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    Film Interviews

    Indie Film Hustle® – A Filmmaking Podcast

    The Indie Film Hustle Podcast is your #1 source for how to hack the film business and indie film world! The show is here to help as many indie filmmakers as I could. We wanted to bring the best guests, industry leaders, creative legends, and film business friends to you, the IFH Tribe.

    Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Barry Sonnenfeld (Men in Black), Alex Proyas (The Crow, I, Robot), James V. Hart (writer Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls (writer of Fight Club), Oscar® Winner Russell Carpenter (DP of Avatar, Titanic) Joe Carnahan (Smokin’ Aces, The Grey), and David F. Sandberg (Shazam!) to name a few.

    We hope this podcast can help you along your journey as an artist, filmtrepreneur, filmmaker, screenwriter, and as a human being.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast–2664729/support.

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    Copyright: © IFH Industries, Inc.

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    Latest Episodes:
    IFH 543: Inside X-Men, Deadpool, Logan & The 355 with Oscar® Nominee Simon Kinberg Jan 07, 2022
    Show notes

    Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg.
    He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide. 
    Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie.
    Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing.
    A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.
    When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.
    As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).
    The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck.
    The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.
    His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon.
    Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.
    Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg’s latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg
    Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple.
    Following almost a decade’s worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe.
    In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman’s film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards.
    In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp.
    On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide.
    In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney’s Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.
    In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture).
    In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.”
    In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.
    Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others.
    In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg’s fourteenth film to open number one at the box office.
    In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain.
    In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access. 
    Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks.
    You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.
    The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.
    Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 542: Producing Films in Today's Hollywood with Oscar® Nominee Chris Moore Jan 06, 2022
    Show notes

    Every once in a while I have a conversation on this show that blows my mind, this episode did just that. Today on the show we have Oscar® Nominated producer Chris Moore. He produced films like Good Will Hunting, American Pie, Waiting, The Adjustment Bureau, and Manchester by the Sea. Chris' profile grew from his appearance as the producer on the early 2000's filmmaker reality show Project: Greenlight.
    I have a short, and I mean short, history with Project: Greenlight but that's another story.
    After graduating from college, Chris Moore moved to Los Angeles after sometime working in the mailroom of a major agency he got promoted to literary agent. He championed projects like: The Stoned Age, PCU, Airheads, Last Action Hero, and My Girl.
    When Chris' agency was acquired by ICM, he left and became an indie film producer. With some friends, he raised the budget to produce the indie film Glory Daze, which starred an unknown Matt Damon. Damon turned down the leading role in favor of paid work on another paid project but introduced him to his friend Ben Affleck, who ultimately starred in Glory Daze.
    Afterward, Affleck and Damon wrote the screenplay for what would become the Oscar® winning Good Will Hunting, and they asked Chris help them produce the film that was directed by Gus Van Sant.
    Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence.
    His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.
    Chris and I had a remarkable conversation about how to produce films in today eco-system. We also discuss what it's like working in the studio system, some of the issues he has with the system, how filmmakers are treated, and so much more. This an EPIC 2-hour conversation full of knowledge and truth bombs so prepare to take some notes.
    Enjoy my conversation with Chris Moore.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 541: Inside Writing for Marvel Studios & Spider-Man with Erik Sommers Jan 04, 2022
    Show notes

    Today on the show we have one-half of the writing team that wrote the record-breaking Marvel film Spider-Man: No Way Home, Erik Sommers.
    For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
    In addition Sommers co-wrote scripts for Spider-Man: Homecoming, Ant-Man and the Wasp, Spider-Man: Far From Home, The Lego Batman Movie and Jumanji: Welcome to the Jungle with Chris McKenna. Erik started his career in television and wrote on the ground-breaking show Community under show runner Dan Harmon (Rick and Morty).
    Erik tells me how working with Dan changed how he wrote and how he uses Dan Harmon's Story Circle in his writing today.
    We discuss how he got the Spider-man gig, how he writes with his partner Chris, what it's like working inside the Marvel Studios machine and dealing with the pressure of writing Spider-Man.
    I watched the new Spider-Man and I have to say it's the best Spider-Man film yet. Get ready to have your nostalgia heart-strings pulled in the best way possible. Erik and Chris did a fantastic job writing the stand-alone film, while still weaving in the larger MCU narrative, not an easy thing to do.
    Enjoy my conversation with Erik Sommers.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 540: Selling Indie Films with the Regional Cinema Model with Daedalus Howell Dec 31, 2021
    Show notes

    Today on the show we have writer/director Daedalus Howell. Daedalus' film Pill Head is the definition of being a Filmtrepreneur. So much, in fact,​ I used his film as a case study in my book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business. The method he used was the "regional cinema model." This mode; is based around developing, producing and distributing a film project targeted to the niche audience of a geographic area. He essentially made an Art House film for his hometown.
    Pill Head was entirely a hometown affair — from discounted permits to merchant buy-in and a recent theatrical release through a consortium of local exhibitors (no four-walling!) accompanied by tons of local press.
    In this interview, we go deep into the regional cinema model, how he creates multiple revenue streams and how he got that group of local theater owners to four wall his film for free. Enjoy my inspirational conversation with Daedalus Howell.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 539: How to Make an Indie Film Against All Odds with Tzvi Friedman Dec 30, 2021
    Show notes

