avenue? The answer is, John Dolphin and his owner-operated open 24/7 record shop rightfully named "Dolphin's of Hollywood."

    Bringing Hollywood to Central Avenue, John Dolphin cut records in the back of his store, then broke the record on his radio station that broadcasted in the front window of his store. John's efforts platformed black music and artists who wouldn't have had a chance to be heard on a large level. It also broke the color barriers as his record store had Black, White and Chicano patrons who partied together in and around the record store.

    On this episode, I speak with Michael Dolphin, John Dolphin's son, and Jamelle Dolphin, John Dolphin's grandson and author of the book "Dolphin's of Hollywood" about the legacy and impact John Dolphin created and had on the music, record, radio and Black Business industry.


    You can also read my article, "Charting The Blues" which is a 9-page feature in Living Blues Magazine, that discusses how John changed the trajectory of the radio industry and pop charts.

    WE ARE PUBLIC MEDIA - for donations to help us continue to produce content - paypal.me/LamontJack

    If you wish to sponsor content or underwriting for The African American Folklorist, contact lamontjackpearley@jackdappabluesradio.tv


    Peetie Wheatstraw Reloaded Dec 22, 2019
    Show notes

    On this episode of Jack Dappa Blues, I speak to William Bunch, AKA Peetie Wheatstraws Great Nephews about the remastered and remixed Peetie Wheatstraw album that was released on His Birthday, December 21st, 2019. James Bunch, Peetie's great Nephew, and his son n law Ricco Doty own Peetie's publishing and are on a mission to get Peetie a well-earned grammy. They've remastered and released a five-song album, with two bonus tracks by Peetie's great great-nephews, who rerecorded Peetie's songs. https://music.apple.com/us/album/reloaded/1480863185


    The African American Folklorist Ep 2 - Elijah Cox Dec 08, 2019
    Show notes

    On this episode of The African American Folklorist, I share the story of the born free, African American Traditional Music Practitioner Elijah Cox, who was a fiddler, Buffalo soldier, and recorded in 1935 at the age of 93 for the Library of Congress Elijah Cox was also interviewed and recorded for the Born in Slavery: Slave Narratives from the Federal Writers' Project, 1936-1938, which now lives can be found of the Library Of Congress Website.

    As I share the story of Elijah, I make the case that he was and utilized the tools of the folklorist.

    Written, Produced and Edited by Lamont Jack Pearley -

    Credits for sound design & Music

    Elijah Cox - Run up on The Mountain, Slavery Days, Can’t put the saddle on the ol great mule

    Lamont Jack Pearley - Blues Journey & Underground Slide

    Excerpts from "Fife and Drum Music of the American Revolution: Military Music in America series, vol. 1," produced by the Company of Military Collectors & Historians, Washington, D.C. with George P. Carroll, Director of Music -- from about 1976.

    (Improved audio from my earlier upload of this same.) https://www.underthehome.org Music Performer: Sturbridge Colonial Militia Music License Original Source: Sound Clip of Gunfire Original Source: Painting Title: Battle of Bunker Hill

    ember 1941 (part 2 of 6)

    Contributor Names - Lomax, Alan, 1915-2002 (Interviewer), Sturz, Elizabeth Lyttleton (Interviewer), Johnson, George (Interviewee), Jones, Lewis Wade, 1910-1979 (Interviewer) Johnson, Charles Spurgeon, 1893-1956 (Interviewer), Work, John W. (John Wesley), 1901-1967 (Transcriber) Created / Published Mound Bayou, Mississippi, 1941

    Railroad Song, Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Gibson, Gus (Performer) Created / Published Georgia, 1941

    Negro blues and hollers, Contributor Names, Stearns, Marshall Winslow, compiler. Lomax, Alan, 1915-2002, recordist. Work, John W. (John Wesley), 1901-1967, recordist. Jones, Lewis Wade, 1910-1979, recordist. House, Son, performer. Edwards, Honeyboy, performer. Martin, Fiddlin' Joe

    The Boll Weevil, Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Ezell, Buster (Performer) Created / Published Georgia, 1941

    Coon Gi'nt (Coon jive), Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Stripling, Sidney (Performer)Created / Published Georgia, 1941

    Rock My Soul in the Bosom of Abraham, Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Unidentified vocal quartet (Performer), Created / Published, Fort Valley, Georgia, 1941

    John the Revelator, Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Heavenly Gate Quartet (Performer), Created / Published Nashville, Tennessee, 1941

    If I Had My Way I'd Tear the Building Down, Contributor Names - Work, John W. (John Wesley), 1901-1967 (Collector), Heavenly Gate Quartet (Performer) Created / Published Nashville, Tennessee, 1941

    Remember to Subscribe to the podcast and the Newspaper!



    HENRY THOMAS TEXAS BLUES LEGEND PT 3 F/DOM FLEMONS Dec 07, 2019
    Show notes

    This is part three, the last episode of the series of the Jack Dappa Blues Podcast Series in affiliation with Lonestar Blues & Heritage Festival about Henry Thomas, also known as Henry Ragtime Texas Thomas featuring our recurring guest The American Songster Dom Flemons.

    On this last installment, we discuss the blues of Henry Thomas, the similarities of his songs to what W.C. Handy expressed he heard the first time he experienced the blues and the rich history of African American Traditional Music that comes out Texas.

    Podcast also available on iHeart, iTunes, Apple Podcast, Radio Public, Spotify , Google Podcast and more!

    Henry Thomas was one of the oldest black musicians who recorded 23 cuts on Vocalion Records between the years of 1927 - 1929. his music is a great opportunity to hear what African American Traditional music sounded like near the end of the 19th century. Henry Thomas’ body of music connects the roots of black music in Africa, from the nineteenth and twentieth-century African American folksong to the essence of the blues, as well as everything in between and thereafter.

    Please Donate, subscribe and share!

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