Indie Film Hustle® - A Filmmaking Podcast

IFH 781: From Pre-Med to Marquee Lights: Jenny Paul's Journey of Creative Bravery and Storytelling Dec 17, 2024

Stories are the connective tissue of humanity. They reveal our commonality, our struggles, and our triumphs. And in the vibrant chaos of the world, some individuals rise with a unique ability to live, breathe, and tell these stories—through performance, words, and relentless passion. Today, we welcome Jenny Paul, an actress and producer who has graced both the stage and the screen with her ever-determined spirit. From the thrill of audition buses to the glow of marquee lights, her story is one of discovery, reinvention, and creative bravery.In her early days, Jenny Paul didn’t always envision a life under the spotlight. A college journey steeped in the sciences and pre-med seemed like the logical path. After all, the family line carried the torch of medicine. But as life often does, the whisper of the theater grew louder in her soul.
She described it as the moment where pre-med stress led her to a beautiful refuge—acting. "I realized I didn’t have to help people as a doctor when I could tell stories that connect them to their own humanity." It’s a revelation that many artists encounter—the power of creation to heal, uplift, and illuminate.The road to success, however, was neither instant nor smooth. She spoke fondly (and hilariously) of her early audition adventures in New York. Picture this: college weekends spent traveling on the infamous Chinatown bus, a transportation experience where even survival felt uncertain. But grit fuels passion. Jenny’s first big break came with the musical Funny Girl in New York, where she played a role usually reserved for women decades her senior. It was a peculiar but prophetic start, teaching her to embrace any opportunity with both hands and a courageous heart.Her journey transitioned into film and television, a space where nuance thrives. Acting on stage had taught her to amplify, to project; film taught her the power of subtlety. That lesson came full circle when she landed her role in Jessica Jones. It was a playful audition—Jenny embraced her character’s full fan-girl persona with comic charm. She recalled, "Sometimes you just have to throw yourself into it without overthinking. Be bold, be genuine, and have fun." Such simplicity in approach often holds the secret to great art.Beyond acting, Jenny has stepped behind the scenes as a producer. Like many artists, she found herself in a place where waiting for roles felt too passive. Producing, she explained, is about creating opportunities—for herself, for others, and for stories that need to be told.
It’s a lesson in creative autonomy and the entrepreneurial spirit that every modern artist must embrace.Discussed was her upcoming work, the Hulu series The Looming Tower, Jenny's tone shifted to reverence. Based on true events, the show dramatizes the tension between the FBI and CIA leading up to 9/11, offering a sobering look at miscommunication and its grave consequences. Jenny plays one of the “lemmings,” a young CIA analyst working under questionable leadership. Though her role may offer comic relief, the gravity of the story left its mark. "It’s rare to work on something that feels like it truly matters, that tells a truth the world needs to hear."The beauty of Jenny Paul’s story is its relatability. It’s about perseverance in an industry where nothing is guaranteed, about finding fulfillment in both the work and the struggle. She reminds us that life’s bus rides may be bumpy, the rejections many, and the roles unexpected, but the joy is in the doing. In showing up again and again.
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IFH 780: Unforgettable Storytelling: Phillip Andrew on Creativity, Leadership, and Resilience Dec 10, 2024

On today's episode, we dive into the fascinating world of creativity, resilience, and the art of storytelling with Phillip Andrew, a multi-talented producer, motivational speaker, and DJ from Los Angeles. From his humble beginnings in Michigan to his relentless pursuit of opportunities in Hollywood, Phillip's journey is a testament to the power of determination, adaptability, and the enduring impact of great stories.Phillip reminisced about his early days navigating the entertainment industry, sharing candid insights about how unconventional networking—like a chance encounter on a basketball court—landed him his first job in production. Reflecting on this pivotal moment, he said, "You don't always know which door will open, but that's why you keep knocking on as many as possible." This philosophy underscores the importance of persistence, even when the odds seem insurmountable.In the heart of Hollywood, Phillip discovered the transformative power of storytelling. He spoke passionately about the evolution of stories—from ancient oral traditions to modern-day cinematic spectacles. Despite technological advancements, Phillip believes the core of storytelling remains unchanged: creating narratives that resonate deeply with people. He emphasized, “It doesn’t matter how advanced the technology is—if the story doesn’t connect, the audience won’t care.”Phillip's journey wasn’t without its challenges. From grappling with personal setbacks to navigating the unpredictable nature of film sets, he revealed how these experiences shaped his outlook. He humorously recounted a lesson from the legendary director Wes Craven, who once said, "Who told you things were ever supposed to go as planned?" This nugget of wisdom became a mantra for Phillip, helping him approach obstacles with creativity and a solutions-oriented mindset.A recurring theme in the conversation was leadership—on set and in life. Phillip shared a story about a showrunner who inspired him by personally crawling under a table to fix a light. This simple act of humility and teamwork left a lasting impression, reinforcing Phillip’s belief that effective leaders must lead by example. He noted, “When people see that you’re willing to do the work too, they’ll want to go the extra mile with you.”Phillip also touched on the current "golden age of content," highlighting both the opportunities and challenges it presents. With an explosion of platforms like Netflix, YouTube, and Hulu, the barrier to entry has never been lower. However, this democratization of content also means creators face more competition than ever. For Phillip, the solution is simple: focus on the power of the story. “If you don’t have a compelling reason for your audience to care, your content will get lost in the noise,” he warned.
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IFH 779: Breaking the Mold: Lily Yasuda and Michael Wolfe’s Journey to Crafting the Anti-Rom-Com Dec 03, 2024

On today’s episode, we welcome the dynamic duo, Lily Yasuda and Michael Wolfe, two inspiring filmmakers who have decided to take the road less traveled by creating their own feature film, Like Love. Their journey is one of collaboration, determination, and creativity—filled with moments of laughter and the occasional unexpected hurdle.From the outset, you’ll sense the chemistry between Lily and Michael. They first crossed paths during their time at Chapman University, bonding over vulnerable and humorous writing assignments in a creative writing class. Their shared passion for storytelling sparked not only a friendship but also a creative partnership. This partnership culminated in the idea for Like Love, a project born out of their desire to challenge traditional romantic comedy tropes.
“We wanted to tell a story that feels real and honest,” Lily shares, “about friendships and the complexities of human connection.”At its heart, Like Love is what they call an “anti-romantic comedy.” Drawing inspiration from classics like When Harry Met Sally, Lily and Michael aim to flip the script on the genre. Instead of perpetuating the myth that friendship between men and women inevitably leads to romance, their film explores the beauty of platonic relationships. As Michael explains, “It’s about two friends trying to fall in love and realizing they’re better off as friends. That’s the kind of story we don’t see enough.”Their filmmaking journey hasn’t been without its challenges. Crowdfunding has been a pivotal part of bringing Like Love to life. Lily and Michael describe the process as “a full-time job in itself,” requiring not only meticulous planning but also a willingness to be vulnerable and open about their creative vision. They’ve leaned heavily on their network for support, finding generosity in unexpected places.
“The community in Boise has been incredible,” says Lily. “People here are so supportive, offering locations, resources, and even homemade meals for the crew.”Despite the logistical hurdles, their passion for storytelling shines through. Michael, the film’s director, admits that directing a micro-budget feature comes with unique pressures. “We’re all wearing multiple hats,” he notes, “but it’s an amazing experience to work so closely with a team that believes in the project.” Lily, who also stars as the film’s lead, balances her roles as actor, writer, and producer with grace, emphasizing the importance of collaboration in every aspect of the project.As they reflect on their experiences, one thing becomes clear: Like Love is more than just a film; it’s a testament to the power of community and perseverance. Lily and Michael hope their story inspires other aspiring filmmakers to take the leap. “Making a movie isn’t easy,” Lily acknowledges, “but if you’re passionate about your story, you’ll find a way to make it happen.”
Please enjoy my conversation with Lily Yasuda and Michael Wolfe.
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IFH 778: Crafting Over 160 Films, Tales of Creativity, Conflict, and Cinematic Hustle with Jim Wynorski Nov 26, 2024

On today's episode, we welcome Jim Wynorski, a filmmaker whose career is a kaleidoscope of genres, relentless creativity, and a staggering portfolio of over 160 films. Known for his ability to churn out projects with unmatched efficiency, Jim's journey through the cinematic landscape is nothing short of fascinating. From cult classics like Chopping Mall to unexpected forays into family-friendly territory, his career offers insights into filmmaking’s raw, unpolished edges.In this conversation, Jim Wynorski shares the story of how he transitioned from directing commercials in New York to working under the legendary Roger Corman in Hollywood. "I packed up my stuff in a car and drove across the country. I struggled for a few years doing anything I could, and eventually, my scripts got into the right hands," Jim says. It’s a tale of grit and determination, emblematic of the relentless pursuit of dreams that fuels so many creative spirits.Jim's approach to filmmaking is a study in versatility. Whether crafting low-budget horror or light-hearted family films, he has always been deeply attuned to audience preferences. He reflects on this ability, explaining how understanding the marketplace keeps him relevant. "You don't make a movie for yourself; you make it for the audience. If you don’t, it’s not going to sell," he advises, underscoring the pragmatism that has defined his work ethic.
The discussion takes a humorous turn when Jim recounts some of the challenges of working with temperamental actors, including notorious on-set dramas. While he speaks fondly of most collaborators, a few experiences left lasting impressions. "Robert Culp, who I loved as a kid, was a prick and a half. He complained about everything—from the lenses to the meals. The entire crew booed him on his last day!" Jim laughs, offering a behind-the-scenes glimpse into the human side of filmmaking.But Jim isn't only about business and conflict—his passion for storytelling shines when discussing his favorite films and the joy of working in diverse genres. From the fantastical to the comedic, his projects reflect a deep curiosity about the possibilities of cinema.
"Each film took me to new places, both literally and creatively," Jim recalls, noting how travel and novelty kept the work exciting even during grueling production schedules.He also touches on the changing dynamics of the film industry, particularly the impact of digital platforms and the decline of physical media. Ever adaptable, Jim explains how these shifts inspired him to pivot from horror to family films, seizing opportunities in a dwindling DVD market. "I walked into Walmart, saw family films selling well, and decided to make one about a dog and Christmas," he says. The resulting success is a testament to his knack for spotting trends and evolving with the times.
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IFH 777: Carving Her Own Path: Kansas Bowling on Confidence, Creativity, and the Magic of 16mm Film Nov 19, 2024

The craft of filmmaking is as much about the soul as it is about the frame. In today's conversation, we sit down with Kansas Bowling, a maverick filmmaker who began charting her creative course at just 17 years old. As the first graduate of the Troma Institute for the Gifted, Kansas burst onto the scene with her debut feature, B.C. Butcher, a cavewoman slasher filmed on 16mm. From that bold beginning, her journey has only intensified, guided by a vision both rebellious and deeply personal.Kansas embodies the heart of artistic defiance, carving her path outside the confines of conventional education.
"I thought it would be easier to just make a movie than go to film school," she reflects, and her success vindicates her instincts. Her philosophy is one of doing: creating without overthinking, trusting her voice, and stepping into the arena without waiting for permission. Her work ethic shines through her portfolio, from feature films to over 20 music videos, all captured on her beloved 16mm film.Kansas opens a window into her creative process. For her, filmmaking is as much about confidence as it is about technical skill. "Directing is just telling people what you want to see. Everything else, you can learn along the way." This candid wisdom is refreshing, cutting through the mystique often associated with creative mastery.
With humor and humility, she explains her preference for shooting on film, emphasizing its "timeless look" that digital can never replicate.Despite the beauty of her craft, Kansas has faced challenges that mirror the rawness of her stories. From navigating the loss of her Instagram account due to a controversial post, to fielding inappropriate offers as a female filmmaker, she moves forward with resilience. "People always send me horrible scripts where the whole thing is just a giant sex scene," she shares, laughing off the absurdity. Yet, she balances these experiences with genuine collaborations, such as her role in The Electra Complex, a project she describes as "the most well-written screenplay I've ever read."When asked about her influences, Kansas rattles off a list of cinematic gems: F for Fake by Orson Welles, Midnight Cowboy, and the Italian classic Don't Torture a Duckling. These films, she notes, have a unique authenticity—a quality she strives to infuse in her own work.
For Kansas, filmmaking isn’t about mimicking others; it’s about harnessing inspiration while remaining true to her distinctive voice.As she wraps up production on her second feature, Kansas is also directing multiple music videos, preparing for a shoot in Miami, and starring in a major project. Her days are packed, yet her focus remains sharp. The secret to her productivity? She simply follows her passion. "If you see a film in your head, just go out and make it," she advises, encouraging budding creatives to trust their instincts and take action.
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IFH 776: Crafting Comedy Without Limits: The Indie Spirit Behind Chasing Molly with Shelley Pack & Josh Sutherland Nov 12, 2024

In today’s episode, we welcome the brilliant comedic minds behind Chasing Molly: Shelley Pack and Josh Sutherland. Together, they share the odyssey of making an independent film from scratch, driven by pure creativity and an unwavering dedication to laughter and storytelling. Their journey is not just one of filmmaking but of persistence, grit, and a desire to carve a unique voice in the comedy genre.
Shelley Pack brings her background as a comedian and improv performer, skillfully assembling a cast of friends and acquaintances to breathe life into Chasing Molly. With no big studios or massive budgets, Shelley and Josh poured their souls into the project. "It was liberating to create something genuinely funny without restrictions," Shelley reflects, highlighting how the freedom of independent filmmaking allowed her to maintain the authenticity of the comedy.
On the other side, Josh Sutherland recounts his journey from a kid with a camcorder to a professional in Hollywood, working every possible crew position to understand the art and science of film. A student of cinema at the University of Texas, Josh entered the world of visual effects, gaining firsthand knowledge in various roles. When the opportunity arose to collaborate on Chasing Molly, Josh brought not only technical expertise but also a lifelong passion. "Filmmaking is a huge, huge team sport," he explains, underscoring the communal effort that went into producing the film.One memorable anecdote shared by Shelley and Josh is the challenge of shooting in a real pawn shop while it was open to the public. With customers oblivious to the filming, Shelley describes an eccentric woman examining items with a magnifying glass, fully engrossed in her shopping while the crew scrambled to finish the scene before sundown. Such improvisational moments added authenticity to the film, revealing the beauty and chaos of guerilla-style filmmaking.Shelley also speaks about the “Zen Cholo,” a character who emerged through social media sleuthing. Shelley found “Scar,” a YouTube personality with a massive social following, whose calm demeanor brought unexpected depth to the role of a gang leader. This resourcefulness in casting enabled the team to create a distinctive character who, as Shelley notes, is “like a Buddha with street cred,” adding unique charm to the film.
In the end, Chasing Molly is more than a film; it’s a testament to the idea that with a vision, a supportive crew, and a refusal to take “no” for an answer, anything is possible. As Josh says, “We set ourselves up to win,” and that victory is felt in every scene of this indie gem
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IFH 775 - Breaking Into Hollywood: The Power of Authentic Connections and Creative Vision with Jameson Parker Nov 05, 2024

On today's episode, we welcome Jameson Parker, a seasoned producer with roots in theater, who’s climbed the ranks in the world of film and television. As a Development Director at Bright Light Pictures, Jameson has developed a keen eye for projects that align with his passion and resonate with audiences. Starting as an actor, he transitioned to production, taking on the mentorship of industry veteran Sean Williamson, and carving a niche in the independent cinema space.Jameson shares his journey from pursuing theater in Vancouver to becoming a producer with a versatile portfolio, which includes films like Summer of 84 and the Netflix series Julie and the Phantoms. He explains the art of “breaking in” as an evolving process, emphasizing perseverance and the invaluable nature of mentorship in an industry where relationships shape opportunities. In his case, connecting with Sean was pivotal, as it granted him guidance and resources to navigate the challenging waters of production. As he aptly puts it, “There’s an element of perseverance that permeates every success story—banging your head against the wall until the brick cracks.”In our conversation, Jameson reflects on the state of Hollywood’s market-driven focus, where franchises and reboots often overshadow fresh, original stories. He believes true creative fulfillment lies in cultivating unique narratives rather than chasing trends.
He references his experience with Summer of 84, which drew inspiration from classic thrillers and managed to resonate with audiences without the typical industry formulas. Jameson champions the importance of bringing something authentic to the screen, arguing, “If you chase what’s doing well in the marketplace, you’re always going to be behind the eight ball.”For Jameson, networking is less about formal events and more about building meaningful relationships. He recalls his serendipitous meeting with writer Matt Leslie at a networking event, which led to the development of Summer of 84. He stresses that genuine connections often lead to more fruitful collaborations than transactional exchanges. This philosophy has carried him through many projects, as he remains committed to developing authentic connections both on and off set.As the conversation deepens, Jameson delves into the complexities of producing for television versus film. Working with Netflix on Julie and the Phantoms, alongside renowned director Kenny Ortega, has been a “big learning experience” for him. He contrasts this with his independent projects, which allow for more creative control and hands-on involvement.
The Netflix series exemplifies the evolving landscape of TV production, where platforms like Netflix provide vast opportunities but also introduce unique challenges due to their expansive, competitive nature.Jameson also speaks to the behind-the-scenes challenges producers face, especially in managing large teams on set. From navigating egos to ensuring open communication, he explains how these aspects shape the production experience. He acknowledges that problem-solving in production can feel overwhelming but emphasizes the importance of keeping a calm perspective. “If it can be solved with money, it’s not really a problem,” he says, underscoring his pragmatic approach to navigating production obstacles.In a business defined by collaboration and trust, Jameson has thrived by working with familiar faces, valuing shared experiences over constant change. His career is a testament to the power of resilience, passion, and a deep-seated love for storytelling. As he anticipates his next independent film project, he remains committed to blending his studio experiences with his passion for independent cinema.
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IFH 774: Breaking Barriers in Filmmaking: The Resilient Journey of Sean Buckley Oct 29, 2024

On today's episode, we welcome Sean Buckley, founder and CEO of Buck Productions. From humble beginnings to becoming a force in content creation, Sean’s journey is a testament to persistence, passion, and adaptability. Through his story, he paints a vivid picture of the challenges of building a media production company from scratch, especially in an ever-evolving industry where technology has transformed the very nature of content creation. "Work ethic," he says, "is the backbone of success in this industry.
"Sean recalls the early days in 1994, when making content meant overcoming logistical obstacles that today’s creators rarely face. Filmmaking then was a more arduous process, demanding significant manual effort, with analog, linear editing and physical deliveries of VHS tapes. In those days, getting a project off the ground involved cold calls and navigating skepticism. Sean emphasizes that those experiences, though difficult, were foundational. They shaped his resilience, a trait that he argues is crucial for creators even today.As the conversation delves deeper, Sean reflects on how the digital age has leveled the playing field. With tools now accessible to everyone, "the barriers to entry," he notes, "are almost gone." Anyone can shoot, edit, and publish content. But with the democratization of content creation, he warns, comes a saturation of voices. Success in this new landscape, he believes, demands not just access but talent and a relentless drive to stand out amid the noise.
For Sean, having a unique perspective and refined storytelling craft remains paramount in a world awash with content.Despite the industry’s rapid changes, Sean holds firm to his philosophy of diversity in storytelling. Buck Productions has a varied portfolio spanning feature films, unscripted shows, documentaries, and branded content. "Our business model is like a spectrum," he explains, "where creativity meets business acumen." This diversified approach has allowed Buck Productions to adapt to industry trends without being pigeonholed, and to prioritize meaningful projects. For Sean, content creation is both an art and a business, one that demands constant evolution and balance between vision and practicality.When asked about the influx of new content on platforms like YouTube and Netflix, Sean sees both opportunity and challenge. The vast amount of content now available has shifted the power dynamic from creators to audiences, who now decide when, where, and what they want to watch. "Today’s audience has a ferocious appetite," he observes, "and they’re the ones in control." This shift requires creators to think not only about what they make but also about how quickly they can adapt to audience demands.
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IFH 773: How to Master Screenwriting in Hollywood with Mick Hurbis-Cherrier Oct 22, 2024

Today on the show we have author, filmmaker and screenwriter Mick Hurbis-Cherrier.Mick is an independent filmmaker and screenwriter. His works have been broadcast and shown around the country and have garnered prizes at many festivals including the Black Maria Film & Video Festival, Ann Arbor Film Festival, Athens Film & Video Festival and the Cin(e) Poems National Film Festival.His work has also been featured at the Robert Flaherty Seminar, the American Film Institute’s National Video Showcase and at the Museum of Modern Art in New York City. His screenplays have also won prizes including the Arthur Miller Award for dramatic writing, the Lawrence Kasdan award for screenwriting and he was twice an award winner in the University Film & Video Association national screenwriting competition.
Among his film projects are: River of Things, an alternative film in four parts based on four poems by Pablo Neruda and Fear Fall, a short narrative satire about paranoia and the squeezing of the American middle class, which he wrote, directed and produced.His recent commissioned feature screenwriting projects include Give Me Five, which he co-wrote (with Ron Bass) for La Petite Reine Productions, Mesopotamia 2020 for Picturesque films and Empire of Dirt for director Steve Ramser. He also penned Better That Way, the official English language stage adaptation of the film Une Liaison Pornographique (U.S. release title An Affair of Love).
He is currently completing a gangster genre screenplay set in New Orleans entitled Force of Nature, also for Picturesque films.In 2011 Hurbis-Cherrier published the 2nd edition of his comprehensive narrative film production textbook Voice & Vision: A Creative Approach to Narrative Filmmaking. with Focal Press (originally published in 2007). In 2013 he published Directing: Film Techniques and Aesthetics 5th ed. (Focal Press) co-authored with Michael Rabiger.Both of these books are among the core film production textbooks in film programs throughout this country and internationally. Hurbis-Cherrier is currently working on the book, Practical Film Analysis and Inspired Filmmaking for the British Film Institute (BFI Publishing, Palgrave/MacMillan) which is scheduled for publication in early 2015.
Enjoy my conversation with Mick Hurbis-Cherrier.
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IFH 772: Screenwriting the 80’ Classic Cocoon with Tom Benedek Oct 15, 2024

Tom Benedek is a screenwriter known for his work in the film industry. He was born on March 16, 1949, in Los Angeles, California, USA. Benedek has written several screenplays for movies across various genres. One of his notable works includes co-writing the screenplay for the 1984 science fiction film "Cocoon," directed by Ron Howard.
"Cocoon" was a critical and commercial success and received two Academy Awards for Best Supporting Actor and Best Visual Effects. The film tells the story of a group of elderly individuals who discover an alien life force that rejuvenates them, leading to a series of life-changing events.In addition to his work on "Cocoon," Tom Benedek has written other screenplays and worked on various projects in the entertainment industry.
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IFH 771: Beat by Beat to a Better Screenplay with Jim Mercurio Oct 08, 2024

Today on the show we have Jim Mercurio. Jim is a filmmaker, writer, and author whose screenwriting instruction has inspired tens of thousands of writers around the world. Creative Screenwriting ranked him as one of the country’s top story analysts:
“The best example of how an analyst can give concrete help without veering off the track of your story... (Jim) is not just telling you how to rewrite a particular script... but how to apply it to future work as well.”
Jim works with Oscar-nominated and A-List writers as well as complete beginners. He adapts to each writer and script.Jim is a true champion for undiscovered writers and filmmakers. He produced Hard Scrambled which, like the horror-thriller he directed Last Girl, was discovered in a contest. The film stars Kurtwood Smith (That 70’s Show) and indie stalwart Richard Edson. It premiered at Cinequest and won Best Dramatic Feature at Garden State Film Festival. His experience as a filmmaker informs his approach to the material. He helps you to execute your vision with vivid and cinematic storytelling that can attract allies like directors and producers.He directed more than 60 hours of Screenwriting education including the first 40 Workshops in the Screenwriting Expo Series including classes by some of the other top screenwriting teachers in the world.
His own course Killer Endings was one of the best sellers from the collection. He wrote and directed Making Hard Scrambled Movies, filmmaking tutorials, as bonus material for Hard Scrambled’s original release.The Washington Post called them “a must for would-be filmmakers.” Inspired by his work on the Expo series, Jim applied his entrepreneurial “go big or go home” attitude to the six-disc DVD set Complete Screenwriting: From A to Z to A-List, a behemoth of screenwriting instruction. It is one of the most comprehensive screenwriting resources in the world. It’s a fast and furious ten hours with an hour of stunning motion graphics that help to explain seldom-discussed topics like theme, concept and character orchestration.Jim wrote The Craft of Scene Writing: Beat by Beat to a Better Script, the first-ever screenwriting book that focuses solely on scene writing.
Together, Jim’s course and book illustrate his forte, to illustrate advanced craft and nitty-gritty insight essential for mastery of screenwriting craft.
Enjoy my conversation with Jim Mercurio.
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IFH 770: Screenwriting Unchained – Master Story Structure with Emmanuel Oberg Oct 01, 2024

Today on the show we have Emmanuel Oberg. Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling his first project to Warner Bros as a co-writer, he went on to be commissioned by StudioCanal and Gold Circle before writing solo for Working Title / Universal and Film4.He has also designed an internationally acclaimed 3-day Advanced Development Workshop - based on the Story-Type Method® - which he delivers with passion to filmmakers all over the world. Emmanuel lives in the UK with his wife and their two daughters. His film agent is Rachel Holroyd at Casarotto in London. He is also the writer of Screenwriting Unchained: Reclaim Your Creative Freedom and Master Story Structure (With The Story-Type Method).
In Screenwriting Unchained, Emmanuel Oberg busts many myths and sets out an innovative methodThis practical, no-nonsense guide leaves behind one-size-fits-all story theories and offers a modern approach to story structure, making it a precious resource for anyone involved creatively in the Film and TV industry (or aspiring to be): writers, directors, producers, development execs, showrunners and, more generally, storytellers keen to reach a wide audience at home and abroad.Having identified three main story-types - plot-led, character-led, theme-led - Oberg reveals in a clear, conversational style how each of these impacts on the structure of any screenplay, and how we can use a single set of tools to develop any movie, from an independent crossover to a studio blockbuster.This leads to a powerful yet flexible way to handle the script development process: the Story-Type Method®. A new framework that doesn't tell you what to write and when, but focuses instead on why some tools and principles have stood the test of time and how to use them in the 21st century.
According to readers (see reviews below), Oberg's new approach is a game-changer.
Here are some of the easy-to-understand concepts explored in Screenwriting Unchained that will help you improve any screenplay:

How to identify the story-type of your project to make its development faster, easier and solve most story structure problems.
How to leave behind the prescriptive, logistical three-act structure based on page numbers or minutes and replace it with a flexible, dramatic three-act structure that will help you design a rock-solid screenplay.

How focusing on emotion, character development and managing information will allow you to go beyond the "protagonist-goal-obstacles-conflict" basic chain of drama.

How to use the fractal aspect of structure to design not only the whole story but also its parts in order to avoid the dreaded "sagging middle" syndrome and breathe new life into your script.

How to clarify what's at stake and increase your chances of getting the project made with a new take on Maslow's Hierarchy of Needs.

How to use subgoals to Sequence the Action and psychological/emotional steps to Sequence the Evolution of your characters.

How to keep the audience engaged using tools like dramatic irony, surprise, mystery, and suspense, adding a third dimension to your story.

How to master these tools and principles in scenes through practical exercises before using them in a short film, a feature film, a TV episode or a whole series following hands-on tips and advice.

How to design an attention-grabbing opening and a satisfying ending.

How to deal with hybrids and exceptions, as story structure isn't about forcing all narratives into a single formulaic paradigm.

The Rewrite Stuff: 12 Ways to a Stronger Screenplay, how to approach a new draft creatively and efficiently.

How to make the difference between selling documents - used to raise development or production finance - and story design tools.

Once you've developed a killer script, how to best pitch your project according to its story-type and get enthusiastic partners on board.

...and much, much more!

Using many case studies including films as diverse as Gravity, Silver Linings Playbook, Crash, Billy Elliot, The Intouchables, Birdman, Alien, Groundhog Day, Misery, Edge of Tomorrow, The Secret in Their Eyes, Cloud Atlas, L.A. Confidential and The Lives of Others, Screenwriting Unchainedwill transform the way you write, read, pitch, design, assess and develop screenplays.
Enjoy my conversation with Emmanuel Oberg.
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IFH 769: Lessons Learned: Being a First-Time Writer/Director with Sarah Elizabeth Mintz Sep 24, 2024

Sarah Elizabeth Mintz received her BFA from New York University’s Tisch School of the Arts, where she completed her thesis film Transit, starring Dakota Johnson. After graduating she mentored with filmmakers Cary Fukunaga on True Detective, Joachim Trier on Louder Than Bombs, and worked with Alejandro Inarritu on The Revenant.Sarah was a Sundance Fellow in the 2017 Writer’s Intensive and 2018 Sundance Strategic Financing Intensive with her project Good Girl Jane. She completed a short film of the same name starring Rachelle Vinberg (Skate Kitchen, HBO’s Betty) and Travis Tope (American Vandal), with cinematography by Jake Saner (Ghosts of Sugar Land).The short premiered at the Raindance Film Festival in London. Good Girl Jane recently wrapped principal photography in Los Angeles starring Rain Spencer, Patrick Gibson and Andie MacDowell. Good Girl Jane is inspired by events in Sarah’s own life.
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IFH 768: Writing & Directing an Independent Streaming Series with Aram Rappaport Sep 17, 2024

Aram Rappaport is filmmaker based in New York. Originally from Los Angeles, he began writing, directing and producing in his late teens including the one-take experimental film HELIX starring Alexa Vega.
He later adapted, produced and directed Max Berry's acclaimed novel into the film SYRUP starring Amber Heard, Shiloh Fernandez and Kellan Lutz and wrote, produced and directed the original film THE CRASH starring John Leguizmao, Frank Grillo, Minnie Driver and Dianna Agron.Set in the future when the US economy is on the brink of yet another massive financial crisis, The Crash tells the story of Guy Clifton, a federally-indicted stock trader, who is secretly enlisted by the federal government to help thwart a cyber-attack aimed at the US stock markets – an attack that could permanently cripple the economy.THE GREEN VEIL is his first episodic project.
It’s 1955 and Gordon Rodgers has a dream. It’s the American Dream. And he almost has it made. He lives in the suburbs with his wife and daughter. He goes to church, he works for the government. A respected job for a respectable family man.Gordon also has a mission. A nefarious secretive mission on behalf of the US government. It’s going well except for one final plot: The Sutton Farm. Owned by Native Americans Glennie and Gilberto Sutton, they refuse to be bought out. So Gordon must force them out by any means necessary. Maybe even abduct them. And it almost works, until the Suttons escape...At home, Mabel Rodgers is losing her mind. Playing housewife is taking its toll. How she wound up here from a military aviator career, she still doesn't know. When she discovers Gordon’s’ work folder marked CLASSIFIED she is drawn to the file. When she recognizes wartime friend Glennie Sutton as the mission's subject, she has no choice but to explore the case herself. And Gordon can never find out.Gordon’s dream is slipping away. His mission at work is failing. He’s losing control of his family. At what lengths will he go to hold it all together? At what cost to himself and others will he preserve his American Dream? Is this dream even meant for him...or is it all a conspiracy?
He also runs the hybrid creative agency / production studio The Boathouse for which he's created and directed campaigns for such brands as Apple, Netflix, Victoria's Secret and SingleCare amongst others.
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IFH 767: Why Most Screenplays Don't Sell with Brooks Elms Sep 10, 2024

Brooks Elms is a screenwriter and independent filmmaker. His specialty is grounded personal characters and writing story tension so thick it knots up your stomach.He's written 25+ screenplays, a dozen of them on assignment, and sold several scripts, including one this year with Brad Peyton as Executive Producer. Brooks was recently hired to rewrite a screenplay started by an Oscar-winning writer. Brooks began his career writing, directing, and producing two indie features (personal dramas) that he screened all over the world.And Brooks also loves coaching fellow writers who have a burning ambition to deeply serve their audiences.
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BONUS EPISODE: How to Write a Super Natural Hit Film with BeetleJuice Creator Larry Wilson Sep 06, 2024

If you were a kid of the late 80s or early 90s then today's guest definitely had an impact on your life. Larry Wilson is the co-creator of the cult classic Beetlejuice (directed by Tim Burton), writer of Addams Family and worked on the legendary television show Tales from the Crypt.
Larry wasn't always a screenwriter, he worked on the studio side of things as well as an executive. In this interview, he tells the story of how he championed a young and pre-Terminator James Cameron to be the writer/director of Aliens. Great story! Check out some of his work below:
Larry Wilson was also a screenwriting teacher at UCLA, arguably one of the best screenwriting programs in the world. He has continued to teach through his very popular workshops. His latest workshop Larry Wilson's Method to Madness-A Fantasy and Horror Workshop is filling up quick so sign up. Here's a bit about the workshop.
As your teacher, my goal is to inspire leaps of imagination by creating an environment that resembles an awesome story conference—the kind myself and my partners experienced while creating Beetlejuice. First, that means we’re allowed to be strange—I’ll encourage your creative quirks and far-out ideas, as long as they’re entertaining and help to tell your story.
I’ll be your guide for workshop writing assignments, role playing games, and group journeys through the dark realms that will keep you engaged and entertained while you’re creating your best story—ever! We’ll jump off the creative cliffs together. What I won’t be doing is lecturing for hours, hoping you’re staying awake. And, even if we’re talking about the darkest story in the world, I’ll make sure we're having fun (if we’re not laughing, it’s not happening).
There’s a method to my madness, I promise, and I also promise that you’ll enjoy the ride.
Below you'll find the episode of Alfred Hitchcock Presents that both Larry Wilson and Tim Burton worked on together and started their Beetlejuice adventures. The episode was called "The Jar.
Enjoy my spooky and funny conversation with Larry Wilson.
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IFH 766: How to Tap Into Your Screenwriting Muse with Jocelyn Jones Sep 03, 2024

Jocelyn Jones was raised in an artist's community on the Hudson River just 30 minutes north of Manhattan. This idyllic hamlet is home to some of the most influential artists of our time and it was here that her interest in art, artists and their process began.She is the daughter of Henry Jones, a character actor whose credits include some 40 films and over 300 televisions shows. Mr. Jones started out as a Broadway actor, most known for "The Bad Seed", "Advise And Consent" and his Tony Award-winning performance in "Sunrise at Campobello". Ms. Jones began her career at the age of 12, appearing alongside her father and E.G. Marshall in an episode of "The Defenders."
Her work in motion pictures includes Clint Eastwood, "The Enforcer" "The Other Side of the Mountain" with Beau Bridges, Al Pacino's "Serpico" as well as starring in the cult classics "Tourist Trap" and "The Great Texas Dynamite Chase."Ms. Jones has appeared on stage in both New York and Los Angeles, most notably at The Mark Taper Forum, playing Greta Garbo in the world premiere of Christopher Hampton's "Tales From Hollywood." She has also appeared with Joe Stern's Matrix Theatre Company, where she played the delightfully insane Violet in George M. Cohan's farce "The Tavern" and as Constance Wicksteed, a spinster with a passion for large breasts, in Alan Bennett's farce "Habeas Corpus". She received critical acclaim for her role as Lucy Brown in Ron Sossi's groundbreaking production of "The Three Penny Opera", which famously utilized all three theaters of The Odyssey Theatre Complex for that same production.An in demand acting teacher for over 25 year, Ms. Jones has shepherded hundreds of actors from novice to starring careers and currently works with over a hundred hand picked actors, directors and writers at The Jocelyn Jones Acting Studio.
Known as a "secret weapon" to some of the biggest stars in the industry, she has served as a confidential Creative Consultant, working on some of the highest-grossing pictures of all time. From advising artists on which projects to choose, to working with writing teams, to develop current and future projects, Ms. Jones' consultant work has been considered an invaluable asset to many.As a script doctor, she has served in every capacity, from page-one rewrites to final polishes- confidentially contributing to blockbuster films and television series alike. Her production company, Mind's Eye Pictures, is dedicated to producing her own original content.
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IFH 765: The Writer's Room Survival Guide with Niceole R. Levy Aug 27, 2024

Niceole grew up under the bright stars of the Mojave Desert before swapping them for bright lights of Los Angeles. Studying acting at the American Academy of Dramatic Arts yielded the epiphany that she preferred writing. She worked as a police dispatcher to pay her way through undergraduate USC, and then completed the Master of Professional Writing program, also at USC. An alum of the CBS Writers Mentoring Program, NBC’s Writers on the Verge, and the WGAw Showrunner Training Program, Niceole has written on Ironside, Allegiance, The Mysteries of Laura, Shades of Blue, Cloak & Dagger, Fate: the Winx Saga, and S.W.A.T.
She also co-wrote a feature, The Banker, with former Allegiance showrunner and director George Nolfi, available on AppleTV+. Niceole is currently a co-executive producer on Graymail, which will air on Netflix, and has several TV and feature projects in development. The Writers’ Room Survival Guide is her first book.
Writers’ rooms can be a heaven or hell, depending on a few things. The best rooms foster inclusive and productive creative flow. The worst create a toxic stew of bad feelings and doubt. Both kinds and everything in between require basic knowledge of how the room works. These fundamentals are best learned before you go in. The mystery box of the writers’ room need not stay sealed shut forever. Consider this book your crowbar.
Please enjoy my conversation with Niceole R. Levy.
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BONUS EPISODE: LOSS MY MIND WRITING the INSANE DEADPOOL, LOGAN & The X-MEN with Oscar® Nominee Simon Kinberg Aug 26, 2024

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg.
He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide. 
Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie.
Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing.
A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.
As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).
The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck. The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.
His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast. Needless to say this is one heck of an episode.
Enjoy my conversation with Simon Kinberg.
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IFH 764: Where Writer's Go Wrong with ACTION Screenplays with Robert McKee Aug 20, 2024

Robert McKee, A Fulbright Scholar, is the most sought after screenwriting lecturer around the globe. He has dedicated the last 30 years to educating and mentoring screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors internationally. Those who have learned from McKee have called him "the Aristotle of our time" because of his insight into the substance, structure, style, and principles of the grand art of story.Peter Jackson (writer/director of The Lord of the Rings Trilogy, The Hobbit) has lauded him as "The Guru of Gurus." For the writers of Pixar (creators of Toy Story 1, 2, & 3, Finding Nemo), McKee's Story Seminar is a rite of passage. Emmy Award-Winner Brian Cox also portrayed McKee in the Oscar-nominated film Adaptation.McKee's former students include over 60 Academy Award Winners, 200 Academy Award Nominees, 200 Emmy Award Winners, 1000 Emmy Award Nominees, 100 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, and 50 DGA (Directors Guild of America) Award Winners, 100 DGA Award Nominees.A winner and nominee of BAFTA for his popular Channel Four series Reel Secrets, McKee also wrote and hosted 12 episodes of BBC's Filmworks series. He was profiled by Bob Simon of 60 Minutes for CBS news.McKee's articles on Story have also appeared in hundreds of newspapers and magazines around the world including Harvard Business Review, The Wall Street Journal, Vanity Fair, The New Yorker Magazine, Swiss Business Magazine, Sueddeutsche Zeitung, CBS Morning News, BBC, Channel 4 in UK, RAI (Italy), CBN Weekly News & Morning Glory (China), MBC TV, KBS & Arirang TV, Korea Times (South Korea), Kiev Weekly, Kultura Moscow, all major TV, Radio and/or newspapers of Argentina, Australia, Belgium, Brazil, Canada, Chile, Colombia, Germany, France, India, Israel, Mexico, New Zealand, Portugal, Russia, Turkey, Singapore, South Africa, Sweden, and Switzerland and given seminars in all of the above countries.Since 1984, more than 100,000 students have taken McKee's courses at various cities around the world: Los Angeles, New York, London, Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Tel Aviv, Auckland, Singapore, Madrid, Beijing, Shanghai, Barcelona, Lisbon, Malaga, Hamburg, Berlin, Johannesburg, Rome, Stockholm, São Paulo, Santiago, Buenos Aires, Bogota, Beijing, Brussels, Rio de Janeiro, Moscow, Seoul, Istanbul, Hyderabad, Mexico City and many cities regularly.McKee continues to be a project consultant to major film and television production companies such as 20th Century Fox, Disney, Paramount, & MTV. In addition, Pixar, ABC, BBC, Disney, Miramax, PBS, Nickelodeon, Paramount, GLOBOSAT, MNET and other international TV and Film companies regularly send their entire creative and writing staffs to his lectures.His new book is Action: The Art of Excitement for Screen, Page, and Game.
ACTION explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of The Story Toolkit, Bassim El-Wakil, legendary story lecturer Robert McKee guides writers to award-winning originality by deconstructing the action genre, illuminating the challenges, and, more importantly, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity.
Topics include:

Understanding the Four Core Elements of Action
Creating the Action Cast
Hook, Hold, Pay Off: Design in Action
The Action McGuffin
Action Set Pieces
The Sixteen Action Subgenres

A must-add to the McKee storytelling library, ACTION illustrates the principles of narrative drive with precision and clarity by referencing the most popular action movies of our time including: Die Hard, The Star Wars Saga, Dark Knight, The Matrix, and Avengers: Endgame.
Enjoy my conversation with Robert McKee.
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IFH 763: How to Outline Your Screenplay Like a Pro with Naomi Beaty Aug 13, 2024

Naomi Beaty is a screenwriting teacher, screenplay consultant, and former development exec with 10+ years in the entertainment industry.Naomi is based in Los Angeles, CA. She has worked on American productions and on projects in Taiwan and Australia, including the feature film "Ghost Boy", based on the novel by award winning Australian author Felicity Pulman, produced by Morning Starr Productions.Earlier, Naomi worked on the other side of the desk at Madonna and Guy Oseary's Maverick Films, where she helped develop projects including "Twilight" and "Percy Jackson".
She just released her new book "The Screenplay Outline Workbook".The Screenplay Outline Workbook is designed to give you a clear and manageable set of tools, steps, and exercises so you can turn your ideas and inspiration into an outline and write your best screenplay – whether it’s your first or your tenth.With this workbook as your guide, you can start with just an inkling of an idea – or nothing at all, even! – and end up with a solid story premise, compelling characters, and an outline that provides a blueprint for writing an emotionally satisfying screenplay.Inside you’ll find enough instruction and theory so that you know what you need to know, but not so much that it overwhelms you before you even get started. Room to work through your story ideas and collect your notes and flashes of brilliance. A place to organize what you discover about your story as you develop it so that you can easily reference it when needed.
Use the workbook to design a new story from scratch, or jump straight to the topic you need to get your work-in-progress unstuck. With 30+ tools, exercises, and prompts honed through years of teaching workshops and working one-on-one with writers, this workbook will help you:

Generate new story ideas
Choose a strong idea as the first step in writing a great screenplay
Build a sturdy foundation for your screenplay by finding the essential elements of the story
Discover the organic three act structure and major plot points that create the framework for the story and screenplay
Design compelling characters that help push the protagonist along a meaningful character arc
Try one or more suggested outlining methods for mapping out your story

…and so much more!The workbook lays out a process that’s flexible enough that you can use it for every screenplay you write, yet designed to specifically address the issues readers commonly find in aspiring screenwriters’ screenplays.With each exercise, you’ll explore ideas and make choices to build your story, piece by piece. You’ll craft an outline that does all the heavy lifting, and be confident in the story you’re telling – which frees you to get creative with characters and dialogue, and discovering the kind of magical, cinematic moments that made us all fall in love with movies in the first place.If you’ve tried to write a screenplay before but found yourself stuck somewhere in Act 2, having an outline that serves as a map of your screenplay can make all the difference. Consider this workbook the wise but gentle guide that will meet you where you are and lead you to your destination so you can finally make real progress turning the movie in your head into a fully developed story that you’re ready to set down onto the screenplay page.When you’re done you’ll have more than an outline — you’ll have a rock-solid foundation for your screenplay.
Please enjoy my conversation with Naomi Beaty.
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IFH 762: Billion-Dollar Comedy Screenwriting with Herschel Weingrod Aug 06, 2024

This successful American screenwriter of comedies, many of which are remakes or adaptations of novels (i.e., "Brewster's Millions" 1985, "Pure Luck" 1991), had worked in collaboration with Timothy Harris. The Wisconsin-born Herschel A. Weingrod and his British-born partner have generally met with commercial approval for their efforts like "Twins" (1988) and "Kindergarten Cop" (1990), both of which benefited from headliner Arnold Schwarzenegger.
"Falling Down" (1993), which they co-produced, also became a box-office success, but their only real critical success to date has been "Trading Places" (1983), which paired Dan Aykroyd and Eddie Murphy.
He has written and co-written a number of Hollywood blockbusters including Space Jam with fellow writer Timothy Harris.
Enjoy my conversation with Herschel Weingrod.
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IFH 761: Reality Check: What Really Happens After You Win an Oscar® for Screenwriting with Tom Schulman Jul 30, 2024

Tom Schulman graduated from Vanderbilt University with a B.A. in Philosophy. He studied at USC Graduate School of Cinema, with Jack Garfein at the Actors and Directors Lab, Los Angeles, and with director Joan Darling. He directed the Actors’ Studio first west coast production, Harold Pinter’s The Caretaker.
Tom wrote Dead Poets Society for which he received an Academy Award for best original screenplay. He also wrote What About Bob?, Honey, I Shrunk the Kids, Medicine Man, and Holy Man. He wrote and directed Eight Heads in a Duffel Bag He was an executive producer on Indecent Proposal and Me, Myself and Irene. He was the writer/producer of Welcome to Mooseport. He co-wrote and co-produced with Rafael Yglesias and J.J. Abrams, The Anatomy of Hope, a pilot for HBO. He recently wrote, with Callie Khouri, Trae Crowder, and T Bone Burnett, a pilot for Amazon.
He recently wrote and directed Double Down South, an indie feature that will be released in April. Tom served on the board of directors and then as vice president of the Writers Guild of America, West. Tom was the president of the Writers Guild Foundation and serves on its board. He serves on the advisory board of the Science and Entertainment Exchange.
Please enjoy my conversation with Tom Schulman.
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IFH 760: How to Write Dialog that Pops Off the Page with Linda Seger Jul 23, 2024

Today on the show we have returning champion the legendary Linda Seger. Linda and I discuss her new book You Talkin' to Me?: How to Write Great Dialogue. We do a deep dive into how to write great dialog. Here's a bit about the book.Unlike the chitchat of everyday life, dialogue in stories must express character, advance the story, suggest a theme, and include a few memorable lines that audiences will be quoting for decades to come. The best stories have dialogue that sparkles, but it’s easy for inexperienced writers to fall into common pitfalls like creating dialogue that’s wooden or too on the nose.Other writers end up with exposition awkwardly inserted into conversations, actors tripping over unnatural phrases or characters who all speak exactly the same way. In You Talkin’ to Me? Linda Seger and John Winston Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John, so readers don’t just learn how to recognize when it’s done well―they also learn how to make the dialogue better. Whether you’re writing fiction or nonfiction, for the screen or for the page, this book will get your characters talking.
Ron Howard says he never starts a film without her book. Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field.
Enjoy my conversation with Linda Seger.
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IFH 759: Top 10 Screenwriting Scams to Avoid Jul 16, 2024

On today's show, I'm going to discuss screenwriting scams that ALL screenwriters should be aware of and avoid at all costs. It never surprises me how predatory people can be with screenwriters and filmmakers in this business.I did an episode exposing ways screenwriters can get screwed on writing assignments. I do a deep dive into each of the following scams in the show.

The Free Option - Optioning your screenplay for free
Agent Reading Fees
Script Consults That Ask for a Backend Cut
Screenwriting Marketing Services
Screenwriting Contests - Promises
Screenwriting Contests - Milking Technique
Ghost Writing Screenplays
Any Deal That Gives Your Rights Away
Representation Retainer Fee
Screenwriting Contests Warning Signs

Stay safe out there guys. Sharks are everywhere. Enjoy!
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IFH 758: The Philosophy of Screenwriting in Hollywood with Pen Densham Jul 09, 2024

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Awayalong with some of its longest-running television series including The Outer Limits.
Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.
Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts.
"Imagination is more important than knowledge. For while knowledge defines all we currently know and understand, imagination points to all we might yet discover and create."- Albert Einstein
I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.
Enjoy my eye-opening conversation with Pen Densham.
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BONUS EPISODE: Confessions of a Hollywood Writer & Actor with John Leguizamo Jul 03, 2024

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.
Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.
He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.
The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.
His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.
The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.
He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.
The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.
Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.
He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.
There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.
Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.
Please enjoy my conversation with John Leguizamo.
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IFH 757: What are the Essential Elements in ALL Successful Stories with Karl Iglesias Jul 02, 2024

Today on the show we have returning champion Karl Iglesias. His last episode is one of the most popular shows ever in the history of the podcast. I wanted to bring him back to dig deeper into his thoughts on writing for emotional impact and breakdown the essential elements of every good story.Karl Iglesias has been a writer for over 20 years now with varying degrees of success — an option here, a couple of contest finalists and winners there, an indie development deal, many writing and script-doctoring assignments, a TV spot for a Coca-Cola campaign — and of course, his first published book, The 101 Habits of Highly Successful Screenwriters, which ignited my unplanned teaching and consulting career, and my second book, Writing for Emotional Impact. Since then, he has contributed to two other books on the craft, Now Write! Screenwriting and Cut to the Chase.In between teaching and consulting, Karl keeps busy script doctoring for other writers, directors, and producers when the work comes his way, while developing his own scripts, having about ten projects in various stages of development.
Enjoy my conversation with Karl Iglesias.
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BONUS EPISODE: Inside the Blumhouse Filmmaking Machine with Marcus Dunstan Jun 28, 2024

Marcus Dunstan’s screenwriting with his partner, Patrick Melton, include such horror films as FEAST 1-3, SAW IV-V-VI& SAW 3D THE FINAL CHAPTER, PIRANHA , GOD OF WAR, FINAL DESTINATION 6, and SCARY STORIES TO TELL IN THE DARK. Marcus Dunstan’s directing credits include THE COLLECTOR, THE COLLECTION, THE NEIGHBOUR, BLUMHOUSE’S PILGRIM and this summer’s BLUMHOUSE PRESENTS: UNHUMAN.Dunstan is a producer of THE CANDIDATE, and executive producer of 2022’s horror-thriller TAKE BACK THE NIGHT. Currently Dunstan and Melton are collaborating once again with Blumhouse and Disney + on a soon to be announced suspense thriller series, as well as the horror film ESCAPE: HALLOWEEN with Live Nation and Insomniac.
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IFH 756: Confessions of a Hollywood Script Doctor with Peter Douglas Russell Jun 25, 2024

Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least.Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant. And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both. Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories.
Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others.As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good.Peter was invited to teach at UCLA in 2004, and it became a passion, too. He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly.
Enjoy my conversation with Peter Douglas Russell.
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BONUS EPISODE: The Director's Six Senses with Simone Bartesaghi Jun 21, 2024

Simone Bartesaghi is an Italian award-winning filmmaker who has been recognized by the Directors Guild of America (DGA) and AMPTP (Alliance of Motion Picture and Television Producer) as an artist with "Extraordinary Ability in Directing”.
At the age of 24 Simone received his Master’s Degree in Economics at the University of Pisa, Italy. Three years later he established a successful Consulting Company specializing in Corporate Organization and Planning. In 2001 he gave up his thriving career to pursue his childhood dream.
Two years later he won several prizes as the Writer/Director of short films, but the highest recognition came when he won the first and second place at the Milan International Film Festival, and became the recipient of both the Top and second Award, TWO Scholarships for THE LOS ANGELES FILM SCHOOL.
Only four years after his arrival in the United States, he directed his first feature film DOWNSTREAM, that acquired a theatrical release and also received the prestigious Accolade Award.
Simone's second feature RUN, a 3D film that he wrote and directed, has won several prizes including Best Screenplay and Best Emerging Director and is distributed in USA by Millennium. The movie is about the new discipline Parkour (Freerunning) with a rich cast including Eric Roberts (The Dark Knight), Adrian Pasdar (Heroes), Kelsey Chow (Pair of Kings) and William Moseley (Chronicles of Narnia).
Simone’s accomplishments and communicative skills have been recognized by many educational organization around the world and he is now an Adjunct Professor in Filmmaking at the prestigious Santa Monica College.
Simone is also a published author with his book "The Director's Six Senses", an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have.
The Director’s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It’s based on the premise that a director is a storyteller 24/7 and must be aware of the “truth” that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the “directorial senses” in order to be able to tell a story in the most effective way.
Enjoy my conversation with Simone Bartesaghi.
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IFH 755: How to Write for CSI Vegas, NCSI & Law & Order SVU with Jennifer Dornbush Jun 18, 2024

Today on the show we have author Jennifer Dornbushwho has written the book Forensic Speak: How to Write Realistic Crime Dramas. We sit down and discuss all things forensics. We even discuss the impact of the OJ Simpson case on the world of forensics. Here's a bit about her amazing book.Crime stories have always intrigued viewers and storytellers. Today, crime shows rule the airwaves and there is truly a procedural drama out there for every personality — and every writer. Born out of the author’s real-life experiences growing up around death investigation, Forensic Speak unlocks the secrets of forensic science for writers and fans alike. With a filmography of 100 film and TV examples and 80 additional resources, the book provides writers direct access to hundreds of ways to make their crime writing more authentic.
Enjoy my conversation with Jennifer Dornbush.
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IFH 754: Screenwriting Secrets from Hollywood with Corey Mandell Jun 11, 2024

Corey Mandell is a screenwriter and screenwriting instructor known for his work in the entertainment industry. He has worked as a screenwriter, script consultant, and writing coach. While he may not be as widely recognized as some Hollywood screenwriters, he has gained a reputation for his expertise in helping aspiring screenwriters develop their skills and craft.
Corey Mandell has offered various screenwriting courses and workshops, and he has coached many writers in their pursuit of creating compelling screenplays. His teachings often focus on character development, storytelling techniques, and the practical aspects of screenwriting.
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IFH 753: Screenwriting for Netflix and Television with Neil Landau Jun 04, 2024

Neil Landau is a screenwriter, author, and professor known for his work in the field of film and television. He has written screenplays for various film and television projects and has also authored several books related to screenwriting and storytelling.Some of his notable works include:

"Don't Tell Mom the Babysitter's Dead" (1991) - Landau co-wrote the screenplay for this comedy film, which became a cult classic.
"Melrose Place" (TV Series) - He worked as a writer and producer on the popular television series "Melrose Place."
Teaching and Writing - Neil Landau is also known for his contributions to screenwriting education. He has taught screenwriting at institutions like the University of California, Los Angeles (UCLA) and has written books on the subject, including "101 Things I Learned in Film School" and "The Screenwriter's Roadmap."

Neil Landau's work in both the creative and educational aspects of screenwriting has made him a respected figure in the entertainment industry, particularly in the realm of screenwriting and storytelling.
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IFH 752: How to Make People Laugh & Cry with Your Screenwriting with Eduardo Cisneros May 28, 2024

Today on the show we have screenwriter, Eduardo Cisneros. He began his screenwriting career in his home country of Mexico. Working on countless television series including Saturday Night Live: Mexico. His career took an upward trajectory when he began working with one of the biggest comedy actor/writer/producer and director in the Latinx world, Eugenio Derbez.Eduardo help develop the massively successful crossover smash Instructions Not Included.
Eduardo Cisneros's latest project hits close to home. Half Brothers, who he co-wrote and produced with Jason Shuman, is based on his experiences as an immigrant from Mexico in America. His father was the basis of the main character's father in the story.
Enjoy my conversation with Eduardo Cisneros.
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IFH 751: How to Turn Your Movie Script into a Money-Maker with Mark Toia May 21, 2024

So insane and talented Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self-distributing his remarkable debut, Monsters of Man. After getting offered bad and predatory distribution deals, he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money-Making Business. When I wrote my book Rise of the Filmtrepreneur, I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film.
After reading Rise of the Filmtrepreneur, he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and to prove to filmmakers worldwide that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars.
I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors, but after looking at the convoluted fine print of the distribution contracts, he decided to opt-out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid, and if a film like Monsters of Man is having these issues, the system is most definitely broken.Then he discovered my book and went down the Filmtrepreneur rabbit hole. When I saw the trailer for the first time, I almost fell out of my chair. I recently had the pleasure of watching the film, and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"In this conversation, Mark is completely transparent about how he made millions with his film. He also reveals his successes and some failures he dealt with along the way. This is truly a one-in-a-decade indie film experiment that you now have access to see how it was done.
Enjoy my conversation with Mark Toia.
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IFH 750: How To Write a Blockbuster Film Career with Chris Sparling May 14, 2024

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes like Ed Burns and Joe Carnahan and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.
Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.
Enjoy my entertaining conversation with Chris Sparling.
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IFH 749: Save the Cat! Writing for Netflix & Television with Jamie Nash May 07, 2024

This week, I invited author, writer, and director, Jamie Nash on the show to discuss his ‘Save The Cats Writes for TV’ formula in his new book, Save the Cat!® Writes for TV: The Last Book on Creating Binge-Worthy Content You'll Ever Need.Jamie is a horror and children’s film screenwriter with fifteen years of experience writing projects for Nickelodeon, Liongate, Discovery, Amazon Prime, Netflix, etc, and also teaches screenwriting to college students.Some of his most notable horror credits include V/H/S/2, Lovely Molly, and Seventh Moon, A Comedy of Horrors, and Two Front Teeth. And others like Adventures of a Teenage Dragon Slayer, Tiny Christmas, etc.
Screenwriting, for Jamie, was a side project he pursued at leisure when he wasn’t working his Computer gaming/programming job. It wasn’t until early 2004 that he sold his first script, a horror feature titled, Altered, to Haxan Films that was later directed in 2006 by one of the Blair Witch Project directors, Eduardo Sánchez. The story premised on a group of men whose lives were forever changed by a strange occurrence who, fifteen years later Now, will spend a night together ... in terror.With some financial success and notoriety from Altered, Jamie quit his computer consultant job with Citigroup and went full-time on screenwriting in 2008. Jamie is one of those writers who stay busy. He writes about five to six scripts a year for pilots, TV shows, podcasts, novels, etc. This justifies why he has a Writers Guild. It takes a lot of brainpower to create multiple plots that are so different in many ways within a short period of time. An example is his 2017 screenplays, The Night Watchman and Tiny Christmas. Two very distinct writing and audiences. He co-wrote The Night Watchman with Ken Arnold and Dan DeLuca. It is basically a story of three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle for their lives against a horde of hungry vampires.
Tiny Christmas on the other hand is about a girl and her quirky cousin who are accidentally zapped by a shrinking ray at the hands of one of Santa’s inept elves on Christmas Eve and they must learn to trust and appreciate each other and work as a team to get back home before Christmas, or risk staying tiny forever.[presto_player id=41043]On March 30th, 2021, he released his third book, Save the Cat!® Writes for TV in which he shares the essence of writing pilots as pitches for screenwriters considering television because more than 80% of jobs in the Writers Guild of America are skewed towards the television.Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles for both new and experienced writers, including:
-How to write and structure a compelling TV pilot that can launch both your series and your TV writing career
-All the nuances, tricks, and techniques of pilot-writing: the Opening Pitch, the Guided Tour, the Whiff of Change, and more
-The 8 Save the Cat! TV Franchise Types that will improve your story and your pitch-The not-so-secret TV Pitch Template that turns your TV series into the necessary read-over-lunch industry document
-a how-to in creating layered characters who are driven by complex internal struggles
-Beat sheets of the pilots of Barry, Ozark, Grey's Anatomy, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, This Is Us, Law, and Order: SVU, and more to help you crack your storyCreate your binge-worthy TV series with Save the Cat! Writes for TV We talked some more about his own indie film hustle journey--working overtime to get a headstart in the industry, we also talked about his networking technique that keeps him booked and busy. I could talk another hour more with Jamie. He is so candid about his process and the drive behind it.
Enjoy this conversation with Jamie Nash.
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IFH 748: Screenwriter's Guide to Plotting Stories & Theme with K.M. Weiland Apr 30, 2024

Today on the show we have returning champion author K.M. Weiland. I wanted to bring her back on the show to discuss her new book Writing Your Story's Theme: The Writer's Guide to Plotting Stories That Matter.
Enjoy my conversation with K.M. Weiland.
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IFH 747: The Art of Creating Memorable Characters with John Winston Rainey Apr 23, 2024

Today on the show we have screenwriter and script doctor, John Winston Rainey. John is the co-author, along with legendary script consultant Linda Seger, of the book You Talkin’ to Me?: How to Write Great Dialogue. John has written 25 screenplays of which 3 have been produced and 10 have been optioned. He has been a script consultant since 1989 and is the author of Screenwriting Style That Sizzles: A Primer For Polishing.John had been a writer in the film industry for 35 years and won the Writers’ Guild award for best script. He had also been head of the creative department for three different studios.
He is the author of the best-selling book, “The Perfect Pitch.” He tutored John on how to write screenplays that sell, and all of John’s acting and directing experience gave him the ability to analyze dramatic writing with a fine eye and ear.In the March/April 2003 issue of Creative Screenwriting (vol.10; #2), John’s deeply closeted script analysis service was outed when he was rated the # 1 analyst in the country. Overnight, he was flooded with work. What an astounding experience! Instead of screwing up his courage to call producers, they were calling him! And there is nothing better for learning the craft of screenwriting than to analyze lots and lots of scripts and explore ways of fixing the distractions.
John started getting a reputation as a great script doctor.As a result, he not only became a script consultant in high demand, but he has also taken numerous options (deals) on many of his own spec screenplays. He is told frequently that his scripts are easy reads and he attributes that to the writing style that he has developed, which he shares with his clients, as well as his stories. Even if producers turn down one of his scripts, they frequently ask for other scripts that he has written. He has been through many development (rewriting with the producer) processes. Taking assignments and doing rewrites have been exciting creative measures of his craft.
Enjoy my conversation with John Winston Rainey.
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IFH 746: The Entrepreneurial Screenwriter with Jeff Willis Apr 16, 2024

Today on the show we have screenwriter, consultant, and studio executive, Jeff Willis. Jeff has been in the film business for over 15 years as a writer and executive working on films like Avengers: End Game, Spider-Man: Far from Home, Captain Marvel, and Black Panther to name a few.Around 30 minutes into the show we begin to discuss the business of screenwriting and more importantly what screenwriters can do to make money and get their stories out there. There are so many options out there for the entrepreneurial screenwriter. Jeff and I talk about the many options a screenwriter has to make money with his or her stories and unproduced screenplays.
Enjoy my conversation with Jeff Willis.
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IFH 745: Screenwriting & Hollywood in the Times of COVID with Greg Gertmenian Apr 09, 2024

Today on the show, we have Greg Gertmenian, who is the Head of Script Analytics and Film Development at Slated. He is also the co-inventor of the Script Score, the only screenplay evaluation tool proven to accurately predict good films. Helped arrange to finance of films like SUPER TROOPERS 2, DEEP MURDER, CRUISE, AT FIRST LIGHT, GOD BLESS THE BROKEN ROAD, BECOMING, and WHAT BREAKS THE ICE.Prior to his time at Slated, he produced short format content, including the fan-beloved short film BALROG: BEHIND THE GLORY and the award-winning AFI Fest film THE HAIRCUT.I wanted to bring Greg on the show to discuss Hollywood, screenwriters, and the COVID pandemic, and what we all can do to survive and thrive during these crazy and uncertain times.
Enjoy my conversation with Greg Gertmenian.
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IFH 744: The Screenwriter's Guide to Video Game Writing with Robert Denton Bryant Apr 02, 2024

I always wondered how someone would get into the video game writing business. Today's guest is screenwriter/game development guru Robert Denton Bryant and he answers that question and so much more.Robert Denton Bryant has worked in Hollywood in marketing and production, and in video games as a publisher and a developer. He has been Executive Producer on dozens of games on platforms ranging from CD-ROMs to the iPad, including the bestselling World Championship Poker and Pinball Hall of Fame console franchises.He is the co-author (with Charles P. Schultz) of Game Testing: All in One and (with Keith Giglio) Slay the Dragon: Writing Great Video Games.
Writing for the multibillion-dollar video-game industry is unlike writing for any other medium. Slay the Dragon will help you understand the challenges and offer creative solutions to writing for a medium where the audience not only demands a great story but to be a driving force within it. Aimed at traditional writers who want to learn interactive narrative as well as game creators who want to tell better, more emotionally involving stories, the book is written by two creative veterans of both Hollywood and "Nerdyhood." Through lively discussions and self-paced-exercises, Bryant and Giglio step you such topics as the:

"No-act" structure of video games
Writing great game characters
Making gameplay emotionally meaningful
Bringing your game world alive

I can't tell you what an amazing episode this is. Robert takes me down the rabbit hole of writing for video games, the business, how to break in as a writer, and a ton more. Who says you can't write for both video games and the big screen.
Enjoy my conversation with Robert Denton Bryant.
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IFH 743: The Guide for Every Screenwriter with Geoffrey D. Calhoun Mar 26, 2024

After many requests, I decided to finally tackle the dreaded query letter. I bring back to the show screenwriter, author, and IFH Academy instructor Geoffrey Calhoun. Below Query Letter Checklist and a few areas, we discuss in the episode.

No Snail Mail
Do Your Research
Address the Letter to Individuals, not "To Whom It May Concern"
It's about the script, not you!
Be Casual but not too casual
Cut to the chase
Don't forget the Logline
This isn't open mic night
Its CATS meets The Goonies
Dig through your contacts
Proofread

I hope this helps you write that query letter. Best of luck and keep on writing!Enjoy my Conversation with Geoffrey D. Calhoun.
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IFH 742: Writing a Screenplay from the Inside Out with Brian Herskowitz Mar 19, 2024

Today's guest is screenwriter Brian Herskowitz. He wrote the book called Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. Like millions before him, Brian Herskowitz moved out to Los Angeles to pursue an acting career. He soon learned that there was a dearth of roles for shorter leading men and began searching for other outlets for his creative passions. In 1980 he wrote his first screenplay, an action thriller about a young man who moves to Tokyo to train for the Olympics in Judo and gets caught up in an intrigue with the Yakuza. Through that script, based on his true-life experience as an international judo competitor, he uncovered a knack and passion for writing. As a writer, Brian has completed well over a dozen feature films. His first produced feature was a low budget slasher titled DARKROOM. He currently has several projects in active development including, THE ABDUCTION, THE EMPRESS OF ELSEWHERE (co-written with Theresa Nelson based on her best selling novel), TAKE A RIDE, and FAIRIES (co-written with Pam Dawber and Andy Tobey).
His TV credits include a staff writing position on the NBC sit-com BLOSSOM, multiple episodes of the syndicated series HERCULES: THE LEGENDARY JOURNEYS, and ACAPULCO HEAT, the HBO hit comedy DREAM ON, CBS’s RENEGADE, THE EXILE, MURDER, SHE WROTE, the FOX Network’s YOUNG HERCULES, and CBS’s critically acclaimed was series TOUR OF DUTY (associate producer). Brian co-wrote the FOX pilot MANTIC with Jason Alexander. In addition, he worked as a punch-up writer on BOB PATTERSON, and LISTEN UP.Brian currently holds the title of lead faculty in screenwriting for the prestigious BOSTON UNIVERSITY IN LOS ANGELES - WRITER IN HOLLYWOOD PROGRAM. Brian has taught online for UCLA EXTENSTIONS and has had students from every corner of the earth.
Enjoy my conversation with Brian Herskowitz.
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IFH 741: How to Break into Television Writing with Steven Vitolo Mar 12, 2024

Have you ever wondered what it takes to break into a network television writer's room? Then this episode is for you. Today's guest is Steven Vitolo and he did just that. His latest written episode is on the hit ABC show Black-ish. Steven has over 10 years of experience working in writer's rooms, most recently as a script coordinator on the TV series Black-ish, where he co-wrote the episode "Dream Home".
Steven Vitolo also is the CEO and founder of Scriptation, the script reading and annotating app for film, television, and video production. Steven developed Scriptation after seeing first-hand the staggering amount of paper that gets consumed onset and is dedicated to promoting sustainable practices that inspire productions to go paperless.
Enjoy my conversation with Steven Vitolo.
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IFH 740: Screenwriting Rules You Need to Learn Then Break with Julian Hoxter Mar 05, 2024

You should all know this by now. I love bringing on different perspectives on the craft because you never know what might click for someone. At the end of the day, we are all trying to tell a and compelling story. I invited to the show this week Julian Hoxter to talk about his book, The Creative Screenwriter: 12 Rules to Follow and Break to Unlock Your Screenwriting Potential. Julian is a published writer, lecturer, and screenwriting story consultant with extensive experience in scholarly writing.After film school at UCLA, Hoxter returned to his homeland, England, where he served as a senior lecturer at Solent University for some years before starting up at San Francisco State University, where he currently is an associate professor of cinema.Hoxter’s latest textbook, The Creative Screenwriter: 12 Rules to Follow―and Break―to Unlock Your Screenwriting Potential, distills the craft of screenwriting into 12 key elements, from developing your story to revising and rewriting, plus plenty of inspiration to create your screenplay with confidence.
It encourages readers to look behind the scenes at iconic films using a classic screenwriting structure, along with experimental films from innovative writers that have transcended the rules and paved their way to the silver screen. Apart from academia, Hoxter has been producing his independent features, documentaries and doing rewrites collaborations with other filmmakers. One of his most known productions is the award-winning documentary feature, Imagine a School... Summerhill, produced in 2009. Other must-read textbooks or scholarly papers written by Hoxter include, Off The Page: Screenwriting in the Era of Media Convergence, The Pleasures of Structure: Learning Screenwriting Through Case Studies, and Theorizing Stupid Media: De-Naturalizing Story Structures in the Cinematic, Televisual, and Video Games. Keep an eye out for Hoxter’s sci-fi novels that will be out soon, The Ballad of Coopy Meakes.I collected a lot of knowledge bombs from chatting with Julian.
Enjoy this conversation with Julian Hoxter.
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IFH 739: Horror Screenwriting - The Nature of Fear with Devin Watson Feb 27, 2024

I was glad to take a deep dive into the deep end of horror screenwriting with writer and producer, Devin Watson, notably known for writing and producing The Cursed (2010) which was the first draft he wrote in only two days. He’s also written several books, the latest of which is Horror Screenwriting: The Nature of Fear. Horror has, among all of the genres in film and written works, one of the longest, most distinguished, and often misunderstood bloodlines in history.
It is often overlooked by critics who don't see anything more than blood and guts on the screen or a collection of cheap scares. But what is missed is the hard-hitting commentary on society and life contained in those works.Devin got his start working with the website, 'moviepartners.com' in the late 90s which was one of the first websites out there that really had any kind of information on independent filmmaking.
Eventually, he decided to try out writing some scripts. But reading what every he could find to prepare him for scriptwriting. He was influenced in a big way by Lew Hunter's book, Screenwriting 434. Here, Lew Hunter shares the secrets of his course on the screenwriting process by actually writing an original script, step by step in Screenwriting 434.When he felt ready, Devin wrote his first five scripts, all of which turned out not very good. Not until November 2006 that he wrote a script in 2 days for his friend, Phil Melfi. That was when he felt confident in his work. That script became his debut production and writing, The Cursed, which is still a sci-fi channel Halloween rotation regular.
Devin’s book Horror Screenwriting really dives into the craft of horror and screenwriting pretty deeply.
Enjoy my conversation with Devin Watson.
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IFH 738: Inside Warner Bros Writing Program with Rebecca Windsor Feb 20, 2024

Today on the show is Rebecca Windsor, the Vice-President of the Warner Bros. Television Workshop, the premier writing and directing program for professionals looking to start and/or further their careers in television.As an extension of her role developing new talent, Rebecca was recruited to help launch Warner Bros. new digital content brand Stage13, overseeing the critically acclaimed short-form digital series Snatchers, which premiered at the 2017 Sundance Film Festival and is available on Verizon’s go90 platform.
Previously, she was the Creative Producing Initiative Manager of Sundance Institute’s Feature Film Program, playing a key role in coordinating the Creative Producing Lab and Summit, Screenwriters and Directors Labs, and Episodic Story Lab.Prior to Sundance, Windsor was Manager of Development at Samuel L. Jackson’s television company, UppiTV, and at Mandeville Films. She started her career as an assistant at the Broder Webb Chervin Silbermann Agency and ICM. A San Diego native, she attended Northwestern University, where she received a BS in Theatre.
Enjoy my conversation with Rebecca Windsor.
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IFH 737: How to Write for and Land a Movie Star for Your Indie Film with Shaye Ogbonna Feb 13, 2024

We have on the show today writer Shaye Ogbonna.When not in pursuit of retro sneakers, Shaye Ogbonna can be found worshiping at the Temple of Story. His most recent feature project is the contemporary western feature GOD’S COUNTRY — starring the incomparable Thandiwe Newton.
Based on a short story by acclaimed author James Lee Burke, God’s Country is a character-driven thriller set in the snowy wilderness of the American West. Thandiwe Newton plays Sandra Guidry, a Black professor living and working in a rural college town. She’s also grieving her recently-deceased mother, for whom she'd served as primary caretaker. On the day of the burial, Sandra discovers a mysterious red truck parked in her driveway. She soon learns it belongs to a pair of local hunters seeking to enter the forest behind her house. Sandra turns them away politely but firmly – her experience tells her these are not the sort of men to welcome freely into her world. But they won’t take no for an answer, and soon Sandra finds herself drawn into an escalating battle of wills that puts her most deeply-held values to the test.In the television/streaming space, Shaye is currently developing JUMPMEN -- a one-hour drama set in the cutthroat world of the sneaker industry – with Showtime. He is also staffed on Showtime’s THE CHI and JJ Abrams’s DUSTER on HBO. His feature writing debut — 2017’s genre-bending LOWLIFE — opened the 2017 Fantasia Film Festival and became a darling of the genre festival circuit, culminating in its acquisition and worldwide distribution through IFC Midnight.Shaye’s creative mission is to center marginalized voices within genre storytelling.
Enjoy my conversation with Shaye Ogbonna.
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IFH 736: How I Got My Screenplay on Disney Plus with Arash Amel Feb 06, 2024

Acclaimed screenwriter and producer Arash Amel is known for writing the critically-lauded motion picture, A PRIVATE WAR (2018), directed by Matthew Heineman and starring Rosamund Pike as celebrated war correspondent, Marie Colvin.
He recently served as Executive Producer on the Netflix sci-fi action movie, OUTSIDE THE WIRE (2021), starring Anthony Mackie, which was viewed by 66 million households in its first 28 days. In addition to writing RISE (2022) for Disney + and telling the coming-of-age story of NBA superstar Giannis Antetokounmpo, Amel wrote Paramount Pictures’ feature film, THE MINISTRY OF UNGENTLEMANLY WARFARE, a World War II action adventure directed by Guy Ritchie and produced by Jerry Bruckheimer that is slated to start production later this year.He also wrote the screenplay for SNAFU, an upcoming action comedy starring Jackie Chan and John Cena.
Currently, Amel is in pre-production as producer on the Amazon Studios feature film, FRED & GINGER, which is based on his screenplay, directed by Jonathan Entwistle, and stars Jamie Bell and Margaret Qualley as the icon screen pair, Fred Astaire and Ginger Rogers.
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IFH 735: Getting in the Door Screenwriting for Netflix with Alan Trezza Jan 30, 2024

Alan Trezza wrote WE SUMMON THE DARKNESS, a horror-thriller set during the "Satanic Panic" craze of the 1980s. It was directed by Marc Meyers (MY FRIEND DAHMER) and starred Alexandra Daddario, Keean Johnson and Johnny Knoxville.
The film made it’s US premiere at the 2019 Fantastic Fest film festival in Austin and was released on all digital outlets in early 2020. Alan also wrote the zombie-comedy BURYING THE EX, which was directed by horror icon Joe Dante (GREMLINS) and starred Anton Yelchin, Ashley Greene and Alexandra Daddario. The film premiered at the 2014 Venice Film Festival and received a theatrical run in the summer of 2015.
Alan has sold scripts to Paramount Pictures and Miramax Films and is currently developing a LatinX-themed horror film and a supernatural-thriller TV series.
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IFH 734: Confessions of a First Time Showrunner with Kaye Singleton Jan 23, 2024

Kaye Singleton is an award-winning writer, producer, and actress that is well on her way to making her own footprint in this industry, or as the much-respected Tyler Perry would say, created her own seat at the table. As a multi-faceted creative talent, she is committed to telling culturally authentic stories for, about, and that explore, the beautifully diverse experiences of Black Women.
To date, as an actress she has taken on a variety of roles on hit shows and films. She's best known for her series regular role beginning in Season 3 of Tyler Perry's The Oval on BET as Simone, the beautiful, smart, and cunning wife of the Vice President of the United States, and her Six Season recurring role as the long-suffering, loyal - but problematic - "Josie" on Saints & Sinners, BounceTV's #1 Show. She's also had memorable roles on Sistas (BET), Claws (TNT), Don't Waste Your Pretty (TV One), Tales (BET), American Soul (BET), and Dumplin (Netflix).
In 2020, Kaye secured her first production deal as a first-time Showrunner and Creator for the highly-rated anthology series - Covenant'' which premiered on October 14th, 2021 on AMC's allblk. Covenant's unique take on bible stories is a stand out for the network as it's quoted to "create a world of thrilling, suspenseful drama where characters and stories of the bible are thrust into a vicious dystopia of present-day, real-life situations. Each episode will reimagine a classic story as it would take place in the modern world - challenging viewers to examine how sacred lessons of faith and love fit into today's society.
Enjoy my epic conversation with Kaye Singleton.
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IFH 733: The Art of World Building - Immersive Screenwriting with Margaret Kerrison Jan 16, 2024

Born in Indonesia and raised in Singapore, Margaret Kerrison received my Master of Fine Arts degree in Screenwriting from the University of Southern California School of Cinematic Arts. Her career spans television, film, digital media, games, brand storytelling, location-based entertainment, and immersive experiences.Margaret worked as a Story Lead, Story Consultant, and Writer for multiple projects around the world, including Star Wars: Galaxy’s Edge, Star Wars: Launch Bay, Hyperspace Mountain, Star Wars: Galactic Starcruiser, Avengers Campus, Guardians of the Galaxy: Cosmic Rewind, National Geographic HQ, NASA Kennedy Space Center Visitor Complex’s Journey to Mars: Explorers Wanted, Heineken Experience, StoryGarden by AMOREPACIFIC, and the Information and Communications Pavilion (Expo 2010 Shanghai).
Margaret was the writer for five projects that received Themed Entertainment Association (THEA) Awards. She appeared in the Disney+ series Behind the Attraction, the Freeform television special Star Wars: Galaxy's Edge – Adventure Awaits, and the online educational program Imagineering in a Box. Margaret has been invited to speak at prestigious conferences and universities including SXSW, Star Wars Celebration, D23, IAAPA Expo, FMX Conference, University of Southern California, and Johns Hopkins University. Her projects have been featured around the world in The New York Times, Good Morning America, The Los Angeles Times, Entertainment Weekly, Wired magazine, and the official site for Star Wars. Margaret Kerrison was a Disney Imagineer from 2014-2021 and was recently featured in a blooloop article.Margaret is currently a Senior Experiential Creative Lead in Airbnb's Experiential Creative Product team.
Enjoy my conversation with Margaret Kerrison.
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IFH 732: How to Avoid Career Pitfalls for Screenwriters with Felicity Wren Jan 09, 2024

I wanted to take a deep dive into the marketing side of screenwriting today because it is in fact, a necessity in the industry today. Unfortunately, not many writers bother themselves as much about marketing their work. While I have some course resources on the IFH Academy website to help writers pitch stories or to get past the gatekeepers and so on, I thought it would be favorable to have marketing and development exec, Felicity Wren on the show to delve into the subject. Felicity started off in this business as an actor and now is a producer and VP of Development at the International Screenwriters Association (ISA). ISA (Est 2008), is a screenwriters community and resource platform that allows branding, marketing screenplays to producers and provide learning resources for seasoned and new writers. To date, ISA subscribers include 5,104 Industry Pros, approximately 70,000 Screenwriters, and 8,039 resources for screenwriters. Definitely, a goldmine!Felicity trained academically across the performing arts sphere (writing, directing, acting technique, and script analysis). She pursued acting and appeared in films like Star Trek Into Darkness, The Battle of Hogwarts, Tales of Uplift and Moral Improvement, and more, but lost interest in the competitive reality and stress of waiting for the callback.
So, she pivots. Alongside her partner, she launched a theater company, Unrestricted View (1999) in London that worked primarily with new professional creatives. A decade later, Felicity moved to Hollywood to seek the bigger dream.Some of Wren’s work includes short films like The Trap, Homeless Realtor, Who’s Who, The Force, and several others. At the ISA, she get’s to work directly with the Program Writers, and ISA Contest Winners, ensuring their projects get in front of eminent producers, managers, and agents in Hollywood.For screenwriters trying to sell a script, you have to know your voice and feel comfortable using it beyond your incredible writing. Understanding what you bring to the table is key in every profession. Of course. Coupling that with some marketing tools can propel you for higher success. That’s why this conversation is important.
Enjoy my very informative conversation with Felicity Wren.
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IFH 731: The Screenwriter's Workout with Will Hicks Jan 02, 2024

I had a fun chat with our guest today. We hit it off pre-interviewing, geeking out about James Cameron and his latest masterclass, and so much more. On the show this today is Will Hicks who is head of Screenwriting and production at Colorado Film School and an associate professor at the Community College of Aurora.Will had a start in producing and screenwriting earlier in his career until making the shift to teaching few years in --- appreciating more, the elements of studying the craft of form and purity in teaching that he feels are more rewarding.His commitment to academia led to publishing his book, The Screenwriter’s Workout, which we discuss lengthy in this interview. The Screenwriter’s Workout is a training program consisting of over 75 exercises and activities designed for screenwriters. It aims to help screenwriters explore their creativity and strengthen their storytelling skills.The book includes exercises on designing dynamic characters, exploring structure, creating stories, redefining conflict, analyzing the work, craft compelling loglines ad discovering interactive screenwriting.The 2021 Variety Entertainment Impact Report featured Hicks on its Top 50 Film Schools and Instructors from around the world list---revering his 100 plus professional credits nurturing some of the best talents in the country.Besides talking about Hick's career teaching screenwriting, we also do some surface character building and storytelling analysis of some famous films and writers. But also, the complexity of writing the end of a sustaining story for TV.
Enjoy this conversation with Will Hicks.
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IFH 730: Writing the Netflix/TV Drama Series with Pamela Douglas Dec 26, 2023

There’s always been a feel-good, easy-times nostalgia for the 80s and 90s TV shows. More so now that we sometimes feel overwhelmed by the plethora of shows we have to pick from. If you feel me then you will enjoy this conversation. Our guest today is the award-winning screen and television writer, professor, and best-selling author, Pamela Douglas. Pamela is a member of the Board of Directors of the Writers Guild of America and a USC School of Cinematics Arts tenure professor for screenwriting.
She is credited for her writing on shows/series such as Star Trek: The Next Generation and The Ghostwriter (1992) to name a few.Aside from her awesome career as a screenwriter, she’s an international writer with multi-lingual adaptations of her books (German, Mandarin, Italian, French, Korean, and Spanish). Pamela packed her expertise in her 2018 revised fourth edition of her 2008 book 'Writing the TV Drama Series: How to Succeed as a Professional Writer in TV'.The book is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration. The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15 countries.As you will learn in this episode, Pamela’s passion for writing goes back to her childhood. Even though she’s dabbed in screenwriting for movies, she’s discovered throughout her career that television carries a bigger pull in terms of communicating ideas, stories, characters, life, and experience. Its essence allows for vertical story-telling, expansion, and continuity to reveal newer plots and characters.
Star Trek: The Next Generation is a classic sci-fi series set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Enterprise-D on its own mission to go where no one has gone before - the exploration of the Milky Way galaxy.
Ghostwriter is an American children's mystery television series that revolves around a circle of friends from Brooklyn who solve neighborhood crimes and mysteries as a team of young detectives with the help of a ghost named Ghostwriter who can only communicate through writing and words.Chatting with a seasoned screenwriter like Pamela, there is so much wealth of knowledge packed in every word. We talked about presentation reelers, the forex structure and her approach to it, and why she thinks The Wire is the best show of all time in terms of character, layering, and sterilized storytelling.
Enjoy this conversation with Pamela Douglas.
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IFH 729: How to Create Story & Character Conflict with Eileen Cook Dec 19, 2023

Today on the show we have best-selling author and screenwriter Eileen Cook. She is a multi-published, award-winning author with her novels appearing in nine languages. Her books have been optioned for film and TV.She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer. She’s an instructor/mentor with The Creative Academy and Simon Fraser University Writer’s Studio Program where she loves helping other writers find their unique story to tell.
Her best-selling book Create Story Conflict: How to increase tension in your writing & keep readers turning pages is a must-read for screenwriters. Here's a bit about the book:Conflict is essential to story—regardless of genre. The friction between what a character wants and the lengths they will go to reach that goal is what pulls readers through your book. Great conflict is what leaves readers cheering (or crying) at the end of a story. Using humor and her deep knowledge of human behavior, counselor and award-winning author Eileen Cook will guide you through the causes of conflict, the differences between internal and external conflict, and show you how conflict resolution techniques can be turned upside down to ramp up the tension in your book. Filled with practical tips, examples, and prompts, this is a craft book you’ll keep on your shelf to use again and again.
Enjoy my conversation with Eileen Cook.
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IFH 728: The Science of Storytelling for Screenwriters with Will Storr Dec 12, 2023

I'm super excited to bring you today's show. Today on the podcast we have best-selling author Will Storr. Will's latest book The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better is a deep dive into how story affects the brain. Here's a bit about the book:Who would we be without stories?Stories mold who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media.
Storytelling is an essential part of what makes us human.There have been many attempts to understand what makes a good story – from Joseph Campbell’s well-worn theories about myth and archetype to recent attempts to crack the ‘Bestseller Code’. But few have used a scientific approach. This is curious, for if we are to truly understand storytelling in its grandest sense, we must first come to understand the ultimate storyteller – the human brain.In this scalpel-sharp, thought-provoking book, Will Storr demonstrates how master storytellers manipulate and compel us, leading us on a journey from the Hebrew scriptures to Mr. Men, from Booker Prize-winning literature to box set TV. Applying dazzling psychological research and cutting-edge neuroscience to the foundations of our myths and archetypes, he shows how we can use these tools to tell better stories – and make sense of our chaotic modern world.
His TED Talk is a must-watch for all filmmakers and screenwriters. After interview hundreds of the world's thought-leaders on story it's rare for me to find a completely new way of looking at story. I can't tell you how fascinating this conversation is. If this episode doesn't spark an idea or two in your screenwriting I don't know what will.
Enjoy my conversation with Will Storr.
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IFH 727 Lessons Learned Writing Oliver Stone's The Doors with Randall Jahnson_mixdown Dec 05, 2023

Randall Jahnson is an American screenwriter and film producer. He was born on March 7, 1951, in Des Moines, Iowa, United States. Jahnson is best known for his work in the film industry, particularly as a screenwriter.Jahnson's notable credits include writing the screenplay for the 1989 film "The Mask," starring Jim Carrey. He also co-wrote the screenplay for the 1992 film "Dudes" and the 1998 film "The Doors," which is a biographical film about the rock band of the same name.
In addition to his work as a screenwriter, Jahnson has worked on other aspects of film production. He served as a producer for the 1997 film "The Doors: When You're Strange," a documentary about the band, and was an executive producer for the 2009 film "The Spirit," directed by Frank Miller.Randall Jahnson has had a varied career in the film industry, working on both independent and mainstream projects. While he may not have the same level of name recognition as some other screenwriters, his contributions to the films he has worked on have left an impact on the industry.
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IFH 726: Story$elling Your Screenplay with Heather Hale Nov 21, 2023

Today on the show we have returning champion Heather Hale. Heather Hale’s new book Story Selling: How to Develop, Market, and Pitch Your Film & TV Projects helps you get your stories out of your head and onto the worldwide stage. From the inspiration and conception of all kinds of creative writing, through the development and refinement of all the elements, to navigating the legal, financial, physical production, distribution, and marketing labyrinths of the overlapping businesses of mass media, she explores how (and why) we write, co-create, share and monetize stories around the world today.
Pitching is an art form that brings together content and communication channels. Regardless of What you’re pitching . . . Where, When and to Whom . . . the principles are universal. It’s How you pitch that matters ― and there are countless strategies that combine elements in different combinations.Heather's book details all of them, their construction and applications, in a fun and interactive way that inspires readers to create memorable and saleable pitches in order to get their projects made.
Enjoy my conversation with Heather Hale.
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IFH 725: Hidden Tools of Comedy for Screenwriters with Steve Kaplan Nov 14, 2023

Steve Kaplan is a well-known comedy writer, teacher, and consultant. He is the author of the book "The Hidden Tools of Comedy: The Serious Business of Being Funny," which is a popular resource for aspiring comedy writers. The book delves into the principles and techniques of comedy writing, offering insights and practical advice for creating humorous and engaging content.
Steve Kaplan has been teaching comedy writing and performance for many years, and his expertise has made him a sought-after consultant in the entertainment industry. He has worked with numerous writers, actors, and directors, helping them develop their comedic skills and enhance their comedic projects. Kaplan's approach to comedy emphasizes the importance of understanding human nature, exploring characters' desires and obstacles, and using specific comedic techniques to elicit laughter.In addition to his book, Steve Kaplan has also conducted workshops, seminars, and lectures on comedy writing and has worked with various entertainment companies, including Disney, HBO, and DreamWorks Animation. He continues to be a respected figure in the field of comedy writing education.
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IFH 724: What is Maximum Screenwriting with Jeff Schimmel Nov 07, 2023

Jeff Schimmel began his Writing/Producing career in the 1980s while attending law school in Los Angeles. When not studying for the bar exam, Jeff wrote and sold his original Cold War spy thriller, Archangel, to Phoenix Entertainment Group. Soon after, Jeff was chosen by comedy legend Rodney Dangerfield and award-winning Writer/Director Harold Ramis to co-write the full-length Warner Brothers animated film, Rover Dangerfield. This led to a sports comedy screenplay assignment from Orion Pictures and 20th Century Fox, and Jeff’s first TV writing job as Story Editor on ABC’s top ten sitcoms, Full House.
Next, Jeff co-wrote and produced The Schimmel Papers, a series of several short films for Fox TV's Sunday Comics, then went on to write for the groundbreaking, Emmy Award-winning sketch comedy series, In Living Color, worked as Story Editor on the WB network’s first-ever sitcom, then served as Writer and Producer on Laughing With The Presidents, NBC TV's final comedy special starring Bob Hope, with appearances by Presidents George Bush and Bill Clinton, actors Tom Selleck, Don Johnson, Tony Danza, Ann-Margret, Naomi Judd, and many more.In 2016, Jeff took over as Executive Producer of Fuse network’s music intensive Skee TV series, working with hip hop artists like Snoop Dogg, Tyler the Creator, Post Malone, and T.I. Also in the rap world, Jeff was credited as a producer on three multi-platinum selling CDs by Busta Rhymes. In 2017, Jeff’s book, “Maximum Screenwriting,” was released and has earned Amazon’s five-star rating. Jeff has appeared as a guest lecturer at L.A.’s famed Screenwriting Expo, is a popular speaker at prestigious universities and film schools, and has worked closely with the Writers Guild of America to protect the best interests of writers.
25 COMMONLY ASKED QUESTIONS AND STRAIGHT ANSWERSThe entertainment industry is the toughest business around. To achieve success as a professional screenwriter, you will need every advantage you can get. A writer who faces readers, agents, producers, and creative executives are no different than a soldier going into combat. To have the best chance of survival, both would be wise to bring every weapon they can carry into the fight.This book is ammunition for the battles every screenwriter will face as it teaches: How to create a bulletproof outline, How to build and breathe life into compelling characters, How to defeat crippling procrastination, How to avoid being ripped off, and How to deal with a myriad of situations other books never mention.The one thing this book will not do is tell you what the proper margins are for a screenplay, where to place a parenthetical in dialogue or what is supposed to happen on page 30. There are dozens of books and free online lectures for that. Maximum Screenwriting was written for one reason only: to teach you what other books don’t and to tell you what other writers won’t.
Enjoy my conversation with Jeff Schimmel.
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IFH 723: The Essentials of Screenwriting with Pilar Alessandra Oct 31, 2023

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy.
They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market. Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.
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IFH 722: The Art of Television Showrunning with Steve DeKnight (Marvel's Daredevil, Spartacus) Oct 24, 2023

Showrunning is a mysterious art form to many so I wanted to bringing he someone who can shine a light on what it takes to be one. Today on the show we have powerhouse show runner, writer, director, producer, and all-around good guy Steven Deknight. Best known for his work across the action, drama, and sci-fi genres on TV shows like Smallville, Spartacus, Daredevil, Buffy the Vampire Slayer, Angel, and Jupiter's Legacy.Realizing his strengths early on in his career, Steven is a jack-of-all-trades who studied acting at the onset of film school transitioned through to writing, playwright, and screenwriting. Buffy the Vampire Slayer was his big break - starting off as writer and story editor on the show, Deknight went on to produce 42 episodes of the Spin-off show, Angel.
The vampire Angel, cursed with a soul, moves to Los Angeles and aids people with supernatural-related problems while questing for his own redemption.Steven went on to direct and co-executive produce 66 episodes of the 2001 show, Smallville which set a viewers rating record of 4.34 million viewers per episode and had an amazing 10 seasons run.The series goes along with Clark Kent through his struggles to find his place in the world as he learns to harness his alien powers for good and deals with the typical troubles of teenage life in Smallville, Kansas.
In 2009, He briefly wrote, directed, and consulted on the short-lived Dollhouse series. Almost immediately after, Deknight got an offered to executive produce and write the hit sensation and everyone's guilty-pleasure, Spartacus.
A fictional historical drama series inspired by, Spartacus, the show focused on Spartacus's obscure early life leading up to the beginning of historical records.
We do a deep dive on how Steve brought the Marvel universe's darker and grittier character Daredevil to Netflix that help launch The Defenders superhero on the streaming giant.Blinded as a young boy, Matt Murdock fights injustice by day as a Lawyer and as a street-level superhero by night, in Hell's Kitchen, New York City.
His feature-film directorial and writing debut Pacific Rim: Uprising. We go into the weeds on his experience bring a studio tentpole to the big screen while under extreme pressure and restraints.
Steve was a blast to chat.
Enjoy this conversation with Steve Deknight.
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IFH 721: The Million Dollar Mini-Movie Screenwriting Method with Chris Soth Oct 17, 2023

Chris Soth developed the “Mini-Movie Method” after years of success as a Hollywood screenwriter. Chris has multiple projects in development at major Hollywood studios. This master storyteller is also an expert in pitching and selling - necessary tools for a screenwriter in Hollywood.Chris holds an MFA in screenwriting and a BA in Dramatic Literature. He is the only seminar instructor whose work has been produced by a major Hollywood studio.
MILLION-DOLLAR SCREENWRITING presents a method of story design that is easy to understand and easy to do, The Mini Movie Method! This is the key to unlocking your future as a working screenwriter in Hollywood. It turns writing into an effortless, step-by-step process and makes beginners into experts and experts into masters of the craft. The secret to successful screenwriting has finally arrived: The Mini-Movie Method!-THE MINI-MOVIE METHOD WAS INVENTED FOR MOVIES!-When the film was born story changed forever. Traditional “Three-Act Structure” was invented for the theater, but movies are shot, edited, and projected on “reels.” Each reel contains its own piece of the story, like chapters of a novel called “sequences” or “Mini-Movies.” The Mini-Movie Method is a way of “sequencing” your story that is specifically designed for movies, tailored to movies, and unique to movies because The Mini-Movie Method was CREATED for movies.
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IFH 720: Psychology for Screenwriters with William Indick Oct 09, 2023

I’m taking a journey down the rabbit hole of screenwriting psychoanalysis with Professor William Indick, who is a psychology professor at William Paterson University in New Jersey, professor of psychology executive chair of faculty at Dowling College, and author of Psychology for Screenwriters.We take a nerdy dig into the world of psychology and how it affects writers, screenwriters, and characters. With some expert contextualization, William psychoanalyzes some of our favorite films and characters while also breaking down character archetypes and themes he has studied. How did it all start, you ask? Well, in 2003 he made the decision to incorporate more culturally relevant theories of personality instead of antiquated theories in his psychology classes by sorting references from famous films. Based on his students growing interested and fascination, William researched to find psychology textbooks about films, but none existed. So he wrote one instead. The book was published by Michael Wiese productions in 2004.
Psychology For Screenwriters supports that screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought-provoking exercises, vivid film images, and hundreds of examples from classic movies.Basically, the book takes general psychology theories and applications and adapts them into helpful tools for screenwriters.He delves into various genre archetypal characters and themes that are repetitive in screenplays in the second edition of the book which will be out soon. Just this summer, William published his sixth book, Media Environments and Mental Disorder: The Psychology of Information Immersion. It deals a lot with narcissism, and the notion that all media is a mirror, and how we understand ourselves at a time when we're constantly being reflected in a million ways. The information environments that modern society requires us to master and engage in are based on literacy and digital communication. Mediated information not only passes through our brains, it alters and rewires them. Since our environment, to a large extent, is shaped by the way we perceive, understand, and communicate information, we can even think of mental disorders as symptoms of maladaptation to our media environments.This book uses this "media ecology" model to explore the effects of media on mental disorders.
It traces the development of media from the most basic forms--the sights and sounds expressed by the human body--to the most technologically complex media created to date, showing how each medium of communication relates to specific mental disorders such as anxiety, depression, schizophrenia, and autism. As the digital age proceeds to envelop us in an environment of infinite and instantly accessible information, it's crucial to our own mental health to understand how the various forms of media influence and shape our minds and behaviors.My conversation with William was one of those discussions that you come out of, more informed than you went in.We had a blast.
Enjoy my very informative conversation with William Indick.
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IFH 719: Directing ACTION in the World of John Wick for Television with Albert Hughes Oct 03, 2023

In today's show we have a returning champion Albert Hughes. Albert is a well-known American filmmaker. He is one half of the Hughes Brothers, a filmmaking duo consisting of Albert and his twin brother, Allen Hughes.
The Hughes Brothers are known for their work in the film industry and have directed and produced a variety of films, often with a focus on gritty, urban themes. Some of their notable films include "Menace II Society" (1993), "Dead Presidents" (1995), "From Hell" (2001) , "The Book of Eli" (2010), "Broken City" (2013). Albert Hughes, along with his brother Allen, has made significant contributions to the world of cinema, and their work often explores complex and socially relevant themes.
Albert's new film The Continental: From the World of John Wick - Set in 1970s New York City, The Continental explores the origin of the iconic hotel-for-assassins centerpiece of the John Wick universe seen through the eyes and action of a young Winston Scott.
Please enjoy my conversation with Albert Hughes.
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IFH 718: Licking My Wounds Writing The Mask of Zorro for Hollywood with Randall Jahnson Sep 26, 2023

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead.
After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.
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IFH 717: From $7K Film Red 11 to Making SPY KIDS: ARMAGEDDON for Netflix with Racer Max & Rebel Rodriguez Sep 19, 2023

In this episode we have Racer Max and Rebel Rodriguez. The sons of the legendary filmmaker Robert Rodriguez and film producer Elizabeth Avellán. Racer, Rebel and I had an amazing conversation about what it was like being raised by two master filmmakers, what it was like to be on set, but also what they've learned along the way, what they are doing differently than their predecessors have, and the amazing work that they're doing on big projects like Hypnotic, We Are Heroes, and the latest in the Spy Kids franchise, Spy Kids: Armageddon.
Please enjoy my conversation with Racer Max & Rebel Rodriguez.
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IFH 716: How Master Storytellers Keep the Audience Engaged with Richard Walter Sep 12, 2023

Richard Walter was born on July 11, 1944, in New York City, New York, USA. He is a writer known for Group Marriage (1972), The Cinematographer (1969), and The Production Manager (1969). He has been married to Patricia Sandgrund since 1967.
In 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.
Richard is one of the few OG writers who have studied and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.
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IFH 715: How To Become A Professional Screenwriter w/ Brooks Elms Sep 05, 2023

Brooks Elms has written more than 25 scripts over the term of his career for companies like Gold Circle Films, Base FX, and Broken Road. We connected through a mutual friend and I couldn’t wait to have him on the Bulletproof Screenwriting podcast.
Elms is a member of the Writers Guild Of America and a part-time screenwriting instructor at UCLA Extension where he's shared his filmmaking and plot structuring skills with his students since 2016 through two classes he currently teaches; Story Analysis for Film & TV, and Story Development.You may have seen films and television series he's directed such as The Ultimate Fighter, Snapshots from a .500 Season, Montauk Highway, Drew, Trip and Zoey and So Happy Together.
Elms have consulted with all levels of creatives across Hollywood, including studio directors, rewrites for the Oscar-winning writer while also writing and directing his own indie feature films. In his free time, Elms loves to coach other writers who have a burning ambition to deeply serve their audiences. We both should be working on a project of mine in the near future, so stay tuned.I’m always down for a good screenwriting 101 conversation and my interview with Brooks will not disappoint.
Enjoy my conversation on how to become a professional screenwriter with Brooke Elms.
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IFH 714: Zero Draft Thiry - Inside Writing for Hollywood with Scott Myers Aug 31, 2023

Scott Myers is a screenwriter and educator known for his work in the film industry. He has written numerous screenplays and is the co-writer of the 2006 film "K-9: P.I." starring James Belushi. Myers is also the founder of the website Go Into The Story, which is a popular resource for aspiring screenwriters.
Myers has been involved in the film industry for several decades and has worked as a screenwriter, script consultant, and script doctor. He has taught screenwriting at the University of North Carolina School of the Arts and has conducted screenwriting workshops and seminars around the world.In addition to his work as a screenwriter and educator, Myers has written extensively on the craft of screenwriting. His book "The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script" is a widely recognized resource in the field. He also regularly shares insights and advice for screenwriters on his blog, Go Into The Story.Scott Myers is a respected figure in the screenwriting community, known for his contributions to the field and his dedication to helping aspiring screenwriters improve their craft.
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IFH 713: Save the Cat! How to Write an Indie Screenplay with Salva Rubio Aug 29, 2023

The impact that Blake Snyder's Save the Cat® book series has had on Hollywood screenwriting is incalculable. Rarely does a book change the way screenwriters approach story and structure. In his best-selling book, Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told, Blake Snyder provided 50 “beat sheets” to 50 films, mostly studio-made.Now his student, screenwriter and novelist Salva Rubio applies Blake’s principles to 50 independent, auteur, European, and cult films (again with 5 beat sheets for each of Blake’s 10 genres in the book Save the Cat!® Goes to the Indies: The Screenwriters Guide to 50 Films from the Masters.
If you're a moviegoer, you'll discover a language to analyze film and understand how filmmakers can effectively reach audiences.If you're a writer, this book reveals how those who came before you tackled the same challenges you are facing with the films you want to write. Writing a “rom-com”? Check out the “Buddy Love” chapter for a “beat for beat” dissection of Before Sunrise, The Reader, Blue Is the Warmest Color, and more to see how Linklater and Krizan, David Hare, and Kechiche and Lacroix structured their films.Scripting a horror film? Read the “Monster in the House” section and discover how 28 Days Later and The Texas Chain Saw Massacre are the same movie – and what you need to do to write a scary story that keeps audiences on the edge of their seats.
Want to execute a great mystery? Go to the “Whydunit” chapter and learn about the “dark turn” that’s essential to the heroes of The Big Lebowski, The French Connection, and Michael Clayton.Want your protagonist to go up against an evil “institution”? Consider how Mamet handled Glengarry Glen Ross and Tarantino's famed Pulp Fiction.Writing a “Superhero” story? See how Susannah Grant structured Erin Brockovich, Anderson & Baumbach worked out Fantastic Mr. Fox, and Gilliam & Stoppard & McKeown laid the foundation for Brazil.With these 50 beat sheets, you’ll see how “hitting the beats” creates stories that resonate the world over for these outstanding writers—and how you can follow in their footsteps.Salva Rubio is a novelist, screenwriter, and author.
He has been nominated at the Spanish Goya Awards for Best Animation Feature. As a graphic novel writer, some of his works have been published in America, including Monet, Itinerant of Light (nominated for an Eisner Award), and The Photographer of Mauthausen. Salva is an associate member of the WGAW (Writers Guild of America, West) and a member of the Academia de las Artes y las Ciencias Cinematográficas de España.
Enjoy my conversation with Salva Rubio.
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IFH 712: Directing Al Pacino in an Indie Film with Johnny Martin Aug 24, 2023

Since he was eighteen years old, Johnny Martin has been solely working in the film and television industry. He began his career as a stuntman, and within a relatively short period of time graduated to being a stunt coordinator and second-unit director. In those capacities, Johnny has worked on over 260 films, TV shows, and commercials, and even won the award for Best Stunt Coordinator of the Year for the film "Gone in 60 Seconds" and later receiving two nominations for an Emmy and one Screen Actors Guild award.In 2003, Johnny launched his own production company, MARTINI FILMS. In just the first year he produced three films under his banner and two of the films received SYFY Channel's "Premiere of the Year". In 2012 Martini Films was one of the first US companies to partner with China Film Group ("CFG") for the feature film "Urban Games", which was entirely shot in China and Korea. Since, Martini Films has produced 20 films for Lionsgate, Sony, Paramount, and Saban.
In 2014 Johnny began his Directing debut on the horror film "Delirium" after winning three film festivals and receiving a theatrical, he was then hired in 2016 to direct "Vengeance: A Love Story", starring Nicholas Cage and Don Johnson and then following up with "Hangman", starring Al Pacino, Karl Urban and Brittany Snow and is now in post-production on "Alone" starring Donald Sutherland and Tyler Posey. On each of these films he has credited the late great Tony Scott for the many years of preparing him for his new venture. 2018 Johnny was invited to be a member of the Academy of Motion Picture Arts and Science.
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IFH 711: The Movie Script Selling Game with Kathie Fong Yoneda Aug 22, 2023

Today on the show we have studio veteran, story consultant, and best-selling author of The Script Selling Game- 2nd edition: A Hollywood Insider's Look at Getting Your Script Sold and Produced Kathie Fong Yoneda.The Script-Selling Game is like having a mentor in the business who answers your questions and provides you with not only valuable information but real-life examples on how to maneuver your way through the Hollywood labyrinth. While the first edition focused mostly on film and television movies, the second edition includes a new chapter on animation and another on utilizing the Internet to market yourself and find new opportunities, plus an expansive section on submitting for television and cable.Kathie has worked in film and television for more than 30 years.
She has held executive positions at Disney, Touchstone, Disney TV Animation, Paramount Pictures Television, and Island Pictures, specializing in development and story analysis of both live-action and animation projects.Kathie is an internationally known seminar leader on screenwriting and development and has conducted workshops in France, Germany, Austria, Spain, Ireland, Great Britain, Australia, Indonesia, Thailand, Singapore, and throughout the U.S. and Canada.
Enjoy my conversation with Kathie Fong Yoneda.
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IFH 710: Creating the Cult Classic Sharknado with Thunder Levin Aug 17, 2023

Thunder Levin was born and raised in New York City, graduated from Hunter College High School, and received a BFA in Film from NYU before moving to Los Angeles at age 23. He credits the original Star Trek television series with opening his mind to both the wonders of science fiction and filmmaking as a child, while the original Star Wars solidified his desire to make movies when he grew up.
Mutant Vampire Zombies from the 'Hood! (2008) starring C. Thomas Howell was Thunder's feature film directorial debut. This led to him writing and/or directing several films for production company The Asylum, including American Warships (2012) and AE: Apocalypse Earth (2013), culminating in the pop culture phenomenon Sharknado (2013). While continuing to write and direct feature films, he is also developing episodic television projects.Thunder is a lifelong sailor and car enthusiast who's recently taken up motorcycle riding. In addition to his film and television work, he is writing his first novel. He lives in Santa Monica, CA, but considers himself a "temporarily misassigned New Yorker". Thunder is his real name. Please don't ask why.
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IFH 709: The Virgin's Journey & Sexual Awakening with Kim Hudson Aug 15, 2023

Kim Hudson grew up in the Yukon, a Hero’s daughter with a Cinderella Complex. Basically life taught her many of the things she needed to know to write this book. Kim spent the first half of her career exploring her masculine side, first as a field geologist and later as a federal land claims negotiator. Exploring her feminine side became important to her as she raised her two daughters. This lead me to study Writing for Film and Television at Vancouver Film School, and take courses on mythology, feminism and psychology including a Jungian Odyssey in Switzerland. This theory was developed by closely observing the archetypal expressions that are all around us in movies, music, television, advertisements and stories of personal growth, including her own.
The Virgin’s Promise is her first book.The Virgin’s Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin’s Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin’s Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action.
Please enjoy my conversation with Kim Hudson.
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IFH 708: Writing the INSANE World of Machette with Alvaro Rodriguez Aug 10, 2023

Alvaro Rodriguez has been writing since childhood and, in fact, did his best work when he was 11. Without a movie camera in sight, Rodriguez relied on the written word and a Polaroid Button to storyboard the films in his head. A crash course in entertainment writing and editing at the University of Texas student newspaper and seminars in creative writing supplied more tools for the toolbox. When he riffed on a Spanish guitar figure as the hero's musical theme in cousin Robert Rodriguez's debut film, El Mariachi (1992) (Columbia Pictures, 1993), he began a collaboration that has lasted more than two decades.Rodriguez sold his first pitch to Dimension Films, a spaghetti-western prequel to the genre-bending vampire flick From Dusk Till Dawn (1996) called From Dusk Till Dawn 3: The Hangman's Daughter (1999) (Miramax/Dimension, 2000), which starred Marco Leonardi, Michael Parks, Sonia Braga, Rebecca Gayheart and Danny Trejo, with Robert Rodriguez and Quentin Tarantino producing.
Rodriguez co-wrote the wishing-rock children's movie Shorts (2009) (Warner Brothers, 2009), starring James Spader, Jon Cryer, Leslie Mann, and William H. Macy, and followed that confection with the bloodier Machete (2010) (Fox, 2010) starring Danny Trejo, Jessica Alba, Michelle Rodriguez, Lindsay Lohan, Jeff Fahey, Don Johnson, and Robert De Niro. Both were directed by Robert Rodriguez.
As of 2014, he is writing on the television series From Dusk Till Dawn: The Series (2014) for the El Rey Network, now in its second season, and is developing feature and television projects in the United States and Italy.A frequent panelist and presenter at the Austin Film Festival, he has also curated an "Epoca de Oro" Mexican film series at the Museum of South Texas History and has been a speaker at colleges and universities throughout the United States. His border-influenced short fiction has appeared in multiple publications, both physical and digital, including Mulholland Books/Popcorn Fiction, "Along the River" (2011), and the Bram Stoker Award-winning "After Death" (2013).
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IFH 707: The Hidden Tools of Comedy with Steve Kaplan Aug 08, 2023

Today on the show we have comedy legend, author, and writer Steve Kaplan. For years, Steve Kaplan has been the industry’s most sought-after expert on comedy. In addition to having taught at UCLA, NYU, Yale and other top universities, Steve created the HBO Workspace, the HBO New Writers Program and was co-founder and Artistic Director of Manhattan Punch Line Theatre. He has consulted and taught workshops at companies such as HBO, DreamWorks, Disney, Aardman Animation, Sony Pictures Network India, Globo Brazil, and others.
In New York, Steve was co-founder and Artistic Director of Manhattan Punch Line Theatre, where he developed writers such as Peter Tolan(Analyze This, The Larry Sanders Show), writer and producer David Crane(Friends, Episodes), writer/producer Tracy Poust (Ugly Betty, Will & Grace), Michael Patrick King(Sex and The City, Will & Grace), David Ives(Venus in Fur), Howard Korder (Boardwalk Empire), David Fury(The Tick, Buffy, The Vampire Slayer), Lisa Loomer (The Waiting Room), Tom Donaghy (The Mentalist), Kenneth Lonergan (Manchester by the Sea)and Mark O’Donnell (Hairspray) and introduced such performers as Lewis Black, Mercedes Ruehl, Oliver Platt, Helen Slater, Fisher Stevens, Veanne Cox, Sam McMurray, Vickie Lewis, and Illeana Douglas.
In Los Angeles, he created the HBO New Writers Project, discovering HBO Pictures screenwriter Will Scheffer (Big Love), and performer/writer Sandra Tsing Loh (Aliens in America),; and the HBO Workspace, a developmental workshop in Hollywood that introduced and presented performers such as Jack Black and Tenacious D, Kathy Griffin, Bob Odenkirk and David Cross (Mr. Show), Josh Malina and Paul F. Tompkins. At the Workspace, he was Executive Producer for the award-winning HBO Original Programming documentary DROP DEAD GORGEOUS. Steve has directed in regional theaters and Off-Broadway (including Sandra Tsing Loh’s ALIENS IN AMERICAat Second Stage).In addition to private coaching and one-on-one consultations, Steve has taught his Comedy Intensive workshops to thousands of students in the United States and countries around the world, including London, Toronto, Galway, Athens, Paris, Tel Aviv, Sydney, Melbourne, Rio, Munich, New Zealand, and Singapore. This year, he will be presenting seminars and workshops in Los Angeles, Brussels, London, and via Skype, Sweden.His new book The Comic Hero's Journey: Serious Story Structure for Fabulously Funny Films. I can't recommend it enough.
A comic hero or heroine also goes on a journey, but for the comic hero, it’s often quite, quite different. The hero decides to go on the adventure; the comic hero often has no choice. The hero has a wise old man; the comic hero often meets an idiot who inadvertently says something that can teach him a thing or two. Steve Kaplan will show you the diverse paths that comedy takes in The Comic Hero’s Journey.This interview is EPIC! If you want to learn how to create "funny" in your screenplays or projects this episode is for you.
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IFH 706: Composing the Biggest Hollywood Blockbusters of All-Time with Klaus Badelt Aug 03, 2023

Klaus Badelt is a renowned German composer and music producer, celebrated for his extraordinary contributions to film scores and soundtracks. Born on June 12, 1967, in Frankfurt, Germany, Badelt's exceptional talent for music was evident from a young age.With an extensive background in classical training and a deep appreciation for various musical genres, Badelt's unique ability to fuse different styles allowed him to craft captivating and emotive compositions. His versatility enabled him to excel in multiple film genres, from epic adventures to intense dramas, leaving an indelible mark on Hollywood's cinematic landscape.
Badelt gained global recognition for his work on the film "Pirates of the Caribbean: The Curse of the Black Pearl" (2003), where his evocative score, particularly the iconic theme "He's a Pirate," became an instant classic and remains a cherished part of film music history. This accomplishment solidified his status as one of the industry's leading composers.Throughout his illustrious career, Badelt collaborated with esteemed filmmakers, including Ridley Scott, Wolfgang Petersen, and Jerry Bruckheimer, earning critical acclaim for his exceptional artistry and ability to elevate storytelling through music.
Beyond his film work, Klaus Badelt has also composed for video games, television shows, and concert performances, displaying his passion for creating immersive musical experiences in various mediums. With a diverse and impressive body of work, Badelt's influence on contemporary film scoring remains profound, inspiring aspiring musicians and leaving an enduring legacy in the world of music for screen and stage.
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IFH 705: How to Tell Your Internal Story with Jen Grisanti Aug 01, 2023

Today on the show we have Hollywood Story/Career Consultant and former Studio Executive Jen Grisanti. Grisanti is also a Writing Instructor for Writers on the Verge at NBC, a former studio executive, a blogger for The Huffington Post and author of Story Line: Finding Gold in Your Life Story, TV Writing Tool Kit: How To Write a Script That Sells, and her recent book Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation.Over twenty years ago, Jen Grisanti started her career as an assistant to Aaron Spelling, who served as her mentor for 12 years.
She quickly climbed the ranks and eventually ran Current Programs at Spelling Television Inc., covering all of Spelling’s shows including Beverly Hills, 90210, Melrose Place and Charmed. In 2004, Grisanti was promoted to Vice President of Current Programs at CBS/Paramount where she covered numerous shows including Medium, Numbers, NCIS, 4400 and Girlfriends.
In January 2008, Grisanti launched Jen Grisanti Consultancy, Inc., a highly successful consulting firm dedicated to helping talented writers break into the industry. Drawing on her years of experience as a studio executive where she gave daily notes to executive producers/showrunners, Grisanti personally guides writers to shape their material, hone their pitches and focus their careers.Since launching her consulting firm, Jen Grisanti worked with over 1000 writers specializing in television, features, and novels. Due to her guidance, over ninety of her clients have staffed as writers on television shows, fifty-three have sold pilots, and six of those pilots have gone to series.
Enjoy my conversation with Jen Grisanti.
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IFH 704: From Short Film to Hollywood Blockbuster with David F. Sandberg Jul 27, 2023

David F. Sandberg is a highly talented and innovative filmmaker who has left an indelible mark on the world of cinema. Born on January 21, 1981, in Jönköping, Sweden, Sandberg's passion for filmmaking began at a young age when he discovered his father's VHS camera. Little did he know that this simple encounter would shape his destiny.After completing his education, Sandberg embarked on a journey to fulfill his dream of becoming a filmmaker. He started by creating short films, which showcased his natural talent for storytelling and his ability to craft suspenseful and visually captivating narratives.
One of his most notable early works was "Lights Out," a terrifying short film that gained widespread acclaim and eventually caught the attention of Hollywood producers.In 2016, Sandberg's career took a meteoric rise when he directed the feature-length adaptation of "Lights Out." The film received critical and commercial success, establishing him as a rising star in the horror genre. His mastery of building tension and crafting memorable scares earned him a reputation as a horror maestro.
Not content to be confined to one genre, Sandberg continued to explore his creative range with the release of "Annabelle: Creation" (2017), a critically acclaimed addition to "The Conjuring" universe. The film further solidified his reputation as a director capable of delivering high-quality, spine-chilling experiences.What sets David F. Sandberg apart is his unique approach to filmmaking. He is known for his innovative use of lighting, practical effects, and well-paced storytelling. With each project, he shows an extraordinary ability to engage audiences emotionally while delivering an edge-of-the-seat experience.
Sandberg's skills are not limited to the horror genre. In 2019, he took on the challenge of directing the superhero film "Shazam!" for the DC Extended Universe. His ability to blend humor, heart, and action into a cohesive and entertaining package earned him praise from both critics and fans, proving his versatility as a filmmaker.Beyond his talent as a director, David F. Sandberg is admired for his hands-on and collaborative approach to filmmaking. He maintains a strong presence on social media, sharing insights into his creative process and engaging with fans, making him a beloved figure in the industry.
In a relatively short period, David F. Sandberg has established himself as a visionary filmmaker with a distinctive style. His commitment to storytelling, coupled with his technical prowess, promises a future filled with more captivating and thrilling cinematic experiences for audiences worldwide.
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IFH 703: Writing and Selling Screenplays Outside of Hollywood with Allen Johnson Jul 25, 2023

Today's guest is screenwriter Allen Johnson. Allen has taken a unique path to become a working screenwriter. He has been able not only to sell ten screenplays but has been able to do it without an agent and living outside of Hollywood. Allen lives in South Carolina, not exactly a mecca for screenwriting. In this episode, we dive into how he was able to make a living writing screenplays and discuss his tips and tricks to get screenwriting gigs.[
Some info on today's guest: Allen Johnson is a Screenwriter, Historic European Martial Artist, and a fight choreographer/stunt fighter. Allen has had several screenplays and stage plays produced with several more in development. He has trained in historic swordplay for over 15 years and has been involved with the Society of American Fight Directors for about 6 years.He also teaches numerous screenwriting classes, workshops, and panels, and has appeared as a guest speaker on writing as well as providing script coverage services to others. He continues to train in historic martial arts with the Palmetto Knights: Historic Steel Combat Team, based out of Columbia, South Carolina.
Enjoy my inspirational conversation with Allen Johnson.
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IFH 702: How to Make Four Features in One Year with Chad Archibald & Cody Calahan Jul 20, 2023

Chad Archibald and Cody Calahan are Canadian film directors and producers known for their work in the horror genre. They have collaborated on several projects together, often through their production company, Black Fawn Films.Chad Archibald and Cody Calahan co-founded Black Fawn Films in 2007 with a focus on creating independent horror films. They have since produced and directed numerous feature films, gaining recognition in the Canadian horror scene.
Some of their notable collaborations include: "Antisocial" (2013), "The Drownsman" (2014, "Bite" (2015), "Let Her Out" (2016), and "The Heretics" (2017).Chad Archibald and Cody Calahan have established themselves as prominent figures in the Canadian horror film industry, known for their unique storytelling and visually striking movies.
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IFH 701: Writing for TV/Streaming Platforms in Today's World with Michael Jamin Jul 18, 2023

Today on the show we have writer and showrunner Michael Jamin. Michael has been writing for television since 1996. His many credits include Just Shoot Me, King of the Hill, Beavis & Butthead, Wilfred, Out of Practice, Rules of Engagement, Lopez and Tacoma FD.
He’s also served as Executive Producer/Showrunner on Glenn Martin DDS, Maron, and Rhett & Link’s Buddy System. Michael currently lives in Los Angeles where he's working on a collection of personal essays to be released in 2020. Michael also launched a new course to help writers interested in working in streaming/television. It's called The Showrunner's Guide to TV Writing. Here's the pitch by Michael.
I've watched a bunch of Masterclass videos. They feature amazingly talented writers talking about their craft. At $200, it's a great way to get exposed to their genius. My course is not about getting you exposed. And I want to do more than just inspire you. I do a lot of hand-holding in these lessons. I show you how to take a kernel of an idea, break it into a story with act breaks, then develop that story from outline to script.I lay out the exact process that I use every day to write stories that make people laugh and cry. It's about creating an easily managed structure so that the creative process isn't so daunting. You should continue to draw inspiration from the masters. I certainly do. But if you need more than just inspiration, I can be your guide.
Enjoy my conversation with Michael Jamin.
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IFH 700: How to Be a Screenwriter in Hollywood with Marshall Herskovitz Jul 13, 2023