    As filmmakers we all have challenges to make our films. Today's guest had to deal with obstacles that most of us would never have to. We have on the show filmmaker Tzvi Friedman and he has on heck of a story to tell.
    Tzvi is a writer and director based in NYC. He was born and raised in an ultra-religious community where almost all cinema was contraband. Growing up he secretly watched countless movies under his covers and sneaking off to the cinemas. At 18 he started making films, becoming a social outcast, but that didn't stop him.
    He has since directed multiple short films. At 21 he crowdfunded $10,000 dollars and made his first feature Man.
    Tortured by his inability to feel emotional or physical pain, a man finds murder to be his only respite - until he meets a lonely woman whose compassion awakens something inside.
    After he finished shooting the film, by some miracle, veteran producer Cary Woods (Swingers, Scream, Godzilla, and Rudy) discovered his film and jumped on as an executive producer to help Tzvi finish the film.
    Enjoy my inspirational conversation with Tzvi Friedman.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 538: I Made a Short Film Now WTF Do I Do with Clarissa Jacobson Dec 28, 2021
    Show notes

    So you made a short film, now WTF do you do? Today guest is filmmaker Clarissa Jacobson and she is the perfect person to guide you through the rough waters of getting your short film out to the world.
    Clarissa is the writer, producer and creator of the multi-award-winning comedy/horror short - Lunch Ladies - based on her feature. The film garnered forty-five awards and is distributed all over the world.
    Her follow up short - A Very Important Film - also got distribution. Her optioned feature screenplay, Land of Milk and Honey, is in development with Elizabeth Avellan and Gisberg Bermudez.
    In addition, Clarissa wrote a book – I Made a Short Film Now WTF Do I Do With It: A Guide to Film Festivals, Promotion, and Surviving the Ride
    I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!
    I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.
    Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.
    Enjoy my conversation with Clarissa Jacobson.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    NEW YEARS BONUS: Rise of the Filmtrepreneur - Listen to Two Chapters for FREE Dec 27, 2021
    Show notes

    NEW YEARS BONUS:
    My book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business has become an Amazon Best Seller. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.
    Here's a bit of what Rise of the Filmtrepreneur has to offer:
    It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®.
    In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
    I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.
    Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book.
    Enjoy and VIVA LA REVOLUTION!
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 537: The Power of a Niche Audience (Saltbox TV) with Jerry Goehring and Patty Carver Dec 25, 2021
    Show notes

    Today on the show we have Jerry Goehring and Patty Carver. They are the founders of Saltbox TV.
    Saltbox TV is the first-ever streaming service dedicated to connecting older adults with diverse, informative, and engaging programming. Through a simple and user-friendly platform, Saltbox TV welcomes even those with no technical experience. Saltbox TV hosts various programs from music, faith, classic film & television, lifelong learning, wellness, documentaries, arts and crafts, Saltbox Originals, and everything in between.
    This is the Senior streaming service I represent. They have an incredible mission and great programming for seniors. They’re just moving into original programming and currently developing their first reality show SILVER STARS. Attached is a sheet that highlights that current programming which includes financial assistance, health & wellness, exercise, general entertainment, etc.
    The real topic here is ageism, the lack of entertainment focused on this demo from content to devices…SALTBOX has made some incredible partnerships with players in the sr industry from pre-loading Saltbox onto tablets for seniors, playing on closed circuits TV at senior homes, and deals with Roku, Firestick, etc.
    In this episode we discuss the power of niche audience, how to serve them, how to build and audience and much more. Enjoy my conversation Jerry Goehring and Patty Carver.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    CHRISTMAS BONUS: Shooting for the Mob - Listen to First Fours Chapters Dec 24, 2021
    Show notes

    CHRISTMAS BONUS
    After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.
    A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
    Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,
    "If I'm going to write this I have to tell the entire story, warts and all."
    The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.
    As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.
    Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


    IFH 536: How to Production Design for Ridley Scott with Oscar® Winner Janty Yates Dec 23, 2021
    Show notes

    Today on the show we have Oscars® winning costume designer Janty Yates.
    Janty Yates has had a collaborative relationship with Ridley Scott since the great success of Gladiator in 2000, for which she won an Academy Award®, one of the eight Oscars® garnered by the film.
    She was also nominated for a BAFTA, a Golden Satellite and a Saturn Award. She has also had CDG nominations for De-lovely and for The Martian, a Golden Satellite nomination for De-lovely and a Goya nomination for Kingdom of Heaven.
    Yates is a frequent collaborator with Scott, having worked on thirteen films with him in addition to Gladiator, including: Hannibal (2001); Kingdom of Heaven (2005); American Gangster (2007); Body of Lies (2008); Robin Hood (2010), for which she received a Saturn Award nomination and her fourth Satellite Award nomination; Prometheus (2012), Exodus: Gods and Kings (2014), and The Martian (2015). Her most recent films with Scott include the epic historical drama film The Last Duel and the biographical crime drama film House of Gucci, both released in 2021.
    The historical epic is a cinematic and thought-provoking drama set in the midst of the Hundred Years War that explores the ubiquitous power of men, the frailty of justice and the strength and courage of one woman willing to stand alone in the service of truth. Based on actual events, the film unravels long-held assumptions about France's last sanctioned duel between Jean de Carrouges and Jacques Le Gris, two friends turned bitter rivals.
    Carrouges is a respected knight known for his bravery and skill on the battlefield. Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. When Carrouges' wife, Marguerite, is viciously assaulted by Le Gris, a charge he denies, she refuses to stay silent, stepping forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy.
    The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands. The film is based on Eric Jager's book "The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France."
    It is produced and directed by Ridley Scott, Kevin J. Walsh ("Manchester by the Sea"), Jennifer Fox ("Nightcrawler"), Nicole Holofcener, Matt Damon, Ben Affleck with Kevin Halloran ("Ford v Ferrari"), Drew Vinton ("Promised Land"), Madison Ainley ("Justice League") serving as executive producers.
    You can watch The Last Duel through popular video-on-demand (VOD) retailers like Amazon Prime Video, Vudu, Apple TV (iTunes), Microsoft Movies, and YouTube.
    Enjoy my conversation with Janty Yates.
    Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.


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