Our guest today is producer, director and screenwriter Marshall Herskovitz. Many of his production projects have been in partnership with his long-time filmmaking collaborator, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of ThirtySomething.
Other projects he’s credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.
Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.[presto_player id=41018]The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick.The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001.
It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.
Marshall dropped all sorts of knowledge bombs on the tribe this week. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.
Enjoy this conversation with Marshall Herskovitz.
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IFH 699: Writing for Spielberg & Creating the Cult Classic Tremors with S.S. Wilson Jul 11, 2023

S.S. Wilson, the screenwriter of such films as Tremors and Short Circuit, has just finished his second novel Fraidy Cats. Wilson also wrote a book on special effects, stop-motion animation, PUPPETS, AND PEOPLE. In 1983 Wilson and Maddock sold their spec script SHORT CIRCUIT. Directed by John Badham, it was their first produced feature. In quick succession, they wrote SHORT CIRCUIT 2, BATTERIES NOT INCLUDED, GHOST DAD; and served as consultants on Steven Spielberg’s animated THE LAND BEFORE TIME.
In 1990 they sold another spec, TREMORS, on which they also served as producers. Directed by fellow USC alum Ron Underwood and starring Kevin Bacon, Fred Ward, Michael Gross, and Reba McEntire, the film became a revered cult classic, spawning three sequels and a TV series. Wilson and Maddock joined with Nancy Roberts (producer of all the Tremors sequels) and Ron Underwood to form Stampede Entertainment in 1992. The first Stampede project was HEART AND SOULS at Universal, starring Robert Downey, Jr.
The TREMORS franchise grew with Wilson debuting as a director on TREMORS 2: AFTERSHOCKS for Universal Family Home Entertainment. During the same time period, he and Maddock wrote the green-light draft of Warner Bros. 1999 tent pole release WILD WILD WEST, starring Will Smith.
In 2001 it was TREMORS 3: BACK TO PERFECTION, with Stampede partner Brent Maddock directing and Wilson handling the second unit. 2004 saw both the debut of TREMORS: THE SERIES for the Sci-Fi Network (Wilson co-created and co-executive produced with Maddock and Roberts) and TREMORS 4: THE LEGEND BEGINS, with Wilson again at the helm.In addition to screenwriting, Wilson is branching out into fiction. His first book is an action-adventure tale Tucker’s Monster.
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IFH 698: Writing the 90 Day Screenplay with Alan Watt Jul 06, 2023

Today on the show we have screenwriter and best-selling author Alan Watt. Alan Watt is the author of The 90-Day Novel, Amazon’s #1 book on writing, as well as The 90-Day Rewrite: The Process of Revision and The 90-Day Screenplay: From Concept to Polish. He runs the publishing company, The 90-Day Novel Press which has also published The 90-Day Play. Watt has written screenplays for numerous production companies and is the author of the L.A. Times bestselling novel Diamond Dogs.
He has taught everyone from award-winning authors to A-list screenwriters, USC business school students, journalists, poets, actors, professional athletes, war veterans, housewives, doctors, lawyers, maximum security prisoners, television showrunners, Emmy-winning directors, and first-time writers.Many of his students have gone on to successful careers, writing New York Times and International bestsellers, appearing on Oprah, winning major literary awards, becoming top screenwriters and television show-runners, and most importantly, developing a craft and methodology that delivers consistent results.
We get into the weeds on how to write a screenplay in 90 days.
Enjoy my talk with Alan Watt.
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IFH 697: Building a Filmmaking Brand on Youtube with Darious Britt Jul 04, 2023

Darious Britt is a filmmaker, YouTuber, and educator known for his work in the film and online video industry. He is popular for his YouTube channel "D4Darious," where he shares filmmaking tips, tutorials, and insights to help aspiring filmmakers improve their craft. On his channel, he covers various aspects of filmmaking, including screenwriting, cinematography, directing, and post-production.
Darious Britt's approachable teaching style and informative content have earned him a significant following on YouTube, and he has become a source of inspiration and knowledge for many aspiring filmmakers and content creators. He has also collaborated with other creators and professionals in the industry to share their experiences and expertise with his audience.
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IFH 696: How I Wrote Birdman with Oscar® Winner Alexander Dinelaris Jun 29, 2023

Alexander Dinelaris is an Academy Award and Golden Globe winning screenwriter for "Birdman (or The Unexpected Virtue of Ignorance)", a co-producer on the three time Academy Award® winning film "The Revenant", and the book writer for the Broadway musical "On Your Feet! The story of Emilio and Gloria Estefan", as well as "The Bodyguard Musical" which began on the West End and now performs worldwide.
He is the screenwriter and producer of the upcoming feature film, “Jekyll & Hyde” which he is readapting for the London stage. Alexander also wrote the screenplay for "Carmen" which was directed by Benjamin Millepied and premiered at the 2022 Toronto International Film Festival.
film company, Lexicon, is currently developing "State of Motion", a story by Marco Perego Saldana, written by Alexander. Lexicon is also producing "In The Summers" written by Alessandra Lacorazza and "Consurgo", which was written by Alexander.He recently teamed with Grammy winner, Residente, to write a historical film about Puerto Rico. Alexander will be making his directorial debut with a film adaptation of his play, "Still Life" in January of 2024.
Please enjoy my conversation with Alexander Dinelaris.
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IFH 695: Writing Screenplays that Actually Sell with Lucy V. Hay Jun 27, 2023

Today on the show we have Lucy V. Hay from Bang2Write. Lucy is an author and script editor, living in Devon with her husband, three children, and six cats. Lucy is the associate producer of Brit Thrillers Deviation (2012)and Assassin (2015) both starring Danny Dyer.
In addition to script reading and writing her own novels, Lucy also blogs about the writing process, screenwriting, genre, careers and motivation and much more at her blog Bang2write, one of the most-hit writing sites in the UK.
Enjoy my conversation with Lucy V. Hay.
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IFH 694: Screenwriting for Schwarzenegger & Stallone with Miles Chapman Jun 22, 2023

Today on the show we have Miles Chapman, the screenwriter behind the successful action franchise Escape Plan starring the legendary Sylvester Stallone. The premise was simple but great.When a structural-security authority finds himself set up and incarcerated in the world's most secret and secure prison, he has to use his skills to escape with help from the inside.
Then add Sly and another legend, Arnold Schwarzenegger to the mix and you have action nirvana. Miles and I discuss how the project came to be, some extremely entertaining stories from the set and what it was like working with legends.The first Escape Plan was such a big international hit that the producers spawn off to more sequels, which Miles wrote as well.
Enjoy my conversation with Miles Chapman.
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IFH 693: Inside Writing the Oscar Nominated Mad Max: Fury Road with Brendan McCartney Jun 20, 2023

Brendan McCarthy studied Painting and Film at Chelsea school of Art under the celebrated British Pop Artist Patrick Caulfield.Brendan is one of the UK's most gifted graphic novelists. His ground-breaking comics of the early 80s (Strange Days, Skin, Rogan Gosh) as part of 'The British Invasion' paved the way for comics’ increasing popularity in Hollywood.
He was also one of the pioneers of computer animation, creating the visuals for the 90s computer animated TV series ReBoot, the first long-form digital narrative that preceded Pixar and Dreamworks' later successes. He has spent more than 20 years working in Hollywood, and is the co-writer and a designer on Mad Max Fury Road.More recently, Brendan has created new graphic novels including Spider-Man Fever (for Marvel), Solo (for DC Comics) and Swimini Purpose, The Zaucer of Zilk and Dream Gang for independent US publishers. A best-selling retrospective collection of his classic comic book work was released last year, The Best of Milligan & McCarthy.
Enjoy your journey into the mind of Brendan McCarthy.
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MONDAY MOTIVATION!: Make A Living As A Filmmaker Jun 19, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 692: How I Wrote Erin Brockovich with Susannah Grant Jun 15, 2023

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.
Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.
Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant. The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience.
Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing. In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated.
Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities. Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.
Please enjoy my conversation with Susannah Grant.
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IFH 691: How I Wrote Fight Club with Jim Uhls Jun 13, 2023

Jim Uhls is an American screenwriter best known for his work on the iconic film "Fight Club." Born in 1951 in the United States, Uhls began his career in the entertainment industry as a script reader and development executive. He worked his way up the ranks, honing his skills as a writer and developing a reputation for his unique voice and style.Uhls' big break came in the late 1990s when he was approached to adapt Chuck Palahniuk's novel "Fight Club" for the big screen.
The project was seen as a risky and unconventional choice, but Uhls was drawn to the dark and satirical tone of the book, as well as its themes of individuality and rebellion.[presto_player id=155007]Working with director David Fincher, Uhls approached the writing process for "Fight Club" with a focus on staying true to the spirit of the novel while also adapting it for the screen. He spent months researching and studying the novel, immersing himself in the characters' world and exploring the story's deeper themes and meanings.One of the biggest challenges of adapting "Fight Club" for the screen was finding a way to translate the unconventional and fragmented structure of the novel into a cohesive and compelling film.
To achieve this, Uhls worked closely with Fincher to develop a visual and narrative style that would capture the book's spirit while making it accessible to a wider audience.Uhls' hard work and dedication resulted in a film that was both a critical and commercial success. "Fight Club" was praised for its bold and innovative style, darkly humorous tone, and powerful themes of individuality and rebellion. The film has since become a cult classic, and Uhls' screenplay is widely regarded as one of the best adaptations of a novel to the screen.In addition to his work on "Fight Club," Uhls has also written and produced several other successful films and television shows. Despite his success, he remains humble and dedicated to his craft, always striving to push the boundaries of storytelling and create unique and impactful works of art.
Overall, Jim Uhls is a talented and innovative writer who has significantly impacted the entertainment industry. His approach to the writing process, which emphasizes research, dedication, and a deep understanding of the source material, has earned him a reputation as one of the best screenwriters of his generation.
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MONDAY MOTIVATION!: You Can Do This! Jun 12, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 690: Inside the Golden Age of Hollywood with George Stevens Jr. Jun 08, 2023

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties.
In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President’s Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI’s Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series.
He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker’s Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles.
Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens’ Conversations with the Great Moviemakers of Hollywood’s Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute’s renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.
Please enjoy my conversation with George Stevens Jr.
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IFH 689: Creating Revenue Streams for Filmmakers with Pat McGowan Jun 06, 2023

Pat McGowan is a longtime Film & Video Creator from Ottawa, Canada. As with many in the “biz”, his career started as a musician, moved into audio post and then into directing, producing, shooting and editing. Until recently Pat was the owner/operator of inMotion.ca, a video production company in Ottawa & Toronto. Pat has a passion for wildlife videography and can be found in the Canadian Arctic looking for Polar bears, Narwhals, and Bowhead Whales.
After a successful career spanning over two decades, Pat had an epiphany, and that led to the idea and creation of BlackBox Global. He wants nothing less than to change the relationships that creators have with each other and the global market so they can have better lives. He invites his fellow film & video peeps to join BlackBox and make the world a place where creators can be free to do what they love, own the content they make, and be fairly compensated.
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MONDAY MOTIVATION!: Don't Be The Desperate Filmmaker Jun 05, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 688: What They Don't Tell Filmmakers about Making an Indie Film with Jeremy Gardener Jun 01, 2023

Jeremy Gardner is an American actor, writer, and director known for his work in the independent horror film "The Battery." He wrote, directed, and starred in the movie, which was released in 2012.
"The Battery" is a post-apocalyptic zombie film that gained critical acclaim for its character-driven approach and low-budget yet effective storytelling. Since then, Jeremy Gardner has continued to work in the film industry, both in front of and behind the camera.
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IFH 687: Skipping First-Time Screenwriting Mistakes with Naomi Beaty May 30, 2023

Today on the show we have former studio executive turned screenwriting teacher and screenplay consultant Naomi Beaty. She is essentially an on-call development partner to screenwriters, producers, and directors at all levels. From those just starting out, to those firmly established and working in the industry today.
She lived and worked in L.A. for over a decade, read thousands of scripts, and worked with hundreds of writers through one-on-one consulting, creating the Idea to Outline workshop, and teaching story structure for Save the Cat. I’ve worked with producers internationally and consulted on the 2016 Raindance Film Festival “Indie Film of the Year” winner, Selling Isobel.As a former development exec-in-training at Madonna and Guy Oseary’s Maverick Films, she worked on projects like Twilight, Percy Jackson and the Lightning Thief, and The Stanford Prison Experiment.
In this episode, we get into the weeds about mistakes screenwriters make and what studios are looking for.
Enjoy my talk with Naomi Beaty.
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MONDAY MOTIVATION!: The Art Of Breaking The Rules May 29, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 686: How to Get Things Done with David Allen May 25, 2023

David Allen is a productivity consultant and the author of the book "Getting Things Done: The Art of Stress-Free Productivity." He is widely recognized for his expertise in personal and organizational productivity and has developed the GTD (Getting Things Done) methodology.
In his book, "Getting Things Done," Allen presents a system for managing and organizing tasks and projects to increase productivity and reduce stress. The GTD methodology focuses on capturing all tasks and commitments into an external system, clarifying their meaning and desired outcomes, organizing them effectively, reviewing and updating regularly, and taking appropriate actions. The book has gained significant popularity and has become a widely implemented system for personal and professional productivity.
David Allen has been involved in coaching, training, and consulting with various individuals and organizations, including Fortune 500 companies and government agencies. He continues to speak and conduct workshops on productivity and personal development, sharing his insights and strategies to help individuals and teams enhance their effectiveness and achieve their goals.
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IFH 685: Learning Screenwriting Story Structure with John Bucher May 23, 2023

Today on the show, we have storytelling guru John Bucher, who is a renowned strategist, communicator, and cultural mythologist based out of Hollywood, California. Disruptor named him one of the top 25 influencers in Virtual Reality in 2018.
“John Bucher is an influencer. He’s one of our most prolific contributors.” — HBO
He is the author of six books, including the best-selling Storytelling for Virtual Reality, named by BookAuthority as one of the best storytelling books of all time. John has worked with companies including HBO, DC Comics, The History Channel, A24 Films, and The John Maxwell Leadership Foundation and served as a consultant and writer for numerous film, television, and Virtual Reality projects. Currently, he teaches writing and story courses as part of the Joseph Campbell Writers Room at Studio School in Los Angeles and at the LA Film Studies Center. He has spoken on five continents about using the power of story to reframe how products, individuals, organizations, cultures, and nations are viewed.
John is a prolific writer.
STORYTELLING FOR VIRTUAL REALITY
Storytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling. Rather than examining purely the technical, the text focuses on the narrative and how stories can best be structured, created, and then told in virtual immersive spaces. Author John Bucher examines the timeless principles of storytelling and how they are being applied, transformed, and transcended in Virtual Reality. Interviews, conversations, and case studies with both pioneers and innovators in VR storytelling are featured, including industry leaders at LucasFilm, 20th Century Fox, Oculus, Insomniac Games, and Google.
A BEST PRACTICE GUIDE TO SEX AND STORYTELLING
A great deal of storytelling in film and television involves narratives that include sexual situations and nudity. The increased amount of online and streaming content outlets has, in turn, increased the number of narratives that involve these once-taboo subjects. Often, even though directors and producers desire to handle such issues with professionalism, sets become awkward when producing these scenes. A Best Practice Guide to Sex and Storytelling serves as a helpful tool for guiding creators through these waters.
MASTER OF THE CINEMATIC UNIVERSE
Master of the Cinematic Universe is a guide to the future of transmedia storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up-and-coming short-form media formats.
STORYTELLING BY THE NUMBERS
Storytelling By The Numbers is a collection of essays and articles that John Bucher has written for LA Screenwriter and a variety of other outlets. All are meant to strengthen storytellers and scriptwriters. Bucher examines trends and tropes found in current film and television and uses these examples to demonstrate how and why they work as storytelling devices. Writers from any genre, working with any type of narrative, can find jewels of wisdom and applicable nuggets for their own ideas. The collection also features ten powerful writing prompts to assist writers in creating or developing a script idea from a single character.
Enjoy my conversation with John Bucher.
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IFH 684: How to Make a Kick-Ass Low-Budget Zombie Film with Eric England May 18, 2023

Eric England is an American film director, writer, and producer. He is best known for his work in the horror genre, particularly for his 2013 film "Contracted." The film follows a young woman who contracts a mysterious sexually transmitted disease that begins to ravage her body in horrifying ways.
In addition to "Contracted," England has directed several other horror films, including "Madison County" and "Josie." He has also directed episodes of the television series "Surviving Jack" and "The Rookie." England's work often explores themes of isolation, psychological trauma, and bodily horror, and he is known for his stylish visual approach to genre filmmaking.
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IFH 683: Crash, Boom, Bang! How to Write Action Movies with Michael Lucker May 16, 2023

Today on the show we have screenwriter, Michael Lucker. Michael is a writer, director, and producer with twenty years of experience creating film, television, animation and digital media. He began his career writing and directing television commercials while earning his undergraduate degree in broadcasting and film at Boston University’s College of Communication.Soon after he landed in Los Angeles working in production on series and specials for ABC, NBC, CBS and HBO before taking a job as assistant to Steven Spielberg at Amblin Entertainment on feature films Indiana Jones & the Last Crusade, Arachnophobia, Joe Vs. The Volcano, Always, Back To The Future II & III and Jurassic Park.
He went onto serve in creative affairs at Hollywood Pictures where he worked on such movies as Crimson Tide, Terminal Velocity, Taking Care of Business and Straight Talk. Michael then embarked on a career as a screenwriter, helping pen more than twenty feature screenplays for Paramount, Disney, DreamWorks, Fox, and Universal, including Vampire In Brooklyn, Home On The Range, Good Intentions and Spirit: Stallion of the Cimarron, which was nominated for an Academy Award in 2002 as best animated feature.“You don’t have to be a writer of action films to benefit from Michael Lucker’s rock-solid screenwriting advice, but if you are an action writer… it is essential.” — John Baldecchi, Producer: Point Break, The Mexican, Conan the BarbarianHe also served as screenwriter on the animated sequels to Mulan, Lilo & Stitch, Emperor’s New Groove and 101 Dalmatians. An opportunity to serve as a creative consultant to Turner Entertainment took him home to Atlanta in 2007.
He went onto work as a writer, director and executive producer with non-fiction production houses Encyclomedia, Shed Media, Crazy Legs Productions and Trailblazer Studios before launching his own production company, Lucky Dog Filmworks, which now serves as his home for creating film, television, and commercial content. In television, Michael has worked with Animal Planet, Cartoon Network, Travel Channel, History, Discovery, NBC, TBS, TLC, OWN, DIY, MSNBC, and A&E.
His new book Crash! Boom! Bang! How to Write Action Movies. A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.
Enjoy my conversation with Michael Lucker.
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MONDAY MOTIVATION!: Balance May 15, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman May 11, 2023

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).
Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.
Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.
Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.
Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.
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IFH 681: From Indie Filmmaker to $1 Billion Sale to Disney with Michael Gallagher May 09, 2023

Today's guest is a filmmaker and Filmtrepreneur Michael Gallagher. Michael is one of the co-founders of Makers Studio. Makers Studios was the largest independent YouTube network in history. YouTube channels under Maker Studios have also collectively earned over 90 million subscribers and accumulated over 1.1 billion views monthly. On March 24, 2014, Maker Studios, Inc. agreed to sell itself to The Walt Disney Company for $500 million, rising to $950 million if financial milestones were met.
Michael has leveraged his success as a YouTube filmmaker to become a full-blown feature film director. His latest film is Funny Story, a dramedy about a well-intentioned father who inadvertently wreaks havoc on the life of his estranged daughter when she invites him to her woodland wedding. Michael went on to direct smash hit films on Youtube like The Thinning Series and InstaFamous. He talks about the big mistakes he made distributing his first feature film Smiley, self-marketing his films, and lessons learned from building an audience on YouTube.
Enjoy my conversation with Michael Gallagher.
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MONDAY MOTIVATION!: Tell Your Story May 08, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 680: Directing The Last Exorcism with Daniel Stamm May 04, 2023

Daniel Stamm was born and raised in Hamburg, Germany, where as a teenager he was host of a radio show and editor of a youth magazine. He toured with a theater, studied drama and published a play before he went to Belfast, Northern Ireland, as a peace worker. Two years later he returned to Germany to go to film school and study screenwriting at the Filmakademie Baden-Wuerttemberg in Ludwigsburg. He wrote a TV movie which got nominated for Germany's most prestigious media award and directed a documentary on rock musician Nick Cave.Daniel moved to Los Angeles and graduated from the American Film Institute's directing program.
His thesis film got nominated for the ASC award. In the following three years he made short films, wrote songs for local singers, sat on a film festival jury in Kosovo, became a certified hypnotist and hitch-hiked across the US. In 2008 Daniel's first feature film, 'A Necessary Death', premiered at SXSW in Austin, Texas, before winning the audience award at AFI Fest later the same year. His second feature, 'The Last Exorcism', premiered at the Los Angeles Film Fest in 2010, was distributed by Lionsgate and grossed over $65million worldwide. The film and/or its actors got nominated for the People's Choice Award, two Independent Spirit Awards and an MTV Movie Award. It won an Empire Award as well as awards in Sitges and Toronto.
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IFH 679: Screenwriting a Multi-Million Dollar Movie Franchise with Aaron Mendelsohn May 02, 2023

Today's guest is a screenwriter, director, professor, and Secretary-Treasurer of the Writers Guild of America West Aaron Mendelsohn. He is best known for co-creating and co-writing the successful AIR BUD family film franchise, which sired eleven sequels and generated millions of dollars over the years. If you have kids then you probably already have seen an Air Bud spin-off film.
Aaron has a number of projects in development including the drama pilot BAD MEDICINE with ITV America and the action-comedy ARMOR HERO with Alpha Pictures. His romantic comedy LIKE CATS & DOGS aired recently on the Hallmark Channel. He recently wrote the animated feature PRINCES for Warner Bros, the drama pilot THE ASSOCIATE for Sony, and the animated pilot HOODS for Cartoon Network.Other produced projects include the perennial ABC Family holiday movie THE 12 DATES OF CHRISTMAS, the Lifetime TV movie CHANGE OF HEART, the Fox TV series KINDRED: THE EMBRACED, the kid's TV pilot THE ADVENTURES OF TAXI DOG, the family feature THE THREE INVESTIGATORS: THE SECRET OF TERROR CASTLE, and the independent feature CHAPTER ZERO, which he also directed.
Aaron has also written film and TV projects for Fox, New Line, Showtime, Paramount, the Spike Network, New Regency, Hasbro Studios, Bob Yari, Lightstorm, and Arnold Kopelson.Twenty years into a successful screenwriting career and he still loses his way in the thickets of story-breaking and script-writing. Aaron assembled The 11 Fundamental Questions: A Guide to a Better Screenplayto help guide his path, and they've been his road map ever since."This is a VERY smart way to deconstruct and demystify the job of screenwriting." – Billy Ray, Oscar-nominated screenwriter of "Captain Phillips"Starting out as a personal story-breaking method and evolving into a masterclass that Aaron has taught around the world, THE 11 FUNDAMENTAL QUESTIONS is now an ebook (newly revised and expanded for Amazon/Kindle) that shares the secrets of his successful technique. Simple and intuitive, each question in the book is strategically designed to elicit key story points, challenge lazy writing, and stimulate ideas.Wherever you are in the writing process, and whether you're writing for film, television, new media, or books, asking yourself the 11 FUNDAMENTAL QUESTIONS is a great way to enhance your creative process and sell more projects.
This is a fun episode. Get ready to take some notes. Enjoy my conversation with Aaron Mendelsohn.
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MONDAY MOTIVATION!: Tools In The Toolbox May 01, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 678: Inside the PIXAR Story Brain Trust with Rob Edwards Apr 27, 2023

Rob Edwards has written two classic animated films for WALT DISNEY FEATURE ANIMATION, the Academy Award nominated Treasure Planet and the Academy Award and Golden Globe nominated The Princess and the Frog. He also consulted on Tangled, Wreck-it Ralph and Frozen. He penned AMULET for Warner Brother's and ANIMATED AMERICAN for Disney.
Rob is currently writing projects for SHOWTIME, SONY, PARAMOUNT, and Chris Rock. Rob is also known for his work on the television shows "The Fresh Prince of Bel-Air", "Full House", "A Different World", "Roc", "In Living Color" and as the creator of "Out All Night." In 2012, Rob launched robedwards.net where he shares the tools he has developed over 30 years of writing professionally. He has taught and/or lectured for UCLA, Tisch School of the Arts at NYU, Syracuse University, Boston University, Howard University, The Organization of Black Screenwriters, CTN Expo, LMU, Digital Hollywood, The Scriptwriters Network, The Writers Store, University of California Riverside, Le Moyne College and others.
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IFH 677: How to Write for Television, Netflix & Hollywood with Dan Hernandez and Benji Samit Apr 25, 2023

Today on the show we have the showrunning writing duo of Dan Hernandez and Benji Samit. They are responsible for bring iconic character Pikachu to the big screen. The film starred Ryan Reynolds.
Ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son, Tim, to find out what happened. Aiding in the investigation is Harry's former Pokémon partner, wise-cracking, adorable super-sleuth Detective Pikachu. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces to unravel the tangled mystery.Easily one of my favorite projects they worked on is the Netflix show One Day at a Time. On that project they got to work with the television living legend Norman Lear.
This comedy-drama is inspired by Norman Lear's 1975 series of the same name. This time around, the series follows the life of Penelope, a newly single Army veteran, and her Cuban-American family, as they navigate the ups and downs of life. Now a nurse, Penelope is raising two strong-willed children.When faced with challenges, Penelope turns to her "old-school" mother, and her building manager, who has become an invaluable confidant. The series offers a contemporary take on what life looks like in both good and bad times, and how loved ones can help make it all worthwhile.
On television, Hernandez and Samit have written for, The Tick, Super Fun Night and 1600 Penn. They were named in Paste Magazine's list of the top 28 comedy writers of 2018. In 2019, Samit and Hernandez signed a long-term deal with 20th Century Fox Television to develop, write and produce animated and live-action seriesWe discussed how they got their big break, how they approach the craft, the world of the writer's room and much more.
Enjoy my conversation with Dan Hernandez and Benji Samit.
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MONDAY MOTIVATION!: Fake It Till You Make It! Apr 24, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 676: Horror Filmmaking Masterclass with Danny Draven Apr 20, 2023

Danny Draven is an award-winning director and producer of genre films. After receiving his film degree in Boston, he moved to Hollywood and worked his way up through the ranks until he began producing and directing sci-fi/horror films for genre studio Full Moon Pictures (Puppet Master series, Trancers) where he cut his teeth before starting his own successful production/post-production company. He has also edited over 100 feature films, including films for Lionsgate, NBC Universal's Chiller TV, SyFy Channel and a series for Lifetime Network TV.
He has worked with and been mentored by Hollywood veterans such as Master of Horror Stuart Gordon (Fortress, Re-Animator), legendary cinematographer Mac Ahlberg (Beverly Hills Cop 3), executive producer Harry Bring (X-Files, Criminal Minds) and executive producer Mark Ordesky (Lord of the Rings Trilogy). He is also the author of three published books on genre filmmaking and a member of the Producers Guild of America
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IFH 675: Inside HBO’s Writers Room with Showrunner Daniel Knauf Apr 18, 2023

Today's guest is writer and showrunner, Daniel Knauf. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show Carnivale to HBO.
The series, an intricate blend of meticulously researched period detail and secret-history fantasy, purported to tell the tale of what happened when the last two “Avatars”—superpowered beings of light and darkness—met in the United States on the eve of World War II. The series attracted a cult audience that remains devoted to this day, but a mass audience wasn’t sure what to make of the program, and HBO canceled it after two seasons, saying the show’s story was finished, in spite of Knauf’s plan for a six-season run.
We go deep inside the writer's room, what it takes to be a showrunner and many of his misadventures in Hollyweird!
Enjoy my conversation with Daniel Knauf.
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MONDAY MOTIVATION!: Dealing With Rejection Apr 17, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 674: How to Always Make Money with Independent Film Godfather Roger Corman Apr 13, 2023

Roger William Corman was born April 5, 1926, in Detroit, Michigan. Initially following in his father's footsteps, Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked a total of three days as an engineer at US Electrical Motors, which cemented his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually rising to the position of story analyst.After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer.
He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).
Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history.
With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.In the early 1960s he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop. He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainments.
Those messages became more radical as the 1960s wound to a close and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics.
Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. Among those he mentored are Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009 he was honored with an Academy Award for Lifetime Achievement.
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IFH 673: How I Wrote Ant-Man with Joe Cornish Apr 11, 2023

Have you ever wondered what it is like screenwriting inside the Marvel and Studio machine? Wonder no further, today we have screenwriter and director Joe Cornish. Joe was one of the writer's on Marvel's Ant-Man. The English comedian and filmmaker burst onto the scene in 2011 with his very successful film directorial debut, Attack The Block, starring John Boyega, who played Moses, a low-level crook, teenage gang leader, an orphan looking for respect around the block. The British sci-fi comedy horror film centers on a teenage street gang who have to defend themselves and their block from predatory alien invaders on Guy Fawkes Night.
Cornish and his comedy partner, Adam Buxton form the successful duo, Adam & Joe an ironic pop culture sketch show which gained a lot of success in the UK alongside Cornish’s long-term work in the UK TV entertainment industry. In 2011 he joined iconic directors, Peter Jackson and Steven Spielberg as a writer for the screenplay and story for the 3D animated action-adventure film, The Adventures of Tintin: The Secret of the Unicorn --- co-written alongside Edgar Wright and Steven Moffat.
Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.This $135 million budget film grossed $374 million at the box office and received a plethora of nominations including Oscars for Best Original Score, a Golden Globe for Best Animated Feature Film, two BAFTA nominations for Best Animated Film and Best Special Visual Effects.Cornish co-wrote the screenplay for the Marvel Comic character, Ant-Man, along with Wright, Adam McKay, and Paul Rudd in 2015.
Rudd, starring as Ant-Man is armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Similar to most Marvel Studio movies, the film carried a big budget of $169.3 million and grossed $519.3 million.His latest film, The Kid Who Would Be King (2019), which was written undirected by Cornish, joins a band of kids who embarks on an epic quest to thwart a medieval menace.
Joe honestly, was extremely forthcoming and transparent about a lot of things; like what really happened behind the scenes on Ant-Man and what it's like to write inside the Marvel machine, working with filmmaking legends like Steven Spielberg and Peter Jackson. And we also discuss his craft, how he approaches screenwriting and directing, and much more.
Enjoy this conversation with Joe Cornish.
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IFH 672: How to Build a Paying Audience for Your Indie Film with Pat Flynn Apr 06, 2023

Pat Flynn, the founder of Smart Passive Income (SPI), is a pioneering figure in the world of online business and digital marketing. His success story has inspired countless entrepreneurs to create their own passive income streams, and his educational resources have empowered individuals to achieve financial freedom. In this article, we will explore Pat Flynn's journey, his strategies for success, and the impact of Smart Passive Income on the digital landscape.Pat Flynn's story began in 2008 when he was laid off from his architecture job during the global financial crisis. Facing an uncertain future, Flynn decided to take matters into his own hands and started exploring ways to generate income online.
He initially found success by creating a website called Green Exam Academy, which provided study materials for the LEED exam, an architecture industry certification. The site quickly gained traction, and Flynn realized the potential of passive income as he continued to earn money from the sales of his study materials even while he slept.In 2009, Flynn founded Smart Passive Income to share his experiences and teach others how to create their own online businesses. Through his blog, podcast, and various online courses, Flynn quickly became a trusted authority on digital entrepreneurship and passive income generation.Strategies for SuccessPat Flynn's success is rooted in several key strategies that he's consistently employed throughout his career. Some of these principles include:

Transparency: Flynn has always been open about his successes and failures, sharing detailed income reports and case studies with his audience. This level of transparency has helped him build trust and credibility with his followers.
Diversification: Flynn emphasizes the importance of diversifying income streams to protect against economic downturns or changes in consumer preferences. His own businesses reflect this, with income sources ranging from affiliate marketing and digital products to online courses and speaking engagements.
Providing Value: Flynn is a firm believer in the idea that providing value to your audience is the key to long-term success. Through high-quality content and a genuine desire to help others, Flynn has cultivated a loyal following that continues to support his ventures.
Continuous Learning: Flynn attributes much of his success to his commitment to learning and adapting to the ever-changing digital landscape. He regularly invests in his own education and encourages others to do the same.

Over the years, Smart Passive Income has become a go-to resource for aspiring digital entrepreneurs. Pat Flynn's relatable story and clear, actionable advice have helped thousands of individuals create their own passive income streams and achieve financial independence. Flynn's influence extends beyond his website and podcast, as he has also authored books, spoken at conferences, and collaborated with other industry experts.In addition to inspiring others, Flynn's work has helped shape the digital marketing industry as a whole. His commitment to transparency and ethical marketing practices has set a standard for others to follow, fostering a more honest and authentic online business environment.
Enjoy our conversation with Pat Flynn.
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IFH 671: How I Built a Blockbuster Career Off of an Indie Film with Craig Brewer Apr 04, 2023

Craig Brewer (Director/Producer) began his career as a filmmaker in Memphis, Tennessee. While working at Barnes & Noble, he learned camera and editing techniques from books he purchased with his employee discount. In 2000, he made his first feature film, THE POOR & HUNGRY, which won Best Digital Feature at the 2000 Hollywood Film Festival. Brewer’s second film, HUSTLE & FLOW, starring Terrence Howard and Taraji P. Henson, was produced by Stephanie Allain and the late John Singleton. The film premiered at the 2005 Sundance Film Festival, winning the Audience Award for Best Feature. The film secured a record-breaking acquisition deal by Paramount Pictures and MTV Films. It garnered an Academy Award nomination for lead actor Terrence Howard and won the Academy Award for Best Original Song: Three 6 Mafia’s "It’s Hard Out Here for a Pimp." Brewer’s third film, BLACK SNACK MOAN, starred Samuel L. Jackson, Christina Ricci, and Justin Timberlake. The film premiered at the 2007 Sundance Film Festival and was released in theaters by Paramount Pictures.
In 2011, Brewer directed the remake of FOOTLOOSE for Paramount and produced the concert documentary KATY PERRY: PART OF ME. Moving into Television, Brewer directed the pilot to TERRIERS, which ran for one season on FX. He then re-teamed with Terrence Howard and Taraji P. Henson, directing ten episodes on their hit TV series, EMPIRE. In 2018, Brewer began his collaboration with Eddie Murphy on two films. The first, DOLEMITE IS MY NAME, based on the life of Rudy Ray Moore, won The Critic’s Choice Award for Best Comedy, an NAACP Award for Best Independent Film, and earned Eddie Murphy a Golden Globe Nomination for Best Actor.
Next was the highly anticipated sequel, COMING 2 AMERICA. The film was produced by Paramount and released by Amazon Studios in 2020, becoming the most streamed movie for Amazon ever.
Enjoy my conversation with Craig Brewer.
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MONDAY MOTIVATION!: You Are What You Believe In Apr 03, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
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IFH 670: How I Made $193M Off My Micro-Budget Film with Oren Peli Mar 30, 2023

Oren Peli, an Israeli-American film producer, director, and screenwriter, is the creative genius behind the horror sensation Paranormal Activity. The movie single-handedly revolutionized the found-footage genre and spawned a successful franchise, all while being produced on a shoestring budget. In this article, we explore Peli's background, the making of Paranormal Activity, and its immense impact on the horror film industry.Oren had always been fascinated by the world of movies.
After moving to the United States in his early twenties, Peli initially worked as a software programmer. However, his passion for films remained undiminished, and he soon turned his attention to filmmaking. With no prior experience, Peli embarked on an ambitious journey and created a movie that would leave a lasting impact on the horror genre.
Enjoy our conversation with Oren Peli.
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IFH 669: The Secrets of Story with Matt Bird Mar 28, 2023

You’ve just boarded a plane. You’ve loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him–in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story.We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller.So how can you write a story that audiences will embrace?
The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn’t want to hear it.Today's guest Matt Bird can help you. He is a screenwriter and the author of the best-selling book The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers.
The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these:• Concept: Is the one-sentence description of your story uniquely appealing?
• Character: Can your audience identify with your hero?
• Structure and Plot: Is your story ruled by human nature?
• Scene Work: Does each scene advance the plot and reveal character through emotional reactions?
• Dialogue: Is your characters’ dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds?
• Tone: Are you subtly setting, resetting, and upsetting expectations?
• Theme: Are you using multiple ironies throughout the story to create meaning?
To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both–and so much more–with The Secrets of Story.I dig into Matt's story system and breakdown the secrets of story.
Enjoy my conversation with Matt Bird.
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MONDAY MOTIVATION!: Why Filmmaking Goals Suck? Mar 27, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
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IFH 668: Creating the Ultra-Violent World of John Wick with Derek Kolstad (CROSSOVER) Mar 23, 2023

Today we have a special CROSSOVER episode of the IFH Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise.
An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.
He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.
I wanted to bring this amazing episode to the IFH Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.
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IFH 667: From Short Film Script to Spielberg with Sacha Gervasi Mar 21, 2023

Being a podcaster now for over 600 episodes I've heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today's guest story is easily one of the most incredible and entertaining origin stories I've ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi. Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage. Unlike most writers/directors who go on to produce their debut films, Gervasi’s 1993 entry project wasn’t made until just three years ago.
I promise you, Sacha spills every detail of the fascinating story of his encounter with Hervé Villechaize, the famous little person from shows like Fantasy Island and films like James Bond's The Man with the Golden Gun. Hervé was arguably one of the most famous people in the world in the late '70s and early 80's. Sacha sat with Herve in a marathon interview, and the connection they forge during their brief, yet impactful meet.[presto_player id=154803]After his life-changing encounter with the Fantasy Island star, which followed Hervé's abrupt and unfortunate suicide, Sacha was determined to get his story told in its entirety and justifiably. He ditched his mid-level journalism job in England and moved to Los Angeles to attend film school at UCLA after developing the script for My Dinner with Herve. While on the climb-up, Sacha wrote screenplays for The Big Tease (1999) and The Terminal (2004) which was directed by Steven Spielberg and starred Tom Hanks. The comedy-drama film grossed $219.4 million at the Box office with a $60 million budget and has become a holiday classic in the UK.Tom Hanks played an Eastern European tourist who unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there because he is denied entry into the United States and at the same time is unable to return to his native country because of a military coup.
In 2008, Sacha made his documentary directorial debut and executive produced Anvil! The Story of Anvil. The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.
He also directed the 2012 film Hitchcock, a story about the relationship between Alfred Hitchcock and his wife, Alma Reville during the filming of Psycho (1969). It starred Anthony Hopkins, Helen Mirren, and Scarlet Johansson.
I also interviewed Sacha and an old friend of his, Iron Maiden heavy metal band singer, Bruce Dickinson on my new podcast, Next Level Soul that you have to catch up with if you are down for more knowledge bombs and cool stories from Sacha. That episode comes out on Saturday. Here's a bit on my new podcast Next Level Soul.The Next Level Soul Podcast is a self-help & spirituality podcast that asks the big questions about living and thriving in the world today by having candid and inspiring conversations with thought leaders from every walk of life. The show covers inspirational, motivational, spiritual, health-oriented, yoga, meditation, wellness, and many more topics. New episodes of Next Level Soul air every Saturday anywhere you listen to podcasts. Let's take your SOUL to the next level.Sasha is such an interesting human being, I had such a ball talking with him. We talk about the film business, his origin stories, his screenwriting craft, what he's doing now, and so much more.
Enjoy my entertaining conversation with Sacha Gervasi.
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MONDAY MOTIVATION!: How To Get Over Your Filmmaking Fears Mar 20, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 666: Shazam! You WON'T Believe How David F. Sandberg Created This Blockbuster Film! Mar 14, 2023

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to YouTube in hopes of a big-time film producer sees it and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg.
David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring, and scary all at the same time. He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema.
The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about.When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out.The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie. After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box office with a $15 million budget.
Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.
The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash.David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world.
Enjoy my conversation with David F. Sandberg.
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BONUS EPISODE: OSCAR WINNERS! The Daniels Breakdown How they Made Everything, Everywhere, All at Once! Mar 13, 2023

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.
They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.
They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.
They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.
While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.
When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.
They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.
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MONDAY MOTIVATION!: Go Make Your Movie NOW! Mar 13, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 665: Secrets to Working Inside the Hollywood Machine with Boaz Yakin Mar 07, 2023

We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts.
His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.
In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.
But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.
Michael, nicknamed Fresh, is a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.
Next up for Boaz was directing the box-office smash. REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington). How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!
His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.
Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.
Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.
Enjoy this conversation with Boaz Yakin.
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MONDAY MOTIVATION!: Don't Let Your Filmmaking Spark Go Out! Mar 06, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 664: How to Create a Viable & Profitable Story Idea with Erik Bork Mar 02, 2023

Today on the show we have screenwriter and producer Erik Bork. Erik Bork is a screenwriter best known for his work on the HBO miniseries Band of Brothers, From the Earth to the Moon, for which he wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.
Erik has also sold series pitches (and written pilots) at NBC and FOX, worked on the writing staff for two primetime dramas, and written feature screenplays on assignment for companies like Universal, HBO, TNT, and Playtone. He teaches screenwriting for UCLA Extension, National University, and The Writers Store, and offers one-on-one consulting to writers.[
Why don’t most scripts have the kind of success their writers' dream of? Because of problems with the basic idea for their story. Which the writer is usually unaware of. While story structure and scene writing choices do need to be top-notch, writers tend to rush into those parts of the writing process too quickly, without vetting their basic concept.This is a mistake professional rarely make because their agents and managers insist that ideas be run past them first. And this usually leads to serious notes and development before the outlining process even starts.The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction form an acronym for the word PROBLEM, since every story is really about one, at its core.
Each chapter focuses on one of these seven deceptively simple-looking aspects of a strong story, which are anything but easy to master. Mr. Bork highlights his own struggles as a writer and his arrival at an understanding of how each of these elements works -- and how to know if one's idea really succeeds at each of them. A special section devoted to television writing (and its unique attributes) ends each chapter.Whatever your education and background in writing or story, this book and its unique focus contribute foundationally useful information not covered elsewhere -- which may be the missing piece that leads to greater results, both on the page and in the marketplace.
Enjoy my conversation with Erik Bork.
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BONUS EPISODE: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador Mar 01, 2023

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.
Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.
Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.
Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.
Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.
I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.
I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.
This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.
This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.
It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.
Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today.
Enjoy my conversation with Rene Amador.
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IFH 663: No Bullscript – Screenwriting Advice from the Executive’s Perspective with Danny Manus Feb 28, 2023

Today on the show we have an author, writer, and former studio development, Danny Manus. Danny parlayed his career as a development executive in Hollywood to becoming an in-demand script consultant and founder of No BullScript Consulting.
The author of No BS for Screenwriters: Advice from the Executive Perspective, which is now in its 2nd Edition, Danny was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine and was named one of Screencraft’s “25 People Screenwriters Should Follow on Twitter.”Danny has taken over 3000 pitches, written almost 250 articles on screenwriting for numerous websites and publications including ScriptMag, for which he is a columnist, and has been a judge for the PAGE Awards four years running. In this episode, I wanted to see what the perspective is from the other side of the desk.
Enjoy my conversation with Danny Manus.
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MONDAY MOTIVATION!: Why Filmmakers Need To Break The Rules Feb 27, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 662: The Coffee Break Screenwriter with Pilar Alessandra Feb 23, 2023

I've been trying to get today's guest on the show for months. Pilar Alessandra is an author, podcaster, and script consultant. She's the director of the popular writing program On The Page, author of The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time and host of the On the Page Podcast.Pilar started her career as Senior Story Analyst at DreamWorks SKG.
In 2001, she opened the Los Angeles-based On the Page Writers’ Studio dedicated to teaching and consulting with screenwriters and TV writers at all levels.An in-demand speaker, she’s taught seminars at DreamWorks, Disney Animation, ABC, CBS, and the AFM and has traveled the world teaching in the UK, China, Poland, Vietnam, Colombia, Portugal, and South Africa.
Pilar’s greatest accomplishment is the success of her students, many of whom have won top competitions such as the Nicholl Fellowship, are working on TV shows such as “The 100,” “Silicon Valley” and “Grey’s Anatomy,” and have sold feature films to major studios.
Enjoy my conversation with Pilar Alessandra.
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BONUS EPISODE: How Indie Film Super Troopers Made Millions with Jay Chandrasekhar Feb 22, 2023

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.
Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.
Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.
Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)
Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.
In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.
His new film is Easter Sunday.
Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).
Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.
Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault.
"When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”
Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."
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IFH 661: How to Make Money in TODAY's Indie Film with Jon Erwin Feb 21, 2023

In 2002, Jon Erwin founded a production company with his brother, Andrew. Their first ventures were commercials, documentaries, and music videos. The brothers soon were directing videos and producing concerts and television programs for platinum recording artists such as Amy Grant, Michael W. Smith, Casting Crowns, Switchfoot, Skillet, and others.
They received 11 GMA Dove Awards nominations and 3 wins for Music Video of the Year. Jon and Andrew have also produced and directed several documentaries, including the multiple award-winning 9/11 story, THE CROSS AND THE TOWERS. In 2010, Jon and Andrew began exclusively developing dramatic feature films. In August 2018, they partnered with Kevin Downs and Tony Young to launch Kingdom Story Company, in an exclusive partnership with Lionsgate, which creates life-changing content from a variety of talented storytellers.
Their features have all opened in the top-ten box office and they have received the coveted A+ CinemaScore® three times. Early hits include OCTOBER BABY, MOMS’ NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $86 million at the box office. Others include I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by the 2021 release of THE JESUS MUSIC, sharing the untold story of how Jesus Music transformed into the multi-billion-dollar industry of Christian Contemporary Music.
AMERICAN UNDERDOG followed in 2021, which told the story of NFL MVP and Hall of Famer, Kurt Warner. JOHNNY CASH: THE REDEMPTION OF AN AMERICAN ICON, is a documentary that details the true story of a music legend’s spiritual quest and releases Dec 2022. Their latest film, JESUS REVOLUTION based on The Jesus Movement that changed the course of history and comes to theaters Feb 2023.
Jon is also the author of the book Beyond Valor: A World War II Story of Extraordinary Heroism, Sacrificial Love, and a Race Against Time, which tells the amazing true story of his grandfather Red Erwin, who received the Congressional Medal of Honor in World War II. Beyond Valor was published in August 2020.
Enjoy my conversation with Jon Erwin.
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MONDAY MOTIVATION!: Don't DIE with Your Indie Film Inside of You Feb 20, 2023

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
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IFH 660: What Talent Agencies Look for in a Screenplay with Christopher Lockhart Feb 16, 2023

Today on the show we have award-winning producer, film executive, educator, and industry story analyst Christopher Lockhart. Christopher is renowned for his script editing acumen. He has read over 60,000 screenplays. He is also an award-winning filmmaker and member of the WGA, PGA, and the Television Academy.Chris got his start at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr.
He later moved to the venerable William Morris Agency, which merged with Endeavor to form WME. At WME Chris has worked on award-winning projects for A-list clients like Denzel Washington, Russel Crowe, and Rachel McAdams among others.
Chris branched off into film producing with the cult horror hit The Collector and its sequel The Collection, which opened in the top ten American box-office. He wrote and produced the award winning documentary Most Valuable Players, which was acquired by Oprah Winfrey for her network. Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller.
As an educator, Lockhart shares his talent and 30+ years of industry experience as an adjunct professor at Screenwriting program and at UCLA.His writing workshop The Inside Pitch was filmed for Los Angeles television and earned him an Emmy Award nomination.Chris and I also teamed up for a new webinar from IFH Academy called How to Become a Hollywood Script Reader from Industry Insiders HOW TO BE A HOLLYWOOD READER is a webinar focusing on the secrets of one of Hollywood’s most vital and mysterious jobs.
A reader evaluates screenplays and stories, practicing quality control through “coverage” – a written report that judges creative success. The reader wields huge influence that empowers Hollywood chiefs to greenlight film, television, and new media. This webinar examines the core components of coverage, how to write it, and provides tools and pro tips to navigate the reading profession – led by two preeminent Hollywood readers. By pulling back the curtain on this creative process, the webinar also gives writers, directors, actors, and producers a rare look inside the mind of those who decide the fate of their material.
Chris prioritizes emotionality and his client's character role and development ahead of the overall story solidity. He shared some tips for new writers, some lessons learned from bad scripts, what goes on behind the agency curtain and the blessing of untapping a story's best version from re-writes.
Enjoy my conversation with Christopher Lockhart.
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IFH 659: RAW Confessions of a Hollywood Blockbuster Screenwriter with Ted Griffin Feb 14, 2023

There's no con more satisfying and lucrative than finding a way to make a living as a screenwriter. And Ted Griffin is a man who knows a good con.Anyone who tried to follow the clever criminal head games he built into his screenplays for Ocean's 11 and Ridley Scott's Matchstick Men knows not to trust this guy - except when he talks about screenwriting, which he does with great humor and insight in this enlightening interview.
The conversation ranges from his early work on Ravenous and Ocean's 11 through the unexpected pitfalls of trying to direct his first film, Rumor Has It. He was scheduled to make his directorial debut with Rumor Has It..., for which he had written the original screenplay, but was replaced by Rob Reiner 12 days after principal filming began.He did a rewrite of the Ashton Kutcher film Killers. He moved into television by creating Terriers for FX. Griffin played Agent Hughes in The Wolf of Wall Street.
The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry.
Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.
To watch Ted Griffin's amazing episode go to The Dialog Series on IFHTV.
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MONDAY MOTIVATION!: When No One Believes in Your Filmmaking Dream Feb 13, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 658: My Script Can Beat Up Your Screenplay with Jeffrey Alan Schechter Feb 09, 2023

Today on the show we have million-dollar spec screenplay writer, director, showrunner, and author Jeffrey Alan Schechter. Jeff has been beating up stories for over twenty years. He is a WGA, WGC, Emmy, and BAFTA-nominated writer, a Gemini award-winning producer, director, and a million-dollar spec screenplay writer.Jeff’s first credits were in action films such as BLOODSPORT II, THE TOWER, and STREETKNIGHT. Turning to his love of family films, Jeff sold his spec screenplay LITTLE BIGFOOT to Working Title Films and then did a rewrite on THE AMAZING PANDA ADVENTURE for Warner Brothers which led to him working on DENNIS THE MENACE STRIKES AGAIN.
Jeff followed this with another rewrite, this time for Warner Brothers’ IT TAKES TWO. Following this, Jeff’s spec screenplay STANLEY’S CUP was bought by Walt Disney Pictures in a deal worth over a million dollars.Jeff next rewrote I’LL BE HOME FOR CHRISTMAS for the Walt Disney Company and wrote the TV movie BRINK! For the Disney Channel and for which he was nominated for the Writer’s Guild of America Award for Outstanding Television writing.
Jeff also wrote THE OTHER ME for the Disney Channel as well as BEETHOVEN’S 3RD for Universal Studios.[presto_player id=154698]In television, Jeff has written and executive story edited dozens of episodes for series such as THE FAMOUS JETT JACKSON, ANIMORPHS, MARTIN MYSTERY, TOTALLY SPIES, TEAM GALAXY, GET ED, FREEFONIX, DI-GATA DEFENDERS, HOT WHEELS BATTLE FORCE 5, and JANE AND THE DRAGON. He’s written both DTV productions for the Care Bears; JOURNEY TO JOKE-A-LOT and THE BIG WISH MOVIE, the latter for which he was nominated for a 2005 Writer’s Guild of Canada Award.
Jeff was an executive story editor and director on the Hit Discovery Kids/NBC series STRANGE DAYS AT BLAKE HOLSEY HIGH (aka BLACK HOLE HIGH) for which his work was nominated for two Emmy Awards for Outstanding Writing as well as a BAFTA Award for Best International Series.
Most recently, Jeff created and was the showrunner of the sci-fi procedural drama Stitchersfor Freeform which ran for three seasons and which took place in the proverbial ten minutes in the future.
In publishing, Jeff is a co-founder of the award-winning ebook publisher PadWorx Digital Media, and his book My Story Can Beat Up Your Story: Ten Ways to Toughen Up Your Screenplay from Opening Hook to Knockout Punch was published by Michael Wiese Books. Jeff is hip-deep in several other screenplays, television series, book projects, and software ventures. In his spare time, he’s married and has 4 kids.
Enjoy my conversation with Jeffrey Alan Schechter.
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IFH 657: Audience•ology: Hollywood's Best Kept Secret to Make Money with Kevin Goetz Feb 07, 2023

Kevin Goetz has been at the center of what Hollywood calls the ‘movie research’ industry for more than thirty years and his position in the entertainment world is quite unique. Named one of the most powerful and influential people in Southern California by The Los Angeles Times Magazine, Goetz became one of the leading advisors, researchers, and focus group moderators over two decades before starting his own firm, Screen Engine/ASI out of his living room.
Today, his research firm is a multi-million-dollar company that employs over 300 people worldwide where he works alongside the major film studio chiefs, decision-makers, network and streaming platform executives. The insights produced by his firm touch every aspect of entertainment and television content creation from selection, acquisition, casting, and production, to post-production, marketing, and distribution.
Goetz recently wrote the book, Audience•ology: How Moviegoers Shape the Films We Love about an important aspect of his business—audience test screenings. His podcast, Don’t Kill the Messenger, brings this book to life with filmmaker interviews discussing filmmaking, their films, and how audiences have impacted their final cuts.
Goetz has also produced twelve movies and brings both a marketing and filmmaking perspective to the interpretation of his research analysis. Kevin Goetz is a member of the Academy of Motion Picture Arts and Sciences and several other distinguished organizations including the Television Academy and the Producers Guild of America. He is a board member of five charitable organizations as part of his philanthropic endeavors and resides in Beverly Hills with his husband, Neil, and their labradoodle, Kasha.
Please enjoy my conversation with Kevin Goetz.
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MONDAY MOTIVATION!: Never Stop the Filmmaking Hustle! Feb 06, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 656: Confessions of a Million Dollar Screenwriter with Diane Drake Feb 02, 2023

Today on the show, we have million-dollar screenwriter Diane Drake. Her produced original scripts include ONLY YOU, starring Robert Downey, Jr. and Marisa Tomei, and WHAT WOMEN WANT, starring Mel Gibson. Her original script for ONLY YOU sold for $1 million, and WHAT WOMEN WANT is the second highest-grossing romantic comedy of all time (Box Office Mojo).
In addition, both films have recently been remade in China, featuring major Chinese stars. And WHAT WOMEN WANT has recently been remade by Paramount Pictures as WHAT MEN WANT, with Taraji Henson starring in the Mel Gibson role.Diane, who is a member of the Wr iters Guild of America, recently authored her first book, Get Your Story Straight, a step-by-step guide to writing your screenplay.
She has taught screenwriting through UCLA Extension Writers’ Program and now offers story consulting and her own guided online course via her website.Diane has also been a speaker/instructor for The Austin Film Festival, the Atlanta Film Festival, the Rocaberti Writers Retreat in Dordogne, France, the American Film Market, Scriptwriters Network, Phoenix Screenwriters Association, Stowe Story Labs, Romance Writers of America, Oklahoma Writers Federation, University Club, Storyboard Development Group and the Writers Store, among others; and a judge for the Humanitas Prize, the Austin Film Festival and the UCLA Writers Program.
In this episode, we get into the nitty-gritty of being a screenwriter in Hollywood. Diane is very open about her experiences, the good and the terrible. If you want to be a working screenwriter in Hollywood, then get ready to take notes.
Enjoy my eye-opening conversation with Diane Drake.
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IFH 655: Oscars®, Zombies, James Bond and Tom Hanks with Marc Forster Jan 31, 2023

Marc Forster is a German-born filmmaker and screenwriter. He is best known for directing the films Monster's Ball (2001), Finding Neverland (2004), Stay (2005), Stranger than Fiction (2006), The Kite Runner (2007), Quantum of Solace (2008), and World War Z (2013).
His breakthrough film was Monster's Ball (2001), in which he directed Halle Berry in her Academy Award-winning performance; the film also starred Billy Bob Thornton, Heath Ledger, and Peter Boyle. His next film, Finding Neverland (2004), was based on the life of author J.M. Barrie. The film was nominated for five Golden Globe Awards and seven Academy Awards, including Best Picture and Best Actor for Johnny Depp.
Forster also directed the twenty-second James Bond film, Quantum of Solace. In 2013 he directed the film adaptation of the novel World War Z, starring Brad Pitt.His latest film is the remarkable A Man Called Otto.
Based on the # 1 New York Times bestseller “A Man Called Ove,” A Man Called Otto tells the story of Otto Anderson (Tom Hanks), a grump who no longer sees purpose in his life following the loss of his wife. Otto is ready to end it all, but his plans are interrupted when a lively young family moves in next door, and he meets his match in quick-witted Marisol. She challenges him to see life differently, leading to an unlikely friendship that turns his world around.
A heartwarming and funny story about love, loss, and life, A Man Called Otto shows that family can sometimes be found in the most unexpected places. A Man Called Otto stars Tom Hanks (Philadelphia, Forrest Gump, Cast Away), Mariana Treviño (Club the Cuervos), Rachel Keller (Fargo) and Manuel Garcia-Rulfo (The Magnificent Seven). The screenplay is written by Academy Award® nominee David Magee (Best Adapted Screenplay, Life of Pi, 2012; Best Adapted Screenplay, Finding Neverland, 2004) based upon the best-selling novel “A Man Called Ove” by Fredrik Backman, and the film A Man Called Ove by Hannes Holm. The film is being produced by Fredrik Wikström Nicastro, Rita Wilson, Tom Hanks, and Gary Goetzman.
Enjoy my conversation with Marc Forster.
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MONDAY MOTIVATION!: What Have You Done Today to Make Your Dream Come True? Jan 30, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 654: The Neuroscience Behind Profitable Screenwriting & Filmmaking with Paul Gulino Jan 26, 2023

Today's guest is screenwriter Paul Gulino. Paul is the author of The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies.Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter.
In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script.
With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.Screenwriting, he says, isn't a craft you can learn from a book."The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work."There must be something to that. Or at least it's worked for screenwriter Paul Gulino.
Enjoy my conversation with Paul Gulino.
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BONUS EPISODE: The Brutal Truth About Making Indie Films with Daniel Sollinger Jan 25, 2023

Today on the show we have producer Daniel Sollinger. Daniel and I have fought in the same indie film trenches for years. I had the pleasure of working with him on multiple occassion over the past 1o years.He has a new film coming out called Clean, starring Academy Award® Winner Arian Brody.
Tormented by a past life, garbage man Clean (Adrien Brody) attempts a life of quiet redemption. But when his good intentions mark him a target of a local crime boss (Glenn Fleshler), Clean is forced to reconcile with the violence of his past. The film also stars Richie Merritt, Chandler Ari DuPont, Mykelti Williamson, RZA, Michelle Wilson, and John Bianco. It is written by Paul Solet and Adrien Brody. Clean, directed by Paul Solet, arrives in theaters, On Demand, and digital on January 28, 2022.Daniel and I discuss the brutal truth on producing and making indie films in today world.
The conversation is full of real-world stories, advice and lessons to help you on your path. Enjoy!!!
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IFH 653: Dropping Acid & Winning an Oscar® with Ghost Screenwriter Bruce Joel Rubin Jan 24, 2023

At age five, Bruce Rubin had a spiritual experience playing in a sandbox in the middle of the afternoon. The sun disappeared, and a dense night sky appeared in its place. Infinite galaxies were swirling in the vastness of his own head, and he sensed the entire universe was contained within him.
He knew instantly he was one with all there was. In the years that followed, Bruce became an Oscar-winning screenwriter, a spiritual teacher, and, most recently, a photographer. Each aspect of his life has been a conscious effort to explore and reveal what he learned in that sandbox.
Bruce was born in the middle of WWII and raised in Detroit, Michigan, the son of Sondra and Jimmy Rubin. He has a younger brother and sister, Gary and Marci. There was very little remarkable about him. He wanted to be an actor, writer, and director but had no talent to speak of.
In 1965 he took a massive (and accidental) overdose of LSD and began a journey that lasted between 3 and 4 billion years. When he returned, he knew he would have stories to tell. He also knew he needed to find a teacher, so he hitchhiked around the world for nearly two years in search of one.
After living in ashrams in India and in a Tibetan monastery in Kathmandu, he met his teacher Rudi in New York City just blocks from where he had begun his journey. Rudi taught a meditation practice that became the foundation for Bruce’s spiritual life. He has meditated every day since.
Bruce’s screenwriting career began late in his life. Earlier, he had been an assistant film editor for the NBC Nightly News and Curator and Head of the Film Department at the Whitney Museum in New York. When Rudi died, Bruce gave up his museum career to continue his spiritual practice with a disciple of Rudi’s in Bloomington, Indiana.
While there, he was also writing movies, twice locking himself in a hotel room and refusing to emerge without a finished script. He also began teaching meditation to an expanding community of fellow seekers and continues holding classes to this day.
After 44 years of daily meditation, Bruce experienced what is referred to as a spiritual awakening. For him, it was a revelation that no one could awaken. The illusion of a separate ego dissolved and left him in a state of extraordinary emptiness and inexplicable expansion. It was a profound step in a journey that began in a sandbox and continues to this moment.
Bruce continues to share his evolving experience with his students. His talks can be found on YouTube and on his site. Recently, he also discovered photography as an unexpected opportunity for communicating his spiritual vision.
The result of always having an iPhone in his pocket, he describes this new phase in his creative life as the discovery of seeing. As Bruce explains, “The mystery and magic of the world are not hidden. It is under our feet, on old walls, and in rusting garbage cans. The beauty, the wonder, never ends.”
Please enjoy my conversation with Bruce Joel Rubin.
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MONDAY MOTIVATION!: What You Really Need To Make An Indie Film Jan 23, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 652: Writing for Emotional Impact (Audiobook Preview) Jan 19, 2023

In this episode, you get a FREE PREVIEW of the IFH Books release of Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End by Karl Iglesias. Enjoy!
When reading a story, there are three kinds of feelings: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, which requires writing that engages the reader emotionally.In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes.
Now, he breaks new ground by focusing on the psychology of the reader.Based on his acclaimed classes at UCLA Extension, Writing for Emotional Impact goes beyond the basics and argues that Hollywood is in the emotion-delivery business, selling emotional experiences packaged in movies and TV shows.Karl not only encourages you to deliver emotional impact on as many pages as possible, he shows you how, offering you hundreds of dramatic techniques to take your writing to the professional level.In this audiobook, you will learn:

Over 40 techniques to humanize a character for instant empathy
The seven essential storytelling emotions
Over 70 techniques to create them
Over 50 ways to craft powerful scenes, including the emotional palette
Over 30 techniques to shape your words and energize your narrative description
The most common dialogue flaws and fixes for each
Over 60 techniques to craft dynamic dialogue that snaps, crackles, and pops off the page

Not only does Karl Iglesias "get" emotion, but he also shares insider secrets for moving the reader from tears to laughter and everywhere in between.
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BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp Jan 18, 2023

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.
Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.
Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.
If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.
In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.
District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.
In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.
In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.
As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.
The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.
By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.
As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.
He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.
Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.
IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.
Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.
Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.
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IFH 651: How to Avoid Cliché Genre Story Plots with Chris Vander Kaay Jan 17, 2023

Have you ever thought to yourself as you were watching a movie"I've seen this somewhere before."Well, today's guest Chris Vander Kaay, breaks down the formulaic and predictable glory that is Hollywood filmmaking and how to avoid it.
His new book Spoiler Alert!: The Badass Book of Movie Plots: Why We All Love Hollywood Cliches takes 38 mainstream movie genres, from ‘Teen Sex Comedy’ and ‘Buddy Action Comedy’ to ‘Film Noir Detective Thriller’ and ‘Alien Invasion Thriller’, and through detailed illustrations reveals what makes them so hilariously recognizable: the key lines of dialogue, the essential visuals, the crucial characters and the indispensable cast, scenes, and props.
So grab some popcorn and buckle up for a laugh-out-loud ride through the wonderful world of cliché!
Please enjoy my conversation with Chris Vander Kaay.
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MONDAY MOTIVATION!: What Is Your Filmmaking Story? Jan 16, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 650: Winning Oscar® & Changing Television History with Alan Ball Jan 12, 2023

Academy and Emmy Award-winning writer/director/producer Alan Ball is among our generation’s most important creative voices. Born in Atlanta, Ball studied Theatre Arts at Florida State University. In March 2000, AMERICAN BEAUTY, Ball’s first screenplay to get produced, won five Academy Awards, including Best Picture and Best Original Screenplay.Ball went on to create and executive produce the groundbreaking HBO drama SIX FEET UNDER. The series ran for five seasons and received two Golden Globes, six Emmys, and an Emmy and DGA Award for Ball’s direction of the pilot.
Ball made his feature film directorial debut with TOWELHEAD, distributed by Warner Independent Pictures. In 2008, Ball continued his successful collaboration with HBO by creating and executive producing the series TRUE BLOOD.The series received two Golden Globe nominations for Best Television Drama Series, as well as an Emmy nomination for Outstanding Drama Series, a Producer’s Guild nomination, and a Grammy soundtrack nomination for Ball.
Then, in 2018, he created, and executive produced HERE AND NOW for HBO. Most recently, in 2020, Ball wrote, directed, and produced UNCLE FRANK for Amazon Studios, which was nominated for an Emmy.
Please enjoy my conversation with Alan Ball.
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BONUS EPISODE: Slacker, Indie Cinema & How to Become a Filmmaker with Richard Linklater & Katie Cokinos Jan 11, 2023

Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today.
We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.
If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.
The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.
One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.
Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.
Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.
His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.
Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.
Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.
Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.
So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.
Enjoy my conversation with Richard Linklater and Katie Cokinos.
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IFH 649: First-Time Filmmaking, Oscars & Netflix with Scott Copper Jan 10, 2023

Scott Copper (Director, Screenwriter, Producer) made his feature film directorial debut in 2009 with Fox Searchlight’s Oscar-winning CRAZY HEART, which he also wrote and produced. The film, which starred Jeff Bridges, Maggie Gyllenhaal, Colin Farrell and Robert Duvall, earned three Academy Award nominations, winning for Best Actor (Bridges) and Best Original Song (T Bone Burnett and Ryan Bingham). Cooper won an Independent Spirit Award for Best First Feature and earned WGA, USC Scripter and Independent Spirit Award nominations, for his screenplay.
Cooper’s follow-up was the Leonardo DiCaprio/Ridley Scott-produced OUT OF THE FURNACE, starring Christian Bale, Woody Harrelson, Casey Affleck, Zoë Saldana, Forest Whitaker and Sam Shepard. For his work as writer, director and producer, Cooper won the Best Debut and Second Film Award at the 2013 Rome Film Festival, where he was also nominated for a Golden Marc’Aurelio Award. Next was Cooper’s 2015 Warner Bros. gangster film BLACK MASS, which Cooper both directed and produced and which made its worldwide debut at the Venice International Film Festival.
The box-office hit garnered wins from critics associations across the country, and earned lead actor Johnny Depp the Desert Palm Achievement Award at the Palm Springs International Film Festival, as well as a Best Actor nomination from the Screen Actors Guild. In 2017, Cooper’s western epic HOSTILES debuted at both the Telluride Film Festival and Toronto International Film Festivals, earning widespread critical acclaim. The film reunited Cooper with his OUT OF THE FURNACE star Christian Bale and featured performances from Rosamund Pike, Wes Studi, Jesse Plemons, Rory Cochrane and Ben Foster. Cooper followed this up with ANTLERS, an exploration of yet another genre in the Guillermo Del Toro-produced horror film. Searchlight released the film to acclaim in October 2021.
Most recently, Cooper re-teamed for the third time with Bale on THE PALE BLUE EYE, an adaptation of Louis Bayard’s novel of the same name. The film tells the story of a series of murders at the United States Military Academy at West Point in 1830 and a cadet the world would later come to know as Edgar Allan Poe. Robert Duvall, Gillian Anderson, Timothy Spall, Toby Jones and Harry Melling round out the cast. The Netflix film will debut in Fall of 2022. Born in Virginia, Cooper now resides in Los Angeles.
Please enjoy my conversation with Scott Copper.
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MONDAY MOTIVATION!: Stop Making Excuses, Make Your Film! Jan 09, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 648: From Indies to Producing Oscar® Winners with Cassian Elwes Jan 05, 2023

Cassian Elwes began his producing career with 1984's Oxford Blues, starring Rob Lowe and Ally Sheedy, and has enjoyed continuing success in film. His earlier roles include Men at Work with Emilio Estevez and Charlie Sheen, The Chase with Charlie Sheen, Kristy Swanson, and Henry Rollins, and The Dark Backward with Judd Nelson, Bill Paxton, and Rob Lowe.
In 1989 he produced the independent film Never on Tuesday, which featured a cast of cameos including Charlie Sheen, Emilio Estevez, Judd Nelson, Nicolas Cage, and Cary Elwes.The Hollywood Reporter has said that Elwes was "involved in a virtual who's who of every great independent film of the last ten years." with films such as Thank You for Smoking, Half Nelson, and Frozen River (the last two of which garnered Oscar nominations for Ryan Gosling and Melissa Leo, respectively)."What people lose sight of," Elwes said to Screen International, "is that these films cost a tenth of the films that they competed against at the Academy Awards.
The privilege was the recognition." Elwes is an expert in the field of arranging financing and distribution for independent films, having done so for 283 films during his tenure at William Morris Independent.
Since leaving William Morris Independent, Elwes has been involved in arranging financing and distribution for 23 films, including Lawless, directed by John Hillcoat (The Road), starring Shia LaBeouf and Tom Hardy, and the thriller The Paperboy, directed by Lee Daniels (Precious), starring Matthew McConaughey and Zac Efron.Elwes produced the period drama The Butler, which was directed by Lee Daniels and featured an ensemble cast, including Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda, Terrence Howard, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Robin Williams, among others.
He also produced Dallas Buyers Club starring Matthew McConaughey and Jennifer Garner, Ain't Them Bodies Saints starring Rooney Mara, Casey Affleck, Ben Foster, and Hateship, Loveship starring Kristen Wiig, Guy Pearce, Hailee Steinfeld, and Nick Nolte.On 29 October 2013, Elwes launched the Cassian Elwes Independent Screenwriter Fellowship, in conjunction with The Black List, to award one writer an all-expenses-paid trip to the 2014 Sundance Film Festival and mentorship from Elwes. Elwes and The Black List plan to award the fellowship annually.
Please enjoy my conversation with Cassian Elwes.
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BONUS EPISODE: Shooting for the Mob - Listen to First Four Chapters Jan 04, 2023

After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,
"If I'm going to write this I have to tell the entire story, warts and all."
The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.
As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.
Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!
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IFH 647: Screenwriting Confidential – Inside the Dark World of the Script Reader with Deepthroat Jan 03, 2023

Have you ever wanted to know what happens behind the scenes at Hollywood's major production companies and studios? How do new screenplays get read, approved and pass on by the script reader? What are the politics behind the scenes that make it almost impossible for a screenplay to make it through the Hollywood System?
Today on the show, we have a former development executive, current script coverage reader, and professional screenwriter. He asked to remain anonymous, so I just refer to him as Deepthroat. Yes, I know that's a bit on the nose, but we both thought the Cloak and Dagger angle would be funny. He is a screenwriter that has worked in both television and features, a sought-after script doctor (he's worked on some MAJOR studio films), and a script coverage specialist.Deepthroat spills the beans on the inner workings of some of the biggest studios in Hollywood. He discusses how an idea he presented to his boss years ago was once stolen from him within the system and was turned into a successful property and shares tips on how to impress those studio readers that are the gatekeepers to getting your screenplay sold and produced.He is one of the amazing script coverage specialists I have worked with at Bulletproof Script Coverage.
Deepthroat agreed to do this interview to help screenwriters try to break into the business. He's tired of seeing so many talented writers get eaten up by the system.The information in this interview is raw and real and will give you a much clearer idea of what happens behind the scenes in Hollywood. If you enjoy this episode, please share it with as many screenwriters and filmmakers as you can. We need to get this information out there.
Enjoy my revealing conversation with DEEPTHROAT.
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MONDAY MOTIVATION!: What is Your Filmmaking Brand? Jan 02, 2023

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 646: Bulletproof: Writing Scripts that Don’t Get Shot Down David Diamond and David Weissman Dec 29, 2022

Today on the show, we have screenwriters David Diamond and David Weissman. Their credits include studios' movies like Family Man, Evolution, Old Dogs, and When in Rome. We discuss their adventures in the screenwriting trade, working with studios, and their new book Bulletproof: Writing Scripts that Don't Get Shot Down.
The team of Diamond and Weissman has been writing movies and mentoring filmmakers for decades. In this practical guide, they take the aspiring writer by the hand and guide them through the logistics and tools of writing an attention-grabbing, audience-pleasing screenplay. Readers will learn the interests and needs of managers, agents, producers, executives, financiers, directors, and actors. Diamond and Weissman attribute their phenomenal success to a career-long focus on the motives and priorities of film sponsors and benefactors.
Whether it’s a theatrical release or a streaming movie, a major, big-budget tent pole, or an intimate, character-driven indie drama, Diamond and Weissman apply their time-tested approach. This fresh way of thinking will resonate with writers, industry professionals, and cinephiles excited to peek under the hood at what makes their favorite films tick.Bulletproof: Writing Scripts that Don't Get Shot Down is the rare screenwriting instructional penned by authors with both massive credits and decades of business experience.
Enjoy my conversation with David Diamond and David Weissman.
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BONUS EPISODE: Clerks, Sundance & Making $500 Million at the Box-Office with Scott Mosier Dec 28, 2022

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories come to life.
We have 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.
From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.
Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit they followed up with the embattled Mallrats. The film was not well received and did no money at the box-office. Kevin and Scott were essentially discarded and called a one hit wonders. For most filmmakers that would be all she wrote but not for Kevin and Scott.
They decided to go back to their roots and make another low budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.
After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.
Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.
Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.
I had ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane and much more.
Enjoy my conversation with Scott Mosier.
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IFH 645: Directing as a Team & NOT Killing Each Other with Vanessa & Joseph Winter Dec 27, 2022

Vanessa and Joseph Winter are a writer/director duo best known for their critically acclaimed SXSW midnighter “Deadstream,” a horror comedy coming to Shudder in October. They also wrote and directed a segment of the highly anticipated V/H/S/99 which will have its world premiere at the Toronto International Film Festival.
Their feature debut, Deadstream, has been getting rave reviews since it debuted at SXSW (it’s at 91% on Rotten Tomatoes). The film is about a disgraced internet personality who tries to win back followers by live-streaming himself alone at a haunted house. The whole thing takes place in real-time and is a found-footage style film with the bonkers horror-comedy feel of early Sam Raimi. It’s a funny satire of social personalities and a creepy, supernatural flick. It impressively balances the mixture of tones.
They also have a segment in the latest entry to the V/H/S/ series, V/H/S/99. It premiered at TIFF, with many critics citing their segment “To Hell And Back” as a highlight. Like Deadstream, it mixes horror with comedy and is filled with horrific, practical creatures.Vanessa and Joseph met in film school and have worked together ever since. Before shifting to focus on writing/directing/acting, the duo cut their teeth doing everything from art direction to score composition to costumes to production design to editing. They have an interesting story about getting these projects off the ground that feels like a great fit for the podcast. Joseph also listens to Indie Film Hustle and was excited to be part of the show!
Please enjoy my conversation with Vanessa & Joseph Winter.
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MONDAY MOTIVATION!: If Your Filmmaking Career is Going Nowhere Dec 26, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 644: From Synopsis to Subplots – The Secrets of Screenwriting Revealed with Geoffrey Calhoun Dec 22, 2022

Today's guest is screenwriter Geoffrey D. Calhoun. Geoffery is the author of the #1 best-selling screenwriting book The Guide For Every Screenwriter: From Synopsis to Subplots: The Secrets of Screenwriting Revealed.Screenwriting made simple. The Guide for Every Screenwriter is one of the most efficient instruction manuals on the craft. This book cuts past the verbose film school expository, and gets straight to work, delivering sample-driven outlines and templates that anyone can follow. It is quick to apply to your work and serves as a side-by-side checklist for the writing process. This is the book for anyone looking to write a screenplay and for any professional needing a refresher. Whether you are learning how to write a screenplay or are a veteran screenwriter, this is the perfect tool for you. This book reveals the mysteries of screenwriting from concept development, subplots, to format and beyond by using easy to follow templates and examples.Geoffrey D. Calhoun (Heroes from Heaven - S.O.S. - Lily) is the founder of WeFixYourScript.com where he and his team mentor indie filmmakers and support them with all aspects of screenwriting from concept to development, polishing a script, one on one consultation, and even write for hire. Geoffrey is a multi-award-winning screenwriter and is sought out as a script consultant and a re-writer for various stages of development and production. He is the director of the Script Summit Screenplay Contest which is listed as one of the biggest Screenplay Competitions by The Script Lab.He is known for his fast-paced thrillers but has also won awards for comedies and dramas. He has received honors in several film festivals and contests including the Louis Mitchell Award for Excellence in Writing. In 2017 Geoffrey was listed as a Top 100 Indie Writer in the World. He believes everyone is a writer at heart and has dedicated himself to help others learn the craft. His seminars are designed to break down the mysteries of screenwriting by using easy to follow templates, outlines, and modern popular films as examples.Enjoy my inspirational conversation with Geoffrey D. Calhoun.
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BONUS EPISODE: Rise of the Filmtrepreneur - Listen to Two Chapters for FREE! Dec 21, 2022

CHRISTMAS BONUS:
My book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business has become an Amazon Best Seller. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.
Here's a bit of what Rise of the Filmtrepreneur has to offer:
It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®.
In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.
Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book.
Enjoy and VIVA LA REVOLUTION!
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IFH 643: Directing the #1 Christmas Film on Netflix with Janeen and Michael Damian Dec 20, 2022

Michael Damian is an award-winning actor, singer, director, writer, and producer. He first gained recognition for his 18-year run in the role of rock star Danny Romalotti on the #1-rated daytime television drama, THE YOUNG AND THE RESTLESS. On the stage front, Damian starred as “Joseph” in the Broadway production of the Andrew Lloyd Webber/Tim Rice musical JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, which broke box office records in both Los Angeles and on Broadway and earned Damian a Grammy nomination. In addition to his Broadway career, Damian has released five albums and has had eight Top 40 hits, including the smash single “Rock On,” which shot up the Billboard music charts landing at #1 and garnering Damian two gold records. Damian won the BMI Song-writing Award for his hit single, “Was It Nothing at All,” and has also written and produced songs for the soundtracks of A PRINCESS FOR CHRISTMAS, FLICKA 2, FLICKA: COUNTRY PRIDE, MARLEY & ME: THE PUPPY YEARS and SWEETER SIDE OF LIFE.
Damian has also enjoyed a prolific career behind the camera and has co-written/directed/produced 15 films and television movies. He is a filmmaking partner with his wife Janeen Damian and most recently co-wrote, directed and produced Hallmark’s #1 movie of the year for 2020, CHRISTMAS WALTZ. Some of his other recent credits include the feature film HIGH STRUNG FREE DANCE and its predecessor, HIGH STRUNG, Lionsgate’s holiday romantic comedy, A PRINCESS FOR CHRISTMAS, which starred Sir Roger Moore and Sam Heughan (Outlander) and launched Hallmark’s smash hit Princess Christmas franchise. Janeen Damian is an American writer, director, and producer of film and television. Together with her husband, Michael Damian she has made 15 feature films and TV movies. This year she co-wrote and produced the #1 add-supported cable movie of the year for 2020, CHRISTMAS WALTZ. She also co-wrote and produced the award- winning feature films HIGH STRUNG and HIGH STRUNG FREE DANCE which were released theatrically worldwide and distributed by Sony and Disney. Ms. Damian also co-wrote and produced A PRINCESS FOR CHRISTMAS starring Sam Heughan and Sir Roger Moore and distributed by Lionsgate and received Hallmark’s highest ratings for the year launching their original Christmas Princess franchise.
The Damians went on to co-write A ROYAL CHRISTMAS and A CROWN FOR CHRISTMAS. All three films air annually on Hallmark’s power rotation with continued high ratings. Some of Ms. Damian’s other Filmmaking credits include 20th Century Fox’s MARLEY & ME THE PUPPY YEARS and the popular reboot of the Flicka franchise, FLICKA 2 and FLICKA COUNTRY PRIDE starring Clint Black and MOONDANCE ALEXANDER, which starred Don Johnson and garnered Ms. Damian best screenplay honors at L.A. Femme Film Festival. She also co-wrote and produced THE SWEETER SIDE OF LIFE, starring Katherine Morris and James Best. LOVE BY DESIGN starring Jane Seymour and David Oakes, and the award-winning independent feature film HOT TAMALE starring Jason Priestly and Randy Spelling. She co-directed the TV Pilot RED EYE for France’s #1 television broadcaster, TF1. She also co-directed the award-winning film FINDERS KEEPERS starring James Best. The Damians went on to co-write A CROWN FOR CHRISTMAS and A ROYAL CHRISTMAS.
Damian also directed three films for 20th Century Fox: FLICKA 2, MARLEY & ME: THE PUPPY YEARS (which he also wrote), and FLICKA: COUNTRY PRIDE starring Clint Black. He directed, wrote, and produced the feature film MOONDANCE ALEXANDER, which was also released by 20th Century Fox, and romantic comedies SWEETER SIDE OF LIFE and LOVE BY DESIGN. Damian also co-wrote, directed, and produced the indie crime comedy HOT TAMALE and co-wrote and co-directed the television pilot Red Eye for France’s TF1 network, which he also starred in. Falling for Christmas is about a young, newly engaged heiress who has a skiing accident the days before Christmas. After she is diagnosed with amnesia, she finds herself in the care of the handsome cabin owner and his daughter.
Enjoy my conversation with Janeen and Michael Damian.
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MONDAY MOTIVATION!: What Are Filmmakers Afraid Of? Dec 19, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 642: Free Screenwriting Masterclass - The Anatomy of Story Genres with John Truby Dec 15, 2022

John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.
His new book, Anatomy of Genres, is NOW Available!
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers who want to succeed professionally must write the stories these businesses want to buy. Simply put, the storytelling game is won by mastering the structure of genres.
The Anatomy of Genres: How Story Forms Explain the Way the World Works is the legendary writing teacher John Truby’s step-by-step guide to understanding and using the basic building blocks of the story world. He details the three ironclad rules of successful genre writing and analyzes more than a dozen major genres and the essential plot events, or “beats,” that define each of them. As he shows, the ability to combine these beats correctly separates stories that sell from those that don’t. Truby also reveals how a single story can combine elements of different genres and how the best writers use this technique to craft unforgettable stories that stand out from the crowd.
Just as Truby’s first book, The Anatomy of Story, changed the way writers develop stories, The Anatomy of Genres will enhance their quality and expand the impact they have on the world.
Enjoy my conversation with John Truby.
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BONUS EPISODE: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay! Dec 14, 2022

I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.
I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.
From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.
Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!
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IFH 641: The Art of Being a Military Advisor on Set with Jariko Denman Dec 13, 2022

Jariko Denman was born in Washington DC and as a military brat grew up all over the world. In 1997 he enlisted in the US Army. After basic training and Airborne School he completed the assessment and selection process for the 75th Ranger Regiment and was assigned to the 2nd Ranger Battalion at Ft Lewis Washington. Jariko went on to serve in the Ranger Regiment for 15 and a half years. Jariko deployed to combat 15 times in Iraq and Afghanistan from 2002-2012 as a Weapons Squad Leader, Rifle Platoon Sergeant, and Ranger Company First Sergeant amounting to 54 months of total combat experience as part of a Joint Special Operations Task Force.
Jariko Retired from active duty in 2017 after four years as the Senior Military Science Instructor at St. John's University in New York City and now lives in Los Angeles. Since Retiring he has advised on several major motion pictures, national ad campaigns, and television series' as well as continuing to train and work within government and tactical industries.
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MONDAY MOTIVATION!: Dealing with Filmmaking Creative Fights Dec 12, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
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IFH 640: The Essentials of Screenwriting with Richard Walter Dec 08, 2022

Our guest today, is expert storytelling educator, author, and UCLA professor, Richard Walter--- bestselling author of Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. He recently retired as Professor and Interim Dean of the UCLA School of Theater, Film, and Television where, for more than forty years, he chaired the graduate program in screenwriting.
The amazing thing about Richard is he has been the instructor of some of the most amazing screenwriters in Hollywood history. A handful of them has been on the show, including Sacha Gervasi, Jim Uhls, the writer of Fight Club, and Paul Castro, just to name a few.
He's written scripts for major studios, television networks, and even wrote the earliest drafts of George Lucas's American Graffiti. Talking to Richard in this conversation was essentially sitting front row at a masterclass of storytelling and screenwriting.
It was an absolute treat talking to Richard. Not only has his work been appreciated in the US but in other parts of the world, conducting lectures in London, Paris, Jerusalem, Madrid, Rio de Janeiro, Mexico City, Beijing, Shanghai, Sydney, and Hong Kong.
He complains that L.A. has relentless good weather which he says, ‘Is not writing weather’, yet, in 1988, he released his first instructional book Screenwriting: The Art, Craft, and Business of Film and Television Writing (Plume). This was followed a decade later (2000) by his debut novel Escape from Film School, which tells the sprightly tale of a young man who makes it in Hollywood without ever leaving film school.
Richard is one of the few OG writers who have studied, and taught through the evolutive eras of screenplays and screenwriting in Hollywood. With his wealth of knowledge, he released his third and most recent book, Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing. In this one, he shares the secrets of writing and selling successful screenplays for aspiring screenwriters.
It contains highly coveted lessons and principles from Screenwriting with material from his companion text, The Whole Picture, and includes new advice on how to turn a raw idea into a great movie or TV script and sell it.
Besides his outstanding career, we chatted about his love for Spike Lee films, we talked about screenplay structuring and many more. It's been an absolute treat talking with Richard.
Enjoy this epic conversation with Richard Walter.
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BONUS EPISODE: FATMAN - Directing an Insane Christmas Classic with The Nelms Brothers Dec 07, 2022

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.
The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.
From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.
We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.
I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now. I can't tell you how fun it was talking to Ian and Eshom.
We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.
Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.
Enjoy my conversation with filmmakers Ian and Eshom Nelms.
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IFH 639: I Almost Died Making My Indie Film with Josh David Jordan Dec 06, 2022

Josh David Jordan is a Texas filmmaker, director, actor and artist. Starting off as an actor, He appeared in several feature films, as well as the sitcom, SCRUBS. He began to slowly transition myself behind the lens. Josh worked on MTV featured music videos for the Polyphonic Spree, Rhett Miller of the Old 97's and many more.
After premiering his short film, SAM AND GUS, and winning several film festival awards, along with audience awards, Josh decided to write and direct his first full length feature film, THIS WORLD WON'T BREAK, which won 14 film festival awards, received distribution, theatrical release, dvd and on every platform. Josh recently directed Joshua Ray Walkers hit single and directed the live spot on The Late Show with Jimmy Fallon. Currently in preproduction for the feature film El Tonto Por Cristo.
Enjoy my conversation with Josh David Jordan.
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MONDAY MOTIVATION!: The One Secret to Success in the Film Business Dec 06, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 638: The Business of Selling Story with Ken Atchity Dec 01, 2022

Today guest is author, publisher, and producer Ken Atchity. Ken recently produced the global blockbuster (Jason Statham) and is the founder of Story Merchant. Ken wrote the best-seller Sell Your Story to Hollywood: Writer's Pocket Guide to the Business of Show Business. I wanted Ken on the show to discuss the business side of screenwriting, a part of the industry that isn't spoken about enough. We also discuss the "story market."
Here some background on Ken.
In 1976, Atchity founded L/A House, Inc., a consulting, translation, book, television, and film development and production company whose clients included the Getty Museum and the US Postal Service. L/A House began by extending Atchity's teaching of creative writing to manuscript consultation and soon moved on to publishing with the production of Follies, a magazine covering creativity, and CQ: Contemporary Quarterly; Poetry and Art of which he was editor. In the 1980s L/A House moved into television, with a syndicated television pilot of BreakThrough! of which Atchity was executive producer and co-writer.
In 1985, L/A House began development of a set of video/TV romance film projects entitled Shades of Love, which became 16 full-length films, produced in 1986–87 with Atchity as executive producer, that aired throughout the world, distributed by Lorimar, Astral-Bellevue-Pathe, Manson International, and Warner Brothers International, nominated for Canada's Gemini Award; in the U.S. they premiered on Cinemax-HBO.
In 1989 he sold L/A House and founded AEI (Atchity Editorial/Entertainment International), a literary management and motion picture production company. Atchity sold Steve Alten’s Meg to Bantam-Doubleday at auction in a $2.2M deal; and then to Disney, partnered with Zide-Perry, for $1.2 (later, to Newline Pictures for a similar price). Incorporated in 1996, its name was changed to Atchity Entertainment International, Inc. in 2005.
In 2006, he and manager-partner Fred Griffin of Houston's Griffin Partners along with a group of investors from Louisiana and Texas, acquired The Louisiana Wave Studio, LLC in Shreveport, Louisiana from Walt Disney Productions. The LWS is the only tank specifically designed to make waves for motion pictures in North America. Films produced at the LWS include The Guardian, Mayday—Bering Sea, Shark Night 3D, Streets of Blood, and I Love You, Philip Morris; along with numerous government and industrial films.
In 2011 Atchity was nominated for an Emmy for producing The Kennedy Detail (Discovery) based on their clients' Jerry Blaine and Lisa McCubbin's New York Times bestselling book by the same title published by Gallery/Simon & Schuster in 2010. AEI's films include Joe Somebody (Tim Allen, Julie Bowen), Life Or Something Like It (Angelina Jolie, Edward Burns), and The MEG (Jason Statham).
In 2010, Atchity also founded Atchity Productions and Story Merchant.
Enjoy my conversation with Ken Atchity.
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BONUS EPISODE: How To Raise Money For Your Film In TODAY’S CRAZY World With Franco Sama Nov 30, 2022

Now let's get into today's AMAZING guest. We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.
Franco is a well of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.
Here's a bit about today's guest.
Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.
Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.
Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and "Paid" starring Corbin Bernsen and Tom Conti. Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.
His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.
In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).
This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.
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IFH 637: Lighting for David Fincher & Michael Mann with Erik Messerschmidt Nov 29, 2022

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery. He also is currently shooting Michael Mann’s biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher’s The Killer, starring Michael Fassbender and Tilda Swinton.
Previously, Messerschmidt shot Fincher’s passion project Mank, chronicling the screenwriter Herman Mankiewicz’s turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt’s meticulous and striking black and white recreation of the period’s aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.
In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher’s hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.
With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.
Enjoy my conversation with Erik Messerschmidt.
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MONDAY MOTIVATION!: Do You Have Filmmaking Street Knowledge? Nov 28, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 636: The RAW Truth About Screenwriting in Hollywood with Rick Najera Nov 24, 2022

Today on the show we have award-winning screenwriter, actor, director, producer, sketch comedian Rick Najera. Rick is also an author, playwright, coach and national speaker with an expansive portfolio of credits in all forms of entertainment.
From starring in films with Sidney Poitier, George Clooney and most recently Mario Lopez, to writing sketch comedy for Jim Carrey and Jamie Foxx, Najera is best known for starring on Broadway in his award-winning, self-penned stageplay, Latinologues, directed by comedy legend Cheech Marin. Najera is only one of three Latinos to ever write and star in their own play on Broadway.
As a screenwriter, Najera has written dozens of scripts for TV, film and the stage, starting out in the industry as a staff writer on the groundbreaking urban comedy series, In Living Color, for which he wrote more than 30 episodes. Najera went on to write for Townsend TV (10 episodes), MAD TV (47 episodes), East Los High – a Hulu original (21 episodes) and more.
He penned the feature film Nothing Like the Holidays starring Debra Messing, Alfred Molina, John Leguizamo and Luis Guzman, which won him an ALMA Award. Najera learned from great writers like Spike Lee, Quentin Tarantino and Scorsese to “write what you know’ and has been a pioneer in Hollywood telling his American experience, from a Latino perspective.
Rick and I discuss the raw truth about working in Hollywood, writing comedy, working with greats like Jim Carrey and Jamie Foxx and much more. This is a entertaining and informative episode. Get ready to take notes.
Enjoy my conversation with Rick Najera.
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BONUS EPISODE: Lighting the Biggest Films of All-Time with Dean Cundey A.S.C Nov 23, 2022

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.
Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween. Dean is credited as director of photography on five Back To The Future films and Jurassic Park.
The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place.
The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.
The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.
Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.
Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.
Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.
Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.
In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.
Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.
One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily.
We talk more about this in our chat.
Enjoy my conversation with Dean Cundey.
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IFH 635: From DIY Filmmaking to Directing Studio Films with Matt Stawski Nov 22, 2022

Matt Stawski is a Grammy-nominated filmmaker and director of Nickelodeon’s Blue’s Big City Adventure, an original feature-length Blue’s Clues & You! movie, premiering Nov. 18 exclusively on Paramount+. Marking Stawski’s first feature film, Blue’s Big City Adventure is a sing-and-dance-along musical spectacular for the whole family, featuring all-new songs and choreography with the show’s beloved hosts–Josh (Josh Dela Cruz), Steve (Steve Burns) and Joe (Donovan Patton)—and fan-favorite animated characters. The movie also features BD Wong, Ali Stroker, Taboo, Alex Winter, Phillipa Soo, and Steven Pasquale's special star appearances.
On A trip to New York City, Josh and Blue get help from Steve and Joe, but a greedy man plots to make the Big Apple his own, and he hasn't learned to share. With Blue on the trail, She must go on an adventure and save her friends and NYC before it's too late.
Born and raised in Detroit, Mich., Stawski began his career “borrowing” truckloads of gear from his local TV station and filming punk bands with his friends. After attending Columbia College Chicago, he immediately moved to Los Angeles, where he began directing music videos full-time. From 2006-2019, he directed videos for a wide array of artists, including CeeLo Green’s epic video “F**K You,” which garnered Stawski a Grammy Award nomination; “Hey, Soul Sister” for Train, as well as Fall Out Boy, The Wanted, Ne-Yo, Paramore, Fifth Harmony, Snoop Dogg and more. During that time, Stawski also began working in television, filming pilots for Awesomeness and Nickelodeon.
Stawski is currently in development on an original horror film titled Monster Mash with Universal Pictures. In his free time, he gets lost in the Sierra mountains, practices close-up magic, and hosts a secret horror movie drive-in at an undisclosed location.
Enjoy my conversation with Matt Stawski.
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MONDAY MOTIVATION!: Secret to Making Money as a Filmmaker Nov 21, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 634: Electric Boogaloo: The Wild, Untold Story of Cannon Films with Austin Trunick Nov 17, 2022

Austin Trunick is a Connecticut-based film historian and author of The Cannon Film Guide, a series of books about the beloved (and infamous) '80s b-movie studio, Cannon Films. He also serves as an editor for the nationally-distributed music and entertainment magazine.
Under the Radar. He has written about movies and pop culture for Mental Floss and Consequence of Sound.
Enjoy my conversation with Austin Trunick.
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BONUS EPISODE: The Complete Guide to NFT in Independent Film (and How to Make Money) Nov 16, 2022

So today we are going to go down the rabbit hole of NFTs. What the heck is an NFT. It is a Non Fungible Token. Basically, an NFT is a completely original digital file or a digital collectable which is registered on a blockchain ledger just like any cryptocurrency. But unlike cryptocurrency, like Bitcoin or Ethereum, an NFT is totally unique and because it lives on the blockchain it verifies who is the rightful owner of this one-of-a-kind digital collectable file.
In February 2021, digital artist Peebles sold a digital artwork for $69.3 million at auction. You heard correctly almost $70 million for a digital file. The founder of Twitter, Jack Dorsey, sold his very first tweet as an NFT for $2.9 million.
It took me a minute to understand what these things were and then it clicked. NFTs are digital baseball cards, comic books, Garbage Pail Kids or Pokemon cards. They are just a digital version and in many ways better because you know exactly how many copies exist.
The NBA is sell "moments" as NFTs through NBA Top Shots. Basically, they are selling highlight clips as NFT and they are killing it. Fans of the NBA are gobbling these NFTs as fast as they are released. I really think there is now one doing NFTs better than the NBA right now.
Musicians are having amazing success selling NFTs directly to their fans. This is turning the established music industry on its head. NFTs are essentially killing off the middle man. No more label, just a direct relationship with the artist's fans.
The other amazing thin about NFTs is that the artist continues to make money on every sale of the NFT forever. Let me explain. When an artist creates a NFT by minting it. Minting is the process of create the digital file (NFT) and placing it on the blockchain. The artist then sets the residual percentage every time the NFT sells.
So if I mint a short film and sell it for $500. I get $500. Now, if the new owner sells it 2 years from now for $10,000 I get 10% of that sale. Every time that NFT is resold I get my cut. All transactions transparent. All on the blockchain.
So how can filmmakers make money? There are so many options because NFTs are in their infancy. Everyone is trying to figure out how to use them in indie film. Some ideas are:
Selling the distribution rights to the entire film, like Kevin Smith is doing with is latest film Killjoy
Selling the distribution rights to your film in shares like the indie film Lotawana
Create an NFT to a short film to finance it
Sell NFT collectables from the film
Fund raise your film's budget with NFTs
These are just some ideas. I decide to throw my hat in the ring and created an experiment. I minted a few NFTs for my first short film BROKEN and some "legacy NFTs" of the first ever filmmaking tutorials ever uploaded to YouTube. Here is the description of one of the NFTs.
This NFT is called Muzzle Flash Breakdown and is one of the first filmmaking tutorials to ever be uploaded to YouTube. It was uploaded on August 28, 2006 by filmmaker, author and Indie Film Hustle Podcast host Alex Ferrari from his 2005 award-winning short film BROKEN.
It was taken from the best-selling DVD of the film. That DVD was one of the first indie short films to ever create a massive collection of tutorials and making of videos that explained how to make a low-budget independent film with off-the-shelf software and digital consumer cameras.
This is part of a limited series of filmmaking tutorials that were uploaded to YouTube from the short film BROKEN. All the videos were uploaded and released on the same day in 2006. The external link attached to this NFT will show the original upload to YouTube.
Link: https://www.youtube.com/watch?v=yFPoBZY5BrA
When you purchase this NFT you will also gain access to the short film BROKEN, the entire collection of tutorials and commentary tracks via private link and passcode. You will also receive the original QuickTime file that was uploaded to YouTube.
To access my NFTs go to: www.ifhnft.com
I released three of 6 of the total filmmaking tutorials I uploaded on YouTune back in Aug 2006. If these sell out I'll upload the rest and maybe some of my other popular short films I directed over the years. I wanted to give you an example of what an independent film NFT looked like and this is totally an experiment to see what happens.
Maybe I'll never sell an NFT, maybe I sell them three years from now or maybe they will sell out in 15 min. Who knows. What I am excited about is the potential of what this could mean for the indie filmmaking community.
In this episode I break down everything you need to know about NFTs, how to make money with them and more. Enjoy!
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IFH 633: Confessions of a Hollywood Screenwriter with Pen Densham Nov 15, 2022

Today on the show we Pen Densham. Pen is a successful award-winning screenwriter, producer, and director, with an extensive track record in film and television. He is responsible for writing and producing some of Hollywood’s biggest blockbusters, such as Robin Hood: Prince of Thieves, Backdraft, Blown Away along with some of its longest-running television series including The Outer Limits.
Starting with his first job in show business, riding atop a live alligator for a theatrical short film made by his parents, Pen decided to leave his English school system at age 15 and has since spent his lifetime in the business of entertainment, selling films and television series, as well as hiring, mentoring and collaborating with A-list writers along the way. His latest film is Harriet, which he is the executive producer of.
Pen's latest project, Riding the Alligator: Strategies for a Career in Screenplay Writing and Not getting Eaten was written with one clear goal in mind: to write the kind of book he would have loved to have read when he was starting out as a writer-filmmaker. Pen is also an adjunct professor at the University of Southern California’s prestigious School of Cinematic Arts.
"Imagination is more important than knowledge. For while knowledge defines all we currently know and understand, imagination points to all we might yet discover and create."- Albert Einstein
I had a ball speaking to Pen about his time in Hollywood, what it was like to screenwriter/producer monster hits and his screenwriting philosophy on how to make it in Hollywood.
Enjoy my eye-opening conversation with Pen Densham.
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MONDAY MOTIVATION!: How to DEFEAT the Filmmaker's Ego Nov 14, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 632: Where to Make Money in Film Distribution 2023 with Linda Nelson Nov 10, 2022

Linda Nelson began her career as an international investment banker, IT executive an entertainment real estate developer. After meeting Michael Madison, she pivoted into the movie business finally realizing her artistic potential. As an Executive Producer on NSYNC, she quickly realized that she was interested in being more "hands on" and was the DP for her next film, SHIFTED.
As a Producer on DELIVERED she was finally able to gain experience in all aspects of the financing, development, production and distribution phases of moviemaking. In 2007, she co-founded Indie Rights with Michael Madison and has been active in distribution every since. Indie Rights now has a diverse catalog of more than 1,200 films and exhibits annually at Cannes and AFM. The company enjoys direct relationships with all major streaming platforms.
Enjoy this conversation with Linda Nelson.
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BONUS EPISODE: Hollywood Directing: How to Choose the Right Lens for Your Shot Nov 09, 2022

Hollywood Directing: How to Choose the Right Lens for Your Shot
On today's episode, I wanted to give you a sneak peek of one of the best selling filmmaking courses on Udemy right now, Hollywood Film & Television Directing Masterclass with former guest and master film instructor Gil Bettman. On the show, you'll hear a lesson on how you can AMP UP your static shots by the choosing the right lenses.
Enjoy!
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IFH 631: From Horror Indies to The Revenant with Mark L. Smith Nov 08, 2022

I've spoken to many people in the film business over the years but today's guest is one of the hardest working craftsman I've had the pleasure of sitting down with. Today on the show we have screenwriter, producer and director, Mark L. Smith. If you look at his IMDB you'll see a list of 15 projects at various stages of development. He's come a long way from entering the Hollywood scene some 15 years ago with his fear-striking horror screenwriting and directorial debut, Séance in 2006.
Read Mark L. Smith's Screenplays
Mark stumbled onto writing as a hobby during off-seasons at his family’s ranch where he worked after college. Self-taught, some workshops and an inventory of specs later, his path crossed Mel Gibson’s - who bought Smith’s first-ever script written in 2001.
From then onwards, he’s been credited for successful writing and producing for hits like The Revenant (2015) and Overlord (2018) and The Midnight Sky which was just released in 2020, starring the incomparable, George Clooney.
In Overload, a small group of American soldiers finds horror behind enemy lines on the eve of D-Day.
While producing his directorial debut horror, film Séance, with friend of the show and veteran producer Suzanne Lyons, Smith was also a writer on Vacancy in 2006. You will hear more in the interview of his experience navigating the world of filmmaking on both sets, as a rookie, and the village of support he received.
Vacancy follows the unfortunate adventure of a married couple who becomes stranded at an isolated motel and finds hidden video cameras in their room. They soon realize that unless they escape, they'll be the next victims of a snuff film.
After Vacancy, many horror projects started to open up for Smith. He worked those for a while until it felt old and he had the urge to do something different. That's when he co-wrote the revisionist western script for The Revenant with legendary director, Alejandro Gonzalez Iñárritu. The film was based in part on Michael Punke’s 2002 novel by the same title. You can watch the remarkable Making of documentary of The Revenant here.
Starring Leonardo DiCaprio, Tom Hardy, Will Poulter, and Domhnall Gleeson, the story sets in the 1820s, where a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
The twist and turns that caused delayed production of the film and its eventual success will pique your interest. The Revenant became an instant commercial and artistic success. It grossed $533 million worldwide, earned 11 Oscar nominations, 3 Golden Globe awards, and 5 BAFTA awards
Mark recently wrote The Midnight Sky that released last year, starring George Clooney. It is a screen adaptation of Lily Brooks-Dalton’s novel, ‘Goodmorning, Midnight’ which is a post-apocalyptic tale that follows a lonely scientist in the Arctic, as he races to stop Sully and her fellow astronauts from returning home to a mysterious global catastrophe.
I had an absolute ball speaking to Mark. He's one of the hardest working screenwriters in Hollywood. We discuss everything from The Revenant, genius-level tips on how to adapt a book to the screen to what it was like work with Quentin Tarantino on the Star Trek script that has yet to be made. If you pray, please pray to the Hollywood Gods that Mark and Quentin's Star Trek gangster film sees the light of day.
Enjoy this conversation with Mark L. Smith.
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MONDAY MOTIVATION!: Do You Believe in Yourself? Nov 07, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 630: The Evolution of Your Creative & Filmmaking Dream with Kyle Cease Nov 03, 2022

After over 20 years of achieving what he thought were his dreams of being a headlining touring comedian and actor, Kyle Cease suddenly discovered that the belief “When something happens, I will be happy” is a complete lie. Following the calling of his heart, he decided to quit his stand-up career at its peak, and now—as a transformational comedian and New York Times bestselling author of I Hope I Screw This Up—he brings his one-of-a-kind wisdom to sold-out audiences around the world and reaches millions online.
Kyle Cease has made more than 100 different TV and movie appearances, including 10 Things I Hate About You, Not Another Teen Movie, Jimmy Kimmel Live, The Late Late Show With Craig Ferguson, Chelsea Lately, The Martin Short Show, Comics Unleashed, and numerous VH1 shows. He has two #1 Comedy Central specials to his credit and, in 2009, Kyle earned the #1 ranking on Comedy Central’s Stand-up Showdown.
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BONUS EPISODE: David Fincher & The Art Of Cinematography With Oscar® Nominee Jeff Cronenweth Nov 02, 2022

Today on the show we have Oscar® nominee Jeff Cronenweth A.S.C.
Cronenweth worked as a loader and 2nd assistant before graduating high school, and then enrolled in film school at USC where he studied cinematography. Among his classmates were John Schwartzman and Robert Brinkmann, as well as [director] Philip Joanou.
After graduation, Cronenweth resumed working with his father, joining a core camera team that included operators John Toll and Dan Lerner, and 1st assistants Bing Sokolsky and Art Schwab.
Jeff worked with father Jordan Cronenweth (cinematographer most notable for Blade Runner) as a camera loader and second assistant camera during high school, working his way up to first assistant camera and then camera operator until the mid-1990s.
Moving up to first assistant, Cronenweth began working with Toll, who was just beginning his work as a cameraman, and veteran Sven Nykvist.
"I couldn't have learned from better people than John, Sven and my father,"
Cronenweth relates.
"They were all soft-spoken, but very tenacious in achieving their goals. It was a great experience to watch them, learn set etiquette and see how they delegated responsibilities and dealt with producers and crews. I did six pictures with my father and eight pictures with Sven." [From American Cinematographer Magazine.]
The first major motion picture where he acted as a DP was on David Fincher's masterpiece Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, and Gone Girl.
Enjoy my conversation with Jeff Cronenweth A.S.C.
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IFH 629: Watch This to Survive on a Film Set with Christine Chen Nov 01, 2022

Christine Chen is an Academy qualified film producer, director and co-author of Get Reelisms. She fell in love with capturing images and telling stories through film the first time she got her hands on an early addition VHS camcorder in 1993. Christine’s love of film turned into a life-long passion for writing and directing.
Christine has a B.A. from Rice University as well as a MBA from the University of Texas McCombs. Christine's films have been showcased at festivals such as Hollyshorts, New Orleans Film Festival, and Fantasia Film Festival. Christine’s recent feature, Erzulie had a limited theatrical run in May 2022 and is now available on VOD starting June 14, 2022 through Kamikaze Dogfight Films and Gravitas Ventures.
Enjoy my conversation with Christine Chen.
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MONDAY MOTIVATION!: How to Be an Unstoppable Filmmaking Force! Oct 31, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 628: Confessions of a Hollywood Studio Test Screener with Terrence Martin Oct 27, 2022

Terrence Martin is known for his films Holes (2003), Get Away If You Can (2022) and The Donner Party (2009).
His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.
Enjoy my conversation with Terrence Martin.
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BONUS EPISODE: Secrets to Successful Low-Budget Films with Jason Blum Oct 26, 2022

I'm excited to talk to a fellow low-budget independent filmmaker today.
Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions.
Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.
Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc.
Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.
The story is about a teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.
He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.
That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.
Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.
All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.
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IFH 627: Creating Friday the 13th & the Horror of Hollywood with Sean S. Cunningham Oct 25, 2022

Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meets Craven and decided to make a comedy-romance film called Together (1971).
Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny's Orphans (1978) and Here Come the Tigers (1978) .
Struggling in Hollywood Cunningham saw John Carpenter's Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films.
Friday the 13th (1980) was a shocking, gory and violent film about camp counselors being slashed by a killer and had Betsy Palmer in the lead role. Little did Cunningham know that Friday the 13th would have never ending sequels. Cunningham gladly avoided all of them and Friday the 13th remains one of the most popular horror films in history. Instead Cunningham wanted to make it big when he brought a best-selling novel to the screen, A Stranger Is Watching (1982) with Rip Torn, but it was a disappointment. Cunningham went downhill with the over sexed teen comedy Spring Break (1983) and The New Kids (1985). Cunningham then produced House (1985) and several of its sequels. Cunningham next entered the world of underwater terrors after The Abyss (1989) was released. Cunningham did a follow up called DeepStar Six (1989), but it was a flop, however it beat another 1989 underwater thriller Leviathan (1989) at box office receipts.
Cunningham was finished with directing and moved on to producing films and teaching. He produced The Horror Show (1989), My Boyfriend's Back (1993) and Friday the 13th's last sequel Jason Goes to Hell: The Final Friday (1993). Cunningham then did yet another follow up to Friday the 13th with Jason X (2001).
Enjoy my conversation with Sean Cunningham.
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MONDAY MOTIVATION!: The Power of Your Filmmaking Mindset Oct 24, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

American Film Market 2022 Badge Giveaway Contest Oct 23, 2022

IFH - American Film Market 2022 Badge Giveaway Contest!!
AFM Badge giveaway - Two Executive Plus Badges. It's a full 5-day badge with access to all the panels. https://americanfilmmarket.com/badges-prices/ that sell for $995 each.
Below are rules:
M𝘶𝘴𝘵 𝘣𝘦 18+ 𝘵𝘰 𝘦𝘯𝘵𝘦𝘳. 𝘖𝘱𝘦𝘯 𝘵𝘰 𝘜.𝘚. 𝘙𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘰𝘯𝘭𝘺. E𝘢𝘤𝘩 𝘸𝘪𝘯𝘯𝘦𝘳 𝘸𝘪𝘭𝘭 𝘳𝘦𝘤𝘦𝘪𝘷𝘦 𝘰𝘯𝘦 𝘈𝘍𝘔 2022 𝘌𝘹𝘦𝘤𝘶𝘵𝘪𝘷𝘦 𝘗𝘭𝘶𝘴 𝘉𝘢𝘥𝘨𝘦 𝘵𝘰 𝘢𝘵𝘵𝘦𝘯𝘥 𝘢𝘵 𝘸𝘪𝘯𝘯𝘦𝘳’𝘴 𝘰𝘸𝘯 𝘦𝘹𝘱𝘦𝘯𝘴𝘦 𝘢𝘯𝘥 𝘱𝘦𝘳 𝘈𝘍𝘔 𝘎𝘶𝘪𝘥𝘦𝘭𝘪𝘯𝘦𝘴. 𝘕𝘰 𝘱𝘶𝘳𝘤𝘩𝘢𝘴𝘦 𝘯𝘦𝘤𝘦𝘴𝘴𝘢𝘳𝘺, 𝘷𝘰𝘪𝘥 𝘸𝘩𝘦𝘳𝘦 𝘱𝘳𝘰𝘩𝘪𝘣𝘪𝘵𝘦𝘥.
Open to ALL IFH Tribe members. Submit to support@indiefilmhustle.com why you and your film deserves to get one of these coveted Badges that cost $995 each.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 626: Creating Hocus Pocus: My Life in Horror and Nightmare Cinema with Mick Garris Oct 20, 2022

I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations.
He’s renowned for his classic screen adaptation of Stephen King’s books like Sleepwalkers (1992), The Shinning and The Stand. and creator of 2005, Masters of Horror series.
The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s.
It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.
While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.
He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.
Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.
Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.
The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.
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BONUS EPISODE: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez Oct 19, 2022

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez
Who hasn't heard of the now legendary indie film rags to riches tale of The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.
Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].
Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.
We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.
Enjoy my conversation with Eduardo Sanchez.
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IFH 625: Indie Film Hustle Success Story - American Murderer with Matthew Gentile Oct 18, 2022

Matthew Gentile is an award-winning filmmaker based in Los Angeles.
He most recently wrote and directed his first feature, AMERICAN MURDERER: a true-crime drama about a charismatic conman who became the FBI’s most unlikely and elusive top ten fugitive. Photographed in Utah during the height of the pandemic, AMERICAN MURDERER stars Tom Pelphrey, Ryan Phillippe, Idina Menzel, Jacki Weaver, Shantel Vansanten, Paul Schneider, Moises Arias, and Kevin Corrigan. Traveling Picture Show Company produced the film with Gigi Films, Productivity Media Inc, and Radiant Films International.
A graduate of the directing program at the AFI Conservatory, Matthew’s thesis films FRONTMAN (which won 12 awards including the Student Emmy for Best Directing), and LAWMAN played over 100 festivals worldwide.
A Brooklyn native, Matthew holds a BA in English & Film Studies from Connecticut College and an MFA in Directing from the American Film Institute.
Please enjoy my conversation with Matthew Gentile.
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MONDAY MOTIVATION!: Blaze Your Own Filmmaking Trail Oct 17, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 624: How NOT to Lose Your Soul in Hollywood with Stephen Simon Oct 13, 2022

In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr.
Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.
Please enjoy my conversation with Stephen Simon.
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BONUS EPISODE: How to Build a Profitable Horror Film with Stephen Follows Oct 12, 2022

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.
Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.
He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.
Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.
Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.
Enjoy my eye-opening conversation with Stephen Follows.
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IFH 623: How to NOT to Quit on Your Filmmaking Dream with Pete Chatmon Oct 11, 2022

With a deft ability to balance both half-hour single camera comedies and one-hour dramas, Pete Chatmon has directed over 50 episodes of television including HBO Max’s The Flight Attendant, Insecure, Silicon Valley, and Love Life, Netflix’s You, ABC’s Grey’s Anatomy and Black-ish, Starz’ Blindspotting, FX’s It’s Always Sunny in Philadelphia, and the Apple TV+ series Mythic Quest. He is in development on The Education of Matt Barnes with Showtime, for which he will direct the pilot and serve as executive producer and is currently co-executive producer and producing director on Reasonable Doubt, the first project to be produced via Hulu’s Onyx Collective.
His debut feature as writer/director, Premium, starred Dorian Missick, Zoe Saldana, and Hill Harper, and premiered on Showtime after a limited theatrical run. Chatmon also wrote, produced, and directed 761st, a documentary on the first Black tank battalion in WWII, narrated by Andre Braugher. Through TheDirector, his Digital Studio, he has directed, shot, and edited content for advertising agencies and Fortune 500 brands.
Chatmon’s career began in 2001 with the Sundance selection of his NYU thesis film, 3D, starring Kerry Washington. His most recent short film, BlackCard, premiered on HBO, and his narrative podcast, Wednesday Morning, engaged voters around the 2020 election. His podcast, Let’s Shoot! with Pete Chatmon is available on YouTube, iTunes, and all podcast platforms. In January 2022 his book, Transitions: A Director’s Journey + Motivational Handbook was released by Michael Wiese Productions
Enjoy my conversation with Pete Chatmon.
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MONDAY MOTIVATION!: Why You Stop Yourself From Making Your Indie Film Oct 10, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 622: The REAL State of Indie Film with Alrik Bursell Oct 06, 2022

Alrik Bursell is a filmmaker, producer, cinematographer, editor and director. His been working in video production for over 10 years and worked on everything from feature films, to broadcast commercials to DVD instructional videos, if those even exist any more.
Alrik's first feature film The Alternate was shot in the winter of 2019, did it’s film festival run playing over 20 film festivals and winning 15 awards worldwide, and have secured worldwide distribution for the film, which is coming out in the USA/Canada in September 2022.
His new film The Alternate follows Jake, a videographer who discovers a portal to another dimension in which he has everything he has always wanted: the perfect version of his wife Kris, the filmmaking career of his dreams, and the daughter he never had.
Jake quickly starts traveling back and forth between these two worlds - spying on his other self, falling in love with the alternate Kris, and getting to know his daughter. Jake soon sees that his alternate is not as perfect as he seems and decides to change places with the alternate Jake and take the good life for himself.
Please enjoy my conversation with Alrik Bursell.
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IFH 621: The Art of Directing Horror Comedies with Damon Thomas Oct 04, 2022

Damon Thomas is well known for making documentaries. He's documentaries includes Pulp Fiction, Reservoir Dogs and David Beckham: A Footballer's Story. He also directed the hit shows Killing Eve (2018), Beethoven (2005) and Dracula (2020).
His latest film "My Best Friend's Exorcism" is a 2022 American supernatural comedy horror film from a screenplay by Jenna Lamia, based on the 2016 novel of the same name by Grady Hendrix. In 1988 best friends Abby and Gretchen navigate boys, pop culture and a paranormal force clinging to Gretchen. With help from a mall exorcist, Abby is determined to compel the demon back to the pits of hell -- if it doesn't kill Gretchen first.
The film stars Elsie Fisher, Amiah Miller, Cathy Ang and Rachel Ogechi Kanu. The film was released on Prime Video on September 30, 2022.
Enjoy my conversation with Damon Thomas.
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MONDAY MOTIVATION!: How Bad Do You Want Your Filmmaking Dream Oct 03, 2022

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.
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IFH 620: Tales of a Hollywood Blockbuster Leading Man with Guy Pearce Sep 29, 2022

Guy Edward Pearce was born 5 October, 1967 in Cambridgeshire, England, UK to Margaret Anne and Stuart Graham Pearce. His father was born in Auckland, New Zealand, to English and Scottish parents, while Guy's mother is English. Pearce and his family initially traveled to Australia for two years, after his father was offered the position of Chief test pilot for the Australian Government. Guy was just 3-years-old. After deciding to stay in Australia and settling in the Victorian city of Geelong, Guy's father was killed 5 years later in an aircraft test flight, leaving Guy's mother, a schoolteacher, to care for him and his older sister, Tracy.
Having little interest in subjects at school like math or science, Guy favored art, drama and music. He joined local theatre groups at a young age and appeared in such productions as "The King and I", "Fiddler on the Roof" and "The Wizard of Oz". In 1985, just two days after his final high school exam, Guy started a four-year stint as "Mike Young" on the popular Aussie soap Neighbours (1985). At age 20, Guy appeared in his first film, Heaven Tonight (1990), then, after a string of appearances in film, television and on the stage, he won the role of an outrageous drag queen in The Adventures of Priscilla, Queen of the Desert (1994).
Most recently, he has amazed film critics and audiences, alike, with his magnificent performances in L.A. Confidential (1997), Memento (2000), The Proposition (2005), Factory Girl (2006), The Hurt Locker (2008), The King's Speech (2010) and the HBO mini-series, Mildred Pierce (2011). Next to acting, Guy has had a life-long passion for music and songwriting.
Guy likes to keep his private life very private. He lives in Melbourne, Australia, which is also where he married his childhood sweetheart, Kate Mestitz in March 1997.
His latest film The Infernal Machine is a psychological thriller feature film, written and directed by Andrew Hunt. The film released on September 23, 2022.
Bruce Cogburn, a reclusive and controversial author of the famed book "The Infernal Machine," is drawn out of hiding when he begins to receive endless letters from an obsessive fan. What ensues is a dangerous labyrinth as Bruce searches for the person behind the cryptic messages, forcing him to confront his past and ultimately reveal the truth behind the book.
Please enjoy my amazing conversation with Guy Pearce.
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IFH 619: Adventures in Producing James Cameron Films with Chris Debiec Sep 27, 2022

Christopher Debiec is an award-winning writer/producer/executive with an impressive thirty-three-year track record in all aspects of the entertainment industry.
Chris began his film and television career in Orlando, Florida working on a wide variety of commercials, music videos, television programs and feature films. Some of his credits include Sylvester Stallone’s Oscar and The Crow for Miramax. In 1995 Chris relocated to Los Angeles to work on the film The Devil’s Advocate, followed by Mad City for Warner Brothers, The Out of Towners for Paramount Studios, and the ground breaking “first of its kind” live-action animation Dinosaur for Walt Disney Studios.
In November of 2000, Chris spent six months in war torn, poverty-stricken Cambodia, as the Production Supervisor on Matt Dillon’s directorial film debut City of Ghosts for MGM/UA.
From 2000-2005, Chris was called on by Academy Award-winning writer/director/producer, James Cameron to supervise production for Earthship Productions. The company produced the two-hour LIVE broadcast event entitled Last Mysteries of Titanic, the groundbreaking documentary Expedition: Bismarck for The Discovery Channel, as well as the 3D/HD IMAX films Aliens of the Deep & Ghosts of the Abyss for Walt Disney Pictures. Earthship was nominated for six Emmys winning one for their production of Expedition: Bismarck.
In 2010, Chris was recruited as Vice President of Production at Entertainment One Television (eOne). He spearheaded the alternative programming division for cable and network distributors such as Syfy, CW, WETV, BET, MTV, A&E, Discovery Channel, Oxygen and Fox Sports just to name a few. Chris was responsible for the successful development and execution of all pre-production, production, post production and delivery of all eOne projects.
In 2017, Chris was contracted to create and Executive Produce a 2-hour documentary for NBC Sports and the United States Olympic Committee entitled - Scouting Camp: The Next Olympic Hopeful. With rave reviews and multiple award nominations, soon after Chris went back with the Cameron family - this time as Chief Content Officer for a start-up Tech/ 3-D Entertainment company called Human Health Organization owned by brothers John and James Cameron.
In 2019, Chris was the Production Executive for Leyline/A24’s The Green Knight, a feature film which shot on location in Ireland for 5 months in 2019. Directed by David Lowery starring Dev Patel, Alicia Vikander, Joel Egerton, Sean Harris, Kate Dickie and Ralph Enison.
In 2020, the world turned upside down by the pandemic causing the Cameron family to pivot the Human Health Organization into a Covid-19 PPE and testing company. Chris, as COO, oversaw all testing and PPE protocols since May of 2020. HHO has tested over 1500 productions including A-list actors, Film and TV Studios and streaming companies.
Currently, as CEO of newly formed Civilized Entertainment, Chris has built an award-winning studio focusing on the development and production of content directly related to Science, Technology, Environment, Art, Space, Expedition, Exploration, Medical and Historical Events.
Enjoy my conversation with Chris Debiec.
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BONUS EPISODE: A Filmmaking and Screenwriting Masterclass with Oscar® Nominee John Sayles Sep 26, 2022

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.
John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg. John has been named by American critic Roger Ebert as
"one of the few genuinely independent American filmmakers",
which John modestly denies!
[presto_player id=46221]
John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.
John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.
John Sayles is an example of someone who supports the independent film movement. John's films Lone Star (1996) and Matewan (1987) were both nominated for the Academy Award for Best Picture and John himself has been nominated twice for the Academy Award for Best Original Screenplay.
John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.
Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.
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IFH 618: How I Adapted a Best Selling Novel and Made My Film with Aitch Alberto Sep 22, 2022

Aitch Alberto is a writer/director born and raised in Miami, Florida. She is a Sundance Episodic Lab fellow, recipient of a Skowhegan Artist Residency, a Yaddo fellowship, a Latino Screenwriting Project Fellowship, and an alumnus of the Outfest Screenwriting Lab. Aitch has written on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and WBTV.
She also served as a writer on AppleTV+’s BAFTA and Film Independent Nominated anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Most recently, Aitch has adapted and directed the award-winning young adult novel ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE with Lin-Manuel Miranda and Eugenio Debrez producing, from Limelight.
Aristotle and Dante Discover the Secrets of the Universe is a 2022 coming-of-age romantic film that is an adaptation of the 2012 novel of the same name by Benjamin Alire Sáenz. Aristotle and Dante had it premiere at the 47th Toronto Film Festival on September 9, 2022.
She has been included on The Black List's inaugural Latinx List, as well as the Tracking Board's Hit List and Young & Hungry List, and NALIP's list of "Latinx Directors You Should Know". Aitch has most recently been featured on Variety’s 10 Directors To Watch for 2022 and Indiewire’s 22 Rising Female Filmmakers to watch in 2022.
Enjoy my conversation with Aitch Alberto.
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IFH 617: The Story of the Most INSANE Film Ever Released! with Sacha Gervasi Sep 20, 2022

This is one of the most insane stories I've ever had on the show, and I have a small part in making it happen. In 2008, Sacha Gervasi made his documentary directorial debut and executive produced Anvil! The Story of Anvil.
Anvil! The Story of Anvil is a 2008 Canadian rockumentary film about the Canadian heavy metal band Anvil. The film is directed by screenwriter Sacha Gervasi, in his directorial debut, and features interviews with other musicians who have been influenced by the band, including Slash, Tom Araya, Lemmy, Scott Ian, and Lars Ulrich.
The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.
I was invite to a screening at Sacha's house to watch Anvil in 35mm. After the film I told Sacha you should rerelease it to the world because the planet needs this film right now. Well he did just that and man did he ever.
Anvil! The Story of Anvil! LA Premiere & Live Anvil show hosted by Steve-O!
The World premiere of the new Anvil! The Story of Anvil! film restoration in LA at The Saban on September 22nd followed by a LIVE performance from ANVIL with special guests and host Steve-O!
For FREE Tickets click here and send a video testimonial on how IFH or BPS has changed your filmmaking journey: support@indiefilmhustle.com
Enjoy my entertaining conversation with Sacha Gervasi.
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BONUS EPISODE: Making El Mariachi and Troublemaker Studios with Elizabeth Avellán Sep 19, 2022

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.
Today on the show we have producer Elizabeth Avellán.
Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.
She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.
Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).
Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.
She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.
We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more.
Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.
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IFH 616: Becoming a Jack of All Trades Writer/Director with Greg Mottola Sep 15, 2022

After earning an MFA in film at Columbia University, he began his career as the writer & director of the independent film The Daytrippers, which would earn him a Golden Camera nomination at the Cannes Film Festival for best first feature film. He then went on to direct the Judd Apatow-produced hit comedy Superbad, and then followed it up with critically praised Adventureland, which he also wrote and received an Independent Spirit Award nomination for Best Screenplay. The film starred an ensemble cast who would go on to become some of today's most sought-after actors, including Kristen Stewart, Jess Eisenberg, Bill Hader, Ryan Reynolds, and Kristen Wiig.
Other film projects include Paul, starring Simon Pegg and Nick Frost, Clear History, starring Larry David, and Keeping Up With The Joneses, starring Jon Hamm, Zach Galifianakis, and Isla Fisher.
For television, Mottola directed the pilot of FX’s DAVE and is an executive producer on the show. He also directed the pilot of HBO’s The Newsroom, which earned him a DGA Award nomination. His other TV directorial credits include episodes of the The Comeback, Arrested Development, Undeclared, and The Dangerous Book For Boys.
His new film is Confess, Fletch.
In this delightful comedy romp, Jon Hamm stars as the roguishly charming and endlessly troublesome Fletch, who becomes the prime suspect in a murder case while searching for a stolen art collection. The only way to prove his innocence? Find out which of the long list of suspects is the culprit - from the eccentric art dealer and a missing playboy to a crazy neighbor and Fletch’s Italian girlfriend. Crime, in fact, has never been this disorganized.
Starring: Jon Hamm, Roy Wood Jr., Annie Mumolo, Ayden Mayeri, Lorenzo Izzo, Kyle MacLachlan, Marcia Gay Harden, John Slattery
Please enjoy my conversation with Greg Mottola.
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IFH 615: The Unfiltered History of Film Distribution with AFM Co-Founder Michael Ryan Sep 13, 2022

Michael Ryan started his career working in the TV industry for Sir Lew Grade’s UK company, ITC. In 1978 he formed J&M Entertainment with a colleague, a distribution sales agent for independent films. As J&M grew, it developed its business model to also take responsibility for financing new films & providing production finance.
In 1980 Ryan and J&M were founder members of the American Film Marketing Association (AFMA) – later to be renamed Independent Film & Television Alliance (IFTA) – which was formed to provide an annual film market based in Los Angeles. Michael served two terms as Chairman of IFTA (2004-2008) and another three terms from 2015-2021.
In 2000, Ryan partnered with Guy Collins. Between them they have financed, sold and produced over 200 films, including The Wild Geese, The English Patient, The General, Whats Eating Gilbert Grape, The Osterman Weekend, the Highlander series, Planet 51 and more recently, at GFM Films with Fred Hedman, Toei Animations Harlock, Absolutely Anything starring Simon Pegg and Simon West-directed action thriller Stratton starring Dominic Cooper. On July 15, 2022, GFM’s Paws of Fury: The Legend of Hank, an independently financed and produced animated feature is based on Mel Brooks iconic Blazing Saddles that launched as a project by GFM Films at AFM in 2014, was released across 4,500 U.S. screens by Paramount.
Please enjoy my conversation with Michael Ryan.
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BONUS EPISODE: Dov Simens - American Greatest & Quentin Tarantino's Only Film Teacher Sep 12, 2022

I'm so excited to have on the show this week Dov Simens, founder of Hollywood Film Institute. He created the remarkable 2 Day Film School and has launched the careers of Quentin Tarantino, Chris Nolan, Spike Lee, Kevin Smith, Queen Latifah, Guy Ritchie & more.
Dov's teaching style is entertaining, in your face and straight from the street. Real world, practical film education. Sit back and prepared to be schooled in the ways of Jedi Film Teacher Dov Simens.
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IFH 614: Kubrick, Nolan & Spielberg: The Power of Staging with Mark W. Travis Sep 08, 2022

Mark W. Travis acclaimed as "the director’s director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world’s leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.
Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.
Mark’s television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.
In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.
Mark’s unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.
Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.
USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor’s Workshop, Hollywood Film Institute.
JAPAN: Film & Media Lab and Vantan Film School.
GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.
POLAND: The Film Farm in Kotla.
ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.
FRANCE: The Cannes Film Festival,
NETHERLANDS: The Maurits Binger Institute.
UKRAINE: HSU in Kiev, OIFF in Odessa;
RUSSIA: International Film Actors Workshop,
IRELAND: FAS Screen Training Ireland,
NORWAY: The Norwegian Film School,
DENMARK: The National Film School ofDenmark,
SPAIN: afilm International Film Workshops,
CZECH REPUBLIC: FAMU Academy of Film and Television.
Mark has served as a Creative Consultant on several feature films including: Here’s Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.
Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR’S BAG OF TRICKS will be published in September 2011.
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IFH 613: Directing Bruce Willis' Last Film with Matt Eskandari Sep 06, 2022

Matt Eskandari immigrated to the United States as a child with his family, following the Iranian revolution. He is an alumnus of the University of Southern California, and would direct several award-winning shorts; including "The Taking" (Screamfest Award for Best Student Short). The film propelled him to nationwide exposure when he was chosen by Steven Spielberg and Mark Burnett; from a pool of 12,000 candidates, to participate in the Fox filmmaker competition 'On the Lot.'
Matt would go on to make his feature directorial debut with the psychological thriller "Victim." The controversial work was distributed by Ifc Films for theatrical release and hailed by Ain't it Cool News as, "a thinking man's Saw" and "both original and disturbing." Eskandari's next feature, "The Gauntlet," starring international stars Bai Ling and Dustin Nguyen was produced and shot entirely in China. It was one of the first China/US co-productions recognized by the Beijing Film Bureau and after a successful worldwide festival run was distributed as "Game of Assassins" by Lionsgate Studios
Matt's third feature, the self-contained swimming pool thriller "12 Feet Deep," starring Tobin Bell and Alexandra Park was praised by critics as, "a tensely directed hidden gem that will leave you struggling to breathe," and has gone on to become the single top selling title for MarVista - having amassed a record 40 million trailer views in its first months release.
Inspired by true events, sisters Bree and Jonna get trapped beneath the fiberglass cover of an Olympic sized public pool after it closes for the holiday weekend. They find themselves at the mercy of the night janitor, Clara, who sees the trapped sisters as an opportunity to solve a few problems of her own.
Coming from a unique cultural perspective and honing his directorial craft in genre films, Eskandari is ready to use his distinct voice to embark into a further exploration of human nature and delve into the relevant fears and themes of our modern day world.
His latest film is "Wire Room" and has been said that this will be Bruce Willis' last film before his retirement.
Action legend Bruce Willis comes out with guns blazing as Shane Mueller, a Homeland Security agent who runs the Wire Room, a high-tech command center surveilling the most dangerous criminals. New recruit Justin Rosa (Kevin Dillon, “Entourage”) must monitor arms-smuggling cartel member Eddie Flynn — and keep him alive at all costs. When a SWAT team descends on Flynn’s home, Rosa breaks protocol and contacts the gangster directly to save his life. As gunmen break into the Wire Room and chaos erupts, Mueller and Rosa make a final, desperate stand against the corrupt agents and officials who seek to destroy evidence and kill them both.
Enjoy my conversation with Matt Eskandari.
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BONUS EPISODE: No-Budget, $600 Camera, 3 Lights & Still Sold Worldwide with Elliot and Zander Weaver Sep 05, 2022

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.
COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.
The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.
Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.
You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete.
The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.
Enjoy my inspiring conversation with Elliot and Zander Weaver.
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IFH 612: My Film Made Millions Using the Filmtrepreneur Method with Mark Toia Sep 01, 2022

So insane and talent Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self distributing his remarkable debut film Monsters of Man. After getting offered bad and predatory distribution deals he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money Making Business.
When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film.
After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars.
I asked him,
"So a million-dollar Filmtrepreneur experiment?"
Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.
Then he discovered my book and down the Filmtrepreneur rabbit hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:
"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"
In this conversation Mark is completely transparent on how he made millions with his film. He also reveals not only his successes but also some failures he dealt with along the way. This is truly a one in a decade indie film experiment that you now have access to see how it was done.
Enjoy my conversation with Mark Toia.
Here's the synopsis of Monsters of Man:
A robotics company teams up with a corrupt CIA agent trying to position themselves to win a lucrative military contract. They illegally airdrop 4 prototype robots into the middle of the infamous Golden triangle to perform a live field test on unsuspecting drug lords that the world will never miss. Volunteer doctors witness the murder of a village and become the targets.
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IFH 611: How I Got My Vampire Film Released by Sony with Jessica M. Thompson Aug 30, 2022

Jessica Thompson is an Emmy-nominated filmmaker who made her feature writer-directorial debut with "The Light of the Moon". The film won the Audience Award for Best Narrative Film at the SXSW Film Festival. "The Light of the Moon", starring Stephanie Beatriz (Brooklyn Nine-Nine, In The Heights, Encanto), enjoyed a limited theatrical release to sold-out screens in both New York and Los Angeles and heralds a 97% Rotten Tomatoes score. Critics called the film "harrowingly effective" (Variety), "honest and complex" (The Hollywood Reporter), and Film Inquiry stated, "for any filmmaker this would be an unmitigated triumph, but for a first time filmmaker this is revelatory."
Jess was the lead director on Showtime's original series, "The End", produced by the Academy Award-winning See-Saw Films (The Power of the Dog, The King's Speech). "The End" is a dramedy, told through three generations of a dysfunctional family who are trying to die with dignity, live with none, and make it count. The series received five-star reviews from The Guardian and The Times.
In 2021, Jess directed her second feature, "The Invitation", a Sony Picture's thriller-horror, written by herself and Blair Butler. It will have a worldwide cinematic release on August 26th, 2022.
After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the unsettling intentions behind their sinful generosity.
In 2010, Jess founded Stedfast Productions, a collective of visual storytellers who use film to explore the complexity of the human story.
Jess is an Australian filmmaker who resides in Los Angeles. She is repped by CAA, Kaplan/Perrone Entertainment, and Independent Talent Group (UK).
Enjoy my conversation with Jessica M. Thompson.
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BONUS EPISODE: From Forrest Gump to Dune with Oscar® Winner Eric Roth Aug 29, 2022

I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.
The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994.
The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States.
The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards.
With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School.
While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.
Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.
1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.
A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooperand Lady Gagabrought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.
Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Aliand Taraji P. Henson.
The film tells the story of Benjamin Button, a man who starts aging backward with consequences.
I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.
I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft.
Enjoy my conversation with Eric Roth.
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IFH 610: Inside the RAW Reality of Being a Screenwriter with David S. Goyer Aug 25, 2022

DAVID S. GOYER has earned a reputation for telling character-driven stories adapted from the otherworldly realms of superheroes, fantasy and the supernatural. His breakout came in 1998 when he wrote the action hit BLADE starring Wesley Snipes, based on the Marvel Comics vampire hunter. Since then, he’s solidified himself as writer and producer who elevates genre driven stories to the next level.
Most recently, Goyer Executive Produced and served as Showrunner for one of the year’s most epic series, FOUNDATION, which premiered on Apple TV+. Based on Isaac Asimov’s iconic novels, Goyer’s sensibilities brought this world to life with his unique tone.
On the film side, Goyer produced the Sundance hit THE NIGHT HOUSE, starring Rebecca Hall, as well as the Scott Derrickson film ANTLERS. Both films are being released by Searchlight this fall. Goyer also produced THE TOMORROW WAR, starring Chris Pratt for Skydance and Amazon.
Previously, Goyer scripted and collaborated with Christopher Nolan on the story for the Superman feature MAN OF STEEL. Goyer also worked with Nolan on the mega-hit DARK KNIGHT trilogy, starting with the screenplay for BATMAN BEGINS. Goyer went on to team with Nolan on the story for the billion-dollar blockbuster THE DARK KNIGHT for which they received a Writers Guild of America Award nomination for Best Adapted Screenplay, followed by the story’s conclusion in THE DARK KNIGHT RISES. Additionally, Goyer co-wrote and produced BATMAN V. SUPERMAN, which broke the record for biggest March opening weekend in box office history.
In 2002, Goyer made his feature film directorial debut with the drama ZIGZAG for which he also wrote the screenplay, based on the acclaimed novel by Landon Napoleon.  His other directing credits include THE INVISIBLE starring Justin Chatwin and Marcia Gay Harden, and the hit supernatural thriller THE UNBORN, based on his own original screenplay and starring Odette Annable and Gary Oldman. In the same year wrote 2002’s BLADE II on which he also served as an executive producer. In 2004, he directed, wrote and produced the last of the trilogy, BLADE: TRINITY.
In addition to screenwriting, Goyer made his debut in video games with the story for the smash hit “Call of Duty: Black Ops,” and penned the story for its blockbuster follow up, “Call of Duty: Black Ops 2” as well as Black Ops: Cold War. Goyer also wrote and executive-produced the groundbreaking VR series VADER IMMORTAL for Lucasfilm and Oculus.
In Television, Goyer’s work includes the series DA VINCI’S DEMONS, for which he served as Creator, Director, and Executive Producer, focusing on the life of Leonardo da Vinci; CONSTANTINE, KRYPTON; and the cult classic FLASHFORWARD. Goyer also co-wrote the pilot and serves as executive producer for Neil Gaiman’s SANDMAN, which is currently filming in London.
The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.
Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.
To watch the rest of this amazing series go to The Dialog Series on IFHTV.
Enjoy this conversation with David S. Goyer.
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IFH 609: How Directing Star Wars Fan Films Changed My Career with Jason Satterlund Aug 23, 2022

Jason Satterlund has been writing and directing films for about 100 years. He's directed multiple award-winning feature films and, in 2021, he wrote and directed 28 episodes of television.
His latest feature film, The Abandon, just sold to Lionsgate is will be seen in theaters across North America.
His Star Wars film, Kenobi, clocked one million views in 24 hours, and landed on Steven Soderbergh's watch list. This resulted in a cover page article in the New York Time's arts section, making him an official nerd.
When he isn't busting his hump on his own projects, he enjoys teaching filmmaking workshops and shaping the filmmakers of the future.
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BONUS EPISODE: How I Write and Direct My Films with Edgar Wright Aug 22, 2022

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.
He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.
The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences.
Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.
Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.
Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.
In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.
Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.
Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.
It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.
Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho.
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IFH 608: Hot Tub Time Machine, High Fidelity & Directing in Hollywood with Steve Pink Aug 18, 2022

Steve Pink's career as a writer, producer, and director is inextricably linked to his pal John Cusack. Pink co-wrote the screenplay for the 1997 black comedy "Grosse Pointe Blank," where Cusack played a deadpan assassin, and also worked on the adaptation of Nick Hornby's novel "High Fidelity," which was made into a film for Cusack in 2000.
Pink had co-producer credits on both movies, and, in 2010, he finally directed Cusack in the '80s flashback comedy "Hot Tub Time Machine." Pink got his start as an actor in the Cusack movie "The Sure Thing" in '85; he also appeared in "Grosse Pointe Blank" and played a limo driver in the comedy "America's Sweethearts," where Cusack was paired with Julia Roberts and Catherine Zeta-Jones. Fittingly.
Pink has worked as a co-executive producer on the TV series "Entourage," a tribute to male friendship in show business, and he has stepped up as producer on the Tom Cruise vehicle "Knight and Day."
His new film is The Wheel.
Albee and Walker, a young couple on the brink of divorce, rent a mountain getaway to save their fledgling marriage. Before long, their personal drama creates tension between their newly engaged AirBnB hosts -- Ben & Carly — leaving us to wonder if either couples’ relationships will survive the weekend. Cast: Amber Midthunder, Taylor Gray, Bethany Anne Lind, Nelson Lee, Carly Nykanen, Kevin Pasdon.
Available on DIGITAL and ON DEMAND, July 22nd.
Enjoy my conversation with Steve Pink.
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IFH 607: From Sundance Hit The Puffy Chair to Mack & Rita with Katie Aselton Aug 16, 2022

Today on the show we have Katie Aselton. She is an acclaimed actor and filmmaker based in Los Angeles. She may be best known for her starring role as Jenny in the FX comedy “The League.” Aselton can next be seen in Bill Burr’s comedy Old Dads. She was recently seen in The Unholy, opposite Jeffrey Dean Morgan, and appeared in Tiller Russell’s Silk Road, with Jason Clarke. Aselton was also seen in the second season of the hit Apple + series “The Morning Show.”
Aselton’s breakout acting role came in the indie darling The Puffy Chair, directed by Mark and Jay Duplass. The film was nominated for two Independent Spirit Awards. Aselton’s other feature credits include Book Club, Father Figures, She Dies Tomorrow, Synchronic and Bombshell. Her small-screen work includes “Legion,” “Animals,” “Togetherness,” “Curb Your Enthusiasm,” “Veep,” “The Office,” “Room 104” and “Casual.”
Aselton made her directorial debut with The Freebie, in which she also stars. The film premiered to much critical acclaim at the 2010 Sundance Film Festival and was released theatrically by Phase 4. She also directed and starred in the survivor thriller Black Rock, opposite Kate Bosworth and Lake Bell. The film premiered at the 2012 Sundance Film Festival and was released by LD Entertainment.
Katie's new film is Mack & Rita starring the legendary Diane Keaton.
When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita” (Oscar winner Diane Keaton). Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack (Dustin Milligan). A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age.
Enjoy my conversation with Katie Aselton.
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BONUS EPISDODE: The High and Lows of Directing in Hollywood with Kevin Reynolds Aug 15, 2022

Imagine you are in film school and you make a student film. Then that student film get's seen by Steven Spielberg and he calls you into his office to offer you a deal to direct a feature film version of that short. Well, that is exactly how today's guest go his start.
On the show we have the legendary writer/director Kevin Reynolds. Kevin directed the world-wide blockbuster Robin Hood: Prince of Thieves, the epic Rapa Nui, and the infamous and misunderstood Waterworld.
Kevin Reynolds made his big career leap from election lawyer and political speechwriter to pursue his childhood passion for writing - enrolling into film school at the University of Southern California.
In 1980, Reynolds’s debut film Proof landed him a shot right out of USC to work with Steven Spielberg. The film was later produced as Fandango in 1985, written and directed by Reynolds.
Five college buddies from the University of Texas circa 1971 embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures in Vietnam and otherwise.
In 1991, Reynolds directed the $48 million action-adventure film of the time, Robin Hood: Prince of Thieves, that grossed $390 million worldwide. This action-filled fan favorite follows Robin and his Moorish companion’s adventure to England and his fight back against the Sheriff of Nottingham’s tyranny.
He followed up Robin Hood with the epic Rapa Nui. The film the love between the representatives of two warring tribes changes the balance of power on the whole of the famous Easter Island. The film failed to find an audience in it's initial release but has since become a cult favorite.
His next directorial outing is the legendary Waterworld starring Kevin Costner. Waterworld was labeled the most expensive movie ever made ($175 million), until Titanic dethroned it a few years later. The press said it was the biggest flop of all time as well but nothing could be farther from the truth.
When the film was finally released it made $264 million worldwide. The film went on to become one of the most valuable IPs in the Universal Studios library. The company created a theme park out of the film that has last over 25 years in multiple parks around the world and has generated hundreds of millions of dollars for Universal.
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Reynolds’s critically acclaimed historical adventure film adaptation of The Count of Monte Cristo novel in 2002, which starred versatile actor James Caviezel, was a remarkable comeback project after a five-year hiatus. The film is about revenge after a man, falsely accused by three jealous friends, sought to avenge his wasted years of somewhat imprisonment serving a wealthy Italian cleric.
Kevin and I discuss the highs and lows of directing in Hollywood, working with Steve Spielberg, his ever changing relationship with friend Kevin Coster, how he dealt with directing Waterworld and so much more.
Enjoy my conversation with Kevin Reynolds.
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IFH 606: From Wedding Videos to Directing For Netflix & Paramount+ with Rel Schulman and Henry Joost Aug 11, 2022

Henry Joost and Rel Schulman are a directing and writing team, producers and best friends. They founded the New York City production company Supermarché in 2007. Their most recent feature, SECRET HEADQUARTERS, premiers summer 2022 on Paramount+ and stars Owen Wilson, Michael Peña and Walker Scobell. The film is produced by Jerry Bruckheimer Films..
In 2020 Henry and Rel directed PROJECT POWER, a Netflix sci-fi action film starring Jamie Foxx and Joseph Gordon Levitt. The film debuted at #1 in over 90 countries. It held the #1 spot in the USA for over 2 weeks. It remains one of Netflix’s top ten original features of all time.
Their first feature documentary, CATFISH, premiered at the 2010 Sundance film festival where it received critical acclaim and went on to a nationwide release. Their second feature, PARANORMAL ACTIVITY 3, released by Paramount Pictures, opened to rave reviews and had the highest grossing horror opening weekend in history. Their second film in the franchise, PARANORMAL ACTIVITY 4 was released in October, 2012, and the two combined have grossed $350 million. Henry and Rel directed two films in 2016: NERVE, a summer hit released by Lionsgate, starring Emma Roberts and Dave Franco; and VIRAL, a prescient low budget horror movie with Blumhouse, starring Sofia Black-D'Elia. They also executive produced the 2016 Sundance Film Festival hit WHITE GIRL, directed by Elizabeth Wood, which was acquired by Netflix for worldwide distribution.
Henry and Rel are executive producers on the long running series CATFISH: The TV Show, now in it’s 8th season, and have directed dozens of commercials and short films for companies like Nike, Google, Facebook, and Vogue. They directed the short film A BRIEF HISTORY OF JOHN BALDESSARI, commissioned by LACMA, narrated by Tom Waits, which has been screened at over 100 film festivals worldwide. Henry and Rel’s Google commercial DEAR SOPHIE was named Time magazine's Best Commercial of the Year in 2011. In 2020 they fulfilled a lifelong dream of directing the season opening short film for the NEW YORK KNICKS.
Henry, Rel, and their in-house producer Orlee-Rose Strauss maintain an active development slate. Features in the works include: an adaptation of Capcom's MEGA MAN which they wrote and are directing for Netflix; an adaptation of Edward Abbey's novel THE MONKEY WRENCH GANG, produced by Ed Pressman, which they wrote and are directing. They are also signed on to direct a bio-pic about KEITH ADAMS, the deaf football coach who made history leading an all-deaf high school football team to an undefeated season against all-hearing teams. The film is being written by Josh Feldman, and produced by Freddy Wexler, DJ Kurs and Eryn Brown.
Enjoy my conversation with Henry Joost and Rel Schulman.
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IFH 605: Vampires, Stunts, Bloodsuckers & Netflix with J.J. "Loco" Perry Aug 09, 2022

JJ "Loco" Perry spent the last 25 years as a Stunt Coordinator and Second Unit Director, directing and designing action for talent such as Dwayne Johnson, Tom Hardy, Jason Statham, Keanu Reeves and Will Smith. A member of the prestigious 87Eleven Action Design, Perry previously collaborated with directors such as Ang Lee, Justin Lin, Chad Stahelski, F. Gary Gray, Spike Lee and Paul Feig – which prepared him for his feature directorial debut on DAY SHIFT.
Perry has trained additional actors for stunts such as Gina Carano (HAYWIRE), Gerard Butler (300), Milla Jovovich (ULTRAVIOLET), Hugh Jackman (X-MEN ORIGINS: WOLVERINE) and Kiefer Sutherland (“24”). He’s also worked with Joss Whedon on ANGEL and FIREFLY and Mike Norris on WALKER, TEXAS RANGER.
Perry was nominated for a SAG Award in 2009 for Outstanding Performance by a Stunt Ensemble for IRON MAN and nominated for a World Stunt Award in 2013 for SAFE and won in 2004 for Best Overall Stunt in THE RUNDOWN.
After graduating high school, Perry served in the Army’s 82nd Airborne Corps. He started his martial arts training in 1975 and began stunt-work after he got out of the Army. He has had over 24 years of martial arts training and has a 5th-degree black belt in Tae Kwon Do, a 2nd-degree on Hapkido and has experience with all kinds of weapons. He got his black belt for Tae Kwon Do at the age of 12 and competed from the age of 7 till 24. Besides martial arts, Perry is also skilled in cycling, rodeo and weightlifting. He is the co-founder of Taekwondo West martial arts schools in Inglewood, California, and Venice, California.
J.J. PERRY’s directorial debut, DAY SHIFT, is an action-comedy that begins a new franchise for Netflix starring Jamie Foxx, Snoop Dogg and Dave Franco. DAY SHIFT follows a hard-working blue-collar dad (Fox) who just wants to provide a good life for his daughter. But his mundane San Fernando Valley pool cleaning job is a front for his real source of income, hunting and killing vampires as part of an international union of vampire hunters. DAY SHIFT premieres on NETFLIX August 12, 2022.
Enjoy my conversation with JJ "Loco" Perry.
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BONUS EPISODE: The Million Dollar Self Distribution Experiment (Monsters of Man) with Mark Toia Aug 08, 2022

When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film. Today's guest is Australian filmmaker Mark Toia who created the insane indie sci-fi action film Monsters of Man.
After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI on a million-dollar+ indie film without any major bankable stars.
I asked him,
"So a million-dollar Filmtrepreneur experiment?"
Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt-out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.
Then he discovered my book and down the Filmtrepreneur rabbit-hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:
"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"
To get the most bang for his buck Mark shot the film in Cambodia. He was able to hire an amazing local crew while also capturing the breath-taking locations, and culture that the country had to offer. The production value was off the charts.
This is a once in a lifetime Filmtrepreneur experiment. Can a multi-million dollar sci-fi, action indie film be self-distributed successfully? We will find out. Mark agreed to keep me updated on the progress of the film and come back next year to tell the tribe how it all went.
I can't be more excited to share this episode with you guys. Enjoy my inspiring conversation with Mark Toia.
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IFH 604: How to Write a Screenplay Super Fast! with Jeff Bollow Aug 04, 2022

Have you ever wanted to learn how to write a screenplay fast? I know I do. This is why I invited on the show award-winning producer/director, best-selling author, film festival organizer and public speaker, Jeff Bollow.
He is the author of Writing FAST: How to Write Anything with Lightning Speed. Jeff Bollow began as an actor at age 12 in his native Los Angeles (credits include Don't Tell Mom the Babysitter's Dead and TV's Columbo) before working nearly every job in production, from camera to sound to lighting — and including jobs in development, post-production, and distribution.
Jeff has worked on feature films, TV series, commercials, music videos, radio, and corporate productions for companies such as Universal, Castle Rock, Propaganda Films, DNA and the Oxygen Network.
After migrating to New Zealand, where he directed television for TV3 and co-founded the Big Mountain Short Film Festival, he moved to Australia, where he launched Embryo Films. Through his company, Jeff has reviewed over 20,000 project submissions and has edited, assessed and/or mentored over 350 projects. He has script doctored in Singapore, Australia, NZ, and the US; and has conducted over 80 live weekend workshops to over 1200 writers in 9 cities in 5 countries, with a unanimous "recommend" approval rating.
His students have been optioned, produced and won (and placed) in competitions worldwide. He designed FAST Screenplay in 2004 and began officially building it in November 2009. It was finally completed in July 2016, nearly 7 years later. Alongside it, he created the FASTscreenplay YouTube Channel, which now includes over 30 detailed and insightful free videos to encourage writers and screenwriters around the world.
In May 2015, Jeff Bollow delivered his first TED Talk, "Expand Your Imagination... Exponentially" at TEDxDocklands in Melbourne, Australia, to prepare for the next phase of the larger plan. Jeff's aim is to build an independent film studio that inspires creativity worldwide, to help prepare humanity for the dramatic changes our future holds. When he's not busy helping writers with FAST Screenplay, he is working on a new book, developing a television series, and planning two feature film projects. Enjoy!
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IFH 603: How Indie Film Super Troopers Made Millions with Jay Chandrasekhar Aug 02, 2022

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.
Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.
Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.
Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)
Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.
In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.
His new film is Easter Sunday.
Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).
Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.
Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault.
"When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”
Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."
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BONUS EPISODE: How a Predatory Film Distributor Screwed Over a Filmmaker with Terminal Cancer Aug 01, 2022

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.
I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.
I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.
We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,
"I'll see you in the court of who gives a f**k."
This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.
Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.
He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.
I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413
Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.
This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.
#filmmaking #filmdistribution #filmmaking101
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IFH 602: Can Martin Scorsese Save Cinema with Margaret Bodde Jul 28, 2022

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.
TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese’s documentaries.
"Our American artistic heritage has to be preserved and shared by all of us. Just as we’ve learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair
The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.
Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.
The next free screening is August 8th. They will be playing an amazing Film Noir double feature. Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour.
Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).
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IFH 601: What the Hell is the Nutshell Technique with Jill Chamberlain Jul 26, 2022

Jill Chamberlain has helped thousands of writers find their stories. She has consulted on projects for major studios, for small independents, and for many, many spec screenwriters.
Jill’s Nutshell Technique for screenplay story structure has been praised throughout Hollywood. Producer Callum Greene (Star Wars Episode 9, Crimson Peak, and The Hobbit: The Desolation of Smaug) said “the Nutshell Technique is like the Rosetta Stone: it cracks the code behind why we love the movies that we love. It goes way beyond tired old beat sheet ‘formulas’ and instead guides you to organically write the story you want to tell.”
Jill's screenplay story structure guide, The Nutshell Technique: Crack the Secret of Successful Screenwriting, was an instant classic upon its release in 2016. Of the over 3,000 books on screenwriting on Amazon, The Nutshell Technique: Crack the Secret of Successful Screenwriting is one of the highest rated ones. It’s on the syllabus for film schools across the world including the world renowned screenwriting program at Columbia University.
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BONUS EPISODE: The Art of the $9000 Micro Budget Indie Film with Edward Burns Jul 25, 2022

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.
Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.
The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.
Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.
Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.
In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.
In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.
In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.
Actors would have to work for virtually nothing.
The film should take no longer than 12 days to film and get into the can
Don’t shoot with any more than a three-man crew
Actor’s use their own clothes
Actors do their own hair and make-up
Ask and beg for any locations
Use the resources you have at your disposal
I used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish.
Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.
Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.
When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.
Enjoy my conversation with Edward Burns.
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IFH 600: How to Direct Nail-Biting Action Films with Con Air's Simon West Jul 21, 2022

We made it to 600 Episodes! Thank you all for the support over the years. Here's to 600 more! Today's guest is action director Simon West.
Simon West is a British film director and producer. His films include “CON AIR” starring Nicholas Cage, “THE GENERAL'S DAUGHTER” starring John Travolta and “LARA CROFT: TOMB RAIDER” starring Angelina Jolie. West is the only live action director ever whose first three 3 films all grossed over $100m at the US box office. West also served as an executive producer on the Oscar nominated “BLACK HAWK DOWN”.
His television company has produced 6 TV pilots for US TV including acclaimed series such as Fox’s “KEEN EDDIE”, the CBS series “CLOSE TO HOME”, Fox’s “HUMAN TARGET” and the NBC series “THE CAPE”.
West directed the action packed remake of “THE MECHANIC” starring Jason Statham and Ben Foster and “THE EXPENDABLES 2” starring almost every action star in the movie world. This film grossed over $300m in worldwide box office.
West’s film titled “SKYFIRE” was one of the largest films ever made in China and opened number one at the box office there in 2019. His latest film “LEGEND HUNTERS” will be released in May 2021. Recently, West served as a judge for the 2019 Beijing International Film Festival and was a guest speaker at the 22nd Shanghai International Film Festival to advise the Chinese film industry on standardization.
West is currently in post-production on “Boundless – Sin Limites”, which marks the 500th anniversary of the first circumnavigation of the globe by Ferdinand Magellan and Juan Sebastian Elcano. The Amazon project was shot in Spain and The Dominican Republic.
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IFH 599: How to Acquire Original IP for Your Projects with David Kessler Jul 19, 2022

Originally from Philadelphia, David attended that city’s “Fame” high school, Creative And Performing Arts, where his classmates included QuestLove and Boyz II Men. He then graduated from Parsons School of Design in New York, and worked as a graphic designer for ad agencies, designed book covers, movie posters, and indie film titles.
He impulsively moved to Los Angeles in 2000 and became a stand-up comic for a while, performing at The Improv, The Vancouver Comedy Festival, and in sketches on “The Late Late Show With Craig Ferguson” and “The Showbiz Show with David Spade”. But he tired of comedy clubs after a few years and focused on writing instead. In 2006, his “Will & Grace” spec made it to the semi-finals of the Warner Bros. Comedy Workshop.
Switching to drama, he optioned the book “Minamata” (and the life rights of the author), about the experiences of journalist W. Eugene Smith photographing mercury poisoning victims in Japan. He wrote the screenplay in six weeks, and it got him a literary manager. Then Johnny Depp’s company came on board to produce with Depp himself as the star. Filming on MINAMATA completed in the Spring of ’19, with an expected release in Fall 2021. “Minamata” premiered at the Berlin Film Festival in 2020 and has since been picked up by Samuel Goldwyn Films for domestic distribution. It also stars Bill Nighy, Hiroyuki Sanada, Tadanobu Asano, and the singer Katherine Jenkins.
His follow up, DREAMERS (based on the book John Lennon Vs. The US), is about John Lennon’s immigration battle with the Nixon administration which legally set the stage (many years later) for DACA/The Dream Act.
David was recently hired by the director of “Minamata”, Andrew Levitas, to rewrite a script about the two brothers who owned Adidas and Puma and who battled each other for decades. That project, “Adidas V Puma”, is currently out to actors and mentioned in “The Hollywood Reporter” in early March 2021.
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BONUS EPISODE: The Art of Epic Filmmaking with Edward Zwick Jul 18, 2022

We have been on a major role lately on the podcast and this episode keep that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion of theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.
Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer.
Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.
Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss ho he made the jump from a low budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world and much more. Prepare to take notes on this one tribe. Enjoy my conversation with Edward Zwick.
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IFH 598: What You Don't Learn In Film School (Audiobook Preview) Jul 14, 2022

The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.
Multi Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should read if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool to those who have, or plan to, attend a college or university film school. Your Complete Guide To (Independent) Filmmaking.
An in-depth, no holds barred look at making movies from ‘concept to delivery’ in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking. Learn invaluable industry secrets from top to bottom and discover the truth about independent film distribution as the lid is torn off the many myths surrounding sales agents and today’s release platforms that are certain to open reader’s eyes - and ruffle a few feathers!
If you are a filmmaker do yourself a favor and pick up his book What You Don’t Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.
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IFH 597: Can Short Films Make Any Money? with Kim Adelman Jul 12, 2022

Kim Adelman began her producing career with the indie feature, Just Friends. She then launched the Fox Movie Channel's short film program, where the 19 shorts she produced won 30+ awards and played over 150 film festivals worldwide, including the Sundance Film Festival four years in a row.
Kim Adelman currently teaches Low Budget Filmmaking at UCLA Extension and Cinema Production II at Mount Saint Mary University. In 2014, she was named UCLA Extension's Entertainment Studies Instructor of the Year. In 2016, she won its Distinguished Instructor Award.
In addition to guest lecturing at UC Irvine, Cal State Fullerton, and Cal State Los Angeles, she has also taught filmmaking workshops across the US, Canada, and New Zealand. Most recently she led creative writing workshops for kids at UCLA’s Hammer Museum via 826LA and filmmaking for teens at Pasadena’s Norton Simon Museum.
Over the past two decades, Ms. Adelman has also reported extensively on festivals and short films for Indiewire, co-programmed the American Cinematheque's annual Focus on Female Directors short film screening series for fifteen years, and co-founded FFC: the Female Filmmaking Collective. She has also been a jury member and/or a panel moderator at numerous international film festivals, including Sundance Next and the Los Angeles Film Festival during its final year.
Her short film book, Making it Big in Shorts, is on its third edition and has been published internationally in Spanish and Mandarin. The three pop culture books she wrote for Penguin Random House are The Girls Guide to Elvis, The Girls Guide to Country, and The Ultimate Guide to Chick Flicks. which was also published in Japanese.
She has recorded a five-part educational podcast on independent filmmaking for UCLA Extension and co-hosted the 15-episode movie adaptation podcast Book to Screen, available on iTunes. She has also appeared as cinema expert in the ARTE documentary From Weepies to Chick Flicks, E!'s Hollywood & Sex special, and the DVD extras for Love Me Tender and Ghost. She was profiled for Women Transforming Media and appeared on
Kim Adelman was also Director of On Air Creative Production for Style Network until that network shut down. She has worked at multiple cable networks including FX/FXM, E!, G4, PopTV, the Game Show Network, and Cinevault.
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BONUS EPISODE: Blood, Bullets, Filmmaking and Octane with Joe Carnahan Jul 11, 2022

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.
In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.
Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.
Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.
As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.
THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.
Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.
Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team.
Joe follow that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.
Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory.
Joe latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!
Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.
Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more.
Getting ready to take an adrenaline-fueled ride with Joe Carnahan.
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IFH 596: The Art of Showrunning a Hit Amazon Show with Naren Shankar Jul 07, 2022

Naren Shankar is the Executive Producer/Showrunner of the critically acclaimed television adaptation of the international best-seller science fiction novel series, The Expanse, an Amazon Prime Original Series from Alcon Television Studios.
Naren spent eight seasons as a Writer-Executive Producer and Co- Showrunner of the most-watched show in the world, CSI:Crime Scene Investigation. In 2011 he helped launch NBC's Grimm as a Writer- Executive Producer.
Prior to CSI, Naren was an Executive Producer on the SyFy Channel cult hit series Farscape for The Jim Henson Company, and spent three seasons as a writer-producer on Showtime's The Outer Limits.
Naren began his career as a writer and science consultant for Star Trek: The Next Generation, and he holds a PhD in Applied Physics & Electrical Engineering from Cornell University.
Naren has been honored with multiple Emmy nominations for Best Series, a WGA Award nomination for CSI's two-hour event "Grave Danger" directed by Quentin Tarantino, and has received WGC and Saturn Awards for The Outer Limits, CSI, and Farscape. The Expanse won a Hugo Award for "Leviathan Wakes" in 2017 and was nominated in 2019 for "Abaddon's Gate."
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IFH 595: Marcel the Shell: From Viral YouTube Short to Hit A24 Film with Dean Fleischer-Camp Jul 05, 2022

Dean Fleischer Camp is the award-winning filmmaker and New York Times-bestselling author who created viral sensation MARCEL THE SHELL WITH SHOES ON. Since appearing on Filmmaker Magazine’s 25 New Faces of Independent Film in 2011, Camp’s work has been profiled in virtually every major American media outlet. In 2018, his first feature FRAUD was released to widespread controversy and acclaim, described as a "brilliantly provocative”(Filmmaker) and “exhilarating”(Sight+Sound) “masterwork”(Documentary Magazine) that “pushes the boundaries of documentary”(Variety).
His first scripted feature, an adaptation of MARCEL THE SHELL WITH SHOES ON starring Jenny Slate, Isabella Rossellini and Rosa Salazar, is slated for a 2022 theatrical release via A24. He has directed for Comedy Central, HBO, TBS, Adult Swim and Disney Interactive. Commercial clients include Atlassian, Pop-Tarts, Clearasil, Maltesers, and many others.
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BONUS EPISODE: Oscar® Winner Oliver Stone on Directing, Screenwriting and Surviving the Vicious Hollywood Game Jul 04, 2022

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.
I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender.
Enjoy my epic conversation with Oliver Stone.
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IFH 594: From Micro-Budget to World-Wide Distribution with Shane Stanley Jun 30, 2022

At sixteen years old, Shane had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..
The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.
In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.
The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.
His new film is Double Threat.
After skimming money from the mob, a, well-trained fighter, Natasha (Danielle C. Ryan), finds herself on the run with a kind, naïve accountant, Jimmy (Matthew Lawrence) whose life is about to get more thrilling than he could ever imagine.
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BONUS EPISODE: Why You Stop Yourself From Making Your Indie Film Jun 29, 2022

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
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IFH 593: The Way of the Creative Filmmaker with Jocelyn Jones Jun 28, 2022

BONUS EPISODE: The BRUTAL & RAW Truth About Indie Filmmaking with Darious Britt Jun 27, 2022

Today on the show we have director, producer, screenwriter, actor and YouTube sensation Darious Britt I had the pleasure of meeting Darious at the Mammoth Film Festival. At the festival, we were snowed in and pretty much stuck in our hotel. We sat down and talked for hours about indie film, his journey, my journey, the state of indie film, fear, setting goals and so much more.
I knew I had to have him on the show to talk shop. What you are about to listen to is a DEEP DIVE into the psychology of a standard indie filmmaker. We break down the brutal and raw truth of what it takes to make it in today's world.
We also discuss how to build and engage with an audience. His amazing channel D4Darious is a MUST for any and all filmmakers. I've been a fan of his work for years. I love his approach and teaching style. Here's a bit about the man.
He attended film school at the University of Arizona and graduated in May of 2012 with a bachelors in Media production. He toured his short film “Seafood Tester” to four international film festivals including the Oscar-qualifying Aspen Shorts fest in 2012.
Darious created the youtube channel D4Darious, in August of 2013 and it has since grown to over 340,000 subscribers and over 10 million views in five years.
He has toured his first feature film “Unsound” on the film festival circuit screening at over 20 international film festivals, winning 7 awards including best director at The Pan African Film Festival in 2015. He loves telling stories and helping other filmmakers learn the craft to reach their highest potential as storytellers.
Now I warn you, this episode runs nearly two hours but I promise you it will be worth it. I lost count of how many knowledge bombs went off in this episode. Prepare to get your mind BLOWN and enjoy my conversation with Darious Britt.
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IFH 592: Tales From the Indie Film Trenches with Aram Rappaport Jun 23, 2022

Aram Rappaport is filmmaker based in New York. Originally from Los Angeles, he began writing, directing and producing in his late teens including the one-take experimental film HELIX starring Alexa Vega.
He later adapted, produced and directed Max Berry's acclaimed novel into the film SYRUP starring Amber Heard, Shiloh Fernandez and Kellan Lutz and wrote, produced and directed the original film THE CRASH starring John Leguizmao, Frank Grillo, Minnie Driver and Dianna Agron.
THE GREEN VEIL is his first episodic project. He also runs the hybrid creative agency / production studio The Boathouse for which he's created and directed campaigns for such brands as Apple, Netflix, Victoria's Secret and SingleCare amongst others.
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IFH 591: How NOT to Get Screwed Over by a Distributor with John Kim Jun 21, 2022

If you are a filmmaker that want to sell your movie to the marketplace then this is MUST listen to conversation. Today on the show we have John Kim, Founder and CEO of Deep C Digital Distribution.
With 25+ years of sales and marketing experience, John has sold over 3,000 independent and major studio movies and TV shows to all the major digital, cable, and retail platforms. As Vice President of Digital Distribution at Paramount, he managed the Digital Sales Team and digital account relationships. Prior to this experience, he spent 10 years at Paramount and Disney managing over $1 Billion dollars of DVD/Blu-ray catalog business. Before entering the home entertainment industry, he served as a Brand Manager at Nabisco and a Marketing Director at Mattel.
Recently, John co-founded with Tyler Maddox, Voices Film Foundation (VFF), a nonprofit corporation uniting all people of color in the entertainment industry. John is a graduate of Yale University and has an MBA from the Kellogg Management School of Business at Northwestern University.
This is, by far, one of the most important conversations I have ever had on the show. Get ready to take notes. Enjoy my conversation with John Kim.
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BONUS EPISODE: Oscar® Winner Russell Carpenter A.S.C. - Shooting Blockbusters, Avatar, Titanic & James Cameron Jun 20, 2022

Oscar® Winner Russell Carpenter A.S.C. - Shooting Blockbusters, Titanic & James Cameron
I can't tell you how excited I am about today's guest. I sat down with the legendary and Oscar® Winning Cinematographer Russell Carpenter A.S.C. Russell has been shooting blockbusters for over 40 years and has shot films like Ant-Man, xXx: Return of Xander Cage, Charlie's Angels, The Negotiator, True Lies, Monster-in-Law and classic 90's action flicks like Hard Target, The Perfect Weapon, and Death Warrant.
He won the Oscar® for his cinematography on the second highest-grossing film of all time, Titanic. We go down the rabbit hole on shooting Titanic, working with James Cameron, crazy Hollywood stories, how he approaches each project and much more. This episode is a treasure chest of behind the scenes stories and cinematic techniques from the highest levels of Hollywood.
Get ready to be entertained and have your mind blown. Enjoy my epic conversation with Russell Carpenter A.S.C.
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IFH 590: Misadventures in Raising Money & Getting Your Film Made with Alex Lehmann Jun 16, 2022

Alex Lehmann is the writer, director, and producer of “Acidman” starring Dianna Agron and Thomas Haden Church. He also directed the highly anticipated Black List feature, “Meet Cute,” produced by Weed Road, and starring Pete Davidson and Kaley Cuoco.
A narrative and documentary filmmaker, Lehmann's films include Netflix's dramatic comedies “Paddleton,” starring Mark Duplass and Ray Romano, which premiered at Sundance in 2019, and “Blue Jay,” his narrative feature debut, starring Sarah Paulson and Mark Duplass. It premiered at TIFF in 2016 to critical acclaim. His HBO docu-series, On Tour with Asperger's Are Us is an extrapolation of his original feature doc Asperger's Are Us.
Lehmann’s work explores the themes of selfless love, friendship, and how a little vulnerability can connect us all.
His new film is ACIDMAN.
Maggie (Dianna Agron) arrives at a small, run-down house in the middle of nowhere to find it defaced by big orange letters reading ACIDMAN and learns that this is the locals' nickname for her reclusive father (Thomas Haden Church). After a decade apart, Maggie's offhand explanation for her visit is that she just wanted to check in on him, but this doesn't ring true considering how difficult he was to find. The two awkwardly want to get to know one another (Dad seems more comfortable talking through his dog Migo, or through Bobby, Maggie's childhood sock puppet friend), but are at the same time scared about what increasing familiarity will bring.
After Dad reluctantly brings her on one of his nighttime outings, Maggie realizes that his obsession with UFOs and communicating with extraterrestrial beings has only intensified over the years. She struggles to understand him, his single-mindedness and deteriorating mental health, all the while with her own life-changing news to share. Letting their relationship ebb and flow through anger, silly jokes, tender gestures, and sadness, director Alex Lehmann leads the film in a beautiful meditation on the cyclical nature of parenthood and the longing for connection.
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IFH 589: Confessions of a Hollywood Writer & Actor with John Leguizamo Jun 14, 2022

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.
Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.
He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.
The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.
His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.
The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.
He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.
The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.
Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.
He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.
There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.
Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.
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BONUS EPISODE: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone with Sean Baker Jun 13, 2022

Sean Baker: 'Tangerine' How to Shoot a Sundance Hit on Your iPhone
I've recently been looking and studying alternative shoot methods to shoot a feature film. One name that keeps coming up is Sean Baker. His ground-breaking film Tangerine made more noise at the Sundance Film Festival than the winner that year. The film was also produced by the indie film legends, Jay and Mark Duplass.
Tangerine was shot completely on an iPhone. Yes, an iPhone. The great thing was that after his Sundance screening no one in the audience or at the film festival knew that the film was shot on an iPhone.
What I respect about Sean Baker as a filmmaker is that he didn't focus on the technology when promoting his film, he let the story, actors and film speak for itself. If you haven't seen Tangerine you are missing out. Take a look at the RED BAND trailer below.
I wanted to put together a post that highlighted what can be done with minimal filmmaking tech and a great story. Sean Baker has definitely what can be done in today's filmmaking world.
Below are a ton of videos explaining the process Sean Baker and his director of photography Radium Cheung, HKSC went through making Tangerine, as well as a bunch of video explaining tips and tricks on how to turn your something you shot on an iPhone into cinematic gold. Enjoy my conversation with Sean Baker.
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IFH 588: How I Got My Film Directing Off The Ground with Sean Mullin Jun 09, 2022

Sean Mullin is an award-winning filmmaker. His critically-acclaimed feature film debut as a writer/director — Amira & Sam — won the top prize at numerous festivals and was distributed theatrically by Drafthouse Films. He’s the co-writer/co-producer of the film, Semper Fi – alongside Oscar-nominated director Henry-Alex Rubin (Murderball) and Oscar-nominated producer David Lancaster (Whiplash). Lionsgate released the film theatrically in 2019. He’s the writer/director of a feature-length documentary – Kings of Beer – about the world’s most intense brewmaster competition, which was released theatrically in 2019. He’s the writer/director of It Ain’t Over - a feature-length documentary about baseball legend, Yogi Berra – which will be released in 2022.
Prior to his filmmaking career, Sean served in the military. He was stationed in Germany as an army officer, but finished his time as a Captain in the New York Army National Guard – where he was a first responder on September 11th, 2001. For several months, he spent his days working as the Officer in Charge of the soldiers stationed at Ground Zero – and his nights performing stand-up comedy.
Sean holds an MFA from Columbia University and a B.S. from The United States Military Academy at West Point. He is a member of the Writers Guild of America (WGA), as well as the Producers Guild of America (PGA). Sean is represented by UTA. He resides in Los Angeles, where he runs Five By Eight Productions and is a guest lecturer at USC, AFI and West Point.
Lawrence Peter “Yogi” Berra is one of baseball’s greatest. He amassed ten World Series rings, 3 MVP awards and 18 All-Star Game appearances. He caught the only perfect game in World Series history. Yet for many his deserved stature was overshadowed by his simply being himself and being more recognized more for his unique personality, TV commercial appearances and unforgettable “Yogi-isms,” initially head-scratching philosophical nuggets that make a lot more sense the more you think about them. In telling the whole story, It Ain’t Over gives Berra his due in following the life of a savvy, commanding, bad-ball hitting catcher with a squat frame but also a D-Day veteran, loving husband and father and, yes, product endorser and originator (mostly) of his own brand of proverbs now ingrained into everyday life.
Granddaughter Lindsay Berra tells his story along with his sons, former Yankee teammates, players he managed, writers, broadcasters, and admirers (such as Billy Crystal), plus photos and footage on and off the diamond. Berra famously said,
“I’d be pretty dumb if I started being something I’m not,”
and It Ain’t Over lovingly makes clear he stayed who he was for the benefit of baseball and everyone else.
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IFH 587: Adventures in Directing My 1st Indie Film with Kyra Sedgwick Jun 07, 2022

Kyra Sedgwick is an award-winning actress, producer and director. She is best known for her Emmy and Golden Globe-winning role as Deputy Chief Brenda Leigh Johnson on the TNT crime drama “The Closer” and most recently starred on the ABC comedy “Call Your Mother.” She recently directed the feature film SPACE ODDITY, which stars Kyle Allen and Alexandra Shipp.
In 2018, Sedgwick received a DGA nomination for her directorial debut with the feature STORY OF A GIRL. She then helmed the short film GIRLS WEEKEND, which premiered at the 2019 Sundance Film Festival. She has directed episodes of “Grace & Frankie,” “City on a Hill”, “Ray Donovan,” “Brooklyn Nine-Nine” (on which she also had a recurring role) and many others.
Her film roles include THE EDGE OF SEVENTEEN, THE POSSESSION, THE GAME PLAN, SECONDHAND LIONS, WHAT’S COOKING, PHENOMENON, HEART AND SOULS, SOMETHING TO TALK ABOUT, BORN ON THE FOURTH OF JULY and SINGLES.
Planets and lives collide in this Kyra Sedgwick-directed feature. Alex (Kyle Allen) longs to travel to outer space and finally gets the opportunity to do so thanks to a privately-funded Mars colonization program. In the midst of his rigorous preparation, he meets Daisy (Alexandra Shipp), the new girl in town who’s trying to start over. The two wayward souls connect in unexpected ways, both of them harboring secrets that they’re desperately trying to overcome. However, when questions about the legitimacy of the program and the future of his parents’ flower farm begin to crop up, Alex finds himself questioning whether it’s easier to confront his past or fly away into the stars.
In a time where nihilism about the Earth’s future is rampant, it can be difficult to find optimism about what comes next. However, Space Oddity is a heartwarming film that encourages living life to the fullest with those you love the most
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BONUS EPISODE: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It Jun 06, 2022

I'm truly PISSED OFF guys and am tired of seeing my fellow indie filmmakers and artist struggle to make a living doing what they love. I decided to put together a lists of steps that every indie filmmaker needs to do in order to thrive in the film business.
Since this website is call INDIE FILM HUSTLE the terminology I'll be using will be aimed at filmmaking or screenwriting but all of these concepts can be applied to any art form.
PLEASE NOTE: If you were to ever listen to a podcast of mine, this is the one. I'll be laying out the steps in the article but I go MUCH DEEPER into each one on the podcast.
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IFH 586: Inside the Blumhouse Filmmaking Machine with Marcus Dunstan Jun 02, 2022

Marcus Dunstan’s screenwriting with his partner, Patrick Melton, include such horror films as FEAST 1-3, SAW IV-V-VI& SAW 3D THE FINAL CHAPTER, PIRANHA , GOD OF WAR, FINAL DESTINATION 6, and SCARY STORIES TO TELL IN THE DARK. Marcus Dunstan’s directing credits include THE COLLECTOR, THE COLLECTION, THE NEIGHBOUR, BLUMHOUSE’S PILGRIM and this summer’s BLUMHOUSE PRESENTS: UNHUMAN.Dunstan is a producer of THE CANDIDATE, and executive producer of 2022’s horror-thriller TAKE BACK THE NIGHT. Currently Dunstan and Melton are collaborating once again with Blumhouse and Disney + on a soon to be announced suspense thriller series, as well as the horror film ESCAPE: HALLOWEEN with Live Nation and Insomniac.
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IFH 585: What is the Controversial Indie Film NFT Franchising Method? with Cameron Van Hoy May 31, 2022

Cameron Van Hoy is a veteran in the entertainment industry. After a stint acting, he wrote and produced films such as Treasure of the Black Jaguar, Tooken, and Sharkproof. He really came into his own producing the hit horror comedy Tragedy Girls, which hit theaters around the world and has gone on to become a cult classic.
His debut directorial feature, Flinch, was released early this year to great acclaim and theatrical distribution before finding a digital home with the tech giants of Amazon, Apple, and Google. The film continues to accumulate a loyal following and Van Hoy has an affinity for gritty stories documenting love, family and crime in an epic and timeless way.
Cameron created the indie film called Flinch that was are released and franchised via NFTs. It’s a controversial method, but we are aiming to be trailblazers of the industry and help mitigate the controversy surrounding NFTs by releasing it with a solid foundation. It stars Daniel Zovatto, Tilda Cobham-Hervey, Cathy Moriarty, Tom Segura, Buddy Duress, David Proval, Steven Bauer, Michael Drayer and more. It is a crime thriller that tells the story of a young hitman who lives with his mother and a girl who witnesses them commit a murder.
The backbone of any film growing a supporting audience is the community behind it. NFTs survive and thrive off of their communities. We are creating 9,999 original art pieces that are representative of characters in the universe. Community members will have the opportunity to purchase these for a set amount each. The funds from these NFTs will go into making the sequel to Flinch. Upon selling all of the NFTs, the film immediately goes into preproduction. A dedicated audience of nearly 10,000 have an interest in ensuring the film succeeds.
Those who hold these NFTs can be verified and are rewarded for doing so. After parties with the cast and crew, special Q&As with the director, early access to the script, visits to set during shooting, and red carpet premiers. They gain exclusivity. Additionally, as a reward, 50% of the income generated from the movie will go into a shared community wallet. The NFT holders can vote on how to use these funds. They can use it to market and promote the film, create additional IP (comic books, TV shows, etc.), or whatever else they want to do with it! It gives holders “skin in the game” of the art and movies they love.
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IFH 584: Secrets to Creating Great Character Moments with Chris Riley May 26, 2022

Chris Riley is a screenwriter whose first film, After The Truth, an award-winning courtroom thriller written with his wife and professional partner, Kathy, sparked international controversy in 1999 when it was released in Germany.
Other credits include 25 To Life, a dramatic thriller for Junction Entertainment and Touchstone Pictures; The Other White House, a political thriller for Sean Connery’s Fountainbridge Films and Intermedia; Aces, an action-adventure romance for Paramount Pictures; and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network. A veteran of the Warner Bros. script department, Riley is the author of The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style. He serves as professor of film at John Paul the Great Catholic University in San Diego and previously taught in the MFA program in writing for screen and television at Pepperdine University.
He served as creative director at Yellow Line Studio where he executive produced the web series Bump+ and produced the feature Red Line. He is a founding partner of the online Story Masters Film Academy.
His new book is The Defining Moment How Writers and Actors Build Characters.
Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character’s formation that they create a distinct boundary of before and after, moments without which the character couldn’t exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves.
Features:
The first in-depth study of the essential principles that will redefine the way storytellers understand their characters and themselves.
Essential insights into the forces that create character
Dozens of examples of character-defining moments from film, television, theater and literature
An exploration of pivotol moments: birth, death, discovery, decision-making, injury and healing
An examination of how writers and actors employ defining moments in their deepest and most unforgettable works
Insights into how directors, editors, cinematographers and composers dramatize key moments
Practical exercises for defining and redefining character
Tips for discovering the moments that matter most
Deeply personal stories from the authors’ lives to illustrate the variety of moments that define us.
For every storyteller, no matter their medium, The Defining Moment will redefine the way they understand their characters and themselves.
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IFH 583: Are Film Festivals Worth It Anymore? with Slamdance Co-Founder Dan Mirvish May 24, 2022

Prior to that, Dan directed the award-winning, critically-acclaimed feature Bernard and Huey, scripted by Oscar/Pulitzer-winner Jules Feiffer, and starring Oscar-winner Jim Rash and David Koechner which screened in over 30 film festivals on 5 continents, had a nationwide US theatrical release, and sold to over 49 countries. Dan is the author of the bestselling non-fiction book The Cheerful Subversive’s Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution from Focal Press/Routledge.
The fully updated, post-pandemic 2nd Edition starting selling on July 6, 2021 and hit #1 on Amazon's New Releases chart. His film Between Us, an award-winning feature starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries, and got a 50+ city theatrical release in the US, and sold to 144 countries, plus screening on Netflix, Showtime, Starz and all digital outlets.
Dan was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival. His film Open House prompted the Academy Awards to controversially rewrite their rules on the Best Original Musical category. Mirvish also co-wrote his bestselling, critically-acclaimed novel I Am Martin Eisenstadt based on the fake McCain advisor who took credit for Sarah Palin not knowing Africa was a continent.
A former speechwriter for U.S. Sen. Tom Harkin, Dan has a master's degree from USC film school, is a member of the Directors Guild of America, has guest lectured at more than 45 film schools and universities and was named as one of Variety's Top 50 Creatives to Watch.
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IFH 582: How to Cast, Finance and Package an Indie Film with Courtney Lauren Penn May 19, 2022

Courtney Lauren Penn co-founded and runs the multi-faceted production company Renegade Entertainment with her co-founder Thomas Jane. Courtney oversees content: producing film, series and hybrid new media projects alongside Jane. Renegade is a pioneering outfit that has been among the most active production labels since launching in late 2019. The company is active in several verticals – feature films, streaming and TV series, and comic book and graphic novel publishing and production.
Since its inception, Renegade has produced a slew of independent feature films, a short form comedy series, a television and streaming 8 episode series for the ABC in Australia and IMDBtv/Amazon alongside AGC Television, is currently in production on a comic book series THE LYCAN for ComiXology Originals at Amazon; 3 features the duo produced releasing in 2022 and in pre-production on several films for 2022.
The first film the duo executive produced was the western thriller THE LAST SON, starring Thomas Jane, Sam Worthington, Colson Baker (Machine Gun Kelly) (released December 2021), followed by horror comedy SLAYERS, starring Abigail Breslin, Thomas Jane and Malin Akerman (releasing September 2022). Courtney and Jane further produced DIG starring Emile Hirsche, Thomas Jane and Harlow Jane, bowing in June 2022, as well as MURDER AT YELLOWSTONE CITY, starring Richard Dreyfuss, Gabriel Byrne, Isaiah Mustafa, and Thomas Jane, set to premiere June 24, 2022. The company just wrapped on ONE RANGER for Lionsgate in March 2022.
Among the myriad projects currently being developed by Courtney and Jane is the long-awaited adaptation of Stephen King’s FROM A BUICK 8. The duo have a large slate including several best-selling novels they are in development on. Adopting a material-first, platform agnostic philosophy, Courtney embraces the growing disruption in the entertainment ecosystem and together with Jane have built a selective slate of compelling stories and edgy material with global commercial appeal. She takes a transmedia approach to cultivating IP and collaborating with gifted storytellers and partners to build out her company’s diverse content slate.
Courtney attended the University of Pennsylvania and subsequently studied Filmmaking and Direction at NYU’s Tisch School for the Arts. She is a former National Chess Champion, Top 50 Women’s Chess Player, Visiting Committee Member of Hematologic Oncology at the Dana Farber Institute, Platinum Member of New York Women in Film & Television, Member of the Producers’ Council of the Producers Guild of America, and proud mother to her son. Courtney began her career in sell-side mergers and acquisitions and corporate restructuring on Wall Street.
Renegade participates annually in charitable giving to institutions who directly participate in “research to bedside” care for children with cancer and vulnerable children in high conflict zones. In March 2022, Courtney & Jaime King teamed up and used Instagram to promote the booking of AIRBNB’s in conflict zones in the Ukraine as a means of getting funds directly to the people mid-conflict.
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IFH 581: Screenwriting & Showrunning Friends and Grace & Frankie with Marta Kauffman May 17, 2022

Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were greenlit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends.
Marta’s expansive and successful career includes creator, director, EP and showrunner credits on a number of television series, films, digital series and projects. In 2015, Kauffman started her production company, Okay Goodnight, with industry veteran Robbie Tollin and Hannah KS Canter.
Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix’s longest-running original ever. The series has received multiple Emmy and SAG nominations and is premiering the final episodes of its seventh and last season later this year. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix.
Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety’s TV Producers Impact Report for consecutive years in 2019 and 2020. Okay Goodnight and Kauffman currently have numerous projects in various stages of development at multiple networks.
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IFH 580: How to Cast a Bankable Star with Thomas Jane May 12, 2022

Thomas Jane is a prolific actor, director, and producer, with extensive credits including the series The Expanse and Hung, and the features The Punisher, 61, The Predator and Boogie Nights. Jane recently starred in in the hit thriller The Vanished, and his film Run Hide Fight world premiered at the 77th Venice Film Festival. Jane will next be seen in the anticipated drama series Troppo for IMDb TV/Amazon, based on the bestselling novel by Candice Fox, which he is also executive producing via his Renegade Entertainment banner.
Jane founded the production company Renegade Entertainment with Courtney Lauren Penn in 2019. Since its inception, Renegade has produced the soon to be released features Murder at Yellowstone City, starring Jane, Gabriel Byrne, and Isaiah Mustafa; Dig, starring Jane, Emile Hirsch, and Harlow Jane; The Last Son, starring Jane, Sam Worthington and Colson Baker; and Slayers, starring Jane, Abigail Breslin and Malin Akerman.
Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, Dreamcatcher, and The Mist.
Jane is a writer and director, directing one of the first-ever natively shot films in 3D, the noir thriller Dark Country, as well as the celebrated season 5 episode “Mother” of his hit series The Expanse. He founded the graphic novel company RAW Studios in 2011.
Thomas recently opened up his new production company Renegade Entertainment.
Thomas Jane and Courtney Lauren Penn’s Renegade Entertainment has been prolific since launching late in 2019. Since the start of the pandemic the company has completed production on Murder at Emigrant Gulch, starring Gabriel Byrne, Isaiah Mustafa, and Thomas Jane; Dig, starring Thomas Jane, Harlow Jane, and Emile Hirsch; The Last Son, starring Thomas Jane, Sam Worthington, and Colson Baker; and Slayers, starring Abigail Breslin, Thomas Jane, and Malin Akerman.
Renegade is in production on their first scripted series Troppo, based on the bestselling novel by Candice Fox. Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, The Mist, and Dreamcatcher.
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IFH 579: I Made a Short Film Now WTF Do I Do With It (Audio Book Preview) May 10, 2022

In this episode you get a FREE PREVIEW of the IFH Books release of I Made A Short Film Now WTF Do I Do With It audio book on Audible.
Written by award-winning filmmaker Clarissa Jacobson, I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!
I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.
Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.
What Others Are Saying:
"I Made a Short Film Now WTF Do I Do With It is jam-packed with first-hand knowledge, tips, and secrets on how to enter film festivals, promote your movie, and achieve your wildest filmmaking dreams. It’s required reading for every indie filmmaker who wants to gain an audience, stand out on the festival circuit, and work towards a career as a filmmaker." -- Film Daily
"Ultimately, Clarissa’s book is a very thoughtful reflection on her experiences making and marketing her successful and hilarious horror comedy “Lunch Ladies.” This reflection is a wonderful knew resource for filmmakers who are making or have already completed a new short film, but are looking for some help maximizing its audience-seeking potential." -- Horrible Imaginings Film Festival blog
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IFH 578: Making Money in Niche Filmmaking with Adam Schomer May 03, 2022

Adam Schomer is a conscious filmmaker, president of i2i Productions and is known for going to extreme lengths to follow stories that empower us. Feature documentaries include THE HIGHEST PASS (2012), THE POLYGON (2014), ONE LITTLE PILL (2015). WOMEN OF THE WHITE BUFFALO (2022) and the #1 iTunes Best-Seller and NETFLIX hit, HEAL (2017).
His recent docuseries is a heart pounding and spirit driven quest to find freedom on motorcycles in the Himalayas, THE ROAD TO DHARMA (2020) and its companion online course for Living a Life of Freedom. In addition to making films, he has been a documentary distribution consultant for select films including CHASING THE PRESENT and produced their online summit as well as the online summits for FANTASTIC FUNGI and HEAL.
Adam is also a certified Master Sattva Yoga and Meditation Teacher, and really Adam has this history of using pilgrimage and life’s adventures to reveal deeper truths. His company i2i Productions mission is to Unite Through Wisdom and Entertainment.
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IFH 577: Directing & Showrunning Halo with Steven Kane Apr 28, 2022

Steven Kane is an American television and theater writer, producer and director.
Personal Life: Steve Kane was born in Cherry Hill, New Jersey, where he graduated from Cherry Hill High School West as a proud member of the 1985 and 1986 New Jersey Knowledge Bowl Championship Teams. His rock band, Next Century, almost came in third in back to back "Battle of the Bands" contests (Kane played key-tar) but he did manage to win consecutive "Best Director" awards in the school's annual One Act Play festival. He also had a girlfriend.
Flush with these early successes, Kane went on to major in English and French at the University of Pennsylvania before attending graduate film school at the University of Southern California. His USC Masters Thesis, a short film entitled Heroic Symphony, garnered awards at film festivals around the country. He had several girlfriends during this time.
Career: Kane got his start in the entertainment industry writing and directing independent film and theater. His first feature film, The Doghouse, won Best Director at the NY Indy Film Festival. His collection of One Act plays, Out of Your Mind, had a successful run in Los Angeles at the GuerriLA Theater.
His television credits as a writer and producer include The Closer (for which he received an Edgar Nomination), Major Crimes, Alias, NCIS, and Without a Trace, as well as comedies American Dad and Curb Your Enthusiasm. From 2012-2018, he served as Creator, Executive Producer, and show runner of TNT's The Last Ship, a post-apocalyptic drama based on William Brinkley's novel of the same name.
In 2019, it was announced that Steven would join the HALO series at Showtime as Showrunner, Head Writer, and Executive Producer.
Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future. In a war for humanity's very survival, our deadliest weapon is our greatest hope.
See Master Chief, Cortana, the Covenant, and the other Spartans of Silver Team more in this epic trailer for the new Paramount+ Original Series, Halo. Find the Halo, win the war. Stream the premiere of the new original series Halo on Thursday, Mar. 24, exclusively on Paramount+.
In its adaptation for Paramount+, HALO will take place in the universe that first came to be in 2001 with the launch of Xbox®’s first “Halo” game. Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, HALO the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.
The series stars Pablo Schreiber (the Master Chief, Spartan John-117), Natascha McElhone (Dr. Halsey), Jen Taylor (Cortana), Bokeem Woodbine (Soren-066), Shabana Azmi (Admiral Margaret Parangosky), Natasha Culzac (Riz-028), Olive Gray (Miranda Keyes), Yerin Ha (Kwan Ha Boo), Bentley Kalu (Vannak-134), Kate Kennedy (Kai-125), Charlie Murphy (Makee) and Danny Sapani (Captain Jacob Keyes).
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IFH 576: Inside Making One of the Most Insane Indie Films Ever! with The Daniels Apr 26, 2022

Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing.
They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects.
They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer.
They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following.
While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24.
When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse.
They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.
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IFH 575: From Clerks to Shooting Boba & The Mandalorian with David Klein Apr 21, 2022

David Klein, A.S.C. (born December 1972) is an American cinematographer known for working with director Kevin Smith on the films Clerks, Mallrats, Chasing Amy, Clerks II, Zack and Miri Make a Porno, Cop Out, Red State.
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Klein, a member of the American Society of Cinematographers, was the director of photography for True Blood on HBO and for Homeland on Showtime. Klein was hired for the latter position beginning with Homeland's third season, taking over cinematographer duties from Nelson Cragg who had served as the series' director of photography for two seasons.
In 2020, Klein served as the cinematographer on Season 2, Episode 6 of The Mandalorian, titled "Chapter 14: The Tragedy" which was directed by Robert Rodriguez. He will also serve as cinematographer on multiple episodes of The Book of Boba Fett.
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IFH 574: Disrupting The Unfair Hollywood System With NFT’s With Adam Scorgie Apr 19, 2022

Adam Scorgie’s plan A has always been to work hard, be humble and take chances; and it has worked tremendously to date. A father of 3, a loving husband and an acclaimed documentarian, Adam has an astonishing ability to balance his relentless work schedule and his invaluable family time.
Born in Trail, British Columbia, Adam has also spent time living in Australia, Singapore and the Unites States of America. Primarily growing up in BC’s Okanagan Valley, Adam was inspired to move to New York City, where he spent 3 years studying film and television at the renowned William Esper Studios in Manhattan.
Upon his return to Canada, Adam invested every dollar he had to produce his first feature documentary, ‘The Union: The Business Behind Getting High’. ‘The Union’ exceeded all expectations by being selected to 33 film festivals, where it won several best feature documentary awards.
The success of ‘The Union’ demanded a follow up, which lead to the crowd-funded sequel, ‘The Culture High’. Upon request in 2012, the film, which focused on the war on drugs, would go on to screen for government officials in Canada’s Parliament Hill during the country’s preliminary steps to legalizing marijuana nationwide. Adam was very fortunate to be a two-time guest on Joe Rogan’s to talk about the impact of both films.
Being a Golden Glove boxer in his teenage years, Adam’s interest in hand-to-hand combat lead him to spend 8 years developing ‘Ice Guardians’, a film examining the enforcer role in the NHL. Adam’s high school was also home to many players for the WHL’s Kelowna Rockets, which opened the door to conversations with NHLers such as Stanley Cup Champion Scott Parker.
After many years of production, the film premiered to rave reviews in 2016 - the film landed at Netflix, where it can still be streamed worldwide.
To date, Adam has produced 12 feature films, with another two feature documentaries currently in various stages of production ‘Breaking Olympia’ and “Direct to Dolph: An American Dream” along with a three-part doc-series also in production titled “Thunder: The Life & Death of Arturo Gatti” it’s safe to say Adam and Score G Productions has been able to stay busy during the global pandemic.
Adam is a shining example of how powerful a person can be by simply putting in the work every day in order to achieve their dreams. His leadership and loyalty to his team has ensured that his future films guarantee to impress and inspire those who watch them.
Creative Hustle Key NFT Give Away
Adam and his partner Shane are doing a limited run of 999 early-supporter NFTs that offer a ton of utility and access to our team and documentary stars, as well as lots of chances to win super unique filmmaking experiences; all expenses paid.
Phase 1
In April 2022 we launch the Creative Hustler Key – a collection of 999 early-supporter membership tokens handcrafted by our 3D designer and brimming with community access and rare experiential giveaways.
Phase 2
We bring the community more behind the scenes than ever before, continuing to reward those who hold a Creative Hustler Key, while announcing new opportunities to connect with ScoreG documentary talent.
Phase 3
As legacy media becomes more centralized, we see the growing possibilities of decentralization in Web3. In Phase III we will break the conventional model of film financing, bypass the gatekeepers, and fund future projects through Web3, giving creative freedom back to artists and opportunity for the community to be more involved than ever before.
Indie Film Hustle is giving away two NFTs to the IFH Tribe. All you need to do is go to The Creative Hustler Key NFT Giveaway and sign up for one of our FREE masterclasses. The winner will be chosen at random. The winner will be announced next week.
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IFH 573: Vampires, The Devil and Working in Hollywood with Brian Nelson Apr 14, 2022

Today on the show we have screenwriter Brian Nelson.
Nelson holds degrees from Yale University and from UCLA. He worked as a drama instructor at Langley High School in McLean, Virginia in the early 1980s, where he taught Gilmore Girls actress Lauren Graham, Little Miss Sunshine screenwriter Michael Arndt, and UCLA screenwriting instructor Brian David Price.
Nelson's numerous writing credits include episodes of the television series Lois & Clark: The New Adventures of Superman, Gene Roddenberry's Earth: Final Conflict, JAG and the Disney television series' So Weird and In a Heartbeat as well as the feature film Hard Candy. He also wrote the play "Overlooked" and co-wrote the script for the vampire film 30 Days of Night, which was released in late 2007 and helmed by Hard Candy director David Slade.
Nelson wrote the script for the M. Night Shyamalan-produced thriller Devil. Nelson wrote episodes 3 and 8 of the Netflix original series Altered Carbon, as well as executive-producing the show.
His new project is Agent Stroker.
AGENT STOKER is a paranormal thriller – part Raymond Chandler, part Philip K. Dick, and all macabre all the time. AGENT STOKER is the love child of The Shadow and Black Mirror, it’s “The X-Files with a drinking problem.”
AGENT STOKER is the tale of a wounded man working for the Night Brigade, tracking data points that might just indicate coming apocalypse. AGENT STOKER is scripted supernatural fiction created by Chris Conner and Brian Nelson (both from Altered Carbon).
Brian and I had on heck on a fun time talking shop. Enjoy my conversation with Brian Nelson.
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IFH 572: The RAW Reality of Being an Indie Producer with Miranda Bailey Apr 12, 2022

Miranda Bailey is a prolific producer, actor and director, known for producing high quality independent films. Her passion for bringing compelling, well-crafted stories to the screen has been the driving force in her distinguished 15-year filmmaking career. Bailey has produced over 20 films, among them the Oscar®-nominated THE SQUID AND THE WHALE and the Spirit Award-winning THE DIARY OF A TEENAGE GIRL, as well as James Gunn’s SUPER, the Sundance hit SWISS ARMY MAN, the critically acclaimed NORMAN and the indie hit DON’T THINK TWICE.
Bailey’s directorial narrative feature debut BEING FRANK, an offbeat family drama/comedy premiered in the Spotlight Section at the 2018 SXSW Film Festival and was theatrically released June 2019. She assembled a decorated cast including Grammy-nominated comedian, actor, writer, producer and New York Times best-selling author Jim Gaffigan, two-time Emmy winning actress Anna Gunn, Samantha Mathis and Logan Miller. Karen Kehela Sherwood of Imagine Entertainment produced the film alongside Amanda Marshall of Bailey’s Cold Iron Pictures. Bailey’s made her documentary debut GREENLIT – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Bailey’s second documentary, THE PATHOLOGICAL OPTIMIST, the film was released theatrically by The Film Arcade and on VOD by Gravitas.
In 2018, Bailey teamed with Gurl.com co-founder Rebecca Odes to launch CherryPicks, a groundbreaking aggregate movie review and rating service by female critics for the female audience. The site went live in 2019 and over 800 female critics are subscribed to provide their reviews on the site.
A production powerhouse, Bailey’s Cold Iron Pictures has amassed an extensive list of critical and commercial successes, including SWISS ARMY MAN, starring Golden Globe-nominee Paul Dano and Daniel Radcliffe, theatrically released by A24. DON’T THINK TWICE, directed by Mike Birbiglia, starring Gillian Jacobs and produced with Ira Glass (This American Life) was distributed by The Film Arcade. NORMAN, directed by Joseph Cedar (BEAUFORD, a Foreign Language Film Oscar nominee), premiered at the Toronto International Film Festival and was released by Sony Classics. Bailey also produced I DO…UNTIL I DON’T, directed by and starring Lake Bell and Ed Helms. Additionally, in 2019, she produced the Sundance hit documentary, THE UNTITLED AMAZING
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IFH 571: The Ugly Truth of Being a Hollywood Screenwriter with Rich Wilkes Apr 07, 2022

Get ready for on heck of a ride. Today on the show we have screenwriter Rich Wilkes.
Wilkes' major-studio debut was as screenwriter of the 1994 film Airheads. The story revolves around a group of loser musicians called The Lone Rangers who take a radio station hostage to get their song played on the radio. Airheads was directed by Michael Lehmann and distributed by 20th Century Fox.
This was followed by a co-writer credit (alongside director James Melkonian) for the 1994 comedy The Stoned Age, set in the stoner subculture of Southern California during the 1970s.
The same writing and directing team then collaborated with The Jerky Boys to create the 1995 production The Jerky Boys: The Movie, featuring the eponymous comedians (self-described as "low-lifes from Queens") as New York City youths who get into trouble with the Mafia when one of their prank calls leads them into a money laundering business.
Wilkes is credited as the sole screenwriter for the 2002 action-adventure film XXX and a "based on characters created by" credit as being as the creator of the XXX franchise.
Wilkes co-wrote the Mötley Crüe biopic The Dirt, based on the New York Times bestselling book by Neil Strauss and Mötley Crüe. The film took 17 years to get made. David Fincher was initially attached to direct in 2004, followed by Larry Charles in 2008.
Rich and I had a raw conversation about what it is really like to be a screenwriter in Hollywood, warts and all. This episode should be reqired listening for any screenwriter thinking of getting into the Hollywood screenwriting game.
Enjoy my eye-opening conversation with Rich Wilkes.
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IFH 570: How I Made My Filmmaking Dream Come True with Andy Erwin Apr 05, 2022

IFH 569: How to Build a Career as a Screenwriter with J.Mills Goodloe Mar 31, 2022

Today on the show we have director and screenwriter J. Mills Goodloe.
J. Mills Goodloe grew up in Fort Lauderdale, Florida and attended Southern Methodist University in Dallas, Texas. He began his career at Warner Brothers working for director Richard Donner. Goodloe worked from 1992 to 1995 as Donner's assistant on Lethal Weapon 3 and Maverick, both starring Mel Gibson, then segued into producing where he developed and produced Assassins starring Sylvester Stallone, Antonio Banderas and Julianne Moore.
In 1996, Goodloe produced Conspiracy Theory, once again starring Mel Gibson, along with Julia Roberts, and Lethal Weapon 4, the fourth installment of the billion dollar grossing Lethal Weapon series.
In 2001, Goodloe wrote and directed A Gentleman's Game starring Gary Sinise, Dylan Baker and Philip Baker Hall. In 2005, Goodloe wrote the adaptation for the John Grisham novel Bleachers for Revolution Studios. Goodloe also co-wrote the screenplay for the inspirational sports film Pride, released theatrically by Lionsgate and starring Terrence Howard and Bernie Mac.
In 2014, Goodloe's adaptation of Nicholas Sparks' novel Best of Mewent into production, starring Michelle Monaghan and James Marsden and directed by Michael Hoffman.
Based on the bestselling novel by acclaimed author Nicholas Sparks, The Best of Me tells the story of Dawson and Amanda, two former high school sweethearts who find themselves reunited after 20 years apart, when they return to their small town for the funeral of a beloved friend. Their bittersweet reunion reignites the love they've never forgotten, but soon they discover the forces that drove them apart twenty years ago live on, posing even more serious threats today. Spanning decades, this epic love story captures the enduring power of our first true love, and the wrenching choices we face when confronted with elusive second chances.
In 2013, Academy Award nominated director Hany Abu-Assad was hired to direct Goodloe's screenplay Mountain Between Us, a Twentieth Century Fox project based upon the novel by Charles Martin.
In the Spring of 2014, Goodloe's original screenplay Age of Adaline began principal photography, starring Harrison Ford, Blake Lively and directed by Lee Toland Krieger. The film will be released by Lionsgate in the Spring of 2015.
After miraculously remaining 29 years old for almost eight decades, Adaline Bowman (Blake Lively) has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones (Michiel Huisman) reignites her passion for life and romance. When a weekend with his parents (Harrison Ford and Kathy Baker) threatens to uncover the truth, Adaline makes a decision that will change her life forever.
In 2014, Sony Studios hired Goodloe to write the screenplay Christian the Lion with Neil Moritz' Original Film producing. His other projects include a scripted drama for Bravo Television called All the Pretty Faces which he and Jennifer Garner are producing.
Enjoy my conversation with J. Mills Goodloe.
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IFH 568: I Sold My Eggs to Finance My Indie Film with Sonja O'Hara Mar 29, 2022

Today on the show we have writer, actor and director Sonja O'Hara. You might recognize here from my feature film On the Corner of Ego and Desire where she played an insane director at Sundance.
Sonja O’Hara is an Emmy-nominated queer writer, director and actor represented by WME and Management 360. She was chosen as one of the “10 Filmmakers To Watch” by Independent Magazine, selected by a jury from MovieMaker Magazine, the Sundance Institute and Austin Film Festival. (Past recipients include Barry Jenkins of MOONLIGHT.)
Sonja just directed two back to back features which are currently completing post-production: MID-CENTURY, a provocative thriller starring Stephan Lang (DON'T BREATHE) and two time Academy Award® nominee Bruce Dern, produced by Jeremy Walton (THE INVENTOR with Marion Cotillard), and ROOT LETTER, an adaptation of the popular Japanese PlayStation game, written by Tribeca Film Festival Narrative Prize winner David Ebeltoft and starring Danny Ramirez of THE FALCON AND THE WINTER SOLDIER.
Sonja also created and directed the Webby award winning series DOOMSDAY which was nominated for the 2021 Daytime Emmy Awards. For DOOMSDAY, she was awarded the “Best Director” prize out of 4000 submissions at The New York Television Festival. Sonja sold her original series ASTRAL to Adaptive Studios.
I wanted to have her on the show to discuss not only her directing career but also wanted to discuss her remarkable story on how she financed DOOMSDAY...she sold her eggs! This is easily the most unique film financing method I'd ever heard of. She made a film about her experience called Ovum.
An offbeat young actress who will do anything for a part, ends up giving up a part of herself when her method acting exercise goes too far and she ends up selling her eggs.
Enjoy my conversation with the remarkable filmmaker Sonja O'Hara.
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IFH 567: Inside Pixar's Brain Trust Turning Red with Julia Cho Mar 24, 2022

Award-winning playwright and co-writer of Pixar’s TURNING RED, Julia Cho was born and raised in the arid suburbs of Southern California and Arizona. After a fairly uneventful childhood, she unexpectedly discovered theater as a teen and subsequently foiled her parents’ expectations of a life of respectability and normalcy.
Disney and Pixar’s “Turning Red” introduces Mei Lee (voice of Rosalie Chiang), a confident, dorky 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter—an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren’t enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda! Directed by Academy Award® winner Domee Shi (Pixar short “Bao”) and produced by Lindsey Collins.
Instead, armed with an MFA in writing from NYU and a prestigious fellowship at The Juilliard School, Julia launched herself into the New York theater scene. She soon landed residencies at the Sundance Lab and New Dramatists and productions at high-profile theaters in NYC and across the country. Memorable productions include “The Language Archive” (winner of the Susan Smith Blackburn Award), “Aubergine” and “Office Hour.” For her body of work, she received the 2020 Windham-Campbell Literary Prize for Drama which wrote: “Alternately lyrical and sharp, rigorous and whimsical, Cho’s plays demand that we listen.”
Alongside her theatrics, Cho has also cultivated a career as a writer and producer of a broad range of television shows from cult sci-fi (“Fringe”) to character-driven drama (“Big Love,” “Halt and Catch Fire”). She also adapted the critically-acclaimed novel The Madonnas of Echo Park for HBO and Starz, which showcased her ability to transform eloquent fiction into dynamic and propulsive narrative.
Driven by keen curiosity and a passion for language, Julia strives to create work that expands our worlds and sparks our deepest empathies. She’s currently under commission for South Coast Repertory to write a new play and is a Co-Executive Producer for the Amazon series, “Paper Girls.” In other words, she’s following a movie about four thirteen-year-old girls with a series about four twelve-year-old girls. A project about four eleven-year-old girls is forthcoming.
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IFH 566: Confessions of a First-Time Director with Krystin Ver Linden Mar 22, 2022

Today on the show we have writer and director Krystin Ver Linden. She has always steered the course of her career and her life with her love for film, and it shows through her work. She was recently chosen as one of Variety’s2022 “10 Directors to Watch,” a coveted honor. Ver Linden’s script Ride sold to Lionsgate with Joey Soloway attached to direct and was featured on the Black List. She went on to sell numerous scripts as well as the pitch Love in Vain, an unconventional biopic centering around blues music pioneer Robert Johnson. The pitch is set up at Paramount with Lorenzo di Bonaventura, Mike Menchel and multiple-Grammy-winning recording artist Lionel Richie producing.
Her new film is Alice.
Alice (Keke Palmer) yearns for freedom as an enslaved person on a rural Georgia plantation. After a violent clash with its brutal and disturbed owner, Paul (Jonny Lee Miller), she flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering the year is actually 1973. Rescued on the roadside by a disillusioned political activist named Frank (Common), Alice quickly comprehends the lies that have kept her in bondage and the promise of Black liberation. Inspired by true events, Alice is a modern empowerment story tracing Alice’s journey through the post-Civil Rights Era American South.
We discuss how she got Quentin Tarantino became her mentor and much more. Enjoy my inspiring conversation with Krystin Ver Linden.
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IFH 565: Inside Creating Top Gun & Writing in Hollywood with Jack Epps Jr. Mar 17, 2022

It is an absolute thrill to have Jack Epps Jr. on the show today. The award-winning writer, USC Cinematic Arts professor and filmmaker is a member of the Writer's Guild of America and the Academy of Motion Picture Arts and Sciences. He’s best known for writing Top Gun, The Secret of My Success, Turner & Hooch, and Anaconda 1997 screenplay.
Jack first became involved in making films while doing his undergraduate at Michigan State University. Inspired by a student film festival, Epps made his first film the following semester which became Pig vs. Freaks that was later titled Off Sides.
Top Gun was Epps’ big break. He partnered with Jim Cash who was his screenwriting professor at Michigan State University, to write several projects and Top Gun was one of those screenplays. Top Gun’s success was seismic. It became a box office number one grossing $ 357.1 million on a $ 15 million budget while also stacking several accolades including an Academy Award, Golden Globes, and a number of other international film awards.
As students at the United States Navy's elite fighter weapons school compete to be the best in the class, one daring young pilot (Tom Cruise) learns a few things from a civilian instructor that are not taught in the classroom.
Epps is credited for the original screenplay in the sequel, Top Gun: Maverick which will be released this November.
Epps shares co-writing credits with Jim Cash and Hans Bauer for the screenplay of the Anaconda adventure horror film series of 1997 and 2004. The first story follows a National Geographic film crew in the Amazon Rainforest that is taken hostage by an insane hunter, who forces them along on his quest to capture the world's largest - and deadliest - snake.
While the first film did not receive critical acclamation, it grossed $136.8 million worldwide against a budget of $45 million.
In the second film, Anaconda: The Hunt for the Blood Orchid, the premise is quite similar. A scientific expedition team of researchers set for an expedition into the Southeast Asian tropical island of Borneo, to search for a sacred flower for which they believe will bring humans to a longer and healthier life, but soon become stalked and hunted by the deadly giant anacondas inhabiting the island.
Here is a clip of Gordon (Morris Chestnut) after being paralyzed from a spider bite, who comes face to face with death.
These are some classics and I couldn’t wait to chat with Jack about his creative journey---from his work as a cinematographer and an assistant cameraman on various local productions, to his love for writing or reviewing romantic comedies films like Viva Rock Vegas, and Sister Act.
Let's dig in, shall we? Enjoy this conversation with Jack Epps.
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IFH 564: SXSW 2022 Inside Making the Cow with Eli Horowitz Mar 15, 2022

Eli Horowitz is the co-creator/co-showrunner of HOMECOMING, both the Gimlet podcast and Amazon series, which stars Julia Roberts and Janelle Monae. He received a WGA nomination for the series in 2019. Previously, he co-created of The Silent History, an innovative digital novel; The Clock Without a Face, a treasure-hunt mystery; and Everything You Know Is Pong, an illustrated cultural history of table tennis. He was the managing editor and publisher of McSweeney’s. He was born in Virginia and now lives in Northern California.
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IFH 563: Writing Blockbuster Movies & Television with Danny Strong Mar 10, 2022

Today on the show we have writer, producer, actor, director and Emmy® winning show runner Danny Strong.
Danny started his career as an actor in numerous classic films and TV shows such as Buffy The Vampire Slayer and Gilmore Girls, then transitioned into screenwriting, exploding onto the scene with his 2007 script Recount which was #1 on the Hollywood Blacklist and became an award winning HBO Film.
Since then he has become a prolific film and TV writer, director and producer, garnering numerous awards for various projects, including two Emmys, a Golden Globe, two WGA awards, a PGA Award, and the Peabody Award.
Through out his career he has shown a wide range and versatility moving between mediums and genres with films like the political docudramas Recount and Game Change, the civil rights epic The Butler and the big budget action blockbusters Hunger Games: Mockingjay (Part I and II).
He co-created the smash hit TV show Empire which won him the NAACP Image Award and he produced the civil rights drama The Best of Enemies starring Taraji P. Henson and Sam Rockwell. He has also written numerous theater projects having made his theatrical debut with a new book to the musical Chess that premiered at the Kennedy Center.
Strong transitioned into directing with several episodes of Empire. He made his feature directorial debut with Rebel in the Rye that premiered at the Sundance Film Festival and was distributed by IFC Films.
Over the years he has continued his acting career with recurring roles in many highly acclaimed TV shows including Mad Men, Girls, Justified, Billions and The Right Stuff. He grew up in Manhattan Beach, California and attended the USC School of Dramatic Arts.
Enjoy my enlightening conversation with Danny Strong.
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IFH 562: The Director's Six Senses with Simone Bartesaghi Mar 08, 2022

Simone Bartesaghi is an Italian award-winning filmmaker who has been recognized by the Directors Guild of America (DGA) and AMPTP (Alliance of Motion Picture and Television Producer) as an artist with "Extraordinary Ability in Directing”.
At the age of 24 Simone received his Master’s Degree in Economics at the University of Pisa, Italy. Three years later he established a successful Consulting Company specializing in Corporate Organization and Planning. In 2001 he gave up his thriving career to pursue his childhood dream.
Two years later he won several prizes as the Writer/Director of short films, but the highest recognition came when he won the first and second place at the Milan International Film Festival, and became the recipient of both the Top and second Award, TWO Scholarships for THE LOS ANGELES FILM SCHOOL.
Only four years after his arrival in the United States, he directed his first feature film DOWNSTREAM, that acquired a theatrical release and also received the prestigious Accolade Award.
Simone's second feature RUN, a 3D film that he wrote and directed, has won several prizes including Best Screenplay and Best Emerging Director and is distributed in USA by Millennium. The movie is about the new discipline Parkour (Freerunning) with a rich cast including Eric Roberts (The Dark Knight), Adrian Pasdar (Heroes), Kelsey Chow (Pair of Kings) and William Moseley (Chronicles of Narnia).
Simone’s accomplishments and communicative skills have been recognized by many educational organization around the world and he is now an Adjunct Professor in Filmmaking at the prestigious Santa Monica College.
Simone is also a published author with his book "The Director's Six Senses", an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have.
The Director’s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It’s based on the premise that a director is a storyteller 24/7 and must be aware of the “truth” that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the “directorial senses” in order to be able to tell a story in the most effective way.
Enjoy my conversation with Simone Bartesaghi.
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IFH 561: How to Raise $2 Million Using NFTs with Arel Avellino Mar 03, 2022

NFTs are all the rage today but how can indie filmmakers use them to generate revenue? I did an entire episode dedicated to NFT and Indie Films last year and it is, by far, one of the most downloaded episodes ever.
Today on the show we have a filmmaker and creator that was able to raise $2 million for a brand new IP using NFTs. His name is Arel Avellino. His brother and him launched an NFT collection called Strange Clan and raised $2 million dollars in sales of the NFTs which has basically helped kickstart the launch of the Strange Clan IP.
Arel told me:
As someone who is in the film space, I know you know how challenging launching a new IP is which is why so many of our movies today are recycled IPs, spin offs, sequels, and relaunches of old IPs that were successful. I'm not sure if I've heard you talk about this yet on your show, but crypto is an incredibly powerful tool for funding new IPs because it is transparent, gives your audience huge exposure to the success of the project, and allows for a deeper level of community engagement.
He wants to see more filmmakers coming to the space and taking advantage of the innovations of crypto without getting sunk by the hype.
Enjoy my enlightening conversation with Arel Avellino.
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IFH 560: Misadventures in Directing Your 1st Feature with Brian Petsos Mar 01, 2022

Today on the show, we have actor, writer, director Brian Petsos. Brian is the writer director of the new film, "Big Gold Brick" starring Andy Garcia, Oscar Isaac, Megan Fox and Lucy Hale just to name a few.
After graduating from art school, Brian Petsos eventually began acting and improvising. While in the conservatory at Chicago’s famed SecondCity, he started writing; and later he began making films. Since leaving Chicago for New York City, he has carefully expanded his repertoire to include varying works that he has written, directed, produced, performed in, or some combination thereof.
Petsos started his company, A Saboteur, with the mission of producing innovative, original, boundary - pushing films that challenge traditional expectations and underline artistic integrity. His work has run the gamut, from short form content on HBO and spots for commercial clients, to full - length feature films and writing scripts for major studios.
But today he is primarily focused on writing, directing, and producing his own distinctly flavored work. Petsos's highly anticipated feature debut, BIG GOLD BRICK, will be released by Samuel Goldwyn Films in North America in winter of 2022.
The film recounts the story of fledgling writer Samuel Liston (Emory Cohen) and his experiences with Floyd Deveraux (Academy Award nominee Andy Garcia), the enigmatic middle - aged father of two who enlists Samuel to write his biography.
Golden Globe winner Oscar Isaac, Megan Fox, Lucy Hale, and Shiloh Fernandez round out this incredible cast in key supporting roles. The film was written and directed by Petsos, and produced by Petsos and Greg Lauritano under Petsos’s A Saboteur banner, with Executive Producers Isaac and Kristen Wiig.
Prior to BIG GOLD BRICK, Petsos wrote, directed, and produced the highly lauded LIGHTNINGFACE (starring Isaac, executive produced by Isaac and Wiig; lightningface.com). The film was an Official Selection of over 30 festivals around the world — including the 60th edition of the BFI London Film Festival, among other high lights.
It received a Best Actor nomination for Isaac at the 2017 Vaughan International Film Festival and a nomination for Best Narrative Comedy at the 2016 Miami short Film Festival, and it was the winner of both the Vortex Grand Prize at the 2016 Rhode I sland International Film Festival and Best Short Film at the 2016 Filmfestival Kitzbühel.
The film premiered online in summer of 2017 as a highly coveted Vimeo Staff Pick and received an abundance of press coverage — from The Hollywood Reporter to The Huffin gton Post, from Indiewire to /Film, to Slate, BuzzFeed, Gizmodo, Film Threat, Nerdist, and many other outlets globally — which ignited virulent enthusiasm and a continuing flurry of social media chatter.
Film School Rejects referred to it as, “Quite simply one of the most intriguing short films of 2017,” adding that, “if LIGHTNINGFACE is eligible for an Oscar Nomination...the other contenders should look out.”
Brian and I had a very raw and open conversation about how difficult it was to get this project.
Big Gold Brick recounts the story of fledgling writer Samuel Liston and his experiences with Floyd Deveraux, the enigmatic middle-aged father of two who enlists Samuel to write his biography. But the circumstances that lead up to this arrangement in the first place are quite astonishing—and efforts to write the biography are quickly stymied by ensuing chaos in this darkly comedic, genre-bending film.
We really get into the weeds about how difficult it was for them to get it going off the ground. Just because he had major talent involved doesn't mean that it got any easier getting the budget together and so many other little gems.
Enjoy my conversation with Brian Petsos.
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IFH 559: How to Get Your Project on Netflix with RB Botto Feb 24, 2022

Today on the show we have returning champion RB Botto.
For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.
It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.
In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.
Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.
Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.
In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
Enjoy my epic conversation with RB Botto.
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IFH 558: Directing the Oscar® Nominated King Richard with Reinaldo Marcus Green Feb 22, 2022

Reinaldo Marcus Green is a writer, director, and producer. He most recently directed the critically acclaimed Warner Brothers film King Richard starring Will Smith. The film is nominated for Best Picture at the Critics Choice Awards, was named one of the Top 10 Films of the Year by both AFI, the National Board of Review and an Academy Award® nomination for Best Picture.
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Based on the true story that will inspire the world, Warner Bros. Pictures’ “King Richard follows the journey of Richard Williams, an undeterred father instrumental in raising two of the most extraordinarily gifted athletes of all time, who will end up changing the sport of tennis forever. Two-time Oscar nominee Will Smith (“Ali,” “The Pursuit of Happyness,” “Bad Boys for Life”) stars as Richard, under the direction of Reinaldo Marcus Green (“Monsters and Men”).
Driven by a clear vision of their future and using unconventional methods, Richard has a plan that will take Venus and Serena Williams from the streets of Compton, California to the global stage as legendary icons. The profoundly moving film shows the power of family, perseverance and unwavering belief as a means to achieve the impossible and impact the world.
Aunjanue Ellis (“If Beale Street Could Talk,” TV’s “Quantico”) plays the girls’ mom, Oracene “Brandi” Williams, Saniyya Sidney (“Hidden Figures,” “Fences”) stars as Venus Williams, Demi Singleton (TV’s “Godfather of Harlem”) stars as Serena Williams, with Tony Goldwyn (the “Divergent” series, TV’s “Scandal”) as coach Paul Cohen and Jon Bernthal (upcoming “The Many Saints of Newark,” “Ford v Ferrari”) as coach Rick Macci.
The ensemble also includes Andy Bean (“IT Chapter Two”), Kevin Dunn (the “Transformers” films, HBO’s “Veep”) and Craig Tate (“Greyhound”).
Green directed “King Richard” from a screenplay written by Zach Baylin. The producers were Tim White and Trevor White under their Star Thrower Entertainment banner, and Will Smith under his Westbrook banner.
Isha Price, Serena Williams, Venus Williams, James Lassiter, Jada Pinkett Smith, Adam Merims, Lynn Harris, Allan Mandelbaum, Jon Mone and Peter Dodd served as the executive producers.
The behind-the-scenes creative team includes Oscar-winning director of photography Robert Elswit (“There Will Be Blood”), production designers Wynn Thomas (“Da 5 Bloods,” “Hidden Figures”) and William Arnold (“The Hate U Give”), Oscar-nominated editor Pamela Martin (“The Fighter”), and two-time Oscar-nominated costume designer Sharen Davis (“Dreamgirls,” “Ray”).
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His first feature, Monsters and Men had its world premiere at the 2018 Sundance Film Festival. The film received a Special Jury Prize for Outstanding First Feature. Reinaldo directed the first three episodes of the Netflix series, Top Boy, executive produced by Drake and SpringHill Entertainment.
His sophomore feature Joe Bell, starring Mark Wahlberg, premiered at TIFF 2020 and was distributed by Amazon and Roadside Attractions. He is currently in post-production on the upcoming HBO Limited Series We Own This City. Reinaldo directed all of the episodes of the series, written and executive produced by David Simon and George Pelecanos. Following, Reinaldo is attached to write and direct the upcoming Bob Marley biopic at Paramount.
Enjoy my conversation with Reinaldo Marcus Green.
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IFH 557: The Brutal Truth About Making Indie Films with Daniel Sollinger Feb 17, 2022

Today on the show we have producer Daniel Sollinger. Daniel and I have fought in the same indie film trenches for years. I had the pleasure of working with him on multiple occassion over the past 1o years.He has a new film coming out called Clean, starring Academy Award® Winner Arian Brody.
Tormented by a past life, garbage man Clean (Adrien Brody) attempts a life of quiet redemption. But when his good intentions mark him a target of a local crime boss (Glenn Fleshler), Clean is forced to reconcile with the violence of his past. The film also stars Richie Merritt, Chandler Ari DuPont, Mykelti Williamson, RZA, Michelle Wilson, and John Bianco. It is written by Paul Solet and Adrien Brody. Clean, directed by Paul Solet, arrives in theaters, On Demand, and digital on January 28, 2022.Daniel and I discuss the brutal truth on producing and making indie films in today world.
The conversation is full of real-world stories, advice and lessons to help you on your path. Enjoy!!!
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IFH 556: Blockbuster Producing in Indie Films with Sunil Perkash Feb 15, 2022

IFH 555: The Frankenstein Self-Distribution Model with Ryan Templeton Feb 10, 2022

Today on the show we have filmmaker Ryan Templeton. Ryan has been developing a "Frankenstein" self-distribution model for the ever-changing filmmaking landscape. Though this interview was recorded before the pandemic it seemed almost Nostradamus-like in its tone.
Ryan and I discuss the changing Hollywood landscape and how indie filmmakers can take advantage of new opportunities that are being created in the vacuum left by the studio model of doing business.
Enjoy my conversation with Ryan Templeton.
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IFH 554: From Short Films to Narcos with Josef Kubota Wladyka Feb 08, 2022

Today on the show we have writer, producer, and director Josef Kubota Wladyka.
Josef Kubota Wladyka’s debut feature film, Manos Sucias, won Best New Narrative Director at the 2014 Tribeca Film Festival and was nominated for two Independent Spirit Awards, Best First Feature and Best Editing.
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Josef has also directed episodes of the acclaimed television shows, Narcos, Fear the Walking Dead, and The Terror. Residing in Brooklyn, New York, Josef holds an MFA from New York University's Graduate Film Program and was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. He remains committed to making socially conscious genre films.
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Kaylee “K.O.” Uppashaw, a mixed Indigenous boxer, prepares for a championship fight. Her hands are wrapped, gloves taped shut, and face greased. She pounds the mitts with her trainer, Brick. The room echoes with the strength of each hit. She’s preparing for the boxing match of her life. The crowd roars in the distance as the sounds crescendo into a fever pitch— Kaylee wakes up in a women’s shelter from a wishful dream of a life she once had.
This is her reality. A boxer struggling to pick up the pieces of her life. After her shift working at a diner, Brick drives her to a clandestine rendezvous. They meet a P.I. who presents evidence that Weeta, Kaylee’s younger sister who disappeared two years ago, is possibly alive and circulating in a trafficking network.
He tells her a time and place to plug herself into this dangerous world in hopes of finding her sister. Kaylee agrees and sets off on a dark and treacherous journey. Her strength and determination are tested as Kaylee fights the real fight of her life—to find Weeta and make her family whole again.
Enjoy my conversation with Josef Kubota Wladyka.
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IFH 553: How to Build a Production Company with Michael D. Ratner Feb 03, 2022

Today on the show we have entrepreneur and filmmaker Michael D. Ratner.
Michael founded OBB Pictures in 2016 and under his leadership the company has grown into OBB Media, an award winning production company and studio with divisions in film, TV, digital, podcasts, branded content, and social good.
In addition to running OBB and expanding the business, Ratner continues to act as a multi-hyphenate leading creative on OBB’s marquee projects. Ratner recently directed and executive produced the Amazon Studios Justin Bieber: Our World film.
Justin Bieber: Our World takes viewers backstage, onstage and into the private world of the global superstar as he prepares for a record-breaking New Year’s Eve 2020 concert. After a three-year hiatus from a full concert, Bieber delivers an electrifying performance on the rooftop of the Beverly Hilton Hotel for 240 invited guests —and millions of fans across the globe watching via livestream. Produced and directed by award-winning filmmaker Michael D. Ratner, the94minute documentary follows Bieber and his team for the month leading up to the show as they rehearse and construct a monumental stage set. The film also captures personal self-shot moments between Bieber and his wife Hailey through the artist’s own lens.
Earlier that year, he directed and executive produced the critically acclaimed SXSW 2021 opening night headlining film Demi Lovato: Dancing with the Devil.
Demi Lovato holds nothing back in this powerful four part documentary series exploring every aspect that led to their nearly fatal overdose in 2018, and her awakenings in the aftermath. Director Michael D. Ratner is granted unprecedented access to the superstar’s personal and musical journey during the most trying time of their life as they unearth prior traumas and discovers the importance of physical, emotional, and mental health. Far deeper than an inside look beyond the celebrity surface, this is an intimate portrait of addiction, and the process of healing and empowerment.
Prior to that, the Justin Bieber: Seasons docuseries, which broke the record for YouTube Originals as the most-viewed premiere ever globally. These projects focus on helping to normalize and foster dialogue around mental health, conversations around self worth, and supporting causes for social good.
Ratner is also the creator, showrunner, director and executive producer of Cold as Balls, the comedy series starring Kevin Hart, which has garnered over 1.8 billion viewers to date and just wrapped its fifth season, and is available on Peacock. Ratner executive produced and directed on &Music for Quibi, and executive produced The Harder Way for ESPN+.
He directed and produced Justin Bieber’s music video Intentions, which featured Bieber and Quavo highlighting the stories of 3 Los Angeles women’s struggles, and launched the Intentions Fund. Ratner also co-directed the music video for Dancing With The Devil, alongside Demi Lovato, which was the lead single from their last studio album. Both music videos were nominated for VMAs.
Prior to that, Ratner served as executive producer and director on OBB’s Historical Roasts for Netflix. Ratner has also produced and/or directed a number of films that have premiered at Sundance, Tribeca, and SXSW, including Gonzo @ the Derby for ESPN’s acclaimed 30 for 30 series, which followed Hunter S. Thompson’s trip to the Kentucky Derby and is narrated by Sean Penn.
Ratner has been recognized by Variety Hollywood’s Creative New Leaders list as well as Forbes 30 Under 30 Hollywood & Entertainment. Prior to that, Ratner graduated summa cum laude from the University of Pennsylvania and went on to receive a Master of Fine Arts in film directing, writing, and producing from New York University’s Tisch School of the Arts.
Enjoy my inspiring conversation with Michael D. Ratner.
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IFH 552: The Profitable Feature Film Formula with Rob Goodrich & Jason Armstrong Feb 01, 2022

Today on the show we have film producers Jason Armstrong and Rob Goodrich.
Armstrong and Goodrich founded Walk Like A Duck Entertainment, a film production company that develops and produces high quality scripted and non-scripted content.
With a combined 30+ years in the entertainment industry, Armstrong and Goodrich have held positions in all aspects of production with a focus on IP acquisition, development, packaging and raising capital.
The company has forced strong and supportive relationships with filmmakers and talent, advising and collaborating through all aspects of production.
Jason and Rob are currently in pre-production on Andy Armstrong’s SQUEALER, and recently completed production on the following films: SLAYERS (starring Abigail Breslin, Malin Akerman, Thomas Jane), DIG (starring Thomas Jane, Emile Hirsch, Liana Liberato), SKELLY (starring Brian Cox, Torrey Devitto, John Palladino), and SALVATION (Claire Forlani, Thomas Jane, Skeet Ulrich, Theo Rossi, Ashley Moore).
They have also acquired life rights of John Fairfax, an adventurer who crossed both the Atlantic and the Pacific Oceans in a rowboat, which they’re currently developing with Tiffany Fairfax, widow of John Fairfax.
Armstrong and Goodrich puts a premium value on developing creative and strategic partnerships across sales, distribution, co-production and post-production companies. The trajectory of a project varies on a case by case basis, Armstrong and Goodrich are uniquely positioned to manage all aspects of a projects lifespan.
As music, publishing and sync-licensing continue to establish increasing revenue streams and relevance in a financial model for a film or TV series, they have established 6 To Midnight Music, an ASCAP / BMI affiliate with a Co-Publishing deal with BMG Music, headed by Walk Like A Duck Entertainment partner, Cameron Goodrich.
Film producers Jason Armstrong and Rob Goodrich have created a way to produce profitable feature films in record speed durning one of the craziest and uncertain times in film history. I sat down with both producers to see how they are doing what they are doing, how they ramped up so fast and how they are making money with there system.
Enjoy my conversation with Jason Armstrong and Rob Goodrich.
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IFH 551: Sundance 2022 - La Guerra Civil with Eva Longoria Jan 27, 2022

Today we have the award-winning actress, director, producer, entrepreneur and activist by the name of Eva Longoria.
Eva Longoria has long established herself as one of the most sought after television directors in Hollywood. Named by Variety as one of their most anticipated directors of 2021, Longoria continues to hone her craft, seek new projects, and expand opportunities for others by paving the way for future women and minority producers, directors and industry leaders in Hollywood and beyond.
Her strong work ethic coupled with her passion for storytelling has led to a pivotal moment as she prepares for the release of her feature film directorial debut with Flamin’ Hot. She recently wrapped production for the highly anticipated Searchlight biopic about the story of Richard Montañez and the spicy Flamin’ Hot Cheetos snack for which she beat out multiple high profile film directors vying for the job.
Eva became well known worldwide thanks to Desperate Housewives, where she played a main character, Gabrielle Solis.
In my journeys as a colorist, VFX and post production supervisor I had the pleasure of working on a film Eva starred and produced Without Men years ago. I had a ball working on it.
The women of a remote Latin American town are forced to pick up the pieces and remake their world when all the town's men are forcibly recruited by communist guerrillas. The only men left in town for years are the priest and Julio who was disguised as a woman.
As an trailblazing actress, director, producer, entrepreneur and activist, Eva Longoria has become one the most significant trailblazers behind the camera. For over a decade, she has been directing and choosing projects that have purpose and are focused on elevating the stories of the Latinx and other underrepresented communities.
Eva past television directing credits include the ESPN 30 for 30 documentary Versus, as well as episodes of Ashley Garcia: Genius In Love, Grand Hotel, Black-ish, The Mick, LA to Vegas, Jane the Virgin, Telenovela, Devious Maids, Latinos Living the Dream, and the short films Out of the Blue and A Proper Send-Off.
She was also nominated for a 2021 Daytime Emmy for her directing work on Ashley Garcia: Genius In Love.
As a Global Brand Ambassador for L’Oreal Paris for over 15 years, Longoria has become a frequent director of the brand’s commercials, she recently upped the ante by self-directing the first ever hair color TV commercial created at home on a smartphone at the start of the COVID-19 pandemic.
Eva has also contributed writing to publications on the subject of education. She also has a contract with L'Oreal and has been named one of the most beautiful people. Her latest documentary La Guerra Civil is in this year's Sundance Film Festival.
This feature-length documentary follows the epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican-Americans. A chronicle of a battle that was more than a boxing rivalry, and examining a fascinating slice of the Latino experience in the process.
Here some of why Eva took on this film:
“In the Mexican and Mexican-American communities, boxing is so much more than a sport. It is a cultural expression of who we are. The 1996 “Ultimate Glory” fight between Julio César Chávez and Oscar De La Hoya will forever be an iconic memory in our lifetimes. At the time, Chávez was a Mexican national hero entering the 100th professional fight of his career and De La Hoya was a Mexican-American boxer about to enter his prime.
Given the distinct differences between these two men and their respective fandoms, nowhere has a rivalry been more intense while also transcending borders to bring everybody together to root for the art of boxing. Many of these same issues of cultural identity dramatically parallel what we are dealing with in our world 25 years later.
This is why I wanted to tell this story: to remind people that we can find commonalities amid our differences to bring us back together.”
Eva and I discuss her struggles coming up as an actress, transitioning into directing and producing and her new film La Guerra Civil.
Enjoy my conversation with Eva Longoria Bastón.
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IFH 550: Building a Hollywood Directing Career with Brad Silberling Jan 26, 2022

Today on the show we have writer, producer and director Brad Silberling. I had the pleasure of meeting Brad back in 2005 at my first Sundance Film Festival. He was very kind with his time and gave me some great advice.
His feature films include City of Angels starring Meg Ryan and Nicholas Cage, Moonlight Mile, starring Jake Gyllenhaal, Dustin Hoffman and Susan Sarandon; Lemony Snickett’s A Series of Unfortunate Events, starring Jim Carrey and Meryl Streep; 10 Items of Less starring Morgan Freeman, Land of The Lost starring Will Ferrell, as well as his debut film, the family classic Casper, produced by Steven Spielberg.
In television, his growing stable of hit series include the critically acclaimed comedy Jane The Virgin as well as the period drama Reign, contemporary reboots Dynasty and Charmed, and the new Disney Plus series Diary of A Future President. He is a graduate of the UCLA School of Theater Film and Television where he earned his masters degree in production, following his bachelor’s degree in English from UC Santa Barbara.
Brad and I had an amazing talk about the business, warts and all, what it was like having Steven Spielberg as a mentor and how he built his directing career.
Enjoy my conversation with Brad Silberling.
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IFH 549: Sundance 2022 - God's Country with Julian Higgins Jan 25, 2022

Julian Higgins is a Los Angeles-based director, writer, and producer. His first feature, GOD'S COUNTRY – a neo-Western thriller starring Thandiwe Newton – will premiere at the 2022 Sundance Film Festival.
Julian’s short films have screened around the globe and won dozens of prizes, including the gold medal Student Academy Award, two Student Emmy Awards, and the grand prize of Ron Howard’s “Project Imagination” Contest. His most recent short, WINTER LIGHT, was a top ten finalist for the Oscar.
A New Hampshire native, Julian holds a BFA in Film from Emerson College and an MFA in Directing from the American Film Institute. He currently teaches directing at both institutions.
Based on a short story by acclaimed author James Lee Burke, God’s Country is a character-driven thriller set in the snowy wilderness of the American West. Thandiwe Newton plays Sandra Guidry, a Black professor living and working in a rural college town. She’s also grieving her recently-deceased mother, for whom she'd served as primary caretaker. On the day of the burial, Sandra discovers a mysterious red truck parked in her driveway.
She soon learns it belongs to a pair of local hunters seeking to enter the forest behind her house. Sandra turns them away politely but firmly – her experience tells her these are not the sort of men to welcome freely into her world. But they won’t take no for an answer, and soon Sandra finds herself drawn into an escalating battle of wills that puts her most deeply-held values to the test.
Enjoy my conversation with Julian Higgins.
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IFH 548: How I Wrote a Sundance Film with Chloe Okuno Jan 21, 2022

Well Sundance 2022 has begun and so has our coverage. Today on the show we have writer/director Chloe Okuno.
Chloe is a graduate of UC Berkeley with a masters degree from the American Film Institute Conservatory. There she received the Franklin J. Shaffner Fellow Award, and directed the award-winning horror short film SLUT. Her recent work includes writing a remake of “Audrey Rose” for Orion Pictures and writing and directing a segment of the anthology series V/H/S/94.
She's the director of this year's Sundance feature film Watcher.
Julia joins her husband when he relocates to his family’s native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied. One night, people-watching from her picture window, she spots a vague figure in an adjacent building, who seems to be looking back at her. Soon after, while alone at a local movie theater, Julia’s sense of being watched intensifies, and she becomes certain she’s being followed — could it be the same unknown neighbor? Meanwhile, a serial killer known as The Spider stalks the city.
Below i
In making “Watcher,” I wanted to capture a kind of constant, uncomfortable dread that accompanies many women throughout their lives- one that is expressed through the character of Julia. Julia moves into this apartment building with her husband and quickly begins to believe she is being watched.
She recognizes that the Watcher is a threat. She feels it very clearly- even if it’s difficult to articulate the extent of that threat to the people around her. It’s a situation that’s probably quite familiar to most women. We experience the world in a different way than men and then when we try to express that experience, we’re often doubted- written off as paranoid, irrational, or overly sensitive… which in turn can make us begin to doubt ourselves.
This has always been at the core of a story that in other ways has evolved greatly since I was first hired to direct it in 2017. Initially, the script was set in New York City, but when it became clear that we would be shooting the movie in Romania, I decided to rewrite it to take place in Bucharest.
There are times as a filmmaker where practical limitations end up being creatively very freeing- unlocking something great when you’re willing to embrace the unexpected. This was one of those times. Suddenly, Julia’s experience as a foreigner in this new city heightens all her other feelings of unease and uncertainty.
She finds herself increasingly isolated- largely unable to speak the language and therefore alienated from everyone around her. There were of course natural (sometimes uncomfortable) parallels shooting the movie on location in Romania: unable to speak the language, oftentimes sequestered in a hotel room amidst the raging pandemic, and occasionally fighting against the doubt that surrounds you as a woman working in a male dominated profession.
Fortunately, life didn’t fully imitate art. I finished the movie without any nightmarish descent into Watcher-style darkness, content with the hope that all of the tension found its way on screen.
The filmmakers I admire are the ones who are able to create a language for emotion through their craft, translating what they feel into a form that other people can see and experience for themselves.
For Watcher I was inspired by the work of David Fincher, Sofia Coppola, Satoshi Kon, Roman Polanski, Krzysztof Kieslowski, and Mary Harron- filmmakers who have excelled at translating fear, loneliness, and alienation. The hope is always that there will be someone else who can empathize- telling stories so that we can take comfort in the recognition of ourselves in others. As a person filled with seemingly endless anxieties, making films is the best- and possibly the only- way I’ve found to confront them.
I’ve done my best to portray them honestly in this film, and I can only hope that those who have experienced similar fears and anxieties will find solace in the knowledge that they are not alone.
Enjoy my conversation with Chloe Okuno.
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IFH 547: Inside the Low-Budget & Profitable Films of Asylum with Jared Cohn Jan 20, 2022

Today on the show we have prolific indie filmmaker Jared Cohn.
Jared Cohn is a film/TV director, writer, and producer based in Los Angeles, CA. He has directed over 40 films that have been produced and distributed by major studios and production companies such as Netflix, Hulu, Showtime, Syfy, Lifetime, and many more.
His works have been released theatrically and he has won numerous awards and has been featured in GQ, New York Times, LA times, Variety, The Hollywood Reporter, Deadline and many other press outlets. I wanted to have Jared on the show to discuss his process, his origin story and what it was like directing over 20 films for the legendary film studio Asylum Films.
His new film is Deadlock starring Bruce Willis.
Bruce Willis stars as Ron Whitlock, a wanted criminal leading a team of mercenaries on a mission of vengeance. Convinced that the government is working against them, the merciless group brutally seizes an energy plant and holds everyone inside hostage. With a nearby town on the brink of massive flooding and destruction, it’s up to one retired elite army ranger Mack Karr (Patrick Muldoon) to save thousands of innocent lives before it’s too late.
Enjoy my very entertaining conversation with Jared Cohn.
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IFH 546: How to Direct Your Dream Project with Adrian Martinez Jan 18, 2022

Today on the show we have returning champion Adrian Martinez.
Adrian Martinez has over 100 television and film credits including several standout sidekick roles - “The Secret Life of Walter Mitty,” opposite Ben Stiller, “Casa de mi Padre,” opposite ‘Mexican’ Will Ferrell, “I feel Pretty,” as Amy Schumer‘s office buddy, ‘Mason,’ and as ‘Elliot’ the dog catcher in the CGI and live-action re-imagining of Disney’s Lady and the Tramp.
Adrian also co-stared with Will Smith and Margot Robbie in the film Focus.
Will Smith stars as Nicky, a seasoned master of misdirection who becomes romantically involved with novice con artist Jess (Margot Robbie). As he’s teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of the high stakes racecar circuit. In the midst of Nicky’s latest, very dangerous scheme, she throws his plans for a loop…and the consummate con man off his game.
On the television front, Adrian recently starred in ABC’s crime drama series “Stumptown” alongside Cobie Smulders, Jake Johnson, and Michael Ealy, and in the CBS all access comedy, “No Activity,” produced by Will Ferrell and Funny or Die. Adrian was also a series regular playing computer hacker, ‘Dumont’ in “The Blacklist: Redemption,” on NBC, opposite Famke Janssen and Ryan Eggold.
Adrian’s directorial debut, “iGilbert,” a drama he wrote starring himself, Dascha Polanco (“Orange is the New Black”) and Raul Castillo (”Looking”) was recently released by Gravitas Features and currently available on demand and in select theaters.
iGilbert is a future fairytale about being seen and feeling unseen. Gilbert feels isolated from the world, life, and people, and is starving for human connection, as he reaches for his cellphone to connect with the world, with dangerous consequences.
“There is beauty among the broken in writer/ director Adrian Martinez’s iGilbert, a dreamlike ode to human connection at a time in which our phones keep us safely cradled in our own bubble of safety….” — Filmthreat.com
Enjoy my conversation with Adrian Martinez.
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IFH 545: The Godfather of Ninja and Cannon Films with Sam Firstenberg Jan 13, 2022

You are in for a treat today. We have legendary 80's action director Sam Firstenberg.
At a young age Sam began to "create" movies to entertain his friends. Horrifying his mother, he would cut up books, stringing together the pictures and rolling them up. He would then put the roll into a box with a cut out window, shine a flashlight from behind, and manually pull the roll, revealing the pictures through the window in sequence.
Sometimes he would plan a special show in which his sister narrated the "film" based on a script Sam would concoct, and his father would accompany on the violin. As he grew up he found a hobby in photography and by high school had turned his bedroom into a darkroom where he would earn pocket money by developing pictures for his friends.
After serving three years in the Israeli army, Sam came to the US in 1971, began to study and work in films, and culminated his studies with “One More Chance," the graduate film thesis which turned into a feature-length film.
"After Golan bailed us out, our film premiered at the Cannes Film Festival in 1981, then went on to become the official US entry at the prestigious Locarno Film Festival in Switzerland, and won a Silver Plaque at the 17th Annual Chicago Film Festival. This film became my calling card, and launched my career." recalls Sam.
By then Menahem Golan and Yoram Globus had acquired Cannon Films. They hired Sam to direct “Revenge of the Ninja." Sam knew nothing about martial arts, but learned quickly and the film, which starred Sho Kosugi, was shot in Salt Lake City, Utah. Distributed by MGM to a great box-office bonanza, it set the stage for Sam's next directing assignment, “Ninja III - The Domination," also starring Kosugi. The film was shot in Phoenix, Arizona and was also tremendously successful.
Both Ninja films directed by Sam were sequels to the highly successful “Enter the Ninja” directed by Golan. "Then came a pleasant opportunity," Sam smiles. "Golan wanted me to direct ' Breakin 2 - Electric Boogaloo," another sequel, which then made me the king of sequels, but also gave me a break from directing Ninja action films."
In fact, each of the sequels directed by Firstenberg resulted in better reviews and box office draws than the originals. “Breakin 2 - Electric Boogaloo " was a musical that featured major dance production numbers, filmed in Los Angeles. Distributed by TRI-STAR it was critically acclaimed; and a box office success, one of the reviews hailed it as "The most exuberant musical of the decade."
Soon after the release of " Breakin 2 - Electric Boogaloo " Sam was on his way to the Philippines to direct "American Ninja" a major action picture starring Michael Dudikoff and Steve James, who would team up with Sam for two additional motion pictures, "Avenging Force," shot in New Orleans and the swamps of Louisiana, and "American Ninja II"
’Avenging Force’ was one of the most physically grueling productions I ever worked on,"
comments Sam.
"We spent days and nights in water, mud up to our waists, with snakes crawling between our legs."
The film opened to rave reviews. The LA Times called Firstenberg
"... a rockin' young action director who's pulled off a series of rave up pictures for Cannon including ' American Ninja ' and ' Electric Boogaloo,' and now in ' Avenging Force ' shows off his savvy style, which combines a keen sense of pacing with brawny punch...it marks the emergence of a truly gifted movie talent."
The next picture for Sam was “Riverbend”, a controversial drama with Steve James and Margaret Avery from "The Color Purple." The picture explored race relations in 1966 Georgia, and was an opportunity for Firstenberg to work with strong dramatic material. In sharp contrast, Sam's next picture was an all-out comedy, “The Day We Met,” which proved to him that his directorial talents were easily extended.
"Delta Force III” came next, a military action picture with Nick Cassavettes, Eric Douglas, Mike Norris, and Matthew Penn, and was followed with a breakthrough approach to martial arts in “American Samurai” introducing hot young martial artists David Bradley and Marc Dacascos. Firstenberg then got his first taste of TV work with a nighttime crime show for CBS, directing six episodes of “Sweating Bullets"
With the creation of Nu Image, principles Avi Lerner and Danny Dimbort recruited Firstenberg to direct their first production, "Cyborg Cop," and then the sequel, "Cyborg Soldier," both sci-fi action flicks with David Bradley. In addition, Firstenberg completed with Bradley and Frank Zagarino the action picture "Blood Warrior." Next came “Operation Delta Force” a military style action / adventure with Ernie Hudson, Jeff Fahey, Joe Lara, Frank Zagarino, and Hall Halbrok.
1997 brought Firstenberg to explore new directorial areas; “McCinsey’s Island” is a comedy for children, a treasure hunt movie with Hulk Hogan, Robert Vaughn, and Grace Jones, and “Motel Blue” with Sean Young, Soleil Moon Frye, and Seymour Cassel, is a psychological thriller with two women in the lead.
Sam and I had an amazing conversation about all things Cannon Films, Ninjas, Break Dancing and 80's action films. Enjoy!
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IFH 544: Filmmaking Lessons: The Art of Adaptation with Joe Wright Jan 11, 2022

Today on the show we have Oscar® nominated filmmaker Joe Wright.
Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.
Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.
Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.
Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.
Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.
His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.
The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.
In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.
His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.
Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.
His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.
Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters. This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.
Enjoy my enlightening conversation with Joe Wright.
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IFH 543: Inside X-Men, Deadpool, Logan & The 355 with Oscar® Nominee Simon Kinberg Jan 07, 2022

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg.
He has established himself as one of Hollywood’s most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide. 
Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie.
Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong’o, Penelope Cruz, Diane Kruger and Fan Bingbing.
A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong’o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.
As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).
The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC’s Smash, Trouble) and Kinberg, from a story by Rebeck.
The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain’s Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.
His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple’s most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon.
Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.
Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg’s latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg
Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple.
Following almost a decade’s worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe.
In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman’s film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards.
In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp.
On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide.
In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney’s Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.
In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture).
In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.”
In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.
Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others.
In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg’s fourteenth film to open number one at the box office.
In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain.
In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access. 
Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks.
You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.
The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.
Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.
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IFH 542: Producing Films in Today's Hollywood with Oscar® Nominee Chris Moore Jan 06, 2022

Every once in a while I have a conversation on this show that blows my mind, this episode did just that. Today on the show we have Oscar® Nominated producer Chris Moore. He produced films like Good Will Hunting, American Pie, Waiting, The Adjustment Bureau, and Manchester by the Sea. Chris' profile grew from his appearance as the producer on the early 2000's filmmaker reality show Project: Greenlight.
I have a short, and I mean short, history with Project: Greenlight but that's another story.
After graduating from college, Chris Moore moved to Los Angeles after sometime working in the mailroom of a major agency he got promoted to literary agent. He championed projects like: The Stoned Age, PCU, Airheads, Last Action Hero, and My Girl.
When Chris' agency was acquired by ICM, he left and became an indie film producer. With some friends, he raised the budget to produce the indie film Glory Daze, which starred an unknown Matt Damon. Damon turned down the leading role in favor of paid work on another paid project but introduced him to his friend Ben Affleck, who ultimately starred in Glory Daze.
Afterward, Affleck and Damon wrote the screenplay for what would become the Oscar® winning Good Will Hunting, and they asked Chris help them produce the film that was directed by Gus Van Sant.
Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence.
His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.
Chris and I had a remarkable conversation about how to produce films in today eco-system. We also discuss what it's like working in the studio system, some of the issues he has with the system, how filmmakers are treated, and so much more. This an EPIC 2-hour conversation full of knowledge and truth bombs so prepare to take some notes.
Enjoy my conversation with Chris Moore.
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IFH 541: Inside Writing for Marvel Studios & Spider-Man with Erik Sommers Jan 04, 2022

Today on the show we have one-half of the writing team that wrote the record-breaking Marvel film Spider-Man: No Way Home, Erik Sommers.
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
In addition Sommers co-wrote scripts for Spider-Man: Homecoming, Ant-Man and the Wasp, Spider-Man: Far From Home, The Lego Batman Movie and Jumanji: Welcome to the Jungle with Chris McKenna. Erik started his career in television and wrote on the ground-breaking show Community under show runner Dan Harmon (Rick and Morty).
Erik tells me how working with Dan changed how he wrote and how he uses Dan Harmon's Story Circle in his writing today.
We discuss how he got the Spider-man gig, how he writes with his partner Chris, what it's like working inside the Marvel Studios machine and dealing with the pressure of writing Spider-Man.
I watched the new Spider-Man and I have to say it's the best Spider-Man film yet. Get ready to have your nostalgia heart-strings pulled in the best way possible. Erik and Chris did a fantastic job writing the stand-alone film, while still weaving in the larger MCU narrative, not an easy thing to do.
Enjoy my conversation with Erik Sommers.
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IFH 540: Selling Indie Films with the Regional Cinema Model with Daedalus Howell Dec 31, 2021

Today on the show we have writer/director Daedalus Howell. Daedalus' film Pill Head is the definition of being a Filmtrepreneur. So much, in fact, I used his film as a case study in my book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business. The method he used was the "regional cinema model." This mode; is based around developing, producing and distributing a film project targeted to the niche audience of a geographic area. He essentially made an Art House film for his hometown.
Pill Head was entirely a hometown affair — from discounted permits to merchant buy-in and a recent theatrical release through a consortium of local exhibitors (no four-walling!) accompanied by tons of local press.
In this interview, we go deep into the regional cinema model, how he creates multiple revenue streams and how he got that group of local theater owners to four wall his film for free. Enjoy my inspirational conversation with Daedalus Howell.
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IFH 539: How to Make an Indie Film Against All Odds with Tzvi Friedman Dec 30, 2021

As filmmakers we all have challenges to make our films. Today's guest had to deal with obstacles that most of us would never have to. We have on the show filmmaker Tzvi Friedman and he has on heck of a story to tell.
Tzvi is a writer and director based in NYC. He was born and raised in an ultra-religious community where almost all cinema was contraband. Growing up he secretly watched countless movies under his covers and sneaking off to the cinemas. At 18 he started making films, becoming a social outcast, but that didn't stop him.
He has since directed multiple short films. At 21 he crowdfunded $10,000 dollars and made his first feature Man.
Tortured by his inability to feel emotional or physical pain, a man finds murder to be his only respite - until he meets a lonely woman whose compassion awakens something inside.
After he finished shooting the film, by some miracle, veteran producer Cary Woods (Swingers, Scream, Godzilla, and Rudy) discovered his film and jumped on as an executive producer to help Tzvi finish the film.
Enjoy my inspirational conversation with Tzvi Friedman.
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IFH 538: I Made a Short Film Now WTF Do I Do with Clarissa Jacobson Dec 28, 2021

So you made a short film, now WTF do you do? Today guest is filmmaker Clarissa Jacobson and she is the perfect person to guide you through the rough waters of getting your short film out to the world.
Clarissa is the writer, producer and creator of the multi-award-winning comedy/horror short - Lunch Ladies - based on her feature. The film garnered forty-five awards and is distributed all over the world.
Her follow up short - A Very Important Film - also got distribution. Her optioned feature screenplay, Land of Milk and Honey, is in development with Elizabeth Avellan and Gisberg Bermudez.
In addition, Clarissa wrote a book – I Made a Short Film Now WTF Do I Do With It: A Guide to Film Festivals, Promotion, and Surviving the Ride
I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!
I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.
Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.
Enjoy my conversation with Clarissa Jacobson.
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NEW YEARS BONUS: Rise of the Filmtrepreneur - Listen to Two Chapters for FREE Dec 27, 2021

NEW YEARS BONUS:
My book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business has become an Amazon Best Seller. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.
Here's a bit of what Rise of the Filmtrepreneur has to offer:
It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®.
In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.
Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book.
Enjoy and VIVA LA REVOLUTION!
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IFH 537: The Power of a Niche Audience (Saltbox TV) with Jerry Goehring and Patty Carver Dec 25, 2021

Today on the show we have Jerry Goehring and Patty Carver. They are the founders of Saltbox TV.
Saltbox TV is the first-ever streaming service dedicated to connecting older adults with diverse, informative, and engaging programming. Through a simple and user-friendly platform, Saltbox TV welcomes even those with no technical experience. Saltbox TV hosts various programs from music, faith, classic film & television, lifelong learning, wellness, documentaries, arts and crafts, Saltbox Originals, and everything in between.
This is the Senior streaming service I represent. They have an incredible mission and great programming for seniors. They’re just moving into original programming and currently developing their first reality show SILVER STARS. Attached is a sheet that highlights that current programming which includes financial assistance, health & wellness, exercise, general entertainment, etc.
The real topic here is ageism, the lack of entertainment focused on this demo from content to devices…SALTBOX has made some incredible partnerships with players in the sr industry from pre-loading Saltbox onto tablets for seniors, playing on closed circuits TV at senior homes, and deals with Roku, Firestick, etc.
In this episode we discuss the power of niche audience, how to serve them, how to build and audience and much more. Enjoy my conversation Jerry Goehring and Patty Carver.
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CHRISTMAS BONUS: Shooting for the Mob - Listen to First Fours Chapters Dec 24, 2021

CHRISTMAS BONUS
After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,
"If I'm going to write this I have to tell the entire story, warts and all."
The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.
As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.
Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!
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IFH 536: How to Production Design for Ridley Scott with Oscar® Winner Janty Yates Dec 23, 2021

Today on the show we have Oscars® winning costume designer Janty Yates.
Janty Yates has had a collaborative relationship with Ridley Scott since the great success of Gladiator in 2000, for which she won an Academy Award®, one of the eight Oscars® garnered by the film.
She was also nominated for a BAFTA, a Golden Satellite and a Saturn Award. She has also had CDG nominations for De-lovely and for The Martian, a Golden Satellite nomination for De-lovely and a Goya nomination for Kingdom of Heaven.
Yates is a frequent collaborator with Scott, having worked on thirteen films with him in addition to Gladiator, including: Hannibal (2001); Kingdom of Heaven (2005); American Gangster (2007); Body of Lies (2008); Robin Hood (2010), for which she received a Saturn Award nomination and her fourth Satellite Award nomination; Prometheus (2012), Exodus: Gods and Kings (2014), and The Martian (2015). Her most recent films with Scott include the epic historical drama film The Last Duel and the biographical crime drama film House of Gucci, both released in 2021.
The historical epic is a cinematic and thought-provoking drama set in the midst of the Hundred Years War that explores the ubiquitous power of men, the frailty of justice and the strength and courage of one woman willing to stand alone in the service of truth. Based on actual events, the film unravels long-held assumptions about France's last sanctioned duel between Jean de Carrouges and Jacques Le Gris, two friends turned bitter rivals.
Carrouges is a respected knight known for his bravery and skill on the battlefield. Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. When Carrouges' wife, Marguerite, is viciously assaulted by Le Gris, a charge he denies, she refuses to stay silent, stepping forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy.
The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands. The film is based on Eric Jager's book "The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France."
It is produced and directed by Ridley Scott, Kevin J. Walsh ("Manchester by the Sea"), Jennifer Fox ("Nightcrawler"), Nicole Holofcener, Matt Damon, Ben Affleck with Kevin Halloran ("Ford v Ferrari"), Drew Vinton ("Promised Land"), Madison Ainley ("Justice League") serving as executive producers.
You can watch The Last Duel through popular video-on-demand (VOD) retailers like Amazon Prime Video, Vudu, Apple TV (iTunes), Microsoft Movies, and YouTube.
Enjoy my conversation with Janty Yates.
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IFH 535: Getting Your First Feature Off the Ground with Leroy Kincaide Dec 21, 2021

Today on the show we have filmmaker Leroy Kincaide.
With over 15 years’ experience in the entertainment industry, both in front of and behind the camera, Leroy has featured on shows created by companies such as ITV, BBC, WWE and PARAMOUNT.
Before turning his creative hand to the film industry, Leroy was one of the UK’s top professional Wrestlers, holding a heavyweight championship and at the peak of his career had a televised match on WWE’s SMACKDOWN at the O2 arena.
It was around this point in his life, Leroy realised that he wanted to be the creator of his own destiny, so after what was looking to be a very promising future in the wrestling business, he found his true passion for the film industry, and decided to embark on becoming a film director.
Wanting to express his storytelling creativity, he founded Nocturnal Pictures in 2014 and has since written and directed several short films, music videos, and has successfully completed his debut feature film The Last Rite.
A medical student suffering from sleep paralysis finds herself plagued by a demonic entity, after moving in with her boyfriend.
With a distinctive style, dark vision and thought evoking take on story narrative, Leroy is currently building a slate of genre movies fitting for what his imagination can create in a dark cinematic universe.
Following the success of the world premiere of The Last Rite, Leroy was nominated for the Screen International “Genre Rising Star” Award for his debut feature film.
Enjoy my inspiring conversation with Leroy Kincaide.
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CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay! Dec 20, 2021

CHRISTMAS THROWBACK:
I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.
I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.
From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.
Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!
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IFH 534: Swingers, Scream & Rudy - The Art of Producing with Cary Woods Dec 18, 2021

Today on the show we have legendary film producer Cary Woods.
Cary Woods is a film producer best known for producing worldwide blockbusters such as Scream and Godzilla, the beloved independent films Kids, Cop Land, and Gummo, and modern classics like Rudy and Swingers.
Woods is also responsible for producing the breakthrough features of such notable directors as James Mangold, Doug Liman, M. Night Shyamalan, Alexander Payne, Harmony Korine, and Larry Clark, as well as the screenwriting debuts of Jon Favreau, Kevin Williamson, and Scott Rosenberg.
Woods' filmography features a lineup of A-List actors, including: Robert Downey, Jr., Robert De Niro, Sylvester Stallone, Marisa Tomei, Christopher Walken, Harvey Keitel, Mike Myers, Laura Dern, Heather Graham, Ray Liotta, Burt Reynolds, Drew Barrymore, Matthew Broderick, Courteney Cox, Timothy Hutton, Andy Garcia, Neve Campbell, Sean Astin, Michael Rapaport, Jean Reno, and Steve Buscemi.
Born and raised in the Bronx, Woods graduated from the USC Gould School of Law before beginning his career at the William Morris Agency (now WME). As an agent, Woods represented - and in many cases introduced audiences to - the likes of Gus Van Sant, Uma Thurman, Jennifer Connelly, Milla Jovovich, Charlie Sheen, Matt Dillon, Todd Solondz, and most prominently, Gregory Peck.
At WMA, Woods also represented many of the industry's most successful stand-up comedians including Sam Kinison, Andrew Dice Clay, Gilbert Gottfried, Sandra Bernhard, Tommy Davidson, and Jackie Mason.
After developing the Indie favorites Heathers and Drugstore Cowboy as an agent, Woods accepted a position at Sony Pictures Entertainment (the parent company of Columbia Pictures and TriStar Pictures) as a Vice President - Office of the Chairman, reporting directly to Peter Guber. Woods later segued to a production deal at Sony, resulting in the release of a succession of iconic films, including So I Married An Axe Murderer, Rudy, Only You, and Threesome.
After starting his own production company - Independent Pictures - the explosive release of the 1995 cultural phenomenon Kids (starring then-newcomers Rosario Dawson and Chloe Sevigny) began a streak of culturally significant, critically-acclaimed independent films produced by Woods under his banner.
The next few years saw the releases of Citizen Ruth (the first film from future two-time Oscar winner Alexander Payne), Beautiful Girls (which introduced American audiences to Natalie Portman), and Swingers (springboarding Vince Vaughn to comedy mega-stardom).
His 1996 film Scream (the most successful film of "Master of Horror" Wes Craven's career) marked a turning point for the entire genre, grossing over $170 million and setting a box office record that would stand for 22 years. The film instantly and single-handedly pivoted horror toward postmodernism, spawning a massive billion-dollar franchise (consisting of successful sequels, a TV series, toys, and Halloween costumes), as well as inspiring countless knock-offs in the years since.
Gummo - the directorial debut of Kids' screenwriter Harmony Korine - received the FIPRESCI Prize at the 1997 Venice Film Festival. Bernando Bertolucci, the famed director of Last Tango in Paris, praised the film, calling it "The one revolutionary film of the late 20th century."
In 1998, the first US-produced entry of the iconic Godzilla film franchise would become Woods' and Independent Pictures' single highest-grossing film, earning nearly $400 million.
Woods would go on to serve as co-Chairman, and Chief Creative Officer of Plum TV, in which he was a founding partner. Broadcasting in the nation's most affluent markets (i.e. Aspen, the Hamptons, Miami Beach), the luxury lifestyle network would go on to earn eight Emmy Awards.
Enjoy my conversation with Cary Woods.
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IFH 533: From James Cameron to Steven Spielberg, the Life of Lance Henriksen Dec 16, 2021

Today on the show we have legendary actor Lance Henriksen. I had the pleasure of work with Lance on my film Red Princess Blues: Genesis and if was a surreal experience.
Lance has been in over 300 films through-out his remarkable career.
He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pumpkinhead, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean-Claude Van Damme and Steven Seagal.
He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Sidney Lumet, Francois Truffaut, John Huston, Walter Hill, David Fincher, John Woo, Jim Jarmusch and Sam Raimi, but this is just skimming the surface.
An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope.
He played Awful Knoffel in the TNT original movie EVIL KNIEVEL, directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed Awful Knoffel in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium, Fox-TV's critically acclaimed series created by Chris Carter (The X-Files).
His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star."
Henriksen was born in New York City. His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor.
Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's Three Plays of the Sea. One of his first film appearances was as an FBI agent in Sidney Lumet's DOG DAY AFTERNOON, followed by parts in Lumet's NETWORK and PRINCE OF THE CITY.
He then appeared in Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND with Richard Dreyfuss and François Truffaut, DAMIEN: OMEN II and in Philip Kaufman's THE RIGHT STUFF, in which he played Mercury astronaut Capt. Wally Schirra.
James Cameron cast Henriksen in his first directorial effort, PIRANHA II: THE SPAWNING, then used him again in THE TERMINATOR and as the android Bishop in the sci-fi classic ALIENS. Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western THE QUICK AND THE DEAD.
Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's NEAR DARK, in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film THE DAY LINCOLN WAS SHOT.
In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today.
His new film is called Alpha Rift.
Nolan Parthmore was just a regular guy, hanging with friends, working his game store, flirting with his co-worker, then one day, destiny came calling. A courier delivers a mysterious antique helmet with no note or description. When Nolan puts it on, his whole world changes. The helmet comes to life and calls out to an evil demon, Lord Dragsmere, who was imprisoned by Nolan's deceased father.
Nolan soon discovers he is next in the bloodline, heir to The Nobleman, destined to become a hero whether he wants to be or not. Since the Dark Ages, the Noblemen have been guardians against the 13 Devil's Apostles: dark forces escaped from hell and let loose upon on earth. Generations later, it's the heirs of these original knights that possess the power to open the Alpha Rift:the only defense against these supernatural foes.
Enjoy my conversation with Lance Henriksen.
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IFH 532: Epic Cinematography, David Fincher & the Art of Lighting with Oscar® Nominee Jeff Cronenweth Dec 14, 2021

Today on the show we have Oscar® nominee Jeff Cronenweth A.S.C.
Cronenweth worked as a loader and 2nd assistant before graduating high school, and then enrolled in film school at USC where he studied cinematography. Among his classmates were John Schwartzman and Robert Brinkmann, as well as [director] Philip Joanou.
After graduation, Cronenweth resumed working with his father, joining a core camera team that included operators John Toll and Dan Lerner, and 1st assistants Bing Sokolsky and Art Schwab.
Jeff worked with father Jordan Cronenweth (cinematographer most notable for Blade Runner) as a camera loader and second assistant camera during high school, working his way up to first assistant camera and then camera operator until the mid-1990s.
Moving up to first assistant, Cronenweth began working with Toll, who was just beginning his work as a cameraman, and veteran Sven Nykvist.
"I couldn't have learned from better people than John, Sven and my father,"
Cronenweth relates.
"They were all soft-spoken, but very tenacious in achieving their goals. It was a great experience to watch them, learn set etiquette and see how they delegated responsibilities and dealt with producers and crews. I did six pictures with my father and eight pictures with Sven." [From American Cinematographer Magazine.]
The first major motion picture where he acted as a DP was on David Fincher's masterpiece Fight Club. Other notable feature films on which he worked as a DP are One Hour Photo, K-19: The Widowmaker, Down With Love, The Social Network, Hitchcock, The Girl with the Dragon Tattoo, and Gone Girl.
Enjoy my conversation with Jeff Cronenweth A.S.C.
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IFH 531: Shooting Red Rocket on 16mm Anamorphic & Guerrilla Filmmaking with Sean Baker Dec 10, 2021

You are in for a treat today. We have returning champion writer/director Sean Baker.
Sean Baker is a writer, director, producer and editor who has made seven independent feature films over the course of the past two decades. His most recent film was the award-winning The Florida Project (2017) which premiered at the Cannes Film Festival and was released by A24 in the U.S. Among the many accolades the film received -- including an Oscar nomination for Willem Dafoe for Best Supporting Actor -- Sean was named Best Director by the New York Film Critics Circle.
His previous film Tangerine (2015) premiered at the Sundance Film Festival and won an Independent Spirit and two Gotham Awards. Starlet (2012) was the winner of the Robert Altman Independent Spirit Award and his previous two features, Take Out (2004) and Prince of Broadway (2008), were both nominated for the John Cassavetes Independent Spirit Award.
His remarkable new film is Red Rocket. The audacious new film from writer- director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny, humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
I watched Red Rocket and I have to tell you it's one of the best films I've seen this year.
Sean and I discuss his creative process, how he shot Red Rocket with a 10 person crew and a very limited budget, during COVID. Red Rocket opens today in theaters.
Enjoy my conversation with Sean Baker.
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IFH 530: Directing Your 1st Hollywood Feature with Nora Fingscheidt Dec 09, 2021

Today on the show we have writer/director Nora Fingscheidt.
Nora Fingscheidt was born in 1983 in Germany and spent her youth partly in Argentina. From 2003 onward she participated in the development of the self-organized film school filmArche in Berlin. At the same time, she completed her training as an acting coach under Sigrid Andersson. Nora studied fiction directing at the Film Academy Baden-Württemberg. Her graduation film, the full-length documentary WITHOUT THIS WORLD about a conservative Mennonite colony in Argentina, won the Max Ophüls Prize and First Steps Award in 2017.
Her narrative film debut, SYSTEM CRASHER, premiered at Berlinale 2019, where it won a Silver Bear (Alfred Bauer Award), won eight German Film Awards and many international awards. SYSTEM CRASHER was Germany’s entry for the Oscars in 2020. She continues to work both in documentary and narrative, as well as with full-length films and shorts.
Nora directed her new film THE UNFORGIVABLE starring Sandra Bullock which will premiere on Netflix December 2021.
Released from prison after serving a sentence for a violent crime, Ruth Slater (Academy Award-winner Sandra Bullock) re-enters a society that refuses to forgive her past. Although she feels a pull to the place she once called home, only harsh judgment awaits her there.
Ruth’s only hope for redemption is in finding her estranged younger sister Katie (Aisling Franciosi), who she was forced to leave behind. In her quest to reunite with Katie and adjust to life on the outside, Ruth encounters obstacles she expects and those she never saw coming from those whose lives are disrupted by her release.
Bullock produces along with Academy Award winner Graham King(Bohemian Rhapsody, Traffic) and stars alongside Vincent D’Onofrio, Jon Bernthal, Richard Thomas, Linda Emond, Aisling Franciosi, Rob Morgan, Emma Nelson, Will Pullen, Thomas Guiry and Viola Davis.
Enjoy my conversation with Nora Fingscheidt.
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IFH 529: How I Got My First Feature on HBOMax with Lissette Feliciano Dec 07, 2021

Today on the show we have writer, director and producer Lissette Feliciano. She is a Tribeca Film Institute AT&T Untold Stories grant recipient, was named as one of Shoot Magazine's new directors to watch, and has served as an ambassador for The Wraps Power Women Summit.
Her production company Look at the Moon Pictures develops original content that shines a hero's lens on underrepresented groups, joining the ranks of creators filling the market gap in storytelling for a new young multicultural audience.
Under Lissette's leadership, Look at the Moon was among the first production companies to mandate 50% BIPOC representation across leadership positions on and off-camera - a metric they are proud to consistently achieve. An avid supporter of young women’s education, she sits on several committees for an all-girls high school serving low-income students in her hometown of the Mission District of San Francisco.
Her latest film projects is Women is Losers.
In 1960s San Francisco, a once-promising catholic school girl, Celina Guerrera, sets out to rise above the oppression of poverty and invest in a future for herself that sets new precedents for the time.
The film was produced independently and picked up by HBOMax as a major release on its platform. A true cinderella story. We discuss how she financed the film, her struggles with production, getting her amazing cast and much more.
Get ready to be inspired. Enjoy my conversation with Lissette Feliciano.
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IFH 528: A Writer’s Guide to TV Development with Kelly Edwards Dec 04, 2021

This week I had the pleasure of sitting down with writer, producer, former studio executive and diversity thought leader Kelly Edwards. Many of us want to be able to pitch our shows to a network or studio but just don't know how the game is played. Kelly not only knows how the game is played she wrote a book on how to do it.
Her new book is The Executive Chair: A Writer’s Guide to TV Series Development.
To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls.
The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions. Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script.
"There are a million ways to break into Hollywood. Your journey will be unique to you. Meet all the people. Work all the angles. But most of all, enjoy the ride." - Kelly Edwards
Kelly Edwards recently transitioned from inside the network ranks into a writing and producing deal with HBO under her Edwardian Pictures banner.
In her former executive role, she oversaw all of the emerging artists programs for HBO, HBOMax, and Turner. The pilots she produced through the HBOAccess Writing and Directing fellowships have screened at major film festivals including Tribeca and SXSW, and garnered multiple awards.
Prior to HBO, Edwards was a key corporate diversity executive at Comcast/NBCUniversal for over five years where she oversaw over 20 divisions, launched employee resource groups, and introduced diverse creative talent to NBC, USA, Syfy, Bravo, and Telemundo.
Edwards’ career spans both television and film. Early in her career, she worked as a creative executive in features at both Disney and Sony under such talents as Garry Marshall and Laura Ziskin. After moving to television, she served as a senior executive at FOX where she developed LIVING SINGLE, CLUELESS, and THE WILD THORNBERRYS. While heading up UPN’s Comedy division as the SVP of Comedy Development she developed GIRLFRIENDS, THE PARKERS, and MALCOLM IN THE MIDDLE.
In 2000, Edwards co-founded the non-profit organization Colour Entertainment, a networking group for diverse creative executives in TV, Film, Digital, as well as assistants, all designed to connect current and future industry executives with one another.
Kelly and I had an amazing conversation about the business, how to pitch a television project to a studio, and much more. Enjoy!
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IFH 527: The Good, Bad and Ugly of the Film Biz with Adam White Dec 02, 2021

Today on the show we go through the good, the bad and the ugly of being an indie filmmakers. On the show we have filmmaker Adam White.
We discuss the making of his new film Funny Thing About. We discuss financing, casting, how he got Jon Heder (Napoleon Dynamite) to say yes to a supporting role in a romcom, shooting an ensemble cast during the pandemic, how we were filming the movie without having all of the funding in hand, securing distribution and much more. It's a pretty insane story.
Samantha Banks is a successful business with a handsome fiancee. But over one crazy Thanksgiving Holiday with her scheming family, her whole world is thrown into a tailspin when they invite her ex-boyfriend, "the one that got away."
We also discuss how he financed his first feature Inspired Guns and when that was a box office flop he lost everything including his house. It took seven years for him to bounce back and make another feature.
The last thing Elder Fisher expects when he and his brand new companion, Elder Johnson, hit the streets of New York is a couple of seemingly golden prospects. But dimwitted brothers Roger and Larry, low-level Mafioso, think the two Mormon missionaries who approach them have been sent by the “Boss” to deliver their next assignment.
So the brothers are willing to listen to anything the young men in dark suits have to say—including a message of salvation—even if Elder Johnson is the most overconfident and underprepared missionary to ever attempt to preach the word of God. Soon the witless brothers are searching through the Book of Mormon in a quest to find a hidden message.
But as the missionaries and Roger and Larry continue to meet for discussions, both the mafia and the FBI have their sights set on Elders Fisher and Johnson. The mob thinks the missionaries are FBI; and the FBI believes the young men are hitmen on a mission—and both groups want the elders out of the picture. The Elders come to realize they must rely on each other to survive this case of mistaken identity.
Enjoy my conversation with Adam White.
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IFH 526: Inside Game of Thrones & HBOMax Post Workflow with Stephen Beres Nov 30, 2021

Stephen Beres is an Emmy award-winning producer and technologist who currently serves Senior Vice President of Production Operations at HBO & HBO Max, where he leads a bi-coastal team of production and post professionals that help create record-setting television shows like Westworld and Game of Thrones. He also spearheaded the network’s shift from film to digital filmmaking, starting with Game of Thrones.
Before leading the Studio and Production Service groups, Steve served as HBO's Production Technology Architect and was responsible for smoothly transitioning HBO from film capture into the file-based world. Steve graduated with a Film Degree from Full Sail University (FYI, I graduated from Full Sail as well).
We have an entertaining and eye-opening conversation on how one of the biggest networks in the world handle workflow from the camera to the final stream on HBOMax. Enjoy my conversation with Stephen Beres.
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IFH 525: The Art of Creativity and Wonder with Jeffery Davis Nov 27, 2021

As we get older it seems that we lose tough with our inner child. We lose touch with that remarkable creative engine. Filmmakers like Steven Spielberg and Guillermo del Toro have figured out a way to not only stay in contact with his inner child but also not lose his sense of wonder.
Today's guest will be helping us tap into out own sense of wonder that can help you on your creative path. We have on the show author, entrepreneur and human potential expert Jeffery Davis.
Jeff approach's life and work as a quest. Everything he does – from building a thriving business to writing books to serving as a branding strategist to designing live Brand Artistry Labs to delivering keynotes to guiding his two girls’ through childhood – are part and parcel of the same quest for integrity, meaning, and making.
But like most quests, mine has been neither easy nor straightforward.
He has deliberately sought a life of meaning and making since he was 19 and declared in his private notebook that he would become a writer and preserve my imagination.
In his 20s, he co-founded The Walden Institute, devoted to studying human potential through the intersections of neuroscience, existential psychology, and the literary arts. By age 31, though, he was all intellect and drive with a shrinking heart and vanishing imagination.
I get to work with top-notch change-makers, and that includes our team of creative renegades at Tracking Wonder consultancy – our boutique consultancy focused on brand story identity, strategy, and asset development.
Tracking wonder is not kid’s stuff. It’s radical grown-up stuff.
Jeff lives with these burning questions that shape his days:
How does Story change us?
How is creating a signature brand with integrity a meaningful, creative endeavor?
How is wonder the source of every human being’s original creative genius?
How are building a family and building a business part and parcel of living a life of making meaning, projects, a livelihood, and a difference?
The result has culminated in this quest for tracking wonder.
His new book is called Tracking Wonder: Reclaiming a Life of Meaning and Possibility in a World Obsessed with Productivity.
Discover how the lost art of wonder can help you cultivate greater creativity, resilience, meaning, and joy as you bring your greatest contributions to life.
Beyond grit, focus, and 10,000 hours lies a surprising advantage that all creatives have—wonder. Far from child’s play, wonder is the one radical quality that has led exemplary people from all walks of life to move toward the fruition of their deepest dreams and wildest endeavors—and it can do so for you, too.
“Wonder is a quiet disruptor of unseen biases,” writes Jeffrey Davis. “It dissolves our habitual ways of seeing and thinking so that we may glimpse anew the beauty of what is real, true, and possible.” Rich with wisdom, inspiring stories, and practical tools, Tracking Wonder invites us to explore how the lost art of wonder can inspire a life of greater joy, possibility, and purpose. You’ll discover:
The six facets of wonder—key qualities to help you cultivate the art of wonder in your work, relationships, and life
How wonder can help us fertilize creativity, sustain the motivation to pursue big ideas, navigate uncertainty and crises, deepen our relationships, and more.
The biases against wonder—moving beyond societal and internalized resistance to our inherent gifts
Why experiencing wonder isn’t really about achieving goals—though that happens—but about how we live each day
Inspiring stories of people whose experiences of wonder helped them move through the unthinkable to create extraordinary lives
Practical exercises, tools, and reflections to help you begin your own practice of tracking wonder
A refreshing counter-voice to the exhausting narrative hyper-productivity, Tracking Wonder is a welcome guide for experiencing more meaning and joy in the present moment as you bring your greatest contributions to life.
If you are stuck or just need a jump start to your creative process then get ready to take some notes.
Enjoy my "wonder" filled conversation with Jeffery Davis.
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IFH 524: Self-Taught Filmmaker to HBO & Amazon with Robert Alexander Nov 25, 2021

Today on the show is producer and director Robert Alexander.
ROBERT ALEXANDER is a self-taught filmmaker and photographer, Emmy Award®-winning director and executive producer whose creative work spans film, television and advertising.
After making his directorial debut with HBO’s The Shop, featuring LeBron James, Barak Obama, and Maverick Carter, Alexander has emerged as a creative to watch with his highly inventive, visceral and raw approach to storytelling. Outside of his feature work, he is a talented commercial helmer with work on campaigns for top brands such as Nike, Alaska Airlines and Kia.
Alexander is originally from Michigan but came of age in Brooklyn, New York, and currently resides in Los Angeles, where he is the CEO of Hardware Agency, a premium creative agency specializing in film, television and advertising work.
In 2009, Scott Mescudi aka Kid Cudi released his debut LP, Man on the Moon: The End of Day. A genrebending album that broke barriers by featuring songs dealing with depression, anxiety and loneliness, it resonated deeply with young listeners and launched Cudi as a musical star and cultural hero. Director Robert Alexander’s A Man Named Scott explores Cudi’s journey over a decade of creative choices, struggles and breakthroughs, making music that continues to move and empower his millions of fans around the world.
Enjoy my conversation with Robert Alexander.
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IFH 523: Making A24's The Humans with Stephen Karam Nov 23, 2021

Today on the show we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans, Sons of the Prophet and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award and is a two-time Pulitzer Prize finalist.
Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021. He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which was released by Sony Picture Classics.
His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award, and Hull-Warriner Award.
Stephen and I have a great conversation on how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process and much more.
Erik Blake gathers three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. As darkness falls and eerie things go bump in the night, the group's deepest fears are laid bare.
Enjoy my conversation with Stephen Karam.
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IFH 522: Inside the Making of Ghostbusters: Afterlife with Gil Kenan Nov 19, 2021

Who are you going to call? Yup that is right, we have on the show today to co-writer of the new installment in the Ghostbusters universe, Gil Kenan.
From director Jason Reitman and producer Ivan Reitman, comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. The film is written by Jason Reitman & Gil Kenan.
Now Gil isn't just an accomplished writer but also an Oscar nominated filmmaker (Best Animated Film) for the animation classic Monster House (2006). He also wrote and directed, Poltergeist (2015) and City of Ember (2008) and the new Netflix film A Boy Called Christmas.
In ordinary young boy called Nikolas sets out on an extraordinary adventure into the snowy north in search of his father who is on a quest to discover the fabled village of the elves, Elfhelm. Taking with him a headstrong reindeer called Blitzen and a loyal pet mouse, Nikolas soon meets his destiny in this magical, comic and endearing story that proves nothing is impossible. A BOY CALLED CHRISTMAS, on Netflix Nov. 24 in select territories.
Gil and I had a great conversation about working with Jason and his dad Ivan Reitman on bring Ghostbusters back to life, the pressure of playing in the Ghostbuster universe and lessons learned from his journey in Hollywood.
BTW, I had the pleasure of watching Ghostbusters: Afterlife and all I can say is if you like the originals you're going to love it. Enjoy my conversation with Gil Kenan.
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IFH 521: How to Create a Compelling Documentary with Julie Cohen & Betsy West Nov 18, 2021

Today on the show we have Oscar® nominated documentarians Betsy West & Julie Cohen.
Betsy West (Director/Producer) is an Academy Award®-nominated Emmy winning director/producer of RBG (Magnolia, Participant, CNN Films, 2018), along with Julie Cohen. Most recently, she and Cohen directed My Name is Pauli Murray (Participant/Amazon Studios), which premiered at the Sundance Film Festival in 2021.
Betsy was executive producer of the MAKERS PBS/AOL documentary and digital series about the modern women’s movement, and the feature documentary The Lavender Scare (PBS, 2019). As an ABC News producer and executive producer of the documentary series Turning Point, she won 21 Emmy awards. Betsy is the Fred W. Friendly Professor Emerita at Columbia Journalism School.
Julie Cohen (Director/Producer) is the Academy Award® nominated, Emmy winning director and producer of RBG (Magnolia, Participant, CNN Films, 2018) along with Betsy West. Her film My Name is Pauli Murray, also directed with West, premiered at the 2021 Sundance Film Festival.
Previous films she’s directed include The Sturgeon Queens (7th Art Releasing; Berlinale, 2015; Best of the Fest, San Francisco Jewish Film Festival), and Ndiphilela Ukucula: I Live to Sing (2014 New York Emmy Award for Best Arts Program).
Before she started making documentaries, Julie was a longtime staff producer for NBC News. She's been an enthusiastic amateur cook and baker ever since her parents bought her a Cuisinart for her bat mitzvah in the 1970s.
Their current film is called JULIA. The film tells the remarkable story of the groundbreaking cookbook author and television superstar who forever changed the way Americans think about food, about television, and even about women.
Using a treasure trove of never-before-seen archival video, personal still photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the documentary will trace Julia Child’s surprising path, from her struggles to create and publish the revolutionary ‘instant’ classic Mastering the Art of French Cooking (1961, Knopf Doubleday Publishing Group), to her empowering personal story of a woman in her 50s, finding her calling as an unlikely television sensation.
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This is the first feature-length documentary solely devoted to Julia Child, and will illuminate her casual upheaval of the male-dominated culinary and television worlds.
Almost single-handedly, Julia Child upended the mythology that women could not hold their own at the highest levels of creative gastronomy, and that the only women Americans wanted to see on TV were young, submissive, and conventionally beautiful.
JULIA is produced with the full cooperation of Julia Child’s friends, family, and the Julia Child Foundation. It follows the highly-acclaimed documentary, RBG, executive produced by CNN Films, directed and produced by West and Cohen through their company Storyville Films, and edited by Carla Gutierrez, who will also edit JULIA.
The film comes out Nov 12 in-theatres NY/LA followed by nationwide expansion.
In this episode we not only discuss the making of Julia and RBG but also cover how they approach documentary, the craft of tell stories and much more. Enjoy my conversation with Betsy West & Julie Cohen.
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IFH 520: Making El Mariachi and Troublemaker Studios with Elizabeth Avellán Nov 16, 2021

Get ready to have you mind blown. If you ever wanted to know the TRUE STORY on how the mythical El Mariachi, written and directed by Robert Rodriguez, then this is the conversation you want to listen to.
Today on the show we have producer Elizabeth Avellán.
Elizabeth Avellan was born in Caracas, Venezuela, where her grandfather, Gonzalo Veloz, pioneered commercial television. At thirteen, she moved to Houston with her family and later graduated from Rice University, where she had her first behind-the-scenes experience working as stage manager and prop master for several student productions.
She moved to Austin in 1986 to work in the Office of the Executive Vice-President and Provost of the University of Texas, continuing her studies in film production, art, and architecture. There she meet Robert Rodriguez - cult filmmaker and her husband to be.
Avellan worked as an animator on Rodriguez's award-winning 16mm film, Bedhead, which aired on PBS after gathering acclaim on the festival circuit. She and Robert co-founded Los Hooligans Productions when the two began work on El Mariachi (1992) in 1991. Since then, Avellan has co-produced Robert Rodriguez's From Dusk Till Dawn (1996), Desperado (1995), The Faculty (1998), and upcoming Spy Kids (2001).
Besides she developed several scripts and produced with Pamela Cederquist and Rana Joy Glickman, Real Stories of the Donut Men, a dark comedy written and directed by Beeaje Quick, which premiered at the South by Southwest Film Festival in March, 1997. Additionally, Avellan served as producers' rep. with Rana Joy Glickman for Love You Don't Touch Me, a romantic comedy premiered at the 1997 Sundance Film Festival.
She co-founder Troublemaker Studios with Robert and have been causing "trouble" in Hollywood ever since. Elizabeth and I have an epic two-hour conversation spanning decades in the history of her, Robert and Troublemaker Studios.
We did a bit of myth busting on the now legendary indie film El Mariachi. Elizabeth also discussed what it was like working inside the Hollywood machine, the moment she introduced Robert to Quentin Tarantino, the uphill battles she faced becoming a producer and so much more.
Get ready for one heck of a ride. Enjoy my conversation with Elizabeth Avellán.
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IFH 519: Directing Hitchcock and Writing for Spielberg with Sasha Gervasi Nov 13, 2021

Being a podcaster now for over 600 episodes I've heard all sorts of stories on how people make it in the film business. From Sundance darlings to blind luck. Now today's guest story is easily one of the most incredible and entertaining origin stories I've ever heard. We have on the show today award-winning director, producer, and screenwriter, Sacha Gervasi.
Sacha won the screenwriter lottery with his first-ever screenplay, which was a un-produceable short film script, caught the eye of the legendary Steven Spielberg. That script, My Dinner with Herve would eventually be expanded and released in 2018 by HBO. The film stars the incomparable, Peter Dinklage.
Unlike most writers/directors who go on to produce their debut films, Gervasi’s 1993 entry project wasn’t made until just three years ago. I promise you, Sacha spills every detail of the fascinating story of his encounter with Hervé Villechaize, the famous little person from shows like Fantasy Island and films like James Bond's The Man with the Golden Gun. Hervé was arguably one of the most famous people in the world in the late '70s and early 80's. Sacha sat with Herve in a marathon interview, and the connection they forge during their brief, yet impactful meet.
After his life-changing encounter with the Fantasy Island star, which followed Hervé's abrupt and unfortunate suicide, Sacha was determined to get his story told in its entirety and justifiably. He ditched his mid-level journalism job in England and moved to Los Angeles to attend film school at UCLA after developing the script for My Dinner with Herve.
While on the climb-up, Sacha wrote screenplays for The Big Tease (1999) and The Terminal (2004) which was directed by Steven Spielberg and starred Tom Hanks. The comedy-drama film grossed $219.4 million at the Box office with a $60 million budget and has become a holiday classic in the UK.
Tom Hanks played an Eastern European tourist who unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there because he is denied entry into the United States and at the same time is unable to return to his native country because of a military coup.
In 2008, Sacha made his documentary directorial debut and executive produced Anvil! The Story of Anvil.
The amazing documentary premiered at the 2008 Sundance Film Festival about a heavy metal band that never gave up on their dreams of being a successful band. Anvil was established in 1978 and became one of the most influential yet commercially unsuccessful acts with thirteen albums. The documentary ranks at 98% on Rotten Tomatoes.
He also directed the 2012 film Hitchcock, a story about the relationship between Alfred Hitchcock and his wife, Alma Reville during the filming of Psycho (1969). It starred Anthony Hopkins, Helen Mirren, and Scarlet Johansson.
Sasha is such an interesting human being, I had such a ball talking with him. We talk about the film business, his origin stories, his screenwriting craft, what he's doing now, and so much more.
Enjoy my entertaining conversation with Sacha Gervasi.
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IFH 518: A Filmmaking and Screenwriting Masterclass with Oscar® Nominee John Sayles Nov 11, 2021

Today on the show we have legendary independent filmmaker and Oscar® nominated screenwriter John Sayles.
John Sayles is one of America's best known independent filmmakers, receiving critical acclaim for films including Eight Men Out (1988), Lone Star (1996) and Men with Guns (1997). He's also written screenplays for mainstream films such as Passion Fish (1992), Limbo (1999), The Spiderwick Chronicles (2008) and did a draft of Jurassic Park (1993) for Steven Spielberg. John has been named by American critic Roger Ebert as
"one of the few genuinely independent American filmmakers",
which John modestly denies!
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John has directed over 20 films and written well over 100 screenplays throughout his career. Two of his early films, The Return of the Seacaucus Seven (1978) and Baby Its You (1982), were selected by the United States National Film Registry for preservation in 2012. John was born outside Scranton, Pennsylvania and graduated from Williams College.
John is a talented screenwriter as well as director; he made his first professional short film TSR: Thirty Seconds Over Reims (1971) after winning a talent competition with a script for the film. John's work often touches on social issues – including unemployment, inner-city violence and war – which John believes make excellent material for stories due to complex personal relationships involved with these topics.
John Sayles is an example of someone who supports the independent film movement. John's films Lone Star (1996) and Matewan (1987) were both nominated for the Academy Award for Best Picture and John himself has been nominated twice for the Academy Award for Best Original Screenplay.
John and I had an amazing conversation that was full of knowledge bombs. It was truly like being in a filmmaking and screenwriting masterclass, hence the title of the episode.
Sit back, relax and get ready to take some notes. Enjoy my epic conversation with John Sayles.
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IFH 517: Editing for Directors with Gael Chandler Nov 09, 2021

Television editor and author Gael Chandler is on the hot mic today.
Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling old battle stories, which are always very entertaining. It is a whole other world when a director says, ‘CUT!’ to the final scene and the elves of film production, EDITORS, get to work.
While I am curious to hear Geal’s stories from behind the scenes, I would like to focus first on her new book, Editing for Directors: A Guide for Creative Collaboration which was released in August of 2021.
This is her fifth publication which shares tools and lessons from her expert experience in film production/editing. Gael has been nominated twice for the Cable Emmy award for comedy editing and has taught editing practices and history at Loyola Marymount University and California State Universities at Long Beach, Los Angeles, and Northridge.
Editing for Directors: A Guide for Creative Collaboration focuses on how directors should be working with editors. It guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book:
Describes the artistic, organizational, and technical skills editors bring to the party; with tools on what directors should look for when hiring an editor and the best ways to work with an editor; It further explains how and why directors should plan for editing before they shoot a frame. An entire chapter is devoted to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing while defining and discussing cutting-room terms, practices, and workflows.
Gael filmography credits her editing on wonderful 90s television shows like Max Headroom, Deep Dark Secrets, A Mom for Christmas, Family Matters, and The Very Retail Christmas. Some of her other books include Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know and Cut by Cut: Editing Your Film or Video.
It’s always fun to hear unique stories from seasoned technicians and the huge technological revolution or evolution their line of work has had to face as well as their adaptation processes.
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IFH 516: The Art of Story, Dialog, & Character with Robert McKee Nov 05, 2021

Our guest today is the well-regarded screenwriting lecturer, story consultant, and eminent author, Robert McKee. Reputable for his globally-renowned ‘Story Seminars’ that cover the principles and styles of storytelling. I read his book years ago and refer to it often. I discovered McKee after watching the brilliant film Adaptation by the remarkable Charlie Kaufman. Kaufman literally wrote him into the script as a character. McKee's character was portrayed by the Emmy Award-winning actor Brian Cox.
If you haven't heard of Robert McKee then you're in for treat. Robert McKee is what is considered a "guru of gurus" in the screenwriting and storytelling world.
He has lectured on storytelling for three decades, and his book Story: Substance, Structure, Style and the Principles of Screenwriting (FREE AUDIO BOOK VERSIONS HERE) is a "screenwriters' bible". It’s also become the bible for TV writers, and entertainment executives, and their assistants.
McKee’s former students include 67 Academy Award winners, 200+ Emmy Award winners, 100+ Writers Guild of America Award winners, and 52 Directors Guild of America Award winners.
Some of his "Story Seminar" alumnae including Oscar® Winners Peter Jackson, Julia Roberts, John Cleese, Geoffrey Rush, Paul Haggis, Akiva Goldsman, William Goldman, and Jane Capon, among many others.
McKee’s work has shaped the way Hollywood movies have been written for years. Particularly, Story: Substance, Structure, Style and the Principles of Screenwriting, written in 1997. A very resourceful guide for screenwriters. In Story, he expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. More than 100 big-name screenwriters have benefitted from his seminars at one point or another.
Many of you might have been introduced to McKee's work in the film Adaptation,where the great Brian Coxportrayed him. This is how I began my journey into McKee's game-changing book Story: Substance, Structure, Style and the Principles of Screenwriting.
Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald (Nicolas Cage). While struggling to adapt "The Orchid Thief," by Susan Orlean (Meryl Streep), Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.
My interview covered discussion on McKee’s latest book which is linked below, Character: The Art of Role and Cast Design for Page, Stage, and Screen. And a combination of his other books Dialogue: the Art of Verbal Action for Stage, Page,and Screen, andStorynomics: Story-Driven Marketing in the Post-Advertising World, which are both linked in the show notes.
This interview felt like a free pass to one of McKee's sold out seminars --- packed with knowledge bombs.
Absorb as much knowledge as you can because it come fast and hard. Enjoy this conversation with Robert McKee.
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IFH 515: How to Direct Great Television with Dan Attias Nov 04, 2021

If you have ever been interested in directing television or a series on Netflix then this is the episode for you. Today on the show we have legendary television director Dan Attias.
Dan has worked as a director in the film and television industry for 37 years. As a director of series television he has received the Directors Guild of America award for outstanding direction of dramatic television and has been nominated for multiple Emmy awards for his comedy directing. He continues to work on some of the most celebrated and critically acclaimed American television shows, including Homeland, The Americans, The Marvelous Mrs. Maisel, Billions, and The Boys.
Previously he has directed The Sopranos, The Wire, Six Feet Under, True Blood, Entourage, The Killing, The Walking Dead, True Detective, Ray Donovan, Bloodline, Friday Night Lights, Northern Exposure, House, Lost, Alias, among many others. His first professional directing assignment was the feature film, Stephen King’s Silver Bullet, produced by Dino DeLaurentiis. Dan started his career studying acting, then worked as an assistant director under Steen Spielberg on E.T. The Extraterrestrial, Airplane!, One From the Heart and several other feature films.
He has taught acting and directing workshops in the United States, and has appeared as a guest speaker at festivals in Italy, Brazil, Greece, Mexico and Canada. Before working in the film and television industry, Dan was enrolled in a Ph.D. program in English literature at U.C.L.A., then transferred to the Theater Arts Department where he earned an M.F.A. in film production.
His new book Directing Great Television: Inside TV’s New Golden Age dives deep into his career, techniques and amazing behind the scenes stories of some of the best television shows in history.
Sharing his own process honed over a decades-long career, Emmy-nominated director Dan Attias brings you into the actual experience of directing series television. Whether it’s the high-stakes pressure of solving a last-minute problem on set, or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time.
Offering a fundamental focus on story, and eschewing industry language for plain talk, Attias offers in-depth guidance how best to work with actors, how to “speak” through the camera, how to work with a showrunner, and how to be ready for the many ways a director will be challenged, large and small. Directing Great Television is a fascinating window into television’s best shows, compelling to directors and non-directors alike.
Attias’s book transcends other filmmaking guides by detailing his journey to a surprising place of self-discovery, one with applications beyond entertainment.
Enjoy my conversation with Dan Attias.
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IFH 514: How to Sell Your Film in Today's World with AFM's Jonathan Wolf Nov 02, 2021

Today on the show we welcome back to the show Jonathan Wolf, Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market (AFM).
The American Film Market is the most efficient film acquisition, development, and networking event in the world. Unlike a film festival, AFM is a marketplace where production and distribution deals are closed. More than US$1 billion in deals are sealed every year — on both completed films and those in every stage of development and production.
Over 7,000 industry professionals from more than 70 countries converge in Santa Monica every November. They include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.
At AFM, participants can discover the entire global catalog of available films and projects, attend 50+ world-class conferences, roundtables, and presentations, and connect with the independent film community’s decision-makers, all in one convenient location without the distraction of a film festival.
The American Film Market 2021 will go on during this crazy time but not how you might think. AFM will be conducted completely online.
I'll also be speaking at this year's AFM with my good friend and film distributor Linda Nelson on November 3, 2021, at 9am PST.
Jonathan and I discuss how to sell your film on today's ever-changing world.
Enjoy my conversation with Johnathan Wolf from the American Film Market.
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HALLOWEEN BONUS: How to Create a Successful Horror Franchise with Final Destination's Jeffrey Reddick Oct 31, 2021

HALLOWEEN BONUS from my other show Bulletproof Screenwriting.
Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.
Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.
Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.
Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.
When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.
Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.
Enjoy my spooky conversation with Jeffrey Reddick.
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HALLOWEEN BONUS: My Life in Horror and Nightmare Cinema with Mick Garris Oct 30, 2021

HALLOWEEN BONUS from my other show Bulletproof Screenwriting.
I am extremely excited to have on the show today a fellow podcaster, established producer, director, and writer, Mick Garris. Mick’s podcast, Post Mortem with Mick Garris, dives deep into the devious minds of the greatest filmmakers and creators of your worst nightmares to bring their distinctive visions to life in fascinating one-on-one conversations.
He’s renowned for his screen adaptations of Stephen King’s books like Sleepwalkers (1992) , and creator of 2005, Masters of Horror series.
The California native began his passion for storytelling as early as 12 years old - writing short stories. He launched his passion onto the journalism path at just 16 years old. Driven by curiosity, he freelanced as a film and music critic and landed interviews with the likes of Jimi Hendrix, Rod Serling, and Ray Bradbury in the 70s.
It’s remarkable what Mick accomplished in a time where everyone needed to know someone to get a foot in the door, let alone that early in life and without the help of social media. I guess folks were intrigued by his talent and drive.
While doing film criticism, Mick wrote specs, publications for magazines, and did some filming on 8mm. The guy lived the dream. The hard work began to pay off. His agent, Rick Jaffa read some of his specs, believed in him, and introduced Mick to Steven Spielberg. Mick ended up writing the first episode of the Spielberg sci-fi series, Amazing Stories, and seven other episodes.
He's credited for writing screenplays like Psycho IV: The Beginning, Fly II, and the She-Wolf of London series. He was also was an editor on Spielberg’s other project, *Batteries Not Included, in which aliens help a feisty old New York couple in their battle against the ruthless land developer who's out to evict them.
Garris has written and directed a lot of other horror classics such as Halloween comedy favorite, Hocus Pocus. The film follows a villainous comedic trio of witches who are inadvertently resurrected by a teenage boy in Salem, Massachusetts, on Halloween night.
Garris and I talked about his incredibly difficult yet fun experience shooting his small budget directorial debut, feature sequel Critters 2. In the film, Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.
The man's contribution to the horror genre has amazing. Can't wait for you to catch up on my conversation with Mick Garris.
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IFH 513: How I Write and Direct My Films with Edgar Wright Oct 28, 2021

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.
He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.
The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences.
Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.
Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.
Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.
In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.
Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.
Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.
It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.
Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho which comes out tomorrow.
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IFH 512: Down the First Feature Rabbit Hole with Carlson Young Oct 26, 2021

Today on the show we have writer, director and actress Carlson Young. Carlson is the creator of the new film The Blazing World.
Decades after the accidental drowning of her twin sister, a self-destructive young woman (Carlson Young) returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Through an epic journey down the darkest corridors of her imagination, she tries to exorcise the demons pushing her closer and closer to the edge.
The Blazing World premiered at the Sundance Film Festival 2021 to rave reviews. We discuss the difficult process of bringing this personal film to the screen, how she used a short to get the feature film made, how she got financing, shooting durning COVID and much more.
Enjoy my conversation with Carlson Young.
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IFH 511: Can You Make Money with Short Films? (Vidiverse) with Alex Proyas Oct 21, 2021

I am excited to have back on the show legendary writer, director Alex Proyas.
The last time he was here, we discussed his career, working within the studio system, dealing with insane interference in his creative vision, why he was shooting short films. At the time, his movie, The Heretic Foundation, and his misadventures in Hollyweird had just been released.
I've been following all the cool stuff he's been working on social media, his shorts, etc. I'm thrilled for him. It's nice seeing an artist creating and not waiting for someone to permit them to make.
For those of you who are not familiar with Alex Proyas's work, he is the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, iRobot, and Mask of the Evil Apparition.
iRobot was directed by Proyas, written by Akiva Goldsman and Jeff Vintar. The 2004 Box Office $346 million grossed film received mixed reviews. It starred Will Smith and was a technophobic cop in 2035 who went on to investigate a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.
Today, we are talking more about his new streaming platform VIDIVERSE. I really wanted to promote what you're doing because I know it's coming from a great place. I need to promote what you're doing because I know it's coming from a great place.
VIDIVERSE is a new streaming platform that offers a non-exclusive destination for streaming curated content of all kinds. In time, the platform will partner with creators to help produce content.
Most independent filmmakers are getting away from Youtube, and that was the inspiration behind Proyas's VIDIVERSE. YouTube seems to have developed stricter policies about who derives any income from content. Even though a few people manage overtime to beat the algorithm, most creators get very few views. Independent creators to continue building through the platform. Vimeo, and others that similarly target filmmakers ease the streaming challenge. Still, there's nothing between those two ends of the spectrum because YouTube seems to soak it all up through advertising.
So, someone like Proyas, who has moved effortlessly between helming TV commercials and music videos to feature films, understands the demand for more targeted platforms and fair revenue distribution models. This is what he intends to develop with VIDIVERSE.
Alex also gave us an EXCLUSIVE UPDATE on the development of his Dark City streaming series. This was a fun conversation.
Please enjoy our guest, Alex Proyas.
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IFH 510: How to Deal with Filmmaking Depression with Lucas McNelly Oct 19, 2021

I read an article the other day about a filmmaker who spent the better part of a decade trying to finish a movie due to unforeseen circumstances and spiral depression. I was immediately intrigued because that's part of the package that this line of work comes with that we don't talk about as much.
So, I brought on the award-winning filmmaker and writer Lucas McNelly to talk about his movie, Upcountry, and how depression affects his life and creativity. Lucas McNelly has written and directed such feel-good projects as Blanc de Blanc, A Year Without Rent, L'Attente, Gravida, Maine Noire, and Indies for Indies series. He currently works as Director of Films and Assistant to Marla Singer at Long Winter Soap Company.
While his interest was initially in sports broadcasting like basketball and baseball, he pivot to filmmaking in his sophomore year of college after winning a students' film festival by happenstance.
The production of his 2021 movie, UpCountry, took almost a decade to complete. Lucas wrote and directed Upcountry--- a true labor of time and passion because he came to the brink of losing this project.
The movie plot is about a group of friends from New York City who hires a guide to take them on a fishing trip deep in the woods of northern Maine. But, when the guide takes all their gear, they find themselves stranded in the middle of nowhere.
He goes in-depth about the process and all the curveballs he dealt with over the decade. Perseverance is one word I can use to describe Lucas's story and the making of Upcountry, but you have to listen to be your own judge.
He has another upcoming project, Maine Noire; you can check out on his website--- you can find all the details in the show notes below.
Not to give too much away, let's dig into my interview with Lucas McNelly.
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IFH 509: How to Make Money with Short Films with Joseph Alexandre Oct 14, 2021

It was a pleasure having today's guest on because, as a self-proclaimed hustler, I recognize another when I see one, and for the best part of his career, Joseph Alexandre has hustled hard in this line of business.
My guest today is director, writer, and producer Joseph Alexandre. He is most known for films like The Starck Club Documentary-The Final Cut, Back Home Years Ago: The Real Casino, and The Early Inauguration.
He's made his way in the indie filmmaking world with shorts and documentary shorts. We do talk about his 2021 short, Ralphie's Blue. But we dive more into his career and how shorts have played a massive part in generating revenue.
Joe used a lot of filmtrepreneur methods---way before I ever wrote the book.
He's written, produced, and directed the pilot for the reality TV show, The Body Shop Cop, which focuses on Rocco Avellini, owner/operator of Wreck Check Car Scan Centers, which provides consumers with vital consultations for Auto body collision repair and diminished value.
Joe's filmography includes, Split Screen TV show, The Devil Takes a Holiday and almost a dozen others.
Ralphie's 'Blue', which he wrote, directed, and stars in is the story of a hapless but likable, regular guy named Ralph Monti, a man with two strikes against him. One, he works nights and weekends as an umpire, but he can't seem to get past little league. Two, it takes him a fistful of meds every day just to keep it together. Ralph's game takes a dramatic turn when he meets Chase, the charismatic leader of a "men's group." Chase takes Ralph under his wing, introducing him to his group - The Order - at a weekend retreat in the mountains. Ralph encounters a committed band of dangerous white nationalists, more accurately, White Supremacists. (Ironic, because Ralph has a black girlfriend, but Chase has an "alternative" approach to Ralph's medication, which proves tantalizing to Ralphie.) Chase intends to shape Ralph into a dangerous weapon to be used by The Order as part of their plan of attack. Can Ralph help foil the event before it's too late?
His work is featured on the SVOD platform Fandor. You can stream them exclusively on there.
Enjoy my conversation with Joseph Alexandre.
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IFH 508: Secrets to Successful Low-Budget Films with Jason Blum Oct 12, 2021

I'm excited to talk to a fellow low-budget independent filmmaker today.
Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions.
Our chat sort out knowledge gems on Jason’s mentality behind his filmmaking and the budget strategy. Especially the ‘freedom’, he’s expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.
Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele’s Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss’s Invisible Man, The Purge, etc.
Black As Night, the Amazon original film, is one of the twenty-five projects he’s produced that have been released this year and streaming on various top streaming platforms.
The story is about a teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.
He’s recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.
That is a testament to his company’s high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.
Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.
All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.
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IFH 507: How the Sopranos Changed Television with David Chase Oct 11, 2021

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today.
As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV.
Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.
The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards.
Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.
The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.
The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.
Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.
We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!
Let’s get into the chat, shall we?
Enjoy my entertaining conversation with David Chase.
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IFH 506: How to Make Your First Feature Film with Rebecca Eskreis Oct 05, 2021

I am pleased to have on the show this today, the gracious Rebecca Eskreis.
Rebecca has had a thrilling path to her dreams of filmmaking. Now a director, writer, producer, teacher, and film consultant whose projects have been recognized by huge platforms like SXSW, TIFF, SIFF, deadCenter, Savannah, Munich, Stockholm, and film Thessaloniki festivals, she’s surpassed her childhood dream.
Last year, Rebecca wrote, produced, and directed her latest film, What Breaks The Ice---a coming of age thriller about two 15-year-old girls, Sammy and Emily, who hark from different worlds but strike up a quick and deep friendship during summer break in 1998, set against the backdrop of a world consumed by the Monica Lewinsky scandal. But what should be the best summer of their lives takes an unexpected turn when they become accidental accomplices in a fatal crime.
What Breaks The Ice was her directorial debut project. For which she was awarded the Sandra Adair/Empowering a Billion Women Grant for promising female filmmakers from the Austin Film Society, and was selected for the Austin Film Society’s Artist Intensive, hosted annually by Richard Linklater. The project was also a finalist for the 2016 Mayor’s Office of New York/Women in Film/Producers Guild Financing Lab. The film will be released by Cinedigm in the fall of 2021.
As a kid, she would steal her dad's video camera self-delegating as the family-vacation videographer. Her parents harness her interest in filmmaking and had her attend film summer camp to develop her love for storytelling and the skills needed too.
Quite fortunately, she landed her first job out of college as a news writer/producer with Forbes. Her roles basically involved writing, producing, shooting, editing, and voicing more than 200 news segments and branded content pieces for Forbes’s online streaming network. While also playing a key role in the design and implementation of the video channels on the Forbes.com site.
She then went on to work in production in the Hollywood game for about seven years out in LA after going to graduate school at USC. some of her experiences included working with Clinica Estetico, 72 Productions, Red Hour Films, and Di Novi Pictures where she prepared herself for her self-venture by learning film development, and the rare opportunity of being mentored by the late Jonathan Demme.
Between 2005, to 2007, Rebecca thought part-time as a teaching assistant at USC for Cinematic Arts.
Eskreis's assistant produced the Justin Timberlake + the Tennessee Kids 2016 documentary which documented the star's final performance and the Tennessee Kids' 20/20 Experience World Tour, filmed in 2015 at the MGM Grand Garden Arena in Las Vegas. Some of her other short films include Noodling, The Wicked Waltz, The Argument, etc.
Please enjoy my conversation with Rebecca Eskreis.
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IFH 505: How To Shake The Film Investor Money Tree with Morrie Warshawski Sep 30, 2021

Today, we are going to be talking all about one of my favorite topics; how to raise money to get our films made. I think every filmmaker wants to know how to make or get money for their films. But it becomes very challenging.
My guest is an expert fundraiser, film financing consultant, facilitator, and author, Morrie Warshawski. He’s facilitated a lot of fundraising throughout his 35 years career and has authored Shaking the Money Tree: The Art of Getting Grants and Donations for Film & Video, and The Fundraising Houseparty: How to Party with a Purpose and Raise Money for Your Cause.
Shaking The Money Tree demystifies the art of fundraising for independent film and video projects for students, emerging, and seasoned media makers.
Morrie has assisted artists, filmmakers, and non-profit organizations with strategic planning, organizational development, and marketing across the entertainment and other sectors. Some of his clients are Habitat for Humanity, The National Endowment for the Arts, and Western States Arts Federation.
I really wanted to talk about the mistake filmmakers make when trying to fundraise. Morrie seemed like the right guy for the job and he delivered.
It was interesting learning that Morrie initially studied at USC in hopes of going into filmmaking but ended up majoring in English. And followed on with an MA in English and the graduate Writers Workshop at the University of Iowa.
He started working with independent videographers and filmmakers through the Bay Area video coalition in San Francisco and that's when he transitioned to fundraising.
Morrie was generous with knowledge bombs and tips we all need when it comes to fundraising.
He highlights in this interview how vital it is for filmmakers on the look for donors to have good comportment --- the basis of presenting oneself to the world. Another component is, understanding why they're doing the work and having a strong feeling that the work you're making must be made. And lastly, understanding where your strengths lie, and how you can surround yourself with workarounds for your deficits.
Our conversation was pretty much enlightening and fun. Check the show notes for links to learn more about the work Morrie does and his books.
Get a notebook and pen to jolt down gems and enjoy my conversation with Morrie Warshawski.
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IFH 504: Lighting Big Budgets and Indie Films with Shane Hurlbut A.S.C. Sep 28, 2021

My guest today has done it all. He’s gone from cinematography on small-budget indie films to $200 million-plus projects which is literally goals for many in this line of business.
Director and cinematographer, Shane Hurlbut's thirty-plus experience and success as a storyteller is categorically innovative to the craft and inspiring for other filmmakers.
Shane's latest film Love Hard is set for digital release via Netflix this November. This romantic comedy is about a young woman in Los Angeles who falls for a man on a dating app and travels to his East Coast hometown to surprise him for Christmas but discovers that she's been catfished. Her crush actually does live in the same town, and the guy who duped her offers to set them up if she pretends to be his girlfriend for the holidays.
He’s an esteemed member of the Academy of Motion Picture Arts and Sciences and the American Society of Cinematographers. The ASC recognized Shane’s work very early on in his carrier from his film The Rat Pack and he was one of their youngest cinematographer nominees.
Shane Co-founded the Hurlbut Academy alongside his wife and business partner, Lydia Hurlbut. Their platform offers professional online filmmaking education and mentoring materials, curated by other filmmakers. This interactive library has collaborated with filmmakers to develop about 50 Courses, 400+ Lessons, and 700+ hours of instruction videos.
Some of the top projects he’s worked on include Drumline, We Are Marshall, Terminator Salvation, Act Of Valor, and Game Of Thrones.
The highly acclaimed HBO series, Game of Thrones was hailed for its spectacular cinematography. Outstanding, if you will. In 2012, Shane served as director of photography for their Game of Thrones: You Win or You Die - Inside the HBO Series that was an interview for major cast and crew members. Wherein, characters, families, kingdoms, and plots were explained with an in-depth look at season one. And what viewers could expect from season two.
Some of Shane’s work includes NetFlix’s Rim of The World, Holidate, There Is No Place Like Home, Fathers, and Daughters, the pilot episode for SyFy's Resident Alien, and Disney+ original film Safety.
Safety was inspired by the true story of Ray-Ray McElrathbey, the film follows a freshman football player for Clemson University who secretly raised his younger brother on campus after his home life became too unsteady.
His passion for filmmaking goes back to his childhood. Like the cool kid he still is, Shane did morning announcements at our high school and DJ for a local radio station. As you can imagine, he started doing dances, proms, and homecoming across the local upstate New York area.
He earned part of his education at a small community college where he fell in love with radio, TV production, and so forth. A scholarship to study film at Emerson College in Boston sealed the deal for Shane.
In 2002, Shane’s box office hit film, Drumline became a major splash. Nick Cannon stars as a young drummer who enters the fictional Atlanta A&T University and bumps heads with the leader of his new school's drum section. A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.
Enjoy my entertaining conversation with Shane Hurlbut.
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IFH 503: Blumhouse: The Purge - Creating a Blockbuster Franchise with James DeMonaco Sep 24, 2021

The Purge franchise is one of the most iconic dystopian action horror series of all time and the man behind it, James DeMonaco is not stopping anytime soon.
Jame is our guest today and even though we talk a great deal about the various Purge films he’s either written or directed, which are all fan favorites, we start off with his most recently released film, This Is The Night, that was digitally released on September 21, 2021, after a prior theater release on Sep 17, 2021.
This Is The Night, drama stars Frank Grillo, Lucius Hoyos, Jonah Hauer-King, Bobby Cannavale, and Naomi Watts. It is set in the summer of 1982 Staten Island with the release of Rocky III as its backdrop. The story tells of an average teen who embarks on a quest in his Rocky Balboa-obsessed town that swirls in his family members. Watts and Grillo will play with his parents. His family must confront its greatest challenges and the family realizes that the only way to live is like there's no tomorrow.
I have tons of questions for James in this interview, which I am sure you, my tribe will appreciate. I have been a fan of some of his work but clueless he had written other top-ranked films on my list, it came as an exciting shock to discover more that James has written, directed, or produced. Besides screenwriting, directing, and producing projects like the Purge movies, he’s also written for TV and gets credit for writing The Negotiator, Staten Island, Jack, and Assault on Precinct 13.
As a child of 5 years old, he would beg his more for a pass to watch the 4:30 ABC network movies and would visit the cinema often. At seven years old, he went to see, Apocalypse at the cinema and that changed everything for him. Leaving that theater with the desire to be part of that experience of whatever happened on the screen.
Through screenwriting, he landed his first production gig with director Francis Coppola, for the 1996 movie, Jack, starring Robin Williams.
The inspiration for The Purge was birthed during James’s time living in Paris and Canada. It came mainly, from his relationship against guns even though he had grown up around cops. The experience in Europe and Canada, in general, were the complete opposites he had observed. This was around the time mass shootings in America were on the rise in the early 2000s. Combined with an aftermath dark thought from a road rage incident curious about what it would be like if we all had a day pass, turned into a masterpiece original screenplay. But dressed in a science fiction dystopian world.
The Purge: Anarchy - A couple is driving home when their car breaks down just as the Purge commences. Meanwhile, a police sergeant goes out into the streets to get revenge on the man who killed his son, and a mother and daughter run from their home after assailants destroy it. The five people meet up as they attempt to survive the night in Los Angeles.
It was challenging to find someone willing to finance a ‘nihilistic’ and ‘un-American movie life The Purge. James and his partners got about fifty rejections because of how dark the script seemed.
Until finally with help from Jason Blum who said it was a great fit for his low-budget horror model on his deal with Universal Studios, to be produced by Blumhouse Productions and Platinum Dunes.
The studio took a shot at it and the first Purge movie in 2013 albeit on a $3 million budget, grossed $89.3 million. The film starred Ethan Hawke, Lena Headey, Adelaide Kane, and Max Burkholder as members of a wealthy family who find themselves endangered by a gang of murderers during the annual Purge, a night during which all crime, including murder, is temporarily legal.
The franchise includes The Purge: Anarchy( 2014), The Purge: Election Year (2016), a prequel, The First Purge (2018), The Purge TV series(2018 to 2019), and The Forever Purge (2021).
There is a sixth Purge movie in the works. And the franchise has grossed overall over $450 million against a combined production budget of $53 million.
We go deep in the weeds on these projects and James’s writing process.
Enjoy my conversation with James DeMonaco.
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IFH 502: Lighting the Biggest Films of All-Time with Dean Cundey A.S.C Sep 21, 2021

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.
Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween. Dean is credited as director of photography on five Back To The Future films and Jurassic Park.
The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place.
The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.
The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.
Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.
Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.
Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit’s only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.
Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.
In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.
Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.
One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van’ or one couple call it a cinematographer’s heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily.
We talk more about this in our chat.
Enjoy my conversation with Dean Cundey.
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IFH 501: We Flipped The Script on Alex Ferrari with Mystery Guest Host Sep 16, 2021

After 500 episodes I need a break. To celebrate this insane milestone we are flipping the script. Many of you in the IFH Tribe have asked me to have someone interview me on the show.
So I asked my long-time friend and current IFH Show appearance record holder (he's been on the show 13 times) writer, producer, actor and [REDACTED] come in and take hosting duties for me. [REDACTED] and I sit-down to look back at 500 episodes of Indie Film Hustle.
[REDACTED] asks deep questions about my journey with Indie Film Hustle and the podcast. If you have heard any other episodes with [REDACTED] you'll know that they were EPIC and this episode was no exception. [REDACTED] digs deep so I really think you will enjoy this episode.
I also reveal some BIG NEWS. Indie Film Hustle has relocated cross-country to a new company location. I get into why I decided to move out of Los Angeles and much more. Here's to another 500 episode of Indie Film Hustle Podcast. Thank you all for continue to allow me to serve you and do what I love.
Thanks to my friend, [REDACTED] for interviewing me.
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IFH 500: Big Budget Indie Films and Creative Freedom with Neill Blomkamp Sep 14, 2021

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.
Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.
Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.
If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.
In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.
District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.
In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.
In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.
As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.
The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.
By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.
As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.
He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.
Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.
IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.
Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.
Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.
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IFH 499: From Sundance Sleeper Hit To Blockbuster Career with Chris Sparling Sep 09, 2021

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.
Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.
One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.
The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary. Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.
Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.
He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.
Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.
When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes.
Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds. Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone. It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.
The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films. Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide.
Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between.
Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green.
It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.
Enjoy my entertaining conversation with Chris Sparling.
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IFH 498 : The Making Of Small Engine Repair with John Pollono Sep 07, 2021

This week I brought on the show, playwright, screenwriter, director, and actor, John Pollono. I wanted to go down the road a little bit about his remarkable journey in the business which expands across theatre and short films.
John is one of the founders of the Jabberwocky Theatre Company in 2004 which became the Rogue Machine Theatre in 2008 where he produced his earlier plays. His big break came with his screenplay for the acclaimed biographical drama film, Stronger which premiered at the 2017 Toronto International Film Festival.
The screenplay, based on Bauman's memoir Stronger, was number two on the Black List (most-liked "motion picture screenplays not yet produced) in 2016.
Stronger, starring multiple award-winning actors, Jake Gyllenhaal, is the inspiring real-life story of Jeff Bauman --- an ordinary man who captured the hearts of his city and the world to become a symbol of hope after surviving but losing his legs in the 2013 Boston Marathon bombing and must adjust to his new life.
This project came along for John right after signing with Los Angelos - based Creative Artists Agency. Producers, Alex Young and Todd Lieberman were already familiar with Pollono’s work. And they were on the hunt for something. That was when adapting Stronger became a prospect. At the time, the book was not yet published so he had a chance to review the unpublished book.
Producer Scott Silver was looking to mentor a more junior writer for the Stronger film and fortuitously, John was a good fit having grown up 20 minutes from where the characters take place, he was the best candidate for the job. So, with a follow-up pitch, the book’s film adaptation screenplay was sold to Lionsgate.
Writing Stronger (the film) was a double success for Pollono. Not only was he mentored directly by the incredible Scott Silver and receiving writing directions about theme, structure, etc, but the project brought him some notoriety as well by topping number two on the blacklist a year before production. That script made a big enough splash for his career.
Besides Stronger, Pollono is known for writing Small Engine Repair (the play and its film adaptation), Lost Girls (2013 and 2015) Off-Broadway release, Second Of Rules (the play), Lost and Found (2006), Razorback (play, staged in 2008) and his one-act Illuminati play which won Best Play at the 2010 Network One-Act Festival in New York City.
In his career in front of the camera, Pollono made appearances on shows like Grey’s Anatomy, recurring roles on Mob City and NBC's This Is Us TV series, and have worked professionally in entertainment Public Relations
Pollono’s love for stories and movies dates back to being a kid who was also a voracious reader -- reading every Stephen King book there is. He picked up short story writing at a pretty young age. Obviously, he had a sort of knack for storytelling and started pursuing that path and passion to become a filmmaker and has been fortunate to shadow so many directors who I really admire in the business.
He earned a Bachelor of Arts in 1994 from the University of New Hampshire and did two semesters of film school at NYU on an exchange. His experience in New York City, being surrounded by such a diverse group of artists was the biggest epiphany of his life that helped him decide his filmmaking career.
He's guest-starred in the television series, How I Met Your Mother and has had smaller acting credits on film and stage.
In 2021 he wrote and directed the black comedy-drama, Small Engine Repair which will premiere this September. The film is based on Pollono's play of the same name. I can not recommend this film enough. It is easily one of the best films I've seen in 2021.
Events spin wildly out of control when three lifelong friends agree to do a favor on behalf of the brash young woman they all adore. It follows lifelong friends Frank (John Pollono), Swaino (Jon Bernthal), and Packie (Shea Whigham) who share a love of the Red Sox, rowdy bars, and Frank’s teenaged daughter Crystal (Bravo). But when Frank invites his pals to a whiskey-fueled evening and asks them to do a favor on behalf of the brash young woman they all adore, events spin wildly out of control in this exploration of brotherhood, class struggle, and toxic masculinity.
This interview was a pretty cool conversation and I did not hold back getting John to share all the gems of the business he’s learned and fun questions like what it’s like working with Frank Darabont and working on the new Hulk Hogan movie currently in production.
Enjoy my conversation with John Pollono.
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IFH 497: Raiders! Making the Greatest Fan Film of All Tim with Eric Zala Sep 02, 2021

Back in 1981, the action-adventure movie Raiders Lost Ark was a fan favorite for many. But the ultimate fans were a teenage trio who kind of took it a little bit further.
At age 12 and 11, in the summer of 1981, our guest today, director, Eric Zala, and friends devoted what turned out to be seven years of their childhood to shooting a shot-by-shot adaptation of Steven Spielberg’s, Raiders of the Lost Ark.
Driven only by their fandom with no idea about editing, sound, or movie making, Eric, Chris Strompolos, and Jayson Lamb finished the film (except for the blown-up plane scene) and even had a hometown premiere.
Years later, after studying at NYU film school, Eli Roth got a hold of a copy of the film, showed it to Steven Spielberg, and the rest is history.
The guys decided to finalize the project with their new recognition by shooting the final scene they had abandoned.
Director Jeremy Coon and Tim Skousen joined them to document their adventure. In 2015, The Raider! The Story Of The Greatest Fan Film Made documentary was released.
Eric has credits on other films like An Early Twilight (1993) and Medal of Honor: Rising Sun (2003). After all these years, Eric’s start to indie filmmaking remains a fascinating dream-coming-through story. It was hilarious hearing about the making Raiders adaptation and their parents' reactions.
Enjoy my entertaining conversation with Eric Zala.
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IFH 496: The Patronized Self-Distribution (PSD) Model with Zach Lona and Anthony Gibson Aug 31, 2021

Our guests today are developers, Zach Lona and Anthony Gibson.
Zach is the founder of Chicago-based company, Eleusinian Productions studio that invented the Patronized Self-Distribution (PSD) model. The Patronized self-distribution (PSD) uses NFTs essentially as an alternative distribution model from traditional distribution. It hoists and redefines the status of independent films to that of fine art while targeting the film’s specific audience (art collectors/patrons).
After finishing up his feature mockumentary film directorial debut, He Who Lives In Hidden Lakes, at the end of 2020, and being reluctant to go the normal distribution route, Zach sought an alternative and along with his team, invented the PSD model earlier this year.
The fanatic beliefs of an internet mystic, a cult leader, and a rookie cop who went rogue are tested on the hunt for the "Hidden Man" -- an elusive forest-dwelling cryptid that terrorizes their idyllic suburb.
He Who Lives In Hidden Lakes is now listed as Eleusinian Production’s first NFT auction on OpenSea NFT online marketplace. The NFT model is a huge incentive for filmmakers because the increase in viewers will lead to an increase in passive income and NFT value.
As you can tell, this is a deep dive topic. So, I wanted to bring them to the show to talk about how all of it works. Efficient ways to implement PSD, Who really benefits from PSD models, and more.
Enjoy my entertaining conversation with Anthony and Zach.
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IFH 495: Cautionary Tale: $300,000+ in Debt for Film School with Zack Morrison Aug 26, 2021

The crippling student debt crisis in America threatens college the financial freedom of many students. According to Forbes 2020 student loan debt statistics, there are 45 million borrowers who collectively owe nearly $1.6 trillion in student loan debt in the U.S. and student loan debt is now the second-highest consumer debt category - behind only mortgage debt.
I was introduced to filmmaker, Zack Morrison’s plight when I read an amazing article in the Wall Street Journal about his $ 300,000 student loan debt from Columbia University film school.
Zack is a short film director and writer. Some of his work include Everything's Fine: A Panic Attack in D Major and Captain Cyborg.
Everything's Fine: A Panic Attack in D Major is a musical comedy about a woman at the onset of her quarter-life crisis and her existential journey through the various stages of anxiety in song and dance.
Captain Cyborg tells the story of a young boy with a hyperactive imagination who creates a superhero alter-ego in order to confront bullying at school. Unfortunately for Jake, the lines between reality and fantasy start to blur, and he is forced to make a decision that will change his life forever.
This was Zack's big second-semester project at Columbia University's MFA Film program. It began as a script swap process where everyone signs on to direct someone else's story as an exercise in collaboration and adaptation.
Zack’s passion for filmmaking goes back to eight years old after being inspired by a Steven Spielberg lego movie game
He followed through by doing his BSc at Rutgers and his graduate in film at Columbia University. We get into the deep of his choices to attend an Ivy League school for film, the accumulation of debt, and how that has impacted his life.
You can watch Zack’s short films on his website or his youtube channel --- you can find the links in the show notes below. Let’s get this conversation started.
Enjoy my conversation with Zack Morrison.
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IFH 494: Adventures in Bad Distribution Deals with Heather Turman Aug 24, 2021

I am delighted to have as a guest on the show today, Filmmaker, comedian and podcaster, Heather Turman. She’s the creator and writer of the feature film, Stuck, starring Joel McHale, Heather Matarazzo, and SNL’s Chris Redd. And host of the Indie Women Podcast on Youtube.
Darby finds herself in trouble with the law and is sentenced to house arrest. Now she must serve 30 days in the home she used to share with her ex-boyfriend, which he now shares with his new fiancee.
Heather has appeared in films like La-la Land, or the 2019 TV series, The Room Actors: Where are they now.
At age 18, Heather moved to Los Angeles to pursue her passion for entertainment. And she’s since built a successful career as a comedian, writer, and producer --- one that has taken her touring to over 75 cities across the USA.
She is an LA Westside Showdown two times top-finalist and has appeared on the FOX series Laughs and the Seed & Spark original Everything Is Fine! stand-up comedy special.
She is most known for writing, producing, and directing the hilarious original web series, Conversations with Future Stars which you should check out.
Heather shared with me in the interview that she discovered the IFH podcast at the beginning of the pandemic and binged every episode. Now, this is particularly special to me that she recognized and enjoyed the wealth of knowledge the show provides. So, having to sit down with her is an absolute full-circle moment.
I was thrilled to have had such a raw and transparent conversation about her experience with her.
Enjoy my hilarious conversation with Heather Turman.
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IFH 493: How to Make Money with Romantic Comedies (Rom-Com's) with Charles Shyer Aug 19, 2021

We have on today, one of the best rom-com and comedy writers and filmmakers of all time.
I've been a fan of many of his films growing up, specifically, Father of The Bride. Now that I have two daughters of my own, it is fondly scary to rewatch it.
Charles Shyer is an award-winning director, screenwriter, and producer whose work includes some of the best fuzzy-feel good films of all time.
He is the director and writer of the 1991 comedy film, Father of the Bride starring Steve Martin, Diane Keaton, Kimberly Williams (in her film debut), etc. Martin, a businessman, and owner of an athletic shoe company finds out his daughter is getting married, he finds himself reluctant to let go and goes on a spiral. The film grossed $129 million and has had two sequels of it made in 1995 and 2020.
He wrote and co-produced one of the most pivotal films in Lindsey Lohan’s career, The Parent Trap (1998). It captured the story of identical twins Annie and Hallie (played by Lohan), separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
People fell in love with the movie and Lohan’s exceptional performance, leading to an instant box-office success with a $92.1 million gross.
There are but few writers who are able to master the craft of romantic comedy, and Charles Shyer is one. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), the Father of the Bride sequels, The Affair of the Necklace (2001), etc.
Shyer directed Baby Boom and co-wrote it with his long-time writing partner, Nancy Meyers in 1987. It stars Diane Keaton who discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as an inheritance. Like most of his films, this too was a box office success.
All this happened after he made the switch at the start of his career in the industry, from pursuing directing to writing and landing a gig on the 1970 TV series, The Odd Couple. Where Shyer eventually worked his way up to head writer and associate producer, writing about twenty-four episodes of the show.
In our conversation, Shyer tackled the making of some of his well-known films and the changing writing culture in Hollywood. It’s always a good fun day at the office when I can chat up with folks like Charles.
Enjoy my chat with Charles Shyer.
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IFH 492: Directing and Selling Beckett to Netflix with Ferdinando Cito Filomarino Aug 17, 2021

We're getting deep into the weeds on Italian director and screenwriter, Ferdinando Cito Filomarino American cinema debut film, Beckett, which I absolutely enjoyed!
Beckett stars the incomparable John David Washington and Swedish actress, Alicia Vikander. This action thriller follows an American tourist (Beckett) who had been in a tragic car accident in Greece and suddenly finds himself at the center of a dangerous political conspiracy and on the run for his life. He sets to reach the USA embassy to clear his name. Elements of romance and questions of political power are rolled up into a 90-minute manhunt.
Beckett's world premiere was at the Aug 2021 74th Locarno Film Festival and is now distributed exclusively on Netflix.
Filomarino talks about the cultural diversity on set - having seven languages spoken. I assume that would include, English, Italian, Greek, Swedish, etc. I was fascinated by the film’s meticulously crafted visual elements and screenplay.
Filomarino’s work may be new to American screens, but he’s gained notoriety in European cinema directing or writing on films like The Other Man, Academy award-winning 2017, coming-of-age romantic drama, Call Me by Your Name (Second Unit Director). The story sets in a 1980s rural Northern Italy --- romance blossoms between a seventeen-year-old Jewish Italian, Elio, and a 24-year-old research assistant, Oliver, who’s living with the family over the summer to help Elio’s father, archaeology professor with his academic paperwork.
Filomarino shadowed Call Me By Your Name's director, Luca Guadagnino while working the second unit on the film and forge a good professional relationship which led to a collaboration in 2010. He was fortunate to have Luca produce his directorial debut, Diarchy in 2010. Diarchy is a Locarno and Sundance Film Festival award-winning short film. Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
We also chatted about Richard Eyre's, The Other Man, fresh out of university, and how that experience prepared him for his own films. We know that experience is the best teacher, so I am always down for hearing knowledge bombs filmmakers learn from other filmmakers in this line of business. Sort of like an unofficial masterclass.
Go watch Beckett! But first, enjoy my conversation with Ferdinando Cito Filomarino.
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IFH 491: Inside The Soulful Sundance Hit Nine Days with Edson Oda Aug 12, 2021

I had the pleasure of watching acclaimed director, Edson Oda's knockout feature directorial debut, Nine Days. And I absolutely loved it. With the COVID shock, the world has experienced and still going through, this film centers the conversation of existentialism and depicts it quite distinctly.
Oda's supernatural drama film, Nine Days was shot at the peak of the Pandemic in isolated Utah, starred Black Panther's star, Winston Duke, Zazie Beetz, Benedict Wong, Tony Hale, Bill Skarsgård, David Rysdahl, and Arianna Ortiz.
The film is about an interviewer named Will, who spends his days in a remote outpost watching the live POV on TVs of people going about their lives. He interviews five unborn souls to determine which one can be given life on Earth, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates - unborn souls - arrive at Will's to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma, a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.
Oda who is a Sundance Screenwriters Lab Alumni took the film home (to Sundance) and premiered Nine Days there in January 2020. It went on to win the Waldo Salt Screenwriting Award in February of 2020 and earned two Independent Spirits Awards nominations.
The Japanese-Brazilian director and writer made his start in São Paulo advertising scene and later completed his master’s at USC in Film and Production. Oda has produced and directed several films, commercials, and music videos.
In 2013, he directed and wrote a short film, Malaria which is about a young mercenary who is hired to kill Death. Malaria combines Origami, Kirigami, Timelapse, nankin illustration, Comic Books and Western Cinema.
Besides top-notch commercials for companies like Philips, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda, Nokia, he's also a Latin Grammy-nominated director for best music video Tempos de Maracujá.
Nine Days was released in the US on July 30th, 2021 and I am excited to see how well-received it is about to become. I am predicting it may even win an Academy Award. Yes. It is that fantastic!
Enjoy my conversation with Edson Oda.
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IFH 490: Cinematography for Directors with Jacqueline B. Frost Aug 10, 2021

Cinematographers are really the directors of images while directors are the authors of the performances. Evidently, the collaboration between these two important persons on set with a shared vision and respect influences the work environment and (the ultimate result) the film, a great deal.
We’re inspired this week by cinematographer, and author, Jacqueline B. Frost’s book, Cinematography For Directors: A Guide For Creative Collaboration.
She compiled her 30+ expertise in cinematography and production into this book. Its 2nd edition was published in March 2020. The book is a handbook for directors and aspiring filmmakers who want to get the best visuals for their films while establishing a collaborative relationship with their cinematographer. Through interviews with current ASC cinematographers, and a balance between technical, aesthetic, and historical context, this book guides the director into a powerful collaboration with their closest on-set ally. Topics include selecting a cinematographer, collectively discussing the script, choosing an appropriate visual style for a film, color palette, film, and digital formats, lenses, camera movement, genres, and postproduction processes―including the digital intermediate (DI). Interwoven are quotes from working ASC cinematographers.
From my own experience directing and working cinematography a few times, it is no secret that the relationship between a director and his cinematographer must be intuitive and non-contradicting. A quick sit down to break down the script, vision and general approach makes the work way easier for every party.
Frost’s background in fine arts, photography, and cinematography--- merged, has made it easier for her to spot the crevices in approaches or the lack thereof pertaining to DP, and head of images that have been the detriment of many projects.
Cinematography for her is a long-time love of the image and the endless learning process that was ignited when she pursued her graduate degree. To date, she’s taught cinematography, film, and documentary production at UCLA and through shorter courses and produced over 20 feature films and documentaries.
We cover several themes from Frost’s book including what directors need to know about aesthetics of lenses, focal length, and its depth of field.
Our conversation was definitely like a mini masterclass on cinematography and Jacqueline was a goldmine of knowledge.
Enjoy my conversation with Jacqueline B. Frost.
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IFH 489: Using Blockchain to Make Money With Your Film with Kim Jackson and Jake Craven Aug 03, 2021

Learning about new and improved ways to navigate archaic structures in our line of business is always very interesting. So, this week, I wanted to take you on a deep dive into blockchain entertainment financing- refined by entrepreneurs and producers Kim Jackson and Jake Craven of Breaker.io.
Kim is a member of the International Academy of Television Arts & Sciences, co-Owner of SingularDTV, and CEO of its umbrella company, Breaker Studios, where Jake also works as Vice President of Content Partnerships.
Breaker, founded in 2017, is a leading blockchain development and services company in the Media & Entertainment industry. It provides an innovative, intuitive, and user-friendly end-to-end royalty management platform for independent creators and distributors. Simply put, it uses blockchain and cloud-based technology to enable creators to maximize their revenue by automating revenue collection, backend accounting, and royalty payments while ensuring transparent reporting.
I discovered Breaker when I stumbled upon Alex Winter’s award-winning feature-length documentary Trust Machine: The Story Of Blockchain produced by Kim. The film explains how Blockchain technology is already being used to change the world, fighting income inequality, the refugee crisis, and world hunger.
If you are new to Blockchain or have felt overwhelmed by all the information Google threw at you in an attempt to learn the rudimentary theory of Blockchain and cryptocurrency, check out Vinay Gupta's 'A Brief History of Blockchain, Kim referenced during our chat.
Breaker's concept is definitely the future of entertainment finance and, dare I say, global financial transacting. Being ahead of its time, Breaker is introducing products that allow for media revenue and royalty to be tracked via blockchain technology, which allows for an open-source network of data.
Basically, Breaker provides a better model for instantaneous recording and eliminating mistrust, especially for independent companies that want to sustain a business and revenue model for themselves.
I wish we had more time to continue the conversation because it was packed with filmtrepreneurial and blockchain knowledge bombs, and we could all do with the extra crash course. But I made sure to ask many important questions for you guys from today’s experts.
So, enjoy my conversation with Kim Jackson and Jake Craven.
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IFH 488: When Hip-Hop, Skateboarding and Filmmaking Collide with Jeremy Elkin Jul 30, 2021

In today’s episode, we take you back to the late 90s and early 80s hip-hop and skateboarding culture in New York City with director Jeremy Elkin’s new documentary, ‘All The Streets Are Silent: The Convergence of Hip Hop and Skateboarding.’
In the late 80s and early 90s, the streets of downtown Manhattan were the site of a collision between two vibrant subcultures: skateboarding and hip hop. All the Streets Are Silent brings to life the magic of that time and the convergence that created a style and visual language that would have an outsized and enduring cultural effect. From the DJ booths and dance floors of the Mars nightclub to the founding of brands like Supreme, this convergence would lay the foundation for modern street style. Paris Is Burning meets Larry Clark’s KIDS, All the Streets Are Silent is a love letter to New York—examining race, society, fashion, and street culture.
Jeremy is the founder of Elkin Editions---an independent video production studio under which he’s done production, writing, cinematography, and directing.
He’s most notable for his 2015 hot topic directorial debut, Call Me Caitlyn, and a second unit director on recording artist, Demi Lovato’s 2017 documentary, Simply Complicated. The documentary gives a personal and intimate look into Demi Lovato's life as not only a regular 25-year-old but also one of the biggest pop stars in the world.
I thoroughly enjoyed watching All The Streets Are Silent. It gives one all the good nostalgic feels while also provoking current socio-cultural consciousness.
Enjoy my chat with Jeremy Elkin.
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IFH 487: How to Avoid a Bad Film Distribution Deal with Guy Pigden Jul 27, 2021

I've said many times before on the show, sometimes you just don't know what impact these conversations will have when I put out an episode. I mean, it's just me with a mic in a room with a Yoda statue behind me.
I’m honored to have on the show today, a long-time IFH tribe member who has appreciated and utilized the knowledge bombs we share on here. I’m glad to have on the show today, New Zealand director and writer, Guy Pigden.
After years of working with several production companies in the UK and freelancing in New Zealand, Pigden wrote his directorial debut feature film in 2011, I Survived a Zombie Holocaust, with a grant from the New Zealand Film Commission in 2011. The film was nominated for Best Feature Film Screenplay and Best Emerging Writer by the New Zealand Writers Guild in 2015.
I Survived a Zombie Holocaust is a zombie horror-comedy about a young runner, on a Zombie film set, who ends up having a set day from hell when real Zombies overrun the set.
Pigden has written and directed a couple of TV series and films since his breakout comedy-horror feature including Asylum, Harrow, Older, No Caller ID, etc.
Filmmaking and storytelling had always been a passion for Pigden. At 16 years old he shot his first short film, on an eight-millimeter camera camcorder. He moved to London where he landed jobs as a runner, script reading, and writing.
Once he felt much more confident in his understanding and skills as a writer, it was time to make his transition to the dream. Being a director. Pigden returned to New Zealand and freelanced directing and writing.
After the release and performance of his first feature film, Guy sought out means to grow revenue from low-budget indie filmmaking----particularly the business aspect of the industry. He found his answers here at the Indie Film Hustle and from my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Profitable Business. Everything from making deals, to the actual journey. With these tools, he was able to make a turn-around with his second film.
Just this year Guy directed and wrote his latest comedy show, Immi the Vegan which you should check out. Immi the Vegan dreams of finding a good vegan man and gaining the confidence to perform her songs in front of a live audience. But lately, her dates have mistaken her for a vegetarian or tried to send her photos of their meat and two veg.
It was humbling learning of how impactful Guy found our work here at IFH and knowing that what we do here is serving bigger purposes, glad to be of service.
Guy is raw and transparent on the horrible distribution deal he got into on his film and shares how you can avoid the mistakes he made on his filmmaking journey.
Please enjoy my conversation with Guy Pigden.
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IFH 486: Directing the End of the World with Zoe Lister-Jones Jul 20, 2021

Our guest today is a triple threat. Actress, filmmaker, and writer, Zoe Lister-Jones, who made headways in 2017 with her all-female crew directorial debut, Band Aid. The decision was inspired to foster new creative experiences amidst the staggering inequity on sets.
A couple who can't stop fighting embarks on a last-ditch effort to save their marriage: turning their fights into songs and starting a band. The comedy-drama film, starring Zoe, Jesse Williams, and her New Girl co-star, Hannah Simone premiered at the 2017 Sundance Festival.
Some of Zoe’s most known acting roles include some of your favorite sitcoms like New Girl, Whitney, or Life In Pieces. I have watched Life in Pieces with my family many times and it remains a favorite.
Zoe’s love for performing and writing goes back to high school which set the foundation for a scholarship ride in NYU. Even though the film is what she’s most known for now, Zoe has a background in music and theater. In 2009 she co-wrote and produced, her first screenplay, Breaking Upwards with Daryl Wein on a $ 15,000 budget. The film explores a young New York couple who, battling codependency, strategizes their own breakup.
Operating on a thin budget like that turned the experience into a crash course or a production management Bootcamp in filmmaking for her and Daryl as described during our chat.
A couple more production gigs later and she was ready for the director’s chair.
Last year, Zoe wrote, directed, and produced the sequel to The Craft (1996), a supernatural horror titled, The Craft: Legacy. A group of high school students forms a coven of witches.
Wein and Zoe paired up again to bring a Sundance 2021 official selection cinematic experience to our isolated-covid-locked-down screens with what is described as a serene apocalyptic comedy, How It Ends. Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way.
It was chill and fun chatting about Zoe’s indie filmmaking journey and navigating the minefields of live sets.
Please enjoy my conversation with Zoe Lister-Jones.
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IFH 485: Directing Last Starfighter & Writing Escape from New York with Nick Castle Jul 13, 2021

On the mic, today is 80s horror icon Michael Myers, also known as, Nick Castle who is also a director, writer, and actor - notable for directing The Last Starfighter (1984), Major Payne (1995), and Escape from New York (1981) among others.
Nick’s fictional character, Micheal Myers, in the Box Office $255 million-grossing Halloween film is possibly one of his most well-known roles that have been strongly supported by fans for years. He appears in the 1978 Halloween film as a young boy who murders his elder sister, Judith Myers. The same role is reprised fifteen years later in the sequel where he returns home to Haddonfield to murder more teenagers.
In 1986 he wrote and directed the heartwarming fantasy drama film, The Boy Who Could Fly which tells the story of an autistic boy who dreams of flying and touching everyone he meets, including a new family who has moved in after their father dies.
Filmmaking came naturally to Nick for a host of reasons. For one he grew up in a showbiz family. His father choreographed musical comedy films, while an uncle of his worked as a lighting designer on movie sets. At a tender age, his dad introduced him to entertainment through smaller roles in front of the camera and summer internships behind the scenes.
There he grew a fondness for directing which inspired him to pursue film school at USC.
Notoriety came quickly for Nick. Along with collegemates, Carpenter, Rokos, Longenecker, and Johnston, Nick worked cinematography and co-wrote The Resurrection of Broncho Billy - a short film they created while still in college that blew up and entered the academy consideration and won the academy award for live-action short film in 1970.
Nick and Carpenter reunited and worked together again on Carpenter’s 1974 sci-fi comedy, Darkstar, which follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.
In 1984, Nick made his second directorial film which was quite groundbreaking. The Last Starfighter, became one of the earliest films to incorporate extensive CGI. The plot centers around video game expert Alex Rogan who, after achieving a high score on Starfighter, meets the game's designer and is recruited to fight a war in space. He’s transported to another planet only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack. Its popularity resulted in several non-film adaptations of the story in musicals, books, comics, games, etc
Nick was making innovative films long before most of the more popular guys came along. It is appropriate to consider his 80s sci-fi films as pioneering.
Please enjoy my fun conversation with Nick Castle.
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IFH 484: Pretty Woman and Producing Hollywood Hits with Gary W. Goldstein Jul 08, 2021

Today, we are hearing from one of the cultural influencers of the 90s film industry, and that’s non-other but Gary Goldstein, producer of the iconic rom-com, Pretty Woman, starring Richard Gere, and Julia Roberts.
A man in a legal but hurtful business needs an escort for some social events and hires a beautiful prostitute he meets... only to fall in love. The film's story centers on down-on-her-luck Hollywood sex worker Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him.
Pretty Woman was most of your introduction to Gary's work, but mine was Cannibal Women in the Avocado Jungle of Death.
I know. After all these years, the title still makes me chuckle. Years later, I would reference the title to people. And in case you were curious, Gary goes into the movie title origin story in this interview.
Gary films have generated well over one billion dollars - consistent box office hits. Pretty Woman, for example, grossed $463.4 million - more than 30 times its budget. After the massive success of Pretty Woman, Gary collaborated once more with his filmmaking partner, writer, Jonathan Lawton to produce the action thriller, Under Seige in 1992. Like Pretty Woman, this too performed successfully at the box office and critically - including an Academy Award nomination. An ex-Navy Seal turned cook is the only person who can stop a group of terrorists when they seize control of a U.S. battleship
As an undergraduate student, Gary briefly did talent scouting for Columbia Records and is credited for producing music concerts and cabarets for Berkeley, where he studied.
After college, he practiced law briefly as a criminal defense attorney in San Francisco. Soon, he lost interest in the legal field and sought out a passion. Film and TV became the apparent choice since he had lots of friends who were in the business he could learn from. A year later, Gary opened up a management company where he put his talent scouting skills and experience to work. There, he worked with writers and directors.
By cosmic aligning, he met the young brilliant writer, Jonathan Lawton who wrote the script that became Pretty Woman.
In 2013 he authored Conquering Hollywood: The Screenwriter's Blueprint for Career Success, which is a compilation of strategies to help anyone; whether looking to sell a spec script, option a screenplay, land a writing assignment and get hired, attract an agent, or manager of your dreams...or get a producer to take a meeting with you.
Gary blessed us with knowledge bombs in this interview, including tips on entrepreneurship and film as a business.
Enjoy my conversation with Gary Goldstein.
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MOTIVATION: The Art of Breaking the Rules Jul 07, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
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IFH 483: Exploring the Actor's Process - Inside His Greatest Roles with Edward James Olmos Jul 06, 2021

Our guest today is 80s star, multiple-awards film, and theater actor, and activist, Edward James Olmos.
Olmos's roles in films or TV shows like Stand and Deliver, Battlestar Galactica, broadway musical and film Zoot Suit, Blade Runner as detective Gaff, and many others are some of the most memorable of all time and he's still dominating our screens.
While I could not resist talking about his iconic roles over several decades, we mainly discussed Olmos’ new must-see film, Chasing Wonders.
The picturesque Australian/British drama was the official selection at the Adelaide film festival in 2020. The beautiful cinematography of the film was shot over a five years period to authentically capture the coming of age story by screenwriter, Judy Morris. Chasing Wonders is a story of hope, possibility adventure, and overcoming your past - a heart-warming story of a young boy, who, encouraged by his grandfather (Olmos) to live a life of hope and possibility, takes off on the adventure of a lifetime to find the magical Emu Plains. His journey through the lush landscapes of Australia and Spain leads him to the heart of the human condition – learning to acknowledge the complexity of what comes before us but struggling not to be defined by the past.
The Hollywood Walk of Famer earned an Academy nomination for Best Actor in the 1988 drama, Stand and Deliver. He gave a stellar lead performance as Bolivian- American educator Jaime Alfonso Escalante Gutiérrez.
Olmos filmography is quite extensive. Literally, the man has stayed booked and busy since 1974. He’s appeared in over 130 films, TV shows, and plays.
One of his outstanding roles is perhaps, Lieutenant Martin Castillo in the Miami Vice (1984) as a series regular. A fan-favorite for sure.
But if we do talk about Lieutenant Castillo we must mention Olmos’ role as Detective Gaff in Blade Runner (1982) and a brief reprise in the sequel Blade Runner 2049 (2017).
Gaff is the Los Angeles police officer who detains and escorts Deckard (Harrison Ford) throughout his mission as a ‘Blade Runner’ to track down bioengineered humanoids known as replicants and terminally "retire" them.
Olmos showed the world his versatility in both the Broadway play and film adaptation of the musical comedy, Zoot Suit. The story weaves the real-life events of the Sleepy Lagoon murder trial - resulting in the racially fueled Zoot Suit Riots throughout Los Angeles. Olmos portrays El Pachuco, an idealized Zoot Suiter, who functions as narrator throughout the story and serves as Henry's conscience in both adaptations.
Honestly, I could go on and on down Olmos' filmography, but we can’t spotlight all of his other spectacular films right now. So, let’s get into this interview, shall we?
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IFH 482: How to Raise $325 Million in Film Financing with Wayne Godfrey Jul 01, 2021

I promise the title of today’s episode is not clickbait.
Our guest, Wayne Godfrey is a British film producer, CEO of fintech platform, Purely Capital, and expert film financier who’ve raised nearly $325 million for more than 120 independent feature films.
Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.
This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they've experienced.
He’s credited as executive producer for numerous independent feature films, including , The Man Who Invented Christmas, Robert Rodriguez's Sin City, Martin Scorsese's Silence and Joe Carnahan's Boss Level.
An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment - a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.
Some of his other key production credits include The Foreigner.
THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller from the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love -- his teenage daughter -- is taken from him in a senseless act of politically-motivated terrorism.
In his relentless search for the identity of the terrorists, Quan is forced into a cat- and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.
It was really cool getting Wayne’s perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film’s success right out of the gate.
I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn't speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.
Enjoy my eye-opening conversation with Wayne Godfrey.
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IFH 481: The Problem with Abusive Film Sets with Greg Hemmings Jun 29, 2021

Let me introduce to you all, filmmaker and award-winning film-preneur, Greg Hemmings - Chief storyteller and CEO of Hemmings House Pictures limited.
I wanted to address the serious problem of verbal abuse interns and other crew persons face on film sets from directors, producers, or others in charge.
Why would I invite a CEO to discuss this topic? Well, Gerg’s company, Hemmings House Pictures creates content that inspires positive action. Their essence is to spread kindness and positivity within the work environment and through the content they produce.
One example is the heartfelt music film When You Are Wild: A Day in the Life of J. Willis Pratt, which shows the power of friendship and how a community rallied together to help one of their own.
The moral model of Hemmings House Pictures is one that many in the industry can learn from.
Hemmings has produced and directed countless documentaries, branded content, and commercials, featuring some of the most inspiring stories. One of which is his 2021 documentary, Sistema Revolution - a video case study that explores the impact that the Hemmings House Pictures documentary "Sistema Revolution" had on a community.
Besides film and commercial production, Hemmings Film Pictures also curates courses to employ other filmmakers to create positive social change.
Without further ado, let’s get into it. Enjoy my conversation with Greg Hemmings.
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IFH 480: Making Quentin Tarantino's Lost First Feature Film with Andy Rausch Jun 24, 2021

Now, I was scanning the web the other day, and I came across a book about the making of Quentin Tarantino's first feature film. Quite fascinated that someone took the time to dig into the unreleased, My Best Friend's Birthday, which I've spoken about a bit on my podcast and also written a couple of articles about the film. So, as per usual, I invited the author, Andy Rausch to the show to talk a bit more about his book.
Before this interview, I did not know that Andy has spent years interviewing other prominent industry names and has authored over forty non-fiction on specific works of established entertainment contributors.
Writing forty books is no small feat.
Some of Rausch’s publications include Turning Points in Film History (2004), The Films of Martin Scorsese and Robert De Niro (2010), Making Movies with Orson Welles, a Gary Graver memoir, and Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (2008).
But today, l would like to get into the weeds on Rausch’s 2019, My Best Friend's Birthday: The Making of a Quentin Tarantino Film book, which is the story of a group of friends who set out to make their own movie in 1983, financing it with Tarantino’s minimum-wage earnings from his job at a video store. In most biographies and Tarantino histories, this unfinished $5,000 film is mentioned only in passing and is looked upon as little more than a curiosity. But with this oral history, author/editor Andrew J. Rausch details how each of the friends came together, other early film projects they worked on, and how they ended up making (or trying to make) a black-and-white screwball comedy.
Check out the show notes below for links to some of Andy’s other books, all available on Amazon.
Enjoy my chat with writer, Andy Rausch.
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IFH 479: Bringing Comedy and Real Life Tragedy to Netflix with Iliza Shlesinger Jun 22, 2021

Let’s pivot a bit, shall we? I have with me today, entertainment triple threat, Iliza Shlesinger. The award-winning standup comedian, actor, writer, producer, and author, is one of the most natural entertainers there is, out here.
The Girl Logic author has not allowed the pandemic to slow her down. She’s appeared in eight films between 2020 until now and executive produced her six-part series, The Iliza Shlesinger Sketch Show. A secret world filled with absurd characters, insight into the female experience, and irreverent yet poignant social commentary.
Shlesinger’s comedic genius has catalysized her very successful career - currently streaming five specials on Netflix, including her 2018 masterpiece, Elder Millennial which remains a top contender on Netflix’s 2021 best standup comedy specials list.
Besides being known as a phenomenal comedian, Shlesinger shared more strength and fearlessness in her 2018 book Gil Logic: The Genius and the Absurdity to empower other women and girls. Girl Logic is a characteristically female way of thinking that appears contradictory and circuitous but is actually a complicated and highly evolved way of looking at the world. The fact is, whether you're obsessing over his last text or the most important meeting of your career, your Girl Logic serves a purpose: It helps push you, question what you want, and clarify what will make you a happier, better person. Girl Logic can be every confident woman's secret weapon, and this book shows you how to wield it.
You can catch more of her on the Ask Iliza Anything - Podcast. Don’t you just love getting an extra dose of content from some of your favorite entertainers via podcasts? I know you do. That’s why you are here..
Enjoy my entertaining conversation with Iliza Shlesinger.
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BONUS EPISODE: Introducing My New Weekly Podcast with Guest Music Icon Moby Jun 21, 2021

I've been working on a new podcast for sometime now. Introduction Next Level Soul. The podcast that asks the big questions about living, evolving and thriving in the world today. The show attempts to answer those questions by having candid and inspiring conversations with thought leaders from every walk of life.
Global icon, musician, and animal rights activist, Moby(né, Richard Melville Hall) has lived many lives right before the gazes and judgment of the world. Self-discovery is a continual process that each time, when done right, unravels a new purpose and even newer challenges. This conversation is about the rise and fall of ego, fame, fortune, self-destruction, and eventually self-rediscovery and redemption.
Moby came onto the entertainment scene with his 1991 single, ‘Go’ --- the start of a remarkable critical and commercial success. He went on to sell over 20 million records globally; especially with his 1999 album ‘Play’. In the interview, Moby describes the success of the PLAY album as unanticipated. Each track on the record was licensed to films, television shows, and commercials making it one of the most licensed albums in history.
The accomplishments brought in a wave, and he rode it. Alcohol and drugs became part of that wave, even missing his mother’s funeral because he was passed out drunk in bed.
Moby’s journey to healing, self-peace, and sobriety has not been all unicorns and rainbows. In spite of living the dream life and having the world at his feet, the peak of his career was a period when he suffered deep depression. He sought to turn the course of his fears into a vision of purpose. By, regaining control of his life - sobering up since 2008, finding spirituality that works for him, and crystalizing his imperfect, yet extraordinary life and career in his new documentary, Moby Doc.
Moby doc is the creative, offbeat, wry, music-filled chronicle of an eventful life examined. filled with existential discussions, extraordinary concert footage, deep cuts from 30 years of moby’s music, unconventional narrative, quirky animation, rare clips, and thoughts from moby’s friend David Lynch, it’s a vibrant, eclectic conversation between a man and his past. as music and a commitment to veganism and animal rights guide him, moby delves into himself to share honestly what he’s gone through, what it might mean to others, how he turned confusion about life into the beauty of art…and why the answers to some of the deepest questions we can ask as human beings may not be found in the way we’re actually living.
It was an honor to have this conversation with this remarkable artist and human being. Please, enjoy my sit-down with the iconic, Moby.
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IFH 478: Billie Eilish and Truth to Filmmaking with RJ Cutler Jun 17, 2021

Our guest today, RJ Cutler opened up 2021 with his raw, emotional and remarkable new documentary Billie Eilish: The World's a Little Blurry. He’s a phenomenal documentary and TV director and producer with nearly thirty years of experience in the business.
The $2 million dollars documentary film which was directed, written, and produced by Cutler centered around singer-songwriter teen sensation and Grammy Award artist, Billie Eilish --- Revealing the creation process of Eilish's debut studio album ‘When We All Fall Asleep, Where Do We Go?’
The very intimate telling of Eillish’s solid support system and family, navigating the ropes of the music fame as a young artist depicted unconventionally and astoundingly.
From college, Cutler started off as a theater director in New York for nine years until he transitioned to filmmaking in 1993 with his debut film, The War Room. The film follows James Carville and George Stephanopoulos, at first during the New Hampshire primary, and then mostly in Little Rock, Arkansas, at the Clinton campaign headquarters. Producing the film, he was able to combine his journalism and theater directing backgrounds. It turned out to be a great success and earned an Oscar award.
He’s taken on great subject matters and big presences in his documentaries; the likes of legendary John Belushi, Anna Wintour, or Dick Cheney.
Belushi, released in 2020, examines the too-short life of comedian, actor and musician, John Belushi, original SNL cast member, using previously unheard audiotapes recorded shortly after John Belushi's death.
Cutler credits his storytelling to the ability to connect the subject to the processes. People’s desire to have their story told, especially in documentaries, transcends the technicalities of making a documentary.
Other well-known films or shows from Cutler are, The September Issue (2009), Thin (2006), and Dear… (2020)
Dear... profiles game-changing icons and the people whose lives they’ve inspired.
Inspired by Apple’s groundbreaking “Dear Apple” ad for the Apple Watch, Dear... is an inventive approach to biographies of the influential people who are shaping culture and society today using letters that fans have written to them. Dear... focuses on key moments from subjects’ lives and their work that has profoundly impacted not only the individuals who have written letters, but the world at large.
All episodes are available to watch now on the Apple TV app with an Apple TV+ subscription.
We talked a lot about Cutler's journey in the industry and how he landed the project to direct the first TELL ALL of the coolest 19-year-old in the US right now.
Enjoy my enlightening conversation with RJ Cutler.
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IFH 477: How NOT to Lose Money Producing Indie Films with Anne Marie Gillen Jun 15, 2021

The film industry had to adjust a lot since the hit of COVID. Thanks to streaming services, the hit wasn’t as volatile as could be. Now that society seems to be reaching the end of the pandemic, the future of the filmmaking and film experience post-COVID has become part of the conversation. To help us explore the subject, I have on the show today, seasoned filmtrepreneur and award-winning producer, Anne Marie Gillen.
Anne Marie is the CEO of Gillen Group--- an entertainment consulting firm in Los Angeles. Production-wise, she’s credited for producing commercially and critically successful films and television shows. Coupled with an international network of studios, distributors, and talent, one may call her, The Plug.
During the stages and succession of my career, she's ranked C-suite executive positions at big entertainment companies like Development & Production at Entertainment Business Group, Electric Shadow Productions, and Revelations Entertainment.
Her comedy-drama film, Fried Green Tomatoes produced in 1991, is an all-time classic and stands to have been a Box office success. It grossed $119.4 million on an $11 million budget and was nominated for two Academy Awards. The film tells the story of a housewife, Evelyn Couch, unhappy with her marriage, befriends an elderly lady in a nursing home, and is enthralled by the tales she tells of people she used to know. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny. Here's a clip from the film:
Anne Marie compiled her business expertise in the industry and her production experience to write The Producer’s Business Handbook (2010, 3rd edition). The book was followed by her next film, Parallel Man: Infinite Pursuit, in 2014.
Chased by commandos, Agent Nick Morgan is on the run in the multiverse! To escape, he jumps between parallel Earths including a polluted industrial hellscape, a planet where dinosaurs evolved into humanoids, and a fungi world with giant mushrooms.
You corporate minds will definitely enjoy this interview.
I’ve linked Anne Marie’s book, The Business of Show Business for Creatives, in the show notes for you to check out.
Enjoy my conversation with Anne Marie Gillen.
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IFH 476: Building Long-Term Filmmaking Revenue Streams with Brady Trautman and Alex Blue Jun 10, 2021

Not many of us get to tick off ‘sailing around the world’ off our dream to-do list. But our guests today, Brady Trautman and partner, Alex Blue, have been living their ultimate best life at sea for the last ten-plus years while creating video content for their business, Cruisers Academy.
The adventure began with Florida natives Brady and his older brother, Brain, with whom he initially started the youtube channel, Sailing Vessel Delos, back in 2008. It wasn’t until 2012 they received their first check from Youtube, which was basically ‘bear money.’ Soon after, they joined Patreon.
Eight sailors, filmmakers, and adventurers pile into a 48 ft sailboat with the goal of exploring and capturing the beauty of Svalbard, the northernmost settlement in the world, only 600 miles from the North Pole. The sailing expedition brings 24 hours of sunlight, dangerous glacial ice flows, and up-close encounters with polar bears, beluga whales, walrus' and much more! After 2.5 years of post-production and over 2000 hours of editing, it's time to bring YOU our biggest project yet!
Alex, a media student running her film and photo company shooting on party boats across South America, joined the Delox crew in 2017 on a sail across the Atlantic to South Africa.
Alex’s valuable skills helped tell their story of adventure and friendships, dreams more skillfully.
SV Delos has sailed 45 countries and over 70,000 ocean miles since 2008.
Ever wondered what goes into making a documentary series? Well here's a behind-the-scenes look at how the 80 North Series was created! Andy Schell invited us to be on his podcast which was the perfect opportunity to film the chat, share some sneak peeks, and relive funny stories from our sailing expedition in the Arctic Circle.
Finding your niche in the film or creative space, in general, can be a struggle, especially since it is becoming more and more competitive by the second. But the Delos crew modeled their business to service a niche audience and have created multiple revenue streams from sailing around the world and doing what everybody wants to do.
Due to the COVID pandemic, Alex and Brady have halted sailing for over a year now. They have had to adjust production strategy by outsourcing editing and diversifying their output.
Six months ago, the couple, along with a business partner, Sean, launched the Cruisers Academy---offering sailing lessons, charters, and they released a four-part docu-series, 80° North. It is a compilation of two years worth of videos honoring the beauty of the sea and their journeys.
Enjoy my fun conversation with Brady Trautman and Alex Blue.
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IFH 475: Making the Horror Classic: The Devil's Advocate with Oscar® Winner Taylor Hackford Jun 08, 2021

MOTIVATION: Don't Be the Desperate Filmmaker Jun 07, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
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ANNOUNCEMENT: Filmmaker Process - Need Help Getting Your Film Funded, Finished and Distributed? Jun 04, 2021

After working in the IFH labs for the first part of 2021 I can finally announce what it is. May I introduce Indie Film Hustle's FILMMAKER PROCESS?
Filmmaker Process offers comprehensive professional services for hire to help filmmakers and screenwriters, working at any budget level, get their film project to the finish line. I wanted to put the much-needed services filmmakers need but rarely have access to all under one roof.
Filmmakers and screenwriters usually could only get access to these services if they "knew someone." Here are the services and products Filmmaker Process gives you access to:
- Pitch Decks
- Budget and Scheduling
- Domestic and International Sales Estimates
- Legal Contracts and Form Templates
- Indie Film Investor Package
- Consulting and Coaching
- Script Coverage
- Post Production Services
- Trailer Editing
- Poster, VOD, and DVD/Blu-Ray Artwork
- Film Deliverables (Both Physical and Legal)
- Production Payroll
In this episode, I go over what each service is and how you can use it to get your film project to the finish line.
For more info go to: www.filmmakerprocess.com
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IFH 474: How to Protect Your Film from Online Piracy with Evan Zeisel Jun 03, 2021

IFH 473: NFT, Bitcoin and Creating Indie Films for a Niche Audience with Torsten Hoffmann Jun 01, 2021

IFH 472: How to Make Money Selling Feature Film NFTs with Trevor Hawkins and Nathan Kincaid May 27, 2021

If you’ve already listened to my last episode on NFT, then this one will feel like a bonus. But for those of you who haven’t, we explored a new territory this week in indie film and blockchain. My guests today are the filmmakers, Trevor Hawkins, and Nathan Kincaid, pioneers of the first-ever film sold as a non-fungible token, Lotawana. Which will be released soon.
A monotonous life has pushed the unfulfilled Forrest (Todd Blubaugh) to a voyage of self-discovery by living amongst nature aboard his sailboat, Lorelei, on an alluring Missouri lake. Soon he catches wind of the rebellious and free-spirited Everly (Nicola Collie) and their idealistic dreams align. This thrilling and thought-provoking romantic journey follows the wanderlust couple as they are confronted by the challenges of their unconventional chosen path.
The Kansas City natives have worked extensively in commercials and short film production; often in partnership.
Their decision to put Lotawana up as an NFT as an experiment was encouraged after a crash course on NTF from Trevor’s brother-in-law. They were trying to figure out distribution and financing of their next film amid COVID. Nathan and Trevor saw the path as viable stream to generate revenue and attention for their indie film. In thirty days they have seen a massive return of five times their production budget.
There’s no denying that NTFs might just become a brave new world that will change the playing field for all creatives. Especially for digital artists. It’s unclear what the future of NTFs will be, yet is an adventurous avenue for filmmakers to explore, interpret and utilize in ways that add value to their art and its ownership.
The guys and I didn’t talk only NFT in this conversation. You will hear a bit about the soul-crushing challenges of shooting commercials, the filmmaker’s ultimate best investment - lenses, and much more.
Enjoy my informative conversation with Trevor Hawkins and Nathan Kincaid.
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IFH 471: The Complete Guide to NFT in Independent Film (and How to Make Money) May 25, 2021

So today we are going to go down the rabbit hole of NFTs. What the heck is an NFT. It is a Non Fungible Token. Basically, an NFT is a completely original digital file or a digital collectable which is registered on a blockchain ledger just like any cryptocurrency. But unlike cryptocurrency, like Bitcoin or Ethereum, an NFT is totally unique and because it lives on the blockchain it verifies who is the rightful owner of this one-of-a-kind digital collectable file.
In February 2021, digital artist Peebles sold a digital artwork for $69.3 million at auction. You heard correctly almost $70 million for a digital file. The founder of Twitter, Jack Dorsey, sold his very first tweet as an NFT for $2.9 million.
It took me a minute to understand what these things were and then it clicked. NFTs are digital baseball cards, comic books, Garbage Pail Kids or Pokemon cards. They are just a digital version and in many ways better because you know exactly how many copies exist.
The NBA is sell "moments" as NFTs through NBA Top Shots. Basically, they are selling highlight clips as NFT and they are killing it. Fans of the NBA are gobbling these NFTs as fast as they are released. I really think there is now one doing NFTs better than the NBA right now.
Musicians are having amazing success selling NFTs directly to their fans. This is turning the established music industry on its head. NFTs are essentially killing off the middle man. No more label, just a direct relationship with the artist's fans.
The other amazing thin about NFTs is that the artist continues to make money on every sale of the NFT forever. Let me explain. When an artist creates a NFT by minting it. Minting is the process of create the digital file (NFT) and placing it on the blockchain. The artist then sets the residual percentage every time the NFT sells.
So if I mint a short film and sell it for $500. I get $500. Now, if the new owner sells it 2 years from now for $10,000 I get 10% of that sale. Every time that NFT is resold I get my cut. All transactions transparent. All on the blockchain.
So how can filmmakers make money? There are so many options because NFTs are in their infancy. Everyone is trying to figure out how to use them in indie film. Some ideas are:
Selling the distribution rights to the entire film, like Kevin Smith is doing with is latest film Killjoy
Selling the distribution rights to your film in shares like the indie film Lotawana
Create an NFT to a short film to finance it
Sell NFT collectables from the film
Fund raise your film's budget with NFTs
These are just some ideas. I decide to throw my hat in the ring and created an experiment. I minted a few NFTs for my first short film BROKEN and some "legacy NFTs" of the first ever filmmaking tutorials ever uploaded to YouTube. Here is the description of one of the NFTs.
This NFT is called Muzzle Flash Breakdown and is one of the first filmmaking tutorials to ever be uploaded to YouTube. It was uploaded on August 28, 2006 by filmmaker, author and Indie Film Hustle Podcast host Alex Ferrari from his 2005 award-winning short film BROKEN.
It was taken from the best-selling DVD of the film. That DVD was one of the first indie short films to ever create a massive collection of tutorials and making of videos that explained how to make a low-budget independent film with off-the-shelf software and digital consumer cameras.
This is part of a limited series of filmmaking tutorials that were uploaded to YouTube from the short film BROKEN. All the videos were uploaded and released on the same day in 2006. The external link attached to this NFT will show the original upload to YouTube.
Link: https://www.youtube.com/watch?v=yFPoBZY5BrA
When you purchase this NFT you will also gain access to the short film BROKEN, the entire collection of tutorials and commentary tracks via private link and passcode. You will also receive the original QuickTime file that was uploaded to YouTube.
To access my NFTs go to: www.ifhnft.com
I released three of 6 of the total filmmaking tutorials I uploaded on YouTune back in Aug 2006. If these sell out I'll upload the rest and maybe some of my other popular short films I directed over the years. I wanted to give you an example of what an independent film NFT looked like and this is totally an experiment to see what happens.
Maybe I'll never sell an NFT, maybe I sell them three years from now or maybe they will sell out in 15 min. Who knows. What I am excited about is the potential of what this could mean for the indie filmmaking community.
In this episode I break down everything you need to know about NFTs, how to make money with them and more. Enjoy!
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IFH 470: How to Sell an Original Show to Hulu with James Lafferty & Stephen Colletti May 20, 2021

Our guests this week are stars from the early 2000s teen drama television hit show, One Tree Hill, James Lafferty, and Stephen Colletti. The buzz the show had was undeniable, and if you were a fan of the show, then you would be glad to know that your favorite characters, Nathan Scott and Chase Adams have a new project together and they talk all about it in this week’s episode.
But first, a summary of our guests’ track records in the industry. Both James and Steven landed their first acting gigs in their late teens and have since expanded their skills to writing, producing, and directing.
James, started out as a series regular on One Tree Hill in 2003, having appraised one of the lead roles of the show for which he was nominated four times by the Teen Choice Awards. Actor and television personality. Stephen joined as a regular after recurring his role as Chase Adams since the show’s premiere.
Half-brothers Lucas and Nathan Scott trade between kinship and rivalry both on the basketball court and in the hearts of their friends in the small, but not so quiet town of Tree Hill, North Carolina. Here’s a first look at the characters in its pilot episode:
Steven has consistently worked in film and television hosting MTV specials Beach House, Spring break and the VMAs backstage live among others. He’s made appearances on TV shows MTV reality television series Laguna Beach: The Real Orange County, VH1 2013 romance drama, Hit The Floor, and Taylor Swift’s White Horse music video.
Between 2009 to 2012, James began testing out the directing pond. He directed four episodes of the nine season run of One Tree Hill and five episodes of The Royals, which he played another lead role on. In 2016, he briefly graced our screens in six episodes of Underground, the series, as Kyle Risdin.
With the country on the brink of Civil War, the struggle for freedom is more dangerous than ever. Underground follows the story of American heroes and their moving journey to freedom.
The guys creatively reunited in to create an original comedy television series, Everyone Is Doing Great that’s streaming on Hulu. They co-directed, produced and wrote the show. What was remarkable was that the sold an independently produced show to a major streamer, which never happens. We dive in on how they were able to do that.
The seven episodes show follows Seth and Jeremy, two guys who enjoyed relative success from 'Eternal', a hit television vampire drama. Five years after their show has ended, they lean on each other as they struggle to reclaim their previous level of success and relevance, awkwardly navigating the perils of life and love amidst a humorously painful coming of age.
I had lots of laughs with these two and can’t wait for you to listen.
Enjoy my conversation with James Lafferty & Stephen Colletti.
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IFH 469: Hemingway and the Art of the Documentary with Lynn Novick May 18, 2021

I am a huge fan of today’s guest. Since seeing one of her first documentaries, I was transfixed by her power of storytelling. Our guest is an Emmy and Peabody award-winning documentary filmmaker, Lynn Novick---a formidable and respected PBS documentary filmmaker with thirty-plus years of experience in the business.
Her archival mini and docu-series documentaries bring historically true events to the big screen alongside her filmmaking partner, Ken Burns.
You’ve most likely seen some of her landmark documentary films. The likes of Vietnam (2017), TV Mini-Series documentary The Civil War (1990), College Behind Bars (2019), eighteen hours mini-series, Baseball (2010), and many more.
Just this year, the pair premiered their latest co-produced and co-directed three parts documentary on PBD---recapitulating the life, loves, and labors of Ernest Hemingway. The series explores the painstaking process through which Hemingway created some of the most important works of fiction in American letters.
Novick is an experienced-learned documentary filmmaker. In the mid-1980s, she applied to film school but did not pursue that lane when she couldn’t find a documentary filmmaking-specific program. Instead, she sought out apprenticeships. Starting at the PBS station in New York City WNET, for six months. And then worked for Bill Moyers as an assistant producer on a series of projects, including her debut production in 1994 with Joseph Campbell and the Power of Myth, followed by A World of Ideas with Bill Moyers, etc.
The Civil War is a comprehensive survey of the American Civil War.
Novick’s decades-long collaboration with Ken Burns emerged in 1989 and has led to the co-production of a number of renowned docu-series. First, there was the highly acclaimed ‘The Civil War’ which traced the course of the U.S. Civil War from the abolitionist movement through all the major battles to the death of President Lincoln and the beginnings of Reconstruction.
Her vast experience as a researcher comes in handy on these kinds of projects, she explains during our convo.
She won an Emmy Award in 1994 for producing the Baseball documentary and won a Peabody Award in 1998 for her co-directing and co-producing of Frank Lloyd Wright's documentary.
Baseball covers the history of the sport with major topics including Afro-American players, player/team owner relations, and the resilience of the game.
Other must mention include multi-Emmy nominations documentary ‘Prohibition’, The Vietnam War, Jazz, and Novick’s first solo directing, College Behind Bars (2019).
College Behind Bars explores urgent questions like What is the essence of prisons? Who in America has access to educational opportunities? Six years in the making, the series immerses viewers in the inspiring and transformational journey of a small group of incarcerated men and women serving time for serious crimes, as they try to earn college degrees in one of the most rigorous prison education programs in America – the Bard Prison Initiative (BPI)
Novick is one of those filmmakers who have combed through an obscene amount of knowledge and understanding of documentary films. I have a feeling you will enjoy this chat as much as I did.
Enjoy my conversation with Lynn Novick.
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IFH 468: The New Film Language of "ScreenLife" with Wanted Director Timur Bekmambetov May 13, 2021

I have been a fan of today’s guest since I first saw his mind-blowing film, Night Watch years ago. Timur Bekmambetov is an established director, producer, and writer who has built a name for himself both in his home country, Russia, and here in the U.S., making films, music videos, and commercials.
At first glance at his film, I became obsessed with Timur’s work and his filmmaking style.
He is the producer and director of Day Watch (2006), Wanted (2008), Abraham Lincoln Vampire Hunter (2012), Profile ( 2021) and many many more.
Timur is a jack of all trade. His journey in the industry started with theater production design and soon he got the directing bug. While honing his directing skills, he took up producing which then led to movie production.
One of my favorite of his films is the genre bending Wanted, starring Angelina Jolie, James McCovey and Morgan Freeman.
Wesley Gibson (James McAvoy) is an office worker whose life is going nowhere. After his estranged father is murdered, he meets Fox (Angelina Jolie), who recruits him into the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan (Morgan Freeman), the Fraternity's leader, teach Wesley to tap into dormant powers. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
Abraham Lincoln is reinvented as a vampire-killing president in this Timur Bekmambetov-directed action picture starring Benjamin Walker, Mary Elizabeth Winstead, Rufus Sewell, and Dominic Cooper. Pride and Prejudice and Zombies author Seth Grahame-Smith adapts his own book for 20th Century Fox. Tim Burton produces alongside Bekmambetov and Jim Lemley.
Timur's latest project is Profile. The film was initially released in Russia in 2018 and is set to be released in the US on May 14, 2021.
Based on Anna Erelle's non-fiction book, In The Skin of a Jihadist, the film contextualizes our digital life and fears. It explores the role of digital spaces in the recruitment of young European Women by ISIS. British journalist, Amy Whittaker sets on this investigation by creating a Facebook profile under the alias of Melody Nelson along with a persona online of a woman who has recently converted to Islam. The results are thrilling and eye-opening.
Profile was shot in a new film language called Screenlife.
What is Screenlife?
Screenlife is a new format of visual content that has grown from independent projects to full-length, world-renowned films, documentaries and TV shows. Its main idea is that everything that the viewer sees happens on the computer, tablet or smartphone screen. All the events unfold directly on the screen of your device. Instead of film set — there’s a desktop, instead of protagonist’s actions — a cursor.
If you are involved in video production, cinema or even video games, Screenlife is a new expressive environment for you, the potential of which is yet to be discovered. Before your eyes, there will be new tools to work with, such as the screenlife recorder.
Bekmambetov produced the Screenlife film Unfriended, in which the action takes place on the screens of protagonists’ computers. With a budget of only $1 million, the movie raised $64 million at the box office worldwide. This new film language is extremely exciting. Timur and I discuss Screenlife, his visual style, his directing process, Hollywood politics and much more.
Enjoy my conversation with Timur Bekmambetov.
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IFH 467: Limbo and Changing Minds with Comedy with Ben Sharrock May 11, 2021

Today’s guest on the show is Scottish award-winning filmmaker, and writer, Ben Sharrock, known for his Cannes Official Selection 2020 feature film, Limbo, and Pikadero, among others.
Ben’s unique visually captivating films are inspired by middle eastern and northern European cinema. Interpreting middle eastern character in his films as he does in some of his recent work stems from an academic background in Middle East Cinema, Fine Arts, and working advertising in Dubai. The rooted connection --- learning and understanding these cultures carved a for Ben, a unique cinematic voice in the industry.
Sharrock and his producing and life partner, Irune Gurtubai founded their production company, Caravan Cinemas under which they premiered their first film, Pikadero at the 2015 San Sebastian International Film Festival.
A penniless, young couple has trouble consummating their fledgling relationship in their parents' homes, forcing their relationship into question as they try to break free from the shackles of a crumbling economy.
The film which had initially gone by Patata Tortilla was Sharrock and Gurtubai’s Screen Academy Scotland graduation film. They won two awards at the Zurich Film Festival in 2015, Michael Powell Award for Best British Feature Film at the Edinburgh International Film Festival 2016, and two BAFTA awards that year for new Talent Best Drama and Best Screenplay.
The recognition of Pikadero made it easier to get funding to write the screenplay for Limbo which came out in 2020.
Ben directed and wrote the original screenplay for Limbo---a wry and poignant observation of the refugee experience which follows Omar, a promising musician and Syrian refugee who is separated from his family, stuck on a remote Scottish island awaiting the fate of his asylum request.
Ben approaches the sensitive issues of refugees' dehumanization and orientalism in this film with absurd humor and honesty.
The film was nominated at this year’s BAFTA for Best British Film, Best debut and best international Feature Film for the GoldenEye.
I truly had a fun time geeking out on a tandem with Ben about film lenses, and cameras and learning of his film influences and transferred skills from his career in advertising to filmmaking.
Enjoy my conversation with Ben Sharrock.
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IFH 466: Billy Crystal - An Exclusive Conversation with the Comedy Legend May 07, 2021

There are performers that impact your life without you even knowing it and today's guest fits that bill. On the show we have comedic genius, multi-award-winning actor, writer, producer, director, and television host, Billy Crystal. We’ve seen Billy’s versatile work across all areas in the entertainment world, stand-up, improv, Broadway, behind and in front of the camera, feature films, television, live stages like SNL, and animated movies.
It's fascinating how much the man has done over the span of his career---and his lengthy IMDB page is only the tip of the iceberg.
Billy’s career took off for his role in the 70's sitcom SOAP, where he played a gay character, Jodie Dallas. This launched him into box office hits such as When Harry Met Sally, City Slickers, Analyze This and the kids favorite, Mike Wazowski in Monsters, Inc. just to name a few.
Aside from hosting the Oscars® a record nine times and being only one step away from an EGOT, he’s a philanthropist. Billy, along with Whoopi Goldberg and the late Robin Williams created the annual fundraiser stand-up comedy show, Comic Relief, in 1986 that has over the years, raised over $60 million to support the homeless.
The late 80s and early 90s were a really magical time for Billy's career. He had the box office hits Running Scared and Throw Momma from the Train. He had scene stealing parts in the classics This is Spinal Tap and The Princess Bride.
There’s the 1989 box office smash hit When Harry Met Sally, starring Billy alongside Meg Ryan and Carrie Fisher. The story follows Harry and Sally who had known each other for years, and are very good friends, but they fear sex would ruin the friendship.
You can’t talk about Billy Crystal classics without mentioning City Slickers for which he won a Golden Globes award for Best Actor in a Motion Picture Musical/Comedy. On the verge of turning 40, an unhappy Manhattan yuppie is roped into joining his two friends on a cattle drive in the southwest.
Billy's interest in entertainment started way before college. But his decision to go to NYU put some goals into place for him. He was a member of an improv/comedy group at college and soon he started to host solo standup shows. By 1978, he landed his first starring feature film role in Rabbit Test in which he starred with Joan Rivers.
Towards the end of the 90s, Billy joined iconic Robert De Niro and Lisa Kudrow in the box blockbuster hit Analyze This and its sequel to the Analyze That.
Billy’s work transcend generations and Gen Z is his newest fandom; distinctively for his role in Monster Inc. and Monsters University, Mike Wazowski. Monsters University revisits the relationship between Mike Wazowski and James P. "Sully" Sullivan during their days at Monsters University, when they weren't necessarily the best of friends.
Billy will reprise his role as Mike Wazowski in the Monsters at Work Disney+ series that is set for release later this year.
One defining element of Billy’s work, be it writing, acting or directing is that the pulls from real-life experiences and balances funny and hard conversations effortlessly. Having started out in the business since he was 20 years old, it is absolutely thrilling to watch how he’s knitted together diverse platforms and filed into a accomplished career.
This Friday, May 7th, Billy’s newest film, in which he wrote and directed, Here Today, stars himself and the incredibly funny, Tiffany Haddish, will be released only in theaters. These two make a seamless pairing and their chemistry is oh so charming. The intergenerational teaming of Billy and Tiffany tells a love story that is of friendship, support, and empathy. I absolutely LOVED the film. Do yourself a favor and go out and catch this gem of a film.
When veteran comedy writer Charlie Burnz meets New York street singer Emma Payge, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.
Billy has always been there to make me laugh, in good times and bad. I can not tell you what and honor and thrill it was getting to sit-down and speak to a filmmaker, writer and actor that has meant so much to me in my life.
Enjoy my entertaining conversation with Billy Crystal.
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IFH 465: Making the $6000 Feature Film with David Simpson May 06, 2021

We have on the show this week, film director, bestselling futurist author, speaker, and actor, David Simpson. You’ve probably stumbled upon his 1.7 million views TEDx presentation ‘Our Post-Human Future’, on Youtube. If not, no worries. This is your chance to get to know the talented storyteller that is David.
He’s written a number of brilliant sci-fi futurist books since his twenties, including the popular ‘Post-Human’ six-part book series, Dawn of the Singularity (The Singularity Saga), The A.I. Chronicles, among others.
As a child, David aspired to be a novelist. So his journey led him to study creative writing at the University of British Columbia where he was exposed to screenplay writing and structure. His structural versatility can be seen so brilliantly in his work's visual and technical aesthetics.
On the come up, his first short film project was a really small crew of his wife and a camera assistant, including himself. That humble start is common in our line of business---undoubtedly some of the fondest memories for indie filmmakers.
David recently shifted to film with his debut feature film, Dangerous to Know (2020). It is a psychological thriller adaptation of his forthcoming novel of the same title. The film is told across the intersecting and intertwining lives of three characters, exploring mental illness and how it affects not just the sufferer, but all those that the person’s life touches as well. A troubled young woman recovers from a suicide attempt in a secluded cabin, but when a series of unexplained and terrifying incidents occur, she realizes someone-or something-has a far darker future planned for her.
Meanwhile, his first film adaptation, Post Human was released in 2015. Post-Human draws back the curtain on the Post-Human world where everyone is immortal, has onboard mental "mind's eye" computers, nanotechnology can make your every dream a reality, and thanks to the magnetic targeted fusion implants every post-human has, everyone can fly.
But there's a dark side to this brave new world. Surveillance. Every post-human is monitored from the inside out, and the one artificial superintelligence running the show might be on the verge of making its first big mistake.
It was an absolute honor chatting it up with David and going on a tandem about 90s film gadgets.
Enjoy my entertaining conversation with David Simpson.
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IFH 464: How to Make Money with Your Film for 10 Years with Mike Dion May 04, 2021

This week, I wanted to pick the brain of a brilliant filmmaker, Mike Dion. Mike is an award-winning filmmaker, marketing strategist, and multimedia storyteller who has made a living over the last 20+ years applying all the tools needed by a filmtrepreneur. He's found his niche creating documentaries of adventurous brevets and transcontinental cycling races across the US, Mexico, and Canada
Mike has produced globally distributed feature-length projects like Hair I Go Again (2016), Inspired to Ride, Reveal The Path, Where The Yellowstone Goes, and Ride the Divide that can be streamed across major platforms like Netflix, Amazon, and iTunes.
On June 7, 2014, forty-five cyclists from around the world set out on the inaugural Trans Am Bike Race, following the famed TransAmerica Trail. Their mission is to cover 4,233 miles in one enormous stage race, traversing through ten states in a transcontinental adventure of epic proportions. Inspired to Ride follows a handful of cyclists from around the world as they race unsupported in the inaugural year, with four cinematographers, cameras flying in the sky, and GoPro’s galore. Mike produced the Inspired to Ride documentary in 2015.
Here's a peak of Mike's latest documentary, Hair We Go Again: Facing a midlife crossroads, two longtime friends risk everything as they set out to fulfill their dreams of achieving rock & roll stardom. The first and last chances happen only once as their improbable journey is chronicled in the feature-length documentary, Hair I Go Again.
One of the reasons I invited Mike on the show was to have him share what he's doing, how he's selling content, what's making money, and what's not making money. In 2008, he created Mike Dion Productions which original content like films, strategy, and branded content for social media, marketing, etc.
In 2012, he paired with his producing partner, Hunter Weeks for his directorial debut documentary film, Reveal the Path---A genre-defying adventure film that contemplates what it means to live an inspired life using the bicycle as a mechanism to explore, dream and discover.
In true Mike Dion niche-storytelling fashion, one of his first producer/editor gigs was the award-winning feature film about the Tour Divide Race in 2010 titled, Ride the Divide. The film weaves the story of three characters' experiences with immense mountain beauty and small-town culture as they attempt to pedal from Banff, Canada to a small, dusty crossing on the Mexican border.
The Tour Divide Race is basically a mountain bike race that traverses over 2700 miles along the Great Divide Mountain Bike Route.
The COVID pandemic has required everyone to profoundly change how we budget, prep, and produce a feature film or television show project in order to work safely and effectively. So this is a very educational episode if you are looking to learn how to safely shoot a feature film during COVID and how to make money from it.
Enjoy my informative conversation with Mike Dion.
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MOTIVATION: You Can Do This! May 03, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 463: Clapboard Jungle - The Truth About Indie Filmmaking with Justin McConnell Apr 29, 2021

On the show, today is an indie film director, and CEO of Unstable Ground multi-media company, Justin McConnell. Even though he’s known for his work in post-production, Justin has also directed and written projects like Clapboard Jungle, Skull World, Lifechangers, and Galaxy of Horrors across the sci-fi-horror and documentary genres.
Justin is a man who wears many hats; his multi-media company, Unstable Ground, which he has been running successfully for the last 22 years specializes non-exclusively in film and television production.
The main reason I wanted him to come on the show was to discuss his new documentary called Clapboard Jungle, which explores the painful and brutal journey of a filmmaker trying and the movie-making process. I absolutely loved the documentary. It’s in a great tradition of films about making movies sort of a love letter to independent filmmakers.
Clapboard Jungle, directed by Justin in 2020, is a documentary that follows five years in the life and career of an independent filmmaker, supported by dozens of interviews, posing one question: how does an indie filmmaker survive in the current film business.
Clapboard Jungle was birthed from his lacking for such resource at the start of his career in the industry and launched onto developing the project/thought after directing and writing his 2013 documentary, Skull World, which follows two years in the life of Greg Sommer, aka Skull Man, as he builds the Canadian chapter of Box Wars, an international underground movement of cardboard-based combat.
Talking about horror, he wrote and directed a fantastic yet disturbing horror feature film, Lifechanger in 2018 that is about a homicidal shapeshifter who is obsessed with reconnecting with the woman he once loved. To cheat death, he leaps from one body to the next, stealing the form of his murdered victims. And with each new identity, he circles closer and closer to her, looking to wind his way back into her life and her arms, no matter the cost.
Clapboard Jungle is a MUST WATCH FILM for all filmmakers. It shows you the raw truth behind the dream of being a filmmaker.
Enjoy my eye-opening conversation with Justin McConnell.
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IFH 462: Bloodsport & Rambo - Journey Into 80's Action Cinema with Sheldon Lettich Apr 27, 2021

Get ready to go down the rabbit hole of 80's action cinema. I sat with an iconic 80s & 90s action film director, writer, and producer this week - Sheldon Lettich brought to our screens some epic actors and fighters like Jean-Claude Van Damme and Sylvester Stallone. He’s the trailblazing director and writer of Lionheart (1990), Bloodsport (1988), Rambo III (1988), and the Cold War drama, Russkies that first introduced us to the phenomenon that is Joaquin Phoenix.
An Ex-French Soldier begins participating in underground street fights in order to make money for his brother's family.
Lettich’s experience as a Vietnam veteran has inspired much of his films and plays throughout his career. Paired with his academic background in photography and cinematography, he bulldozed the action film scene with other classics like The Order, Double Impact, and The Last Patrol.
Between 1983 to 1987, Lettich wrote and directed a couple of short films that did not pick up as much. The following year, he wrote and the martial arts classic, Bloodsport - inspired by tall tales from Frank Dux that Lettich became a famous name in Hollywood.
The film also launched Jean-Claude’s career, the star of Bloodsport who played Frank Dux, an American martial artist serving in the military, who decides to leave the army to compete in a martial arts tournament in Hong Kong where fights to the death can occur.
If you love Street Fighter and Mortal Kombat then you have Sheldon to thank. Bloodsport was the first time you have multiple fighters, from around the world, with unique styles fighting in a tournament.
The commercial success of Bloodsport, which grossed $50 million on a $2.3 million budget catalyst more trailblazing films. Lettich signed an overall deal immediately with White Eagle Productions that led to his collaboration, co-writing Rambo III alongside Sylvester Stallone in 1988. The movie was a HIT for the Box office. It outperformed his previous project, grossing $189 million on its $63 million budget.
One thing I discovered speaking to Sheldon is that Bloodsport was NOT A TRUE STORY. The person that the film was based on, Frank Dux, was apparently a brilliant storyteller. There were lawsuits, books written, just and absolute mess. Either way the film is a masterpiece of 80's action cinema.
Another classic in Sheldon's canon was the highly anticipated sequel, Rambo III starring Sylvester Stallone. Rambo mounts a one-man mission to rescue his friend Colonel Trautman from the clutches of the formidable invading Soviet forces in Afghanistan.
Lettich reunited with his friend, Jean-Claude in 1990 for the fan-favorite, Lionheart. This time directing and as a co-writer. He approached the project to allow Jean-Claude to display versatility, compassion, and rises beyond the "Karate Guy", now that he had become a household name. The film made $24.3 million on a $6million budget and became popular amongst his films.
The two, Lettich and Van Damme, immediately followed up with their third of several collaborations, Double Impact in 1991 with Jean-Claude playing a set of twin brothers who were separated when their parents were murdered but 25 years later they re-unite in order to avenge their parents' death.
Like their initial projects, this one too became a critical and commercial hit.
It was a nostalgic thrill chatting with Sheldon about these movies that are part of the beautiful tapestry that is 80's action cinema.
Enjoy this throwback entertaining conversation with Sheldon Lettich.
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IFH 461: Nicolas Cage and Jumping Into Willy's Wonderland with Kevin Lewis Apr 22, 2021

Get ready for a crazy ride! On the show this week we have indie filmmaker and screenwriter, Kevin Lewis. He’s been active on the scene and directed several indie films between 1996 to the present. Kevin's vastest film is the trippy indie (soon to be a cult classic) feature, Willy’s Wonderland, starring the legendary Nicolas Cage.
Lewis has definitely paid his dues. He started out making films in Highschool with his VHS and Super 8 comers. Between the short film releases amongst his peers earlier on, to internships at Columbia Pictures, he was in the right position to secure a scholarship into USC Film School where he graduated from.
The Method, Lewis’ directorial debut was his first feature film right out of college. It is about four guys' college life centered around a theater production of a bank robbery and how to make it better.
In 2003, he directed and wrote Malibu Springbreak, about two Arizonan girls who headed out to the Malibu beaches for a spring break of partying and fun in the sun.
He met an actor on the set, Jeremy Daniel Davis who didn’t play a big role in the film, but Lewis stood up to producers and kept Davis scene. Fast forward to some years later, Davis joined the production team of a project he was working on at the time and the two kept in contact.
The universe realigned and Davis popped up with the script of Willy’s Wonderland for Lewis out of the blue. This cosmic aligning of a movie, Willy’s Wonderland was directed by Kevin and released in Feb 2021, after his thirteen years filmmaking sabbatical.
The action-comedy horror film stars Academy Award® Winner Nicolas Cage - A quiet drifter who is tricked into a janitorial job at the now condemned Willy's Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics. Fists fly, kicks land, titans clash -- and only one side will make it out alive.
Get ready for a wild ride. Enjoy my entertaining conversation with Kevin Lewis.
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IFH 460: Slacker, Indie Cinema & How to Become a Filmmaker with Richard Linklater & Katie Cokinos Apr 20, 2021

Well I put out an episode back in 2019 putting my dream list of guests out into the universe and in the past four months I've been humbled to have some amazing filmmakers and screenwriters on the show. Incredibly one of those dream guests has made his way on the show today.
We are joined by indie film icon and Oscar® nominated writer/director Richard Linklater. Richard was one of the filmmakers who helped to launch the independent film movement that we know today with his classic 1991 indie film Slacker. So today, we will not only dive into the extraordinary career of Richard Linklater but also that of collaborator and longtime friend writer/director Katie Cokinos.
If this is your introduction to Linklater and his work, here are a few highlights you must know; Linklater helped launch the 90s indie film renaissance with his film Slacker.
The producer, director has juggled the TV, film, short-film, and documentary genres seamlessly over his career - typically focusing in fine detail on generational rites and mores with rare compassion and understanding while definitively capturing the 20-something culture of his era through a series of nuanced, illuminating ensemble pieces which introduced any number of talented young actors into the Hollywood eco-system.
One of the talents to emerge from this era is the Texas native, Matthew McConaughey in Linklater’s third movie and VHS smash hit, Dazed and Confused. Based on Linklater’s years at Huntsville High School and the people he encountered there, the film shadows the adventures of high school and junior high students on the last day of school in May 1976.
Throughout his career Richard has chosen to tell stories about the human condition, while many times making us laugh and cry at the same time. I found an immense philosophical under current to most of his life's work. From The Before Trilogy to Boyhood, his films tackle topics in an honest, raw and deeper way that is not normally seen in filmmaking.
Many of the actors who work with Richard call him the "Zen Director" on set. His philosophy can be felt throughout his work. He often tells long and transformative coming of age stories over years, if not decades, something that is unique to him.
His Oscar® nominated film Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before.
Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey.
Now the other remarkable filmmaker in this conversation is Katie Cokinos. She has made over ten short films and in 2000 wrote, directed, and acted in the feature film, Portrait of a Girl as a Young Catwhich premiered at SXSW. Katie produced Eagle Pennell’s film, Heart Full of Soul (1990); was a publicist for Richard Linklater’s Slacker, (1990). She was the Managing Director of the Austin Film Society, 1990-95.
Her latest film is the coming of age story I Dream Too Much, co-produced by Richard. Here's a bit about the film:
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some manner just don't fit into the establishment norms, move seamlessly from one scene to the next, randomly coming and going into one another's lives. Highlights include a UFO buff who adamantly insists that the U.S. has been on the moon since the 1950s, a woman who produces a glass slide purportedly of Madonna's pap smear, and an old anarchist who sympathetically shares his philosophy of life with a robber.
So much was covered in this EPIC 2 hours conversation. I need to stop here and let you dive in.
Enjoy my conversation with Richard Linklater and Katie Cokinos.
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MOTIVATION: Balance Apr 19, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 459: Hercules, Hollywood Accounting and Indie Films with Kevin Sorbo Apr 17, 2021

Today on the show we have actor, producer, and director Kevin Sorbo. Kevin spent 3 years traveling around the world, modeling for print ads and appearing in over 150 commercials, before becoming a full-fledged international TV star when he was cast as the lead role in the immensely popular series, Hercules: The Legendary Journeys.
In the mid-90s, Hercules became the most-watched television show in the world. Kevin also guest-starred as Hercules in episodes of the successful spin-off series Xena: Warrior Princess as well as providing his voice to the animated Hercules films.
In 1997 Kevin accepted his first leading film role in the fantasy action feature Kull the Conquerer.
Kevin guest-starred on the sitcom Two and a Half Men and played a recurring role on the final season of The O.C. One glimpse at Kevin's IMDB and it's clear that this hard-working actor takes no breaks! In addition to his work onscreen, Kevin now also produces films, recently serving as Executive Producer and star of the movie Abel's Field.
Kevin recently authored the widely praised book, True Strength, which recounts the painful recovery from serious health setbacks that changed his life during his Hercules years.
We discuss what he looks for in movies today, his years on Hercules and Andromeda, directing indie films and how he too was a victim of Hollywood accounting when it came time to get paid backend on Hercules: The Legendary Journeys.
Enjoy my eye-opening and entertaining conversation with Kevin Sorbo.
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IFH 458: How to Sell Your Indie Film and Yourself with Alec Trachtenberg Apr 15, 2021

Today on the show we have independent film producer, author, and sales consultant Alec Trachtenberg. With over a decade of experience building and managing the sales teams of some of the most cutting-edge technology startups, Alec has worked with major companies, such as Airbnb, Sony Pictures, Netflix, and Amazon. He has directly generated millions of dollars in revenue for a variety of companies in the technology and entertainment sectors, including Surkus, MomentFeed, and Entercom.
He has taken his sales knowledge and skills and written and published Lights, Camera, Sell: Sales Techniques for Independent Filmmakers. Here's a bit about the book.
Film producer and sales consultant Alec Trachtenberg argues that one must adopt a sales mindset in order to be successful as an independent filmmaker. By highlighting a variety of sales strategies that have worked for him in the world of startup technology companies, Alec shows how you can use the same sales strategies in every stage of filmmaking.
Whether you are a budding freelance cinematographer searching for your next gig, a first-time director ready to shoot your first feature-film, or an indie producer acquiring funding for your next project, Lights, Camera, Sell will teach you how to succeed through strategic sales techniques used by cutting-edge tech startup companies. Walking you through the five stages of the sales process, Alec shows you relevant case studies involving a variety of scenarios in the low-budget independent filmmaking process. Alec will teach you how to:
Prospect a screenwriter and option a feature-length screenplay
Lead a discovery call with a prospective domestic distributor
Demonstrate value with a powerful pitch deck to a financier
Close a deal with a non-union actor by creating an initial talent agreement outline
Resolve conflicts with crew members by understanding the principles of relationship success
Lights, Camera, Sell will debunk the negative myths surrounding salespeople formed by our media and society, reveal best practices on asking the right questions, explain how to present your ideas and services in a compelling way, and more.
Enjoy my conversation with Alec Trachtenberg.
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IFH 457: Will Netflix Destroy the Last Blockbuster with Taylor Morden Apr 13, 2021

Many of the tribe know that I spent thousands of hours working in a mom and pop video store throughout my high school years. This is why I'm so excited to bring you today's show. We have Taylor Morden, director, and producer of the nostalgia documentary, The Last Blockbuster (2020).
The Last Blockbuster is a fun, nostalgic feature length documentary film about the rise and fall of Blockbuster video and how one small town store managed to outlast a corporate giant.
In 2017, when Morden started filming the Blockbuster documentary, there were only 13 blockbusters around the United States. You need to listen to him recount the moment he got the idea to produce The Last Blockbuster and all the ways the universe aligned for this project. We talked a great deal about his distribution plan, the challenges indie filmmakers face, and his company PopMotion Pictures.
He also directed Pick It Up!, aSka in the ‘90s chronicles the rise and fall of Third Wave Ska music in the US of the 1990s.
Enjoy my nostalgic conversation with Taylor Morden.
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IFH 456: From Indie Docs to the Last King of Scotland with Oscar® Winner Kevin Macdonald Apr 08, 2021

On the show, today is academy award-winning documentary and film director, and producer, Kevin Macdonald. He is one of few directors who dance the line of film and documentary seamlessly. He directed documentaries like Whitney (2018), crowdsourced documentary - Life in a Day (2011), Marley (2012), among others.
He is famously known for his 2006 drama film, The Last King of Scotland, starring Oscar winning best actor, Forest Whitaker. Kevin has made a huge name for himself and his work over his 27 years in the industry - dabbling in commercials, films and documentaries.
As a boy, his granddad, Emeric Pressburger who was a legendary filmmaker in the 1940s lit his passion for filmmaking. When his grandfather passed, Kevin wrote a biography in 1994 about his grandad’s life journey, titled, ‘ The Life and Death of a Screenwriter’, which he later made into a documentary ‘The Making of an Englishman’ (1995). This was the start to him becoming a documentary maker.
In 1999 he directed the Box office hit and Oscar-winning documentary, One Day in September, which is about the 1972 Munich Olympic Games massacre, featuring a lengthy interview with Jamal Al-Gashey, the last known survivor of the Munich terrorists.
This project catapulted his career big time. He then made the adventure-docudrama, Touching the Void, another critically acclaimed film that won Best British Film at the 2003 BAFTA. The true story of two climbers and their perilous journey up the west face of Siula Grande in the Peruvian Andes in 1985.
Kevin’s directorial debut on a film was the Oscar® winning, The Last King of Scotland. It is an adaptation of Giles Foden's 1998 novel by the same title. This historical drama which also carries a political thriller genre received riveting reviews and performed exceptionally - both commercially and critically. Forest Whitaker's performance stole the show and earned him an Oscar for Best Actor. This $6million budget film grossed $48.4million at the Box Office and has an 87% rating on Rotten Tomatoes.
The story details the brutal reign of Ugandan dictator Idi Amin as seen through the eyes of his personal physician. James McAvoy stars as the doctor who slowly realizes that he is trapped in an inescapable nightmare, and Forest Whitaker assumes the role of the notorious despot.
In commemoration of Youtube’s fifth anniversary, Macdonald was hired to direct and produce the very unique film, the Life in a Day (2011) documentary. It was crowdsourced from 80,000 Youtubers and regular people all over the world sharing their life in one day. The film serves as a time capsule to show future generations what it was like to be alive on July 24, 2010. The completed film debuted at Sundance in early 2011
In February of this year, Kevin's latest film, The Mauritanian was released in the US. He explains in this interview that it was a very difficult subject matter to tackle. The entire movie was shot in two locations. Both in South Africa and in Mauritania.
The Mauritanian is a suspense legal-drama based on the 2015 memoir Guantánamo Diary by Mohamedou Ould Salahi, a true story of Salahi's experience of being held for fourteen years without charge in the Guantanamo Bay detention camp. The film stars Jodie Foster, Tahar Rahim, Shailene Woodley, and Benedict Cumberbatch.
You going to really enjoy this conversation. We dig into the nitty-gritty of documentary structuring, tales of directing huge movie stars, and navigating the Hollywood machine.
Enjoy my conversation with Kevin Macdonald.
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IFH 455: The True & Raw Story Behind the Indie Classic Boondock Saints with Troy Duffy Apr 06, 2021

I’m always looking for success stories in the film business to study and analyze. Edward Burns (The Brothers McMullan) Robert Rodriguez (El Mariachi), Kevin Smith (Clerks), and Oren Peli (Paranormal Activity) come to mind. I’m sure many of you are familiar with the cult indie film classic The Boondock Saints but many of you might not know the crazy story of its writer and director Troy Duffy.
Well, prepare to get you mind BLOWN. I had an EXCLUSIVE discussion with Troy this week, and let's say, he did not hold back. Nothing was off-limits - from his instant rise to fame to the smeary fate he met - getting blacklisted, all of it. He wanted to set the record straight because there is always another side to the story, and what better side to hear than that of the man who lived this brutal Hollywood adventure?
Of course there is two sides to every story. Troy took full responsibility for what he did and said in the documentary but as I told him editing can be a bitch. The filmmakers amplified the negative, manufactured storylines and really damaged Troy's film career. I mean the film made Troy look insane.
Troy and I dive into the deep end of the pool in this conversation. He revealed things he never had before. We discuss the making of Overnight, his interactions with the now disgraced Harvey Weinstein and where he sees himself going from here.
Enjoy my eye-opening and entertaining as hell conversation with Troy Duffy.
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MOTIVATION: Make a Living as a Filmmaker Apr 05, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 454: Self Distributing Your Indie Film with AltaVOD with Robert Schwartzman Apr 01, 2021

On the show today is LA native, music artist, filmtrepreneur, filmmaker and actor, Robert Schwartzman. Robert comes from a long line of musicians and film talents. He’s related to industry names like Nicolas Cage (cousin), Sophia Coppola (cousin), Jason Schwartzman (brother), Francis Ford Coppola (uncle), etc. Growing up with these influencers, he ultimately went the same route - acting, studying film editing, and directing music videos.
His career tipped slightly towards his passion for musical he became the lead singer, songwriter, and guitarist of the band Rooney.
We did a deep dive into Robert’s newest venture, AltaVOD, a self-distribution platform for feature films. It’s a split structure, direct-to-consumer video-on-demand platform that eliminates the middleman (buyer) to support creators directly. I put Robert to the test and asked him hard questions about AltaVOD and he passed with flying colors.
When he is not building tech companies to help filmmakers, Robert has been known to act a bit. He began his acting career in Sophia Coppola’s short film Lick the Star and her directorial debut The Virgin Suicides. Even though these were Robert’s first acting experiences, he had already learned much about behind-the-camera technical skills. He shadowed and learned from Sophia and other relatives as much as he could.
A clique of school girls devise a secret plan that they code-name "Lick the Star".
The Virgin Suicides is about a group of male friends who become obsessed with five mysterious sisters who are sheltered by their strict, religious parents in suburban Detroit in the mid-1970s.
In 2001, director Gary Marshell offered Roberts a role on box office success, The Princess Diaries as Michael Moscovitz, Lilly's older brother, harbors romantic feelings for Mia (Anne Hathaway).
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
He's utilized his music career to produce soundtracks for shows like Late Night With Seth Meyers, Pretty Little Liars, Switched At Birthed, Demi Lovato: Live at Wembley Arena, Princess Diaries, and many others.
It was cool chatting with Robert and bringing you guys (tribe) new avenues and resources to share your work cost-effectively.
Enjoy my conversation with Robert Schwartzman.
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IFH 453: Clerks, Sundance & Making $500 Million at the Box-Office with Scott Mosier Mar 30, 2021

You guys are in for a major treat. I'm always talking about those "lottery ticket" filmmaker stories that we all dream of happening to us one day. Well, today's guest's story is one of the mythological stories come to life.
We have 90’s independent film icon, Scott Mosier. Scott is an indie film producer, editor, writer, director, actor, and podcaster of Smodcast, which he co-hosts with his long-term filmmaking partner, Kevin Smith.
From Vancouver Film School to Hollywood, Scott's trajectory has been inspiring for many in the industry. He produced some of the best 90s classics like Clerks 1 & 2, Jersey Girl, the Oscar® Winning Good Will Hunting, Dogma, and many, many more.
Scott acted in, edited the movie, original sound, and contributed to Clerk’s budget. After the massive hit they followed up with the embattled Mallrats. The film was not well received and did no money at the box-office. Kevin and Scott were essentially discarded and called a one hit wonders. For most filmmakers that would be all she wrote but not for Kevin and Scott.
They decided to go back to their roots and make another low budget indie and prove to Hollywood that they were here to stay. Their next film was the brilliant romantic comedy-drama, Chasing Amy. The tells the unfortunate twist of a male comic artist who falls in love with a lesbian woman, to the displeasure of his best friend.
After self-financing, the majority of their initial projects (Mosier & Smith), 2001, Jay and Silent Bob Strike Back was Mosier’s first big-budget ($20 million) production.
Based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
If that wasn't enough Scott also co-executive produced the Oscar® Award-Winning Good Will Hunting in his spare time.
Wanting a change Scott decided to branch out and start directing himself. His 2018 directorial debut was a stand-out project! A box office hit, grossing about $512 million globally and the highest-grossing holiday film of all time. Dr. Seuss: The Grinch became the third screen adaptation of the 1957 Dr. Seuss book, How the Grinch Stole Christmas.
I had ball talking shop with Scott. We discussed the genesis of the independent film movement as we know it today, dealing with studios, what was it like being in the Clerks hurricane and much more.
Enjoy my conversation with Scott Mosier.
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IFH 452: What They Don't Teach You in Film School with Shane Stanley Mar 25, 2021

Our guest on today's episode is Emmy award-winning filmmaker, actor, Filmtrepreneur, best -selling author, and instructor Shane Stanley. Shane's been in the business way before he could walk. He started off as a child actor at 9 months old when his father, who was a working actor volunteered him for national TV commercials, starring in commercials and films and even going on to win his first two Emmy Awards at age 16 and 19 for his role in the Desperate Passage (1987) series.
Along with his outstanding talents in front of the camera, Stanley also had an eye out for the producer's seat. He learned and honed camera and editorial skills and could comfortably find his way around behind the camera by age 10, and has since clocked directing, production, editing, and acting credits for over 58 shows, films, commercials, and music videos.
In 2001, he launched his production company, Visual Arts Entertainment under which he executive produced culture hits like the sports drama, and Box Office #1, Gridiron Gang starring Dwayne 'the Rock' Johnson as lead, and critically acclaimed film, A Sight for Sore Eyes which was Shane's directorial debut.
The film won several awards in 2004. It bagged a Special Jury Award at WorldFest Houston, won two Telly Awards for Outstanding Achievement in Film & Television as well as winning top honors at the International Family Film Festival, and ultimately won dozens of prestigious awards, and was invited to screen at Cannes Film Festival in 2005.
Shane's latest book, What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, offers a wealth of knowledge for anyone who wants an entertainment industry insider's professional guidance on how to create a movie. I loved the book so much I decide to publish the audiobook version through my company IFH Books.
The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.
Shane is a wealth of information and he drops some MAJOR knowledge bombs on the tribe in this conversation. If you are a filmmaker do yourself a favor and pick up his book What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.
Get ready to take notes and enjoy my conversation with Shane Stanley.
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IFH 451: Directing the Oscar® Winning The Blind Side with John Lee Hancock Mar 23, 2021

I have an epic conversation in store for you all today. Our guest is an Oscar-nominated screenwriter, filmmaker, John Lee Hancock. While working as a lawyer by day back in 1986, John moonlighted as a screenwriter, writing script after script. His spec script A Perfect World caught the eye of Steven Spielberg and eventually was directed by Clint Eastwood.
After that success he went on to direct the crowd pleasing The Rookie. After the box-office success of The Rookie, John tackled the epic story of The Alamo.
Hancock’s famous five-year hiatus comeback film, The Blind Side, an adaptation of Micheal Lewis’s 2006 book, The Blind Side: Evolution of a Game yield and performed outstandingly. The film received countless major awards nominations including an Academy Award nomination for Best Picture and a win for Best Actress for Sandra Bullock.
The Blind Side is the story of Michael Oher, a homeless and traumatized boy who became an All-American football player and first-round NFL draft pick with the help of a caring woman and her family.
The Blind Side went on to make $309.2 million internationally on a $29 million budget. Not too bad.
He shared how he usually starts with loose plots and very quickly thereafter, allows the process to becomes about the characters and then let the characters inform the plot.
Just this year, Hancock released his latest HBO Max neo-noir crime thriller, The Little Things, starring Academy Award winners and heavyweights Denzel Washington, Rami Malek, and Jared Leto.
I had a ball talking with John about filmmaking, how he almost broke Steven Spielberg's Rosebud prop from Citizen Kane when they first met, and so much more. He really goes into detail about his creative process, how he was able to navigate Hollywood, how to deal with the highs and lows of the business and so much more.
Enjoy my conversation with John Lee Hancock.
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IFH 450: The Art of the $9000 Micro Budget Indie Film with Edward Burns Mar 18, 2021

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.
Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.
The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.
Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.
Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.
In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.
In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.
In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.
Actors would have to work for virtually nothing.
The film should take no longer than 12 days to film and get into the can
Don’t shoot with any more than a three-man crew
Actor’s use their own clothes
Actors do their own hair and make-up
Ask and beg for any locations
Use the resources you have at your disposal
I used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish.
Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.
Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.
When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.
Enjoy my conversation with Edward Burns.
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IFH 449: How to Making Money Distributing Your Indie Film with Ben Yennie Mar 16, 2021

Our guest today is no stranger to the show. Ben Yennie was my very first guest on the podcast and he returned this week to discuss the current state affairs of film distribution and his newest venture, Mutiny Pictures which is a full-service film distribution firm.
Ben Yennie is an author, film distributor, and producer rep with a high offer rate on films he’s represented at the American Film Market. After forging a successful career as a producer rep for some of Hollywood big talent names in the biz, he opted to go the distribution route.
He is also the author of The Guerrilla Rep: American Film Market Distribution Success on No Budget, The First ever book on Film Markets and used as a text at about 10 film schools.
Mutiny Pictures was launched in June 2020 to build transparent, modern development, sales, and distribution relationships with big pay-TV providers, and physical media retailers - prioritizing diverse filmmakers and stories to help move the industry into the world post-COVID-19.
There are rapid changes affecting film distribution via theaters for independent filmmakers amidst COVID. Adjustment to new distribution models is a top issue these days.
We discussed the proliferation of virtual cinemas (PVOD) and building infrastructures towards that focus because theaters can not survive these COVID times and they may not meet head-to-head with VODs post-covid. So how can independent filmmakers adopt and better position themselves to the evolution of film distribution?
Enjoy my conversation with Ben Yennie.
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IFH 448: How to Make Money with Film Tax Credits with Zachary Tarica Mar 11, 2021

Raising money for independent films is the number one pain point for almost every filmmaker in the world. A buzz world so many producers hear now a days in "film tax credits." These tax credits are magical and it's like money falling from the sky but how do they work? How can indie filmmakers get their hands on these greenbacks?
Hopefully this episode will make that struggle a bit easier. On the show today we have tax credit guru Zachary Tarica, CEO of The Forest Road Company and Chairman of the Board & Chief Investment Officer at Forest Road Acquisition Corp.
The Forest Road Company (FRC) is a vertically integrated, specialty finance platform catering to the entertainment industry. Through tax credit lending, servicing, and brokerage, the team of finance professionals, tax credit experts, and lawyers work to empower responsible creators with the resources they need to bring their best work to life. The company went public on the New York Stock Exchange on Nov 2020.
In its three years of business, Forest Road has remarkably funded over 150 projects in film and TV through tax credits and raised a staggering $300 million capital - working with state and federal officials and filmmakers to build independent filmmakers competition with big studio films.
Zachary had previously built a career in the private equity business. So when he was introduced to the filmtrepreneur side of the industry, he saw an opportunity to capitalize on a cost-effective, double-win, where filmmakers would avoid the bad distribution deals and States would benefit from the jobs created.
I consider this episode as one of the ultimate film business talks. With the challenges COVID has caused to every industry, the film industry is dealing with hurdles of the high replacement costs to make movies.
Being able to properly get allotted film tax credits is a massive advantage. Zachary shares prime investor insider knowledge and resources in this conversation that will blow your mind. And of course, you have to hear his hilarious story of how he discovered the Indie Film Hustle Podcast and my book Rise of the Filmtrepreneur.
Enjoy my conversation with Zachary Tarica.
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IFH 447: The Art of Epic Filmmaking with Edward Zwick Mar 09, 2021

We have been on a major role lately on the podcast and this episode keep that going in a big way. Our guest on the show today is writer, producer, and director Edward Zwick. Edward made his big shift from his childhood passion of theater to filmmaking after working as a PA for Woody Allen in France on the set of Love and Death. He then moved to California in the summer of 1976 and has since forged a respected name for himself in Hollywood.
Edward Zwick is a multiple Academy Award, Golden Globes, and BAFTA award-winning director, writer, and producer.
Faced with the fear of going to law school during his first five years in the industry if filmmaking didn't work, Zwick cards turned and launched him into projects that are now some of the most critically and commercially acclaimed in the business. His work spectrums the comedy-drama and epic historical genres.
Edward has had a remarkable career so far and still has much more to give. Speaking to Edward was like sitting in my persona filmmaking masterclass. We discuss ho he made the jump from a low budget comedy to epic historical dramas, his creative process, navigating Hollywood, directing some of the biggest movie stars in the world and much more. Prepare to take notes on this one tribe. Enjoy my conversation with Edward Zwick.
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MOTIVATION: Tools in the Toolbox Mar 08, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 446: How Netflix's Algorithm Impacts Indie Films with VOD Clickstream's Stephen Follows Mar 04, 2021

In this age of streaming platforms, knowing your distribution route and audience's comfortable viewing habits as filmmakers is crucial. Today on the show returning champion and film industry data analyst ninja, Stephen Follows, breakdowns the build-up process and goal of his newly-launched data analysis platform, VOD Clickstream.
The first phase of Stephen's VOD Clickstream is an independent research of Netflix streaming history between 2016-2019 of two-third billion data points that reveal what folks have been watching on Netflix. The research provides insights into the streaming sector by anonymizing browsers and users' history through a plugin to analyze clickstream data from Netflix.
Being an entrepreneur himself, he explores, through this project, the future of VOD Clickstream's impact on independent filmmaking and creating a feedback loop with the audience to gauge films and television shows performances.
Stephen and I discuss the interlink between the upswing of film and television content and the growth of streaming platforms and the challenges this situation poses for indie films to succeed on these platforms.
Enjoy my conversation with Stephen Follows.
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IFH 445: The High and Lows of Directing in Hollywood with Kevin Reynolds Mar 02, 2021

Imagine you are in film school and you make a student film. Then that student film get's seen by Steven Spielberg and he calls you into his office to offer you a deal to direct a feature film version of that short. Well, that is exactly how today's guest go his start.
On the show we have the legendary writer/director Kevin Reynolds. Kevin directed the world-wide blockbuster Robin Hood: Prince of Thieves, the epic Rapa Nui, and the infamous and misunderstood Waterworld.
Kevin Reynolds made his big career leap from election lawyer and political speechwriter to pursue his childhood passion for writing - enrolling into film school at the University of Southern California.
In 1980, Reynolds’s debut film Proof landed him a shot right out of USC to work with Steven Spielberg. The film was later produced as Fandango in 1985, written and directed by Reynolds.
Five college buddies from the University of Texas circa 1971 embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures in Vietnam and otherwise.
In 1991, Reynolds directed the $48 million action-adventure film of the time, Robin Hood: Prince of Thieves, that grossed $390 million worldwide. This action-filled fan favorite follows Robin and his Moorish companion’s adventure to England and his fight back against the Sheriff of Nottingham’s tyranny.
He followed up Robin Hood with the epic Rapa Nui. The film the love between the representatives of two warring tribes changes the balance of power on the whole of the famous Easter Island. The film failed to find an audience in it's initial release but has since become a cult favorite.
His next directorial outing is the legendary Waterworld starring Kevin Costner. Waterworld was labeled the most expensive movie ever made ($175 million), until Titanic dethroned it a few years later. The press said it was the biggest flop of all time as well but nothing could be farther from the truth.
When the film was finally released it made $264 million worldwide. The film went on to become one of the most valuable IPs in the Universal Studios library. The company created a theme park out of the film that has last over 25 years in multiple parks around the world and has generated hundreds of millions of dollars for Universal.
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Reynolds’s critically acclaimed historical adventure film adaptation of The Count of Monte Cristo novel in 2002, which starred versatile actor James Caviezel, was a remarkable comeback project after a five-year hiatus. The film is about revenge after a man, falsely accused by three jealous friends, sought to avenge his wasted years of somewhat imprisonment serving a wealthy Italian cleric.
Kevin and I discuss the highs and lows of directing in Hollywood, working with Steve Spielberg, his ever changing relationship with friend Kevin Coster, how he dealt with directing Waterworld and so much more.
Enjoy my conversation with Kevin Reynolds.
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IFH 444: How NOT to Get Ripped Off by a Predatory Film Distributor with Orly Ravid Feb 25, 2021

Today on the show we have attorney and film distribution expert Orly Ravid. Orly is committed to helping artistically and intellectually rigorous and important films reach their respective audiences via a financial model that is sustainable for filmmakers.
Having established the theatrical, festival, digital distribution and educational services, presently at TFC, Orly works primarily on distribution, sales/licensing and contract/negotiation services with a focus on new media digital distribution. She also oversees theatrical releases, the various educational services, and the organizational overall.
Called a “big picture” thinker, Orly founded The Film Collaborative in response to a dominant and overarching structure that favors middlemen, not filmmakers. She is passionate about protecting filmmakers’ rights and revenues as much as she is about good film.
Having worked in the film business for two decades, Orly’s past experience ranges from programming to all aspects of the business of film. Orly and discuss the current state of distribution, what the future holds and how not to get ripped off by a predatory film distributor.
Enjoy my conversation with Orly Ravid.
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IFH 443: Blood, Bullets, Filmmaking and Octane with Joe Carnahan Feb 23, 2021

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.
In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.
Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.
Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.
As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.
THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.
Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.
Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team.
Joe follow that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.
Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory.
Joe latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!
Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.
Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more.
Getting ready to take an adrenaline-fueled ride with Joe Carnahan.
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MOTIVATION: Tell Your Story Feb 22, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 442: No-Budget, $600 Camera, 3 Lights & Still Sold Worldwide with Elliot and Zander Weaver Feb 18, 2021

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.
COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.
The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.
Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.
You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete.
The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.
Enjoy my inspiring conversation with Elliot and Zander Weaver.
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IFH 441: From Short Films to Directing Shazam! with David F. Sandberg Feb 16, 2021

So many times we hear those mythical stories of a filmmaker who makes a short film and uploads it to Youtube in hopes of a big time film producer sees to and comes down from Mount Hollywood and offers him or her a deal to turn that short into a studio feature. Today's guest had that happen to him and then some. On the show is writer/director David F. Sandberg.
David's story is the "lottery ticket" moment I speak about so often on the show. His journey in Hollywood is remarkable, inspiring and scary all at the same time. He created a short film called Lights Out. That short was seen by famed filmmaker and producer James Wan (Furious 7, Aquaman, The Conjuring) who offered to produce a feature film version at New Line Cinema.
The feature version of the film was made for $5 million and grossed $150 million at the box office. Here's what the film is about.
When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger…once the lights go out.
The film stars Teresa Palmer (“Triple 9”) as Rebecca; Gabriel Bateman (“Annabelle”) as Martin; Billy Burke (the “Twilight” franchise) as Martin’s father, Paul; Alexander DiPersia (“Forever”) as Rebecca’s boyfriend, Bret; and Maria Bello (“Prisoners”) as Sophie.
After the success of Lights Out he tackled the horror prequel Annabelle Creation. That film went on to make over $300 million at the box-office with a $15 million budget.
Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.
The studio Gods were pleased with David because he was offered New Line Cinema’s Shazam!, the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Shazam! was a box office smash.
David and I discuss his days making short films, which he still makes on the side, working in the studio system, his filmmaking philosophy, how he could afford a place to stay in Los Angeles while he was in pre-production on Lights Out and what it takes to make it as a filmmaker in today's world.
Enjoy my conversation with David F. Sandberg.
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MOTIVATION: Fake Till You Make It Feb 15, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
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IFH 440: How to Be a Commercial Director with Jordan Brady Feb 13, 2021

Today on the show we have commercial filmmaking guru and all-around nice guy Jordan Brady. Jordan Brady began as a stand-up comedian touring nightclubs and colleges across America. A 100% self-taught filmmaker, he’s directed four narrative feature films, three full documentaries and over 1200 national & regional commercials and Maria Bamford’s acclaimed Netflix Comedy Special. Click for more about my feature films.
Jordan directs advertising campaigns for brands and agencies from all over the world. Given his background, it’s no surprise he has directed comedy giants as Will Ferrell, Kevin Hart, Keegan-Michael Key, Rory Scovel and more. Other notable celebrities include international star Arnold Schwarzenegger and country music legend Brad Paisley, campaigns starring actress Kathryn Hahn for Chrysler and Lamorne Morris for Buick.
Equally as nimble with visual effects, he’s shot over 50 sleight-of-hand magic trick spots for Toyota Saatchi Los Angeles that effortless combine in-camera and digital trickery.
Notable advertising awards include multiple Clios, National Gold, ADDY’s, Gold Promax Award, One Show, D Show, Pencil, AICP Awards, and more. Mr. Brady’s work is routinely spotlighted on AdWeek, Ads of The World and Agency Spy.
In 2016, Jordan completed his passion project; a feature documentary trilogy on what its takes to be a stand-up comedian. “I AM COMIC” stars Louis CK (pre-pervert) Sarah Silverman, Leslie Jones and more. 2014’s aptly titled “I AM ROAD COMIC” stars Pete Holmes and Marc Maron. The most gripping film of his career is “I AM BATTLE COMIC”. Filming took Brady to Afghanistan, Kuwait and undisclosed parts of the Middle East where he performed stand-up comedy for our troops stationed there.
In his spare time, Mr. Brady hosts the popular weekly filmmaking podcast RESPECT THE PROCESS, described as “The Rosetta Stone of filmmaking” and teaches Commercial Directing Bootcamp.
Enjoy my conversation with Jordan Brady.
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IFH 439: Inside One of the Most Dangerous Film Shoots in History with Jon Gustafsson Feb 11, 2021

We have all heard stories of difficult and even dangerous film shoots before but today's story tops them all. In today's episode we welcome filmmaker Jon Gustafsson. This filmmaker was in the belly of the beast as they say. His documentary Wrath of Gods documents one of the most dangerous and difficult film shoots in modern film history.
When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves.
Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf’s warriors, he’s one set with his camera as the crew battles hurricane force winds and he’s in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision.
I'm also honor to announce that you can watch Wrath of Gods on Indie Film Hustle TV. Plus you'll get exclusive bonus materials not available anywhere else. If you liked Lost in la Mancha or Burden of Dreams you will probably like this one.
Enjoy my conversation with Jon Gustafsson.
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IFH 438: Selling Palm Springs for $17.5 Million at Sundance with Max Barbakow Feb 09, 2021

I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I've called this dream the lottery ticket mentally. I always say that someone wins wins the lottery every week somewhere.
Well today's guest is that lottery ticket winner. Today on the show we have writer/director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents is what broke the record.
The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival.
When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.
I've always wanted to know what it was like to be a fly on the wall durning a bidding war at Sundance. In today's episode I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books.
Enjoy my conversation with Max Barbakow.
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MOTIVATION: Dealing with Rejection Feb 08, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 437: The Ever-Changing Film Marketplace with Producer Bradley Gallo Feb 06, 2021

Today on the show we have producer Bradley Gallo. His production company, Amasia Entertainment, behind the upcoming Wild Mountain Thyme, starring Emily Blunt, Christopher Walken, Jon Hamm, and Jamie Dornan.
His 2019’s Official Sundance Selection Them That Follow, starring Olivia Coleman, Jim Gaffigan, Walton Goggins, Kaitlyn Dever, Lewis Pullman, Alice Englert, and Thomas Mann is now on Showtime.
Amasia has also recently acquired the rights to the Green Hornet franchise.Bradley's other credits include Mr. Right with Anna Kendrick and Sam Rockwell (available on Netflix); The Call with Halle Berry; and Careful What You Wish For with Nick Jonas and Dermot Mulroney.
Bradley and I discuss the ever-changing film marketplace, how he is positioning his new project to adapt to the new rules of the game and much more.
Enjoy my conversation with Bradley Gallo.
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IFH 436: The REAL Truth About Film Distribution Today with Linda Nelson Feb 04, 2021

Today on the show we have returning champion Linda Nelson from Indie Rights. Linda and her partner Michael Madison have been a shinning light for filmmakers in the dark world of film distribution. With the distribution landscape changing almost weekly, I wanted to bring Linda on to shed some light on the ever shifting marketplace.
Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies. They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide.
Known for innovation. SHIFTED, their first digital feature, was the first movie on Amazon’s UnBox (the predecessor of Amazon Video) and was used by Amazon to promote their platform for over five years. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with.
We discuss the realities of film distribution, what filmmakers need to know, and what is selling today. We also throw a cold-bucket of water on filmmaker so they can snap out of delusion and better position themselves for success.
Enjoy my eye-opening conversation with Linda Nelson.
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IFH 435: From Indie Film Legend to Surviving Hollywood with Albert Hughes Feb 02, 2021

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.
After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little known rapper named Tupac Shakur.
These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. Albert followed up that success with Dead Presidents (1995).
On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!
Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.
The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.
Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger than life experience.
An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.
My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.
Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.
Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!
Enjoy my EPIC conversation with Albert Hughes.
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MOTIVATION: You are What you Believe In Feb 01, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 434: Independent Filmmaking, the Hard Way with Josh Folan Jan 30, 2021

Today on the show we have filmmaker and author Josh Folan. He's a writer/director/editor/producer/actor – though not necessarily in that order – that began professionally making things people watch on screens in 2005, prior to which he studied finance at The Ohio State University.
Filmmaking highlights since founding NYEH Entertainment in 2008 include 2018 Hamptons/Woodstock/Napa selection Ask For Jane, 2017 SXSW audience award winner The Light of the Moon, 2015 Slamdance selection BODY, 2015 Raindance selection The Lives of Hamilton Fish, 2016 SOHO Int’l selection and 2017 Queens World best screenplay nominee catch 22: based on the unwritten story by seanie sugrue,
His new book, Still Filmmaking, the Hard Way, is a detailed recounting of the step-by-step process of the development, production, and distribution of three micro-budget feature films with one critical commonality – producer and fifteen-year independent filmmaking veteran Josh Folan.
Josh walks the reader through each and every painstaking step of the making of three sub-$250,000 USD films featured in the case study – Ask For Jane, Love Is Dead!, catch 22 – while explaining, scrutinizing, and contrasting the experience in a voice intended to entertain, not lecture.
The experience of producing sixteen feature films and a bevy of short, episodic, and commercial projects inform the words herein, across which countless mistakes and learning experiences were had by the author. Still Filmmaking, the Hard Way offers readers the opportunity to learn this laundry list of lessons at a tiny fraction of the cost of crippling your own film’s micro-budget.
Enjoy my conversation with Josh Folan.
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IFH 433: How to Raise Your Filmmaker IQ with John Hess Jan 28, 2021

Today on the show we have director, Youtuber, and founder of the legendary Filmmaker IQ John Hess. I have been a huge fan of John's for quite some time. The videos he creates for Filmmaker IQ are, by far, some of the best and most informative film education on Youtube.
Here's John's explanation of Filmmaker IQ is. Filmmaker IQ (which also goes by the aliases Who?, FilmmakerIQ.com, and FIQ to evade debt collectors) is worshiped by no less than five monotheistic religions on Earth despite their petulant childish behavior, persistent meddling in the space-time continuum, and clear bipolar disorder. FIQ is the largest black hole of film knowledge in the universe.
With over 3.4 billion courses on subjects such as Ways to successfully acquire both armrests at a movie theater, Why do all the evil people in Star Wars have a British accent? and Martin Scorsese’s Eyebrows. FIQ’s video lectures are hailed by educators, non-educators as well as people who are against the concept of education on moral grounds.
John and I geek out over cameras, post, and filmmaking in general. If you haven't watched his videos you are missing out. They are a must for any serious filmmaker.
Enjoy my conversation with John Hess.
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IFH 432: From Film Editor to Billion-Dollar Director with Raja Gosnell Jan 26, 2021

Today on the show we have director Raja Gosnell. He directed comedy classics like Big Momma's House starring Martin Lawrence, Never Been Kissed starring Drew Barrymore, and Yours, Mine & Ours starring Dennis Quaid.
Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.
He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box-office.
Raja wasn't always a director, he started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.
For Chris Columbus he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.
The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall, and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).
Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he choose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.
We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.
Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?
Enjoy my conversation with Raja Gosnell.
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MOTIVATION: Why Filmmaking Goals SUCK! Jan 25, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 431: Filming an Indie Streaming Series During COVID with Colleen Krantz Jan 23, 2021

In my on-going series on COVID film production, I speak to creator/showrunner Colleen Krantz. She is the creator of the new series Complete Bull. The show is about a young animal scientist who must decide if she will join her family’s livestock insemination business in her fighting-to-stay-alive Midwest hometown, even as the community is torn at the seams debating whether to become a “receiving community” in the government’s forced relocation of first-generation immigrants.
When she was shooting her show her production was one of only 24 SAG productions filming in the entire country. In this conversation, we discuss how she had to rewrite the script to include some nontraditional filming locations, how she dealt with negative attitudes from old-school Hollywood people because she was filming in a rural area, and what techniques she used to keep herself and her cast/crew safe during production.
One of my favorite parts of the conversation is when we discuss how she was chewed out by an actress's manager, and I quote:
“ You have no business trying to do this from the middle of Iowa.“
I hope listening to Colleen's story can help you run a safe film production during these crazy times. Enjoy my conversation with Colleen Krantz.
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IFH 430: How to Make Money Selling Your Film on Facebook with Kyle Prohaska Jan 22, 2021

Today on the show we have returning champion Kyle Prohaska. Kyle is a Facebook Marketing Ninja. Kyle also specializes in promoting and marketing indie films.
He also has created insane followings for his own films. Check out this 1,000,000 follower Facebook page he created for his film Standing Firm. Get ready to take some MASSIVE notes on this special episode. Enjoy my epic conversation with Kyle Prohaska.
I wanted to bring Kyle back on the show to discuss a new system he is using to generate real money for filmmakers using Facebook ads. The problem I've always had using Facebook to promote indie films is ROI or Return on Investment. It didn't make sense to me to spend twenty dollars to promote a $2.99 rental or worse a free watch on Amazon Prime.
Kyle has figured out a way to not only get a massive ROI on money spent but to also bring awareness to the film. If you are using or are thinking of using Facebook ads to sell your film this is the episode for you. Get ready to have your mind BLOWN!
Enjoy my conversation with Kyle Prohaska.
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MOTIVATION: How to Get Over Your Filmmaking Fears Jan 20, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 429: Hybrid Self Distribution in the Times of COVID with Peter Rader Jan 19, 2021

Today on the show we have returning champion Peter Rader. Peter has been working with his wife Paola di Florio to help filmmakers connect with audiences and generate revenue for their projects.
The story of how they self-distributed their run-away hit AWAKE: The Life of Yogananda from booking theaters to SVOD is remarkable. They did it all on their own and the film has been viewed by millions. I wanted to bring Peter back on the show to discuss how they are distributing film during COVID, methods for audience building, social media marketing, release strategy, and much more.
Peter has worked as a film and television writer for 20 years. His first script, Waterworld, was produced by Universal in 1995. He has developed numerous projects for other studios, and industry leaders such as Steven Spielberg, Dino De Laurentiis, and John Davis.
On today's show, we are discussing the new film Infinite Potential: The Life and Ideas of David Bohm, which his company is helping to self distribute in the hybrid model.
“Infinite Potential: The Life and Ideas of David Bohm” is a feature documentary about the man Einstein called his “spiritual son” and the Dalai Lama his “science guru.” A brilliant physicist and explorer of Consciousness, Bohm’s incredible insights into the underlying nature of reality and the profound interconnectedness of the Universe and our place within it are truly transformational.
Enjoy my conversation with Peter Rader.
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IFH 428: Are Film Festivals Worth It During COVID with Chris Holland Jan 14, 2021

I've been getting asked almost daily if filmmakers should submit to film festivals during the pandemic since most festivals are moving online? Well, I went straight to an expert to discuss this.
On the show today I have one of the leading authorities on film festivals, Chris Holland from Film Festival Secrets.com. Chris is a 20-year veteran of film festivals, journalism, marketing, distribution and literally wrote the book on the subject, Film Festival Secrets: A Handbook For Independent Filmmakers.
If you are a listener of the show you also know that Chris and I created a FREE Podcast Series called the Film Festival Hacks Podcast. Chris and I discuss the pros and cons of submitting to film festivals in today's world, what value film festivals have in the current marketplace, and if festivals can bounce back after the brutal hit they took from COVID.
Enjoy my conversation with Chris Holland.
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IFH 427: Inside Cobra Kai & Its Domination of Netflix with Zack Arnold Jan 05, 2021

Happy New Year IFH Tribe! We are starting 2021 with a bang. Today on the show with have Zack Arnold, an award-winning Hollywood film & television editor (Cobra Kai, Burn Notice, Empire, Shooter, Glee), member of the American Cinema Editors, a documentary director GO FAR: The Christopher Rush Story, narrated by Mark Hamill), and creator of the Optimize Yourself program and podcast.
Zach has been working on the #1 Netflix show Cobra Kai since season 2. If you haven't heard of Cobra Kai here's the skinny.
Thirty-four years after the events of the 1984 All Valley Karate Tournament, a down-and-out Johnny Lawrence seeks redemption by reopening the infamous Cobra Kai dojo, reigniting his rivalry with a now-successful Daniel LaRusso.
Zack and I talk about Cobra Kai, how he became a healthy editor, what it was like working on some of the top shows on television, and how he retired early from editing, except Cobra Kai, of course, to run his own lucrative online business helping creatives optimize themselves.
Enjoy my conversation with Zack Arnold.
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MOTIVATION: Go Make Your Movie Now Jan 04, 2021

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 426: How to Make 2021 Your Year – Happy New Year! Dec 31, 2020

Well, 2020 has been one hell of a year. Our industry has been turned upside down and inside out. The way business is done in Hollywood has been changed forever. There has been so much pain and suffering this year. People lost their jobs.
Legendary companies that were thought to be unbreakable filed for bankruptcy. The mear act of being on set became a highly dangerous occupation. So many beloved filmmakers and actors passed away. Film festivals closed their doors. Movie theaters giants shut their doors, some for good. COVID-19 devasted not only our business but the world.
2020 just f**king sucked!
With all that said I see a light of hope on the horizon. Like every New Years before Jan 1 brings with it a new hope, an opportunity to improve things, and for your life to be better than before. 2021 has a lot of pressure on it for sure. I know so many tribe members have had a rough go of it but the only thing we can do is to take charge of what you can control.
You might not be able to control the world, the virus, your employer, or the economy. But you can control what you do on a daily basis, how you act, how you think. You can think everything sucks and there's no hope for you or your dreams or you can think that you have the power to change where you are in life right now.
Every dream, every success story started with one thought, I CAN DO THIS. As Henery Ford once said
"If you think you can do a thing or think you can't do a thing, you're right."
The power of your own thoughts is so much more mighty than you think. Trust me I speak from experience. Looking back on my life I realized that in the roughest moments my thoughts were destructive and when I was experiencing great successes my thoughts were constructive. Whatever you focus on grows so if I were you I'd focus on the positive and not the negative.
This year I came to a profound truth that the key to success is to help others. The moment I launched Indie Film Hustle my life began to change. The more I helped others the better my life became. The opportunities I had been chasing for decades just started showing up at my door. Don't get me wrong, as you know I hustled like crazy but not on getting things for myself as much as providing value to other people. As Les Brown said
“Help others achieve their dreams and you will achieve yours.”
In 2021 make it a goal to help others with their dreams and I promise you that things in your life will change, it did for me. In 2020 I released my second feature film On the Corner of Ego and Desire, created BulletproofScreenwriting.tv, my premium online education platform IFH Academy, launched the IFH Podcast Network and multiple podcasts including The Filmmaking Motivation Podcast, The Directors Series Podcast, Inside the Screenwriter's Mind Podcast, and spoke to legendary filmmakers and screenwriters on my shows like Oliver Stone, Barry Sonnenfeld, Alex Proyas, James V. Hart, and John Badham just to name a few.
And most importantly I was inspired by you the Indie Film Hustle and Bulletproof Screenwriting Tribes. Your stories of overcoming obstacles, massive successes, and following your dreams moved me. Getting emails and messages from around the world gave me hope that yes we are in tough times but even with all that you, the tribe, continues to move forward like an unstoppable creative force.
In 2021 we will try, fail, and try again because remember...
"Failure is simply the opportunity to begin again, this time more intelligently." - Henry Ford
The more you might fail the closer you are to succeeding. I'll be trying a ton of new things in the new year and hope they will be a success but am ready if they don't live up to my expectations.
In 2021 I'll be launching a couple of new companies, partnering with amazing new instructors for IFH Academy, releasing my new book, adding amazing new content to Indie Film Hustle TV, publishing new audiobooks through IFH Books, producing a few new podcasts for the IFH Podcast Network, and developing new websites to further help filmmakers and screenwriters follow their dreams.
I want you to write down what you want to accomplish in 2021 and what steps you will be taking every day to get those goals. Do you want to set a goal of one or two screenplays a year as Oliver Stone does? Do you want to direct your first feature film? What needed tools do you want to put in your toolbox? What need skills do you want to learn to make you a more dangerous and knowledgeable filmmaker or screenwriter?
After speaking to hundreds of the industry's most successful artists and business people I found they all had one thing in common, they never gave up! They all just kept going no matter what. Oliver Stone had the script for Platoon in his pocket for years before someone produced it. James V. Hart was in his forties when he had his breakout with Hook and Dracula. Barry Sonnenfeld went from shooting adult films to having his movies gross almost $2.5 billion worldwide.
Every successful person you look up to failed and failed often on their way to success. They never gave up and you shouldn't either. Every no is one step closer to a yes. I wish all of you an amazing 2021 and don't forget to keep that hustle going and keep that dream alive!
Be well, stay safe, and Happy New Year.
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IFH 425: Oliver Stone | Directing, Screenwriting and Surviving the Vicious Hollywood Game Dec 28, 2020

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.
I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender.
Enjoy my epic conversation with Oliver Stone.
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CHRISTMAS THROWBACK: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay! Dec 25, 2020

CHRISTMAS THROWBACK:
I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.
I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.
From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.
Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!
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IFH 424: Inside COVID Production Standards on an Indie with Austin Williams Dec 22, 2020

So many IFH Tribe members have reached out to me to ask if I could help or guide them on how to shoot an indie feature film or series during COVID-19. So I decided to release a series of interviews with filmmakers who have done just that.
First up is filmmaker Austin Williams. Austin was shooting his new feature Red Stone in the middle of COVID before anyone in our business knew what to do. The film had a respectable $500,000 budget.
In this conversation, we discuss the methods he used to keep everyone safe on set, how he dealt with SAG, and the costs associated with dealing with COVID safety measures. Enjoy my conversation with Austin Williams.
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IFH 423: Tales from a Million-Dollar Debut Feature Film with Giles Alderson Dec 18, 2020

Today on the show I have a good friend and fellow podcaster, Giles Alderson. Giles is not only a podcaster but a successful filmmaker, producer, and screenwriter. I've been on The Filmmaker's Podcast a couple of times now and I just love talking shop with him. One day we got to talking and he told me the crazy story of his debut film Arthur & Merlin: Knights of Camelot, which cost over a million dollars.
He also directed, written & produced the psychological horror feature film ‘The Dare’ made for Nu-Image (Expendables, Hellboy) and B2Y Productions starring Richard Brake (31, Batman Begins), Alexandra Evans ((Redistributors), Bart Edwards (Fantastic Beasts), Richard Short (Vinyl, Public Enemies), Robert Maaser (M.I 5 Rogue Nation)
I had to have him on the show to share his misadventures in making a million-dollar debut feature film. Get ready for one whale of a tale. Enjoy my conversation with Giles Alderson.
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IFH 422: The RAW TRUTH about Film Distribution in Today's World with Shaked Berenson Dec 17, 2020

Today on the show we have returning champion film producer and distributor Shaked Berenson. Shaked has been on the show a few times now and each time he brings a wealth of knowledge bombs to the tribe. Shaked launched his new company called The Horror Collective, whose mission is to foster a community of independent horror filmmakers and connect their films to fans, all done transparently and fairly. We provide direct distribution combined with a cost-effective, high-impact festival, marketing, and release strategy. The Horror Collective aims to bring your film to the right audience.
Shaked Berenson produced, and executive produced 22 features and two television series including many horror and cult favorites such as TURBO KID (2015), BIG ASS SPIDER! (2013), THE AGGRESSION SCALE (2012) and most recently, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT (2019), EXTRA ORDINARY (2019), PRETENDING I’M A SUPERMAN - THE TONY HAWK VIDEO GAME STORY (2020), and THE LODGERS (2018).
In this episode, Shaked and I discuss the realities of film distribution in today's world, why most indie films fail to make money, why many film distributors screw over filmmakers, and how filmmakers can better position their films for the marketplace. The RAW TRUTH that Shaked and I discuss is not for the faint of heart but I truly hope it helps filmmakers better understand the marketplace they are entering.
Enjoy my eye-opening conversation with Shaked Berenson.
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MOTIVATION: Don't Let Your Filmmaking Spark Go Out Dec 15, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
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IFH 421: Drugs, Sex and Higher Love with Slamdance Winner Hasan Oswald Dec 11, 2020

Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Earth: The Fall of Syria and the Rise of ISIS.
He has since covered the water crisis in Flint, Michigan, drug trafficking, and homelessness in Philadelphia. He quickly established a unique ability to capture the human experience through "cinema verité." His unfettered access to and intimacy with his characters creates a seamless veneer between the filmmaker and subject.
After getting much need experience in the field he decided it was time to tell larger stories. His first outing as a feature film director, Higher Love, won him the top award at the Slamdance Film Festival. To finance his film he pulled a page out of Robert Rodriguez's playbook and sold his blood plasma to finance his film.
Hasan's filmmaking journey is inspiring to say the least. He is using cinema to tell stories that will hopefully change the way people think. Higher Love is available on all major VOD platforms. His current project focuses on the Yazidi Genocide in Iraq.
Enjoy my conversation with Hasan Oswald.
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IFH 420: FATMAN - Directing an Insane Christmas Classic with The Nelms Brothers Dec 10, 2020

Today on the show we have maniac writers/directors The Nelms Brothers, and I say maniacs in the best possible way. Ian and Eshom Nelms, grew up in central California waging two hundred man G.I. Joe wars and dreaming in John Ford landscapes. They have written and directed numerous award-winning and critically- acclaimed films.
The brothers are known for their unique ability to traverse from one genre to another, seamlessly and successfully, from drama to comedy to thrillers. Their film, LOST ON PURPOSE (2013), was a heartfelt coming-of-age love letter to their small hometown.
From there, the siblings wrote and directed WAFFLE STREET (2015), a comedic turn based on an autobiographical memoir about a billion-dollar hedge-fund manager turned waffle house server. Their film, SMALL TOWN CRIME (2018) is a crime thriller that premiered at SXSW and BFI London Film Festival and received positive reviews by top critics upon its theatrical release.
We are here today to discuss their latest opus, FATMAN starring Mel Gibson, Walton Goggins, and Marianne Jean-Baptist. The film centers on a neglected and precocious 12-year-old who hires an unorthodox hitman to kill Santa Claus after receiving a lump of coal in his stocking. They had me at FATMAN.
I absolutely loved FATMAN and am glad it is in existence. It is one of my favorite films of the year. In this crazy 2020, this is the film we all need to watch right now. I can't tell you how fun it was talking to Ian and Eshom.
We discuss how they came up in the business, the 14 years it took to bring FATMAN to the big screen, working as a director team, and their misadventures in Hollyweird.
Do yourself a favor and watch FATMAN tonight! It is brilliant. To be honest I'm jealous I didn't think of this. The idea for FATMAN is just so genius. I'm glad these two filmmakers brought it to life.
Enjoy my conversation with filmmakers Ian and Eshom Nelms.
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MOTIVATION: Why Filmmakers Need to Break the Rules Dec 08, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 419: Writing & Directing Legendary Science Fiction Films with Alex Proyas Dec 04, 2020

I can't be more excited to bring you this episode. On today's show, we have the legendary writer/director Alex Proyas, the filmmaker behind The Crow, Dark City, The Knowing, Gods of Egypt, and I, Robot.
Alex Proyas had a huge influence on my filmmaking life. The Crow was one of those films I watch a thousand times, in the theater, when I was in film school. He began his filmmaking career working in music videos with the likes of Sting, INXS, and Fleetwood Mac before getting the opportunity to direct The Crow. That film was one of the first modern comic adaptations but as Alex puts it...
"The Crow was my anti-comic book movie." - Alex Proyas
Both The Crow and Dark City had such a HUGE influence on films and filmmakers for years after their initial releases.
Alex's films are visually dazzling and have the voice of a true artist. You can see a direct line from his genre-defining work to films like The Matrix, Alita: Battle Angel, Equilibrium, Underworld, The Dark Knight, Inception, and many others.
I feel Alex's contributions to the visual aesthetics of modern cinema have been extremely undervalued. Director's like Christopher Nolan point at Alex's films as inspiration when he was putting together The Dark Knight Trilogy. The Matrix has Dark City visuals and style oozing from the screen.
Alex and I discuss his career, working within the studio system, dealing with insane interference in his creative vision, why he is shooting short films at this stage of his career, his new film studio The Heretic Foundation, and his misadventures in Hollyweird.
He has also launched a YouTube channel called Mystery Clock Cinema where he showcases his short films and amazing filmmaking tutorials, philosophies, and live streams.
Prepared to be inspired. Enjoy my thoroughly entertaining conversation with filmmaker Alex Proyas.
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IFH 418: The Art of Television Cinematography with Jayson Crothers Dec 03, 2020

Today on the show we have veteran cinematographer Jayson Crothers. Jayson had shot two dozen independent features before he joined the NBCUniversal hit show Chicago Fire in 2013. After serving as the 2nd unit DoP for 38 episodes during seasons 2 & 3 he was asked to helm the show. Serving as the sole DoP from seasons 4 to 6, he shot 74 episodes of the series for Dick Wolf. He also did additional photography for the backdoor pilot of Chicago Med.
In 2019 Jayson photographed three features - the World War 2 true story drama Axis Sally, directed by Michael Polish, starring Al Pacino and Mitch Pileggi, the romantic comedy The Thing About Harry, directed by Peter Paige, and the hurricane action film Force of Nature, also directed by Michael Polish, starring Mel Gibson, Emile Hirsch, and Kate Bosworth.
In between these films he also shot additional photography for the Starz series P-Valley as well as 2nd Unit for the Netflix feature Malibu Rescue - The Next Wave.
In addition to his work being seen theatrically and on television, it’s also been seen across the festival circuit at SXSW, Tribeca, and Camerimage to name a few. Jayson also served as the Technical Editor for the acclaimed book on cinematography and lighting, A Shot In The Dark.
In this episode, we discuss his career, how to get the most out of low budget cinematography, and much more.
Enjoy my conversation with Jayson Crothers.
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MOTIVATION: Don't DIE with Your Indie Film Inside of You Dec 02, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: When No One Believes in Your Dream Nov 24, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 417: How to Make Indie Films That Make REAL Money with J. Horton Nov 20, 2020

Today on the show we have filmmaker and Filmtrepreneur J. Horton. Jason has been in the film industry for as long as I have and has been making movies ever since. What sets him apart from other filmmakers is that he actually makes a living making his films.
Jason figured out the formula that would allow him to make a living doing what he loves to do. He produces low budget feature films and uploads them to Amazon Prime. He collects TVOD and SVOD revenue. His key is volume. This year alone he produced 14 feature films.
We discuss how he chooses his niche audience, how he shifted from only narrative films to directing niche-focused documentaries, and how he's able to produce so much content.
Enjoy my conversation with J. Horton.
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CROSSOVER: Screenwriting for Spielberg, Coppola, & Zemeckis with James V. Hart Nov 18, 2020

I'm so excited to bring this episode to the IFH Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood's biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING, SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.
“No one has a job in our business until you type ‘the end’.” — James V. Hart
Dracula has a special place in my heart as it is one of the major influences that made me become a filmmaker.
James has served on the faculty of the Columbia University Graduate Film program. Served as mentor and advisor at the Austin Writer’s Ranch, Sundance Film Labs, and the Equinoxe-Europe Writing Workshops for over 20 years in 11 countries. Hart has also conducted the Puglia Experience for writers and producers held in the Puglia region in Italy.
During the making of Dracula Francis Ford Coppola called James up and told him he hated everything about the story and the movie they had shot. James sat down with Francis and beat up the film and story. Frustrated that this happened, James set out to develop a tool that could help him map out the screenplay's emotion before they ever start shooting. The HART CHART was born.
Originally launched online at the 2015 Austin Film Festival, James has developed a proven story mapping tool for serious writers working in television, film, novels, plays, and other literary forms, with a guarantee you will never face a blank page again.
James and I discuss THE HARTCHART, his journeys in Hollywood, how he became a 20-year overnight success, what it was like working with master filmmakers like Coppola, Speilberg, and Zemeckis, and how he breakdowns a blockbuster story idea.
This is one episode for the record books. Enjoy my conversation with James V. Hart.
CROSSOVER: Bulletproof Screenwriting Podcast
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MOTIVATION: Never Stop the Filmmaking Hustle Nov 17, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 416: Acting in the Age of Coronavirus with Joseph Reitman Nov 13, 2020

Filmmaking during these crazy times is tough, if not impossible in some areas. Imagine acting on a set in the age of COVID-19. I wanted to bring a veteran actor on the show to discuss how these insane times are affecting actors and I could think of no better person than 25+ year acting vet Joseph Reitman. Many of you might recognize him as the co-star of my first feature film This is Meg.
Joe is best known for playing the villain in Happy!, Money Monster, Lady in the Water', Clueless, Jay and Silent Bob Strike Back, and The Perfect Storm. We sit down in this episode and discuss how SAG is handling COVID-19, what it's like being on set, and what the future holds for film production as we know it. This is a very entertaining and informative show.
Enjoy my conversation with Joseph Reitman.
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MOTIVATION: What Have You Done Today to Make Your Dream Come True Nov 10, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 415: The American Film Market in the Times of COVID-19 with Jonathan Wolf Nov 06, 2020

The pandemic has upended the film industries in a way we will be feeling for years to come. Not only are film festivals in limbo and scrambling to figure out how to move forward but film markets like Cannes and Berlin are as well. Today on the show we welcome back to the show Jonathan Wolf, Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market (AFM).
The American Film Market is the most efficient film acquisition, development, and networking event in the world. Unlike a film festival, AFM is a marketplace where production and distribution deals are closed. More than US$1 billion in deals are sealed every year — on both completed films and those in every stage of development and production.
Over 7,000 industry professionals from more than 70 countries converge in Santa Monica every November. They include acquisition and development executives, agents, attorneys, directors, distributors, festival directors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.
At AFM, participants can discover the entire global catalog of available films and projects, attend 50+ world-class conferences, roundtables, and presentations, and connect with the independent film community’s decision-makers, all in one convenient location without the distraction of a film festival.
The American Film Market 2020 will go on during this crazy time but not how you might think. AFM will be conducted completely online.
I'll also be speaking at this year's AFM with my good friend and film financing expert Franco Sama on November 10, 2021, at 2 pm PST.
Jonathan and I discuss how the distribution landscape will change in the coming months and years, how the theatrical exhibition business will bounce back, the explosion of streaming services, and how the AFM will look in the future. Enjoy my conversation with Johnathan Wolf from the American Film Market.
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IFH 414: How Indie Films Can Use The Mandalorian Virtual Production Tech with Rene Amador Nov 05, 2020

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.
Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.
Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.
Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.
Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.
I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.
I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.
This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.
This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.
It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.
Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today. Enjoy my conversation with Rene Amador.
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MOTIVATION: What You Really Need to Make an Indie Film Nov 03, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 413: How a Predatory Film Distributor Screwed Over a Filmmaker with Terminal Cancer Oct 30, 2020

Running Indie Film Hustle I hear story after story about predatory film distributors screwing over, taking advantage, and just plain stealing from filmmakers every day. I either get emails or read about them in our Facebook Group Community: Protect Yourself From Predatory Film Distributors/Aggregators.
I'm so sick and tired of this. These parasites need a light shined on them. The only way we as filmmakers can stop these predators from continuing to hurt filmmakers and devastate lives is to make their actions known. Predatory film distributors continue to screw filmmakers because their actions are performed in the shadows. They bank on that filmmakers will not fight back, that they will keep quiet and just take it. Well, ladies and gentlemen that ends here.
I broke the Distribber story around the same time last year. They were able to take advantage of filmmakers for a long time until someone finally brought their actions to the surface. That is the only weapon we as filmmakers have against predatory film distributors. Our Facebook group has helped thousands of filmmakers not get taken advantage of. I know that the podcasts and videos I put out have helped as well but it's not enough. I'm only one voice.
We as a community need to stand up and demand change. The traditional film distribution system is BROKEN. I was just consulting with a filmmaker yesterday that told me that he too was screwed over by a film distributor. This distributor told him on the phone, once he confronted him about the theft of his film, and I quote,
"I'll see you in the court of who gives a f**k."
This distributor was in the UK and the filmmaker was in the US. The distributor knew that the chances of the filmmaker taking him to court in another country were slim to none. The filmmaker's lawyer advised him to let it go because the cost would be too much. THIS CRAP NEED TO STOP.
Then I came across a video on YouTube of Michael Daniel, a filmmaker telling his story about how a film distributor screwed him over and never paid him the money he was owed. Oh by the way this filmmaker also has stage 4 cancer. This is the video I saw that moved me to reach out to Micahel.
He told me that this film distributor was literally waiting around for him to DIE so he wouldn't have to pay him. Jesus Christ! I mean I thought I had heard it all but man this is a new low, even for predatory film distributors. Micahel has been fighting this fight by himself for over 18 months. He felt alone. No one would help him. If fighting terminal cancer is enough, he has had to deal with this situation as well. It's just not right.
I knew I had to help and shine a light on this situation. So I invited him to the show and asked him to write, in his own words, his story and add proof in the show notes at http://www.indiefilmhustle.com/413
Both Michael and I are hoping this can help future filmmakers from making the same mistakes. I personally want to thank Michael for coming forward and sharing his story with the world. It takes a brave soul to do what he is doing. He's not only fighting cancer but he is also fighting to get his film back and receive the money he is legally owed.
This episode is brutal and painful to listen to but I believe it will help countless filmmakers. Stay strong Michael, you are no longer alone. Enjoy my conversation with filmmaker and fighter Michael Daniel.
#filmmaking #filmdistribution #filmmaking101
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MOTIVATION: What is Your Filmmaking Story? Oct 27, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 412: The Brutal & Honest Reality of Self-Distributing a Film Today with Jeff MacIntyre Oct 23, 2020

Today on the show we have 17 time Emmy Award-winning filmmaker Jeff MacIntyre. Jeff is the director of the new film The Great Cookie Comeback. Famous Wally Amos introduced us to his famous cookie in 1975. It was love at first bite! 🍪 Then...he lost it all to a big corporation. For 30 years, Wally’s been hustling to get it back. At 82, facing huge personal and financial challenges, can he make his new cookie as famous as his first? Nobody deserves a Great Cookie Comeback like Wally Amos!
Jeff wanted to be completely transparent on what he did right and wrong on his self-distribution adventures. He decides to create a 45 min+ mini-doc explain the good, the bad, and the ugly.
I reached out to Jeff so he could share his story with the tribe. If you are thinking of self-distributing your film this is an episode you will not want to miss. Enjoy my conversation with Jeff MacIntyre.
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MOTIVATION: Stop Making Excuses, Make Your Film! Oct 20, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 411: Inside Action Film & TV Directing with the Legendary John Badham Oct 16, 2020

Today on the show we welcome back returning champion the legendary director John Badham. If you didn't already know John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80's hits like War Games, Short Circuit, & Stakeout to 90's action classics like Bird on a Wire, Point of No Return, Nick of Time, and Drop Zone.
John's second edition of his second book continues with more stories from filmmakers and actors working in TV, movies, and streaming content.
John Badham on Directing also includes sections detailing methods for working with action and suspense, hallmarks of Badham's Filmography, as well as a 12 step "Director's Checklist" for comprehensively analyzing any scene and how best to approach it with your actors.
Sit down and get ready to take a TON of notes on this epic conversation with John Badham.
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MOTIVATION: What is Your Filmmaking Brand? Oct 13, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 410: Why Most Independent Films Never Make Any Money Oct 09, 2020

I've been thinking about doing this podcast for a long time. In the tradition of Why Filmmakers are Always So Damn Broke & What They Can Do to Change It this episode is going to be a cold bucket of water over your head if you are not ready for it. In the insane world we are all living in today, filmmakers need to break out of the mindset that we are living in the golden age of indie cinema.
The rules have changed dramatically since the 90s and even more so in the last 8 months of the COVID pandemic. The rules aren't the only thing that has changed but the game has as well. The film distribution infrastructure is broken and has been broken for many decades. It is not set up to help filmmakers make money. It is purely designed to put more money into the pockets of film distributors.
I have written extensively about this in my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. I want to put together one of my hard truths episodes to help filmmakers better understand the indie film marketplace and how to best position themselves to actually make money.
There is so much talk about new cameras, lenses, rigs, post-production software, and other more interesting aspects of the filmmaking process but when it comes to selling and making money with movies filmmakers rely on old information that is no longer relevant in the current marketplace. I hope this episode empowers you to not only make more movies but to also make money while doing it.
Strap yourself in because for some of you it will be a rough episode to listen to. Be well, stay safe, and keep that hustle going.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: If Your Filmmaking Career is Going Nowhere Oct 06, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 409: Misadventures in Independent Filmmaking & Distribution with Anderson Cowan Oct 02, 2020

Today on the show we have filmmaker Anderson Cowen. Anderson and I met through a mutual friend in Los Angeles. When I first met Anderson he was a deer in the headlights when it came to selling an indie film into the marketplace. His film is called Groupers. It's about a grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool.
Needless to say, Anderson went on an adventure getting this film into the marketplace. I wanted to share his journey with the tribe and I hope you grab some lessons of want to do and more importantly what NOT to do when making and selling a film.
Enjoy my conversation with Anderson Cowen.
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MOTIVATION: What Are Filmmakers Afraid Of? Sep 29, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 408: How to Attach a Bankable Movie Star to Your Indie Film with Steven Luke Sep 25, 2020

Today on the show we have writer, producer, director, actor, and Filmtrepreneur Steven Luke. Steven and I discuss how he attaches bankable movie stars like Dolph Lundgren, Mickey Rourke, Chuck Liddell, James Cromwell, Sam Worthington, Tom Berenger, Ron Perlman, and Billy Zane to his independent films. We also discuss his misadventures in film distribution, how he presells his films and if he actually makes any money with film distributors.
Steven also has a Filmtrepreneur mind when it comes to his film productions. He has found his niche, war films. Understanding his niche market he uses the films he produces to advertise his company Man the Line. It is the internet’s number one source at recreating war!
Man the Line is a small South Dakota business offering original militaria and quality reproduction uniforms and headgear for collectors, reenactors, and film productions. By doing this Steven has created additional revenue streams for himself by using his films. This is the Filmtrepreneur way.
Enjoy my conversation with Steven Luke.
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MOTIVATION: Dealing with Creative Fights Sep 22, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 407: The Million Dollar Self Distribution Experiment (Monsters of Man) with Mark Toia Sep 18, 2020

When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film. Today's guest is Australian filmmaker Mark Toia who created the insane indie sci-fi action film Monsters of Man.
After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI on a million-dollar+ indie film without any major bankable stars.
I asked him,
"So a million-dollar Filmtrepreneur experiment?"
Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt-out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.
Then he discovered my book and down the Filmtrepreneur rabbit-hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:
"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"
To get the most bang for his buck Mark shot the film in Cambodia. He was able to hire an amazing local crew while also capturing the breath-taking locations, and culture that the country had to offer. The production value was off the charts.
This is a once in a lifetime Filmtrepreneur experiment. Can a multi-million dollar sci-fi, action indie film be self-distributed successfully? We will find out. Mark agreed to keep me updated on the progress of the film and come back next year to tell the tribe how it all went.
I can't be more excited to share this episode with you guys. Enjoy my inspiring conversation with Mark Toia.
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MOTIVATION: The One Secret to Success in the Film Business Sep 15, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

SNEAK PEEK - Christopher Nolan: The Directors Series Podcast Sep 13, 2020

Welcome to the SNEAK PEAK of THE DIRECTORS SERIES PODCAST, a show dedicated to appreciating and deconstructing the work of contemporary and classic film directors. In the show, we breakdown the careers of film directors like Christopher Nolan, Stanley Kubrick, Quentin Tarantino, David Fincher, The Coen Brothers, and Paul Thomas Anderson just to name a few. From their early works and short films to their blockbuster achievements and Oscar glory.
In season one we will be deconstructing Christopher Nolan.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 406: Making an Epic and Impossible Sci-Fi Indie Film with Martin Villeneuve Sep 11, 2020

Today on the show we have writer/director Martin Villeneuve. Martin is the filmmaker behind the impossibly epic Canadian sci-fi film Mars et Avril (Mars and Avril). Martin didn't have the $100 million+ budget needed to produce a film of this epic size. He used his skills, hustle, and passion to bring the film to life.
His TEDTalk is an absolute must for any filmmaker who wants to get the filmmaking juices flowing. In this inspiring talk, he explains the various ways he overcame financial and logistical constraints to produce his unique and inventive vision of the future in Mars and Avril.
And I know you are all wondering, yes Martin is the younger brother of famed director Denis Villeneuve. It was a pleasure chatting with Martin. He is truly an inspiration. Enjoy my conversation with Martin Villeneuve.
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MOTIVATION: Do You Have Filmmaking Street Knowledge Sep 08, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 405: How to Survive in the Modern Indie Film Landscape with Bob and Margie Rose Sep 04, 2020

Today on the show we have filmmakers Bob and Margie Rose. They are the creators of the new film InstaBAND. InstaBAND is a film about today's music artist and their hustle to try and achieve music stardom in a streaming world that no longer buys music. Featuring bands from across the country, InstaBAND offers an inside look into today's music industry.
I wanted to have Bob and Margie on the show to discuss the lesson indie filmmakers can learn from indie musicians. I've been saying for years now that if you want to see what is going to happen to the indie film marketplace just look at the music industry. From the devaluation of media to creators going on the road and sell ancillary products and services to make a living with their art.
If you that the time to look you can learn these lessons and apply them to indie film. Enjoy my conversation with Bob and Margie Rose.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: Secret to Making Money as a Filmmaker Sep 01, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 404: How to Squeeze Money Out of Your Indie Film with Patrick Solomon Aug 28, 2020

Today on the show we have filmmaker and Filmtrepreneur Patrick Solomon. Patrick is the mastermind behind the celebrated film Finding Joe.
Finding Joe is an exploration of famed Mythologist Joseph Campbell's studies and their continuing impact on our culture. Through interviews with visionaries from a variety of fields interwoven with enactments of classic tales by a sweet and motley group of kids, the film navigates the stages of what Campbell dubbed The Hero's Journey: the challenges, the fears, the dragons, the battles, and the return home as a changed person.
"WE MUST BE WILLING TO GET RID OF THE LIFE WE'VE PLANNED SO AS TO HAVE THE LIFE THAT IS WAITING FOR US" - JOSEPH CAMPBELL
Rooted in deeply personal accounts and timeless stories, Finding Joe shows how Campbell's work is relevant and essential in today's world and how it provides a narrative for how to live a fully realized life-or as Campbell would simply state, how to "follow your bliss".
I saw Finding Joe years ago and it just blew me away. This is why I was so excited to include the film in the IFHTV Streaming Service. Patrick and I sit down and discuss his film, his distribution journey, and how he used the Filmtrepreneur method to squeeze every drop of revenue out of the film. Enjoy my conversation with Patrick Solomon.
Proud Member of the IFH Podcast Network (http://www.ifhpodcastnetwork.com)
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MOTIVATION: How to DEFEAT the Filmmaker's Ego Aug 25, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 403: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez Aug 21, 2020

Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.
Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV release. Some of his projects have screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals.
His film is Death of a Fool.
A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality.
Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD.
Enjoy my conversation with Ismael Gomez.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: Do You Believe in Yourself Aug 18, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 402: Debunking Myths & the Future of Indie Film with Emily Best Aug 14, 2020

Today on the show we have returning champion Emily Best. Emily is the founder and CEO of the crowdfunding platform Seed&Spark, which she started with a group of independent creators after the challenges and lessons of producing my first feature film, Like the Water.
"Storytelling can change the world – when everyone can see themselves reflected in the stories we share, we empower all people to take part in shaping how we see our past, our present and our future." - Emily Best
I wanted to have her back on the show to talk about the state of indie film and how filmmakers can survive and thrive in the future. I recorded this interview before COVID-19, just around the time TUGG went under.
We have a spirited conversation about the future and how the mindset of filmmakers needs to change to make it in the future. Enjoy my conversation with Emily Best.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: How to Be an Unstoppable Filmmaking Force Aug 11, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 401: How to Shoot a Feature Film in Two Days with Grant Pichla Aug 07, 2020

Today on the show we have director Grant Pichla who shot the time travel feature film Making Time in two days. Making Time's 110 pages were shot in just two crazy, fast-paced days, separated by 7 months and a house renovation.
After traveling back in time, a divorced workaholic must repeat his past footsteps in order to return to an unaltered present but struggles when it means re-proposing to his ex-wife. How'd they shot a full movie in 2 days? This documentary series explains it all.
This remarkable documentary is available on Indie Film Hustle TV. Grant and I discuss the insanity of shooting a film in two days, how he came up with this crazy idea, and what it took to put this beast together. Enjoy my conversation with Grant Pichla.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: The Power of Your Mindset Aug 04, 2020

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.
Proud Member of the IFH Podcast Network (ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 400: Film Riot: How to Build a Youtube Empire with Ryan Connolly Jul 31, 2020

Well, we made it. #400! I couldn't have imagined that when I started this little podcast back in 2015 that we would ever get here. I say "we" because I couldn't have done it with the IFH Tribe's love and support over the years. I am humbled, grateful, and honored to have the privilege to serve you all. Thank you for everything guys.
As promised I wanted to make this episode special and today's guest will do just that. We have filmmaker and founder of the legendary Film Riot Ryan Connelly. Ryan launched Film Riot on Youtube back in 2006 and has been helping indie filmmakers create killer VFX for their films ever since.
Ryan has shot over 15 short films and has taken his followers on the journey of how he made them. I've been a big fan of Ryan's for a long time and just love what he has created with Film Riot. Hustle respects HUSTLE!
We discuss so much in this conversation. From creating Film Riot to when he'll make his first feature film to how our industry will survive the Coronavirus. I just loved having Ryan on the show.
Enjoy my EPIC conversation with Ryan Connelly.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: Blaze Your Own Filmmaking Trail Jul 28, 2020

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!
- Never stop chasing that dream that is burning in your belly.
- Your limitation—it's only your imagination.
- Push yourself, because no one else is going to do it for you.
- Sometimes later becomes never.
- Great things never come from comfort zones.
- Success doesn't just find you.
Share this with a filmmaker that needs to hear it.
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 399: The Wrong Kind of Women in Hollywood with Naomi Mcdougall Jones Jul 24, 2020

Today on the show we have award-winning filmmaker, actress, author, speaker, women in film activist and force of nature Naomi McDougall Jones. Many of the IFH Tribe might remember Naomi from her first appearance on the show talking about her distribution adventures with her film Bite Me. You can listen to that episode here: Making Money Self Distributing Your Indie Film with Naomi McDougall Jones
Bite Me, is a subversive romantic comedy about a real-life vampire and the IRS agent who audits her. The film premiered at Cinequest, won Best Feature Film at VTXIFF, and then went on to the innovative, paradigm-shifting Joyful Vampire Tour of America in summer 2019, a 51-screening, 40-city, three-month, RV-fueled eventized tour that involved Joyful Vampire Balls, capes, a docu-series and a whole lot of joy.
Naomi's first book, The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood, is now available wherever books are sold in hardcover, audiobook, and e-book. It debuted as the #1 New Release on Amazon. It is a brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard.
Naomi has been a vocal advocate for bringing gender parity to film, both on and off-screen. She has spoken at film festivals and conferences around the world and written extensively on this subject. Naomi's TEDTalk on these issues and what to do about them, "What it's Like to Be a Woman in Hollywood, has been viewed over a million times.
Enjoy my eye-opening conversation with Naomi Mcdougall Jones.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Annoucing the IFH Podcast Network for Filmmakers Jul 23, 2020

The IFH Podcast Network makes it easy for you to discover, connect, and engage with industry-leading filmmaking and screenwriting podcasts, all in one place. We curate the best podcasts that will help you on your filmmaking and screenwriting journey. You can listen to any of our shows on your favorite podcast platform. #IndieFilmUnite
www.ifhpodcastnetwork.com
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: Why You Stop Yourself From Making Your Indie Film Jul 23, 2020

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!
- Never stop chasing that dream that is burning in your belly.
- Your limitation—it's only your imagination.
- Push yourself, because no one else is going to do it for you.
- Sometimes later becomes never.
- Great things never come from comfort zones.
- Success doesn't just find you.
Share this with a filmmaker that needs to hear it.
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

MOTIVATION: How Bad Do You Want Your Filmmaking Dream? Jul 21, 2020

This is your weekly dose of filmmaking motivation. Be well, stay safe and of course, keep on hustling!
- Never stop chasing that dream that is burning in your belly.
- Your limitation—it's only your imagination.
- Push yourself, because no one else is going to do it for you.
- Sometimes later becomes never.
- Great things never come from comfort zones.
- Success doesn't just find you.
Share this with a filmmaker that needs to hear it.
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

NEW PODCAST: The Filmmaking Motivation Podcast with Alex Ferrari Jul 21, 2020

Welcome to the Filmmaking Motivation Podcast with Alex Ferrari is a podcast dedicated to helping you get off your butt and make it happen for yourself. We all need a push on our filmmaking journey from time to time and this show does just that. Filmmaker and host Alex Ferrari (who also hosts The Indie Film Hustle, Filmtrepreneur, and Bulletproof Screenwriting Podcasts) drops weekly episodes that are part inspirational, part motivational, part raw truth bomb and part kick in the butt. These short motivational episodes will help you kick start your day.
Never stop chasing that filmmaking or screenwriting dream. The world needs to hear your voice. It is your responsibility to put it out into the world. Keep on hustling!
Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 398: Big Budget Visual Effects on a Micro-Budget with Kevin Good Jul 17, 2020

Today on the show we have low-budget visual effects master Kevin Good. Kevin is a freelance cinematographer, VFX artist, and director. He has worked on diverse projects from creating television pilots for Fox Television Studios to shooting interactive feature-length films for the U.S. Army.
His work has been featured in the Independent TV Festival in Los Angeles, the New York Television Festival, the Cannes Film Festival, the Edinburgh International TV Festival, the Festival Internacional de Televisão in Rio de Janeiro, the Boston International Film Festival, and others. Kevin now balances his time between teaching at Boston University’s Center for Digital Imaging Arts, freelance production work, and developing his own crazy projects, many of which are featured on his site.
Kevin Good’s debut feature, Dinner with the Alchemist premieres at the Chinese Theatre in Hollywood as part of the Dances With Films festival. Dinner with the Alchemist is a masterclass in low-budget filmmaking and using visual effects to create scale and production value.
Enjoy my eye-opening conversation with Kevin Good.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 397: Predatory Film Distributors - The Netflix Guarantee Scam Jul 10, 2020

It was brought to my attention that there are predatory film aggregators and distributors out there selling promises that they don't intend to keep.
Yes, I know shocking.
Specifically, I came across a few film aggregators, and use the term "aggregator" extremely loosely, that were promising filmmakers that if they use their service they could guarantee their film would be placed on Netflix, Hulu, Tubi, etc.
"THIS IS 100% BS!"
In this episode, I'll breakdown the predatory tactics they use and will follow the money so you can see how the sausage is made using this scam.
Some of these "aggregators" have no experience in film aggregation AT ALL. No history working with filmmakers. I mean they just buy a URL, open shop, use a fancy website and promise indie filmmakers the world. You need to do your homework. You need to ask around to see if you can find anyone who has done business with them. You can reach out to the amazing community of indie filmmakers over at the Private Facebook Group: Protect Yourself from Predatory Film Distributors/Aggregators and see if they have any insight.
It's just not predatory aggregators, we can't forget the predatory film distributors. These companies promise you this and that but never deliver. If it's not in the agreement it doesn't matter what they tell you. DO YOUR HOMEWORK. Speak to a qualified entertainment attorney with an expertise in film distribution.
As I stated last year when the economic situation in the world changes predatory film aggregators and distributors will become more and more desperate.
Stay vigilante out there tribe. Sharks are around every corner.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 396: Confessions of an Ex-Distributor Turned Filmmaker with Jeff Deverett Jul 03, 2020

I'm so excited to bring this episode to the IFH Tribe I can barely contain myself. Today on the show we have ex-distributor turned filmmaker Jeff Deverett. Jeff reached out to me after reading my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. He wanted to tell me that the book hit the nail on the head and that my film distribution chapter was right on.
I came to find out that he was an ex-distributor and had was on that side of the business for 20 years. We got to talking and I asked if he would come on the show and spill the beans on:
How a bad distribution deal is structured
Why the entire film distribution business is systemically designed to screw the filmmaker
How a distributor negotiates a deal from his point of view
How to follow the money
What a filmmaker needs to do NOT to get taken advantage of
After this episode, you will know "where the bodies are buried." As Jeff said on the show
"It's not the film distributors want to screw over filmmakers is it just happens organically."
We also go into his Filmtrepreneurial business model. He has directed seven feature films, three of which are currently playing on Netflix. He self-distributes all his films. Jeff is a producer, director, writer, and actor known for Full Out 2: You Got This! (2020), ism (2019), The Samuel Project (2018), Kiss & Cry (2017), Full Out (2015), King of the Camp (2008), and My Brother's Keeper (2004). Jeff's successful film and TV career began with distribution with New World Entertainment, Astral Communications, Anchor Bay Entertainment, and his own company, Deverett Media Group.
This episode is going to be EPIC. Sit back and get ready to have your mind blown. Enjoy my conversation with Jeff Deverett.
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IFH 395: DVD is NOT Dead! Making MAJOR Money with DVD Distribution with Jeff Santo Jun 26, 2020

DVD is dead! Not so fast. Today's guest is filmmaker Jeff Santo who has been making major money selling DVDs of his indie films for years.
Jeff has been an indie filmmaker for over 20 years. After been ripped off by a predatory film distributor on his first film he came back with a vengeance with his second film This Old Cub. He turned that film into a big success selling over 40,000 DVDs on my own website, marketing my film directly to his niche audience where he sold a total of 85,000 DVDs.
He repeated the process with his next film, Dead In 5 Heartbeats, which is a fictional feature based on the successful novel by Sonny Barger. The film was successfully released in a 14 city theatre tour, independently, in April 2013. Quickly followed by the 2 disc DVD release, selling in over 70 countries worldwide, and now released digitally on iTunes, Vudu, Google Play, and Sony Playstation platforms worldwide; swiftly becoming a cult classic amongst the motorcycle culture. He also sold over 30,000 DVDs world-wide, even when DVDs were supposedly a dead format.
If you do not have a niche film you got no shot today! This is the Filmtrepreneur way.
Jeff and I get into it in this episode, discussing his methods and techniques. Enjoy my conversation with Jeff Santo.
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BONUS: How Skillshare Screwed Over Its Instructors - Filmtrepreneur Warning! Jun 22, 2020

I've been preaching from the top of the Filmtrepreneur mountain for a while now that filmmakers need to build multiple revenue streams from their projects besides just the traditional renting and sales of the film. In my book Rise of the Filmtrepreneur, I discuss the revenue stream of online courses and classes.
You can either sell courses on your own site and drive traffic to them or you can place your courses on existing market places like Udemy and Skillshare that have huge audiences that you can sell to.
I join Skillshare a few years ago and started putting up courses on the platform. My profile grew and grew where I became a leader in the filmmaking education space on the platform with over 5800+ students, close to 1400 followers and over 100,000+ minutes watched. I was doing so well on the platform that Skillshare actually reached out to me on multiple occasions to discuss my company creating exclusive education for its platform. Things were going great until they weren't.
Well back in Dec 2019, when the world wasn't the insane bizarro version of itself that it is today, all of my courses were abruptly ripped off the platform without warning. I was floored. I contacted Skillshare multiple times and never heard back. When I finally heard back they said I had violated their terms of service.
They never gave me a warning nor did they give me an opportunity to fix any "issues" they had with my courses. It's crazy. One side of the company is asking me to produce more content for Skillshare while the other side shuts down all of my courses.
I later found out that I was not alone and that Skillshare purged hundreds of instructors without warning violating their own terms of service. You can read about that here.
I wanted to share the entire story of what happened in this podcast as a warning to all Filmtrepreneurs that depend solely on other platforms for their income. If you play in someones else's sandbox you need to play by their rules. I explain everything in the episode. Enjoy.
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IFH 394: Using Filmmaking for Change in the World with Jon Fitzgerald Jun 19, 2020

Today on the show we have filmmaker and author Jon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills. As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.
As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997. After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.
Jon authored his first book, entitled Filmmaking for Change: Make Films That Transform the World, which was ground-breaking in the space.
Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.
Enjoy my conversation with Jon Fitzgerald.
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IFH 393: Releasing an Indie Film Theatrically During COVID-19 with Joshua Caldwell Jun 12, 2020

Today on the show returning 2-time champion, writer and filmmaker Joshua Caldwell. Joshua has been on the show twice before and both his episodes went viral.
Well, he's back to talk about his new film INFAMOUS starring Bella Thorne, Jake Manley, Amber Riley, and former guest on the show Todd Jenkins.
Arielle, a young woman who lives in a small Florida town, is stuck. Arielle has always wanted more: fame, popularity, and admiration. But when she falls for a recently paroled young criminal named Dean, she drags him back into a life of danger, learning that posting their criminal exploits on social media is an easy way to viral fame. They embark on a dangerous adventure together that leads to robbery, cop chases, and murder.
Joshua and I speak about how he used his micro-budget skillset on a much larger budget. We also touch upon
Releasing his film during COVID-19
Working with movie stars on an indie budget
The development process
Working with a studio
Shooting the entire film in 22 days
COVID-19 and the future of our business
Working with tighter creative restraints
Since INFAMOUS is coming out to theaters right in the middle of COVID-19, his distributor decided to pump the film out to drive-in theaters. Let's see what happens.
Prepare for some knowledge bombs. Enjoy my conversation with Joshua Caldwell.
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IFH 392: How to Become an Indy Mogul with Ted Sim Jun 05, 2020

Today on the show we have host, filmmaker, entrepreneur, and president of Aputure Ted Sim. Ted is the host of the Indy Mogul Podcast and Youtube Channel. He took over the reins of the legendary Indy Mogul Youtube channel last year and has really created some amazing content.
Ted Sim is a Los Angeles filmmaker, originally from Baltimore, MD. Though he has been living in California since 2009, he has traveled to over 45 different countries for work and to meet with local filmmakers from all around the world. He is an alumnus of UCLA's Film Program and is passionate about education.
In 2014, Ted started working as President of Aputure USA. Aputure is a cinema technology company that designs and manufactures high-end lighting solutions and filmmaking equipment for digital creators. Ted and I talk shop, lighting, and making it in the film business. I love Aputure lights so much that I exclusively used them in the making on my last feature film On the Corner of Ego and Desire.
I had a ball talking shop with Ted. This episode is going to be fun. Enjoy!
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IFH 391: The Future of Hollywood Distribution Post COVID-19 with Stephen Follows May 29, 2020

A good friend and returning champion Stephen Follows wrote an amazing article discussing the future of Hollywood distribution. I asked him to jump back on the show to discuss. Here's a bit of the article.
Change in the film industry is often an extremely gradual process. The views of those involved tend to be entrenched and hard to shift. Therefore, how the film industry will operate one year can reasonably be expected to be very close to that of the year before.
Not so in 2020. The current COVID-19 pandemic has forced a number of huge changes upon the sector over a matter of days. Cinemas are shut, productions are on hiatus and almost everyone is at home watching TV and VOD content.
In order to take the industry’s temperature at these uncertain times, I teamed up with Screendollars to interview 363 film professionals. We focused on the domestic market (i.e. the USA and Canada) and asked a range of questions about their views on the current changes and what they think a post-lockdown future may bring.
We have a very eye-opening discussion about the future of Hollywood distribution, movie theaters, VOD, Trolls 2, and more. Enjoy!
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IFH 390: Making Money with Theatrical Self-Distribution with Steven Lewis Simpson May 22, 2020

I'm very excited to bring this episode to the IFH Tribe. Today on the show we have filmmaker, Filmtrepreneur, and self-distribution expert Steven Lewis Simpson. Steven has been able to generate hundreds of thousands in revenue for his film Neither Wolf Nor Dog without ever releasing it online. He made all his money self-distributing theatrically. Not only in the US but worldwide.
In conversation we discuss how we, as filmmakers, can create our own creative reality, even in an industry as inaccessible as the film business. No-one has ever attempted the pan-European distribution he doing or released the way I have in the US. That amazes me as it seems so obvious. The key thing is that, people don't want to try what has never been done.
Neither Wolf Nor Dog is one of the most culturally important American films in years and stars a 95-year-old Lakota elder who takes the audience into a contemporary landscape and reveals the echoes of the massive American Genocide that they still feel today. Not exactly a blockbuster-style film.
At eighteen, Steven Lewis Simpson was Britain’s youngest stockbroker and trader. Four years later he moved to Hollywood to work at legendary Hollywood producer, Roger Corman’s studio. At twenty-three, he directed his award-winning first feature film, Ties.
He recently theatrically self-distributed his sixth feature film, Neither Wolf Nor Dog, as he saw the few independent films that actually found distributors in the US were being poorly released. As a result of his re-imagining the theatrical distribution model, his film became the most successful self-distributed film in some time.
The film achieved the longest theatrical run of any 2017 release in the USA – a wider release than the last two Palme d'Or winners and often out-grossing blockbusters when head to head, even though he had no distribution experience. He even has a new masterclass that can help you on your path.
This episode might just change the way you look at making money with your film. Steven is a true Filmtrepreneur. Please enjoy my eye-opening conversation with Steven Lewis Simpson.
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IFH 389: Indie Film Production Safety Guidelines in the COVID-19 Era May 15, 2020

Every day I wake up and feel like I'm living in the "Upside Down" from Stranger Things. We are living in a once in a generation event and the world will never be the same. The film industry, like so many others, is taking it on the chin, and COVID-19 is the fist that is doing the punching.
Our entire industry can't wait for a vaccine and effect treatment to re-open. The economic toll is too great for the millions of film industry workers, not to mention the thousands of support companies that make a living off the industry. Everyone in Hollywood has been scrambling to put together safety guidelines to put people back to work in a safe way.
"We can’t sit around for 18 months waiting for a vaccine. We have to find a way out without pharmaceuticals, and that’s repeat testing, taking people out of circulation, and then contact tracing, so it’s an interesting analogy."
- Elizabeth “Betz” Halloran, Center for Inference and Dynamics of Infectious Diseases
As indie filmmakers, we too need to figure out how to keep that film engine going but in a safe and responsible way. I was riding around my neighborhood in Los Angeles yesterday and I saw a group on young filmmakers shooting an indie film. They were NOT social distancing. They DID NOT have masks on, not even the crew. They were shooting like the world hadn't changed at all.
I do understand the want and need to keep shooting. Trust I do, but it is irresponsible for you to endanger yourself, your talent, your crew, or anyone because of a lack of basic precautionary measures.
This is why I decide to address this issue because I know indie filmmakers are going to shoot regardless of the risks. I don't want our artist passion to hurt anyone so I've gathered a collection of multiple film production safety guidelines from around Hollywood and the world as a potential blueprint for indie film productions.
There is no perfect way to protect everyone that is part of film production from COVID-19. The balance of staying home to protect yourself and not making money to pay your bills is a very delicate one.
If you absolutely need to put a film production together to shoot any kind of content please be safe and responsible about it. I hope the ideas I laid out here and in the podcast can help you come back in a safe way. No one should feel unsafe on a film set.
Please share this article and podcast episode with your filmmaking colleagues. Be well and stay safe out there.
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IFH 388: The Art of Low-Budget Cinematography with Suki Medencevic, A.S.C May 08, 2020

Today I welcome back returning champion award-winning cinematographer Suki Medencevic A.S.C. I brought Suki back on the show to discuss Covid-19 and what Hollywood will look like after it passes, how to approach low-budget filmmaking from the cinematography side, and his game-changing cinematography course Light and Face - The Art of Cinematography from IFH Academy.
This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film.
Suki attended the renowned National Film School (FAMU), Prague, Czech Republic, where he earned a Master’s Degree with Honors in cinematography. Shortly thereafter, he went to the USA looking for his big break.
Since his first feature film shoot in 1994, he has been working steadily in the film industry, making numerous features and made-for-TV films, television shows, commercials, and documentaries including American Horror Story for FX.
He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, and he recently completed The History of Imagineering for Disney+.
In 2010, he became a member of the American Cinematographers Society (ASC), the world’s most prestigious cinematographers’ organization.
I can't tell you how excited I am to bring this interview to you.
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IFH 387: Introducing Indie Film Hustle Academy - Premium Film Education May 07, 2020

Well, I've been busy during this quarantine. I was racking my brain on how I could provide more value to the Tribe so I create the IFH Academy. The IFH Academy is the home of exclusive online courses on filmmaking, screenwriting, film distribution, cinematography, and more.
I wanted to bring you the best film education I could so I partnered with industry powerhouses like award-winning film producer Suzanne Lyons, master cinematographer Suki Medencevic, A.S.C, and screenwriting guru and best-selling author Geoffrey D. Calhoun.
Check out Suki's game-changing cinematography course Light and Face - The Art of Cinematography.
This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Taught by award-winning cinematographer Suki Medencevic A.S.C.
Along with these great instructors I'll be creating exclusive courses as well. After getting bombarded with requests to create this course I finally took action to bring it to you, the Tribe. My first course out of the gate with be: Film Distribution [Confidentail] - The Insiders Look at How to Get Your Film Distributed.
This course will be the course I wish I had when I was trying to sell my first film. It will cover how to protect yourself from predatory film distributors and aggregators, what to look for in a distribution agreement, VOD Myths, film deliverables, working with sales agents and producers reps, film markets, and much more.
If you are a budding filmmaker/producer and want to learn how to produce a low-budget film then Suzanne's Lyons course The Complete Indie Film Producing Workshop is for you.
Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong.
Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you. This workshop is unique in that it will literally guide you through the entire process of making your film.
If you are a screenwriter we have you covered as well. Screenwriting guru and best-selling author Geoffrey D. Calhoun and I teamed up to create The Screenwriter's Guide to Formatting.
Don't let formatting derail your screenplay. Learn how to format your screenplay in the Hollywood Standard. The course walks you through how to properly format your screenplay in the Hollywood standard. We breakdown formatting for the feature film, 30min multi-cam/single-cam television show, documentary, split-screen, scriptments, and the one-hour television drama.
Geoffery and I are working on more screenwriting courses cover structure, development, dialog, characters, and more.
As you can see I've been busy. I plan to create a Filmtrepreneur Masterclass as well as many more exclusive courses for IFH Academy. So if you are quarantined at home right now, and let's face it you probably are, there is no better time to start adding tools to your toolbox.
I truly hope these courses can help you on your filmmaking or screenwriting path. I have big plans for IFH Academy. New courses, world-class instructors, and much more. Take a look around the site and let me know what you think.
Be well and stay safe out there. As always keep that hustle going and keep that dream alive. I'll talk to you soon.
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IFH 386: Inside the Multi-Window Distribution Model with Simon Swart May 01, 2020

Today on the show we have Simon Swart. Swart has diverse experience in all areas of film production and distribution by virtue of his 30+ years as a leading studio executive at Warner Brothers, The Walt Disney Studios, and most recently 20th Century Fox. Swart left Fox to focus on producing with his film credits including 6 Below and the most profitable Indie release of 2018 I Can Only Imagine ($83 million box-offices) among others. He brings with him a variety of global strategic partnerships in multi-window distribution.
In addition to launching worldwide franchises, he championed and created new distribution markets as the market shifted to new formats (DVD, digital) and seized the opportunity to create a service organization offering distribution services to competitive smaller studios. This third-party distribution model started with Artisan/Lionsgate and grew to include MGM, Relativity, DreamWorks, and Miramax, generating substantial fees and greater efficiency.
Enjoy my conversation with Simon Swart.
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IFH 385: The Film Industry and COVID-19 (The RAW Truth) with RB Botto Apr 24, 2020

He's back! The all-time returning champion and my brother from another mother RB Botto from Stage 32 returns to the show to discuss the raw truth about what is happening and will happen to our industry post COVID-19.
The world is obviously upside down and the film industry is being affected in ways that many do not even see yet. From changing customer habits to giant companies folding under the pressure of change. Both RB and I have been keeping our ear to the grindstone and what we are hearing is a bit disturbing but yet hopeful, especially for the indie filmmaker/producer.
When there is uncertainty and chaos in an industry, there is opportunity. Doors that were slammed shut before not are wide open. You just need to be ready for the shot when it comes. Like every other time, RB is on the show this to is an EPIC over 2-hour conversation but trust me it is worth listening to all of it.
We cover the future of film festivals, film markets, Quibi, what film production will look like moving forward, film distribution, predators to look out for, and yes Tiger King as well. Things do look bleak but there is a ton of hope for the indie filmmaker in the new film industry that will be forming in the next six months.
Get ready for my conversation with RB Botto.
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IFH 384: Billion-Dollar Directing, Showrunning & Porn with Barry Sonnenfeld Apr 17, 2020

I can't tell you how excited I am for today's episode. I had the pleasure to speak to the legendary director Barry Sonnenfeld. We discuss his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events. We also chat about the time he shot nine porno films in nine days. That story alone is worth the price of admission.
This EPIC conversation is almost two hours and had me on the floor laughing one minute and in absolute shock the next. This is by far one of my favorite interviews I have ever done on the show.
So sit back, grab a drink and enjoy my conversation with Barry Sonnenfeld.
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IFH 383: The Future of Hollywood After Corona & Goodbye to Film Trooper with Scott McMahon Apr 10, 2020

Today is a sad day guys. My dear friend and fellow filmmaking podcaster Scott McMahon is closing up shop. Scott runs Filmtrooper.com and has been a beacon of hope for indie filmmakers for over 6 years. Scott wrote the best-selling book How to Make and Sell Your Film Online and Survive the Hollywood Implosion While Doing It.
Scott decided to have me on his last episode of the Filmtrooper Podcast. We had an EPIC conversation about what both of us had learned all the years we were running our websites and podcasts. The information was so great I wanted to share it with the IFH Tribe.
We also discuss the current and future state of the film industry, how indie filmmakers should prepare for the coming changes and we discuss the three paths you can take as a filmmaker. Scott explains what he'll be doing after Film Trooper and in the future.
Get ready for a great interview with my friend and ever-lasting Film Tropper Scott McMahon. Stay safe out there.
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IFH 382: Filmmaking Side Hustles to Survive the Pandemic Apr 03, 2020

Many filmmakers thinking is based on two months ago. They believe that the world will go back to exactly how it was before on this pandemic blows over. That might be true and I truly hope it does but hope alone will not pay the rent. Our industry is going through an unprecedented shift.
We as filmmakers need to start thinking about how we can pivot your business, skills, knowledge into the new reality that we are living in and very well might be in for some time to come.
You have to think about what your customer needs are right now and address them. The companies that are sitting on the sidelines fearful of making any moves will be left behind. You as filmmakers need to change your mindsets. Prepare for the worst and hope for the best. Entire new industries will rise from this turmoil and if you are smart you will be ready to be a part of the new world.
In this episode, I breakdown some side hustles that will help filmmakers and screenwriters not only survive the pandemic but thrive in the new world we will be walking into.
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IFH 381: How to Shoot in an Impossible Location with Peter Bishai Mar 27, 2020

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.
Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.
It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.
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IFH 380: How to Raise Money for Your Film in TODAY'S CRAZY World with Franco Sama Mar 17, 2020

Now let's get into today's AMAZING guest. We have on the show returning champion film finance expert Franco Sama. His first episode is one of the most downloaded episodes in the history of the show (Listen to that episode here). Franco and I joke that his last episode turned him into a celebrity at film markets and festivals around the world. I mean he can barely walk the halls of AFM without getting recognized.
Franco is a well of knowledge in the film finance space and I have learned tons from him over the years. We discuss the effect the Coronavirus is and will have on not only raising money for a film but also selling that movie to an ever-changing marketplace. Nobody knows what will happen to the industry after this virus passes. We also discuss which studios are more vulnerable than others and the dos and don ts when raising money for an indie film into today's marketplace.
Here's a bit about today's guest.
Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations, and nearly two decades of independent film development, production and financing experience.
Sama has Executive Produced and/or produced an impressive array of over twenty (20) successful independent feature films including most notably, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater, and Dane Cook which is now a cult favorite; this film was released into theatres and acquired a worldwide distribution deal from Universal Pictures.
Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, and "Paid" starring Corbin Bernsen and Tom Conti. Sama also serves as Executive Producer on the film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.
His shingle “Samaco Films, LLC”, headquartered on the lot at the prestigious, privately owned and operated, independent film studio, Los Angeles Center Studios in Downtown Los Angeles, is currently financing and producing a slate of several independent feature films, including, “Vodun”, “Alexis Colette” and recently wrapped production on the $1M thriller, “The Inheritance”.
In addition, Sama is also a highly sought after public guest speaker having launched his hugely popular film financing and distribution forum program “Finance Indie Road Map”, otherwise known as “The F.I.R.M.” which is designed specifically to educate and assist first and second-time filmmakers in their quest to develop, fund, produce and release their first feature film(s).
This EPIC episode is by far one of the most important shows you could listen to. Please share it with all your filmmaking and screenwriting friends. If you want the latest information on what it is like to raise money in today's crazy world get ready to take notes. Enjoy my conversation with Franco Sama.
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IFH 379: Coronavirus Indie Film Q&A - IFH Tribe Questions Answered Mar 13, 2020

It has been a crazy few days in the world, my friends. With film productions being shut down around the world, movie theaters sitting empty, and film festivals/events canceling because of the Coronavirus pandemic it might feel like the end of days. Hell, there's even a locust outbreak in Africa, no seriously!
I even canceled my Make Your Movie Bootcamp out of concern for my students. I wanted to do a follow-up episode updating the tribe on what is going on, how it will affect them and what they can do during these insane times. I also answer questions I've been getting from the IFH Tribe. I go over:
Should I submit to film festivals now?
If I had a screening for my film what do I do?
Can I get my money back from SXSW and other film festivals for canceling?
Can movie theater chains take this hit?
Will some studios and distribution companies be able to weather this storm?
Tips on what to do while staying home
There’s a lot of fear and uncertainty out there. Stay informed and stay safe. Sit back, pull up another stiff drink and take a listen.
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IFH 378: Coronavirus and the Effect on the Indie Film Business Mar 09, 2020

We are living in a crazy world, my friends. I wanted to do an episode on the effect the Coronavirus is having, not only on the film industry at large but also on how it will affect the indie filmmaker. With major events canceled like SXSW, MIPTV, and Cinequest, indie filmmakers are already feeling the effect. Twenty four of the largest theater owners in China have pulled out of CinemaCon, the largest convention of international theatrical exhibitors. Is the Cannes Film Festival and Market next?
Production has stopped on Mission Impossible 7, which was shooting in Italy and the extremely popular The Amazing Race reality show has been suspended. The new James Bond film No Time to Die has been pushed until Nov 2020. Disney's Mulan, which is a love letter to the Chinese market has canceled it's China premiere and the release date in the US is up in the air.
The Chinese box office has been at a standstill. 70,000 screens have been closed since January with no word when they will open. This has cost $2 billion in lost revenue to the Chinese and world film industry. The worldwide box office has lost $4 billion to date and growing each day. The theatrical box office was down 26.6% vs 2018 and this could be a MAJOR nail in the coffin of an already vulnerable theatrical business. We are in crazy times, my tribe.
In this episode, I go over how this event is affecting indie filmmakers, what they can do to prepare, adjust and/or pivot in the coming weeks and months. It has never been more important for filmmakers to adopt the Filmtrepreneurial Method. Diversification of revenue streams is the only way filmmakers can hedge their bets in the uncertain times ahead.
Sit back, pull up a stiff drink and take a listen.
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IFH 377: Predatory Film Distributors - The Minimum Guarantee Scam Mar 06, 2020

Today on the show I continue my series on Predatory Film Distributors. An IFH Tribe member reached out to me to let me know about a scam that she almost fell for. If she hadn't reached out to a very experienced entertainment attorney, she would have lost $90,000. I'm calling this The Minimum Guarantee Scam. I reveal the scam on the show and discuss how you can protect yourself. Stay safe out there. Things are getting scary.
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IFH 376: Selling 10K DVDs and Building an Indie Filmmaking Empire with Mark Harris Feb 25, 2020

Today on the show we have Filmtrepreneur Mark Harris. Mark is a self-taught filmmaker. His movies have been distributed by major distributors and he's self-distributed many of his earlier films and sold hundreds of thousands of copies in the US and overseas. Mark was born and raised in the Englewood community of Chicago.
The same community Bermic Mac, Jennifer Hudson, Lorraine Hansberry, Janet Hubert, and Derek Rose are from. Mark is the Founder of 1555Filmworks a film production company that produces feature films and he's the Founder of the Englewood International Film Festival. Englewood is known as one of the most dangerous places to live in the United States. The crime rate, although reported most frequently, can not overshadow the hope for the future of this Chicago area. The goal of The Englewood International Film Festival is to change the imaging and condition of the people in Englewood.
I had a ball talking shop with Mark. Without a doubt, he is an Indie Film Hustler and the living embodiment of a Filmtrepreneur.
Enjoy my inspiring conversation with Mark Harris.
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IFH 375: Making an El Mariachi Style $7000 Indie Film with Josh Stifter Feb 21, 2020

Today on the show we have writer/director Josh Stifter. Josh was chosen as one of the directors to attempt to make a $7000 feature film using the El Mariachi style made famous by legendary filmmaker Robert Rodriguez. The show was called Rebel Without a Crew: The Series and it premiered on Robert's network El Rey.
Josh and I talk indie film shop, what it was like working with Robert Rodriguez and his adventures making a $7000 indie film while cameras were capturing every single second of on-set action.
Enjoy my conversation with Josh Stifter.
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BONUS: Breaking Down a BAD Distribution Deal with Kerry Carlock & Nick Lund-Ulrich Feb 03, 2020

Partnering with an honest film distributor can be a great part of any Filmtrepreneurial Blueprint. The problem is finding said "honest" distributor can be challenging. Finding an honest film distributor is like finding a unicorn, I know they are out there but they are rare. Yes, I know unicorns don't exist but you get what I'm trying to say.
By design, the world of film distribution is shrouded in mystery. The key to the continued success of predatory film distributors is the silence of filmmakers and keeping "real" numbers behind lock and key. Today on the show we have two filmmakers who decided to come forward to break the silence.
Kerry Carlock & Nick Lund-Ulrich are the filmmakers behind ARMSTRONG, which is about a rookie EMT and her partner pick up a wounded superhero and are pulled into his mission to save Los Angeles from a sinister organization.
These brave filmmakers break down the numbers, the creative challenges of working with a distributor and much more. You can see a major difference in the artwork the filmmakers designed above to the way the company decided to market the film in the trailer artwork. Unless you have it stated in the contract you will lose the way your film is marketed and sold to the public.
If you ever wanted to take a peek behind the curtain on a bad distribution experience get ready to take some notes. Enjoy my conversation with Kerry Carlock & Nick Lund-Ulrich.
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IFH 374: Predatory Film Distributors - The Bankrupt Reboot Scam Jan 31, 2020

I've spoken about predatory film distributors before on the show (The Dark Underbelly of Predatory Film Distributors – BEWARE!) but I just discovered how some of these scumbags have figured out how to absolutely screw over filmmakers using a legal loophole. It's called the Bankrupt Reboot Distribution Scam.
Here's how they do it. A predatory film distributor will prey on desperate indie filmmakers and will try to obtain the rights to as many low budget indie films as they can, usually for no money upfront in a short period of time. Let's say 1-2 years, if not faster. During that time they sell-off the rights in one big transaction to a bunch of different platforms, outlets, streaming, foreign agents, etc.
Now here's the rub, rather than actually paying filmmakers what they are owed, the distributor files for bankruptcy protection, which is extremely easy to do in the United States. So you must be asking
"If the distributor goes bankrupt, what happened to the rights of all those films?"
Glad you asked. These bottom dwellers go to the bankruptcy court hearing and then buy back all the rights to the catalog of films from their own bankrupt company. The court has no other choice because that is how the bankruptcy law is written and there's no one else there to buy these assets.
These bastards then form a new company and assign the newly purchased film catalog to themselves through that company. Now they are no longer legally obligated to pay the filmmakers (or anyone else they owe money to). So they own the film you killed yourself to make for pennies on the dollars and they never have to pay you a thing.
This is made possible because of the original contract the filmmaker signed, which has a clause absolving them of that in the event of bankruptcy. Then to add insult to injury when the rights they originally sold off expire, they re-sell them again.
These predators run this scam over and over and over with new companies formed each time. This is an extremely profitable business model. It's not ethical but it is legal.
In this episode, I breakdown a case study of how one of these predatory film distributors pulled this off and I also go over how you can protect yourself. Make sure you take some notes because this episode is a doozy!
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IFH 373: Is TUGG Going Bankrupt and Not Refunding Filmmakers & Customers? Jan 29, 2020

I don't know if something is in the air but things are getting rougher for indie filmmakers every day. I received a call today from a few filmmakers who are having major issues with the on-demand theatrical booking company TUGG, Inc. It seems that the company has shut its doors and left filmmakers in the dark.
If you have read my new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business, you know that I wrote an entire chapter highlighting TUGG and the amazing case study of the film Touch the Wall. These filmmakers made over $700K using Tugg. They have been working well with the independent film community for years so this call was a bit surprising.
While speaking to a friend of the show and producer of Chris Sharpe, I started digging to see what I could find out. After doing some searches I found out that all of Tugg's social media accounts had been closed but their website is still up but so was Distribber's if you remember. I called their 866 customer support number but only got a machine. This is exactly what happened with Distribber. A company trying to close quietly.
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IFH 372: Producing Sundance Winning Indie Films with Jonathan Baker Jan 24, 2020

Today on the show we have Sundance-winning producer Jonathan Baker. His new film Sylvie's Love is the talk of Sundance 2020. Sylvie's Love is an upcoming American drama film, written and directed by Eugene Ashe. It stars Tessa Thompson, Nnamdi Asomugha, Ryan Michelle Bathe, Regé-Jean Page, Aja Naomi King, and Eva Longoria. It will have its world premiere at the Sundance Film Festival on January 27, 2020.
Jonathan is a wealth of information. In the episode, I pick his brain on what it was like winning the audience award at Sundance, how the indie film market place is changing, and much more. His last Sundance-winning film was Crown Heights which was later sold to Amazon Studios.
Enjoy my conversation with Jonathan Baker.
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BONUS: What I Learned from My Independent Film Being Illegally Pirated Jan 23, 2020

In today's new film economy it is getting tougher and tougher for independent filmmakers to make a living with their films. The entire industry is changing faster than anyone can keep track of. Even film distribution companies are struggling to make sense of the new world. The traditional golden gooses of DVD, Blu-Ray, foreign sales, and big upfront guarantees are dying a slow and miserable death.
And if that wasn't tough enough internet pirates are bootlegging indie films as fast as they are released. My latest film On the Corner of Ego and Desire was on the pirate boards within hours of its release. I didn't even think of looking for this because I never thought in a million years pirates would be interested in an indie film that cost $3000, was extremely niche and had no star power at all. I was very wrong.
Here's what I learned.
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IFH 371: Shooting for the Mob - Listen to Four Chapters for FREE! Jan 17, 2020

After months of the IFH Tribe asking me, I finally finished the audiobook version of Shooting for the Mob. It was a tough project to finish but I knew I had to get it to you guys. As a gift for being so patient, I am releasing four chapters of the book for FREE for your listening pleasure. If you are unfamiliar with the story of Shooting for the Mob read below.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,
"If I'm going to write this I have to tell the entire story, warts and all."
The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves.
As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.
Enjoy Shooting for the Mob and please leave a review for the book when you are done reading. Thanks!
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SPECIAL EVENT: The Make Your Movie Bootcamp is BACK! Jan 15, 2020

I've been working on this for a long time guys and here it is. The Make Your Movie Bootcamp! I wanted to bring my 25+ years of experience to a live Bootcamp experience. This Two-Day Bootcamp will be held March 28-29, 2020 in Burbank, CA at the Hilton Garden Suites in Downtown Burbank.
Who is the Make Your Movie Bootcamp for?
A filmmaker wanting to make the leap to making their first feature film
An established filmmaker who wants to learn the "Dark Arts" of micro-budget filmmaking
Screenwriters who want to finally produce that screenplay that has been sitting on their desktop
Any filmmaker who wants to learn how to generate revenue with their feature film or video content
Here are some of the things you will learn at the Make Your Movie Bootcamp
>> Ideas:
Learn how to flesh out your ideas into a marketable film project.
>> Screenwriting Process:
We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.
>> Finding Money:
Alternate ways to raise money for your film.
>> Directing Your Film:
I breakdown methods and techniques that will jump-start your directing journey.
>> Post Production Workflows:
Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.
>> Filmtrepreneur® Training:
On day two I will breakdown the concepts and case studies presented in my book Rise of the Filmtrepreneur®. We will go over creating revenue streams from your indie film, thinking outside the box when it comes to how you prep for your film and much more.
>> Marketing and Building an Audience:
Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.
>> Submitting to Film Festivals:
Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.
>> Self Distribution Models:
I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.
>> Avoid Predatory Film Distributors:
It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.
>> Revenue Streams:
I do a deep dive into how to create multiple revenue streams from your indie film.
>> Breaking Through Your Fear:
I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.
>> PLUS:
Surprise film industry heavy hitters will come in to Guest Speak and answer questions. I've made it easy for you to choose your adventure.
DAY 1: I will be breaking down my micro-budget filmmaking method and help you jump start your feature film.
DAY 2: I will be training you in the Filmtrepreneur® Method. Showing you how to generate revenue with your feature film.
You can purchase a ticket to just day 1 or day 2 or purchase a weekend pass and unlock all the BONUSES like a FREE year membership to Indie Film Hustle TV and much more.
Spaces are limited so it will first come, first serve. If you are interested act now. Go to www.mymbootcamp.com to sign up!
Make 2020 the year you make it happen for yourself! I hope to see you all there!
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IFH 370: How to Direct Actors Masterclass with Judy Weston Jan 10, 2020

Today guest is the legendary writer and educator Judith Weston. Her book Directing Actors: Creating Memorable Performances for Film & TelevisionandThe Film Director's Intuition: Script Analysis and Rehearsal Techniques is a must-read for any film director.
Judith consults one-on-one with directors and writer-directors of film and television as they prepare to bring their projects to life. Some of her students include Alejandro Iñárritu, director of The Revenant, Academy Award winner for Best Director, and Birdman, Academy Award winner for Best Picture and Best Director; Ava DuVernay, nominated for 16 Emmys and six Critics Choice Awards, and Selma, nominated for Best Picture Oscar; Steve McQueen, director of Best Picture Academy Award winner12 Years a Slave; Taika Waititi, writer-director of Jojo Rabbit, Thor Ragnarok, Hunt for the Wilderpeople and many more.
Literally thousands of film and television directors, screenwriters, writer-directors, and actors around the world have attended Judith's workshops or consulted with her in preparation for their projects. Judith's reputation and influence are international and well-established.
After 30 years of teaching workshops and classes, Judith, in 2015, closed her studio space and shifted her focus to one-on-one consultation for directors and writer-directors.
Her ground-breaking book Directing Actors was published in 1996. Judith's second book, The Film Director's Intuition, was published in 2003. Both books are written from the point of view of film directors. And directors all over the world have come to rely on them. But so many others have told me they have found them helpful—screenwriters, actors, professionals in film, television, photography, theater—and really anyone who wants to live creatively. She recently undertook a thorough revision and updating of her signature work, Directing Actors (FREE AUDIOBOOK VERSION), in order to make it available as an Audiobook. Judith herself is the narrator.
Enjoy my insightful conversation with Judith Weston.
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IFH 369: How to Make a Successful Indie Film in 2020 - Happy New Year! Jan 01, 2020

I can't believe another year has gone by. 2019 was one for the record books. So many things happened to me and to the IFH Tribe this year. In this episode, I breakdown this past year IFH style and also give you a large dose of TOUGH LOVE to get you revved up for 2020.
Don’t wake up Dec 31, 2020, and say
"Damn I just lost another year."
Don’t let anything stop you from making your dream come true. Don’t let people tell you you can’t do it. People told me I was crazy for jumping into this business. Be smart, educate yourself as much as humanly possible and go for it.
Don’t be that angry and bitter filmmaker. Don’t wake up when you are 70 and wished you would’ve taken a shot and your dream. Why haven’t you taken the steps needed to make your dream come true? Let 2020 be the YEAR OF THE FILMTREPRENEUR. Take the power back. Take control of your own destiny and make it happen for yourself.
I also go over what to expect from all the companies from IFH Industries. IFH, IFHTV, Bulletproof Screenwriting, and Filmtrepreneur. If you thought I did a lot in 2019 you ain't seen nothing yet. Strap in for the episode you need to listen to get your 2020 off to a great start.
Happy New Year to the entire IFH Tribe.
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IFH 368: Building a Minimalist Filmmaking Empire with Matt D'Avella Dec 17, 2019

Today on the show we have minimalist filmmaking guru Matt D'Avella. I had the pleasure of being on Matt's podcast The GroundUp Show back in 2017 when he was still a young and up and coming podcaster.
One day I turned around and saw that Matt had built a following of over 2 million followers on Youtube. It was official, he was a Youtube star. Matt was able to build this business using his filmmaking toolbox. Before his Youtube fame, he directed an amazing documentary called Minimalism. That film went onto to run on Netflix and was sold around the world.
Matt and I discuss his filmmaking, building and marketing his Youtube channel and what it's like being a minimalist filmmaker. Enjoy my minimal but EPIC conversation with Matt D'Avella.
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IFH 367: Is Die Hard The Greatest Christmas Movie Ever - Yippee ki-yay! Dec 10, 2019

I'm here to finally put to rest one of the greatest cinematic arguments of all time, is Die Hard a Christmas movie? I thought I'd tackle this epic question with my good friend Stephen Follows. In this Special Christmas Edition of the Indie Film Hustle Podcast Stephen and I use data to finally put this debate to rest.
I believe without a shadow of a doubt that Die Hard is the greatest Christmas movie of all time. Stephen is not so sure so we go to the data to find out. Stephen wrote an EPIC article about this a while ago where he does what only Stephen does. Below are some of the graphs he created for his dissection of this issue.
From google trends to actual frames from the film that we see actual Christmas references. We leave no stone unturned in this debate. I promise you after this episode you will be armed to debate and film nerd at the next Christmas party. I wanted to create a fun episode for all the film geeks out there.
Enjoy my ridiculous and entertaining conversation with Stephen Follows. And don't forget to have a Yippee ki-yay mutha f**king Merry Christmas!
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THROWBACK FRIDAY: So You Didn't Get Into Sundance...Neither Did I Dec 06, 2019

Well, it's that time of year again when filmmakers around the world get that dreaded rejection letter from the Sundance Film Festival. Did you read that, 14,200 submissions? Getting into Sundance is a lottery ticket for sure but it isn't as important as it used to be. Here's what Mark Duplass wrote about it:
Annual Sundance Film Festival rejection reminder: Sundance is awesome, but Sundance is not everything. So many incredible films don't make the cut. Don't let it get you down. If you believe in your film, keep pushing forward. There are so many new ways to get it there. Good luck! - Mark Duplass
My indie films have played in over 500 international film festivals around the world and it has been a great experience and I've even been to a few big festivals like Raindance and Cinequest. I've also been rejected by EVERY major film festival in the world. SXSW, Berlin, Cannes, Toronto, AFI and the list goes on.
Film festivals are great. I loved them so much my recent film, which got that Sundance rejection email, On the Corner of Ego and Desire, was a love letter to film festivals, Sundance and Independent filmmakers everywhere.
You have to understand that film festivals are not the only way to get your films out there anymore. Sure, getting into Sundance would be AMAZING but alas it wasn't meant to be and you know what...it's OK. This should stop you from moving forward on your filmmaking journey. Festivals are run by people with tastes and opinions. Those tastes might not be in line with your tastes and that's OK.
Maybe you made an amazing film but there were three other films about the same subject so they had to flip a coin. I decided to make this episode as a therapy session for any filmmaker who has been rejected from Sundance or any film festivals.
I hope it helps. KEEP ON HUSTLIN' NO MATTER WHAT! Keep that dream ALIVE.
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IFH 366: Why Amazon is Only Paying .01¢ Per Streaming Hour to Filmmakers Dec 05, 2019

The streaming wars have their first casualties and of course, it is indie filmmakers. Amazon announces that they would drop their already low per hour streaming rate from .06¢ to .01¢ in North America. When this news hit the indie film world went nuts. Why would Amazon punish creators like this?
Well, there's good news and bad news. The bad news is Amazon dropped their per hour streaming rate from .06¢ to .01¢ but the good news is they raise the maximum possible rate to .12¢ per hour. Check out the chart below
Amazon did this to weed out all the low-quality content that is uploaded tot he platform. The higher quality content will be rewarded while the lower is punished. This is the way Amazon wants to proceed. As I stated in my book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business,
"If you play in someone else's sandbox you need to play by their rules."
This is why it's more important than ever to control your own revenue streams. In this episode, I go into detail on why Amazon made this move, its main business model and how indie filmmakers can better position themselves in the Amazon marketplace.
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IFH 365: Rise of the Filmtrepreneur - Listen to Two Chapters for FREE! Dec 02, 2019

The day is finally here. My new book Rise of the Filmtrepreneur®: How to Turn Your Indie Film into a Moneymaking Business is finally out. I'm so excited to share this with you, the IFH Tribe. I've been working for months to make this happen. I wanted to give you a sneak peek at the book so in this episode, I'll be releasing the first two chapters of the audiobook for your listening pleasure. These two chapters set the tone for the book. In the episode, I even show you a way to download the entire book for free.
Here's a bit of what Rise of the Filmtrepreneur has to offer:
It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®.
In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. This book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
I really hope you enjoy Rise of the Filmtrepreneur. I truly believe that the only way indie filmmakers will be able to survive the new film economy is by becoming Filmtrepreneurs. My goal for this book is to show filmmakers and creatives that they have to think differently. The old film economy is DEAD. Traditional film distribution is not set up to benefit the indie filmmaker. The cards are stacked against the creative and things need to change.
Filmmakers need to take back control of their films and how they generate revenue from them. The day of handing over your film to a predatory film distributor because you believe there is no other choice is over! There is another way and the Filmtrepreneur Method is that way. Let me know what you think of the book. Enjoy and VIVA LA REVOLUTION!
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IFH 364: The New Film Marketplace - Why Your Indie Film Isn't Worth What You Think It Is Nov 26, 2019

Today's episode is a big one guys. You need to brace yourself. The film marketplace is going through a major shift. It is as big as when we went from Black and white films to color or adding sound to movies. Movies industry is changing from a product-based business (DVDs, Blu-Rays) to a service-based business (streaming services).
Spotify and other music streaming services have devalued music down to basically worthless. What used to cost you $17.99 for one album of 1 or 2 hits and a bunch of songs you didn’t want now cost fractions of a penny from your monthly membership.
On Spotify, an artist needs around 337,000 plays to earn $1472 a month (the monthly minimum wage. Amazon Prime pays .6¢ per hour viewed. Streaming platforms are paying less and less and the indie budget seems to be going up and up. This business model is not sustainable.
Companies like Disney, Amazon, and Apple have a business model that will ensure their survival in the new film economy. Because their main business is not making movies. They use media as marketing vehicles selling other products and services.
Disney’s revenue is broken down like this 42% is Media Networks (licensing ESPN, Disney Channel, FX Networks, etc to cable and streaming platforms. 28% is Parks and resorts. 15% is studio entertainment and 9% is consumer goods and interactive entertainment. Disney generates $36,220,000 a day.
Disney+ is a HUGE sign on where the film industry is going. It has 10,000,000 subscribers so far. The direct to consumer model, killing the middle man (DVD manufactures, Cable channels, movie theater chains). The old way is dying and entire sub-industries are trying to hold on for dear life to the status quo. Movies theaters are struggling. At the American Film Market. I heard many distributors tell me the theatrical was not a growth industry anymore.
The devaluation of movies and series began with YouTube (the FREE version of Spotify for videos). A generation was raised on getting video content for free whenever they want. Movies and series fell into that well. Then Netflix gave us the ability to watch films and series as part of a small monthly fee. We no longer had to wait for weeks to watch the full seasons of our favorite show and suffer through commercials, we could binge an entire show in a few days, commercial-free.
Now with so many streaming services available why would you buy or rent a film if it will be available on a streaming service in a few weeks. The other big problem is the volume of content. Indie films (along with studio films) are being dumped into a marketplace in an ocean of content. It’s basic economics, the more quantity of a product that is on a shelf the shelf, the cheaper it is. It’s supply and demand.
How can an indie filmmaker survive in this new film economy?
Niche down and focus your work on a specific audience that you can reach or cultivate. Become a filmtrepreneur. Musicians have begun focusing on building themselves as a brand and using their music as advertising to sell ancillary products and get sponsorships. Indie filmmakers can do this as well when focusing on a niche audience. Piracy is a HUGE problem for all media industries, books, music, and movies. Steve Jobs said
“You can’t stop piracy, you can only compete with it.”
It’s much harder to pirate a t-shirt, course, niche service or sponsorship. You need to think outside the box. The business is changing whether you like it or not. If you do not change the way you think about filmmaking you will not survive.
You can sit there and complain. You can sit there and try to hold on to the good ol days. You can sit there and talk about how things should be or you can adjust and pivot your approach to making and selling your films or end up like Blockbuster Video, Toys R Us, Circuit City, Virgin Records, and a many other corporation corpses of companies and people who did not change with the times.
I do a deep dive and go farther into this in the podcast and share ways to make your film projects thrive in this new world. I hope this episode opens your eyes to the current marketplace for indie films.
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IFH 363: The Death of Traditional Film Distribution Nov 19, 2019

I know the title of this show is bold but in the course of this podcast I will explain what I see happening in the traditional film distribution model. My trip to this year to the American Film Market was extremely educational. I met some amazing people, industry insiders, and tribe members. I did, however, spoke to many film distributors and sales agents and discover a truth that I had suspected for a long time now, traditional film distribution is dying.
Film distributors are having as hard of a time trying to generate revenue with their film libraries as filmmakers are getting their films sold. The world is changing. Many filmmakers are producing films for the 90’s and early 2000’s marketplace. Both filmmakers and distributors have little or no understanding of what today’s customer wants or how to get it to them while still making money.
In this episode I discuss:
• The DVD/Home Video Crash
• The Streaming Wars
• AVOD
• How film distributors are becoming more predatory out of desperation
• The world of data/niche driven cinema
• Cutting out the middlemen
• The Googlfication of the movie industry
• Foreign markets
• The shortage of talent in the film industry, according to the streaming platforms
• Why Netflix paid $200 million for The Irishman
• How the indie filmmaker can survive and thrive in the new world of filmmaking
• and much more
Warning: This episode will be mind-blowing so please brace yourself. Enjoy!
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IFH 362: Attack of the Film Threat with Chris Gore Nov 11, 2019

Today on the show we have the legendary indie film champion, Chris Gore. Chris is the founder of Film Threat, a magazine that's mission is to champion indie filmmakers while giving the middle finger to the Hollywood establishment. In this episode, Chris and I speak about the glorious 90's indie film scene, his time being a part of the geek channel G4, his new documentary Attack of the Doc and the state of indie film today.
I've been a fan of Chris' for years. I even ran into him on my first trip to Sundance back in 2005. Chris also wrote the guerrilla guide to marketing and selling an indie film, Chris Gore's Ultimate Film Festival Survival Guide, 4th edition: The Essential Companion for Filmmakers and Festival-Goers.
If you love indie films then you will love this episode. Enjoy my conversation with Chris Gore.
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IFH 361: The New World of Distribution at the American Film Market with Jonathan Wolf Nov 05, 2019

Today on the show we have Jonathan Wolf, the managing director of the American Film Market or AFM as it's known. The AFM has gone through many changes over the years. In recent years the world of film distribution has been turned upside down and AFM has been changing along with it. I have the honor to be moderating a panel on Micro-Budget Filmmaking at this year's AFM. The times they are a-changing. I sit down at talk Netflix, streaming, OTT, self-distribution and how you can screen your film to hundreds of potential buyers at the AFM.
Jonathan Wolf is Executive Vice President of the Independent Film & Television Alliance (IFTA®) and Managing Director of the American Film Market® (AFM®). The Independent Film & Television Alliance is the global trade association of independent producers and distributors of motion picture and television programming. Headquartered in Los Angeles, the organization represents and provides significant entertainment industry services to 125 member companies from 20 countries.
Since his appointment in 1998, Mr. Wolf has guided the growth and repositioning of the American Film Market (AFM), the world’s largest film market. A pivotal destination for independent filmmakers and business people from all over the world, the AFM is a global marketplace where more than $1 billion in motion picture production and distribution deals are closed each year.
The eight-day Market hosts more than 8,000 industry professionals and screens more than 306feature films. Participants come from over 80 countries and include acquisition and development executives, agents, attorneys, directors, distributors, financiers, film commissioners, producers, writers, the world’s press, and all those who provide services to the motion picture industry.
If you want to sell your film then get ready to take some notes. Enjoy my conversation with Johnathan Wolf from the American Film Market.
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IFH 360: Selling Scary Stories To Tell in the Dark with Cody Meirick Oct 31, 2019

Today on the show we have filmmaker Cody Meirick. Cody is the director of the documentary Scary Stories, based on the wildly popular book series Scary Stories To Tell in the Dark. We discuss how he leveraged an underserved niche audience, how he piggy-backed off the major studio release of the narrative version and how he was able to get access to the key players in this niche.
Enjoy my "scary" conversation with Cody Meirick.
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IFH 359: How to Build a Profitable Horror Film with Stephen Follows Oct 29, 2019

Today on the show we have returning champion Stephen Follows. In this Halloween themed episode, we dive into Stephen's opus, The Horror Report. The report was created by using data on every horror film ever made, a data-driven dive into everything from development, production, and distribution to recoupment and profitability.
Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The News Statesman, AV Club, and Indiewire.
He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington. He has been commissioned to write reports for key film industry bodies and his most recent study, looking at gender inequity in the UK film industry and was launched on the BBC Radio 4 ‘Today’ program.
Stephen has taught at major film schools, normal business schools, and minor primary schools. His lessons range established topics from Producing at MA and BA level, online video and the business of film producing to more adventurous topics such as measuring the unmeasurable, advanced creative thinking and the psychology of film producing. He has taught at the National Film and Television School (NFTS), Met Film School, NYU, Filmbase, and on behalf of the BFI, the BBC, and the British Council.
Stephen has produced over 100 short films and two features. Past clients range from computer game giants, technology giants, and sporting giants but sadly no actual giants. He’s shot people in love, in the air, on the beach, and on fire (although not at the same time) across over a dozen different countries in locations ranging from the Circle Line to the Arctic Circle.
Enjoy my eye-opening conversation with Stephen Follows.
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IFH 358: Hybrid Distribution & Selling Your Indie Film with Peter Broderick Oct 25, 2019

What is "Hybrid Distribution?"
Hybrid distribution is the state-of-the-art model more and more filmmakers are using to succeed. It enables them to have unprecedented access to audiences, to maintain overall control of their distribution, and to receive a significantly larger share of revenues.
Today on the show we have a legend in the ultra-low budget indie film world, Peter Broderick. He coined the term Hybrid Distribution in his seminal article Declaration of Independence: The Ten Principles of Hybrid Distribution. Peter also wrote a very informative article detailing ways filmmakers can deal with the Distribber debacle and protect themselves if a distributor goes bankrupt.
Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.
In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.
Enjoy my eye-opening conversation with Peter Broderick.
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BONUS EPISODE: Major Distribber - Go Digital Bankruptcy UPDATE! Oct 24, 2019

I wanted to release this Facebook LIVE event to the tribe to give them some MAJOR updates on the Distribber/Go Digital debacle. I was on the phone for two hours with Seth Freeman of Glass Ratner, the firm handing the liquidation. I do some mythbusting and drop some painful truth bombs in the episode.
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IFH 357: The True "Horrors" of Independent Filmmaking with Todd Jenkins Oct 22, 2019

Today on the show we have Todd Jenkins, the filmmaker behind the new horror film Cherokee Creek. Todd went through hell making his film but when he finally finished it and put it out in the world then the fit hit the shan.
Todd decided to self distribute his film using, the now bankrupt, film aggregator Distribber/Go Digital. As many of you know the Distribber debacle has caused many filmmakers horrific pain and stress. After the hard journey to bring his film to life only to have his first check taken from him by a company that goes bankrupt is BRUTAL.
At this point, he hasn't even gotten his film back from Distribber/Go Digital and is losing money every day. We talk about how this company is hurting so many filmmakers but I wanted to put a face to the pain. I wanted to bring Todd on the show to share his story with the tribe. Making indie films is tough enough with companies like Distribber/Go Digital hurting filmmakers.
Cherokee Creek is an 80's style raunchy horror-comedy about a bachelor party in the woods that turns deadly when the ultimate party animal Bigfoot shows up and crashes it. Equal parts vulgar, gore and dark comedy Cherokee Creek is a can't miss tale of debauchery and sasquatchian horror.
Enjoy my conversation with Todd Jenkins.
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IFH 356: How to Raise $1 Million Using Equity Crowdfunding with David Willis Oct 17, 2019

Today on the show we have filmmaker David Willis. Willis is the first producer in the United States to raise over $1 million and make a feature film by using Equity Crowdfunding. Equity Crowdfunding is a new, disruptive method of fundraising in the United States, from a law that went into effect in 2016, opening a whole new avenue for filmmakers to make their ideas reality. And it's working. Movies are getting made this way.
Equity Crowdfunding (officially called Regulation Crowdfunding, or Reg CF) can be used to finance almost any new or existing business. Unlike Kickstarter or Indiegogo, Reg CF campaigns do not focus on donations from friends and family, but instead on the hundreds of thousands of interested investors already on approved platforms. Because of this, the average Reg CF campaign is almost twice as likely to be successful and raises more than eleven times the average Kickstarter campaign -- if you do it right.
David is running an Equity Crowdfunding Masterclass. No one who has successfully raised money using Equity Crowdfunding has ever given a step-by-step masterclass like this, showing exactly how they did it. He'll teach you how you can also go from zero to over $1M in investments in six months as he did.
Check it out: Equity Crowdfunding Masterclass (DISCOUNT CODE: HUSTLE) to get $100 off the class.
Enjoy my conversation with David Willis.
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IFH 355: Making Movies is HARD with Alrik Bursell Oct 15, 2019

I have a treat for you today. On the show we have filmmaker and podcaster Alrik Bursell from the podcast Making Movies is HARD! I've had the pleasure on be on his show before and have another episode coming up in Nov where I talk about Rise of the Filmtrepreneur.
“Who am I to even have a podcast? Why is my opinion more valid than anyone else? In some ways it’s not, but that’s also kind of the point. We’re just two examples of people making movies in our own ways. We’re not any more special than any other filmmaker. There’s nothing about us that makes us any different or unique. We’re just doing it. And I think that’s the point, just go out and do it, make your movies. And these are the struggles that we face and this is how we’re trying to overcome them.” – Alrik Bursell Episode 87
In this episode, we talk indie filmmaking, crowdfunding, distribution, the Distribber Debacle and much more. We also discuss his cool new film The Alternate.
Enjoy my conversation with Alrik Bursell.
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R.I.P: Legendary Actor Robert Forster Passes Away at 78 Oct 12, 2019

The legendary Oscar-nominated actor Robert Forster has passed away. I had the honor of working with Robert on one of my films, Red Princess Blues. He supplied some remarkable narration that set up my film perfectly. He was easily one of the most professional and talented actors I have ever worked with; a professional of the greatest caliber.
He will always hold a special place in my heart because of not only working with him on my film but because his interview was to the first episode on the Indie Film Hustle Podcast. In our interview, he dishes out amazing advice to young actors, directors and human beings alike. He even tells us his favorite Quentin Tarantino on the set direction he got on the set of Jackie Brown; worth it’s waiting in gold.
Robert was a working actor for decades, appearing in a classic film like Medium Cool, the iconic John Huston’s Reflections in a Golden Eye, 80’s action classic Delta Force and Disney’s The Black Hole.
He was nominated for an Academy Award for Best Supporting Actor in 1997 for Quentin Tarantino’s Jackie Brown, which he credits with reviving his career. Since then Robert has been on fire in the second half of his career, appearing in The Descendants, Like Mike; Mulholland Drive; Me, Myself, & Irene; Lucky Number Slevin and Firewall, just to name a few.
I also have to mention his run on Breaking Bad. He just nails those last two episodes as Walt’s relocation/make me disappear guy. Just amazing. As you can tell I’m a big fan of Robert’s.
Robert said that when his career was at its lowest ebb, he had what he called an "epiphany."
"It was the simple one," he said, "when you realize, 'You know what? You're not dead yet, Bob. You can win it in the late innings. You've still got the late innings, but you can't quit. Never quit.' "
You will be missed, Robert. Rest in Peace.
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IFH 354: Navigating the Shark Invested Film Distribution Waters with Jerome Courshon Oct 10, 2019

Today on the show we have film producer, distribution expert, and today's "go-to" authority of how to get a film to market, Jerome Courshon. He has broken open the "exclusive club" of successful independent producers with his innovative 3-Day Program, "THE SECRETS TO DISTRIBUTION: Get Your Movie Distributed Now!"
A producer in his own right (he secured a profitable distribution deal with Warner Bros. on his very first indie movie), Courshon is called upon by many sources for his savvy. From beginning to veteran producers, as well as the press, they contact him regularly to gain access to his unparalleled expertise and invaluable knowledge.
Regarded as one of the world's chief experts in distribution, he tracks the ever-changing film industry distribution markets to present relevant, trending and successful strategies in his lectures, classes and 3-Day Program. His ultimate goal for every filmmaker? Get your movie or documentary to the marketplace successfully.
Citing his own personal journeys of releasing films and working with distributors, Courshon highlights the many obstacles & challenges filmmakers face today -- and how to overcome them. His teachings also pack powerful messages on how to stay in the game for the long haul. At the heart of every lesson on distribution is a focus on "what works and what doesn't" in reaching your audience.
We also discuss the current Distribber disaster and how it is affecting indie filmmakers today and in the future. This is a masterclass in film distribution so buckle up and enjoy my conversation with Jerome Courshon.
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IFH 353: How to Get 1 Million Followers in 30 Days with Brendan Kane Oct 08, 2019

Ever wanted to know how to build a large following on social media? Today's guest Brendan Kane was able to get over 1 million followers in 30 days. His new book, One Million Followers: How I Built a Massive Social Following in 30 Days breaks down how he was able to achieve such a feat. Brendan Kane is a growth hacker for Fortune 500 corporations, brands and celebrities. He thrives on helping brands systematically find and engage new audiences who reward relevant content, products, and services with their attention and spend.
Over 60 billion online messages are sent on digital platforms every day, and only a select few succeed in the mad scramble for customer attention.
This means that the question for anyone who wants to gain mass exposure for their transformative content, business, or brand or connect with audiences around the globe is no longer if they should use social media but how to best take advantage of the numerous different platforms.
How can you make a significant impact in the digital world and stand out among all the noise?
Digital strategist and “growth hacker” Brendan Kane has the answer and will show you how—in 30 days or less. A wizard of the social media sphere, Kane has built online platforms for A-listers including Taylor Swift and Rihanna. He’s advised brands such as MTV, Skechers, Vice and IKEA on how to establish and grow their digital audience and engagement. Kane has spent his career discovering the best tools to turn any no-name into a top influencer simply by speaking into a camera or publishing a popular blog—and now he’ll share his secrets with you.
In One Million Followers, Kane will teach you how to gain an authentic, dedicated, and diverse online following from scratch; create personal, unique, and valuable content that will engage your core audience; and build a multi-media brand through platforms like Facebook, Instagram, YouTube, Snapchat, and LinkedIn.
Enjoy my conversation with Brendan Kane.
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IFH 352: The Inside Story About Distribber Downfall, Film Aggregators and a Warning with Joe Dain Oct 04, 2019

Today we are going to BLOW THE LID off this entire Distribber/Film Aggregator mess. Today's guest is Joe Dain from Terror Films. Joe has been on the frontlines of this Distribber debacle and has been affected in a large way. He had many films placed through Ditribber and has been working diligently to save the films he has placed through Distribber. Joe wrote an amazing guest post speaking the real issue facing filmmakers in the shadow of what has happened with Distribber.
During his journeys, he has discovered many interesting bits of information about the going on's of Distribber in the final months and lays out a few "what ifs" that are extremely interesting.
Be ready for a lively conversation about Go Digital/Distibber, Film Aggregators, Predatory Film distributors, where filmmakers are making money today with their films, what platforms do avoid, and much, much more.
Enjoy!
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IFH 351: The Future of Making Money with Your Indie Film Oct 03, 2019

In this episode, I lay out the future of making money in independent filmmaking as I see it. The old legacy model of making and movie and handing it over to a distributor doesn't work anymore. A new model needs to be created and I hope the method I go over in this show will help you generate multiple revenue streams from your film projects. I also warn you about many concerning issues I see in today's revenue model for filmmakers and how you can insulate yourself from them moving forward.
Take notes because this episode is PACKED with knowledge bombs. Enjoy!
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IFH 350: Do You Want to Learn How to Make, Market and Sell an Indie Film? Sep 28, 2019

First of all, we made it to 350 episodes. HOLY CRAP! Thank you all for all the love and support that you have given me, this show and Indie Film Hustle in general. To celebrate I'm launching the first-ever MAKE YOUR MOVIE BOOTCAMP. The Bootcamp is a LIVE two-day intensive designed to show you how to make, market and sell a feature film. I've been working on this for months and I finally get to release it to the world.
I wanted to create a workshop that could jump-start people on their filmmaking career but with my flavor of course. Below is a fraction of what I'll be diving into at the Bootcamp.
Ideas: Learn how to flesh out your ideas into a marketable film project.
Screenwriting Process: We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.
Finding Money: Alternate ways to raise money for your film.
Crowdfunding: Discuss the dos and don'ts of what makes a successful campaign.
Directing Your Film: I breakdown methods and techniques that will jump-start your directing journey.
Post Production Workflows: Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.
Marketing and Building an Audience: Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.
Submitting to Film Festivals: Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.
Self Distribution Models: I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.
Avoid Predatory Film Distributors: It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.
Revenue Streams: I do a deep dive into how to create multiple revenue streams from your indie film.
Breaking Through Your Fear: I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.
PLUS: Two Surprise film industry heavy hitters will come into Guest Speak and answer questions.
Why Do You Need This Bootcamp?
Jump Start Your Feature Film
It takes a lot of time and energy to get a feature film off the ground, but it doesn't have too. I shot my first film in 8 days and completed the entire process, from idea to final product, within 3 months. The film went on to be sold internationally and was licensed by Hulu. I will teach you the techniques I used to make this happen.
Marketing and Audience Building
In today's world if you do not understand how to get your indie film in front of the right customers you are dead in the water. I've built a large platform with millions of eyeballs. I will teach you my secret sauce for audience building.
Avoid Distribution Pitfalls
There are a lot of predatory film distributors in the industry today that are all too happy to take advantage of you. If you are not careful you could end up making a non-tax deductible donation to one of these sharks and loss your film for 15 years. I will show you how to avoid these snakes and how to find a good distributor to partner with.
Actually, Make Money with Your Film
I will discuss the Filmtrepreneur® Method of filmmaking. Thinking more like an entrepreneurial filmmaker is imperative moving forward in the business. Creating multiple revenue and passive income streams from your film projects is the key to a sustainable career.
The MAKE YOUR MOVIE BOOTCAMP will be taking place Oct 26 &27 in Burbank, CA at the Hilton Garden Inn in downtown Burbank. If you want to get 20% off the ticket price CLICK HERE.
This will be EPIC. When you finish this Bootcamp you will be ready to make, market and sell your feature film. I go over the details in this episode so take a listen and I hope to meet you in person at the MAKE YOUR MOVIE BOOTCAMP.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 349: Can Filmmakers Make Real Money on Filmhub or Is It a Bust? with Klaus Badelt Sep 26, 2019

oday on the show I have Klaus Badelt. We do a deep dive into the state of independent film and self-distribution. We also discuss the Distribber debacle and how filmmakers can get access to their films back from Distribber.
Klaus is not only a tech entrepreneur he also writes the occasional score for feature films including The Thin Red Line, The Prince of Egypt, Gladiator, and Pirates of the Caribbean: The Curse of the Black Pearl.
He also founded Filmhub, a unique way to distribute your indie film. Filmhub allows filmmakers to upload your film for free, while streaming channels discover, order, and stream your work - worldwide. Once revenue starts flowing, 80% goes to you. No deductions or fees. That's it.
Enjoy my epic conversation with Klaus Badelt.
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IFH 348: Making and Selling a Niche Indie Film with Rob Smat Sep 25, 2019

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas, distributed worldwide by Vertical Ent. for 10 theater release this past June and originated as a pitch for Rebel Without a Crew TV show and was turned down so I made it myself
Rob formed a cast from high-level B-list stars, fostered relationships with distributors before shooting, and focused on production value without losing sight of the story. Trying to recoup budget rather than use the festival circuit to find an audience he did not submit the film to any major festivals, we discuss the pros and cons of that strategy.
He was 22 when I started developing the project and wanted THE LAST WHISTLE to lead him to a place where he could build a filmmaking business model that could sustain his filmmaking goals.
Enjoy my conversation with Rob Smat.
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IFH 347: Directing Your Film Shot by Shot with Steve Katz Sep 20, 2019

There are a few filmmaking books that have made as big of an impact on the craft of directing like today's guest's Film Directing: Shot by Shot: Visualizing from Concept to Screen, written by director Steve Katz.
Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.
The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.
Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then il-lustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.
Enjoy my conversation with Steve Katz.
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IFH 346: Do Film Aggregators Make Sense Anymore? + Distribber Downfall Update Sep 17, 2019

In this episode, I ask the question do film aggregators make sense anymore? Does it make sense for every indie film? I also discuss the larger problem that the Distribber meltdown has shown us about the entire film agreeation business. This is an eye opening show.
I also give you updates on the Distribber debacle and bring you the latest information from the frontline.
Take a listen. I hope this helps!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 345: Distribber Bankrupt - How to Protect Yourself Sep 12, 2019

In this episode, I update filmmakers on the emergency situation going on with the film aggregator Distribber. In last weeks episode, I spoke a bit about what is going on with this company. After that show I kept getting emails, messages, and tweets of filmmakers telling me their horror stories of no one return email, no people picking up calls, nonpayments for months and so on. I'm in the same situation with my film This is Meg.
I decided to dig deep into the problem and find out what the hell is going on. I breakdown everything I know about what is happening and give you a few ways to protect yourself and your film.
Also, their website www.distribber.com is still live but DO NOT SUBMIT YOUR FILM. They would just be taking the money and not providing a service. Take a listen. I hope this helps!
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IFH 344: Shooting a Feature in One Take with Gavin Michael Booth Sep 10, 2019

Today on the show is one take filmmaker Gavin Michael Booth. Gavin is obsessed with one take movies, music videos and real-time filmmaking in general. His latest film is Last Call. Shot in two true single takes, filmed simultaneously in two different parts of a city, Last Call, is a real-time feature presented in split-screen showcasing both ends of a wrong number phone call that has the potential to save a life. The film's music was also conducted and recorded live to picture.
Gavin Michael Booth is an award-winning filmmaker hailing from Toronto, Canada. He works as a writer, director, producer, and editor. His film THE SCAREHOUSE was distributed by NBC/Universal (USA) and D Films (Canada) (currently available on Amazon Prime & Showtime) with international releasing including the Philippines, UK, Australia, Germany and more. The Scarehouse won Best Feature at the New York City Horror Film Festival. Booth was recently nominated for two videos of the Year awards for Canadian Country Music as well as Director of the Year by Now Magazine.
In October 2015 Booth broke new filmmaking ground teaming up with producer Jason Blum (The Purge, Get Out) to create the world’s first movie broadcast live using Twitter’s Periscope App. BLUMHOUSE'S FIFTEEN was a success with worldwide media coverage.
He is also co-writer of Sony's DEAD RUSH, another Canadian produced feature. His short film ARE YOU MY MOMMY is currently on the festival circuit, taking awards home from several fests. Booth has worked with top entertainers in the music industry with music videos and documentary projects for Eminem’s D-12, The Tea Party, SYML, Third Eye Blind, Vanessa Carlton and more. These projects have aired on global television as well as appeared on best-selling DVDs and Enhanced CDs released by major labels.
Enjoy my conversation with Gavin Michael Booth.
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IFH 343: The Dark Underbelly of Predatory Film Distributors - BEWARE! Sep 06, 2019

I'm pissed off guys. I'm tired of getting emails, messages, and calls from filmmakers who have been or are going to get taken advantage of by a traditional film distributor. THIS NEEDS TO STOP! So many filmmakers have been taken advantage of by predatory film distributors over the years that is has become a punchline. It's not funny.
These predatory film distributors are destroying the lives of filmmakers. I know filmmakers with families that extended themselves financially to make their films. Then once they sign on the dotted line with a predatory film distributor never heard from them again. This poor filmmaker has little to no recourse. They basically made a non-tax deductible donation to the distributor.
It's disgusting and it needs to stop. In this episode, I expose a lot of tricks these predatory film distributors use to con and steal from filmmakers. I also talk about some other options filmmakers have and discuss what a good film distributor looks like. I even call out one of the good guys in the film distributor game.
Even self distribution is not safe. I’ve been a big supporter of the film aggregator Distribber over the years because they were of great help releasing my film This is Meg. But many of the people I worked with there have left the company. The Distribber I promoted for years is not the same company that is in business today. I have been hearing way too many stories about filmmakers not getting paid, can't get anyone to return their calls, and I just need to call this out. I NO LONGER recommend the ANY filmmaker use Distribber to self distribute their film.
This is just a taste of what you can expect to hear in this episode. I truly hope this helps filmmakers out there and please spread the word.
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IFH 342: Making Money Self Distributing Your Indie Film with Naomi McDougall Jones Sep 03, 2019

Today episode is probably one of the most important shows I have released in some time. On the show is filmmaker Naomi McDougall Jones the writer, actress and producer behind the indie film Bite Me, a subversive romantic comedy about a real-life vampire and the IRS agent who audits them.
The filmmakers of Bite Me have decided to take a radical approach to distribute their film: they're doing it themselves. For 3 months, they traveled in an RV around the U.S. and screening the film wherever they can - be it a theater, a bar, or someone's living room. Not only did they tour around the country like carnies they also documented their entire process with a docu-series.
EVERY FILMMAKER NEEDS TO WATCH THIS SERIES. It is mandatory for every IFH Tribe member. I've never said this before so take it seriously. It will save you a ton of pain and suffering. Naomi is so open, raw and honest about her experience. Get ready for one heck of an interview. Enjoy!
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THROWBACK FRIDAY: How to Make 250K Indie Film Look Like $25 Million Blockbuster with Gaelan Connell Aug 30, 2019

Every once in a while I come across a filmmaker who is just a bit crazier than I am. This is true for writer/director Gaelan Connell who's film Blood Sand and Gold is a true indie film miracle. This mad man decided to raise $250,000 (much of which was out of pocket) and go off and make a big budget action film, just one problem he didn't have a big budget.
Yes, I know $250K is a lot of money but it's not enough for what Gaelan Connell was attempting to do. Check this out, Blood Sand and Gold was shot over the course of 58 days across 5 countries and 4 continents! It has Jason Bourne/James Bond-style action. I mean it's nuts.
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IFH 341: Building an Audience & Industry Lessons with RB Botto & Alex Ferrari Aug 27, 2019

As promised in this episode, I bring to you the live recording of my workshop from the 2019 HollyShorts! Film Festival on audience building and surviving the film industry with my brotha from another mutha RB Botto from Stage32.com. We discuss the best way to build an audience online, do's and dont's, and tips on surviving the film industry from two filmmakers with a ton of shrapnel. Enjoy!
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IFH 340: How to Face Your Fear and Finish Your Indie Film with Theo Hogben Aug 22, 2019

We have all been there. A film project that just goes on and on and doesn't seem to have an end in site. While you are waiting for the punishment to finish your life starts to take a downward spiral into a blackhole. You look up and five years have passed and you wondered what the hell happened? That is exactly what happen to today guest filmmaker Theo Hogben.
Theo reached out to me to tell me his story in an almost 2000 word email, by the way please do not send me long emails I just don't have the time to read them. For whatever reason I started read his email and his story of his five year odyssey making his short film, A Most Savage Beast, caught my ear. His journey down the dark rabbit-hole of filmmaking is a story I know many members of the IFH Tribe have gone or are going through right now.
I hope his story will inspire you to start or finish that film you've always wanted to do. To finish the screenplay you've been noodling around with for years. Get up off your butt and make it happen for yourself. Theo's story is one of a phoenix rising. We all get knocked down but this business is all about how hard you can get hit and keep moving forward.
Enjoy my conversation with Theo Hogben.
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IFH 339: What to Do When Your Film Project Falls Apart Aug 20, 2019

We all have gone through it, a project falls apart after months if not years of you working on it. It has happened to me so many times I lost count. I based my book Shooting for the Mob on my biggest and most painful failure. In this episode, I share my experience on how to deal with a dream crushing event.
"ALL filmmaking careers are forged by the failures you have in this business."
You need to understand that EVERY FILMMAKER at EVERY LEVEL has gone or is going through a project falling apart. Let's discuss how we can deal with this and keep moving forward towards our filmmaking dream.
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IFH 338: How to Pay Off Your Film School Student Debt FAST! Aug 16, 2019

Today's guest, filmmaker Hari Mitar Khalsa, figured out how to pay off $30,000 in student debt in 11 months working as a freelance videographer and editor. We go into a deep dive on his methods, habits and tips on how you can pay that student debt off fast.
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IFH 337: Directing 70+ Feature Films & Making Money with Mike Feifer Aug 13, 2019

In this episode I speak to prolific film producer/writer/director Mike Feifer. Mike has directed over 70 films and produced over 100 feature films.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 336: Personal Branding and Why I Legally Changed My Name Aug 08, 2019

In today's world, personal branding is more important than ever. I wanted to discuss what personal branding is, how to go about it and examples of how other world-famous filmmakers branded themselves. What is the definition of personal branding?
Personal branding is the practice of marketing people and their careers as brands. It is an ongoing process of developing and maintaining a reputation and impression of an individual, group, or organization. Whereas some self-help practices focus on self-improvement, personal branding defines success as a form of self-packaging. The term is thought to have originated from an article written by Tom Peters in 1997. In Be, Your Own Brand, first published in 1999, marketers David McNally and Karl Speak wrote: "Your brand is a perception or emotion, maintained by somebody other than you, that describes the total experience of having a relationship with you."
Individuals sometimes associate personal names or pseudonyms with their businesses. Celebrities may also leverage their social status to support organizations for financial or social gain. For example, Kim Kardashian endorses brands and products through her media influence. - Wikipedia
I also discuss why I legally changed my name to Alex Ferrari when I was 18 years old. I hope you start thinking of not only what your personal brand is but also how to build it. Enjoy!
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IFH 335: How to Attract an Oscar Nominee to a $10K Indie Film with Nick Psinakis Aug 06, 2019

Today on the show we have writer, producer, and actor Nick Sinakis. Nick and his writing partner created the film My Best Friend's Famous, an indie film produced for under $10,000 and made it entirely out of his apartment. He acted, co-wrote, produced and edited the film while his writing partner directed, produced and scored the film.
Through a little HUSTLE (haha couldn't help myself) he managed to attract to the film MINDY STERLING (most known as Frau Farbissina from Austin Powers, Goldbergs) as well as OSCAR® NOMINEE RYAN O''NEAL (Love Story, Barry Lyndon). The rest of the cast is rounded out with DAVID ROSS PATERSON (Saving Mr. Banks, Benjamin Button, Frost Nixon) as well as some young up and coming comedians.
I wanted him on the show to, first of all, find out how he attracted his cast for such an indie film, to discuss how he was able to make his film look much bigger than a $10k indie and what he learned from Indie Film Hustle that helped him along his journey making his film.
Enjoy my conversation with Nick Psinakis.
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IFH 334: How to Direct a Sex Scene with John Bucher Jul 30, 2019

We have a special episode today. I wanted to discuss a topic that NEVER gets discussed until minutes before the cameras begin to roll, shooting sex scenes. Loving making or sex scenes are like walking through a field of landmines. I've shot these kinds of scenes in my life and it's just uncomfortable for everyone on set. Today we have a guest who literally wrote a book on the subject, John Bucher.
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IFH 333: Inside the World of Cooke Optics with Les Zellan Jul 23, 2019

Today on the show we have the chairman of the legendary Cooke Optics empire. For over 100 years, Cooke has been at the center of the filmmaking business. We've been listening to the community of which we are apart. We lead by introducing new products such as /i Technology, and we remember our success is built on a simple idea - do what the filmmaker needs.
Enjoy my conversation with Les Zellan.
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IFH 332: Is Artificial Intelligence Putting Screenwriters Out of Work? with Andrew Kortschak Jul 17, 2019

Today on the show we have filmmaker Andrew Kortschak. In today’s digital age, where ‘releasing’ a film involves putting it on Vimeo, new filmmakers often struggle to rise above the noise and break into the exclusive industry.
Andrew has a unique approach to this problem and in fact joined forces with a Silicon Valley venture capitalist to build End Cue like a tech startup: via a bi-coastal incubator model where directors cut their teeth and build their portfolios doing commercial work. On such alum of this approach is Jon Watts - Andrew co-produced his NBR award-winning film Cop Car before he’d go on to direct Spiderman: Homecoming.
To further address the pain-points of young producers, End Cue even sprouted groundbreaking Artificial Intelligence (AI) technology to save time during the scriptwriting process. This was a fascinating conversation. Enjoy my talk with Andrew Kortschak.
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FT 004: Creating Revenue Streams from Your YouTube Short Films with Luke Neumann Jul 16, 2019

Today's guest is Filmtrepreneur Luke Neumann. Luke has taken a very interesting filmmaking path. He runs a very popular YouTube channel with over 140,000 subscribers. On his channel, you'll see DIY film tutorials, filmmaking tips and tricks, aerial drone videos, short films and vlogs presented in 4K/UHD, 4K/60fps and 8K. What makes him a Filmtrepreneur is that he leveraged his audience and created multiple revenue streams.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

The NEW Filmtrepreneur® Podcast - Introduction | Show Formalities | What to Expect Jul 16, 2019

After months of preparation, it's finally here, The Filmtrepreneur Podcast! After the success of the Indie Film Hustle Podcast and the Bulletproof Screenwriting Podcast, I felt there was another area of the filmmaking process that I could help filmmakers with, how to actually make money with their films. Filmtrepreneur was born.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 331: Hollywood Screenwriting with Screenwriter John August Jul 11, 2019

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie's Angels, Charlie's Angels: Full Throttle, Big Fish, Charlie, and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire.
He hosts the popular screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog and develops screenwriter-targeted software called Highland 2.5 through his company, Quote-Unquote Apps.
Enjoy my conversation with John August.
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IFH 330: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward Jul 09, 2019

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film. His stories are not on filled with knowledge bombs but are entertaining as hell.
"Wally Got Wasted" is like "The Hangover" meets "Weekend at Bernie's." It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.
Enjoy my entertaining conversation with Adam William Ward.
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IFH 329: Shooting a Micro Budget Film in a War Zone with Benjamin Gilmour Jul 02, 2019

Today on the is one of the bravest indie filmmakers I've ever had the pleasure of meeting, writer/director Benjamin Gilmour. His film Jirga was shot with a tw0 person crew, a Sony A7s Camera he purchased at a local camera shop and an ever-changing screenplay. Did I mention he shot this film in Afghanistan?
Three years after an Australian army helicopter raid on a small village led to the killing of an unarmed man, former Australian soldier Mike (Sam Smith) returns to Afghanistan to find the victim’s family. He sets off on a perilous journey over a terrain where both the Taliban and ISIS are active. Mike is determined to make amends and so puts his life in the hands of the Jirga – the village justice system. Jirga is screening in US cinemas in August
This unconventional film about the war in Afghanistan became Australia's submission for the Oscar's Foreign Language category in 2019. As we spoke on this episode my mouth keeps dropping on the floor. One issue after another, with crazy stories and life-threatingg situations this episode has it all. I dont't want to hear any excuses. If you want to make your film you find a way to do it.
Enjoy my inspirational conversation with Benjamin Gilmour.
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THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis Jun 28, 2019

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon).
Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.
Acting is too often just pretending. And most directing is demanding and controlling and result oriented. And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences. The Travis Technique is an organic approach to directing actors that are guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.
Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget. In the last 20-years, the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.
When actors, directors, and writers use the Travis Technique, it’s not just a performance anymore. It becomes REAL! The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.
Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master. They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.
Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including all stages of preparation, pre-production, production, and post-production. Mark has been instrumental in launching successful directorial careers in the US and internationally.
Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.
Here's some info on Mark Travis:
Mark Travis is regarded by Hollywood’s top brass and international film professionals as the world’s leading authority on the art and craft of film directing. All of his techniques stem from the pursuit of organic authentic performances that are deeply felt by audiences.
He is currently on the faculty of HFF (Munich), HSU (Kiev) and has taught at AFI, UCLA, The Binger Institute (Amsterdam), PU (Pixar University), FAS Screen Training Ireland and many other internationally acclaimed institutions and film schools. He has served as He has served as a directorial and creative consultant to Mark Rydell, George Tillman, Cyrus Nowrasteh, and dozens of Independent filmmakers in Hollywood and internationally. He is respected and recommended by top actors such as Beau Bridges, Henry Winkler, and Bill Pullman.
Enjoy my conversation with Mark Travis.
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IFH 328: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard Jun 25, 2019

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.
Tanner Beard is a film and television actor, producer and director as well as CEO of Silver Sail Entertainment and Mammoth Film Festival. SSE was created during the industry strike of 2008 with a concentration on cultivating professional media content without sacrificing the integrity and artistic vision of the content creators themselves.
Tanner has since produced various projects including a travel show, award-winning short films, award-winning documentaries, commercials, music videos and multiple seasons of a web-based television series. His feature film producer credits include critically acclaimed 'Hellion" starring Aaron Paul and Juliette Lewis, and 'Legend of Hell's Gate,' which he also wrote, directed and starred in alongside Eric Balfour, Henry Thomas, Jenna Dewan Tatum, Summer Glau, Kevin Alejandro, and Lou Taylor Pucci. Mammoth Film Festival was named by the press as "the biggest first-year film festival ever created" in 2018.
In early 2015, Tanner Beard entered into a four-film partnership with iconic Oscar Nominated Director Terrance Malick and producer Sarah Green. 'Knight of Cups' stars Christian Bale, Ryan Gosling, Cate Blanchett, Michael Fassbender, and Natalie Portman. The only documentary of the partnership, 'Voyage of Time,' was produced alongside Brad Pitt, who also narrates the film. It recently premiered at the Venice Film Festival and had its North American Premiere at the Toronto International Film Festival.
Enjoy my conversation with Tanner Beard.
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IFH 327: Directing Films for Netflix and Mark Duplass with Alex Lehmann Jun 21, 2019

Today on the show we have returning champion director Alex Lehmann. I asked him back on the show to discuss his new Netflix film Paddleton starring indie film legend Mark Duplass and Ray Ramano. Paddleton is about an unlikely friendship between two misfit neighbors becomes an unexpectedly emotional journey when one of them is diagnosed with terminal cancer.
I know, it sounds hilarious. The film is beautiful, touching an actually pretty funny. I wanted Alex to come back on the show (Listen here to Alex's first appearance on the show) to discuss the process of working with Mark Duplass and Ray Ramano and to breakdown how a Netflix feature film is shot using a Scriptment and not a traditional screenplay.
We also discuss his other amazing film Asperger's Are Us and how making that passion project led to him working with Mark.
This is an inspirational talk with some knowledge bombs thrown in. Enjoy my conversation with the talented and ever humble Alex Lehmann.
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IFH 326: Can You Help Me with IFH's Dream Guest List? Jun 19, 2019

So I'm conducting an experiment. Can the IFH Tribe and I get some of the most amazing filmmakers in history on the IFH Podcast? Well, let's see if we can make that dream come true. There is a list of filmmakers and screenwriters I would love to have as guests on the show. This list is pretty ambitious but hell if you are going to dream DREAM BIG.
If anyone out in the Indie Film Hustle Tribe knows or has a way to contact any of these amazing filmmakers please email me at ifhsubmissions@gmail.com
I know this might be a pipe dream but wouldn't it be astonishing if one or more of these filmmakers actually came on the show to share their filmmaking and/or screenwriting knowledge? I want to prove to everyone listening that if you want your dream to come true then you need to put it out into the universe and have the courage to do so.
Like I said, this is just an experiment but man wouldn't be cool? Here's my humble list.
Dream Directing Guests
Robert Rodriguez
Quentin Tarantino
Steven Spielberg
James Cameron
Martin Scorsese
David Fincher
Christopher Nolan
Kevin Smith
PT Anderson
Francis Ford Coppola
Steven Soderbergh
George Lucas
Guillermo del Torro
JJ Abrams
Ron Howard
Spike Lee
David Lynch
Richard Linklater
Mark and Jay Duplass
Lena Dunham
Tim Burton
Mel Brooks
Dream Screenwriting Guests
Aaron Sorkin
Joss Whedon
Shane Black
Robert McKee
Dream Producer Guests
Robert Evans
Jerry Bruckheimer
Gale Anne Hurd
Kathleen Kennedy
Frank Marshall
Brain Grazier
I know there are so many other amazing filmmakers out there that I would love to have on the show so the faster we can fill this list up the faster I can come up with the next list. LOL.
Email me at ifhsubmissions@gmail.com if you have the ability to reach any of these guests.
Please share on social media and help get the word out. Thank you for your help IFH Tribe. Let's see what happens = )
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IFH 325: What Negative Filmmaking Story Are You Telling Yourself? Jun 18, 2019

We all tell ourselves negative stories. I'm not good enough. I can't write that. I can't direct a feature film. These stories are killing us day in and day out. It took me 20+ years to finally change the story I was telling myself about being able to direct a feature film. When I finally changed that negative story I was able to make This is Meg, self-distributed it and even sold the film to Hulu and overseas.
Once you change the stories you tell yourself you will change your life. In this episode, I do a deep dive into the negative stories we tell ourselves as filmmakers, screenwriters, and creatives.
Buckle up. There are a TON of truth bombs in this episode!
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IFH 324: What Makes a Great Screenplay with Stephen Follows (CROSSOVER EVENT) Jun 12, 2019

What if someone could read over 12,000 scripts that were read by professional script readers, who gave the scripts an overall score as well as scores for specific factors including plot, dialogue, characterization, theme, and voice. Then looked for connections and correlations to discover what professional script readers think a good screenplay looks like. Well, today on the show I have that man, Stephen Follows.
It's a monster of a report -- 65 pages to be exact -- that examines data from over 12,000 screenplays - mostly written by amateurs, but some of them written by professionals and major Hollywood actors. Using rigorous data analysis methodologies, Stephen and his team found some fascinating correlations.
Stephen Follows is an established data researcher in the film industry whose work has been featured in the New York Times, The Times, The Telegraph, The Guardian, The Daily Mail, The Mirror, The Evening Standard, Newsweek, The New Statesman, AV Club, and Indiewire.
He acted as an industry consultant and guest on the BBC Radio 4 series The Business of Film, which was topped the iTunes podcast chart, and has consulted for a wide variety of clients, including the Smithsonian in Washington.
I just love Stephen and his amazing ability to crunch numbers for the benefit of the filmmaking community. He's truly doing God's work. Get ready to go down the rabbit hole and see what makes a great screenplay.
Enjoy my conversation with Stephen Follows.
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IFH 323: How to Become a Filmmaker Who Edits with Sven Pape Jun 11, 2019

Today on the show we Sven Pape. Sven is an A.C.E. Award-nominated editor who cut for James Cameron, Mark Weber, Joseph Gordon-Levitt, and James Franco. We get into the weeds on editing, storytelling, the business of editing and much more. Oh, did I mention Sven worked with James Cameron for three years? We definitely go into that. Sven Pape's YouTube Channel This Guys Edit is an awesome resource for filmmakers and editors alike.
Enjoy my conversation with Sven Pape.
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IFH 321: How to Prove Your Doubters Wrong Jun 04, 2019

In this episode, we discuss proving your doubters wrong. Proving to yourself that if you have a dream and you have some hustle then damn it you can do it. Why are people so scared of your success? We get into it. Enjoy!
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Filmmaking Motivation: Don't DIE with Your Indie Film Inside of You May 30, 2019

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along their filmmaking or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these video help in a small way.
If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 320: Are You A Bitter & Angry Filmmaker? May 28, 2019

Are you a bitter and angry filmmaker? Do you hate on other filmmaker's success? Be honest! Then I hate to tell you but you are a Hater. On this episode, we dive into the mindset of being a bitter and angry filmmaker. I was bitter for most of my filmmaking career.
Every time a new, young filmmaker would come into my edit suite with their $3 million indie film I'd say to myself...
"Why did he get a shot? I'm as good as him. I've been busting my ass for years and no one is giving me any chances. This is some BS!"
It took me years to break free of that mindset. It was only hurting me and my filmmaking career. This episode might be the cold bucket of water over your head that you have been needing.
Getting ready for it. And if you are not that bitter and angry filmmaker then please share it with that bitter filmmaker in your life cause we ALL have one of those in our circle of filmmaking friends. Enjoy.
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IFH 319: How to Direct Successful Horror Films with Mike Pecci May 21, 2019

Have you ever had a near-death experience that changed the direction of your life? Today's guest has. Mike Pecci is a filmmaker with a unique path. With over 18 years of experience, Mike has cemented a name for himself not only as a photographer and music video director but as an abstractly edgy filmmaker who is undeniably devoted to the art of storytelling. His characters are the faces of his work - passionate, emotional, and distorted stories are the basis for some of Mike's most well-received films.
His ability to touch audiences through his films is a credit to his commitment to understanding humanity. The work has an emotional quality that can both frighten and pull you in, playing off the darkest chasms of the human condition.
Mike's story is inspirational, to say the least. I also love the aesthetics of his work and his ability to produce INSANE sizzle reels for films he wants to pitch.
He also has a bit of cult status for directing a Punisher Fan FIlm that Marvel shut down. You can find out more about that project here. From his near death experience and his sizzle reels to his shorts and commercial work, Mike Pecci has a ton to talk about and we get into it for this episode. Oh did I mention he also hosts a killer podcast called "In Love with the Process Podcast?" I'll be a guest on his show very soon.
Enjoy my EPIC conversation with Mike Pecci.
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IFH 318: Confessions of a Producers Rep with Ben Yennie May 14, 2019

Today on the show we have returning champion Ben Yennie. Been has the honor of being the very first guest I ever recorded for the IFH Podcast. He is a wealth of information so get ready to take some notes. As Founder and CEO of Guerrilla Rep Media, where I've gotten distribution deals for more than 8 films, that will soon be appearing on Starz and other major outlets across the globe.
Ben is also the Founder and Executive Director of Producer Foundry, as well as Producer of more than 50 events on film finance and distribution. He's worked with people like Lew Horowitz, the inventor of Indiefilm Gap Financing, Jeff Dowd, Executive Producer of Blood Simple, Fern Gully, and inspiration for “The Dude” from the Big Lebowski. Ben co-founded Global Film Ventures, screened business plans and advised the Film Angels and is the former chapter leader for the San Francisco, New York, Los Angeles, and Vancouver Chapters of the Institute for International Film Financing. And screened business plans for the Film Angels.
Ben has also worked in the tech industry. Co-Founder of ProductionNext, a new set of next-generation tools designed specifically for the Movie industry. Previously, he's been VP of Sales for Taal, a Mobile video interview platform for the hospitality industry.
He is also the author of The Guerrilla Rep: American Film Market Distribution Success on No Budget, The First ever book on Film Markets and used as a text at about 10 film schools. He has also contributed to Office for One, a Sole Proprietor survival guide, and is the author of the upcoming book "The Entrepreneurial Filmmaker." He also manages the blogs for ProducerFoundry.com and TheGuerrillaRep.com.
Enjoy my conversation with Ben Yennie.
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Filmmaking Motivation: If Your Filmmaking Career is Going Nowhere Listen to This May 13, 2019

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along their filmmaking or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these video help in a small way.
If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 317: How NOT to Follow Your Filmmaking Dream May 09, 2019

For anyone who wasn't able to make it out to my talk at the Chinese Theater a few weeks ago you are in luck. I recorded it LIVE so I could bring it to the IFH Tribe. If you want to watch the talk check out the video below but if you are on a commute or can't watch it sit back and enjoy my velvety voice, well just enjoy. The talk is about how not to follow your filmmaking dream. The mistakes I made and why I sold my soul to the devil to make my filmmaking dream to come true.
I go in deep on my story from Shooting for the Mob. I speak about things I never discussed in public before so you are in for a treat. I hope this helps a few of the IFH Tribe out and serves as a warning of what NOT to do.
Here some info on the book that inspired my talk.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob.
From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
"As a young, aspiring director chasing his dream, the author half-falls and half-skids down the rabbit hole of becoming trapped by his "angel investor" -- into an impossible situation, filled with shady characters, shockingly incompetent unprofessionals and money that seems to fly away as it is allegedly secured. This is the ultimate "How-Not-To" primer for beginning directors -- and, for everyone else, a yarn to enjoy for its dark-edged hilarity." - Jim Uhls (Screenwriter of Fight Club)
Enjoy!
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IFH 316: I Wish We Knew This Before We Made Our Film with Megan Petersen & Hannah Black May 07, 2019

Today on the show we have directors Megan Petersen & Hannah Black. They are the winners of the Seed and Spark/Duplass Brother Hometown Heros Contest.
Here more about this remarkable contest.
Join us for an opportunity to have your feature film executive produced by Duplass Brothers Productions, Salem Street Entertainment, and UnLTD Productions and be eligible for a total of $50,000 in no-interest loans for your narrative or documentary feature. Whether you’re from a small town, the suburbs or a special corner of a major city, now is the time to bring your hometown-centered story to the screen.
Their film is called DROUGHT.
Join Sam, her Autistic brother Carl, estranged sister Lillian & friend Lewis, as they try to navigate life in a small town. It's 1993 and the south is in the worst drought in history but Carl is fascinated by weather. Hoping for a better life, they steal an ice-cream truck to become storm chasers.
We sit down and discuss all things indie film, what it was like to direct this film while having the guidance of indie film legends like Jay and Mark Duplass. Enjoy my inspirational conversation with Megan Petersen & Hannah Black.
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Filmmaking Motivation: Never Stop the Filmmaking Hustle! May 03, 2019

Every week I'll be posting new videos as part of my Weekly Motivation Series to help the #IFHTribe along with their filmmaking and/or screenwriting path. We all need some help, guidance, motivation or inspiration on our long journey in this crazy business so I hope these videos help in a small way.
If you like this please share it with your friends and inner circle. Keep on hustling and never give up on that dream!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 315: The Art of Writing the GREAT Screenplay with Linda Seger (CROSSOVER EVENT) Apr 30, 2019

Today on the show we have the legendary Linda Segar. Linda was one of my first ever interviews back when I launched Indie Film Hustle and her episode is by far one of the most popular ever. Here's some info on our lovely guest.
In 1981, Linda Seger created and defined the career of Script Consultant. She based her business on a method for analyzing scripts that she had developed for her doctoral dissertation project. Since then, she has consulted on over 2,000 scripts including over 50 produced feature films and over 35 produced television projects. Linda was the consultant for Peter Jackson’s breakthrough film, Brain Dead and for Roland Emmerich’s breakthrough film, Universal Soldier.
She was the script consultant on Pasttime and Picture Bride–both winners of the Audience Favorite Award at the Sundance Film Festival–as well as for the films The Long Walk Home, The Neverending Story II, Luther, Romero, and television movies and mini-series including The Bridge, the Danish-Swedish mini-series (now playing in the US).
Other clients include Ray Bradbury who said, “Linda’s technique is a light to see by,” William Kelley, Linda Lavin, and production companies, film studios, producers, directors, and writers from over 33 countries.
Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field.
Here new book The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers.
Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible “blueprint” for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.
“A very thorough and fascinating look at the whole filmmaking process – the art and the craft. Highly readable and interesting for filmmakers or beginners with a special emphasis on the power of collaboration.
A well-researched insider’s guide – like taking the hand of accomplished filmmakers and learning from the best.”- Ron Howard, Oscar-Winning Director and Co-Founder of Imagine EntertainmentEnjoy my knowledge bomb filled conversation with Linda Seger.
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IFH 314: How a 17-year-old Director Gets Signed by Amazon Studios with Jonathan Perry Apr 23, 2019

Today on the show we have 17-year-old scriptwriter and filmmaker Jonathan Perry who directed a large budget short film titled SUBNIVEAN which will debut on Amazon Prime June 12, 2019, making Perry the youngest director on any streaming service. I know, it's crazy.
After filming SUBNIVEAN in December of 2018, Perry and his team of producers wrote a nine-page appeal which was submitted to Amazon. Amazon accepted Perry’s appeal and formed a partnership with Perry. Perry’s partnership with Amazon includes the release of SUBNIVEAN on the Amazon Prime streaming platform, as well as coverage of select advertising costs. Additionally, Perry partnered with EDM band ODESZA for promotional sound mixing.
Once offered a large sum of money for his script titled SUBNIVEAN, Perry decided SUBNIVEAN may be his golden ticket into directing his first large budget feature film. Perry, still hard at work on SUBNIVEAN, doesn’t plan on taking any breaks after the Amazon release. Recently, Perry has signed with a Hollywood director and union members for his upcoming 2020 film with a starting budget of 1.5 million.
Director Jonathan Perry is from Sandusky, Ohio and began his early career in the film industry four years ago when he began writing scripts online for other filmmakers by selling the copyright to his work. Now, this is the part that blew me away, after writing nearly 40 scripts over the course of two years, Perry made a total of nearly $10,000. We go deep in how he did this and you will be surprised at his journey.
The film SUBNIVEAN introduces the viewer to two young brothers and their troubled relationship.
Perry states in a film synopsis,“
After a vicious chase home from gathering firewood, an innocent boy unknowingly leads his brother to fall through an isolated pond. The boy has to accept and use his twisted hallucinations of hatred as his only hope to break the ice and save his brother in time or die trying.”
Enjoy my inspirational conversation with Jonathan Perry.
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IFH 313: Why You Are Failing Your Filmmaking Dream Apr 17, 2019

Seriously, on today's episode, I get RAW and REAL with the tribe. This is by far one of the most impactful episodes I've ever recorded. Truth bombs will be dropped. Hearts may be broken.
The purpose of this episode is to force you to confront some real and raw truths about your filmmaking journey. My hope is to help you not turn your filmmaking dreams into filmmaking nightmares.
These are questions that I have asked myself on multiple occasions. These questions have helped me refine and sharpen my filmmaking dream. I hope it does the same for you. Prepare yourself. Don't say I didn't warn you. = )
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IFH 312: FBI Witness Relocation Interview with Boris "The Cinematographer" from Shooting for the Mob Apr 15, 2019

Today we have a very special episode of the Indie Film Hustle Podcast. My guest is coming from an undisclosed location somewhere in Los Angeles. His code name is BORIS: The Cinematographer. We changed his voice and image for his protection. Boris was my cinematographer on the film I almost directed for the mob. I met him while prepping the infamous feature film discussed in my book Shooting for the Mob.
If you want to learn more about the story of the book take a listen to this podcast. (http://indiefilmhustle.com/shooting-for-the-mob-alex-ferrari/)
I asked Boris, an industry-recognized cinematographer if he would be willing to do an interview on his experience working with Jimmy the gangster, the craziness that happened all those years ago and what it was like being in the center of that filmmaking tornado with me.
Boris jumped at the chance but he asked that we change his voice to protect his identity. He doesn't want to put himself out there at this time. Trust me you are going to love this episode.
Boris lets loose on all things Shooting for the Mob and even tells me stories I didn't know about. If you want to know what it's like trying to shot an indie feature film for a bi-polar, egomaniacal gangster then perk up those ears cause you are going to love this extremely entertaining episode.
Enjoy my EPIC conversation with BORIS - The Cinematographer.
Here's a summary on the book:
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob.
From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? Alex did. By the way, did we mention that this story is based on true events? no, seriously it is.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 311: Making Your First Blockbuster - Write It. Film It. Blow it Up! with Paul Dudbridge Apr 09, 2019

Today's guest is Paul Dudbridge, author of Making Your First Blockbuster: Write It. Film It. Blow it Up! Paul Dudbridge is a British director, producer, cinematographer, and educator, making feature films, television, commercials, and music videos. Paul started producing at the age of 11 when he roped in his father to shoot his first short film.
When the resulting footage didn’t match up to what he had seen in his head, Paul decided to go behind the camera himself, and from there the whole notion of making films; directing, scripts, shots and angles started to come about.
With over 20 years of experience in the business, Paul has numerous film and television credits to his name. His first broadcast credits include producing and directing ITV’s The Christmas Storybook, featuring legendary actor Joss Ackland, as well as directing music promos for MTV. His work as a cinematographer includes the action thriller By Any Name based on the best-selling book by Katherine John.
As a producer and director, he helmed the science-fiction series Horizon, which went on to win a number of awards at international film festivals, as well as earning Paul a Best Drama Director nomination at the Royal Television Society (WoE) awards in 2016. When not filming, Paul guest lectures at various universities and colleges around the country. Most recently, he ran the Writing and Directing module for the Master's course at the University of Bristo, taught Cinematography at Falmouth Film School, and Advanced Cinematography workshops for BECTU, the UK’s media and entertainment trade union.
Enjoy my conversation with Paul Dudbridge.
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IFH 310: How to "Fake It Till You Make It" Apr 01, 2019

Today I wanted to discuss the concept of "Fake it till you make it. There are a lot of misconceptions on how to do it properly, when you should or shouldn't do and if it's ever a good idea. I can tell you that without faking it till you make it I wouldn't have gotten anywhere in the film business. Without creating opportunities for yourself it can be impossible to get a leg up in the business.
“You must be the person you have never had the courage to be. Gradually, you will discover that you are that person, but until you can see this clearly, you must pretend and invent.”
― Paulo Coelho
I discuss the proper way to fake it till you make it without hurting yourself, your reputation or anyone around you. There is an art to it, trust me. I tell Fake it till you make it stories from my own career, Oscar winners and the mythical story on how Steven Speilberg got his start. Guess what, he faked it too. This will be an eye-opening episode. Still back and enjoy.
If you find value in this episode please share it with someone who needs to hear it.
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IFH 309: How to Find REAL Investors for Your Indie Film with Matthew Helderman Mar 19, 2019

Today's show is going to be EPIC. Our guest is Matthew Helderman, CEO, and Co-Founder of Buffalo 8 and the BondIt Company. Buffalo 8 operates seven core divisions: development, production, post-production, distribution, client management, marketing, and creative branding services with accolades from the Sundance, Berlin, Toronto, Tribeca, and SXSW festivals.
At Buffalo 8, Matthew is endlessly passionate about creative storytelling, media technology, and the business of entertainment in equal quotients; we are the fusion of entrepreneurial ethos and quality content creation with a unified ambition to provide first-class service. With a background rooted in media production, finance, and digital technology he leads the team of both businesses on a daily basis.
We get DEEP into the weeds on how to raise money for indie films, how to approach investors, what companies like him are looking for and so much more. I learn a ton for this conversation and I know you will as well. Get ready to have your mind blown.
Enjoy my conversation with Matthew Helderman.
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IFH 308: How to Make Money with a Micro-Budget Horror Film with Antonio Pantoja Mar 15, 2019

Today on the show we have an amazing and inspirational story from filmmaker and entrepreneur Antonio Pantoja. Antonio is an Indie Film Hustle School graduate, as he puts it. He has been listening to the podcast since the beginning and has used everything he has learned to build up his career and finally direct his first feature film One Must Fall.
Antonio's story is one of the most inspirational stories I've had on the show. Coming from being homeless on the streets to building up a production company, photography business and directing career. He personifies H U S T L E.
He is proof that if you have the will, positive mindset and the hustle you can make anything happen for yourself in life! If you need some motivation or inspiration then take a listen to this interview.
Enjoy my inspirational conversation with Antonio Pantoja.
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IFH 307: Understanding the Magical World of Stock Footage with James Forsher Mar 12, 2019

Today on the show we have the Stock Footage Yoda James Forsher. James has nearly forty years of experience in producing, writing, and directing documentaries and television commercials. Forsher's productions, ranging from half-hour shows to feature-length documentaries, have aired on the Discovery Channel, The Movie Channel, Cinemax, A & E, and PBS.
Forsher's productions range from this year's hour-long show Elvis and the Girl from Vienna back to his 1977 documentary Conrad Hilton: Insight into a Giant. Forsher has also taught film and video production at the college and university level for nearly two decades directed the broadcast program at California State University, East Bay, and has taught communication courses as a Fulbright Scholar in Europe.
His new book Stock Footage + Everything Under the Sun: Using Archival Material to Make Your Good Film Great is the bible of stock footage. It is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.
Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader.
Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work.
Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film.
Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints.
If you ever wanted to know how to get, use or sell stock and archival footage for your film get ready to take notes.
Enjoy my conversation with James Forsher.
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IFH 306: Why Filmmakers Are Programmed to Fail Mar 06, 2019

Before we begin I need to reveal a truth to you.
"The Matrix is not a movie, it's a documentary"
Believe it or not, this is true. Our internal operating system in our mind was programmed years ago when we were children. That programming runs our life through the subconscious. Don't believe me?
Did you drive a car today?
Did you brush your teeth?
Did you think about walking to the kitchen to make breakfast?
Did you think about breathing or making sure your heart beats?
Probably not. You would be exhaust mentally if you had to think about all of this every day. This is all run by our operating system (aka the subconscious), the problem is many of us are still running Windows 95.
In this episode, I go deep down the rabbit hole and discuss how our subconscious can and does stop us from achieving not only our filmmaking dreams but how it affects all areas of our lives. I discuss how my life changed dramatically when I discovered this and made those upgrades. I also go over the two ways you can upgrade the old operating system in your head.
“This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes.” - Morpheus
Let's all take that Red Pill and see how deep the rabbit-hole goes. Get ready to have your mind blown, literally. Enjoy!
If you find value in this episode please share it with someone who needs to hear it.
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IFH 305: From Rapper to Indie Film Director with Xzibit Mar 05, 2019

I had the pleasure of speaking to the legendary Xzibit at the Mammoth Film Festival last month. Why is a rapper on the podcast you may ask? Well not only is Xzibit a rapper, actor, and producer but he’s also a director as well. His new indie film/series is called BROKEN GROUND.
“BROKEN GROUND” is the semi-autobiographical story of James Savage, a man who went to prison, lost his promising career, and now wants to transform into a better man.
We discuss his work with some of the greatest directors working today, his approach to directing and what fear he broke through to make the jump in his career. It’s an eye-opening discussion. Enjoy my conversation with Xzibit.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 304: The Meditating Filmmaker - How to Be More Creative Feb 28, 2019

Over the years I have mentioned my meditation practice and how important it is in my daily routine on the show. Many of the IFH Tribe have asked me to do an entire episode on meditation and the importance it has in the creative process. Today is that day.
In this episode, I go over:
My personal meditation practice
Why it's impossible to CLEAR YOUR MIND
How to embrace your minds inner voice
How science view meditation
What actually happens to your brain when you meditate
How meditation can make you more creative
I discuss practical everyday uses for meditation in your creative life. Some of my greatest ideas and thoughts have come to me during my meditations. I'll also teach you how to meditate for 10-15 min to start and then over time, you can grow your practice to 1-2 hours a day like I do. Once you start meditating it becomes addictive.
Get ready to open your creative channels to full flow. Enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 303: How to Hire a Producer's Rep or Sales Agent with Glen Reynolds Feb 26, 2019

Today on the show we have a good friend of mine, producer's rep Glen Reynolds of Circus Road Films. With 21 years in the indie film biz, he has produced 20 films and sold over 500 films. He founded Circus Road Film in 2006. Glen is also a producer, known for Blood and Bone (2009), Becoming and Conversations with Other Women (2005)
Glen has been around the block and has seen a lot in the indie film space. We met because of my scathing commentary on producer's reps in one of my very first podcast episode.
We get into the weeds on how to hire a producer's rep and/or sales agent, film festival strategies what to look out for and how to choose the right one for your project. Enjoy my conversation with Glen Reynolds.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 302: The BRUTAL & RAW Truth about Indie Filmmaking with Darious Britt Feb 22, 2019

Today on the show we have director, producer, screenwriter, actor and YouTube sensation Darious Britt I had the pleasure of meeting Darious at the Mammoth Film Festival. At the festival, we were snowed in and pretty much stuck in our hotel. We sat down and talked for hours about indie film, his journey, my journey, the state of indie film, fear, setting goals and so much more.
I knew I had to have him on the show to talk shop. What you are about to listen to is a DEEP DIVE into the psychology of a standard indie filmmaker. We break down the brutal and raw truth of what it takes to make it in today's world.
We also discuss how to build and engage with an audience. His amazing channel D4Darious is a MUST for any and all filmmakers. I've been a fan of his work for years. I love his approach and teaching style. Here's a bit about the man.
He attended film school at the University of Arizona and graduated in May of 2012 with a bachelors in Media production. He toured his short film “Seafood Tester” to four international film festivals including the Oscar-qualifying Aspen Shorts fest in 2012.
Darious created the youtube channel D4Darious, in August of 2013 and it has since grown to over 340,000 subscribers and over 10 million views in five years.
He has toured his first feature film “Unsound” on the film festival circuit screening at over 20 international film festivals, winning 7 awards including best director at The Pan African Film Festival in 2015. He loves telling stories and helping other filmmakers learn the craft to reach their highest potential as storytellers.
Now I warn you, this episode runs nearly two hours but I promise you it will be worth it. I lost count of how many knowledge bombs went off in this episode. Prepare to get your mind BLOWN and enjoy my conversation with Darious Britt.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 301: How to Make Money as a Filmmaker with Jakob Owens Feb 19, 2019

Today on the show we have director and entrepreneur Jakob Owens. Jakob is a visual director based in Los Angeles California. He began directing music videos while still in film school at ASU. He began traveling to California so much for shoots that after graduation he made the leap to LA and has been directing music videos, commercials, and short films ever since. He is also the creator and owner of TheBuffNerds Youtube channel which has accumulated over 230+ million views and almost 800K + subscribers.
His work has been displayed on all of the major music television networks such as MTV, VH1, BET, REVOLT and more. He has collaborated and worked with artists such as Chris Brown, Wale, Jesse McCartney, Chamillionaire, Nick Carter, The Braxton Sisters, iLoveMemphis, Dawin, Futuristic, KYLE, K. Roosevelt, Dizzy Wright, and much more.
Among his music video endeavors, Jakob is an avid world traveler. He travels the globe creating "Travel Films" of the various destinations he visits.
Jakob's built a very strong social media fan base and following. He currently sells manuals and various filmmaking related products he has created to followers spanning across the world who hope to one day create videos like Jakob himself.
Jakob has really built one heck of an empire for himself. I wanted him to come on the show to share his knowledge, experience and tips on how the IFH Tribe can build up their own filmmaking empire.
Enjoy my conversation with Jakob Owens.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 300: What Are You Afraid Of? How to Break Through Your Filmmaking Fear! Feb 14, 2019

I can't believe we are here. Episode #300. It is truly remarkable that the show has landed at this point. When I started the Indie Film Hustle Podcast over 3 1/2 years ago I never dreamed the show would be so well received by the filmmaking community. I am truly humbled. I plan to continue creating amazing content for the IFH Tribe for the years to come. Thank you all for all your support and well wishes.
Now on today's show, I want to tackle the thing that stops many filmmakers and screenwriters dead in their tracks on the journey to follow their dreams...FEAR! Fear is a disease that is not only plaguing the filmmaking community but people around the world from all walks of life.
"The Cave you fear to enter holds the treasure you seek" - Joseph Campbell
In this episode, I go down my road with fear, how it stops me and caused me so much pain on my journey. I also discuss techniques that can liberate you from fear so you can focus your energy on creating the life and career you want and deserve.
Strap in boys and girls this ride might get a bit bumpy but like any rollercoaster, you will make it safely to the end. You can live your dreams or you can live your fears? The choice is yours. Enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 299: Shooting American Horror Story with Michael Goi A.S.C Feb 12, 2019

Today on the show we have the legendary and Emmy Winning cinematographer Michael Goi A.S.C.
Michael Goi has compiled over 70 narrative credits, including films for cinema and television screens such as "American Horror Story," "Glee," "Salem" and "The Town That Dreaded Sundown." He has received Emmy nominations for "Glee", "My Name Is Earl" and "American Horror Story." He was nominated for the American Society of Cinematographers (ASC) Outstanding Achievement Award for the telefilms "The Fixer" and "Judas" and for the pilot "The New Normal" and the mini-series "American Horror Story: Asylum". He also wrote and directed the dramatic feature film "Megan Is Missing" about the subject of internet predators, and several episodes of "American Horror Story" and other shows.
Michael Goi is a past president of the American Society of Cinematographers, serves on the Board Of Governors of the ASC, and is the editor of the 10th Edition of the ASC Manual. He was made an Honorary Member of the Indian Society Of Cinematographers (ISC) in 2010 for his efforts to increase international collaboration and communication amongst the world's cinematography organizations.
Michael has appeared as a guest speaker at the American Film Institute, the University of Southern California, Walt Disney Animation Studios (for whom he demonstrated ice and snow lighting concepts for animators working on the film "Frozen,"), CineGear, IBC, and many other international industry events. He is a member of the National Executive Board of the International Cinematographers Guild, the Directors Guild Of America, the Academy Of Television Arts And Sciences and the Academy Of Motion Picture Arts And Sciences.
He regularly mentors students for various industry programs. An unrepentant movie buff, he has been known to spend all night in his home theater watching selections from the over 18,000 films in his collection.
We really get into the weeds on his process, shooting every kind of film and that insane movie collection he has.
Enjoy my conversation with Michael Goi A.S.C.
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IFH 298: The Art of Micro-Budget Filmmaking with Noam Kroll Feb 07, 2019

Noam Kroll
Today on the show we have the writer, director, post guru, and podcaster Noam Kroll. Noam has directed a killer micro-budget feature film called Shadows on the Road. In this episode, we discuss how he shot this extreme micro-budget film and still made it look gorgeous. Noam also runs a great podcast and blog that helps indie filmmakers. You can find links to his sites below in the show notes. Here's a bit about Shadows on the Road.
After potentially killing her attacker in the midst of a violent altercation, Zoe - a runaway youth - befriends Silver, a charming beach dweller, who offers to drive her to the Mexican border and help her make an escape. As their journey unfolds, the blossoming relationship between the two is threatened by Zoe’s dark past, which not only haunts her but puts both of their lives in jeopardy.
Here's some more info on Noam Kroll:
Noam Kroll is an LA-based filmmaker here to share my thoughts, experience, and perspective on all things film with you. He has worked in the film and television industry in many different capacities over the years, but primarily as a director, cinematographer, and colorist. He got his start by writing and directing his own short film content which led him to work on music videos, advertising campaigns, and eventually feature film work.
Noam's approach to filmmaking has always been quite hands on given my background in cinematography and post-production, which has led him to DP and edit many of his own projects. While he continually develops his own passion projects, Noam also spent much of his time assisting other filmmakers in the creation of their films. Through his production company, Creative Rebellion.
Enjoy my conversation with Noam Kroll.
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IFH 297: The Toxic Filmmaker Mindset and How You Can Change It Feb 05, 2019

Today we will tackle the toxic filmmaker mindset. That screenwriting mindset. That artist mindset. We discuss the mindset. How the beliefs we have stop and derail our dreams and life. So many of us have belief systems that limit us. Today we are going to break this down and give you some tools to reprogram yourself into the person and filmmaker you want to be.
"To have results that very few people have you have to start doing things that very few people do."
Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.
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IFH 296: The State of Indie Film for Women with Jen McGowan Jan 31, 2019

Today on the show we have writer/director Jen McGowan on the show. We discuss the state of women directors in Indie FIlm, her new film Rust Creek and what it is really like to be a female director, from her perspective in today's world.
Jen McGowan is a director based in Los Angeles. Her first feature KELLY & CAL (Juliette Lewis & Cybill Shepherd) premiered at SXSW where she won the Gamechanger Award. The film was released theatrically by IFC Films to rave reviews. McGowan got her start with award-winning short films, CONFESSIONS OF A LATE BLOOMER and TOUCH, both of which played at over a hundred festivals worldwide. TOUCH qualified for the Oscar when it won the Florida Film Festival.
McGowan studied directing in the MFA program at USC where she was honored with a scholarship from Women in Film and a grant from The Caucus Foundation. She received her BFA in Acting at NYU’s Tisch School of the Arts, studying under David Mamet, Bill Macy & Sam Shepard at the Atlantic Theatre. She is the creator of filmpowered.com, an international skill-sharing, networking & jobs resource for professional women in film and television.
With nearly 2,500 active members, Film Powered was named Best in LA by LA Weekly, is part of the Sundance Women’s Initiative Resource and was featured in Forbes. A Film Independent Fellow, a finalist for the Clint Eastwood Filmmakers Award, recipient of the AWD Breakout Award for Excellence in Directing and one of Vulture’s Women Directors Hollywood Should Be Hiring, she was named one of 50 Women Who Will Change the World in Media & Entertainment by the Take the Lead Foundation.
The tv series she created, Angelica, about the last remaining abortion clinic in a small Midwest town was one of twelve series selected from 4,000 submissions and the only American project for the MIPTV In Development program at Cannes 2018. McGowan’s second feature film, the survival thriller, RUST CREEK, is being released in theaters January 2019 by IFC Midnight.
Enjoy my eye-opening conversation about the state of women directors in indie film with Jen McGowan.
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IFH 295: How Bad Do You Want Your Filmmaking Dream? Jan 28, 2019

What are you willing to sacrifice to make your dreams come true? How bad do you want it? These are the questions I'll be discussing in today's episode. If you are looking for something to get you revved up look no further. This is my "tough love" episode. I keep running into filmmakers and people in the business who just like to talk or hide behind excuses. I have two things to say about that.
Life doesn’t care.
The film business doesn’t care.
There are 24 hours in a day. I breakdown 24 hours and I promise you will find out that you have, at least, 4-6 hours a day to dedicate to your craft and dream. Yes, even for those who have a 2-hour commute, work 8 hours and has a family. The power to make your dream to become a reality is only in your hands. No one else's! I really hope this episode lights that fire in your belly to make your dream come true.
Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.
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IFH 294: All Filmmakers are Marketers - Branding, Marketing & Social Media Jan 24, 2019

Today I'm talking about marketing! Yup, marketing. If you, as indie filmmakers, do not understand branding, marketing, and social media YOU WILL NOT MAKE IT IN THE BUSINESS. I really want to get through to you guys. I've been consulting more and more filmmakers lately and I see there is a MAJOR disconnect between filmmakers and understanding the basics of branding (whether personal, company or project), marketing, and social media.
In this episode I'll be discussing:
Tribe or Audience Building
Brand Marketing vs. Directing Marketing
Understanding your smallest viable audience
Brand Building
Building Your Personal Brand
Discovering how you can love the GRIND or your journey
Choosing platforms to build your brand
Content creation
Also below are six books that will help you along your path to understanding these basic concepts. I truly hope that you find value in this episode. The understanding, at a basic level, of branding, marketing, and social media is not a luxury but a necessity in today's and tomorrow's world. Don't get left behind. I want every single #IFHTribe member to make there dream come true, to build a better life for themselves and to love their own journey towards their goals.
Warning: this episode might make you think about stuff so beware! Enjoy and keep on hustling.
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IFH 293: Music Licensing for Film Demystified with Chris Small Jan 22, 2019

We have all wanted to have a killer song we love in one of our films or projects, that perfect song that makes the scene pop off the screen. When you begin to investigate how to get permission for the song you soon discover the maze of red tape and crap you need to deal with in order to have the song in your film.
From getting film festival rights to broadcast rights to VOD rights, Music Licensing is a headache and a half. Today on the show with have Chris Small, a music licensing professional here to demystified the ridiculous and antiquated process of licensing music for film. Chris breaks down the way to properly license music without falling into legal pitfalls.
Chris also works for Soundstripe, a music licensing company that is disrupting the way filmmakers get music for their films and projects.
I just love what the team at Soundstripe is doing so I've partnered with them. Soundstripe is now the OFFICIAL SOUND LIBRARY OF INDIE FILM HUSTLE.
As part of the #IFHTribe, you get an exclusive DISCOUNT CODE: IFH (10% OFF MEMBERSHIP). Click here to check Soundstripe out.
I love this service and am using Soundstripe music in all of my videos, podcasts and IFHTV Original Productions. Music licensing is a nightmare but it doesn't have to be.
Enjoy my conversation with Chris Small from Soundstripe.
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IFH 292: Fighting the Good Indie Film Fight with Mark Polish Jan 15, 2019

Today on the show we have writer, director, author, actor, and all-around indie film pioneer Mark Polish. His new film Headlock (aka Against the Clock, more on that later in the interview) is out in theaters and VOD.
Also, do yourself a favor and read his amazing filmmaking book The Declaration of Independent Filmmaking which is easily one of my favorite filmmaking books of all time.
Mark and I discuss his career, the challenges of maintaining your creative vision and working within and out of the Hollywood system. We also discuss how Sundance has radically changed over the years and some of his horror stories when shooting and distributing his films.
Enjoy my epic conversation with Mark Polish.
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IFH 291: I Want to Give You $30,000 to Make a Web Series Jan 14, 2019

You must be saying,
Wait? What? You want to give me $30,000 to make a web series?
Yup, that is exactly what I want to do. I've partnered with Filmaka.com to launch an amazing Web Series Filmmaking Competition.
We are launching cross-platform Web Series filmmaking competition, sourcing diverse ideas & pitches. Filmaka & Indie Film Hustle will select and award the Web Series competition winner with a production budget for completion of the winning series.
HOW IT WORKS:
Filmaka members have three weeks to submit written Pitches only for the 3-5 minute pilot of an original web series they want to create based on the prompt: THE HUSTLE.
After the Pitch competition closes, up to four (4) winners will be given $5000 each to shoot their Short/Pilot which is their pilot for an original web series. The winners will have eight weeks to submit their Short along with nine (9) written Scripts, that together make up a ten-episode web series. Of the up to four (4) submissions, one winner will be awarded $25,000 to produce their original web series.
THE PITCH:
The Pitch and/or the Scripts should be as detailed as possible so that Filmaka executives have a clear vision of the web series the Member wants to create. Character lists, an overall summary of the web series, storyboards and scene sketches may be included as part of the Member's submission. While there is no limit to the number of pages for the Pitch or Scripts, it is important to remember that the produced version of the Pitch or Script will only be three (3) to five (5) minutes in length.
Who is Filmaka?
Filmaka is a digital platform for aspiring filmmakers to showcase their talents, compete for opportunities, and build their careers globally. Filmaka currently partners with MarVista Entertainment in a pact to source new and diverse talent through an ongoing pitch forum aiming to aggregate original & unique story ideas. Filmaka’s partnerships also include Riverstone Pictures, with whom they hold a feature film funding pact for the winner of Filmaka’s Final Competition.
Through the platforms numerous competitions and production budget prizes, Filmaka creates opportunities for filmmakers without traditional access into Hollywood. Films that are submitted to Filmaka are seen, judged, and selected by a jury of top tier professionals in the entertainment industry and by fellow Filmaka members. At Filmaka, aspiring filmmakers from across the world can connect, collaborate, and compete for a wide range of professional opportunities.
I can't tell you how excited I am to bring this opportunity to the IFH Tribe.
To submit just go to Filmaka.com
It has been a dream of mine to be able to give this kind of access to the tribe. I can't wait to see what you guys submit. Also the winner's pilots and series will be available to view on Indie Film Hustle TV.
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IFH 290: How I Almost Directed a $20 Million Film for the Mob with Alex Ferrari Jan 10, 2019

The teasing is over. Here it is, I've written a book and not just any book but a book about the craziest and darkest time in my life. Read below to get the skinny on what I'm talking about.
A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events? no, seriously it is.
Writing this book is easily one of the toughest things I’ve ever had to do. Some days I would cry as I was typing. Who wants to go back to the darkest time in their lives and relive that hell. Well, that’s exactly what I did. It took me 18 years to build up the courage to sit down and tell my story. I take you behind the scenes of the real Hollywood. and also see how gangsters and Hollywood go together like peanut butter and jelly. This book is RAW and UNFILTERED. I said to myself,
"If I'm going to write this I have to tell the entire story, warts and all."
The goal of this book is to help, not only filmmakers and people interested in having a career in Hollyweird but anyone stuck in a bad situation they feel they can’t get out of. The story illustrates how someone can lose themselves while chasing that golden carrot that is their dream, not to compromise their morals and stand up for themselves. As cheesy as it sounds if I can help one person avoid even 1% of the pain and suffering I went through then it will be worth it. Now this story is not all doom and gloom, it’s hilarious, ridiculous and one hell of an adventure. I hope you really enjoy the story and have fun, laugh, cry and maybe even learn a little something about yourself.
The book will be released on Jan 31st, 2019 on Amazon and we will roll it out around the country soon after that. I plan to do a signing book tour with talks and possibly workshops around the US and then hopefully overseas as well.
If you want to sign up for the Shooting for the Mob LAUNCH TEAM email at ifhsubmissions@gmail.com. As part of the launch team, you'll get access to me, we'll have a private Facebook Group and you can see how I market and release this book, which is similar to how you would release an indie film. For more info on the book go to:
Shooting for the Mob - (Sign Up for Exclusive Videos and Content)
I also want to give a big shoutout to my brotha-in-arms Dan Cregan for designing such an amazing cover. Thank you so much for your support. More to come!
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IFH 289: The Cure for Writer's Block with Matthew Kalil (CROSSOVER EVENT) Jan 09, 2019

Have you ever had writer's block? We all have at one point or another and it sucks! Today's guest, Matthew Kalil, has the cure. He has written a new book called The [easyazon_link identifier="1615932860" locale="US" tag="whatisbroke-20"]Three Wells of Screenwriting[/easyazon_link]. Working from a writer’s perspective, the book explores these Three Wells and helps you consciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.
I had such a ball with Matthew that I had to make it a crossover episode with the Bulletproof Screenplay Podcast. Enjoy my conversation with Matthew Kalil.
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IFH 287: How To Have Your Best Year Ever in 2019! Jan 01, 2019

Welcome to 2019 IFH Tribe! Last year was one hell of a ride for IFH. I shot a feature, On the Corner of Ego and Desire, which is coming out in the next few months. I launched the world's first streaming service dedicated to filmmakers and screenwriters Indie Film Hustle TV and I also wrote a book called Shooting for the Mob, more on that on the next episode. Needless to say, 2018 was a crazy year for me and the IFH Tribe.
On today's episode, I discuss ideas and tactics to help you reach your goals in 2019. I also go over how goals without a plan are just wishes and how you can change that. I want 2019 to be that best year of your life. I hope this episode can help you start this year's journey off on the right foot. Ask yourself the questions,
"How bad do you want it? What are you willing to do to make your dream come true?"
Once you answer those questions for yourself then you can get down to the business of making your dream come true. Get ready for an inspirational kick in the butt. Happy New Year, now let's get to work!
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IFH 286: How People Around Can Hurt Your Filmmaking Dreams Dec 21, 2018

Merry Christmas and Happy Holidays to everyone in the IFH Tribe and beyond. I wanted to do an episode on this subject for a long time.
"You are the average of the five people you spend most of your time with." - Jim Rohn
I wish I had someone to tell me this early on my filmmaking journey. In this episode, I go over what happened to me when I was starting out, how my friends affected me and my ability to move forward in my career and what happened to me when I moved to Los Angeles over a decade ago. I discuss how the people around you affect you on a personal, professional and even spiritual level.
I really hope you find some value in this episode. Happy Holidays and keep on hustlin'.
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IFH 285: Community Indie Filmmaking with Josh Doke Dec 18, 2018

If you ever wanted to learn how to get your local town, group or community behind your indie film this is the show for you. Today's guest did just that, writer/director Josh Doke got his entire town of Goodland, Kansas to support his film through crowdfunding, production resources and finally distribution.
Goodland was filmed in his hometown of about 4,000 people in Western Kansas and he included as many locals as he could in order to help bring the project to life. We used all practical locations, had vehicles, tractors, props, and costumes donated. He was able to buy a 1990 Crown Vic for $1 from a local car dealership who wanted to help out, and then he repainted it to be a cop car - complete with a donated light bar from the local sheriff's office. The City of Goodland shut down streets, turned electricity on in abandoned buildings, and pretty much gave him free rein over the town while he was in production.
Off-screen, people donated meals, lodged cast, and crew, and in return, everyone was welcome to come on set and watch the filmmaking process if they wanted to.
Then, when it came time to screen the film, he screened in the local, one-screen theater for two weeks and became the best-attended feature of 2017. Because of that Goodland was held over for an additional week - doing more business locally in our third week than Thor Ragnarok did in its entire run.
These are just a few examples of how this film was able to come to life and eventually get distribution, have a small theatrical run, be released on Amazon, Spectrum, Xfinity, etc., get a streaming deal with a premium cable network, and have the DVD released in Walmart.
This is an extremely inspiring story. Enjoy my conversation with Josh Doke!
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IFH 284: iPhone Filmmaking & Cinematography with Jason Van Genderen Dec 06, 2018

Today on the show I have iPhone filmmaking master and TEDTalk Speaker Jason Van Genderen. I've wanted to have Jason on the podcast for a long time. He is a true inspiration to anyone who wants to pick up a camera and tell a story. He has made an industry out of professional shooting with iPhones for corporate clients, on commercials, music videos, and short films. Here's some more info on our guest.
No script, storyboard or crew. No exposure to focus controls. A resolution of 640 x 480 pixels and a total memory of just 160MB. That was Jason’s unexpected entry into the global filmmaking stage back in 2008.
‘Mankind is No Island’ went on to win numerous prestigious accolades at film festivals around the globe and was one of the very first exemplary films to champion a whole new emerging medium of iPhone filmmaking.
With screenings and awards from Tropfest NY, Aspen Shortsfest, Palm Springs, San Francisco Short Film Festival, Edinburgh International Film Festival right through to Sundance London, Jason’s made mobile stories that matter, becoming an unexpected voice for marginalized or emerging storytellers. It’s the very reason he proudly labels himself a Filmbreaker.
An equally passionate educator, Jason’s talks have inspired audiences from TEDx Newy to the Aspen Ideas Festival; from countless televisions, how appearances to keynote addresses at film schools and festivals. His masterclass workshops continue to inspire both beginners and seasoned professionals alike. Jason Van Genderen has also consulted and collaborated with some of the world’s largest imaging brands, from Sony and Nokia to Nikon and currently Apple Australia. This year he also commenced an on-air role presenting guest segments on Channel 7’s ‘Get Arty’ children show, and has recently consulted to 7 West Media Group on broadcast applications for smartphone technology.
When your introduction to puberty is selling pet rocks and wearing a back brace, you'd have to hope that the ability to think creatively comes naturally. For Jason, his life of creative problem solving was seeded by 20 years hard labor in the advertising & design industry... before turning his hand to short films. His reputation for quick thinking under challenging circumstances saw him carve an early niche, being a four-time winner in the 24-hour in-camera film festival The Shoot Out.
Always a custodian of content over craft, in 2008 he experimented with filming on his mobile phone, making a short with no script, storyboard, actors, narration or budget. 'Mankind is no Island' went on to win Tropfest NY and numerous other accolades globally, by breaking every rule in the book. His unorthodox approach to filtering story with low-tech simplicity has seen him in demand internationally as a presenter on pocket filmmaking.
There are NO MORE EXCUSES ANYMORE. You can tell your story with what's in your pocket.
Enjoy my conversation with Jason Van Genderen!
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IFH 283: Building an Audience for Your Indie Film with Paola di Florio & Peter Rader Dec 04, 2018

Today's guests are Oscar® Nominated writer/director Paola di Florio & and producer Peter Rader. They worked on one of my favorite documentaries in recent years called AWAKE: The Life of Yogananda.
The film is an unconventional biography about the Hindu Swami who brought yoga and meditation to the West in the 1920s. Paramahansa Yogananda authored the spiritual classic “Autobiography of a Yogi” which has sold millions of copies worldwide and is a go-to book for seekers, philosophers, and yoga enthusiasts today. (Apparently, it was the only book that Steve Jobs had on his iPad.) By personalizing his own quest for enlightenment and sharing his struggles along the path, Yogananda made ancient Vedic teachings accessible to a modern audience, attracting many followers and inspiring the millions who practice yoga today.
The story of how they self-distributed the film from booking theaters to SVOD is remarkable. They did it all on their own and the film has been viewed by millions. I wanted to bring them on the show to discuss their methods for audience building, social media marketing, release stradigy and much more. If you want to the IFH Video Podcast version of this interview goto: IFHTV Video Podcast - Building an Audience for Your Indie Film with Paola di Florio & Peter Rader
Enjoy!
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Indie Film Hustle TV: December 2018 Releases Dec 01, 2018

First off thank you for all the support that the IFH Tribe has given to IFHTV. It has been overwelling and that's why I'm so busy acquiring and producing amazing new content for you every month.
I'll be doing these posts one a month to tell you all about the new releases I have in store for you on Indie Film Hustle TV. I've been a busy beaver and December will have over 20 hours of new content for your streaming pleasure. Also, I'd like to announce IFHTV is now available on Apple TV, Roku and Amazon TV Apps. Just go to the platforms and do a search for "Indie Film Hustle TV" and our app will pop up.
Let's get to it.
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IFH 282: So You Didn't Get Into Sundance...Neither Did I Nov 29, 2018

Well, it's that time of year again when filmmakers around the world get that dreaded rejection letter from the Sundance Film Festival. Below is my rejection email:
RE: On the Corner of Ego and Desire
Dear Alex,
On behalf of the entire Programming team for the Sundance Film Festival, thank you for allowing us to consider your film for the 2019 edition of the Festival. Unfortunately, we were unable to include it in our program this year. Ultimately, we are forced to make many difficult decisions throughout our process, and we consider ourselves lucky to have the opportunity to view the latest work from the independent creative community.
We received a record number of submissions this year (over 14,200), and the number of worthy projects submitted to us is far higher than the number of slots available in our Festival program. The level of quality displayed in the projects we receive is higher each and every year, so it is never an easy process. We wish you the best of luck with your film going forward and we are excited see more of your work in the future.
Sincerely,
John Cooper
Director, Sundance Film Festival
Did you read that, 14,200 submissions? Getting into Sundance is a lottery ticket for sure but it isn't as important as it used to be. Here's what Mark Duplass wrote about it:
Annual Sundance Film Festival rejection reminder: Sundance is awesome, but Sundance is not everything. So many incredible films don't make the cut. Don't let it get you down. If you believe in your film, keep pushing forward. There are so many new ways to get it there. Good luck! - Mark Duplass
My indie films have played in over 500 international film festival around the world and it has been a great experience and I've even been in a few big festivals like Raindance and Cinequest. I've also been rejected by EVERY major film festival in the world. SXSW, Berlin, Cannes, Toronto, AFI and the list goes on.
Film festivals are great. I loved them so much my recent film, which got that Sundance rejection email, On the Corner of Ego and Desire, was a love letter to film festivals, Sundance and Independent filmmakers everywhere.
You have to understand that film festivals are not the only way to get your films out there anymore. Sure, getting into Sundance would be AMAZING but alas it wasn't meant to be and you know what...it's OK. This should stop you from moving forward on your filmmaking journey. Festivals are run by people with tastes and opinions. Those tastes might not be in line with your tastes and that's OK.
Maybe you made an amazing film but there were three other films about the same subject so they had to flip a coin. I decided to make this episode as a therapy session for any filmmaker who has been rejected from Sundance or any film festivals.
I hope it helps. KEEP ON HUSTLIN' NO MATTER WHAT! Keep that dream ALIVE.
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IFH 281: Shooting from the Heart at Sundance with Diane Bell Nov 27, 2018

Today's guest is returning champion writer/director Diane Bell. Diane and I go way back. I had the pleasure of working on her first feature film OBSELIDIA, which won two awards at Sundance. The film makes it's IFHTV Premiere this week.
Here's a bit about Diane.
Diane Bell is a screenwriter and director. Made for less than $150k, her first feature film, OBSELIDIA, premiered in Dramatic Competition at Sundance and won two awards. The film went on to win further awards at festivals around the world, and to be nominated for two prestigious Independent Spirit Awards. Her second film, BLEEDING HEART, a drama starring Jessica Biel and Zosia Mamet, premiered at the Tribeca Film Festival and is widely available. She is currently in post on her third feature, OF DUST AND BONES.
She has written numerous commissioned and optioned scripts, including two with renowned director John McTiernan (the director of Die Hard and The Hunt for Red October). In addition to writing and directing films, Diane with her producing partner Chris Byrne is a founder of the Rebel Heart Film Workshop program, in which she teaches step by step how to make a standout indie film. She also teaches at Denver's Lighthouse Writer's Workshop. She is passionate about sharing her knowledge and honest experiences of filmmaking so that up and coming filmmakers can make better movies and create sustainable careers.
“The biggest advice I can give you for your shoot, if you want to make a standout film, is to be fully present in the moment when you are filming.” – Diane Bell
In her quest to help filmmakers follow their dreams she has written a new book called Shooting From the Heart: Successful Filmmaking from a Sundance Rebel.
If you dream of making a movie but don't know where to start or you're afraid that your film will end up being yet another unseen indie, this is the book for you. Based on the real-life experiences of Sundance award-winning screenwriter/director Diane Bell, SHOOT FROM THE HEART will guide you through the process of making an indie film successfully ― from writing a stand-out script to raising finance, from getting the most out of your shoot to planning a profitable release.
Broken down into sixteen essential steps, this book provides you with a clear, actionable, real-world plan for turning your filmmaking dream into your reality. The method in this book is available to anyone, anywhere. You don't need a ton of money or industry connections, you just need to be willing to do the work of each step.
In this book, you'll find ass-kicking inspiration and motivational tips for the long journey filmmaking is, as well as the practical knowledge and insider's information you need to make it happen. SHOOT FROM THE HEART will empower you to trust your creative instincts and leave you with no excuses for not making the best film you can. This guide is the only one you need if you seriously want to stop talking about making movies and actually make a great one. At the end of each chapter, Diane provides a thoughtful reminder to her readers:
“Be grateful for the journey you are on.”
We discuss her Sundance experience, her horrible Hollywood experience after Sundance and so much more. Enjoy my inspirational conversation with Diane Bell.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 280: Misadventures in Micro-Budget Filmmaking with James Morosini Nov 21, 2018

Today's guest is actor/writer/director James Morosini. His film Threesomething is a micro-budget film that he jumped off a cliff to make. With this being his first feature film as a director he definitely had some misadventures. In this interview, we go into the details of his journey making and distributing his film. We also discuss how he made a clip from the film go viral on YouTube.
Zoe, Charlie, and Isaac spend a night flirting with the idea of a threesome... until it finally happens and all hell breaks loose. While two fall deeply in love, two test their sexual limits. They each discover fantasies they never thought they had and try things they never thought they would. This sexy comedy will make you squirm with its hilarious awkwardness and challenge your ideas of sex, love, and friendship.
In the show notes James wrote an amazing article detailing his misadventures so when you are do listen to the interview the article is required reading.
Enjoy my conversation with James Morosini.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 279: How to Self Distribute Your Niche Indie Film with Brad Olsen Nov 21, 2018

Today's guest is returning champion Brad Olsen, director of the documentary Off the Tracks. This time we discuss his misadventure in distribution. After meeting over 40 traditional distributors Brad decided the best path for his film was self-distribution. I've always said that self-distribution is not for everyone but with Off the Tracks it makes perfect sense.
We discuss how he got the word out of his film, got in the press that was in his niche and how he engaged with the audience he was trying to reach. We talk numbers, success, and failures. It's a pretty eye-opening interview. So if you are thinking of self-distributingg your indie film take a listen to this episode first.
Enjoy my conversation with Brad Olsen.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFHTV Update: BLACK FRIDAY WEEK LONG SALE Nov 19, 2018

Black Friday week is finally here. I wanted to do something special for the IFH Tribe this week so I decided to create a special sale for you guys. Between Today and Cyber Monday, if you sign up for Indie Film Hustle TV receive another FREE MONTH to give to someone else at no additional charge.
All you need to do is sign up for IFHTV and we'll email you a nice e-gift card you can give to your friend, colleague, family or anyone you like.
Head over to Indie Film Hustle TV and sign up. We have a TON of new feature films, docs, courses, and interviews. I'll be releasing a December IFHTV Update soon with all the new content we have planned for you.
Happy Black Friday week and Turkey Day!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 278: Final Cut Pro X SUCKS...Or Does It_ with Brad Olsen Nov 17, 2018

Today's guest is Brad Olsen, director of the documentary Off the Tracks. If you don't know the story about the major debacle that was the release of Apple's Final Cut Pro X get ready to jump into the deep end of editing lore.
In 2011 Apple ended Final Cut Pro as we knew it and started over with a brand new video editing application: Final Cut Pro X. The disruption from this change is still being felt by the film, television, and video industries to this day. With misinformation running amok, Off The Tracks aims to clear the air once and for all. Industry insiders discuss Apple's controversial decision to redesign the video editing application Final Cut Pro.
This documentary explores why the release of Final Cut Pro X upset video editors and how the software is being used today. Off the Tracks features exclusive interviews with the creative professionals who use the software and the developers who created it. Why did Apple make Final Cut Pro X?
I love this documentary about Final Cut Pro X so much I had to have it on Indie Film Hustle TV. Brad not only loved the idea but he also agreed to jump on the show to discuss why he decided to make a doc about a piece of editing software. He's laughing all the way to the bank.
Enjoy my conversation with Brad Olsen.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 277: My IFH Daily Routine & How It Can Help You Make Your Film Nov 13, 2018

So many members of the IFH Tribe always ask me on what my daily routine looks like. I decided to not only share my daily routine but also give you tips on how to create your own daily routine. I found that once I created this routine my life started to change. I wanted to share with you what I do every day to make Indie Film Hustle and IFHTV going and growing.
4:30 am - Wake up and get ready for the day
4:45 am - Drink my protein shake and drink water
5:00 am - Hit the Gym for 1-2 hours of working out (most days just one hour)
6:30 am - 8:00 am: Help my wife with the morning routine
8:00 am - 6:00 pm: Start my IFH day
Answer Emails
Prep for interviews
Interviews
Write Blogs
Create IFHTV Content
Social Media Marketing
Within the day I set aside 2 hours for meditation (extremely important)
6:00 pm - 8:00 pm: Family Time
8:00 pm - 9:30 pm: TV and Wife Time
9:40 pm - Sleep
Tip: I drink over a gallon of water a day. This helps with so many things I can't even tell you.
In this episode, I go into great detail on my routine and give you a bunch of tips on how to create a daily routine to help you achieve your dreams.
Thanks again for all the support and happy streaming!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 276: How to Direct a Micro-Budget Feature with William Dickerson Nov 08, 2018

Today on the show we have an author, filmmaker and screenwriter Willaim Dickerson. William is the author of the book DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter).
William Dickerson is an award-winning screenwriter, director, and author, whose debut feature film, Detour, was released theatrically and On-Demand worldwide. He has a Master of Fine Arts from the American Film Institute and teaches Directing at the New York Film Academy.
William and I had a great conversation on how he put together his micro-budget feature. We go deep into the process so get ready to take notes.
Enjoy my conversation with Willaim Dickerson.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 275: Indie Film Hustle TV is LIVE! It's NETFLIX for Filmmakers & Screenwriters Nov 01, 2018

Today is the day. IFHTV is LIVE! Go check it out at www.indiefilmhustle.tv. It's taken me months getting this ready for you and I hope you love it as much as I do. It has been a dream of mine to have a place where filmmakers, screenwriters and content creators could go to get their "fix" of filmmaking behind the scenes, interviews, documentaries, online education, and feature films. This has truly been a labor of love. Here's what you can expect from Indie Film Hustle TV.
IFHTV will be the world's first Netflix meets Masterclass style streaming services dedicated to filmmakers, screenwriters and content creators. Thousands of videos to help you on your filmmaking and screenwriting journey.
IFHTV is available worldwide and will be accessible on over 1000 devices including, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player. Coming soon iOS devices and Android devices Apps.
So what are you waiting for? Head over to www.ifhtv.com, kick the tires and let me know what you think. Please send feedback to ifhsubmission@gmail.com. I really want to make IFHTV the best it can be and I need your feedback.
Price is $10.99/month or $120.00/year. After Feb 1st it goes up to the normal price of $13.99/mth and $150/yr so if you are interested sign up now to get that limited time price for the life of your subscription. Go to www.ifhtv.com.
Thanks again for all the support and happy streaming!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 274: Distribution Myths, VOD and AFM with Linda Nelson Oct 31, 2018

Today on the show we have returning champion Linda Nelson from Indie Rights. I wanted to bring Linda back to discuss how much the distribution game has changed in the three years since she was last on the show. We also discuss the American Film Market and how to work it properly.
Nelson Madison Films/Indie Rights was founded by Michael Madison and Linda Nelson because they believed that the future was bright for independent artists and that there was a better way to produce and distribute movies. They have been in business since 2000, when they produced their first film, NSYNC BIGGER THAN LIVE a Giant Screen Movie that played to sold-out crowds worldwide.
Known for innovation. SHIFTED, their first digital feature, was the first movie on Amazon's UnBox (the predecessor of Amazon Video) and was used by Amazon to promote their platform for over five years. DELIVERED was the first independent feature to edit and master a 4K movie using Adobe CS5. Articles in Variety, HDVideoPro and an Adobe Success Story followed. Partnerships were forged early on with the leading digital platforms including Amazon, Google, Cinedigm, MGo and Adrise, and these partnerships ensure that Indie Rights can offer the very best audience opportunities for their own films, as well as the more than 300 other filmmakers they work with.
Linda Nelson began her career as an international investment banker, IT executive an entertainment real estate developer. After meeting Michael Madison, she pivoted into the movie business finally realizing her artistic potential. As an Executive Producer on NSYNC, she quickly realized that she was interested in being more "hands-on" and was the DP for her next film, SHIFTED. As a Producer on DELIVERED, she was finally able to gain experience in all aspects of the financing, development, production and distribution phases of moviemaking.
I can't recommend Indie Rights highly enough. If you have a feature film that needs distribution do yourself a favor and check them out.
Enjoy my eye-opening conversation with Linda Nelson.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 273: Movie Theaters are DEAD...Not So Fast with Phil Contrino Oct 23, 2018

Are movie theaters dead? Every summer there is a barrage of articles announcing the death of the movie theater experience. Those articles state the new generation is not interested in going to the movies anymore, that they stream everything.
This kind of rhetoric has been spouted off since television was invented. Then it was VHS, then DVDs and not streaming. Movie theaters have always been able to find a happy home and compliment the new movie screening technology of the day. Today on the show we have Phil Contrino from N.A.T.O, the National Association of Theatre Owners. Phil and I discuss the movie-going experience. What theaters are doing right and where they can improve. We also discuss what place indie films have in the modern day movie theater experience.
I've always had a love for the movies. It's like a church for me. Whenever I've been in a tough place in my life I go to the movies to escape, think and see what comes to me. It's almost meditative. I truly hope they'll always be a form of the communal movie going experience and I have a feeling there will be.
Enjoy my conversation with Phil Contrino.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 272: How to Sell Ancillary Products for Your Indie Film (Pool Party Massacre) with Drew Marvick Oct 22, 2018

For years now I've been preaching how filmmakers need to create ancillary products for their indie films. (listen to this episode for more on that.) Today's guest has done an amazing job at doing just that. Drew Marvick is the writer/director of the 80's style horror indie film Pool Party Massacre.
Drew not only made his film, which took over a year to complete, but decided to target his core audience and sell amazing assortments of products based on his film. The audience ate it up.
Drew and I break down how he came up with his marketing plan, how he sources his classic VHSs, where he had that killer poster made, his sales numbers and how the hell he had an action figured made for a low budget horror film. BTW, check out the amazing artwork he had designed for Pool Party Massacre.
Enjoy my eye-opening conversation with Drew Marvick.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 271: Going Undercover and Directing for VICE with Natalia Leite Oct 17, 2018

Today's guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I've ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well.
Enjoy my conversation with Natalia Leite.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 270: Changing the World with Your Documentary with Susan Kucera Oct 10, 2018

Today on the show we have documentarian, Susan Kucera. Here new film Living in the Future's Past stars Academy Award® winner Jeff Bridges.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 269: IFHTV - The World's 1st Streaming Service for Filmmakers & Screenwriters Oct 03, 2018

The wait is over! This is what I've been working on for months. May I introduce you to IFHTV (Indie Film Hustle TV), the world's first streaming service dedicated to filmmakers, screenwriters, creatives and content creators.
I wanted to create a place where film creatives and storytellers could be informed and inspired, no matter where you lived in the world. When I was younger I would hunt for any content on filmmaking, behind the scenes, screenwriting, etc. Combing through DVDs, Laserdiscs and even VHS.
IFHTV is the natural evolution of Indie Film Hustle. My mission is to help as many creatives, filmmakers and screenwriters on their artist path. I hope to grow the platform into a Netflix-style place for people to learn and be inspired.
IFHTV will not only be an educational platform but it will also stream content covering the film business, acting, filmmaking, post-production, screenwriting, storytelling:
Feature Films
Documentaries
Series
Documentary Filmmaking
Social Media and Marketing
Distribution
Cinematography
Film History
Exclusive Interviews
Exclusive IFHTV Original Content and Shows
Inspirational Films as well
IFHTV will launch worldwide November 1, 2018. It will be accessible on over 1000 devices including iOS devices, Android devices, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player.
The launch special will be $10.99 for 90 days. On Feb 1, 20,19 the price will go to $13.99.
Take a listen to this episode to get all the low down on what I'm doing with IFHTV, including content, films, and documentaries we'll be launch with. Thanks for your support and I really hope you love IFHTV as much as I do.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 268: Leaving the Money to Chase that Filmmaking Dream with Drew Waters Sep 26, 2018

Have you ever been in a job you hate? Would you leave a stable job to follow your dream? Meet producer, director and actor Drew Waters. He did just that. Drew became an entrepreneur with three retail businesses and a commercial/residential construction company with partners. One day he woke up at the age of 30 and realized I wasn't fulfilled with what he was doing, so he thought back to the moment he was the happiest.
That moment turned out to be a time, nearly ten years earlier when he was in Japan and was shooting a commercial. That realization led him to the decision to pursue a career in the entertainment industry.
The next week he sold the companies to his partner and started acting/directing /producing. His first film was a D horror movie made for $3,500 That sold and was followed up by another D horror film that was made for $1,500.
From there he made a 30k film in 10 days that sold to a distributor for a 50k MG. Now after 14 years, 60+ acting credits, 7 produced films later and working with some of the best people in the business, he opened his own production company Argentum Entertainment. Together with his producing partner, he created, directed, produced his first $2m film called New Life. Following a limited theatrical release, it now has worldwide distribution and is selling well.
I wanted to have Drew on to tell his story of how to follow your dream no matter what. He took a gambled and it paid off.
Enjoy my inspirational conversation with Drew Waters.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 267: The RAW TRUTH - Self Distribution vs Traditional Distribution Sep 21, 2018

LET'S GET READY TO RUMBLE, self-distribution vs traditional distribution!!! I wanted to finally create an HONEST resource for indie filmmakers to learn the TRUTH about both forms of distributing their films.
I get into the weeds on this one and talk about my experience self-distributing my film, This is Meg, what my experience was working with multiple domestic and international distribution companies and give examples on how and why self-distribution is a great path just not for every film.
It's a knowledge bomb packed episode so get ready to take some notes. Knowledge is power. Enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 265: Indie Film Producing - The Craft of Low Budget Filmmaking with Suzanne Lyons Sep 11, 2018

Today on the show we have returning champion producer Suzanne Lyons. Suzanne was one of my first guests (IFH 015) on the podcast. Her episodes are some of my most downloaded episodes so I had to have her back on to talk shop.
Suzanne will go over a ton of information on how to produce an indie feature film. She covers:
The dos and don'ts of Low Budget Filmmaking
What is Soft Prep?
Contracts
Working with unions
The hell of deliverables
and much more
We also discuss Suzanne's new course Indie Film Producing Masterclass:
Here's some info on the Indie Film Producing Masterclass:
Have you ever wondered what it really takes to produce an independent film? How raise money, dealing with contracts, SAG agreements and putting together sales presentations for investors? Then this masterclass is for you.
Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong? Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you.
In this Mastermind workshop, you’ll learn from her experience and benefit from her success. Suzanne will take you through a structured crystal, clear step by step process that will actually make low budget filmmaking easy and fun!
This workshop is unique in that it will literally guide you through the entire process of making your film. From her own hands-on experience, she will be addressing every detailed facet of filmmaking.
“Suzanne has that rare ability to combine artistic creativity and smart business sense… she’s proven that by taking a SAG ultra-low budget and somehow squeezing out a quality film that looks like it cost a million!”
Academy Award® Winner Mark L. Smith, Writer/Director “Séance” Writer, “The Revenant”
“Suzanne is brilliant… take her workshop and put her suggestions to work and you’ll be amazed at the extraordinary results you’ll produce.”
Ross Grayson Bell, Producer “Fight Club”
From option a screenplay, development, designing your business plan, opening your film company, hiring your line producer and director. Finessing your budget, schedule and film timeline. Being smart about contracts and paperwork. Casting and working with actors. The details of pre, principle, and post, choosing your sales agent, preparing for film delivery and festivals, and so so so much more.
You'll also get a BONUS PACK of the real world used contracts, agreements and business plans word and PDF worth over thousands.
Enjoy my conversation with producer Suzanne Lyons.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 264: Shooting an Improv Feature, with Movie Stars, in 5 Days with Jamie Adams Sep 06, 2018

As promised today's guest is Jamie Adams, the writer/director of the new film Alright Now starring (Cobie Smulders, “How I Met Your Mother, Avengers”) You can listen to her interview here. I wanted to chat with Jamie because he has made a career of shooting feature films fast, cheap and completely improv.
As you all know I shot my first two features, This is Meg and On the Corner of Ego and Desire, using the same style and techniques. They're not a ton of film directors shooting features films like this, let alone films with major movie stars in them, so I had to have him on to discuss his process.
in this interview Jamie breaks down:
- How he was able to cast Cobie Smulders
- What his process is when writing the scriptment
- How he works with actors
- How he covers a scene and much more
Here's a bit about the film:
ALRIGHT NOW follows Joanne (Cobie Smulders, “How I Met Your Mother, Avengers”) a rock musician who drunkenly enrolls in college after she breaks up with her boyfriend and her band falls apart. Convinced she will give the youngsters a run for their money, Joanne is shocked to discover that no one knows who she is and they could care less about her rock star past. Completely improvised and Directed by Jamie Adams (Black Mountain Poets), ALRIGHT NOW is a feel-good comedy about love, life and the search for new beginnings.
Enjoy my conversation with writer/director Jamie Adams.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 263: From Avengers to Shooting Improv Indie Films with Cobie Smulders Sep 04, 2018

Today's guest is actress Cobie Smulders. You may recognize Cobie from blockbuster films like The Avengers, The Avengers: Age of Ultron, Captain America: Winter Soldier and Jack Reacher: Never Go Back. She'll also be in the new Spidey film Spider-Man: Far from Home. I've been a fan of Cobie's for a while now. Her ability to jump from mega-blockbuster to ultra-low budget indie film has always fascinated me.
One of the main reasons I wanted to chat with Cobie was to discuss her new film Alright Now. What makes her new film unique is that it was shot 100% Improv-style, just like I shot my film This is Meg and On the Corner of Ego and Desire. I wanted to see why an actress used to shooting big studio tentpoles would be attracted to making a low budget improv indie in the UK. What was her experience being out there acting with no net. Also what it was like working with Jamie Adams (who will be a guest in the show soon), the writer/director of Alright Now. Here's a bit about the film:
ALRIGHT NOW follows Joanne (Cobie Smulders, “How I Met Your Mother, Avengers”) a rock musician who drunkenly enrolls in college after she breaks up with her boyfriend and her band falls apart. Convinced she will give the youngsters a run for their money, Joanne is shocked to discover that no one knows who she is and they could care less about her rock star past. Completely improvised and Directed by Jamie Adams (Black Mountain Poets), ALRIGHT NOW is a feel-good comedy about love, life and the search for new beginnings.
Enjoy my conversation with actress Cobie Smulders.
Alright Now is out Sept 9th on VOD from Gravitas Ventures.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 262: Top Ten Books That Will Change Your Life! Aug 30, 2018

On today's episode, I go over my top ten books that ROCKED my world! I get asked all the time what are a few books I could recommend. So I decided to just put a list together of these books. The books on the list have transformed me into the person I am today. They have opened my mind, showed me new ideas, changed the way I thought about life and most importantly shook the foundations of my existence. Enjoy and may you find value in this list, my friends. Now get to reading!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 261: Making Indie Films as a BLIND Director with Gough Aug 28, 2018

Today's guest gough, from Berrnuts Productions, really doesn't let anything get in his way. When the rest of us are making excuses on why we can't do this or that this legally BLIND director is making films he wants to make. You heard correctly, gough is legally blind and yet he's a prolific film director running a production company, with employees I might add, and doing it his way. He has shot 14 short films and 1 feature film.
He's a true inspiration to any filmmaker out there who says they can't do it. When you listen to his story you will see what an amazing journey he has had to get to this point.
Here's a bit on gough and his company:
Beernuts Productions is Australia’s most exciting and innovative production company. Founded by gough in 2006, Beernuts Productions has set out to prove itself as a prolific producer of contemporary, cutting-edge and award-winning cinema, television, downloads and books with a wide range of topics and projects to be undertaken.
“I Will Not Go Quietly” was Beernuts Productions first feature film project, a documentary discussing the important topics of mental health and disability. gough is the first legally blind person to write, produce, edit, direct and star in a feature filmmaking this project a world first. Since then gough has gone on to write, produce and direct many other projects, including a number of films, audio downloads, and books. Beernuts Productions has worked with some of Australia’s finest actors, artists, and production crew, helping make all content on the Beernuts Productions website world class.
Beernuts Productions also has numerous other projects in development and prides itself on its diversity and challenging range of topics and projects were undertaken, clearly demonstrating Beernuts Productions skills, fortitude and determination to entertain no matter the genre.
Enjoy my inspirational conversation with filmmaker gough.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

BONUS EPISODE: On the the Corner of Ego and Desire gets into RAINDANCE! Aug 27, 2018

Well, I finally have news for all of you IFH Tribe members who have been asking what the heck is going on with On the Corner of Ego and Desire. Our film has been accepted to the Raindance Film Festival in London, England. It will be the UK Premiere of Ego and Desire. Raindance is the largest and most prestigious film festival in all of the United Kingdom and we can't be more excited to be a part of it.
I wanted to do this quick bonus episode for the IFH Tribe to show you all that dreams do come true. You can do it. You have to follow your dreams if not why are we here?
This is the first stop of hopefully many for On the Corner of Ego and Desire. Congratulations to the entire cast and crew. More updates to come soon.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 259: Lessons From the Screenplay with Michael Turner (CROSSOVER EVENT) Aug 16, 2018

Today episode is a CROSSOVER between the IFH Podcast and the Bulletproof Screenplay Podcast. I do this every 6-8 weeks when I find a guest that would be great on both podcasts. On this episode, we have Michael Tucker from Lessons from the Screenplay. LFTS is a YouTube channel that analyzes movie scripts to examine exactly how and why they are so good at telling their stories.
I’ve become a HUGE fan of what Micahel is doing and wanted to have him on the show to drop some knowledge bombs on both tribes!
Enjoy my conversation with Michael Tucker from Lessons from the Screenplay.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 258: Making Money with Documentaries & Sriracha with Griffin Hammond Aug 06, 2018

Today on the show we have an OG in the online filmmaking education space, Griffin Hammond. I've followed Griffin for years and was so excited to sit down and talk shop with him. Griffin Hammond is a documentary filmmaker in New York City, known for producing DIY filmmaking tutorials for indie filmmakers, and his award-winning documentary Sriracha. We discuss how he made over $90,000 with a documentary short film.
In 2014, Griffin moved from Bloomington, Illinois to New York City to cover the U.S. presidential election for the Bloomberg Television/MSNBC show With All Due Respect.
The University of Southern California and the U.S. State Department named Griffin a Film Envoy for the 2017 American Film Showcase—a cultural diplomacy program that sends independent filmmakers around the world to teach.
Previously, he worked for YouTube Next Lab, as executive producer of the YouTube channel Indy Mogul, and started his career as a video producer and social media strategist at State Farm Insurance.
Griffin Hammond studied film at New York University, earned a Masters in Communication from Illinois State University, taught video production at Millikin University, and produced an online course—Shooting Documentary Short Films.
Enjoy my conversation with Griffin Hammond.
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IFH 257: Complete Guide to Understanding Film and Production Equipment Insurance Jul 30, 2018

Understanding the minefield that film production and production equipment insurance is a challenge. I wanted to bring on the show Kathrine Wong and Aylene Villarin from Athos Insurance to left the vail on all things filmmaking insurance.
Now I know what you are saying...a podcast about insurance, snore! but to be honest it's a fun episode with tons of knowledge bombs.
Enjoy my conversation with Kathrine Wong and Aylene Villarin from Athos Insurance.
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IFH 256: Desiderata: Blueprint for Being a Successful Filmmaker, Screenwriter and Person Jul 26, 2018

We have a special show this week. I've always have loved the poem Desiderata and thought it would be of value to the IFH Tribe. I hope reading or listening to Desiderata brought a bit of light and hope to you on your filmmaking or screenwriting journey. Keep that dream alive and I'll speak to you next week!
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IFH 255: Behind the Curtain of Blackmagic Design with President Dan May Jul 24, 2018

If you are an avid listener of this podcast you know how much I LOVE Blackmagic Design products. From giving away Davinci Resolve for free to releasing a 4K Pocket Camera with RAW, Blackmagic is truly in the corner of every filmmaker. Their motto is...
"Power to the people!"
I always wanted to know how and why they make such amazing products for filmmakers at such ridiculously affordable prices. Today's guest, Dan May - President of Blackmagic Design, would be the man to ask. I go deep into the weeds on how the company works, why they make their products so accessible to so many people and why they care so much about the little guy.
Just to clarify, no I was not paid for this interview at all. I really wanted to get into the mind of one of my favorite camera and post-production companies. We also talk a little bit about gear.
Enjoy this rare look behind the curtain at Blackmagic Design with President Dan May.
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IFH 254: What Does a First Assistant Director Really Do? with Brandon Riley Jul 17, 2018

What does a First Assistant Director actually do on set? Do you need one? The short answer is YES! I've directed with no First Assistant Directors, with bad 1st Assistant Directors, and with world-class First ADs and trust me I rather work with the latter. Today's guest is First Assistant Director, Brandon Riley.
Brandon started out in the entertainment industry working as an Assistant Director and later joined the DGA. With a vast knowledge of how a set operates and functions, Brandon has since gone on to produce, line produce and UPM features and TV projects. Brandon is a natural born leader who aims to lead every show in a calm assertive manner. He prides himself in aiming to create an environment where both cast and crew are treated well and have an enjoyable experience on set. Brandon is one who continually tries to bring the best out in others and always pushes for excellence in every area. He has a passion for problem-solving and is an invaluable team player.
Enjoy my conversation with Brandon Riley.
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IFH 253: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas Jul 10, 2018

I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.
When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE."
Enjoy my conversation with Elizabeth Blake-Thomas.
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IFH 252: Rebel without a Crew - $7000 Feature Film Robert Rodriguez Style with Alejandro Montoya Marin Jul 03, 2018

Today on the show we have writer/director Alejandro Montoya Marin. He had the pleasure of being selected to be a director on Robert Rodriguez's Rebel without a Crew Television Show. If you've been following me at all over the past three years you'll know how much of a fan I am of Robert Rodriguez (check out How to Make Rodriguez's Guacamole Gun). Here's some info on the show.
Armed with a ridiculously low budget and just 14 days to shoot his movie, Robert Rodriguez created El Mariachi an award-winning film that changed independent filmmaking. The 12-part "Rebel Without a Crew: The Series" follows Scarlet Moreno, Alejandro Montoya Marin, Bola Ogun, Josh Stifter, and Bonnie-Kathleen "BK" Ryan as they shoot their own feature-length film in 2 weeks with a budget of only $7,000.
I had a ball talking with Alejandro Montoya Marin about filmmaking, working with Robert Rodriguez, his experience being on a reality show and making his film MONDAY for $7000 and in 14 days.
Enjoy my conversation with Alejandro Montoya Marin.
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IFH 251: How to Get Your Indie Film on Netflix with Neil Ames Jun 28, 2018

Today on the show we have Neil Ames from Distribber. Neil is the Netflix Yoda over at Distribber. He's been working with Netflix since before they were a streaming juggernaut. I wanted Neil to come on the show and pull back the curtain on the inner workings of Netflix. We discuss:
What Netflix is looking for?
How to submit an indie film to Netflix?
How does Netflix decide what to license?
What you can do as a filmmaker to have a better chance of getting on Netflix.
What Netflix typically pays for acquisitions
and a ton more.
So if you ever wanted to get your film on Netflix get ready to take some notes, my friend. Enjoy my conversation with Neil Ames.
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IFH 250: The Secret to Making Money with an Independent Film Jun 26, 2018

We are here! Episode #250! I can't believe we got here. I'm humbled that the IFH Tribe has allowed me to continue this show for almost three years now. I wanted to do something special for episode #250 so today I'm going to talk about The Secret to Making Money with an Independent Film. After being a part of over 60 features films and studying hundreds more I've noticed a few things that filmmakers should avoid.
This is not all just doom and gloom I promise. I also go over what I think the future of independent film is and how you can be a part of it. So please enjoy this episode and I hope it's of value to you on your filmmaking journey. Keep on hustlin'!
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IFH 249: How to Breakdown the Door in Hollywood with Carole Kirschner Jun 21, 2018

Today's guest is Carole Kirschner. Carole was at CBS Comedy and then hired as Vice President of Steven Spielberg’s first Amblin Television. During that time, Carole heard more than 3,000 pitches, bought hundreds of scripts, and was involved in developing dozens of television series.
In all, she probably read about 5,000 scripts. She created the CBS Diversity Institute Writers Mentoring Program, which she has run for 14 years. Soon after, Carole was asked to help Jeff Melvoin (creator of the WGA Showrunner Training Program) develop the program’s curriculum. She has also been running that program for the past 13 years.
Carole Kirschner wrote a book revealing the “inside,” unwritten truth about what it takes to succeed in this business. Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment has been enthusiastically received and is used in many colleges and universities across the country. We discuss breaking into the business, working with Steven Speilberg and how to create a career in Hollywood.
Enjoy my conversation with Carole Kirschner.
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IFH 248: Bomb City - Tapping into Your Audience and Selling Your Indie Film with Major Dodge Jun 19, 2018

Today's guest is producer Major Dodge. His new film Bomb City is quite frankly...da bomb (sorry I couldn't help myself). Here's some info on his film.
Bomb City is a crime-drama, about the cultural aversion of a group of punk rockers in a conservative Texas town. Their ongoing battle with a rival, more-affluent clique leads to a controversial hate crime that questions the morality of American justice. Based on the true story of Brian Deneke. Directed by Jameson Brooks.
I wanted Major Dodge on the show so he can share with the IFH Tribe how he raised the money, got the rights to the story, got a theatrical release, tapped into his key audience and created merch to sell to that audience. Bomb City is a great case study.
Enjoy my conversation with Major Dodge.
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IFH 247: How NOT to Screw Up Your Sound in Post Production with Studio Unknown Jun 12, 2018

In over 240 episodes of the Indie Film Hustle Podcast, I have never tackle one of the most important topics filmmakers need to know...AUDIO. Understanding sound is imperative if you are going to become a successful indie filmmaker. Today on the show we have Matt Davies and Rich Bussey from Studio Unknown. We discuss how to capture good audio, the entire sound post workflow and finally sound deliverables. This episode is a must listen to for all filmmakers.
Here is what Studio Unknown is all about:
Studio Unknown believes in Visceral, Personal, and Affordable sound for film. It’s these core principles that not only guide us through the work we do, but strengthen the relationships we build with filmmakers.
We strive to provide soundtracks that heighten any film, no matter the budget or size. This takes forms like comedic timing we add through foley, terrifying creatures we create, lush or delicate ambiences we build, or deep, dark themes we extract through sound design. It can also be as simple in concept as making a character’s dialog clean and understandable.
We help prioritize budgets and consult with the filmmaker to help make appropriate decisions about what sound work is needed once we assess the film. We then explain and collaborate on how to approach the sound concepts, overall story arc, budget breakdowns, external workflow and turnaround time.
We are a full-service, Dolby® tuned/Print Master Approved facility equipped with a 5.1 dubbing stage and full in-housee editorial suites. Studio Unknown’s primary focus is on sound for film and we have developed a unique process for working with filmmakers that allows us to maximize client budgets and meet the tightest deadlines.
Enjoy my conversation with Matt Davies and Rich Bussey from Studio Unknown.
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IFH 246: Directing Color on Set with Ollie Kenchington Jun 06, 2018

Today on the show we have color master Ollie Kenchington. Ollie is a filmmaker, editor, and colorist. He has released an amazing new course called Directing Color. The course focuses on the use of color not only in color grading but also on-set. Since I've been a colorist for over a decade I know the importance of color and want to share that info with the IFH Tribe.
Ollie's company, Korro Films, produces commercials, short films, documentaries and branded content for major international clients, with Ollie Kenchington carrying out senior editor and colorist duties on every project. Ollie Kenchington is an assured practitioner across all areas of filmmaking, giving him a deep understanding of the creative process which allows his agency to flourish in this competitive industry. Additionally, he is an accomplished educator and founder of Korro Academy.
Some info on his course: In Directing Color, filmmaker, editor, and colorist Ollie Kenchington explore how visual language cues, color theory, and even color grading techniques can be used throughout the filmmaking process to not just create a “look” but to enhance storytelling. He challenges directors, cinematographers and filmmakers to think of color first rather than the more common approach of leaving color considerations until post-production.
Enjoy my conversation with Ollie Kenchington.
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IFH 245: How to Get a Theatrical Release through Fathom Events with Caleb Price Jun 05, 2018

Today on the show we have director Caleb Price. Caleb has directed a great documentary called Connect. Here's a bit about the film.
In a social media-centered world, the smartphone has become a cultural rite of passage for kids. But is that rite all wrong? With six teens, Kirk Cameron fully understands this dilemma. So he went to the experts and what he learned will enlighten, challenge, and encourage parents. And best of all: it can help strengthen your family!
Connect isn't the only reason I want Caleb on the show. Caleb and the star of Connect Kirk Cameron (80's Hit Growing Pains, Like Father, Like Son) have used a pretty cool service to reach a MASSIVE Theatrical audience. The company is called Fathom Events. If you've ever been in an AMC theater you've probably seen a trailer for a Concert, Ballet or Broadway play on Fathom Events but they also distribute feature films.
Caleb and I go into the weeds on how he used Fathom Events to sell and market Connect along with other of their past releases. This is a good one so get ready to take notes. Enjoy my conversation with Caleb Price.
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IFH 244: Inside the Worst Movie Ever Made (The Room) with Robyn Paris Jun 01, 2018

Many of you know I have an obsession with Tommy Wiseau's horrible masterpiece The Room. The joy I have when I watch is something that can't put into words. So when I ran into Robyn Paris, she played Michelle in The Room, I lost my mind and completely fanboyed out. If you don't know about The Room check out the trailer for The Disaster Artist, the film about the making of the worst film ever made.
She was awesome to chat to so I invited here on the show to discuss her experience making The Room, how much The Disaster Artist got right and to talk about her new mockumentary series about the actors of The Room called The Room Actors: Where Are They Now?
Robyn is current crowdfunding on Kickstarter to finish the series. If you are a Room fan like me give her and the other Room actors a few bucks so we can continue laughing.
Enjoy my honest, entertaining and even educational chat with Robyn Paris.
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IFH 243: How to Make SERIOUS Money as a Filmmaker May 29, 2018

How to Make Money as a Filmmaker
I always get asked,
"How to make money as a filmmaker or can you make money as a filmmaker?"
The short answer is yes, of course, you can but will it be easy, HELL NO! What's a filmmaker to do? I've been able to develop an over 20-year career making money as a filmmaker. So if I can do it you can too. In this podcast episode, I go into details on all the money making ideas filmmakers can do to make money. I give examples, tell stories and show you how I and other filmmakers make money today. Here are a few things I go over in the episode.
Film Crew Work
Production Assistant
Department PA
Production Office PA
General Crew
Film Office Work
I go over the details of my film office job and what amazing things happen because of it
You meet and network with industry people
Film Production Company
I discuss my first job at a production company and how it launched my career
The value of interning
How you can leverage this job into a profitable freelance career
Skilled Freelancer
Learn a skill (Editing, Camera, Props, Grip. etc)
Find a skill and brand yourself
Building Your own production Company
Become a “Predator: Producer - Director - Editor
You and a camera, some lights and editing gear and you are now a production company
Clients:
Corporate Jobs (Not fun but they pay)
Duplass Brothers Story
Music Videos (creative but little cash)
Create a web commercial for a local company for FREE at first, if you are just starting out
Build your showreel and gain experience
Weddings or Event Filming
Stock Footage Creation
Amazing Side Hustle
Passive Revenue Streams
Borrow a camera or buy a camera and shoot on your downtime
Find unique locations around where you live
B-Roll and RAW footage from old project sitting on a hard drive
BlackBox – Make Passive Income From Your Footage
Online Content Creator
Very creative
Find an audience and serve the audience
It's a long game
Do it on the side hustle at first
You WILL NOT GET RICH but it’ll help build your brand and show your skills
Don’t write off doing FREE Projects
I'll tell you my Snoop Dogg Story
Enjoy and I hope it helps you make some cheddar!
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IFH 242: Indie Film Producing Masterclass - How to Option a Screenplay with Suzanne Lyons May 24, 2018

On today's episode, I'll be giving you a sneak peek of producer Suzanne Lyons' new course Indie Film Producing Masterclass. This is part one of two so enjoy this look inside the best selling indie producing course.
How do you legally option a screenplay? What are the agreements you need? Suzanne goes over everything you need to know in this episode. Enjoy!
Here's some info on the course:
Have you ever wondered what it really takes to produce an independent film? How raise money, dealing with contracts, SAG agreements and putting together sales presentations for investors? Then this masterclass is for you.
Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong? Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you.
In this Mastermind workshop, you’ll learn from her experience and benefit from her success. Suzanne will take you through a structured crystal, clear step by step process that will actually make low budget filmmaking easy and fun!
This workshop is unique in that it will literally guide you through the entire process of making your film. From her own hands-on experience, she will be addressing every detailed facet of filmmaking.
“Suzanne has that rare ability to combine artistic creativity and smart business sense… she’s proven that by taking a SAG ultra-low budget and somehow squeezing out a quality film that looks like it cost a million!”
Academy Award® Winner Mark L. Smith, Writer/Director “Séance” Writer, “The Revenant”
“Suzanne is brilliant… take her workshop and put her suggestions to work and you’ll be amazed at the extraordinary results you’ll produce.”
Ross Grayson Bell, Producer “Fight Club”
From option a screenplay, development, designing your business plan, opening your film company, hiring your line producer and director. Finessing your budget, schedule and film timeline. Being smart about contracts and paperwork. Casting and working with actors. The details of pre, principle, and post, choosing your sales agent, preparing for film delivery and festivals, and so so so much more.
You'll also get a BONUS PACK of the real world used contracts, agreements and business plans word and PDF worth over thousands.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 241: An Evening with the Duplass Brothers | From a $3 Short Film to Netflix & HBO May 21, 2018

I had the pleasure the other night to see two of my inspirations speak on stage. Mark and Jay Duplass or as they are known The Duplass Brothers, were at a book signing for their new book, Like Brothers, and gave an awesome talk about how they got started, playing the Hollywood game and making up your own rules.
Many of you know that the Duplass Brothers are the reason why I got off my ass and made my first feature film This is Meg. Their “just go out and do it” attitude inspired me to go and do it. The further inspired me to make my latest film On the Corner of Ego and Desire. If you have seen their $3 short film, This is John, that got into Sundance and launched their careers you can watch it in the show notes.
Here’s a bit on their new book Like Brothers:
How do you work with someone you love without killing each other? Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong personal and professional partnership in LIKE BROTHERS, a unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way.
Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, LIKE BROTHERS, is also a surprisingly practical roadmap to a rewarding creative partnership. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early ‘90s Austin, and from the breakthrough short they made on a $3 budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their beloved HBO series, Togetherness—namely, too much togetherness.
From their obsession with people-watching at airports to their always-evolving “top 10 films of all-time” list to their personal email conversations to their defense of Air Supply, LIKE BROTHERS is as openhearted and lovably offbeat as Mark and Jay themselves.
I highly recommend any and all filmmakers and screenwriters read this book. Enjoy an evening with the Duplass Brothers.
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IFH 240: How to Work the Film & Television Markets with Heather Hale May 17, 2018

Today's guest is Heather Hale, author of How to Work the Film and TV Markets: A Guide for Content Creators. Heather Hale is a film and television director, screenwriter and producer with over 50 hours of credits. She is currently under contract to direct an indie romantic comedy.
She directed, produced and co-wrote the million dollar feature Absolute Killers (2011) which was marketed by distributors at Le Marche du Film and the American Film Market. She wrote the $5.5 million dollars Lifetime Original Movie The Courage to Love (2000) which starred Vanessa Williams, Stacy Keach, Gil Bellows and Diahann Carroll.
Heather’s new book How to Work the Film & TV Markets: A Guide for Content Creators was just published this summer by Focal Press/Routledge while her Story$elling: How to Develop, Market and Pitch Film & TV Projects will be published in 2018 by Michael Weise Productions.
For over two decades, Heather has served as an international keynote speaker, teacher, moderator, panelist and custom workshop facilitator for film and TV markets, festivals, writers workshops, colleges and universities and Chambers of Commerce around the globe, including creative adventure weeklong retreats such as StoryTellers on WalkAbout.
Enjoy my conversation with Heather Hale.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 239: How to Create a Bulletproof Character Arc with K.M. Weiland (CROSSOVER EVENT) May 16, 2018

Today we have a special crossover event between The Indie Film Hustle Podcast and The Bulletproof Screenplay podcast. Since I’m the host of both podcasts I thought it would be fun and educational to do these kinds of episodes every once in a while. Today’s guest is best selling author K.M. Weiland, the author of Creating Character Arcs: The Masterful Author’s Guide to Uniting Story Structure, Plot, and Character Development.
K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY, NIEA, and Lyra Award-winning and internationally published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs, as well as Jane Eyre: The Writer’s Digest Annotated Classic, the historical/dieselpunk adventure Storming, the portal fantasy Dreamlander, the medieval epic Behold the Dawn, and the western A Man Called Outlaw. When she’s not making things up, she’s busy mentoring other authors on her award-winning website Helping Writers Become Authors.
We dig in deep on plot, story structure and of course character arcs. Enjoy my conversation with K.M. Weiland.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 238: How to Make Money Shooting Short Films with Carter Pilcher May 08, 2018

Have you ever wondered if you could actually make money making short films? Take it from the guy who made over $90,000 selling a short film, yes you can (click here to hear that story). Today on the show we have the founder of the world's largest short film distribution company SHORTS International, Carter Pilcher.
Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world's leading short movie entertainment company, functioning as a distributor, broadcaster, and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS)
Enjoy my conversation with Carter Pilcher.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 237: Why You Need to Get Up Off Your Ass NOW & Follow Your Dreams Apr 30, 2018

If you are fans of episode IFH 088: Why Filmmakers are Always So Damn Broke & What They Can Do to Change It, then you are going to love this one. I wanted to put together an episode as a wake-up call for the IFH Tribe. I wanted to scare the hell out of you a bit but in a good way. So many people talk about their dreams and so few actually doing anything about it.
This episode is hopefully the kick in the ass you need to get start TODAY and follow your dreams. I share some personal and raw things in this one in hopes that it moves you into action. Disclaimer: I am a bit RAW in this episode so don't listen with small kids in the room.
I hope this helps you on your path. Enjoy!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
IFH 088: Why Filmmakers are Always So Damn Broke & What They Can Do to Change It
This is Meg - First Feature
On the Corner of Ego and Desire - Second Feature
Indie Film Producing Masterclass with Suzanne Lyons
SPONSORS
BlackBox - Make Passive Income From Your Footage
Studio Unknown Audio Post - Mention the IFH podcast, and you’ll receive 50% off one day of ADR
Filmmaker in a Box - Learn How to Make an Indie Film - 18 Hours+ of Lessons
Martin Scorsese Film Directing Masterclass
Ron Howard Film Directing Masterclass
Judd Apatow Comedy Writing/Directing Masterclass
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
IFH MASTERS CIRCLE - Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS.
BONUS: Filmmaking Resources
Martin Scorsese's Film Directing MasterClass
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 236: Sundance, Hollywood and How to Break-Through as a Director with Qasim Basir Apr 26, 2018

We have a very special episode of the Indie Film Hustle podcast today. Our amazing guest is Qasim Basir, co-writer, and director of the Sundance 2018 hit film A Boy. A Girl. A Dream. The film stars Power‘s Omari Hardwick and Meagan Good is the story of two people who meet in Los Angeles on the night Donald Trump is elected President of the United States. The film was just picked up by Samual Goldwyn Company for a theatrical release. Check out a few clips below.
Qasim Basir wrote and directed Mooz-lum (2011) starring Danny Glover and Nia Long about an African-American Muslim family and how their lives are changed by the September 11 attacks. The film received nominations from the NAACP Image Awards and Black Reel Awards.
Basir also wrote and directed Destined (2016) starring Cory Hardrict. Basir won Best Director at the American Black Film Festival.
The film was shot as a true oner, meaning the entire film was shot in one take. To be able to achieve a 90-minute one-take cinematographer Steve Holleran frankenstein'ed a 50-pound antigravity rig and unconventional Sony camera and Panavision anamorphic lens combination.
Qasim and I sit down and get raw, real and drop some MAJOR truth bombs on the tribe today. We discuss some the state of the film business from both of our perspectives, what it really takes to break-through and why he does what he does in the first place. This episode is truly eye-opening and I hope it resonates with you at your core.
Enjoy my conversation with writer/director Qasim Basir.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 235: How to Become an Editor in Hollywood with Lawrence Jordan Apr 24, 2018

Today on the show we have film editor Lawrence Jordan. Lawrence is a veteran feature film and television editor who has worked with many of the top creatives at the world’s largest entertainment companies, including Time Warner, Sony, Fox, MGM, HBO, Netflix, and Disney. He has supervised creative aspects of the post-production process on over 45 feature films and television shows with budgets ranging from 1 million to upwards of 80 million dollars. He recently completed his latest feature film, “Naked” starring Marlon Wayans and Regina Hall for Netflix.
With a passion for technology, Lawrence was fortunate to have the opportunity to be one of the earliest adopters of digital, non-linear, editing workflows. Along the way, he became an adjunct professor at the American Film Institute’s Center for Advanced Studies, and created and taught courses on non-linear editing at UCLA. He has also been a consultant and speaker for companies such as Apple, Adobe, and Avid Technology. Jordan has also written articles for periodicals including American Cinematographer, Editors Guild Magazine, DV, and MacWorld.
Jordan also created 2-pop.com, an Internet community dedicated to providing information about Apple’s revolutionary new post-production software, Final Cut Pro. 2-pop quickly became the premier web destination for the rapidly growing digital video marketplace and was a catalyst for FCP user group communities worldwide. It was later acquired by Creative Planet.
We jump into the "editing" weeds and discuss the craft, the business and the politics of being a Hollywood editor. Enjoy my conversation with Lawrence Jordan ACE.
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IFH 234: Directing Hollywood Blockbusters with Legendary Director John Badham Apr 20, 2018

Today on the show we have a true legend from the film business, director John Badham. John has directed some of the most iconic films in history. From the decade-defining Saturday Night Fever to 80's hits like War Games, Short Circuit, & Stakeout. Check out his current demo reels below.
John Badham has not only continued directing but is involved with some of the most cutting-edge television show being made today. John is also the author of two books John Badham On Directing: Notes from the Set of Saturday Night Fever, War Games, and More and I'll Be in My Trailer: The Creative Wars Between Directors and Actors.
He's also is a Tenured Film Professor at Chapman University in Los Angeles. I can't tell you what a thrill it was to sit down and pick John's brain. He's been directing for close to five decades. His wealth of knowledge and experience is remarkable.
Sit down and get ready to take a TON of notes on this epic conversation with John Badham.
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IFH 233: Real Filmmakers Don't Starve with Jeff Goins Apr 16, 2018

Today's guest is bestselling author and creativity expert Jeff Goins. In this episode, he dismantles the myth that being creative is a hindrance to success by revealing how an artistic temperament is, in fact, a competitive advantage in the marketplace.
For centuries, the myth of the starving artist has dominated our culture, seeping into the minds of creative people and stifling their pursuits. But the truth is that the world’s most successful artists did not starve.
In fact, they capitalized on the power of their creative strength. In Real Artists Don’t Starve, Jeff Goins debunks the myth of the starving artist by unveiling the ideas that created it and replacing them with timeless strategies for thriving, including
Steal from your influences (don’t wait for inspiration)
Collaborate with others (working alone is a surefire way to starve)
Take strategic risks (instead of reckless ones), make money in order to make more art (it’s not selling out)
Apprentice under a master (a “lone genius” can never reach full potential)
Through inspiring anecdotes of successful creatives both past and present, Goins shows that living by these rules is not only doable but it’s also a fulfilling way to thrive. From filmmaker to screenwriter to graphic designers and writers to artists and business professionals, creatives already know that no one is born an artist. Jeff Goins’ revolutionary rules celebrate the process of becoming an artist, a person who utilizes the imagination in fundamental ways.
He reminds creatives that business and art are not mutually exclusive pursuits. In fact, success in business and in life flow from a healthy exercise of creativity. Expanding upon the groundbreaking work in his previous bestseller The Art of Work, Goins explores the tension every creative person and organization faces in an effort to blend the inspired life with a practical path to success. Being creative isn’t a disadvantage for success; rather, it is a powerful tool to be harnessed.
There's no need for filmmakers, screenwriters or any artist to starve anymore! Enjoy my eye-opening conversation with Jeff Goins.
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IFH 232: Test Screenings - Are They a Waste of Time or Worth It? Apr 12, 2018

Today we are going to discuss Test Screenings. Are they a waste of time? How do you handle comments and criticisms? Who do you invite to test screening and how do you perform a proper test screening?
I have a group of five types of creatives I like to invite to see rough cuts of my films.
Director
Writer
Cinematographer
Editor
Producer
In the episode, I go deeper into how to handle critiques and go into a bit of history of some famous test screenings that went right and wrong. Enjoy!
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IFH 231: How to Engage an Audience Before & After You Make Your Indie Film with Kia Kiso Apr 09, 2018

How to Engage an Audience Before & After You Make Your Indie Film
Today's guest is Kia Kiso, co=producer of the hugely successful indie film Mile… Mile & A Half. Kia and her team where case studies in last weeks guest RB Botto's book Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd because of the amazing job they did crowdsourcing. Check out the trailer below.
In an epic snow year, five friends leave their daily lives behind to hike California’s historic John Muir Trail, a 211-mile stretch from Yosemite to Mt. Whitney (the highest peak in the contiguous U.S.). Their goal — complete the journey in 25 days while capturing the amazing sights & sounds they encounter along the way. Inspired by their bond, humor, artistry & dedication, the group continues to grow: to include other artists, musicians & adventure seekers. Before they all reach the summit, hikers and viewers alike affirm the old adage — it’s about the journey, not the destination. Mile… Mile & A Half is the feature-length documentary of that journey…
Kia Kiso discusses how they identified, reached out and engaged before and after the production of her film. This episode is a PERFECT companion to lasts weeks (listen to that episode here). Get ready to be inspired and take notes! Enjoy my conversation with Kia Kiso.
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IFH 230: CrowdSourcing and Build an Audience for Your Indie Film with RB Botto Apr 02, 2018

So today on the show we have returning champion RB Botto from Stage32.com. RB has been on the show six times. Between film festival panels, interviews, and Sundance. He's always a favorite of the IFH Tribe so I thought it was time to bring him back. He finally finished writing his remarkable new book Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd.
Here's some info on the book.
Whether you’re a producer, screenwriter, filmmaker, or other creative, you probably have a project that needs constant exposure, or a product to promote. But how do you rise above the noise?
In Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd, Richard Botto explains how to put crowdsourcing to use for your creative project, using social media, networking, branding, crowdfunding, and an understanding of your audience to build effective crowdsourcing campaigns, sourcing everything from film equipment to shooting locations.
Botto covers all aspects of crowdsourcing: how to create the message of your brand, project, or initiative; how to mold, shape, and adjust it based on mass response; how to broadcast a message to a targeted group and engage those with similar likes, beliefs, or interests; and finally, how to cultivate those relationships to the point where the message is no longer put forth solely by you, but carried and broadcasted by those who have responded to it. Using a wealth of case studies and practical know-how based on his years of experience in the industry and as the founder of Stage 32―the largest crowdsourced platform for film creatives―Richard Botto presents a comprehensive and hands-on guide to crowdsourcing creatively and expertly putting your audience to work on your behalf.
This is an EPIC interview. Over two hours but it is FULL of knowledge bombs. We also discuss how I pulled RB out of acting retirement to play a big part in my new feature film "On the Corner of Ego and Desire." I promise you this is a fun episode!
Enjoy my conversation with RB Botto.
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BPS 004: How to Sell Your Screenplay with Ashley Scott Meyers Mar 30, 2018

Today’s guest is screenwriter/podcaster Ashley Scott Meyers from Sellingyourscreenplay.com. Ashley is a working screenwriter in Hollywood. He also spends his time running a popular screenwriting blog and podcast. His focus is on helping you sell your screenplay. Here’s a bit of his philosophy in his own words:
If you ask 100 different screenwriters how they broke into the business you’re going to get 100 different answers. There is no “right” way to break in. So my philosophy has always been simple: try as many different angles as possible and figure out what works best for you.
Below are two short lists of things you should be doing to try and sell your screenplays. I’ve listed them in order of what I think is most effective (your results may vary). One thing to keep in mind, this is not an exhaustive list. You should be thinking of other ways you can market your material and doing those things, too. If you would like to share any of your ideas please email me as I’m always curious to hear how other writers are successfully marketing their material.
Also, you may not be able to do everything on these lists, but the more you do the better chances you’ll have. If you’re serious about success, however, you’re going to need to try most of these things, otherwise you’re not going to be giving your screenplay, or yourself, a real chance to succeed.
Things you can start doing today.
Make phone calls to agents, managers, and producers pitching your material
Write query letters for your screenplays and snail mail, email, or fax them to agents, managers, and producers
Scour sites like Craig’s List and other online resources for people looking for screenplays and send them your query letter
Enter screenwriting contests
Try and connect with agents, managers and producers on social media sites like Twitter and Facebook
Long term items which you should also be doing.
We get into it in this interview so take some notes on this epic conversation. Enjoy!
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IFH 229: From Indie Films to Directing a Hollywood Icon with Adam Rifkin Mar 29, 2018

Today's guest is Adam Rifkin. Adam Rifkin is a Writer/Director whose eclectic career ranges from family comedies to thought-provoking indies to cult classics.
Most recently, Rifkin Wrote and Directed THE LAST MOVIE STAR, a poignant drama starring screen legend, Burt Reynolds, Ariel Winter and Chevy Chase. The critically acclaimed film premiered at the Tribeca Film Festival where it was bought by A24 and is set to be released in March 3o, 2018 in theaters and all streaming platforms.
Rifkin also Directed DIRECTOR’S CUT, a wild and twisted meta-thriller penned by iconic illusionist and comedian, Penn Jillette of Penn & Teller. DIRECTOR’S CUT was the opening night film of the 2016 Slamdance Film Festival and will be released by Epic Pictures under their new, DREAD CENTRAL PRESENTS, horror banner.
We discuss how he jumped from screenwriter to director, how to handle a problematic actor on set and what it was like directing an icon.
Enjoy my conversation with Adam Rifkin.
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BPS 001: What Makes a Good Screenplay with John Truby Mar 28, 2018

IFH has a NEW PODCAST. Introducing The Bulletproof Screenplay Podcast. Today is a CROSSOVER EVENT to introduce you to the new show.
Today’s guest blew my mind on his approach to storytelling and screenwriting. John Truby is one of Hollywood’s premier screenwriting instructor and story consultant.Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”
Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”
Called “the best script doctor in the movie industry,” Truby serves as a story consultant for major studios and production companies worldwide, and has been a script doctor on more than 1,800 movies, sitcoms and television dramas for the likes of Disney, Universal, Sony Pictures, FOX, HBO, Alliance Atlantis, Paramount, BBC, MTV and more.
Truby’s former students’ work have earned more than $15 billion at the box office, and include the writers, directors and producers of such film blockbusters asRatatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more. Truby’s class is also regularly attended by top fiction writers and novelists who have topped the New York Times’ Bestseller List, won numerous prestigious literary awards, and have sold over 46 million books worldwide. Hollywood’s best-kept secret, Truby’s classes regularly attract everyone from first-time writers to A-list writers, producers, directors, filmmakers, story executives, novelists, fiction writers and more.
In addition to his sold-out seminars, John Truby remains on the cutting- edge of technology having created and developed Truby Blockbuster – the bestselling software designed to intuitively help writers learn and understand the art of developing their story ideas into fully realized professionally-structured scripts.
Truby’s principles and methods are the most modern, exciting approach to screenwriting and storytelling to be developed in a generation, which is why his classes regularly attract everyone from Oscar winners to first-time writers.
We get into the weeds of story in this EPIC conversation. Get ready to take notes. Enjoy!
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IFH 228: How to Deal with Residuals & Paying Back Investors with David Zannoni Mar 27, 2018

Have you ever had to deal with paying out investors, guilds, unions, residuals, and producers from the revenue your film makes? Today's guest is David Zannoni of Fintage House, does just that but on a global scale. David helps you, the producer, ALL the rights for your film globally.
Now, this is a subject I didn't know I needed to know about. After meeting David at AFM I knew I had to have him on the show to drop some knowledge bombs on the IFH Tribe.
In today’s film industry, it is customary for independent film productions to have a collection account in place. Often film financiers, (international) production companies, sales agents, and lawyers representing any of these parties, require the establishment of a Collection Account before they step on board of, or have their client commit to, a project.
What is exactly a Collection Account? A Collection Account is an account opened in the name of an independent, neutral, trusted third party, the so-called Collection Account Manager or simply the CAM. The CAM receives into the Collection Account the revenues generated by the worldwide exploitation of the film from the distributors on behalf of the beneficiaries of the film.
This is called Collection Account Management. This ensures that each beneficiary of the film will receive its share of the revenues. Beneficiaries include the sales agent, the producers, (institutional) financiers, talent (writers, directors and actors) and equity investors in the film.
A Collection Account is set up in the name of the CAM. The film’s sales agent or worldwide distributor subsequently instructs the local distributors of the film, in each territory and for every media window, to pay into the Collection Account the royalties generated under the distribution agreements.
To make sure distributors actually pay to the Collection Account, the sales agent includes the details of the Collection Account in the distribution agreements, the invoices it sends to the distributors, or by means of sending a notice of assignment to the distributors advising them of the existence of a Collection Account for the film.
The benefits of having a Collection Account in place are amongst others:
Protection of revenues
Avoidance of conflicts between parties of interest
Creating transparency in the accounting side
Outsourcing of the film’s administration
Here's a bit on today's guest.
David Zannoni negotiates agreements for films and television series for Fintage House clients, is involved in business development, maintains relationships with clients specifically in the US, Latin America, and Spain, and represents Fintage at film markets.
On behalf of Fintage House, David has given presentations, workshops and seminars at universities across the globe and at events such as the yearly conference of the National Association of Latino Independent Producers in the US (NALIP), the Winston Baker Film Finance Conferences, the Rio Film Market and the Bogota Audiovisual Market (BAM). David currently resides in Mexico and speaks fluent English, Spanish, Italian and Dutch.
Enjoy my conversation with David Zannoni.
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IFH 227: How to Make Money with YouTube with Christopher Sharpe Mar 22, 2018

How to Make Money with YouTube with Christopher Sharpe
Today's guest is a bonafide Youtube Guru. Chris has not only created one but two massive Youtube Channels. His first was with his wife called Hilah's Cooking which has close to 400,000 users and launched books, speaking engagements, Food Network appearances and much more.
From there he partnered with actress/yoga instructor Adriene Mishler and launched the Yoga with Adriene channel. Now that channel's user base is 3.3 Million subscribers. If you type "Yoga" into Youtube Adriene comes up for the first 7 videos. CRAZY!
Together Chris and Adriene built an online empire. They have a huge membership site, licenced products, a US tour and more. Chris shares the secrets on how he was able to hack the Youtube algorithm and get his video ranked in a MASSIVELY competitive space like YOGA.
Chris literally wrote the book on the subject: [easyazon_link identifier="B00N6TZ19M" locale="US" tag="whatisbroke-20"]YouTube Black Book: How To Create a Channel, Build an Audience and Make Money on YouTube[/easyazon_link]
About the Book: Are you ready to launch your own YouTube Channel, develop a devoted fan base and make money while you’re at it? Christopher Sharpe is the producer of multiple YouTube Channels that attract passionate audiences and add thousands of new subscribers per day.
In YouTube Black Book, Christopher shares how he launched these channels and shows you how to turn a passion for creating YouTube videos into a profitable business. YouTube Black Book offers you a glimpse behind the scenes. Christopher shares his journey with complete transparency so you can emulate his success and avoid his failures. This book focuses on the big pictures strategy of what it really means to create a successful YouTube channel. From setting goals and developing your initial idea to strategies to get more views, YouTube Black Book covers all the bases.
Christopher Sharpe is the producer and director of the popular YouTube Channels Hilah Cooking and Yoga With Adriene.
Get ready to take notes on this epic interview with Christopher Sharpe.
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IFH 226: The NO Bullsh*t Guide to Making Your Indie Film with Jeff Leisawitz Mar 19, 2018

The NO Bullsh*t Guide to Making Your Indie Film with Jeff Leisawitz
Have you ever been in a place where nothing is going right creatively? Do you ever feel like you are standing in your own way? Me too. Today's guest is author Jeff Leisawitz who wrote Not F*ing Around— the No Bullsh*t Guide for Getting Your Creative Dreams Off the Ground. This little pack quite a punch.
I wanted to have Jeff on the show to drop some knowledge bombs to wake up the tribe a bit. To help you get out of you own way; to get you out of any creative rut.
About the book: Can't quite get your creative juices flowing? The day job sucking your soul? Fizzled out before you put the finishing touches on your amazing creation? With relentless positivity, full-on authenticity and a punk rock thunder spirit, author Jeff Leisawitz pulls back the curtain on the creative process and reminds us that we are all creative SuperStars.
It's time to get off the couch and get on the path. It's time to tap into the cosmic heartbeat that thumps in your chest and shines from your soul. It's time to get NFA!
About Jeff Leisawitz: Jeff is an award-winning musician/ producer, a critically acclaimed author and internationally distributed filmmaker who has devoted his life to creativity.
As the guy behind Electron Love Theory, Jeff fused interviews with Seattle’s WTO demonstrators into electronic music, garnering more than a quarter million downloads worldwide. Jeff has released five studio albums and has landed thousands of music placements in film, TV and multimedia for clients like HBO, MTV, Discovery, Microsoft, NBC and many others.
As the founding writer for Seattle’s taste-making alternative rock station 107.7 The End, he chronicled the alternative grunge scene in the 90s.
After training as a Life Coach and practicing NLP (Neuro-Linguistic Re-Patterning) Jeff landed a gig as an adjunct faculty member at Pacific Lutheran University— teaching college students to rock. (Seriously)
When creative businesses, schools and organizations like Brown Paper Tickets, Tacoma School of the Arts, Gage Academy of Art, Northwest Film Forum and others need to amp up the creativity, Jeff leads workshops and events to fire up the creative spirit and empower people to tap into their true potential.
Enjoy my conversation with Jeff Leisawitz.
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IFH 225: How to Shot a Feature Film in 24 Hours with Ivan Malekin Mar 13, 2018

How to Shot a Feature Film in 24 Hours with Ivan Malekin
Imagine shooting an entire feature film in 24 hours. How could you do something like that and not make it a bad stage play? Today's guest was not only able to do that but made a damn good film in the process. Ivan Malekin and his partner Sarah Jayne directed the feature film Friends, Foes & Fireworks in just one night (24 hours). Here's some info on the film.
An intimate New Year's Eve reunion of five female friends in the independent acting scene becomes a test of relationships when old tensions spark, truths are told, and rivalries are reignited. Will the group make it through the night together or will their friendship fizzle out like an overzealous fireworks display?
Filmed in a single night, the craziest and most chaotic night of the year - NYE - and relying entirely on improvisation, Friends, Foes & Fireworks is an ambitious Australian drama exploring relationships, love, friendship and the truths we try and fail to keep to ourselves.
We dive into what it took to make a film in 24 hours, did they use a script or scriptment? How many cameras? How many crew and much more. Get ready to be inspired and enjoy my conversation with Ivan Malekin.
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IFH 224: TOP SECRET Indie Film Hustle Project Finally Revealed Mar 12, 2018

TOP SECRET Indie Film Hustle Project Finally Revealed
The day is finally here. I've been teasing you guys for months now. The top secret project I've been working on is my next feature film called "On the Corner of Ego and Desire." The entire film was shot at this year's Sundance Film Festival. The film was written, produced, directed by me, produced by Adam Bowman of Media Circus, shot by Austin Nordell and starring Rob Alicea, Sonja O'Hara, and Randy Ramos Jr.
Here is the synopsis:
Three hapless independent filmmakers make the trek to the Sundance Film Festival and go through absolute hell in search for the elusive producer that is supposedly going to buy their independent feature film, all within 24 hours. With a producer who stole money from his mother's retirement account to fund the film, to a director who thinks she's the next Francois Truffaut, to an actor/editor who is a doormat for everyone, this motley crew of misfit filmmakers have a tough time navigating the chaotic world of the Sundance Film Festival. Ignorance, foolishness and above all ego drive the team to implosion as they struggle to realize their filmmaking dreams.
I wanted to make a film that would be an allegory of what "not" to do with an indie film. The movie is funny, sad, ridiculous and heart-wrenching. I didn't want to announce the project without being able to show the IFH Tribe something so check out the teaser trailer by going to On the Corner of Ego and Desire - Official Site
Let me know what you guys think. Take a listen to the episode as I go into more detail on how we shot it, what camera and lenses we used and much more. I'll be breaking down the process of how the film came together in the coming weeks and months. For some behind the scenes photos of the production go to: On the Corner of Ego and Desire - Official Site.
I hope this little film will inspire you to go out and tell your story. Keep that hustle going, keep that dream alive and I'll talk to you soon.
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IFH 223: Inside the Raindance Film Festival with Founder Elliot Grove Mar 10, 2018

Inside the Raindance Film Festival with Founder Elliot Grove
Today’s guest is the legendary film author and founder of the Raindance Film Festival Elliot Grove. Elliot is not only the founder of Raindance Film Festival and the British Independent Film Awards. He has produced over hundreds of short films and also five feature films, including the multi-award-winning The Living and the Dead in 2006. He teaches screenwriting and producing in the UK, Europe, Asia and America.
Elliot has written three books which have become industry standards: Raindance Writers’ Lab: Write + Sell the Hot Screenplay, now in its second edition, Raindance Producers’ Lab: Lo-To-No Budget Filmmaking and Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice).
He has produced over 700 shorts and 6 features including the new action film AMBER.
I sat down to talk shop, what the state of indie film is today and all things Raindance. Enjoy my conversation with Elliot Grove.
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IFH 222: How to Shoot and Sell a $5000 Micro Budget Feature Film with Claudia Pickering Mar 08, 2018

How to Shoot and Sell a $5000 Micro-Budget Feature Film with Claudia Pickering
Today's guest is writer/director/actor/producer Claudia Pickering. She recently wrote and directed the feature film "Frisky" for just $5000. I wanted to have her on the show to discuss the tricks of the trade when making a feature for such a low budget. The film has also played at countless film festivals and won a ton of awards. Check out the trialer below.
Two twenty-somethings move to San Francisco to chase their career but end up chasing tail instead.
When two twenty-something women move back to San Francisco, where they had met on exchange years earlier, their high career aspirations quickly become sidelined by their sexual interests. While wildly crass and charismatic in their public personas, they are in fact fundamentally at odds on many levels. Their opposing beliefs surrounding responsibility and romance, combined with their close quarters while crashing in an acquaintance's living room, find them thrust onto a fast track to discovering what their friendship is really made of. Based on true events, Frisky is an honest, tongue-in-cheek look at what it is to be a woman in the limbo years between college and "the real world".
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IFH 221: Finding an Audience for Indie Films in 2018 with Shaked Berenson Mar 01, 2018

Finding an Audience for Indie Films in 2018 with Shaked Berenson
Today's guest is a returning champion Shaked Berenson from Epic Pictures. On this special edition Sundance episode Shaked and I discuss marketing and finding an audience for your indie films in 2018. We discuss their recent acquisition of the Horror Blog/Brand Dread Central and how you can use today's tools to find your audience.
Shaked has produced films like the cult hit Turbo Kid (SXSW Audience Award), Entertainment (Official Sundance Film Festival Selection) and the animated film Space Dogs: Adventure to the Moon. What is great about Shaked is that he has created his own ecosystem. From financing to production to distribution, all under one umbrella. This way he cuts out the middleman and he can keep more of the profits.
Thanks again to Media Circus PR who co-produced these podcasts episodes with me. Enjoy my interview with Shaked Berenson.
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IFH 220: How to Package an Indie Film for Investors with Tiffany Boyle Feb 21, 2018

How to Package an Indie Film for Investors with Tiffany Boyle
Today on the show is Tiffany Boyle from Ramo Law. Tiffany helps indie filmmakers package their projects in a way that helps them attract producers, investors, other top-end actors, and studios. We had a great conversation at this year's Sundance Film Festival. Here's some info on today's guest.
Tiffany Boyle has been with Ramo Law since 2009, where she works with the attorneys to review, collaborate, develop, submit and supervise creative materials on behalf of clients within the Firm. Boyle actively works with clients in connection to production and distribution opportunities that bring their new material to life. From television (unscripted/scripted) to feature films to internet properties, she oversees all creative content represented by the firm. Her recent projects include REBIRTH (Netflix original film), YOUTH IN OREGON (starring Christine Applegate, Billy Crudup and Frank Langella), SPRING (premiered in TIFF), THE 12TH HOUR (documentary narrated by Jeff Bridges), STUCK IN LOVE(starring Greg Kinnear and Jennifer Connelly), FRANKIE GO BOOM (starring Charlie Hunnam), SOME GIRL(S) (starring Adam Brody), and FREE SAMPLES (starring Jesse Eisenberg). She also executive produced I-LIVED (directed by Franck Khalfoun).
Prior to joining Ramo Law, Boyle was the Director of Sales at Crystal Sky Pictures (GHOST RIDER, TEKKEN). Her responsibilities included the creation of marketing materials, coordination of marketing and delivery materials for international buyers and planning and selling at markets and festivals (including EFM, AFM, Marche Du Film, MIPCOM, Sundance and Toronto). She also acted as the financial intermediary for buyer collections and proper bank filings.
Boyle was previously a development assistant at Crystal Sky, working under head of production Benedict Carver (UNDERWORLD, RESIDENT EVIL) and head of international sales Daniel Diamond (THE BELIEVER). She worked in all aspects of production on the company’s films, including DOOMSDAY, BIG STAN and BRATZ.
Thanks again to Media Circus PR who co-produced these podcasts episodes with me. Enjoy my interview with Tiffany Boyle.
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IFH 219: Pixar's Coco and the World of Animation with Carlos Moreno Jr. Feb 15, 2018

Pixar's Coco and the World of Animation with Carlos Moreno Jr.
Today on the show is Carlos Moreno Jr. Carlos was the voice of a handful of characters in the Oscar® Nominated Animated Masterpiece "Coco." Coco is, by far, one of the best-animated films I've ever experienced. It one of my top five films of 2017.
Carlos Moreno Jr., key to the stellar cast of Pixar's most lauded feature since "Toy Story," is a name you need to know from "Coco," the multi-awarded, "Golden Globe" and "Critic’s Choice" winner, was the headline speaker at the Sundance Latino Filmmakers panel where he will launch the Legacy App. (www.legacyapp.co) with the always appealing, creator Mel Ramirez. This app allows you to share your photos and videos with your loved ones long after you have passed.
This app allows you to share your photos and videos with your loved ones long after you have passed. A highlight of this stand-alone special Festival programming, is the selection of a unique, top-tier film to premiere after the panel which is Moreno's signature award-winning short, "Panacea." We are joined by star and co-writer of the short Kyle Devero.
Thanks again to Media Circus PR who co-produced these podcasts episodes with me. Enjoy my interview with Carlos Moreno Jr.
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IFH 218: Using Algorithms to Help Sell Your Indie Film with Sundance's Liz and Jess Feb 05, 2018

Using Algorithms to Help Sell Your Indie Film with Sundance's Liz and Jess
Sundance is back on the show. I had the pleasure of having returning champion Liz Manashil (listen to her interview here) and Jess from the Sundance Institute. We discuss the very cool things they are up to at the Sundance Creative Distribution Fellowship and how they are using data to help indie filmmakers find an audience and sell their films.
Thanks again to Media Circus PR who co-produced these podcasts episodes with me. Enjoy my interview with Liz and Jess.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 217: Insider Tips on Crowdfunding Your Film on Kickstarter with Elise McCave Jan 30, 2018

Insider Tips on How to Crowdfund Your Film on Kickstarter with Elise McCave
On the show today is Elise McCave, Director of Narrative Film at Kickstarter. Elise drops some major knowledge bombs on this episode. She goes over what it takes to have a successful crowdfunding campaign on Kickstarter, what makes a good pitch video and we discuss some success stories as well.
Thanks again to Media Circus PR who co-produced these podcasts episodes with me. Enjoy my interview with Elise McCave.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 216: From Indie Films to Oscar Nominations with David Permut Jan 25, 2018

From Indie Films to Oscar Nominations with David Permut
I'm back from Sundance! What a ride this year. So much to tell you guys. The first interview in my Sundance Film Festival Interview Series (co-produced with my buddies Adam Bowman at Media Circus PR) is legendary producer David Permut.
David has produced almost 40 feature films in the course of his career.
Here are a few trailers of David Permut's work.
His new film, The Polka King starring Jack Black, just got released on Netflix. Check out the trailer.
Enjoy my interview with David Permut.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 215: How to Become a Working Director without Film School with Cole Walliser Jan 17, 2018

How to Become a Working Director without Film School with Cole Walliser
I've always said that "film school" isn't for everyone. There is so much noise and advertising telling filmmakers that you NEED to go to film school to be taken seriously. I disagree COMPLETELY and so does today's guest! On the show today is director Cole Walliser. Here's a bit on Cole's amazing filmmaking journey so far.
Cole Walliser, born in Steveston, BC Canada and bred in Vancouver, now lives in Los Angeles doing most of the same things he did in his country of birth – playing guitar, drinking scotch and directing cool videos.
“I started with filming skateboarding at about 14. For some reason everyone kept handing me the camera. I guess I had a knack for getting cool shots. Music videos has been a natural progression.”
Once he decided to pursue directing as a career, he knew he had to be in Los Angeles to reach his full potential. In LA, Cole began shooting videos for professional dancer friends on a pro-bono basis when a dancer, returning the favor, asked him to be involved in some dance videos for Miley Cyrus.
These videos impacted the entertainment industry bigger than anyone could of imagined with everyone from Ellen DeGeneres to Madonna to Ryan Seacrest reporting and commenting on the videos. These videos then led him to direct Miley’s 2008 Teen Choice Awards performance featuring LL Cool J.
In 2009 Cole was introduced to P!NK’s management, led by industry heavyweight Roger Davies. The meeting proved fateful, providing him with his next project directing the opening video for her Funhouse World Tour (originally slotted for Dave Meyers).
Cole continued working with P!nk on the record-breaking Australian tour where he gave fans a glimpse into P!nk's life on tour with a 30-minute documentary “On Tour with P!nk”. His successive work on four new P!NK music videos (Please Don’t Leave Me, Funhouse, Leave Me Alone [I’m Lonely], Mean), along with the documentary, found their home in P!NK’s 'Greatest Hits So Far' DVD.
Enjoy my inspiring conversation with Cole Walliser.
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IFH 214: Sundance Film Festival Survival Guide Jan 12, 2018

Sundance Film Festival Survival Guide
This year will be the sixth time I've been to the Sundance Film Festival and I've picked up a few tips and tricks on how to survive the experience. I've many many mistakes when traveling to the festival. From the wrong shoes to not having Chapstick. These small things can turn into nightmares if not done correctly.
I teamed up with Adam Bowman from Media Circus (listen to his past IFH Podcast Episode here). Adam is a true veteran of the Sundance FilmFestival, this year being his seventeenth outing. Between the both of us we have you covered.
Also if you want to get a behind the scenes / backstage pass to the Sundance Film Festival check out #crashsundance during the festival to see all the inside stuff we are creating from the festival.
Take a listen and take some notes. Enjoy and I hope to see you at the Sundance Film Festival this year!
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IFH 213: How to Find an Audience for Your Indie Film with Media Circus Jan 10, 2018

How to Find an Audience for Your Indie Film with Media Circus
Today on the show we have Adam Bowman and Paul Koshlap from Media Circus PR. These guys specialize in marketing for indie films and filmmakers. They handle digital marketing, public relations, digital advertising and much more.
We discuss the state of indie film marketing, how to find an audience for your film and tips and tricks to get you film and yourself out there.
Enjoy my interview with Adam and Paul from Media Circus.
Right-click here to download the MP3
Download on iTunes DirectWatch on IFH YouTube Channel
Slamdance / Blackmagic Design Workshop
Join Alex Ferrari as he shares tips and tricks using Blackmagic Design cameras and post-production workflow. He discusses handling the post for Hulu's Dimension 404, directing the Nerdist/Legendary Digital's series The S.P.A.A.C.E Program and his debut feature film This is Meg.
The workshop will be on Saturday, January 20th at the Treasure Mountain Inn from 2:30pm-4:30pm, followed by a happy hour.
Slamdance HQ, Screening Rooms, and Filmmaker Lounge
at Treasure Mountain Inn (TMI)
255 Main Street, Park City, Summit County, UT 84060
(323) 466-1786
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 212: Out of Time & the Back to the Future DeLorean Documentary with Steve Concotelli Jan 04, 2018

Out of Time & the Back to the Future DeLorean Documentary with Steve Concotelli
Today on the show we have documentary filmmaker Steve Concotelli, the director of OUTATIME: Saving the DeLorean Time Machine. Out of Time is the documentary about the restoration of the screen used Back to the Future DeLorean Time Machine.
We discuss how the film came to be, his Kickstarter campaign, getting the rights from Universal, working with Back to the Future co-creator, producer and overall Godfather Bob Gale and how he distributed his little indie doc.
Here's some more info on Steve.
Steve has been a creative force in the entertainment industry for over 10 years. He began his career as an Editor on G4's "Attack of the Show". Since then, Steve has worked nearly every job in production including Writer, Producer, Videographer, and ultimately, Executive Producer. His clients span the creative landscape and include Disney, Crackle, Paramount, Science Channel, Discovery, TruTV, Spike and more.
In 2015, Steve partnered with Universal Pictures to create OUTATIME: Saving the Back to the Future DeLorean Time Machine, a feature-length documentary about Back to the Future. Steve wrote, produced, directed, and edited the film. Since its release, OUTATIME has received critical praise, winning the "Best Documentary" Award at the 2016 Gen Con Film Festival. Currently, Steve is the Senior Creative Producer at Cricket Pictures in Los Angeles.
Enjoy my "time-bending" interview with Steve Concotelli
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IFH 211: How to Get Up Off Your Butt & Make It Happen in 2018 w/ Eric Thomas Dec 31, 2017

How to Get Up Off Your Butt & Make It Happen in 2018 with Eric Thomas
Happy New Years everyone. 2018 is going to be insane!! I wanted to give you a gift to get your year off to an explosive start. Today's guest is Global Phenomenon Eric Thomas.
Eric Thomas, Ph.D. is a critically acclaimed author, World-renowned speaker, educator, pastor and audible.com Audie Awards Finalist. ET, as he is better known, has taken the world by storm, with his creative style and high-energy messages. His words continue to impact tens of millions of people in several hundred countries across the planet! Through a significant social media presence and his recent domestic and international tours, “ET, The Hip Hop Preacher” has become a global phenomenon!
As CEO of his Consulting Firm, ETA LLC., Eric has led his team through the doors of dozens of reputable organizations and Fortune 500 companies such as General Electric, Quicken Loans, AT&T, Nike, Under Armour, New Balance and UPS. He has also consulted for major Universities and the major sports teams within the MLB, NBA, NFL and MLS.
I hope this episode inspires you to be the best version of yourself in 2018. Get ready to have a fire lite under your butt and enjoy my conversation with Eric Thomas!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 210: How to Work Creatively with People and Not Kill Each Other Dec 28, 2017

How to Work Creatively with People and Not Kill Each Other
One of the biggest issues filmmakers, screenwriters and creative types in general have is working with other people. Creativity is very personal to an artist, in any part of the process. I've seen first-hand decade-long friendships get destroyed by "creative differences".
I could see the deterioration of relationships in my edit suite over the years; producers, directors, writers, cinematographers, etc. I personally lost friends along my filmmaking journey because of creative differences.
The biggest problem I see is that people need to set up a clear distribution of responsibilities for each person in the party. Create sandboxes and rules of play in those sandboxes. Miscommunication is death in any relationship.
In this episode, I go over a few techniques that have helped me work creatively with people. I can't tell how sad it is when you lose a friendship over a project, I hope this episode can help you avoid this unneeded pain. We make movies. We tell stories. We provide entertainment to others. We should be able to build long-lasting creative relationships in this business.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 209: Directing Studio Features in Hollyweird with Demian Lichtenstein Dec 21, 2017

Directing Studio Feature Films in Hollyweird with Demian Lichtenstein
Today's guest is director Demian Lichtenstein. I had the pleasure of being on a panel with Demian at a film festival a few weeks ago. His generous approach to sharing his experience, knowledge and Hollywood war stories was breathtaking. I had to have him on the show to drop some knowledge and truth bombs on the IFH Tribe.
Demian has amassed a vast body of work in the music video industry since receiving his BFA from New York University in 1988, leading to his current status as a feature film director. Some past projects include directing Music Videos for Sting & Eric Clapton, Grandmaster Caz, Shabba Ranks, Queen Latifah, West of Eden (Best Independent Video/MTV 1987), Cypress Hill, Gloria Estefan, Sony, Warner Bros, Columbia Pictures, MCA, Epic, Island, Atlantic, Tommy Boy, IRS Records, World Hunger Project, and the Multiple Sclerosis Society.
Demian is a member of the DGA (Director's Guild of America) and was Chairman of the New York Independent Film Coalition for two years and has directed, produced, written, photographed, taped and/or recorded audio on over 225 features, short films, music videos, commercials, and concerts.
He also shadowed James Cameron on the set of Avatar for a bit but we'll get into that as well. Enjoy my conversation with Demian Lichtenstein.
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IFH 208: Cinematic Masterclass with Philip Bloom Dec 19, 2017

Cinematic Masterclass with Philip Bloom
Today on the show we have a legend in the filmmaking blogosphere, award-winning cinematographer Philip Bloom. Philip is a world-renowned filmmaker who, for the past 10 years of his 27-year career has specialized in creating incredible cinematic images no matter what the camera. He started blogging back in the early 2000's before anyone was really doing it. I personally have been following him for years.
Here's some more info on Philip Bloom:
Some of his most iconic work was created with Canon DSLRs. As one of the biggest evangelists for their use in productions his website became the place to go to for budding filmmakers as well as experienced ones keen to embrace the new technology. His site now regularly has over 1,000,000 visitors a month.
His use of Canon DSLRs to shoot part of Lucasfilms’ last movie “Red Tails” proved a huge point to the naysayers. This technology was proved very viable in large-scale productions.
He has become very well known for his in-depth video reviews of various cameras, which have helped many people in the huge decision of buying a camera. He has worked for all the major UK broadcasters, such as the BBC, ITV, C4 and Sky, as well as countless independent production companies and many others around the world including CNN, CBS, Discovery, FOX and NBC.
Independent projects are key to Philip and he splits his time between bigger projects and small independent ones. One of his most successful independent projects was “How To Start A Revolution” which won a BAFTA in 2012 and was also awarded prizes at several film festivals including Best Documentary at the 2011 Raindance festival.
Enjoy my conversation with Philip Bloom.
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IFH 207: Inside the Visual Effects of Star Wars: The Last Jedi & ILM with Dan Cregan Dec 11, 2017

IFH 207: Inside the Visual Effects of Star Wars: The Last Jedi & ILM with Dan Cregan
Ever wonder what it is like to work at ILM (Industrial Light and Magic) on a Star Wars film? Today's guest is one of my best friends, Dan Cregan. Dan and I go way, way back. He worked with my doing VFX on my first film BROKEN.
We've continued to work together over the past 12 years. Dan has moved up in the VFX world working on blockbuster films like:
Star Wars: Rogue One
Star Wars: The Last Jedi
The Hobbit: The Desolation of Smaug
Spectre
The Martian
Guardians of the Galaxy
X-Men: Apocolypse
Pirates of the Caribbean: Dead Men Tell No Tales
Fantastic Four
Dawn of the Planet of the Apes
I wanted to bring Dan back on the show to share his experience working behind the scenes of Star Wars: The Last Jedi and ILM. Enjoy my conversation with Dan Cregan. May the force be with you.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 206: Crossover Episode with the Just Shoot It Podcast Dec 07, 2017

Crossover Episode: Just Shoot It Podcast
I thought it would be fun to do a crossover episode with filmmaking podcast Just Shoot It with hosts Oren Kaplan and Matt Enlow. I was invited down to their studios to record a "recorded live" episode and we had a ball.
The conversation was energetic and turn heated in a few places. We talked about directing, USC Film School Grads, the state of indie films, the wonderful world of digital series and much more. It's a great listen. Enjoy my conversation with Oren Kaplan and Matt Enlow of the Just Shoot It Podcast.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 205: How to Pitch Your Screenplay in 60 Seconds with Michael Hauge Dec 06, 2017

How to Pitch Your Screenplay in 60 Seconds with Michael Hauge
You walk onto an elevator and just before the door closes Steven Spielberg gets on. You have 60 secs to pitch him your latest screenplay. What do you do? Your goal is to have your audience say “yes, I understand, and I care” after reading or watching your brand story.
If your audience just says “now I know” then you have successfully informed them but not enough to make them care, to make them stay to whatever you have to say next. Your career can be made in 60 seconds - if you make the right pitch!
Today's guest is returning champion Michael Hauge. He is the best-selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition) and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read.
According to Will Smith,
“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” – Will Smith
We discuss pitching techniques, the pitch story arch, and much more. After partnering with Michael on the best-selling Udemy Screenwriting course Screenplay and Story Blueprint: The Hero’s Two Journeys I wanted to work with him again. We came up with the NEW online course Pitching Your Screenplay or Novel in 60 Secs (Click here for an EXCLUSIVE Discount).
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 204: Why Do You Want to Be a Filmmaker? Dec 04, 2017

Why Do You Want to Be a Filmmaker?
On today's show, I ask the simple question
"Why do you want to be a filmmaker or screenwriter?"
This single question is one of the most important questions you can ask yourself. Understanding the answer can set you up for success in your career or ultimate failure. It has taken me over 20 years to honestly answer that question and it has made all the difference in the world. I just wished I would've answered it in my 20's and no my 40's.
Enjoy and if you find value in this episode please share it with as many filmmakers, screenwriters, and artists you can.
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IFH 203: How to Shoot & Sell Digital Series (The Bannen Way) with Mark Gantt Nov 30, 2017

How to Shoot & Sell Digital Series (The Bannen Way) with Mark Gantt
Today's guest is Mark Gantt. He's a man of many talents, actor, director, writer, and producer. He's best known for co-creating, producing and starring in the award-winning The Bannen Way for Sony Pictures Television. Financed by Sony’s Crackle distribution arm, this unique web series/feature film had a compelling cast which included Michael Ironside, Academy Award nominees Robert Forster and Michael Lerner, and Emmy winner Vanessa Marcil.
Within the first 10 weeks of release, The Bannen Way garnered over 14 million views and went on to win 4 Streamy Awards including Best Actor (Mark Gantt), Best Drama, Best Director and Best Editor; as well as being nominated for two Webby Awards and a BANFF Award. The film is currently distributed internationally on VOD, DVD, iTunes, and Amazon as a feature film.
I wanted to bring Mark on the show to discuss how he got The Bannen Way shot, how he got HUGE sponsors to come on board and how he convinced Sony Pictures to buy a web series...in 2009. Here's some more info on Mark Gantt.
Mark’s onscreen credits include American Horror Story: Hotel, Ocean’s Eleven, Charlie’s Angels: Full Throttle, Buffy, the Vampire Slayer, Dexter, Major Crimes, Bluff, Barely Famous and currently recurring on The Arrangement premiering March 2017 on E!
As a director, Mark feature directorial debut, Murder In Mexico starring Colin Egglesfield premiered on Lifetime in Sept of 2015. He recently directed Intricate Vengeance for Ron Howard and Brian Grazer’s New Form Digital with Wilson Cleveland. He’s also won several awards including Best Director at Philadelphia First Glance Film and Best of the Fest at the Cinema Series Festival for the short film Donor. He recently directed the branded series Seamlessly She with Monica Potter for AOL and GMC as well as two episodes of the branded series Suite 7 with Shannen Doherty, Jaime Murray, and Eddie McClintock. Suite 7 episodes were nominated for the 2011 BANFF Rockies and the 2012 Webby Awards. Shannen Doherty was awarded Best Performance by the Webbys for her work in the episode.
As a producer Mark recently completed principal photography on Psychophonia, a thriller that his wife, Brianne Davis, directed. Mark starred opposite Vedette Lim (“True Blood”). He’s also completing post-production on two horror/sci-fi films, The Night Visitor and The Night Visitor 2: Heather’s Story with Blanc-Biehn Productions’ Jennifer Blanc-Biehn, Michael Biehn, Lony Ruhmann and Brianne Davis.
In 2013, Mark began teaching acting at the Beverly Hills Playhouse where he studied with and assisted Milton Katselas on two dozen productions. He and his wife actress/director Brianne Davis started Give & Take Productions, a film and television production company with several projects in development.
Enjoy my conversation with Mark Gantt.
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IFH 202: Film Finance & How to Raise REAL Money for Your Indie Film with Franco Sama Nov 28, 2017

Film Finance & How to Raise REAL Money for Your Indie Film with Franco Sama
Film Finance is a mystery to most filmmakers. How many of you need money for your next film or series? I'll wait...yeah me too. Today's guest is film producer Franco Sama from Samaco Films. Franco is an Executive Producer and an expert in finding money for independent films. Here's a bit on Franco.
Independent feature film producer Franco Sama boasts a remarkable and extensive history in public speaking, public relations and a decade of independent film development, production and financing.
Sama has Executive Produced an impressive array of over twenty (20) independent feature films including most recently, “Guns, Girls and Gambling” starring Gary Oldman, Christian Slater and Dane Cook which is quickly becoming a cult favorite; this film was released into theatres on December of 2012 and, in January 2013, acquired a worldwide distribution deal from Universal Pictures.
Other films Sama has produced include; “Black Limousine” starring David Arquette and Vivica Fox, “Tooth and Nail” starring Michael Madsen and Vinnie Jones, “Paid,” starring Corbin Bernsen and Tom Conti and “The Penitent Man,” starring “The Terminator’s” Lance Henriksen and
Sama also serves as Executive Producer on the recent film festival darling “Petunia” starring Thora Birch, Brittany Snow and Academy Award winner Christine Lahti.
His shingle “Samaco Films” is currently producing a slate of several independent feature films, including “Bless Me Father” starring John Turturro, Michael Rapaport and Michael Rispoli as well as a moving military drama titled “Through my Daughter’s Eyes being directed by Dallas Burgess, starring ingénue Avi Lake as well as “Jarhead” and “The Island” veteran actor Martin Papazian.
Samaco Films released two films in 2015, the first, “The Livingston Gardner” stars James Kyson the beloved “Ando” from the NBC television hit series “HEROS” and the second, “3 Days in Havana” starring Ally McBeal alum, Gil Bellows; both of which have been released through Samaco Films’ sister company, Synergetic Distribution and have been released via all digital and Video on Demand (VOD) platforms worldwide.
And the company’s latest film “Game of Aces” directed by Aussie Director Damien Lay and starring heartthrob and former “American Pie” star Chris Klein alongside “Transformers” Victoria Summer (Transformers: Age of Distinction”) and Werner Daehn (“Valkyrie”, xXx) is scheduled to hit theaters early this summer.
Please share this episode with every filmmaker, screenwriting and content creator you can. Franco basically gave a free masterclass on how to raise and find money for indie films. Get ready to take a lot of notes. Enjoy my conversation with Franco Sama.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 201: How to Break Down & Story Map Your Screenplay with Daniel Calvisi Nov 21, 2017

How to Break Down & Story Map Your Screenplay with Daniel Calvisi
Today guest is author Daniel Calvisi. Dan wrote the book Story Maps: How to Write a GREAT Screenplay. He breaks down stories and shows you how to map out your own by analyzing how the masters construct their screenplays. Here's a bit more on today's guest.
Daniel Calvisi is a story analyst, speaker, screenwriter and the author of Story Maps: How to Write a GREAT Screenplay, Story Maps: TV Drama: The Structure of the One-Hour Television Pilot, and Story Maps: 12 Great Screenplays and Story Maps: The Films of Christopher Nolan. He is a former Story Analyst for major studios like Twentieth Century Fox, Miramax
He is a former Story Analyst for major studios like Twentieth Century Fox, Miramax Films, and New Line Cinema. He coaches writers, teaches webinars on writing for film and television with The Writers Store and speaks at writing conferences and book signings. He holds a degree in Film and Television from the Tisch School of the Arts at New York University.
Enjoy my conversation with Daniel Calvisi.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 200: How to Sell Your Indie Film Using Ninja Facebook Hacks with Kyle Prohaska Nov 16, 2017

How to Sell Your Indie Film Using Ninja Facebook Hacks with Kyle Prohaska
We all want to make money selling our feature films or streaming series but getting peoples attention in this noisy world is pretty impossible. We don't have the marketing budget of the studios to reach our audience. What is a filmmaker to do?
Why not use the most powerful marketing tool ever created...Facebook. Now I know Facebook can be intimidating. It such a deep platform. It's power to reach a specific audience is unmatched. Today's guest Kyle Prohaska is a Facebook Marketing Ninja. Kyle also specializes in promoting and marketing indie films.
He also has created insane followings for his own films. Check out this 1,000,000 follower Facebook page he created for his film Standing Firm. Get ready to take some MASSIVE notes on this special episode. Enjoy my epic conversation with Kyle Prohaska.
Oh, by the way, THIS IS EPISODE #200! HOLY CRAP! Thank you all for listening and spreading the word. I couldn't have gotten here without the IFH Tribe!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 199: How to Go From a 6K Micro Budget to Directing a 100K Feature Film with Joshua Caldwell Nov 15, 2017

How to Go From a 6K Micro-Budget to Directing a 100K Feature Film with Joshua Caldwell
Ever wondered what happens to those directors who make a micro-budget feature film? Do they ever sell that film? Do they ever get to direct a feature film again? Today guest is filmmaker Joshua Caldwell, a rare returning filmmaker on the show.
He directed a $6000 feature film called Layover.
I wanted to bring Joshua back to discuss how he leveraged that first micro-budget feature film to get a shot of directing his new $100,000 feature Negative. Check out the trailer below.
We also discuss how he brought his micro-budget mentality to a larger budget film, how he used guerilla filmmaking techniques to get the biggest bang for his buck. Prepare for some knowledge bombs. Enjoy my conversation with Joshua Caldwell.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 198: The AFM Wrap Up (Indie Film Hustle Edition) Nov 14, 2017

The AFM Wrap Up (Indie Film Hustle Edition)
I had the pleasure of attending this year's AFM (The American Film Market). This was my first time actually walking the entire market. I met a ton of people, made great connections and really got the inside look at how films are sold internationally.
In this episode, I discuss the major takes away from AFM, what an indie distribution pipeline looks like, and why EVERY filmmaker in the world that ever wants to sell an indie film needs to attend. Enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 197: Sundance Wants to Help You Distribute Your Indie Film…REALLY! Nov 10, 2017

Sundance Wants to Help You Distribute Your Indie Film with the Creative Distribution Fellowship
Yup that's right the Sundance Institute wants to help you distribute your film. Liz Manashil (listen to her interview here), the manager of the Sundance Creative Distribution Fellowship reached out to me to get the word out on the fellowship. It turns out that, believe or not, they haven't been getting a lot of submissions. Crazy I know. My feeling is that when filmmakers see Sundance in the title they feel that their chances are thin.
Well, now is your chance IFH Tribe. SUBMIT NOW! We go over all your questions in the interview. Here's some info on the program.
The Creative Distribution Fellowship Overview
The Fellowship - inspired by the Institute’s longstanding artist labs and entering its second year - is an immersive, rigorous program for entrepreneurial producers and directors seeking new ways to build and reach audiences with their finished work. We are now accepting applications for films preparing for a 2018 or early 2019 release who are open to a creative release - i.e. without a traditional distributor.
The Fellowship is a curated program that includes grant funds, access to premium pre-negotiated distribution deals, and connections to experienced industry mentors with the Institute’s Creative Distribution team playing a strategic advisory role. We’re currently engaged in the Fellowship’s pilot year, and supporting two films: Columbus, a fiction feature; and Unrest, a documentary. Both films have excelled with the framework provided by the Fellowship and we are thrilled with the results. Case studies will be finalized on each film in early 2018.
We are seeking films at all budget levels featuring distinctive, singular voices. We will select three or four films on a rolling basis, and we will support fellows during their initial release period (6 - 12 months). Films will be selected by a committee comprised of the Creative Distribution team along with key representatives from the Institute’s Feature Film, Documentary, and Festival programs. Our evaluation process will have two stages. We will initially review applications reviewing essay questions and a trailer or clip. After this initial review, we will invite select applicants to submit their feature in its entirety, and notify others that their project has been declined.
Selected Films Receive
$25,000 grant for marketing expenses with an emphasis on digital marketing.
A mid-five-figure minimum deal from either Amazon, Hulu or Netflix, and preferred access to other Sundance Institute brokered digital distribution opportunities through its relationship with their digital aggregator.
Guidance from the Creative Distribution Initiative and leading industry advisors prior to the release.
Referral to key marketing and distribution consultants to help execute campaigns.
Sundance Institute branding and promotion to support the release of the film.
Half-day marketing strategy session with leading industry marketing and distribution executives at Institute offices.
Sundance alumni designation and benefits.
What Sundance Needs
Fellows participating in the program will be expected to devote significant time and energy to the release of their film.
Fellows will be required to be fully transparent about their experience, including audience data and revenue numbers. This information will be turned into detailed case studies that will be publicly released by the Institute.
Fellows will be required to participate in weekly calls with Sundance Institute to discuss goals, strategy, and progress.
The Creative Distribution team will be available to advise fellows on major marketing and distribution decisions throughout the process.
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IFH 196: Total Transparency: How Much Revenue a $100K Film REALLY Generates with Liz Manashil Nov 10, 2017

Total Transparency: How Much Revenue a $100K REALLY Film Generates with Liz Manashil
Have you ever wondered how much revenue a real indie film can make in the marketplace? Wouldn't you like to see the real and raw numbers for a nontheatrical film with no major film festival premieres? Today's guest has been brave enough to do just that. Filmmaker Liz Manashil decided to open up the accounting books on her debut feature film Bread and Butter, starring SNL's Bobby Moynihan and Lauren Lapkus.
Liz Manashil earned her B.A. in Film and Media Studies at Washington University in St. Louis, and her M.F.A. from USC's School of Cinematic Arts. Post graduation, Liz spent several years as a film critic for the PBS/Hulu series JUST SEEN IT (which she also helped produce and direct). Overlapping this, Liz worked with distribution guru Peter Broderick.
Her debut feature, Bread and Butter, was called “an absolute must-watch for women everywhere” by HelloGiggles. It was released by The Orchard and can be seen on VOD nearly everywhere (including Hulu!). Liz is currently in pre-production on her next feature film, SPEED OF LIFE, and lives in Los Angeles with her dog, Laura Palmer, and her partner, Sean Wright. She is the Manager of Sundance Institute’s Creative Distribution Initiative.
Here's the breakdown (taken from her amazing article on Moviemaker Magazine:
Our film, Bread and Butter, is a digital success. A digital success you’ve never heard of.
Let’s break it down.
Our film cost $100,000 to make
We grossed $96,000 a little bit more than a year into our release (and we’re still making deals)
Our distributor did have a marketing spend but we invested in no other resources outside of that (other than me running our social media campaigns and newsletter)
We got two airline deals, two SVOD deals, and decent promotion of transactional and cable VOD
We’re operating in the black with the distributor’s marketing spend and heading toward eventual recoupment in terms of our expenses
In an age where people debate the utility of making independent feature films, there is hope.
I had a ball speaking to Liz and we get into the weeds on traditional distribution and self-distribution. If you want to sell you film in the marketplace perk up your ears and take some notes. Enjoy my conversation with Liz Manashil.
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IFH 195: Top 10 Tips for Low Budget Filmmakers Nov 08, 2017

Top 10 Tips for Low budget Filmmakers
Making an indie film can be rough, especially for beginners. Many times filmmakers go off halfcocked and jump into making a film without really thinking it all through. Here are a few tips that will help you on you filmmaking journey.
CHOOSE THE RIGHT SCRIPT
Look for character-driven stories with no stunts or effects, limited locations, a limited cast and utilize resources that you already have access to.
PLAN
Spend the time in pre-production. The more you can plan, the smoother your shoot will go. Take the time to plan and save time later when it costs.
MOST FAVORED NATIONS
When paying people less than they’re worth -make everyone equal- one pay rate for everyone. This helps show respect, not play favorites, and everyone will be working for one common goal.
CAREFULLY PICK UNION OR NON-UNION
If you go with an actor’s union, understand the full contract. Quite often although the production terms may be reasonable, the distribution terms may be not.
CAMERA TECHNOLOGY
Never feel that you have to use a specific camera because that’s the “hot” tech. Not all cameras are created equal and it is the talent behind the camera that matters, not the tech itself.
WORKFLOW
Know your production and post workflow before you shoot. This will save time, money, and frustration later.
MUSIC RIGHTS
Don’t go for “label” or commercially released music- the rights are complicated and expensive. Find unsigned, talented artists and get permission to use their music or have them record original music for you.
UNDERSTAND YOUR MARKET
Do your homework. Research your demographic and market - is there actually an audience for this film? How will you sell it? Can you visualize a poster and tagline? Knowing those before you shoot will increase your chances of success.
WORK WITH PROFESSIONALS
Every step of the way, your project will benefit from the experience of true professionals. You may not be able to afford the best in the business, but experience matters - hire the right people for the job, not just friends and family who are available.
PAY ATTENTION TO YOUR SOUND
Sound is one of the most important aspects of a movie - bad sound is intolerable, even over bad picture. Know how to capture the best sound and how to finalize it in post. If you don't know - see tip #9.
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IFH 194: The Art and Craft of Writing a Comedy w/ Peter Desberg & Jeffrey Davis Nov 06, 2017

If you ever wanted to know some of the secrets of how to write a comedy then today's guest might be able to help. Peter Desberg and Jeffrey Davis are the authors of Now That’s Funny! The Art and Craft of Comedy Writing, a new book that provides an intimate look into the minds of twenty-nine of Hollywood’s funniest comedy writers from movies and TV shows like:
Saturday Night Live
Frasier
The Simpsons
Everybody Loves Raymond
Monk
Modern Family
The Honeymooners
There's Something About Mary
Dumb and Dumber
Cheers
Home Improvement
The writers were asked to develop a generic comedy premise created by the authors, giving readers a window into their writing process. There were no rules, no boundaries, and no limits. What emerges is an entertaining look—illuminating and hilarious—at the creative process behind hit comedy TV shows and movies.
Enjoy my conversation with Peter Desberg and Jeffrey Davis.
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IFH 193: How to Create Suspense Like Hitchcock with Jeffery Michael Bays Oct 30, 2017

How to Create Suspense Like Hitchcock with Jeffery Michael Bays
Have you ever wanted to know how Alfred Hitchcock became the master of suspense? How Hitch used the camera and lens to create terror in the audience? Well, you can watch all 52 films Hitchcock directed or if you want to get a head start on you Hitchcock education you should listen to today's guest, Jeffery Michael Bays, the author of the new book Suspense with a Camera: A Filmmaker's Guide to Alfred Hitchcock
Jeffery shares his knowledge and love for Alfred Hitchcock as well as the tricks and techniques that made Hitchcock the master of suspense. If Hitchcock is your thing then also watch Jeffery's amazing series Hitch 20. He breaks down every episode of television Alfred Hitchcock ever directed.
Enjoy my conversation with Jeffery Michael Bays.
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IFH 192: How to Sell Your Indie Film at the American Film Market with Johnathan Wolf Oct 26, 2017

How to Sell Your Indie Film at the American Film Market with Johnathan Wolf
Have you ever wondered how films are sold internationally or domestically for that matter? Today on the show we have Jonathan Wolf, the managing director of the American Film Market or AFM as it's known. The American Film Market generates over $1 Billion in the seven-day event. Buyers from around the world come to buy, sell and pre-sell their film projects.
Johnathan and I discuss the inner workings of the American Film Market, how you should attend, the difference between creating a trailer and poster for the consumer vs a distributor and a ton more.
Here's a bit on today's guest.
Jonathan Wolf has been IFTA’s Executive Vice President and Managing Partner of the AFM since 1998. He joined IFTA in 1993 as Senior Vice President of Business Development and established IFTA Collections, which now distributes millions of dollars in royalties to participants each year. Previously, Wolf spent two years as President & COO of Studio Three Film Corporation, a U.S. theatrical distribution company.
From 1980 to 1990 he held various finance positions within the industry, culminating as Chief Financial Officer of New World International, where he oversaw the company’s international operations. Wolf is a graduate of the University of Southern California Business School.
If you want to sell your film then get ready to take some notes. Enjoy my conversation with Johnathan Wolf from the American Film Market.
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IFH 191: Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez Oct 23, 2017

Blair Witch Project: Directing an Indie Film Phenomenon w/ Eduardo Sanchez
Who hasn't heard of the now legendary indie film rags to riches tale of The Blair Witch Project? Every film student from Los Angeles to Mumbai heard the story of how two young film students spent $27,000 (mostly from friends, family and credit cards) to make a little indie horror film that ended up grossing $250 million worldwide.
Directors Eduardo Sanchez and Daniel Myrick shot The Blair Witch Project in a new way which would later be called "found footage." Without The Blair Witch Project, there is no [easyazon_link identifier="B00304LF0W" locale="US" tag="whatisbroke-20"]Paranormal Activity[/easyazon_link], No [easyazon_link identifier="B00AEFXNGE" locale="US" tag="whatisbroke-20"]Cloverfield[/easyazon_link], No [easyazon_link identifier="B003L20IEW" locale="US" tag="whatisbroke-20"]The Last Exorcism[/easyazon_link].
Today's guest Eduardo Sanchez goes back to the late 90's and shares his experience on what it was like to be in the center of The Blair Witch Project hurricane. What it was like being on the cover of Time Magazine and how did it feel to be the toast of Hollywood...for a period of time.
We also discuss the aftermath, how his career grew post Blair Witch and crazy stories of Hollyweird.
Enjoy my conversation with Eduardo Sanchez.
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IFH 190: Understanding The Hero's Journey with Chris Vogler Oct 18, 2017

Understanding The Hero's Journey with Chris Vogler
We have all heard about Joseph Campbell's Hero's Journey by this point but what is it really. Chris Vogler, the author of The Writer’s Journey: Mythic Structure For Writers and the man who brought the Hero's Journey into the film industry, breaks down the ordinary and special worlds of the hero's journey. Enjoy.
These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.
In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.
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IFH 189: How NOT to Direct a Television Pilot with Dave Bullis Oct 17, 2017

How NOT to Direct a Television Pilot with Dave Bullis
Before I get any hate mail I wanted to let you know that our guest today reached out to me and offered to do this episode. So I didn't ask a fellow filmmaker to come on the show and tell us all how not to direct a television pilot. Dave Bullis is a director, writer, and director. He approached me with this idea and I said let's do it. The more truth bombs I can lay on the IFH Tribe the better.
Game Over (GO) was a TV pilot I filmed a few years ago about five employees at a video game store struggling to get to the next level in their lives. Dave went through hell making it and his stories even surprised me. Dave also decided to write a length guide to help filmmakers shoot their own projects.
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IFH 188: Making a Micro Budget Film That Cracks iTunes's Top 3 with Julian Galea Oct 11, 2017

Today on the show we have writer/cinematographer/director Julian Galea. He directed a micro-budget film called Love to Paradise.
Set in the magical Mediterranean islands of Malta, this indie travel romance proves it’s not love until it’s paradise.
When American tourist Giovanni falls for local artist Carmen, they embark on a passionate and unforgettable journey across the Maltese islands only to be broken by the truth. Now at a crossroads, Giovanni choose between his livelihood or a fight to win the love of a woman that forever changed him.
Check out the trailer below.
I wanted Julian on the show, not only because he made a steller micro-budget film but I wanted him to give us the secrets on how he cracked the top 3 of iTunes Pre-orders with his little indie film. Check out the picture below and see which Big budget Hollywood tentpole films he was beating.
Julian Galea is a Maltese-Australian filmmaker. He studied at New York Film Academy as a writer-director. His work includes a series of awarded short films and his latest feature film debut, LOVE TO PARADISE. Enjoy my conversation with Julian Galea.
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IFH 187: How to Create an Amazon Exclusive Streaming Series with Chris Sobchak Oct 08, 2017

How to Create an Amazon Exclusive Streaming Series with Chris Sobchak
This week on the show we have filmmaker Chris Sobchak. Chris co-created an Amazon Streaming Series with star Nicole Sobchack, “Please Tell Me I’m Adopted!” follows free-spirited, wide-eyed, disaster magnet Tiffany who is forced to move in with her newly married sister, roping them into crazy, often culturally-current escapades with outrageous and hilarious consequences. What began as a project for a sketch comedy class is now an original short-form comedy series, which premiered exclusively on Amazon on March 6, 2017.
The entire production was crowdfunded by friends, family and even strangers, so it was important for Executive Producer Chris Sobchak to keep costs down as much as possible. This led to him and Nicole doing the entire post process, including CGI, sound design, VFX, color and editing, themselves. The project took about two years to complete, with Chris needing to do some of the work on the road while working as the Drum and Percussion Technician for Elton John.
Enjoy my conversation with Chris Sobchak.
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IFH 186: How to Make a Killer Horror Film in One Location with Michael Williams Oct 02, 2017

How to Make a Killer Horror Film in One Location with Michael Williams
If you have a micro or no budget feature film shooting in one location will make life a lot easier. Now, how do you make that one location look great and not boring through your film? Indie Filmmaker Michael Williams did just that with his new horror film The Atoning. Check out the trailer below.
Michael Williams began creating short films in 2004 and since has consistently produced short films and screened them for audiences at annual film festivals and screenings across the U.S.
Williams earned his bachelor of arts in film in 2009 from the University of Southern Mississippi and was awarded the Top Film Student of 2009 Award. In 2007 Williams began his professional film career, accumulating a multitude of credits ranging from assistant camera to director of photography for many independent short and feature-length films.
After writing, directing and producing more than 20 short films, Williams broke into the feature-length film territory with the award-winning film OzLand". While his desire to tell complex stories visually drew him to a career in cinematography, as an artist and storyteller, Williams writes and directs films like "OzLand" in order to share his stories with those interested in experiencing them while eagerly pursuing the opportunity to bring other people's stories to life as a director of photography.
For his 2nd feature film, Williams turned to the horror/supernatural thriller genre for "The Atoning", an award-winning family drama explored through a fresh take on the thriller/horror genre.
Today, the filmmaker owns and operates Shendopen films in West Point, Mississippi and continues to write and direct his own independent films, produce films by other regional filmmakers and works regionally in the industry as a director of photography. Enjoy my conversation with Michael Williams.
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IFH 185: How Screenwriters Can Navigate the Hollywood System with Scott Myers Sep 25, 2017

How Screenwriters Can Navigate the Hollywood System with Scott Meyers
For screenwriters, navigating the shark-infested waters of the Hollywood system can be a daunting task. You never know what the producer or studio is looking for. How do you pitch your story properly? So many questions. I hope today's guest can help guide you a bit through those waters.
Scott Meyers has been a professional Hollywood screenwriter for over 30 years. Since selling his spec script K-9 in 1987, Scott has written 30 projects for every major Hollywood studio and broadcast network. His film writing credits include K-9 starring Jim Belushi, Alaska starring Vincent Kartheiser, and Trojan War starring Jennifer Love Hewitt.
From 2002–2010, Scott was an executive producer at Trailblazer Studios, a television production company. In 2002, he began teaching screenwriting in his spare time. He won the UCLA Extension Writers’ Program Outstanding Instructor Award in 2005 and for eight years taught in the Writing for Screen and Stage program at the University of North Carolina in Chapel Hill.
He has hosted Go Into The Story, an amazing screenwriting website, since its launch May 16, 2008, and is partnered with the Black List as its official screenwriting blog.
Scott breaks down the Hollywood system, talks about story and structure and just tells it how it really is in the business. Enjoy my conversation with Scott Meyers.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Go Into the Story
Scott Meyer- Facebook
Scott Meyer - Twitter
Buy This is Meg on iTunes
DOWNLOAD - The Coen Brothers Screenplays
DOWNLOAD - Chris Nolan Screenplays
DOWNLOAD - Quentin Tarantino Screenplays
DOWNLOAD - TV Script for 2016-2017 Season
SPONSORS
VideoBlocks.com - (IFH Discount SAVE $50)
Martin Scorsese Teaches Film Directing Masterclass
FREE Movie Trailer Editing Course
Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% of the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
KILLER RESOURCES!!!
IFH Masters Circle Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
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To help the show:
Leave an honest review on
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IFH 184: How to Location Scout on a Budget with Brian L. Tan Sep 21, 2017

Anytime I location scout a property we are going to shoot at I always look out for the boobie traps that might hurt the shoot. Finding an dealing with locations can be a nightmare, especially when you have little or no budget.
Today on the show I have locations guru Brian L. Tan. Brian is the founder of Wrapal.com, a site built to help filmmakers and property owner find location love. We discuss a bunch of tips and tricks to get locations on the cheap, if not for free and we go over the pitfalls that many filmmakers fall into when shooting on location.
Below you'll find a great guide on how to location scout on a budget, written by Brian, as well as some genius videos they created. Enjoy and happy hunting!
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IFH 183: How to Have a Sustainable Career in the Film Business with Straw Weisman Sep 18, 2017

How to Have a Sustainable Career in the Film Business with Straw Weisman
I always talk about "hustle" and that "you have to keep moving forward no matter what" to make it in this business. Today's guest is the most authentic example of those concepts I've ever met. Straw Weisman is a writer, director, producer, post supervisor, movie trailer writer/producer, film consultant, and film market guru. These are just some of jobs Straw has done in his over 40 years in the indie film business.
Through his own company, Marquee Productions, Straw has supervised post-production and/or associate produced or produced over 75 films, including “Without Men”, starring Eva Longoria and Christian Slater, "Abel's Field", starring Kevin Sorbo, “Shine On”, starring Jenna Dewan-Tatum, “Order of Redemption” with Busta Rhymes, Armand Assante and Tom Berenger, the multi-festival award-winning biopic “Crazy” featuring“Heroes” Ali Larder, “Magic”, a family film starring Christopher Lloyd as a talking dog, Richard Gere’s “The Flock”, “Sex and Breakfast”, starring Macaulay Culkin, “Say It In Russian”, featuring Faye Dunaway, the spiritually based sleeper hit “What The Bleep Do We Know!?”(which grossed over $16 Million at the box office), Tobe Hooper’s “The Toolbox Murders”, and the horror feature “Hatchet." Marquee Productions has also played host to over 25 independent films, which have used its editing and audio facilities and Straw’s creative consultancy.
Straw and I have been working together on projects for close to 10 years. I wanted him to come on the show to discuss his career, how he keeps going, and what skills helped him to have such a long and sustainable career. Straw also shares a very intense story that will illustrate how tough and brutal this business can be.
My hope is that this interview not only inspires you but sheds a light on what is really needed to make it in the business. Enjoy my conversation with Straw Weisman.
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IFH 182: The Indie Film Hustle Tribe Interrogates Alex Ferrari with Rob Alicea Sep 13, 2017

The Indie Film Hustle Tribe Interrogates Alex Ferrari with Rob Alicea
Today’s episode is a first for the IFH Podcast. I had Indie Film Hustle Tribe Member Rob Alicea reach out to me with a crazy idea. He wanted to interview me for the podcast. He thought that the tribe would like to know more about me and my personal journey. I have to say I was skeptical. I didn’t think you guys would be that interested but Rob convinced me so here we are. Rob asked questions I never answered before and I have to say Rob was a great interviewer. I hope you find some value in it.
So here we go. Enjoy Rob’s interview with…I guess me. = )
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IFH 181: Trailer Editing Techniques to Cut a Badass Movie Trailer Sep 11, 2017

Trailer Editing Techniques to Cut a Badass Movie Trailer
I've probably edited over 500 movie trailers, network promos, and commercials in my career. So many indie filmmakers and feature film editors think they can just throw together a trailer for their feature film and make it work. Over the years, I've shared my Trailer Editing Techniques with many of the indie filmmakers that have walked into my post suite.
Trailer editing requires a very different set of skills from feature film or other long-form editing. I've seen way too many bad movie trailers in my day. I wanted to bring on today's guest Chris from FilmEditingPro to drop some knowledge bombs on the IFH Tribe on what it takes to really edit an effect and kick ass movie trailer, regardless of genre.
Enjoy my conversation with Chris from FilmEditingPro.
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IFH 180: How to Cast a No Budget Indie Film with Backstage's Veronika Lee Sep 07, 2017

How to Cast a No Budget Indie Film with Backstage's Veronika Lee
Ahhhh casting. It’s probably the last thing a director or producer wants to think about during production. But it’s true: casting can make or break a film. A bad casting decision can be glaringly obvious at the worst possible time. So it’s important to get started thinking about your process early on.
On today's show, we have casting director Veronika Lee from Backstage. We go into how to cast a no budget indie film, finding the right actors for the part and much more.
(Note: IFH listeners can always cast for free by entering promo code HUSTLE at checkout at Backstage.com.)
Enjoy my conversation with Veronika Lee.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Backstage.com (EXCLUSIVE FREE Casting Package from Backstage.com Use the promo code HUSTLE at checkout)
Veronika Lee - Twitter
Buy This is Meg on iTunes
SPONSORS
Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
Editing with DaVinci Resolve Course ($15 Special)
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
KILLER RESOURCES!!!
IFH Masters Circle Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
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Leave a note in the comment section below.
Share this show on Twitter, Facebook, or Pinterest.
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Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.
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IFH 179: Oscar-Winner Russell Carpenter A.S.C. - Shooting Blockbusters, Titanic & James Cameron Sep 05, 2017

Oscar-Winner Russell Carpenter A.S.C. - Shooting Blockbusters, Titanic & James Cameron
I can't tell you how excited I am about today's guest. I sat down with the legendary and Oscar® Winning Cinematographer Russell Carpenter A.S.C. Russell has been shooting blockbusters for over 40 years and has shot films like Ant-Man, xXx: Return of Xander Cage, Charlie's Angels, The Negotiator, True Lies, Monster-in-Law and classic 90's action flicks like Hard Target, The Perfect Weapon, and Death Warrant.
He won the Oscar® for his cinematography on the second highest-grossing film of all time, Titanic. We go down the rabbit hole on shooting Titanic, working with James Cameron, crazy Hollywood stories, how he approaches each project and much more. This episode is a treasure chest of behind the scenes stories and cinematic techniques from the highest levels of Hollywood.
Get ready to be entertained and have your mind blown. Enjoy my epic conversation with Russell Carpenter A.S.C.
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IFH 178: How a 19 Yr Old Directed & Sold 6 Feature Films with Dylan Mars Sep 01, 2017

How a 19 Yr Old Directed & Sold 6 Feature Films with Dylan Mars
I always talk about the grind, doing the work and just going out and shoot your film. Today's guest does just that, Dylan Mars Greenberg. Dylan has directed 6 feature films at the ripe old age of 19 years old. I can't tell you what a treat it was to speak to this young filmmaker. I hope Dylan's drive, excitement to tell stories and good old fashion hustle rubs off on you all. Enjoy my conversation with Dylan Mars Greenberg.
Keep Hustlin!
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IFH 177: Why Facebook Watch is a Game Changer for Indie Filmmakers Aug 29, 2017

Why Facebook Watch is a Game Changer for Indie Filmmakers
The online video landscape is changing on a daily basis. The newest gladiator to step into the ring is Facebook. Facebook is launching Facebook Watch, a new "show tab" that will host original shows produced exclusively for Facebook. Considering that Facebook has 1.32 Billion people who come to the site on a daily basis this is a game changer for filmmakers and content creators.
Facebook Watch will launch with a handful of shows first but they plan to open the platform up to independent filmmakers, production companies, and content creators. They will also be adding REVENUE SHARE option for all content creators. My sources tell me that the revenue will be higher than YouTube. Many are saying that this could be a YouTube killer, only time will tell. Personally, I don't think Facebook Watch will kill Youtube but it will injure it for sure.
We are living in an "Attention Economy." Whoever can command the most attention will be successful. Take a listen to the podcast as I go into a bit more detail about Facebook Watch and how indie filmmakers can use it to build their brand and/or companies.
Keep Hustlin and enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 176: How to Become a "Jack of All Trades" Indie Filmmaker Aug 23, 2017

How to Become a "Jack of All Trades" Indie Filmmaker
On today's episode, I want to discuss the need for indie filmmakers to become a "Jack of All Trades." As you travel down your filmmaking path you need to be adding tools to your tool box. You have to be adding new skills, knowledge, and experience to your tool box every day.
I go over not just the basic skills you need to know but some tool you never thought you needed to add to that box. The more tools you have in your tool box, the more dangerous of a filmmaker you become.
Keep Hustlin and enjoy!
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 175: How to Build an Audience w/ Social Media & Hustle - Hollyshorts! Conference Aug 16, 2017

How to Build an Audience w/ Social Media & Hustle - Hollyshorts! Film Festival Conference
In today's episode, I wanted to share the talk I did with RB Botto (Stage 32) at the Hollyshorts! Film Festival Conference 2017. RB and I spoke about a lot of different topics covering, crowdfunding, crowdsourcing, building an audience, self-distribution, and much more. There's truly one knowledge bomb dropped after another. I thought the IFH Tribe could get a lot out of it.
Also, if you are in the LA area This is Meg is LA Priemering at the TCL Chinese Theater, I know crazy! We are the closing night feature film of the Hollyshorts! Film Festival. The screening is August 19th, 8pm. For discount tickets read below. The entire cast will be there and it'll be a fun time! Hope to see you there.
Enjoy!
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Buy This is Meg on iTunes
Hollyshorts! LA Premiere of This is Meg - Aug 19th - 8pm - Tickets Discount Code: FILMHUSTLEVIP
Indie Film Syndicate Membership - First Month FREE
Hollyshorts! Film Festival
Range 15
Distribber
Stage 32
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
To share your thoughts:
Leave a note in the comment section below.
Share this show on Twitter, Facebook, or Pinterest.
To help the show:
Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.
Subscribe to the Podcast on iTunes,
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 174: Hollywood Directing: How to Choose the Right Lens for Your Shot Aug 09, 2017

Hollywood Directing: How to Choose the Right Lens for Your Shot
On today's episode, I wanted to give you a sneak peek of one of the best selling filmmaking courses on Udemy right now, Hollywood Film & Television Directing Masterclass with former guest and master film instructor Gil Bettman. On the show, you'll hear a lesson on how you can AMP UP your static shots by the choosing the right lenses.
Enjoy!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Buy This is Megon iTunes
Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
Indie Film Syndicate Membership - First Month FREE
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
To share your thoughts:
Leave a note in the comment section below.
Share this show on Twitter, Facebook, or Pinterest.
To help the show:
Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
Filmmaking Resources
Filmmaking Hacks: Filmmaking Master Course
Directing Actors Film Workshop
USC Film School's ONLY Online Course: Directing the Actor
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 173: This is Meg is LIVE on iTunes & Some Other Surprises Aug 04, 2017

This is Meg is LIVE on iTunes & Some Other Surprises
Today is the day. This is Meg is FINALLY been released to the world on iTunes. It's pretty incredible that an idea I had over a year ago is now a feature film that has been released on mutha f'in iTunes. It's humbling. I'm so grateful to you, the IFH Tribe for your support, love and well wishes. I know that I wouldn't have been able to do this with you guys.
The power of community is pretty powerful and from the bottom of my heart thank you all so much for the support!
So today is a big day. The more transactions we get on iTunes the higher we get ranked on their algorithm. This means sales and rentals (it's available for rental too today) count towards that goal. So if you are going to buy or rent This is Meg do it TODAY!
Let's see how this experiment does and I'll report back the results. Here's the link to buy or rent the film today ---> This is Megon iTunes
By the way, I have a few surprises for you in this episodes so listen all the way through = ) Enjoy and thank you again!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 172: Spielberg, Take Me & Directing for the Duplass Brothers with Pat Healy Aug 01, 2017

Spielberg, Take Me & Directing for the Duplass Brothers with Pat Healy
Today's guest prolific actor/writer/director Pat Healy. Pat discuss his new Netflix film Take Me starring himself and Orange is the New Black's Taylor Schilling. He also talks about his experience working with the Duplass Brothers, working with the legend Steven Speilberg, and how he has made a living being a script doctor over the years. Pay Healy's feature film screenplays Strange Skies and Snow Ponies found their way on the Black List in 2006 and 2007.
Enjoy my conversation with Pat Healy.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 171: How to Make Money with Your Indie Film (Crazy Case Studies) Jul 26, 2017

How to Make Money with Your Indie Film (Crazy Case Studies)
So you want to make money with your film. Who doesn't? I've always been a hustler, and I used that word in the most positive way I can. Filmmakers need to stop just thinking about the art and start thinking about the business of filmmaking. They need to become entrepreneurs. That is the only way filmmakers from this and future generations will survive in the business.
Sure for every Chris Nolan they're millions of indie filmmakers that are broke, frustrated, angry or just quit the business altogether but it doesn't have to be that rough. Sure the world of self-distribution has exploded and there are some many revenue avenues for filmmakers today but it doesn't have to stop there.
In this episode, I break down and analyze a bunch of successful filmmakers that created multiple revenue streams leveraging their feature film, doc, web series or short film.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 170: How a Screenwriter Becomes a First Time Director with Kelly Fremon Craig Jul 25, 2017

How a Screenwriter Becomes a First Time Director with Kelly Fremon Craig
I'm asked all the time
"How does a screenwriter get the opportunity to direct one of their screenplays?"
That is the question. In Hollywood, more times than not, writers don't have the power or ability to direct their own material. It took a few screenplays before Quentin Tarantino got the shot with Reservoir Dogs. Today's guest is writer/director Kelly Fremon Craig. She got her shot to director her own screenplay on the 2016 critical darling Edge of Seventeen.
Kelly's adventures through Hollyweird is inspiring to say the least. Enjoy my conversation with Kelly Fremon Craig.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Buy This is Meg on iTunes
Kelly Fremon Craig - Twitter
Kelly Fremon Craig - Instagram
INDIE FILM SYNDICATE Filmmaking Community
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 169: How to Make Money Renting Your Film Gear with ShareGrid Jul 20, 2017

How to Make Money Renting Your Film Gear with ShareGrid's Brent Barbano
Have you ever wanted to make a little extra cash with that film gear sitting in your closet? Have you ever wanted o rent that new Arri ALEXA but were afraid you couldn't afford it? Well, I came across the solution for both problems, it's call ShareGrid.
ShareGrid is a per to per community, think Airbnb for filmmakers, that allows list film gear for rental or rent gear directly from other filmmakers with instant insurance. I reached out to Brent Barbano, co-founder of Sharegrid to discuss how he built this community up, talk about how to be a working cinematographer and just talk shop.
Heres a couple of videos explain what ShareGrid is all about.
Enjoy my conversation with ShareGrid Co-Founder Brent Barbano.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 168: How To Be Creative - The War of Art & Turning Pro Jul 19, 2017

How To Be Creative - The War of Art & Turning Pro
How to be creative? This is a question that surprisingly has a simple answer. DO THE WORK! In this episode, I'll be going over a remarkable book I've read that has truly changed the way I think about life, the creative process and making films. The book is [easyazon_link identifier="1936891026" locale="US" tag="whatisbroke-20"]The War of Art: Break Through the Blocks and Win Your Inner Creative Battles[/easyazon_link] by Steven Pressfield.
If you have writer's block, can't break through the fear or just want some tips on how to be creative this is the episode you need to hear. I'm also running the FIRST EVER Indie Film Hustle Contest. Steve Pressfield sent me a bounty of books to give away to the tribe. All you have to do to enter is "mail me", not email, but actually mail me a letter or video telling me your break through story, when you decided to do the work and stopped being afraid of following that dream
Winner's story will be read on an episode of the IFH Podcast. You can send letters or videos to:
Indie Film Hustle Contest - Pressfield
c/o Alex Ferrari
531-A North Hollywood Way #257
Burbank, CA 91505
I can't wait to read your stories. So stop reading this and listen to the podcast already.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 167: How to Make $3 Million Selling Your Indie Film on iTunes & Amazon w/ Range 15 Jul 13, 2017

How to Make $3 Million Selling Your Indie Film on iTunes & Amazon w/ with Nick Palmisciano of Range 15
We all hear that self-distribution is the future for indie filmmakers. Build an audience and make a film for that audience but finding real world examples of a "true" indie film breaking $1,000,000+ using that model is tough. Well, I'm happy to introduce you to Range 15, the indie film that not only made $1 million selling on iTunes and Amazon but they have made $3 million+ to date, and growing.
Today's guest is Nick Palmisciano, one of the writers, producers, and actors in Range 15. His story of how this film came into the world is truly inspiring.
Nick and Mat Best, his co-producer/writer/lead of Range 15, had a crazy idea to create a feature film for the communities they had built up over the years. They are both military veterans and own military themed apparel companies Ranger up Article 15, respectively.
They wanted to make a film that the military community would enjoy and they did just that. Check out the fun trailer below.
They crowdfunded $1.2 million to make the film. Their goal was $350,000 but they made that in the first 30 hours of the campaign. With the extra cash, they were able to get William Shatner, Keith David, Sean Astin and Danny Trejo in the film. Check out the crowdfunding video below.
As you can tell from the videos above Nick and the gang don't take themselves too seriously but what is serious is how much dinero Range 15 has pulled in. For an indie film with no studio and no distributer to break $3 million bucks is a miracle. My hats off to Range 15.
Enjoy my inspirational conversation with Nick Palmisciano.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 166: Indie Film Self Distribution & Marketing Blueprint with This is Meg Jul 12, 2017

Independent Film Self Distribution & Marketing Blueprint with This is Meg
Over the past 6 months or so I've been getting an enormous amount of emails and messages asking me the same question:
What is your distribution and marketing plan for This is Meg?
I hear you IFH Tribe, so I decide to put this podcast together and lay out the marketing and distribution blueprint I created to get This is Megout into the world.
In this episode, I break down:
Why I didn't go through a traditional distributor
Why I didn't do a theatrical run through TUGG
How I will be self-distributing This is Meg
What platforms I'll be selling on and why
What my marketing strategy is
This is Meg has been a giant experiment to see what happens and I wanted to share the ride with you, the IFH Tribe. Thank you for all the support. Take a listen and keep on hustlin'.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
Below you can check out some of the marketing I'm doing to promote This is Meg and content I'm giving my cast so they can push the film on their platforms.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 165: Why Creating Systems is Better Than Setting Goals Jul 05, 2017

Why Creating Systems is Better Than Setting Goals
We've all been taught that creating goals is important and they are but creating systems is even more powerful. How many times have you lost weight just to gain it back? How many half-written screenplays do you have sitting on your computer?
When your focus is only the goal then what happens after you achieve that goal? In this episode, I discuss how to create systems that will get you to your goals faster and keep you motivated along the way.
Shameless plug: This is Meg is now available for pre-order on iTunes at an early bird discount $9.99. Just go to www.thisismeg.com/itunes. I have a ton of content coming on how we are releasing the film so stay tuned.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Buy This is Meg on iTunes
IFH TV - YouTube Channel
SPONSORS
FilmConvert - (10% OFF - CODE: HUSTLE)
Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
To share your thoughts:
Leave a note in the comment section below.
Share this show on Twitter, Facebook, or Pinterest.
To help the show:
Leave an honest review on iTunes. Your ratings and reviews really help and I read each one.
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 164: Vintage Lenses for Indie Filmmakers MasterClass w/ Alan Besedin Jul 04, 2017

Vintage Lenses for Indie Filmmakers MasterClass w/ Alan Besedin
One of the main goals of Indie Film Hustle is to give real world knowledge and resources to indie filmmakers so they can make a living doing what they love. Film gear is a big part of that equation. I always am on the lookout for the best bang for the buck when it comes to film gear.
I recently began to dip my toes into the world of vintage lenses. Vintages lenses are exactly that, vintage. You may be asking
"Alex, why would I but a 50-year-old lens that has color redition issues or is soft on the corners when the lenses of today are perfect, clean and more advanced?"
The main reason I've fallen in love with vintage lenses is exactly for that reason, they are not perfect. Years ago lenses were made by hand. Each lens had its own personality. Many of them have beautiful mistakes that made them stand out.
Case in point Stanley Kubrick. If you watch A Clockwork Orange you'll notice a wide shot as the doorbell rings about 20min into the film. The crazy wide shot was filmed with a Kinoptik 9.8 F2.3. The lens is far from perfect but it has character. Kubrick was more focused in achieving an interesting shot rather than a perfect one. This coming from a legendary perfectionist.
Kubrick lenses collection was made up of most vintage lenses. He would buy 10 copies of the same lenses, test them all and pick the best of the bunch and return the rest.
Using vintages lenses can also take the "digital bite" off of modern day camera sensors. The best thing about getting into vintage glass is the cost. You can get a beautiful "nifty 50mm" for between $20-$80. They're literally thousands of lens you can choose from, each one special in its own way. Vintage lenses can truly give your film a unique look and make you stand out from the crowd.
Today's guest Alan Besedin has been running in the filmmaking trenches for years and runs my go-to resource for vintages lenses VintageLensesforVideo.com. I've watched every video and read every article on the site. It's a wealth of info.
So enjoy my conversation with Alan Besedin from VintageLensesforVideo.com.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 163: Why Indie Filmmakers Need to Break the Rules Jun 27, 2017

Why Indie Filmmakers Need to Break the Rules
In this episode, I discuss breaking the rules. why it is important to your career as an indie filmmaker and how it can make you stand out from the crowd.
I share examples on rule breakers in throughout Hollywood history and the impact it had on their careers. So get ready to break some mutha f'**kin rules!
Also, I have some HUGE news. This is Meg is now available for pre-order on iTunes at an early bird discount $9.99. Just go to www.thisismeg.com/itunes. I have a ton of content coming on how we are releasing the film so stay tuned.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 162: 7 Tips To Nail Your First Week On a Film Set Jun 21, 2017

7 Tips To Nail Your First Week On a Film Set
Your first week on a film set will be an intimidating experience. It takes time to find your feet and feel comfortable in such a unique working environment. You may have experience from college working on short film sets, but it is usually completely different working on blockbusters with hundreds of crew, cast, and extras. There can be large machinery moving around, lots of noise, multiple cameras, and camera cranes, equipment everywhere and on the stages, it is generally quite dark. You need to be aware, confident and know what happens on a film set to complete your tasks to the best of your ability. Here are some tips to help you get through your first week:
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 161: Building an Affordable Cinema Lens w/ Veydra Lenses' Ryan Avery Jun 15, 2017

Veydra Mini Cinema Primes: Real Cinema Lenses You Can Afford
If you're an indie filmmaker and shoot your own stuff, the price of really good glass is generally too damn expensive and cinema-style primes lenses are totally out of reach...until now.
Until recently, the most cost effective cinema-style primes lenses have been pre-existing stills lenses, which can create problems with matching and physical layout. You have the "pulling focus issue" that still lenses have (top marks vs side marks for the 1st AC to pull focus).
Enter Veydra's Mini Cinema Primes. This amazing company has put the power back in the hands of the indie filmmaker at an affordable cost. These extremely compact lenses have an amazing build and image quality. They are light, compact and just gorgeous.
Today's guest is the co-founder of Veydra lenses Ryan Avery. We discuss all things lenses, what cinematographers are looking for and the core mission of Veydra, to help filmmakers. If you want to learn a bit more about how cinema lenses work or how a couple of filmmaking entrepreneurs built a killer company then take a listen.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 160: Ed Burns - How to Make a $9000 Feature Film (The Brothers McMullen) Jun 05, 2017

How to Make a $9000 Feature Film with Ed Burns
Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen written and directed by Edward Burns. Burns went off to star in huge films like Saving Private Ryan and direct studio films like She's the One but what you might not know is he has been quietly making completely independent films on really low budgets. How low, how about $9000.
As with any smart filmmaker, Ed Burns has continued to not only produce films but to consider new methods of getting his projects to the world. In 2007, he teamed up with Apple iTunes to release an exclusive film “Purple Violets”. It was a sign of the times that the director was branching out to new methods of release for his projects. In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created “Nice Guy Johnny” in 2010. Again- he was the writer and director. This is a formula that may intimidate a lesser performer, but he has proven that it works perfectly for his abilities.
The film “Nice Guy Johnny” was released at the Tribeca Film Festival. While he was releasing that film, Burns wrote “Newlyweds”, another film he directed and starred in. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000.
In his book Independent Ed (which I recommend ALL filmmakers read), Ed Burns mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.
Actors would have to work for virtually nothing.
The film should take no longer than 12 days to film
Don’t shoot with any more than a three man crew
Actor's use their own clothes
Actor's do their own hair and make-up
Ask and beg for any locations
Use the resources you have at your disposal
I used similar rules when I shot my feature film "This is Meg". I shot that in 8 days. Take a listen to this episode and prepare to get inspired. After you listen take a read of the making of The Brothers McMullen and read Independent Ed. You won't regret it.
Also, Ed Burns' DVD director's commentaries are indie filmmaking gold. He really shares his methods and all of his secret sauce. The DVD are direct cheap and well work getting. I'll put a list of them below. You won't regret it.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 159: How to Build a Film Brand w/ Zombie with a Shotgun's Hilton Ruiz Jun 01, 2017

How to Build a Film Brand w/ Zombie with a Shotgun's Hilton Ruiz
I always talk about building a fan base and making art or products that can be sold to that audience. Well, today's guest is doing just that with his viral sensation Zombie with a Shotgun. Creator Hilton Ariel Ruiz created this film property and is really knocking it out of the park.
He has comic books, posters, a web series and soon to be produced feature film. I ask Hilton on the show because I kept seeing him pop up on my social media feeds. They man knows what he's doing. With close to a quarterr million Twitter followers the man knows how to build an audience.
ZOMBIE WITH A SHOTGUN is the feature adaptation of the popular web series of the same name. Aaron and Rachel are on the run due to the fact that Aaron is infected by what seems to be a zombie virus. As the story unfolds, they find that there is more to this infection than it seems. For some reason, he has not developed the full zombie virus. He seems to be trapped in a transitional phase which grants him certain abilities. One of them is the ability to communicate with other zombies. This makes Aaron a valuable pawn as he's being pursued by shadowy figures with ulterior motives. Now he must stay alive (or undead) long enough to figure out the source of his infection!
Enjoy my conversation with Hilton Ariel Ruiz.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 158: How to Avoid Legal Pitfalls in Indie Film with Walter B. Batt Esq. May 25, 2017

If paperwork, contacts and E&O Insurance was as sexy as a new 8K camera then filmmaker would never get into legal trouble when making their film. Alas it is not sexy and filmmakers, myself included, hate even thinking about that side of the business. One thing I've learned over the years is if you don't understand the business side of "show business" you will get burned.
Filmmakers ask me legal advice all the time, why I have no idea, and I always say you should speak to an attorney and cover your butt. I've been wanting to have an attorney on the show for a while now to answer not only your legal questions but mine as well. Today's guest is entertainment attorney Walter B. Batt Attorney at Law.
Here's a bit about today's guest: Walter Batt is an Entertainment Attorney located in Los Angeles, California. Mr. Batt is a graduate of Arizona State University with a Bachelor of Science in International Business and a Juris Doctor from the University of Miami-Coral Gables. Licensed in Florida and California, his boutique practice focuses, negotiation and contract development in addition to production support for films. With experience in myriad areas of entertainment and general business, Mr. Batt’s client base is diverse consisting of actors, production companies, public relations and marketing agencies, entrepreneurs, and distilled spirits manufacturing and distribution. As a former prosecutor, Mr. Batt occasionally represents selective clients in litigation matters, when required. As an avid exercise guy, Mr. Batt enjoys the gym in addition to films, friends and most of all his best clients--his dogs.
Here are some of the filmmaking legal pitfalls we discuss:
Can you shoot without a permit on the street?
Can you use a corporate logo in your film without permission?
What is the truth behind using logos in an indie film?
Can you shoot in front of a business with a logo and use it without permission?
Do you need to form a company to make a film?
Is it necessary to obtain a release from everyone whose face appears on camera?
How do I check whether my movie name is available?
How do I prepare a prospectus and/or investor memorandum for my film?
What type of insurance should a filmmaker consider?
What's the deal with referring to copyright/trademarked material in a script?
How do I copyright my script?
What are some good filmmaking legal resources are out there?
When should you begin to work with an entertainment attorney?
If you are making a feature, short, web series, streaming show or any content you plan to sell then this podcast is mandatory.
Enjoy my conversation with entertainment attorney Walter B. Batt.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 157: How to Shoot 360 Video & Actually Make Money with Josh Gibson May 18, 2017

How to Shoot 360 Video & Actually Make Money with Josh Gibson
This week on the show we have Josh Gibson from 360 Video Academy. I know just enough about 360 video to be dangerous, and not in a good way. I wanted to bring Josh on the show to really break down the myths and techniques on how to shoot 360 video. I also wanted to dive into how filmmakers could ACTUALLY MAKE MONEY shooting 360 video.
Josh goes over not only the technical aspects of shooting 360 video but he also discusses how filmmakers can make money and a living shooting this exciting format.
How to Shoot 360 Video & Actually Make Money with Josh Gibson
This week on the show we have Josh Gibson from 360 Video Academy. I know just enough about 360 video to be dangerous, and not in a good way. I wanted to bring Josh on the show to really break down the myths and techniques on how to shoot 360 video. I also wanted to dive into how filmmakers could ACTUALLY MAKE MONEY shooting 360 video.
Josh goes over not only the technical aspects of shooting 360 video but he also discusses how filmmakers can make money and a living shooting this exciting format. Check out Josh talking shop on 360 video.
The 360 Video Academy is your one place to learn how to create professional-grade 360º video content. So get your GoPro 360 Video rig out and take some notes. Enjoy my conversation with Josh Gibson from 360 Video Academy.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 156: Secrets to Directing a Killer Action Sequence with Gil Bettman May 09, 2017

You are in for a treat IFH Tribe. Today's guest is directing guru Gil Bettman.Gil is a seasoned director shooting features, television, commercials and music videos for over 30 years. He has written two best-selling books:
Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films
First Time Director: How to Make Your Breakthrough Movie
One of his filmmaking mentors is Academy Award-winning director Robert Zemeckis. We discuss what lessons her learned from Mr. Zemeckis and he goes into great detail on how to shoot a killer action sequence.
Here's some info on Gil Bettman:
No one would ever see Gil Bettman as the retiring type. Bring Academy Award-winning director Robert Zemeckis to his directing class and Bettman wades right in, challenging his old friend's point of view and sparking a good-natured debate about the best ways to tell a story using a camera. But that's Bettman's style. He has very definite opinions about how to block a camera or talk to actors from his days as a top action director for TV series like The Twilight Zone and Knight Rider.
Bettman learned the value of subjecting all film ideas to the acid test of a free-wheeling debate from Zemeckis himself while working as a screenwriter developing projects for Zemeckis at Universal and Warner Brothers. It's a lesson Bettman wants to pass on to his students as well.With a degree from Harvard (with honors in English Literature), as well as an M.F.A. from UCLA, Bettman has directed a wide range of projects from feature films to music videos and corporate profiles. He recently directed a feature documentary, The Long Road to Cabo, for rock icon Sammy Hagar, and published a textbook, First Time Director, through Michael Wiese Productions.
Enjoy my conversation with Gil Bettman.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Gil Bettman - Website
Hollywood Film & Television Directing Masterclass (EXCLUSIVE 50% OFF)
[easyazon_link identifier="161593166X" locale="US" tag="whatisbroke-20"]Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films[/easyazon_link]
[easyazon_link identifier="0941188779" locale="US" tag="whatisbroke-20"]First Time Director: How to Make Your Breakthrough Movie[/easyazon_link]
[easyazon_link identifier="B00AOQ8MOQ" locale="US" tag="whatisbroke-20"]Point Break[/easyazon_link]
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
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IFH 155: What the Heck is a Line Producer with Sevier Crespo May 03, 2017

What the Heck is a Line Producer with Sevier Crespo
I've been asked by the tribe to do a show on what the heck is a line producer. Ask and you may receive. Today's guest is Line Producer Sevier Crespo. Sevier is line producer that works in the indie film world. He knows how to handle lower budgets and get the most out of them.
According to Wikipedia: a line producer is a type of film producer who is the key manager during daily operations of a feature film, television film, or an episode of a TV program. A line producer works on one film at a time. They are responsible for human resources and handling any problems that come up during production.
I wanted to have Sevier on the show to really go over how a good line producer can help you on your productions. He's been around the biz for years working with legends like Jerry Bruckheimer, Michael Mann, Ridley Scott, Tony Scott and Joe Petka to name a few.
Here's some info on today's guest. Producer Sevier Crespo, p.g.a., is a dynamic force in film and television production, known in the industry as the man who conquers impossible circumstances to bring projects in on schedule and on budget. Accolades for his projects include BEST AMERICAN COMEDY at the NY International Film Festival, TV GUIDE’s Hot List (the only web series to make the list), a Parents’ Choice Award, and a Mom’s Choice Award. And it’s no wonder since he learned the ropes from heavyweights, Jerry Bruckheimer and Michael Mann.
Crespo may have cut his teeth on sequels to “Bad Boys” and “Chainsaw Massacre,” but $5-million-and-under budgets are where Crespo really shows his prowess. He developed, created, wrote, produced, line produced and acted in “Jackers” with a budget of $50k. The feature film grossed $500k in its first quarter and has taken in over $5 million since. Crespo also saved a film that was $60k in the hole (with a budget of $225k) and brought it in on budget and on schedule. And when he delivered an NBC pilot (starring Mandy Moore and James Roday) on time and on budget too, he was not only praised for an LA/NY shoot with the micro-budget, but also literally shocked a network exec over the project, who looked him straight in the eye and said, “How the fuck did you manage to do that?”
Crespo studied production at UCLA and learned the ropes under the tutelage of Robert Townsend and director Sam Bayer at Ridley Scott’s RSA USA, Inc. He’s since worked with such global brands as Adidas, Coca-Cola, Nike, Marlboro, Mitsubishi, NBC, and Netflix – to name a few. Tapping back into his latin roots, Sevier worked alongside Danny Trejo in the comedy “Pendejo” and the upcoming feature “Deceived” (2017).
Enjoy my conversation with Line Producer and Producer Sevier Crespo.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Sevier Crespo - IMDB
Sevier Crespo - Website
Twitter
Facebook
SPONSORS
Hollywood Film & Television Directing Masterclass (30% OFF)
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner H
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IFH 154: How to Direct the Character, Not the Actor with Mark Travis Apr 24, 2017

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he’ll be on the show soon).
Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here’s a bit on The Travis Technique.
Acting is too often just pretending. And most directing is demanding and controlling and result oriented. And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences. The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.
Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget. In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.
When actors, directors and writers use the Travis Technique, it’s not just a performance anymore. It becomes REAL! The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.
Recommended by Hollywood’s top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.
Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master. They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.
Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production. Mark has been instrumental in launching successful directorial careers in the US and internationally.
Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.
Enjoy my conversation with Mark Travis.
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IFH 153: Why You Need to Get Off Your Ass NOW & Make Your Film Apr 21, 2017

Why You Need to Get Off Your Ass NOW & Make Your Film
I think the title speaks for itself. Every once in a while I need to hear some stories that inspire me to get off my ass and make sh*t happen. I hope this episode helps inspire you to get off your ass and make your film happen!
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
How to make a $1,000 Feature Film with Jay & Mark Duplass
Joe Swanberg: How to Shoot & Sell Six Feature Films in a Year!
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
Hulu Plus
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 152: How to Build an 8 Million Following YouTube Empire with RocketJump's Dez Dolly Apr 18, 2017

How to Build a YouTube Empire with RocketJump Co-Founder Dez Dolly
So I want you to get ready for an epic podcast. Have you ever been surfing through Youtube and come across a channel with 5, 8, 10 million followers and ask yourself:
"How the hell did they build that audience?"
I do all the time. Over the last year, I've had the pleasure of working on a killer new show called Dimension 404 for Hulu and Lionsgate.
The series is created and produced by the boys over at Rocket jump. Now, Rocketjump is one of those Youtube channels with 8 million followers I was talking about. I had the opportunity to sit down with on of the co-founders of Rocketjump and show runner of Dimension 404 Dez Dolly.
Here some more info on Dez Dolly:
Desmond Dolly is a writer, director, producer who got his start in the industry selling TVs at an Indiana Best Buy. After graduating USC Film School - Dez wrote and directed an independently financed feature film, Champion of Glory, while climbing the ranks as a commercial director & editor. Building a post production company from the ground up, Dez cut his teeth on AAA ad campaigns, boasting a client roster that includes Google, Viacom, Warner Brothers, Fox, Visa, Kraft, Dodge, Samsung, and AT&T, to name a few.
In 2010, Dolly partnered with film school classmates Freddie Wong and Matt Arnold to form the digital production company and entertainment banner, RocketJump.com. There, Dez and his partners pioneered new forms of online video, bringing professional content to the YouTube platform. Their culturally influential viral videos have accumulated over 7 million subscribers and tallied over one billion views, making Dez one of the most watched video directors on the global web.
The first season of his flagship web series, Video Game High School, gained over 130 million cumulative views over 21 episodes, and was named "#1Web Series of 2013" by Variety. Season 3 was heralded as a must-see People pick in 2014, and was nominated for a 2015 Producers Guild Award for Outstanding Digital Series.
Dez Executive Produced and co-starred in the Hulu docu-reality series, RocketJump: The Show. In 2017, Dolly renewed his first look deal with Lionsgate and served as creator and executive producer of Hulu sci-fi anthology series, Dimension 404.
Dez is a wealth of information and drops some MAJOR knowledge bombs in this episode. If you've ever wondered how you could build an audience of almost 8 million the perk up your ears and get ready to take notes.
Enjoy my conversation with Dez Dolly from Rocketjump.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
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IFH 151: How to Shoot 96 Script Pages in 4 Days Apr 14, 2017

So after I posted the video below I was slammed by emails and messages from the IFH Tribe asking for details on how I shot 96 pages of a visual effect heavy series in just 4 days. The series is called The S.P.A.A.C.E Program and I was hired to direct and post the series by Legendary Pictures Digital and Nerdist.
I decide to pump out a podcast detailing my techniques and tips on how to shoot large volumes of script pages fast. We average between 90-110 camera setups a day...CRAZY! Couldn't have done it without my amazing cast and crew. At the end of this journey, we'll have eight episodes running about 12 minutes each. I still can't believe we did it.
One thing I forgot to mention in the podcast is to use fast gear. We shot on the Blackmagic Ursa Mini 4.6k which lived mostly on sticks. This is my camera of choice now as it gives you the biggest bang for your buck. We also use a Dana Dolly which made moving the camera a breeze.
Take a listen to this crazy journey and I hope you can pick up some useful knowledge that will help you on your filmmaking journey.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
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IFH 150: How to Launch Your Indie Film on iTunes with Brad Raider Apr 11, 2017

If you want to see a self-distribution pathway to get your film on iTunes and actually make some money meet writer/director Brad Raider. His film Kensho at the Bedfellow was released on iTunes this year and he shares his marketing and distribution strategy with us in this episode.
With This is Meg being released on iTunes in the summer I was ALL EARS.
Here's a bit about the film:
A 30-something New Yorker feels trapped by his job, his ex and his family. When a beautiful childhood friend wanders back into his life, he begins to feel a glimmer of hope in his search for freedom and meaning.
Two-time Best Feature Film winner at six festivals, KENSHO is a visionary, existential drama and the extraordinary directorial debut of actor / director Brad Raider. The truly independent, micro-budget film is at the heart of the conscious-cinema movement and a proud partner of the International Rescue Committee, donating a percentage of net profits to their humanitarian efforts around the world.
Now on sale in iTunes: http://bit.ly/kenshoitunes
Enjoy my conversation with Brad Raider.
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IFH 149: Star Wars, Star Trek & Geeking Out with Greg Grunberg Apr 03, 2017

Have you ever kept seeing an actor pop up in all your favorite films and television shows? Well, that guy is probably Greg Grunberg. I've been a fan of Greg before I knew who Greg was. Greg Grunberg has been in some of the BIGGEST films and shows of all time.
Yup! Greg Grunberg has been around. He's the definition of a working actor. It's worth a listen just to hear his stories from Comic-Con and the set of Star Wars: The Force Awakens.
Greg Grunberg also hosts a show with Kevin Smith called Geeking Out! Here's some more on that.
Actor Greg Grunberg talks with Kevin Smith about working with J.J. Abrams and those notoriously tight 'Star Trek' uniforms. Grunberg also gives details about his new late-night AMC talk show "Geeking Out," which he hosts with pal Smith.
Greg also has an amazing friendship with writer/director JJ Abrams and we go into how that relationship came to be.
In this episode, Greg talks filmmaking shop, tells us stories from the set and comic cons and inspires us to never give up and keep on hustlin'. Enjoy my geek out with Greg Grunberg.
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IFH 148: How to Write a Super Natural Hit Film with BeetleJuice Creator Larry Wilson Mar 21, 2017

How to Write a Super Natural Hit Film with Beetlejuice Creator Larry Wilson
If you were a kid of the late 80s or early 90s then today's guest definitely had an impact on your life. Larry Wilson is the co-creator of the cult classic Beetlejuice (directed by Tim Burton), writer of Addams Family and worked on the legendary television show Tales from the Crypt.
Larry wasn't always a screenwriter, he worked on the studio side of things as well as an executive. In this interview, he tells the story of how he championed a young and pre-Terminator James Cameron to be the writer/director of Aliens. Great story! Check out some of his work below:
Larry Wilson was also a screenwriting teacher at UCLA, arguably one of the best screenwriting programs in the world. He has continued to teach through his very popular workshops. His latest workshop Larry Wilson's Method to Madness-A Fantasy and Horror Workshop is filling up quick so sign up. Here's a bit about the workshop.
As your teacher, my goal is to inspire leaps of imagination by creating an environment that resembles an awesome story conference—the kind myself and my partners experienced while creating Beetlejuice. First, that means we’re allowed to be strange—I’ll encourage your creative quirks and far-out ideas, as long as they’re entertaining and help to tell your story.
I’ll be your guide for workshop writing assignments, role playing games, and group journeys through the dark realms that will keep you engaged and entertained while you’re creating your best story—ever! We’ll jump off the creative cliffs together. What I won’t be doing is lecturing for hours, hoping you’re staying awake. And, even if we’re talking about the darkest story in the world, I’ll make sure we're having fun (if we’re not laughing, it’s not happening).
There’s a method to my madness, I promise, and I also promise that you’ll enjoy the ride.
Below you'll find the episode of Alfred Hitchcock Presents that both Larry Wilson and Tim Burton worked on together and started their Beetlejuice adventures. The episode was called "The Jar.
Enjoy my spooky and funny conversation with Larry Wilson.
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IFH 147: Cinema Lenses MasterClass with Matthew Duclos Mar 14, 2017

Cinema Lenses MasterClass with Matthew Duclos
Today we are going deep down the cinema lenses rabbit hole. I was lucky enough to sit down and speak to the "Yoda" of cinema lenses Matthew Duclos. Matthew has been working on lenses for most of his life. Most cinematographers in Los Anges (and around the world) consider him an expert in the field.
I was hearing Duclos' name on set as far as I can remember so it was a thrill to get to speak and grill Matthew on all things lenses
Here's some info on Duclos Lenses:
Duclos Lenses is the premier destination for high-quality motion picture optics. We strive to provide quality service to the industry's professionals who own and rent top-of-the-line cinema optics. We have the test equipment and experience required to optimize and maintain all of your lenses. We're a family owned and operated business who not only appreciate and respect customers in a way only a small business could, but also thrive off of our customers satisfaction and repeat business
Enjoy my conversation with Matthew Duclos of Duclos Lenses.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Duclos Lenses
Matthew Duclos - Facebook
This is Meg
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
BONUS: TOP TEN Online Filmmaking Courses
Werner Herzog's Filmmaking MasterClass
How to Become a Working Director MasterClass
Filmmaking Hacks: Filmmaking Master Course
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IFH 146: Adventures at Cinequest with the Cast of This is Meg Mar 07, 2017

Adventures at Cinequest with the Cast of This is Meg
It's a been a long journey but This is Meg finally had it's World Premiere at the Cinequest. I was fortunate enough to have a bunch of the cast make the trek up to San Jose, CA from Los Angeles. We had an amazing time. Cinequest really loves and supports filmmakers. They treated us like royalty.
So in between screening, parties, and meetings I grabbed the cast: Joseph Reitman, Jill-Michelle Meleán, Lahna Turner, Holly Wortell and Ruben Dario and did an impromptu podcast in our hotel room. We discussed the festival, their experiences working on This is Meg, what the state of the biz is and much more.
This episode is educational and funny but a bit "blue" in its language so if you are a parent you've been warned. Enjoy my conversation with the cast of This is Meg.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
This is Meg
This is Meg Cinequest - Tickets
Joseph Reitman
Lahna Turner
Holly Wortell
Jill-Michele Meleán
Ruben Dario
Perfect 10 Podcast with Lahna Turner
Limeade - Comedy for mature audiences only!
IFH 120: What the HECK is a Scriptment?
Cinequest - Film Festival
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
BONUS: TOP TEN Online Filmmaking Courses
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 145: How to Make $250K Indie Film Look Like $25 Million Blockbuster with Gaelan Connell Mar 01, 2017

How to Make $250K Indie Film Look Like $25 Million Blockbuster with Gaelan Connell
Every once in a while I come across a filmmaker who is just a bit crazier than I am. This is true for writer/director Gaelan Connell who's film Blood Sand and Gold is a true indie film miracle. This mad man decided to raise $250,000 (much of which was out of pocket) and go off and make a big budget action film, just one problem he didn't have a big budget.
Yes, I know $250K is a lot of money but it's not enough for what Gaelan was attempting to do. Check this out, Blood Sand and Gold was shot over the course of 58 days across 5 countries and 4 continents! It has Jason Bourne/James Bond style action. I mean it's nuts. Check out the trailer below:
I had to have him on the show to reveal his secret sauce on how he was able to accomplish this crazy mission. Not only did he jump on the podcast and drops some MAJOR knowledge bombs, he also wrote up an article laying out his top 5 filmmaking tips. Take a listen to the podcast then read Gaelan's article. Enjoy and get ready to be inspired!
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
Here's a behind the scenes look at the indie marvel Blood Sand and Gold.
Blood Sand and Gold is a modern day treasure hunt action adventure film. Shot over the course of 58 days across 5 countries (and 4 continents!), the story follows ex-criminal Jack Riordan (Aaron Costa Ganis) and Mave Adams (Monica West) as they hunt down Sir Francis Drake’s stolen treasure.
So far, everything feels pretty standard, right? Action movie, check. International settings, check. Explosions, desert landscapes, helicopters, and a tiger…check. But wait: We made this whole movie with a budget of less than $250k.
Why? We intentionally made Blood Sand and Gold outside of the Hollywood system to prove, firstly, that it can be done, and secondly, that nowadays there’s a way to stretch budgets further than indie films ever thought possible. In addition to the (comparatively) minuscule budget, we gave ourselves a challenge: no agents, no managers, no money people, no casting directors. And wouldn’t you know it, every insider we approached in Hollywood said,
“Sounds cool! Never going to happen.”
Blood Sand and Gold premieres March 10, 2017 in select theaters, online and ondemand. As we discuss in the Podcast, here are some tricks on how we made it happen.
Trick 1: Film outside the country.
We intentionally shot Blood Sand and Gold in countries outside of the US. Shooting outside of the US is a magical experience. Unlike LA or NY, where seeing a production is as commonplace as grabbing coffee at Starbucks, people in areas where filming is more novel, approach filmmaking as a once in a lifetime experience, which means everyone is willing to pitch in and lend a hand.
For example, starting production in Guadalajara Mexico allowed us to garner some early media attention by leading Mexican press, the awesome film commission of Guadalajara helped supply us resources for free (locations, police for action scenes, etc) which allowed us to do huge stunts on a fraction of the budget. It also led to more grassroots cooperation to help with production. People all over the world came out of the woodwork to support our project, whether it was the 200k Mercedes SLS that a friend of a friend in Mexico let us use, or the epic treasure chest prop that a villager in Merzouga, Morocco lent us for the opening sequence of the film.
Cinematographer C
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IFH 144: The Reel Truth on How to Survive Making an Indie Film with Reed Martin Feb 24, 2017

The Reel Truth on How to Survive Making an Indie Film with Reed Martin
Have you ever wish that you could avoid pitfalls and mistakes that other filmmakers made before you? Today's guest does just that. Reed Martin is the author of the best-selling book The Reel Truth: Everything You Didn't Know You Need to Know About Making an Independent Film.
Reed Martin is a former adjunct professor at NYU's Stern School and Columbia Business School. Previously, he has worked as the Director of Marketing at Independent Pictures, the New York-based production company of producer Cary Woods ("Swingers," "Scream"). Martin is also a former research associate at Harvard Business School, where he created class materials for the senior faculty.
Check out the video below:
Here's a bit on his best-selling book:
The Reel Truth: Everything You Didn't Know You Need to Know About Making an Independent Film
Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers?
The Reel Truth details the pitfalls, snares, and roadblocks that aspiring filmmakers encounter. Reed Martin interviewed more than one hundred luminaries from the independent film world to discuss the near misses that almost derailed their first and second films and identify the close shaves that could have cut their careers short.
Other books may tell you the best way to make your independent film or online short, but no other book describes so candidly how to spot and avoid such issues and obstacles as equipment problems, shooting-day snafus, postproduction myths, theatrical distribution deal breakers, and dozens of other commonly made missteps, including the top fifty mistakes every filmmaker makes.
From personal experience and his years as a freelance reporter covering independent film for USA Today and Filmmaker magazine, Martin uncovers the truth about the risks and potential rewards that go with chasing celluloid glory. Whether you're writing a screenplay, looking for financing, about to start shooting or thinking about investing time and money (or someone else's money) in an independent film, The Reel Truth is a must-read.
Get ready for some killer knowledge bombs and enjoy my conversation with Reed Martin.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
The Reel Truth: Everything You Didn't Know You Need to Know About Making an Independent Film
Reed Martin - Email
Reed Martin - Twitter
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 143: How NOT to Shoot a $50,000 Short Film Feb 21, 2017

How NOT to Shoot a $50,000 Short Film
So as filmmakers we all want to make the best films we can. Sometimes filmmakers think that a bigger budget is the answer, that bigger is better. This is what I thought when I went down the road and create my short film Red Princess Blues. After going down this road once before with my first short film BROKEN, I thought bigger had to be better. If $8000 was good (budget of BROKEN) then with $50,000 I could blow everyone away.
BROKEN opened a ton of doors for me as a filmmaker. I was contacted by studios, executives, producers, agent, you name it. BROKEN was an ambitious short film, to say the least. You can listen to that story here: How I Made Over $90,000 Selling my Short Film + Video Tutorials.
In this episode, I discuss the mistakes I made when I made a $50,000+ short film. Mistakes with
Budget
Crew Choices
Size of Crew and Cast
Production Design
Distribution Plan
ROI (Return on Investment)
Who is the end user (audience I'm trying to reach)
Here's more on the short film:
ZOE, a young teenage girl, is lured into an after hours carnival tent by the sleazy rock n roll carnie RIMO, and gets more then she bargained for. It's up to the mysterious PRINCESS, star of the new knife show, to pull her out of the wolf's den.
Check out the trailer below.
This is not the first short film I made based on my feature film screenplay. I co-directed, with my brother in arms Dan Cregan, a traditional Japanese Anime Prequel called Red Princess Blues: Genesis starring the legendary Lance Henriksen. Check out that trialer below:
I was a bit ahead of the curve on the distribution of Red Princess Blues. I was the first short film to be distributed exclusively on an iPhone app. Streaming was not a thing yet. I go over what happen with that in the episode as well. Check out this promo I made for the app.
It's not all doom and gloom. Many amazing opportunities were generated from RPB, I just wish it wouldn't have cost me as much. = ) These are some interviews and red carpet moments from Red Princess Blues' World Premiere at the HollyShorts! Film Festival.
You can see how large of a production this short film was in this video below.
I hope you find some words of wisdom in this episode and that you can learn a few lessons that cost me a bunch of $$$ to learn. Enjoy!
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Red Princess Blues - Watch on Amazon Prime
Red Princess Blues: Genesis - Watch on Amazon Prime
This is Meg - Cinequest Tickets
This is Meg - Official Site
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 142: Lessons Learned from Running Indie Film Hustle Feb 15, 2017

Lessons Learned from Running Indie Film Hustle
I wanted to put together this episode to share with the IFH Tribe the amazing lessons I've learned over the past year and a half running both IndieFilmHustle.com and the IFH Podcast. I wanted to show you how these lessons can be applied to your filmmaking or screenwriting journey.
When I started IFH I really had no end game. I knew I wanted to reach as many filmmakers and artists as I could but that was it. The key for me was just focusing on the day to day tasks and not the monstrous mountain I wanted to get to the top of. BTW, I'm nowhere near the top of that mountain, I'm still at the bottom at base camp =)
In this episodes I go into the 5 Lessons I used every day in my creative, professional and personal life. These are:
Consistency
Learning
How to React and Adjust
Patience
Hustle
I break down each lesson and go deep down the rabbit hole on how you can apply these to you filmmaking and creative life. Enjoy and keep on hustlin'
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
This is Meg - Cinequest Tickets
This is Meg - Official Site
How to make a $1,000 Feature Film with Jay & Mark Duplass
Joe Swanberg: How to Shoot & Sell Six Feature Films in a Year!
RocketJump
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 141: Turbo Kid & How to Create an Indie Film Ecosystem with Shaked Berenson Feb 14, 2017

Turbo Kid & How to Create an Indie Film Ecosystem with Shaked Berenson
I speak a lot on IFH on how filmmakers should create their own ecosystem and revenue streams, today's guest has done just that. Shaked Berenson is Co-Founder of Epic Pictures Group, a film financing, production, and international/domestic sales company based in Beverly Hills, CA.
Shaked has produced films like the cult hit Turbo Kid, Sundance Film Festival Selection Entertainment and the animated film Space Dogs: Adventure to the Moon. What is great about Shaked is that he has created his own ecosystem. From financing to production to distribution, all under one umbrella. This way he cuts out the middle man and he can keep more of the profits.
Shaked came to my attention when I found out he produced the internet darling Turbo Kid. The way that film was marketed, sold and distributed is something all filmmakers should study. We go deep down the rabbit hole all things Turbo Kid, indie filmmakers, building your own revenue streams and much more.
Here's a bit about Shaked Berenson:
Prior to Epic Pictures Group, Berenson served as Renegade Pictures’ Director of Sales as well as the Director of Technology and International Relations for the Giffoni Hollywood Film Festival. Before Renegade Pictures, Berenson was in the Israeli Defense Force for four and half years where he served in managerial and educational roles as a project consultant to Elbit Systems, and worked as a program developer for NetVision, an Internet solutions company. He holds a degree in economics and business from UCLA. - IFTA-Online.org
Enjoy our conversation with Shaked Berenson.
Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Shaked Berenson - IMDB
Shaked Berenson - Twitter
Epic Pictures - Twitter
Epic Pictures
Turbo Kid - Official Site
Turbo Kid - Twitter
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog's Filmmaking MasterClass
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 140: 6 Mistakes To Avoid Your First Day On a Film Set Feb 10, 2017

6 Mistakes To Avoid Your First Day On a Film Set
1. Arriving Late
If you’re not early, you’re late. I aim to get to work at least 15 minutes early each day on a film set. This gives me time to setup, read my call sheet and sides, cram in some extra breakfast and make my boss a coffee. If you are late on day one you instantly create a bad reputation for yourself and this industry is built on reputation and relationships. Set your alarm early for the first day, pick out what you need to wear the night before and make sure you’ve had a look at where you need to get to so you don’t get lost.
2. Forgetting Names
No one will remember your name but don’t let that be an excuse to forget theirs. It’s great if you can remember as many names as possible on your first day on a film set, at least those in your department. This will make you stand out and give you the best chance of them remembering you. I sometimes even write down people’s names in a notebook or phone when they aren’t looking so you can refer back to it. Alternatively, you can also ask the production office for a crew list to help you remember who’s who.
3. Asking An Actor What They Do
You’ll be trying small talk with whoever is standing around. It’s pretty embarrassing when you ask an actor what department they are in or what they do. Embarrassing for them I guess, as they expect that you’ll know them from the seven short films they released on Vimeo last year. As long as you are polite I’m sure they’ll get over it. I’ve asked Mel Gibson’s son what his last name was. He politely replied ‘Gibson’. That makes sense, I thought.
4. Phone Ringing During A Take
This is even more embarrassing than when you wet yourself in kindergarten and had to go to sick bay to get some spare clothing. Don’t let your phone ring on set, especially during a take. At least have it on silent or even better, just turn it off if you don’t need it for some kind of emergency calls. Your Facebook and Instagram updates can wait until you get home. If your phone does ring during a take I can guarantee the crew will remember who you are and be hassling you each day until you provide a case of beer for your sins.
5. Walking Through The Back Of Shot
Film sets can be a daunting place at the best of times with crew members rushing about knowing exactly what to do and where to be. You’ll find it hard on day one to even find a place to stand that is out of the way. Have a good look at where the cameras are pointing and make sure you don’t settle in the back of the shot. It’s always embarrassing when you hear “Cut!” and the director berates the person that was standing in the shot only to realize that was you…
A safe bet is near all the equipment trolleys. Usually, this is fairly close to set but enough out of the way until you discover your place on set.
6. Standing In The Actor’s Eye line
An eye line refers to where an actor is looking in the scene. It may be directly at the other actors, it could be out to the horizon or it could be an imaginary moving car that is driving in the distance. So, why should you stay clear of it? Actors are performers and they need to feel secure during filming.
You’d likely not love fifty people gawking while you feign ‘true love’ and awkwardly kiss your sweaty co-star in a claustrophobic studio. Such a kiss could only be made worse by a wandering PA aimlessly ambling into their line of sight. If you need to be close to the action during the scene, try and hide yourself behind some equipment or set dressing so that you remain inconspicuous. Alternatively, turn your back to them or simply look down at the ground while the scene is played out. Don’t move around and fidget.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 139: Why I Edited My Feature Film on DaVinci Resolve Feb 06, 2017

Why I Edited My Feature Film on DaVinci Resolve
I've been editing features, shorts, commercial, and everything else shot on film or video for over 20 years. Editing on almost every non-linear editing system you can imagine I know what I want and like in an NLE. When it came time to edit my directorial feature film debut, This is Meg, I knew my good old Final Cut Pro 7 wouldn't cut it.
So I decide to give Davinci Resolve 12.5 a try. I've been color grading on Resolve for years and always jumped over the "edit tab" on my way to the color tab. Once version 12 came out I was blown away. So powerful, so intuitive and it just plain worked! I have to tell you,
"DaVinci Resolve is what all Final Cut X should've been."
The good folks over at Blackmagic Design invited me to speak at the Slamdance Film Festival 2017 to discuss my experience editing, color grading and finishing on Davinci Resolve. Enjoy!
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Learn how to edit your film on Davinci Resolve
FREE DOWNLOAD to Davinci Resolve
BlackMagic Design
Slamdance Film Festival
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS
BONUS: TOP TEN Online Filmmaking Courses
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IFH 138: How to Sell Your Idea to Television with Agent Matthew Doyle Feb 03, 2017

How to Sell Your Idea to Television with Agent Matthew Doyle
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
Today's guest cracked open a door to a part of the industry I had no idea about, television. Matthew Doyle is a television lit agent at the Verve Talent and Literary Agency.
He's an up and comer in the industry and definitely a hustler. My co-host Sebastian Twardos and I wanted to get an "in the trenches" perceptive on the television market and Matthew delivered. He tells a great story on how he got promoted to an agent with a prank by the partners at Verve. Here's a bit on Matthew Doyle:
Doyle joined in January as Verve’s first off-desk TV lit coordinator. He implemented a new system for information flow and tracking, redesigned current grids, and helped lead Verve to its most successful staffing season ever, with 80% of clients staffed on broadcast and cable shows. He has been an aggressive recruiter, interviewing and training new employees.
Worked with up-and-coming clients such as Arkasha Stevenson and Kirk Sullivan on the television side, and has played an important role in signing clients staffed on upcoming series such as “Pitch” and “Riverdale.” Challenges of the job? “Recognizing that everyone is the protagonist of their own story, and treating them accordingly,” Doyle says. - From Variety - 10 Assistants to Watch 2016
All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.
Enjoy our conversation with Matthew Doyle.
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Verve Talent and Literary Agency
Matthew Doyle - Linkedin
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 137: Jason Michael Berman - Producing 5 Sundance Films & Making it in Hollywood Feb 02, 2017

Jason Michael Berman - Producing 5 Sundance Films & Making it in Hollywood
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
I had the honor of speaking to Jason Michael Berman at Sundance this year. He's a Sundance vet. He has premiered 5 features at Sundance over the years and has the record for the highest selling film at Sundance ever, The Birth of a Nation which sold for $17.5 million. Crazy! This year he premiered the remarkable film Burning Sands at the festival. The film is about the intensifying violence of underground hazing on a college campus.
Jason dropped some great knowledge bombs in our interview with my co-host Sebastian Twardosz. Here's a bit on Jason Michael Berman:
Jason Michael Berman is the Vice President of Mandalay Pictures, where he is responsible for developing and structuring financing for Mandalay's slate of independent films, in addition to packaging projects.
Berman has produced feature films that have debuted at premiere film festivals around the globe, including the Sundance Film Festival, Cannes Film Festival, Toronto International Film Festival, SXSW, Tribeca, Berlinale, and Edinburgh. Berman was named by Variety in 2011 as one of the Top Ten Producers to Watch, and by Deadline Hollywood in 2012 as one of the Top Ten Producers to Watch at Sundance.
Berman produced Nate Parker's The Birth of a Nation, starring Parker, Armie Hammer, Jackie Earle Haley, Gabrielle Union, and Penelope Ann Miller, about the true life story of Nat Turner's slave rebellion. The Birth of a Nation premiered in the U.S. Dramatic Competition at the 2016 Sundance Film Festival. - Wikipedia
All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Mandalay Pictures
Jason Michael Berman - IMDB
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 136: How to Break into the Film Industry with Stage 32's RB Botto Feb 01, 2017

How to Break into the Film Industry with Stage 32's RB Botto
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
One of my most downloaded episodes ever was my interview with Film Industry vet and CEO of Stage32.com, RB Botto (Click here to listen to that interview). Ever since then I've been wanting to bring him back on to the show. The stars aligned at Sundance and I didn't just get him on the podcast but I also recorded the interview for the IFH YouTube Channel.
Here's a bit on our guest:
Stage 32 is a US-based social network and educational site for creative professionals who work in film industry, television and theater. Stage 32 links professionals in the entertainment industry including directors, writers, actors and entertainment staff.
It caters to film industry professionals with featured bloggers, online education taught by industry professionals, news from Hollywood and filming locations around the world, Stage 32 meetups page, an online lounge and a film business jobs page that allows members to connect with others on film ventures, along with standard social media functions.
CEO and founder, Richard "RB" Botto, an Orson Welles fan, drew his inspiration for the name "Stage 32" from the old RKO Soundstage 17 where Citizen Kane was filmed. That sound stage is now Paramount's Stage 32.
We had a ball talking and partying at Sundance this year. A lot has happened since our last interview. I've done over 100 more episodes of the podcast and Stage32 has grown into a juggernaut. Add the hangovers, snow storms and my co-host Sebastian Twardosz to the mix and you get a hell of an interview.
Curl up to a warm fire and enjoy our conversation with RB Botto.
All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.
Right click here to download the MP3Download on iTunes Direct
Stage 32 is also having it's 1st Annual Online Film Finance & Producing Conference
No planes. No hotels. No expenses. No new wardrobe. No outrageous badge prices.
Just you, your computer and your willingness to learn.
This is 2 days and 16 hours of the most up to date and actionable information designed to help you navigate the ever-changing landscape of film financing and producing to raise money for your projects!
Stage 32, the leaders in online education for film creatives, is proud to present our First Annual Film Finance & Producing Conference. We understand that most film creatives are working off a strict budget and simply cannot afford the expenses related to attending in person conferences. Our First Annual Film Finance & Producing Conference is not only incredibly affordable but can be enjoyed from the comfort of your own home.
For more info goto: 1st Annual Online Film Finance & Producing Conference
To get $50 off the conference use the coupon code: HUSTLE
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Stage 32 - Official Site
Stage 32 -
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 135: Disrupting Sundance & Helping Filmmakers with Slamdance Co-Founder Dan Mirvish Jan 31, 2017

Disrupting Sundance & Helping Filmmakers with Slamdance Co-Founder Dan Mirvish
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
In our journeys through the Sundance Film Festival, we ran into the David to the Sundance Goliath, Slamdance Co-Founder Dan Mirvish. Dan has been a rebel, author, filmmaker, disruptor, festival creator, and true indie film hustler.
This interview is one of the most entertaining I've ever done. Dan Mirvish tells stories of how he challenged the Oscars, had Robert Redford call him "a parasite" and why the best deals are done in a hot tub. Here's a bit on Dan Mirvish:
A co-founder of the upstart Slamdance Film Festival, Dan Mirvish is also an active director, screenwriter, and producer. Labeled a "cheerful subversive" by The New York Times, and "Hollywood's Bad Boy" by the St. Louis Post-Dispatch, Mirvish has been named as one of Variety's Top 50 Creatives to Watch, as well as one of Film Festival Today's Top 25 Most Influential People in Independent Film.
Dan also has just written a new book: The Cheerful Subversive's Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution. Here's a bit about the book.
In The Cheerful Subversive’s Guide to Independent Filmmaking, celebrated Slamdance Film Festival co-founder Dan Mirvish offers a rich exploration of the process and culture of making low-budget, independent films.
Once labeled a "cheerful subversive" by The New York Times, Mirvish shares his unfiltered pragmatic approach to scriptwriting, casting, directing, producing, managing a crew, post-production, navigating the film festival circuit, distributing your film, dealing with piracy and building a career.
Readers will learn how to game the Hollywood system to their advantage, get their films accepted by respected festivals without going broke, and utilize a broad range of media and tactics to promote and distribute their work. A companion website features behind-the-scenes interviews and footage from Dan’s films, and much more.
Learn everything you need to know to make, promote, and distribute your independent films, with time-tested lessons and practical advice on scriptwriting, casting and directing A-list actors, financing, producing, managing a crew, editing in post, creating visual effects on a budget, and successfully navigating the film festival circuit
Find out what it takes to become a true "cheerful subversive" and adopt new and innovative approaches to producing your films, discover hidden loopholes in the Hollywood system and festival scene, take advantage of a broad range of media formats to promote and distribute your indie films, and generally make bold moves in service of your creative work, all while staying flexible enough to pivot at a moment’s notice
An extensive companion website features in-depth interviews with filmmakers, more than an hour of behind-the-scenes footage from Dan Mirvish’s films, festival resources, and much more
Get ready for some very entertaining knowledge bombs with Dan Mirvish.
All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 134: Chasing Sly and the Family Stone Documentary for 12 years with Michael Rubenstone Jan 30, 2017

Chasing Sly and the Family Stone Documentary for 12 years with Michael Rubenstone
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
We all hear stories of filmmakers working on films for years and years. Well, I don't know about you but I've never met one until now. In my journeys at Sundance and Slamdance I met one of these crazy and passionate filmmakers, his name is Michael Rubenstone. Michael the director of the documentary On the Sly: In Search of the Family Stone, which premiered at this year's Slamdance Film Festival.
When I heard his crazy story I had to have him on the show. Michael has been chasing Sly from Sly and the Family Stones for over 12 years. The stories he told us in the interview were insane. Talk about passion. We can all learn something about dedication, persistence and just plain nuts.
Check out some teasers of the film below:
Here's a bit about the film: Director and super-fan Michael Rubenstone sets out in search of long-time reclusive funk legend, Sly Stone. Along the way, he meets with some success but finds countless more failures in trying to capture a man who refuses to be contained.
Have you ever sat in your parked car for several minutes, just to hear the end of a song on the radio or savor the feeling that such a song gave you? In On the Sly, a music fan’s archival fervor and optimistic investigation take us beyond a sensationalized or simplified history of Sly and the Family Stone and bring us into a world where it is unthinkable to turn off the radio before the song is through.
The elusiveness of frontman Sly prompts both filmmaker and viewer to consider how much we project onto our heroes, and how their continued inaccessibility is, despite our frustration, often vital to continuing the work of discovering ourselves and how we use music and art to bond with one another beyond simply moving our bodies to the beat. - Beth Prouty, Slamdance Programmer
Sit back and enjoy the amazing conversation I and my co-host Teri Gamble had with director Michael Rubenstone.
All of these Sundance Series episodes are co-produced by Sebastian Twardosz from Circus Road Films and Media Circus.
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
On the Sly: In Search of the Family Stone - IMDB
Teri Gamble
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 133: Sydney Freeland: Working with Netflix & Maintaining Creative Freedom Jan 27, 2017

Sydney Freeland: Working with Netflix & Maintain Creative Freedom
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
I ran into many filmmakers while fighting the blizzard at this year's Sundance Film Festival but one of the most impressive of the bunch was director Sydney Freeland. Sydney has had a challenging journey to become a director and her story is inspiring, to say the least.
Prior to making her first feature-length film, Sundance darling Drunktown's Finest, Sydney Freeland previously worked as a production assistant, as a writer, and as a camera intern. Freeland worked in a number of areas, including; National Geographic, Walt Disney, The Food Network and Comedy Central. Freeland garnered her first taste of success with the six-minute short film, Hoverboard, utilizing Kickstarter to help fund the short. The film was inspired by her love of Back to the Future Part II.
Drunktown's Finest is her second venture into filmmaking. The 95-minute long film is a coming-of-age story about the complex issues surrounding identity and the struggles faced by Native American people. The film's name is inspired by a controversial 20/20 segment on ABC News, which branded the town of Gallup, New Mexico as "Drunk Town, USA", after the increase of instances of alcoholism on the border of the Navajo Nation.
Freeland wrote, directed Drunktown's Finest as means to combat the negative stereotype of her home community. Sydney Freeland, who is herself a transgender woman, is also directing a digital series about queer and trans women called Her Story.
Photo by: Netflix
At this year's Sundance Film Festival Sydney Freeland is premiering her latest film Deidra & Laney Rob a Train, which was financed completely by Netflix. Two teenage sisters start robbing trains to make ends meet after their single mother's emotional meltdown in an electronics store lands her in jail. Coming to Netflix March 17. Here's the trailer.
We sit down and discuss how it was like to work with Netflix, if the rumors of creative freedom are true and what Sundance has done for her career.
All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus.
Right click here to download the MP3Download on iTunes Direct
BTW, Here's a trailer to Sydney Freeland's first Sundance Film Festival film, Drunktown's Finest. Three young Native Americans- an adopted Christian girl, a rebellious father-to-be, and a promiscuous transsexual, strive to escape the hardships of life on an Indian reservation.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Jason Shuman - IMDB
Rebel in the Rye
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 132: Rebel in the Rye & How to Become a Producer with Jason Shuman Jan 26, 2017

Rebel in the Rye & How to Become a Producer with Jason Shuman
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
Every once in a while we get a real Hollywood producer on the show. Jason Shuman is a producer and director, known for Lone Survivor (2013), Role Models (2008) and Bangkok Dangerous (2008) and this year's Sundance hit Rebel in the Rye (2017), written and directed by Danny Strong. Now not only is Jason a very accomplished producer but man is he a nice guy.
He was so generous with his time and knowledge. He was dropping knowledge bombs left and right. Jason Shuman started producing with indie films like one of my faves, Comic Book Villains (2002) and moved quickly up to studio films with horror classic Darkness Falls (2003) (based on a short film). Check out the Darkness Falls short below:
Get ready to have an inside look at what it takes to become a Hollywood producer. Thanks to Jason Shuman for taking the time to do the interview. All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus PR.
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Jason Shuman - IMDB
Rebel in the Rye
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on
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IFH 131: Inside the Spec Script Market with Agent David Boxerbaum Jan 25, 2017

Inside the Spec Script Market with Agent David Boxerbaum
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
We all have heard about screenwriter selling a spec script for seven figures (see Max Landis) but who is the power brokers who are helping that process along? Enter Paradigm Literary Agent David Boxerbaum.
David is a senior agent at Paradigm, and his impressive client roster includes the likes of David Guggenheim, writer of Safehouse; Ken Marino, writer/producer of Wanderlust and writer of Role Models; Maria Maggenti, writer of MTV’s Finding Carter; and Ransom Riggs, writer/co-executive producer of the upcoming supernatural horror thriller, Black River.
At the age of 26, David was listed as one of the Hollywood Reporter’s “Next Generation 35 Under 35,” making him one of the youngest people ever to make the list. He is known for his impeccable taste and his strong industry relationships which help him garner six- and seven-figure sales for his clients in a shrinking spec marketplace.
What is an agent like David Boxerbaum looking for in a screenwriter? How does an agent work with a client to build a career? How do you approach a Literary Agent? All will be answered in this episode. Enjoy!
All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus PR.
Right click here to download the MP3Download on iTunes Direc
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
David Boxerbaum - Twitter
Paradigm Talent Agency
Sebastian Twardosz
Circus Road Films
Media Circus PR
SPONSORS
Directing Actors Master Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Aaron Sorkin Screenwriting Master Class
Hans Zimmer Film Scoring MasterClass
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes,
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 130: Elijah Wood and the SpectreVision Team - Creating a Brand & Making Killer Films Jan 24, 2017

Creating a Brand & Making Killer Films with Elijah Wood and the SpectreVision Team
SPECIAL SUNDANCE EDITION of the Indie Film Hustle Podcast
I wanted to do something special for the Indie Film Hustle Tribe this year. I'm in Park City, UT interview some AMAZING filmmakers, producers, agents and actors. In celebration of Sundance I'll be releasing a podcast a day during the week.
I wanted to launch this special Sundance Film Festival series with a bang. In this episode I speak to indie film favorite and all around amazing human being Elijah Wood (Lord of the Rings, Sin City) and his remarkable partners Josh Waller, Daniel Noah and Lisa Whalen (Company X) over at their company SpectreVision.
I have to say that this is by far one of my favorite interviews I've ever done. It was part filmmaking masterclass, branding lesson, James Lipton interview and party. I learned a ton from the gang and really felt the passion these friends and partners have for making the kind of films they want to see.
All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films.
Right click here to download the MP3Download on iTunes Direct
Here's a bit about SpectreVision:
Founded in 2010 by partners Elijah Wood, Daniel Noah and Josh C. Waller, SpectreVision was created to tell character-driven stories tackling emotional and human experiences that test the boundaries of the genre space.
The SpectreVision productions of Cooties and A Girl Walks Home Alone At Night made their premieres at the 2014 Sundance Film Festival. Cooties was acquired by Lionsgate Films at Sundance. A Girl Walks Home Alone At Night was acquired by Kino-Lorber.
It has been the recipient of numerous awards from film festivals throughout the world, and was nominated for three Independent Spirit Awards. SpectreVision has also served as Executive Producer on such critically acclaimed films including Toad Road, LFO:The Movie and Open Windows.
Their production of The Boy, premiered at the 2015 South By Southwest film festival. It opened in the U.S. in August 2015, and continued to play at festivals worldwide throughout the year. In the five years since its inception, SpectreVision has expanded its focus, with new and exciting forays into the worlds of music, television, gaming and digital media.
Wood, Noah and Waller were honored with the Visionary Award at the 2014 Stanley Film Festival for their contribution to independent film. They also delivered the Keynote Address for the Fantastic Market in Austin, leading into the 2015 Fantastic Fest.
In January of 2016, SpectreVision announced a new partnership with gaming giant Ubisoft, to create, develop and produce original content for their virtual reality platform. The SV production of The Greasy Strangler made its world premiere at this year’s Sundance Film Festival to wide acclaim and controversy, making it one of the most talked-about titles at the festival.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
SpectreVision
SpectreVision - Facebook
SpectreVision - Twitter
Company X
Sebastian Twardosz
Circus Road Films
SPONSORS
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 129: 5 Rules to Make Money Selling Indie Films Jan 16, 2017

5 Rules to Make Money Selling Indie Films
I feel that one of the reasons I was put on this earth was to help filmmakers and artist make money selling their films and art. There's no reason why filmmakers shouldn't be able to make a steady income from their films. You can here my inspiration rant on this topic here: Why Filmmakers are Always So Damn Broke & What They Can Do to Change It.
So I came up with these 5 rules on how to make money selling indie films. I outline what I discuss in the podcast below. If you are going to listen to an episode of the IFH Podcast then this one and #88 (Why Filmmakers are Always So Damn Broke) are two episode you should listen too. Check out the outline below and then listen to the episode. I also go into other areas and core concepts that are not in the list below.
1. Understand the initial cost of creating the factory that will build your product
Buying gear
Building a team
Post Production infrastructure
Deliverables
2. Understand the cost of creating your product vs the return
Keep the budget low enough where you feel you can make a healthy return on investment
Joe Swanberg (watch his SXSW talk here)
3. Understand your customer and how to engage with them
Provide Value to your customer
Social Media
Email List
Where does your customer hang out, go there and engage with them
4. Understand how you will be getting your product to the customer
Distribution Options
Cost of distribution
5. Understand revenue streams
DVD/Blu-Ray
TVOD
SVOD
Workshops
Merch
Now get to listening and make your film!
Right click here to download the MP3Download on iTunes Direct
Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.
Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.
Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.
A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in the Filmmaker Lounge during which attendees can ask questions, demo gear and learn more about Blackmagic Design products for independent filmmakers.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 127: No Budget Filmmaking with Mark Stolaroff Jan 06, 2017

No Budget Filmmaking with Mark Stolaroff
I've been trying to get today's guest on the show for months. Mark Stolaroff is a No Budget Filmmaking maestro. Here's a bit about our guest.
Mark Stolaroff is an independent producer and a founding partner of Antic Pictures, an LA-based production company producing a slate of low-budget, high-quality digital features. He recently finished principal photography on DriverX, his 5th collaboration with award-winning writer/director Henry Barrial.
DriverX stars Patrick Fabian (Better Call Saul), Desmin Borges (You're The Worst), Melissa Fumero (Brooklyn Nine-Nine) and many other talented actors.
Stolaroff and Barrial's previous feature, The House That Jack Built, which premiered at the 2013 Los Angeles Film Festival, played theatrically in December 2015 and is now currently streaming on Netflix and other digital platforms.
Mark produced Barrial's third feature, the micro-budget sci-fi film Pig, which was an official selection at over 35 film festivals worldwide, winning 10 awards, including 7 Best Feature award.
Pig was distributed by Kino Lorber in 2014. With Ron Judkins, Stolaroff produced Barrial's second feature, True Love, which was developed in the Sundance Screenwriters Lab and was a hit on the festival circuit. Stolaroff also consulted on Meera Menon's Farah Goes Bang, which premiered at the 2013 Tribeca Film Festival, winning the Nora Ephron Award.
Other projects include:
The Trouble With Men And Women
Paper Chasers
Some Body
Manic (starring Joseph Gordon-Levitt, Don Cheadle, and Zooey Deschanel)
Keep The River On Your Right: A Modern Cannibal Tale
...and others.
He is currently producing the horror feature Devil's Whisper, directed by Adam Ripp, which will be shooting in June 2016. Stolaroff was formerly a principal of Next Wave Films, a company of The Independent Film Channel that provided finishing funds to exceptional, low budget films; and through its production arm Agenda 2000, financed and executive produced digital features.
Included in Next Wave's 13 films are:
Christopher Nolan's Following
Joe Carnahan's Blood, Guts, Bullets, & Octane
Amir Bar Lev's Fighter
Sundance Grand Jury Prize winning documentary Southern Comfort.
In all Next Wave took seven films to Sundance and five to Toronto; nine were released theatrically in the U.S. and two premiered on HBO; nine were shot digitally and six of those were transferred to film.Stolaroff has lectured on low/no budget and digital filmmaking throughout the world and at many of the major film festivals.
He has taught film classes at UCLA Extension, the Maine Film Workshop, and The Learning Annex and has written for Scientific American, Filmmaker, Sight & Sound, Film Festival Reporter, and Film Arts Magazine.
He has been on countless filmmaking panels over the last two decades, including serving as the Series Moderator for IFP/LA's Digital Filmmaking Series in 2001 and 2002. He has sat on the juries of several film festivals and was on the Advisory Board of HBO's US Comedy Arts Film Festival. He currently serves on the advisory board of Filmmakers Alliance.
Stolaroff founded No Budget Film School in 2005, and in addition to teaching his classes, has lectured at most of the major film schools.
Mark has extensive production experience on several low-budget features and shorts, including production managing the Academy Award winning short film My Mother Dreams The Satan's Disciples in New York.
His background also includes two years in Investment Banking at Merrill Lynch Capital Markets, and five years as the Managing Director of Curtains Theater, an innovative legitimate theater he founded in Houston. A native Texan, Stolaroff received his BBA from the prestigious Business Honors Program at the University of Texas and minored in Film Pr
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 126: Should You Own Your Own Film Gear? - Ask Alex Jan 03, 2017

Should You Own Your Own Film Gear?
Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:
Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)
However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.
What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs?
What advice would you give someone working with non-acting actors who will be getting little to no pay?
So If I go to submit my film to contests and festivals will I have problems with people in public in background shots?
Would making the background more out of focus help?
I have scenes in stores. Do I need to blur product labels?
When is the perfect time in pre-production should you start casting?
How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal? Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced. Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more? I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).
Let's get to answering some questions.
Right click here to download the MP3Download on iTunes Direct
Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.
Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.
Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.
A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in th
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 125: Inspiration in 2017 & What I've Learned Dec 30, 2016

Inspiration in 2017 & What I've Learned
Can you believe we've arrived at out last episode of 2016?
The Indie Film Hustle Podcast has had some amazing interviews this year, so before the new year arrives, I wanted to review some of the highlights of 2016.
I wanted to thank the IFH Tribe for all the support, well wishes, emails, messages and overall good mojo. 2016 has been a remarkable year for Indie Film Hustle, the Indie Film Syndicate, and the IFH Podcast. I do what I do for you guys. Have a Happy and Productive 2017 everyone.
If you need some inspiration for the coming year, I'd take a listen to this episode. Also, watch the video below...
Right click here to download the MP3Download on iTunes Direct
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
IFH 088: Why Filmmakers are Always So Damn Broke & What They Can Do to Change It
This is Meg - Feature Film
INDIE FILM SYNDICATE Filmmaking Community (1st Month FREE) End Jan 8th, 2017
SPONSORS
VideoBlocks.com - (IFH Discount SAVE $50)
Directing Actors Course – (30% OFF – CODE: HUSTLE)
Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - Distribber
Hollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)
Werner Herzog Filmmaking Master Class
Aaron Sorkin Screenwriting Master Class
Kevin Spacey Acting Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS.
BONUS: TOP TEN Online Filmmaking Courses
Werner Herzog's Filmmaking MasterClass
Filmmaking Hacks: Filmmaking Master Course $10 SALE
Directing Actors Film Workshop
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 124: What is Your Film Really Worth? Dec 20, 2016

What is Your Film Really Worth?
So you are thinking of making an indie film or you've just finished making one...now what? When filmmakers go on the long journey of making a feature film they rarely ask the question that could make or break the success of the movie,
"What is my film worth in the marketplace?"
Before you begin the process of making your film ask the following questions?
What is your film worth?
Who is your market?Is it in a genre that can sell itself without stars?
Do your actors have any market value overseas or domestically?
Does the budget justify all of the above?
What’s the tipping point as far as the budget is concerned for a drama or comedy with no stars?
What is your distribution plan?
Have you spoken to a distributor yet to see what they are looking for?
In this episode, I discuss the questions that most filmmakers don't want to ask themselves but knowing the answer is imperative.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 123: What is Cinematic Virtual Reality with Jason Diamond Dec 15, 2016

What is Cinematic Virtual Reality with Jason Diamond
Is Virtual Reality the next big step in visual storytelling? Steven Spielberg said:
“I think we’re moving into a dangerous medium with virtual reality. The only reason I say it is dangerous is because it gives the viewer a lot of latitude not to take direction from the storytellers but make their own choices of where to look. I just hope it doesn’t forget the story when it starts enveloping us in a world that we can see all around us and make our own choices to look at"
I wanted to understand more about Virtual Reality and what impact it could have (or is having) on the world of cinema. This week I have Virtual Reality expert Jason Diamond from SuperSphere VR on the show.
The Diamond Brothers, Josh and Jason Diamond, own SUPERSPHERE VR a virtual reality production company based in Los Angeles. They build VR rigs for a number of clients from Fortune 500 companies to major studios and independent films. They follow the projects through from planning to shooting to post and in the past 18 months they have delivered more than 30 full VR projects.
Some of their most recent, notable projects have been for New York Fashion Week and the Minnesota Twins (See Below). Enjoy my interview with Jason Diamond.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 122: What "Hamilton the Musical" Can Teach Indie Filmmakers Dec 12, 2016

What "Hamilton the Musical" Can Teach Indie Filmmakers
If you have been living underneath a rock you probably haven't heard of the Broadway smash hit Hamilton. For the rest of you, this remarkable musical by Lin-Manual Miranda has changed not only Broadway but storytelling as well.
I know that is a bold statement but let me ask you, how many other new Broadway musicals have you heard about in the past 5-10 years? How many have crept into pop culture? How many have changed the game like Hamilton? Not many.
So what can indie filmmakers learn from a musical on Broadway? Here are a few lessons I learned from Lin-Manual Miranda's masterpiece.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 121: Joshua Caldwell - The Art of the $6000 Feature Film Dec 09, 2016

The Art of the $6000 Feature Film with Joshua Caldwell
I had the pleasure of meeting Joshua Caldwell, a brother in "indie filmmaking" arms. He directed a $6000 feature film called LAYOVER, which World Premiered at the 2014 Seattle International Film Festival where it was nominated for the New American Cinema Award.
The story of how he made the film was education, rebellious and funny. Many things he said mirrored my experience making This is Meg. Josh really has a great philosophy about making films and content. Check out the trailer below to see what a $6000 feature film in today's world looks like.
If you are going to make a feature film in the near future you need to listen to this podcast. It will change how you think about making indie films. Below, I also included a talk the Josh Caldwell did at the Seattle International Film Festival that is AWESOME! After you listen to the podcast watch the video below.
Right click here to download the MP3Download on iTunes Direct
Joshua Caldwell - The $6000 LAYOVER: Rethinking Indie Film
Director Joshua Caldwell discusses making his debut feature film, LAYOVER, for only $6000 and how filmmakers need to rethink their role in the ever shifting paradigm of independent filmmaking.
Here's a bit more about Joshua Caldwell:
Joshua Caldwell is an accomplished director, writer, producer, and MTV Movie Award winner. He has worked with a number of high-profile producers, including CSI: creator Anthony E. Zuiker, for whom he produced CYBERGEDDON, the online global motion picture event for Yahoo!, and directed all of the film’s ancillary content for its immersive website.
His award-winning short film DIG, starring Mark Margolis of BREAKING BAD, was featured in numerous film festivals, and his latest short RESIGNATION screened at Comic-Con.
Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.
Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.
Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.
A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in the Filmmaker Lounge during which attendees can ask questions, demo gear and learn more about Blackmagic Design products for independent filmmakers.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Official Website
Joshua Caldwell -
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 120: What the HECK is a Scriptment? Dec 06, 2016

What the HECK is a Scriptment?
So what is a Scriptment? I found it to be a liberating form of prepping a story to be filmed? When I was in pre-production on my first feature film This is Meg, I wanted to get into production as fast as I could without waiting to develop a full screenplay.
I've written a few screenplays in the past and as any screenwriter will tell you, it ain't easy. So I found inspiration from filmmakers like Mark Duplass, Joe Swanberg, Lynn Shelton, and the Godfather of independent film John Cassavetes. According to Justin Ladar (writer of Mark Duplass' The One I Love), he defines a scriptment as follows:
“Basically a full script minus a lot of the dialogue…If you take away exterior or interior sluglines, it reads like a short story.”
He explains what it was like working with Mark on The One I Love:
“What would happen is that I would script [the dialogue in] a scene the night before or while the crew was prepping. [The cast] would get the pages and they would see just from a pacing standpoint [what needs to happen and when].”
When I was working with Jill-Michele Meleán on This is Meg we came up with a style that would work for the budget and time we had. It was the most freeing experience of my creative life.
No pressure, no hitting your marks, and no drama (except in the story of course). As the director, I was there to capture the lighting. The remarkable actors that were cast in Meg brought themselves to the project.
Jill and I would discuss the scenes with each actor prior to the shoot day. We would have plot points in each scene that need to be hit for the story to move forward, how the actors got to those points was up to them. They would improv the dialog and flow in the moment. It was amazing to watch.
That energy spills off the screen when you watch This is Meg.
The term "scriptment" was coined by the legendary filmmaker James Cameron, during his involvement in bringing Spider-Man to the big screen. Cameron wrote a lengthy 57-page scriptment for the first proposed Spider-Man film (read the Spider-Man scriptment here).
According to Wikipedia,
"Cameron's scriptment for Titanic (1997) was 131 pages. The term became more widely known when Cameron's 1994 scriptment for the 2009 film Avatar was leaked on the internet during pre-production, although other directors, such as John Hughes and Zak Penn, had written scriptments before. The scriptment for Avatar (2009) and its notoriety caused the spread of the term."
Though James Cameron used a sc
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 119: Ask Alex - E&O Insurance, Music Rights and Copyright Oh My! Dec 02, 2016

E&O Insurance, Music Rights, and Copyright Oh My!
So after last week's huge success of the "Ask Alex" segment, I decided to bring it back this week. The IFH Tribe filled my inbox with tons of amazing questions, which I'll try to cover in future episodes.
If you have a question that you would like for me to answer on a future episode of the podcast just email them to ifhsubmissions@gmail.com and I'll do my best to answer them. This week we have a bunch of question from tribe member Jake from Australia.
Here are the questions I answered in this week's podcast:
What happens if I'm shooting guerrilla style and accidentally catch a sign in the background or someone is wearing a brand logo in a shot?
What is E&O Insurance (Errors and Ommissions) exactly?
How does E&O Insurance work?
Where are the best deals for E&O Insurance?
What do you do if you want to use Licensed Music?
What things might arise if using a track (or tracks)?
What can copyrighting your film cost you?
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 118: Kevin Smith, John Milius & Directing John Malkovich with Zak Knutson Nov 29, 2016

This week we have Zak Knutson on the show. Zak is a producer/writer/director/editor based out of Los Angeles. In 2005 he co-founded Chop Shop Entertainment, a filmed entertainment company that supplies added value materials to all of the major studios, and a large number of independents. Chop Shop Entertainment has supplied more movie based content for the internet than any other company in the industry.
The last Chop Shop project was Milius, a documentary on Hollywood rebel John Milius. The film opened at the SXSW Film Festival in 2013. The film also played at the Telluride Film Festival and the BFI London Film Festival. In 2014 Knutson directed Marvel 75: From Pulp to Pop for Marvel and ABC Television.
Zak Knutson directed "Shock the World" a documentary about Jesse Ventura's path from professional wrestler to governor of Minnesota. Shock the World premiered April 2015 at the Tribeca/ESPN Sports Film Festival.
His latest film Supercon starring Maggie Grace, Clancy Brown, Ryan Kwanten, Mike Epps and John Malkovich. Here's the logline:
A rag-tag group of former TV stars and comic book artists, who make their living working at conventions, decide to steal the loot from a crooked promoter and an overbearing former TV icon.
Enjoy my entertaining and funny interview with Zak Knutson.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 117: Ask Alex - I'm Making My First Feature Film…HELP! Nov 24, 2016

So this episode is going to be fun. I'm starting a new segment I call "Ask Alex." Yes, I know it's very creative = ) I asked the IFH Tribe to submit questions to ifhsubmissions@gmail.com and I'll do my best to answer them. This week we have a bunch of question from tribe member Kenny from Sweden. Here are the question I answer in the podcast.
Which is the best type of camera to buy for your first feature that is cheap? (DSLR or anyone else. Also including lenses or where you can use one lens?)
Which is the most important person to hire, a DP or a sound guy for a film? I´ve heard both. Some say good footage and others good sound.
If you don´t have English as your first language should you make your films in your own language since it is your mother tongue or in English(If you know how to speak of course) to reach a bigger market since more people understands and speak English?
Which format is best to use for the finished film? (I know you had a podcast about this but I want to hear your personal opinion)
Which part of post cost most money on of following things, sound, colorist or foley. I think it is in that order. Is that correct? How much of the budget should you save for post-production in your opinion?
Should you do this and if so the best ways to send an edited film over the internet for sound editing and colorization and maybe name a few companies that do this for small independent films. Would you be interested in doing that?
What do you say about moving to LA to be a filmmaker if you come from another country? (You had a podcast about that but I am thinking based on an international perspective from a foreigner)
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IFH 116: Fast and Cheap: Lessons Learned for the No-Budget Feature Nov 22, 2016

On this week's episode, I go way to a simpler time, the 90s, and discuss the lessons we can learn from some filmmaking legends. I'll discuss films by Robert Rodriguez, Christopher Nolan, and Richard Linklater to break down and learn the techniques they used to make awesome, No-Budget Feature films with limited resources.
"In no-budget filmmaking, your limitations are your guide."
If you take note of what filmmakers did before you, you can jump start your filmmaking career. Enjoy!
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IFH 115: How to Shoot Video That Doesn’t Suck with Steve Stockman Nov 16, 2016

How to Shoot Video That Doesn’t Suck with Steve Stockman
In this week’s episode, we have Steve Stockman. Steve is an author/writer/director/producer at Custom Productions, Inc. in Los Angeles. He’s created and Executive Produced tv series Brew Dogs for the new Esquire Network, Dogs of War for A&E, Devils Ride for Discovery Channel and $24 in 24 for Food Network; plus worked on over 200 commercials, music videos, and web series.
He also wrote and directed a film called Two Weeks starring legendary Oscar® Winning Actress Sally Field.
His book, How to Shoot Video that Doesn’t Suck, is now in its 6th printing from Workman Publishing. It’s based on a course he’s been teaching to kids for the last 14 years, but adults understand it as well.
“Like two years of film school in 248 pages.” – Steven Pressfield, Author of The War of Art and The Legend of Bagger Vance
It’s not technical—it doesn’t matter whether you’re shooting RED or iPhone. It’s about how to shoot video that’s entertaining, effective—and that actually gets watched. Enjoy my conservation with Steve Stockman.
Right click here to download the MP3
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
BUY HIS BOOK HERE – How to Shoot Video that Doesn’t Suck
www.stevestockman.com
Custom Productions, Inc
Two Weeks
Devils Ride
Brew Dogs
This is Meg – Feature Film
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IFH 114: The Six Stages of Character Development with Michael Hauge Nov 10, 2016

The Six Stages of Character Development with Michael Hauge
This week we have a returning guest, screenwriting guru Michael Hauge. On this episode, he discussed The Six Stages Character Development. A very eye opening episode. Check it out.
Right click here to download the MP3
These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.
In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.
Click below to download more videos.
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IFH 113: Post Production Process - Understand It or Suffer the Consequences Nov 08, 2016

Post Production Process: Understand It or Suffer the Consequences
Filmmaking is a long process and is divided into three stages. The first stage is pre-production stage, the second one is production, and the last one is post-production stage. In this podcast episode, I go into each of the following steps and add a few bonus ones as well.
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IFH 112: Stanley Kubrick: The Rare 1966 Interview of a 37 Year Old Kubrick Nov 04, 2016

This is a special edition of the IFH Podcast. We have for you a rare interview by Stanley Kubrick. A 37-year-old Kubrick sits down and speaks with Jeremy Bernstein. It's a remarkable look into the beginnings of the filmmaking master. Enjoy!
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Are Film Festivals Even Relevent Anymore? - FFH 007 Nov 03, 2016

Film Festivals: Are They Relevant Anymore?
Film Festival Hacks is the podcast that explores the festival circuit “from both sides of the badge.” Alex Ferrari is an award-winning filmmaker with nearly 600 international film festivals under his belt. He’s joined by Chris Holland, author of Film Festival Secrets: A Handbook for Independent Filmmakers who has worked closely with more than 200 film festivals including Sundance, AFI Fest, and SXSW. Together we explore the hidden world of film festival programming and pass along tips that give you that critical edge in the festival submissions game.
In episode seven discuss the relevance of film festivals in today's digital world. Enjoy!
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IFH 111: Sean Baker: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone Nov 02, 2016

Sean Baker: 'Tangerine' How to Shoot a Sundance Hit on Your iPhone
I've recently been looking and studying alternative shoot methods to shoot a feature film. One name that keeps coming up is Sean Baker. His ground-breaking film Tangerine made more noise at the Sundance Film Festival than the winner that year. The film was also produced by the indie film legends, Jay and Mark Duplass.
Tangerine was shot completely on an iPhone. Yes, an iPhone. The great thing was that after his Sundance screening no one in the audience or at the film festival knew that the film was shot on an iPhone.
What I respect about Sean Baker as a filmmaker is that he didn't focus on the technology when promoting his film, he let the story, actors and film speak for itself. If you haven't seen Tangerine you are missing out. Take a look at the RED BAND trailer below.
I wanted to put together a post that highlighted what can be done with minimal filmmaking tech and a great story. Sean Baker has definitely what can be done in today's filmmaking world.
Below are a ton of videos explaining the process Sean Baker and his director of photography Radium Cheung, HKSC went through making Tangerine, as well as a bunch of video explaining tips and tricks on how to turn your something you shot on an iPhone into cinematic gold. Enjoy my conversation with Sean Baker.
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IFH 110: Doing the Hustle with Better Off Single Director Benjamin Cox Oct 27, 2016

Today we have on the show the very talented writer/director Benjamin Cox. He is the founder of Red Square Pictures, a New York-based film production company. As creative head, Mr. Cox oversees all aspects of the company's development, production, and content-related activities. A producer, writer, and director, his Red Square Pictures projects include work for a wide range of commercial/fashion clients as well as narrative work in both television and feature films.
A feature film that Mr. Cox produced, wrote and directed, NYC dating comedy Better Off Single starring Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford, is set for its theatrical release in the fall of 2016. Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed
Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed post-production and was produced by Mr. Cox, directed by Dianne Dreyer and executive produced by Kevin Spacey. Take a look at Ben's stylish short film Bionda Castana:
Check out his current film Better Off Single:
A new film from Red Square Pictures and writer/director Benjamin Cox, Better Off Single is the NYC dating comedy that follows one man’s hallucination-fueled, post-breakup quest to find new love… and himself. Better Off Single stars Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford.
Doing the Hustle with Better Off Single Director Benjamin Cox
Today we have on the show the very talented writer/director Benjamin Cox. He is the founder of Red Square Pictures, a New York-based film production company. As creative head, Mr. Cox oversees all aspects of the company's development, production, and content-related activities. A producer, writer, and director, his Red Square Pictures projects include work for a wide range of commercial/fashion clients as well as narrative work in both television and feature films.
A feature film that Mr. Cox produced, wrote and directed, NYC dating comedy Better Off Single starring Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford, is set for its theatrical release in the fall of 2016. Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed
Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed post-production and was produced by Mr. Cox, directed by Dianne Dreyer and executive produced by Kevin Spacey. Take a look at Ben's stylish short film Bionda Castana:
Check out his current film Better Off Single:
A new film from Red Square Pictures and writer/director Benjamin Cox, Better Off Single is the NYC dating comedy that follows one man’s hallucination-fueled, post-breakup quest to find new love… and himself. Better Off Single stars Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford.
When Charlie Carroll quits his job and his girlfriend on the same day, it seems as though he’s finally found freedom. But after a quick dip in the dark waters of the NYC dating pool, Charlie begins to wonder if he’s made a mistake. He’s not equipped for single life. In fact, Charlie might not be equipped for life in
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IFH 109: Top 10 Film Distribution Rules for Success Oct 25, 2016

Film Distribution: Top 10 Rules for Success
When filmmakers go out into the world to try to sell their indie film it can be a bit dangerous. The shark infested waters that make up film distribution can be brutal. Since I'm now going down the same dangerous road with my film This is Meg, I decided to write up a few rules I found useful over the years when it comes to film distribution.
Split Up Your Rights
The Bigger the Deal the Less Control You Have
Cap Your Film Distribution Expenses
The Middle Men - Beware of the Deal
Nothing is Guaranteed
Cost vs Sale or R.O.I.
Film Festivals Help...Sometimes
Beware of Exclusive 5 Year Distribution Contract
Don't get caught with your pants down in Post Production
E/O Insurance...gotta have it
I go into great detail about the list below in the podcast episode so take a listen. I hope to have the transcript for this episode up by next week. Happy selling.
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SPECIAL EDITION: The Walking Dead – Working on the Dead Set with Vince Gonzales Oct 24, 2016

Special Edition: Thought I’d bring this episode back since the new season of The Walking Dead premiered yesterday and it was a brutal one.
The Walking Dead – Working on the Dead Set
If you are a Walking Dead fan you are going to LOVE this episode. If you ever wanted to know what an assistant director does on set you are going to LOVE this episode.
On today’s episode, we have a long time friend Vince Gonzales. Vince has been working in the film industry for over top decades. His IMDB page is pretty crazy. He’s worked on 90 classics like The Sandlot, Speed, and What Dreams May Come. Now after 2000 his credits start to heat up: Pearl Harbor, Six Feet Under, Charmed, Boston Legal, Grey’s Anatomy, Transformers: Age of Extinction and of course The Walking Dead.
I wanted to bring Vince on the show to discuss his time on The Walking Dead but also what it takes to be an assistant director on both small and “monstrous” sets. Don’t listen to this episode in the dark.
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IFH 108: How to Create a Cult Classic with Rafael Diaz Wagner Oct 20, 2016

This week we have Rafael Diaz Wagner, co-writer, and producer of the new Cult Classic "Attack of the Killer Donuts." Yes, that is really the name of the film and it's glorious. He started making films with a Beta Camera when he was 10 years old. Since then Rafael has written or co-written over 15 screenplays
I wanted to find out how this film was made, marketed and sold. It's a wonderful case study. Check out the trailer below and get ready to laugh.
Here a quote from the Hollywood Report review of the :
"If John Waters and George Romero dropped acid together and then spent the night at their local Krispy Kreme, they might have concocted something like Attack of the Killer Donuts. But the fact that such a film actually exists, and is exactly what it claims to be about, is something that even the best drugs can’t help explain."
And here is the poster that got me interested in speaking to Rafael. They knew who their market was and marketed directly to them.
Enjoy my conversation with writer/producer Rafael Diaz Wagner.
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IFH 107: How to Shoot Super 16mm Film with Egon Stephen Jr. Oct 17, 2016

How to Shoot Super 16mm Film with Egon Stephen Jr.
So you want to be a filmmaker. You want to put the FILM back into FILMmaking. Well this episode is for you. Film is not dead. It has been quietly working in the background of the industry.
Some of the productions that shooting film these days are:
Mad Max: Fury Road
Noah
The Avengers
The Bourne Legacy
Captain America: The First Avenger
Iron Man 2
The Magnificent Seven
Westworld
The Girl on the Train
The Walking Dead
Jack Reacher
Batman vs Superman
Star Wars: The Force Awakens
Star Wars: Rogue One
Spectre
The Hateful Eight
Jurassic World
Wonder Woman
American Horror Story
Star Trek
The knowledge to shoot film is dying. There's nowhere online where you can take a course on how to shoot Super 16mm film. The "workshops" available are extremely expensive and don't really give you practical knowledge from someone who has actually shot in the field.
I wanted to put together an online course to preserve that knowledge for future filmmakers. Today's guest, Director of Photography Egon Stephen Jr, and I got together and shot The Definitive Super 16 mm Film Masterclass.
So in today's show Egon and I drop some knowledge bombs on shooting film. So if you ever wanted to know if shoot "real" was an option for your indie feature or short film then perk up those ears. Enjoy my conversation with Egon Stephen Jr.
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IFH 106: Directing Actors & How to Become an Actor’s Director with Per Holmes Oct 13, 2016

Directing Actors & How to Become an Actor’s Director with Per Holmes
Directing actors can be one of the most difficult parts of wearing the director's hat. Actors speak a language that a director must understand if they are to pull and nurture an amazing performance. Unfortunately film schools do not teach this must need "foreign language" course.
I've worked with every kind of actor there is. From Oscar® Nominated to fresh out of acting class. Pulling a good performance can be tough and I would get very frustrated sometimes because I couldn't speak there language.
Then I met Per Holmes. Per created a gaming change course years ago called "Hollywood Camera Work: Mastering High-End Blocking and Staging." I loved this course and it's a must for any filmmaker.
When I heard he was creating a "Directing Actors" course I was in. I was able to take the course right before I shot my first feature film "This is Meg" and it helped me immensely. I was able to speak the actor's language and nurture the performance I needed for the story.
I asked Per Holmes to be a guest on the show because I've never taken a course where the instructor was so detailed, thought out and passionate about the subject. Directing Actors is INSANE. Here's a bit on the course.
Years in the making, Directing Actors is the most comprehensive acting and directing training in the world. Created by Per Holmes, the course teaches a better way to be a Director, by having extremely strong technique, and the right philosophy and personality on the set.
Through almost a thousand examples, we cover literally every acting and directing technique, every interaction between Actor and Director, and we cast, rehearse and shoot 9 scenes.
Directing Actors is the result of Per Holmes' personal obsession with resolving once and for all the best way to work with Actors. Every known technique has been tested, and the results are surprising, sometimes shocking. Directing Actors has involved almost 150 people through 7 years of development and 3 years of shooting and editing, including almost a hundred talented Actors who have gracefully allowed us to show the process without any filters.
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IFH 105: Secrets of Indie Film Producing with Suzanne Lyons Oct 10, 2016

Secrets of Indie Film Producing with Suzanne Lyons
This week on the show we have a returning guest, Indie Film Producing guru Suzaane Lyons.
Suzanne Lyons is president/producer of Snowfall Films, Inc. and to date has produced or exec produced twelve feature films with budgets that range from $200,000 to $10 million. Suzanne has worked with talent that including Brenda Blethyn, Christopher Walken, Naomi Watts, Alfred Molina, James Caan, Dean Cain, Ariel Winter, Susan Sarandon, Donald Sutherland, Ellen Burstyn, Jennifer Tilly, Jon Lovitz, Asia Argento, Winona Ryder, Peter Fonda, Ed Begley, Jr. and more.
Suzanne’s films have won a gamut of awards and festivals from the prestigious BAFTA award, a premier at the Directors Fortnight at the Cannes Film Festival, best picture at Shockerfest, the UK Horror Fest and acceptance into the Toronto, Berlin. LA and Montreal Film Festivals.
In addition to her work as a film producer, Suzanne designed and ran the film school, Flash Forward Institute, with a focus on marketing oneself in the industry. She has guest lectured at over 60 industry events, guilds and organization. In 2012 she published her book through Focal Press (Taylor and Francis) called “Indie Film Producing: The Craft of Low Budget Filmmaking.”
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IFH 104: ‘Blue Jay' & Directing Mark Duplass with Alex Lehmann Oct 04, 2016

'Blue Jay' & Directing Mark Duplass with Alex Lehmann
On today's episode I have the pleasure of interviewing first-time feature film director Alex Lehmann. And his first film is a hell of way to launch a directing career. His new film is called Blue Jay starring Mark Duplass (who also wrote and produced) and Sarah Paulson (recent Emmy Winner for The People vs OJ Simpson).
Blue Jay just had it's world premiere at the Toronto International Film Festival to rave reviews:
"If the hour and a half spent inside this story seems fleeting, it's only because sometimes that's the best you can ask of a good nostalgia trip." - IndieWire
"Mark Duplass and Sarah Paulson have extraordinary chemistry, painting a cumulative portrait of the fragility and rareness of being truly in sync with a partner." - Slate Magazine
Meeting by chance when they return to their tiny California hometown, two former high-school sweethearts (Mark Duplass and Sarah Paulson) reflect on their shared past through the lens of their differently dissatisfied presents, in this tender, wise and affecting chamber drama from first-time feature director Alex Lehmann.
Check out my conversation with Alex Lehmann and if you listen to until the end he promises to give out Mark Duplass' personal cell number. Apparently this is how Mark likes to be pitched. Enjoy!
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IFH 103: How a Camera and Hustle Created a $30 Million Empire with Joel Holland Sep 28, 2016

How a Camera and Hustle Created a $30 Million Empire with Joel Holland
Get ready to be inspired. I want to bring this week's guest onto the show for a while now. Joel Holland is the founder and CEO of VideoBlocks, the first subscription-based provider of stock video and audio, with over 100,000 customers in the television and video production industry, from NBC to MTV to pro-sumers and hobbyists looking to enhance their video projects and productions. There's a lot indie filmmakers can learn from Joel.
In 2013, VideoBlocks was ranked the 32nd fastest growing technology company in the US/Canada, and the 2nd fastest growing technology company in the DC region by Deloitte for the Fast500, for achieving 7,000% revenue growth over the past 5 years.
Photo Credit: VideoBlocks.com
In 2012, VideoBlocks was named the #4 Fastest Growing Media Company by Inc. Magazine, and made the prestigious Inc. 500 list.
For his work with VideoBlocks, Joel has been named one of the "Top 25 Entrepreneurs Under 25" by BusinessWeek Magazine, "Young Entrepreneur of the Year" by the United States Small Business Administration, and "Entrepreneur of the Year" for the Greater Washington DC Region by Ernst & Young.
In 2013, Joel was recognized on the Inc. "30 Under 30" list: He is the definition of the word "Hustle." Sit back and enjoy my conversation with Joel Holland.
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IFH 102: How to Production Design Your Indie Film on the CHEAP! Sep 26, 2016

What if I told you you could production design an entire house with for a hundred bucks. Can't believe it? How about if I throw in labor, delivery, setup and guys will come and pickup all the furniture when you're done? I didn't believe either until I did it.
In this episode I discuss the little loop hole/trick I used to furnish an entire house for my film BROKEN. You can get thousands of dollars worth of high end furniture, appliances, computers, televisions, lamps, tables, dining sets, bedroom sets and all sorts of accessories for pennies on the dollar.
Now this solution is not for every film. If you are doing a period piece or drug den this ain't for you. This technique will work for contemporary decor and it works great.
Are you drooling yet? Want to know the secret? Sometimes the simplest ideas are the most powerful ones. Take a listen to this short episode and find out. You won't regret it.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
This is Meg
Alex Ferrari's Films on Amazon Video Direct (WATCH FOR FREE on Amazon Prime)
SPONSORS
Werner Herzog Master Class
Aaron Sorkin Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 101: How to Record Audio for Your Indie Film on the CHEAP! Sep 19, 2016

How to Record Audio for Your Indie Film on the CHEAP!
I was lost when it came time to record audio for my film. So since my podcast on How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP! was such a hit with the tribe I decide to put a list of the gear I used to record audio on This is Meg.
I go into great detail on each piece of gear, how I used it and what worked and didn't work. The biggest tip I can give you is no matter how inexpensive the mic you have the key is to get that mic as close to the subject as humanly possible.
The audio I recorded on This is Meg came out surprisingly great! Since I've never had the chance to record audio for any of my films this was a first. What saved my ass was taking an online course the explained everything I needed to know about the art of how to record audio on set and location.
It's called Sound for Indie Film: Recording Audio Like a Pro. I not kidding you, this course was a life saver for me. I HIGHLY RECOMMEND it to anyone even thinking of recording their own audio for a film. I also recommend it to any director or producer as well so they can get a better understanding of what the sound man is doing.
Below is a list of all the gear I used, tested and recorded with on my film.
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IFH 100: Aaron Kaufman – Producing Robert Rodriguez & Directing James Bond Sep 14, 2016

Well, the first IFH Podcast episode went live September 2015. That’s a short time to be able to produce 100 podcast episodes, but what can I say I'm a hustler = )
I’m so glad I finally got around to launch Indie Film Hustle, because the podcast has done wonders for my brand, my career and my life. The results were far beyond what I had ever imagined.
It allows me to reach more people than I could ever do with just my blog alone, and at the same time create a much deeper connection with them too. Beyond that, it has opened up doors to my filmmaking career, keynote speaking opportunities, potential book deals and more.
THANK YOU TRIBE!
Without you, the Indie Film Hustle Tribe, the IFH Podcast would had never reached episode 100 or become the #1 filmmaking podcast on iTunes! I owe you guys so much, and that's why I'm extremely excited for the next 100 episodes of this podcast. Your support means the world to me, and I appreciate each and every one of you!
If you enjoyed this episode, or any of the other of the 99 episodes of the podcast, and you have not left a rating or review yet on iTunes, I would really appreciate an honest review and rating from you. It’s one of the most important parts of the ranking in the iTunes algorithm, but more than that, it’ll show future indie filmmakers that this is (or is not) worth their time.
To quickly leave a review, open up iTunes and search for Indie Film Hustle Podcast and then leave a rating and review as shown below. You can do this on your mobile device as well, and even if you’re not subscribed, and even if you listen on another platform – this is where I’d love your review.
This Weeks Special Guest - Aaron Kaufman & Brian Levin
On this special episode of the show I have a chat with Aaron Kaufman. Not only was he Robert Rodriguez's producer on films like Sin City: A Dame to Kill For, Machete and Machete Kills but he also directed a film called Urge starring James Bond Legend Pierce Bronson.
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IFH 099: How to Write a Screenplay FAST with Jeff Bollow Sep 13, 2016

How to Write a Screenplay with FAST with Jeff Bollow
Have you ever wanted to learn how to write a screenplay fast? I know I do. This is why I invited on the show award-winning producer/director, best-selling author, film festival organizer and public speaker, Jeff Bollow.
He is the author of Writing FAST: How to Write Anything with Lightning Speed. Jeff Bollow began as an actor at age 12 in his native Los Angeles (credits include Don't Tell Mom the Babysitter's Dead and TV's Columbo) before working nearly every job in production, from camera to sound to lighting — and including jobs in development, post-production and distribution.
Jeff has worked on feature films, TV series, commercials, music videos, radio, and corporate productions for companies such as Universal, Castle Rock, Propaganda Films, DNA and the Oxygen Network.
After migrating to New Zealand, where he directed television for TV3 and co-founded the Big Mountain Short Film Festival, he moved to Australia, where he launched Embryo Films. Through his company, Jeff has reviewed over 20,000 project submissions, and has edited, assessed and/or mentored over 350 projects. He has script doctored in Singapore, Australia, NZ and the US; and has conducted over 80 live weekend workshops to over 1200 writers in 9 cities in 5 countries, with a unanimous "recommend" approval rating.
His students have been optioned, produced and won (and placed) in competitions worldwide. He designed FAST Screenplay in 2004, and began officially building it in November 2009. It was finally completed in July 2016, nearly 7 years later. Alongside it, he created the FASTscreenplay YouTube Channel, which now includes over 30 detailed and insightful free videos to encourage writers and screenwriters around the world.
In May 2015, Jeff Bollow delivered his first TED Talk, "Expand Your Imagination... Exponentially" (see video below) at TEDxDocklands in Melbourne, Australia, to prepare for the next phase of the larger plan. Jeff's aim is build an independent film studio that inspires creativity worldwide, to help prepare humanity for the dramatic changes our future holds. When he's not busy helping writers with FAST Screenplay, he is working on a new book, developing a television series, and planning two feature film projects.
I've added below Jeff Bollow's TEDTalk and a series of amazing video on screenwriting. Enjoy!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Jeff Bollow - Official Site
Jeff Bollow - IMDB
Fast Screenplay
Writing FAST: How to Write Anything with Lightning Speed
Big Mountain Short Film Festival
Screenplay.com.au
SPONSORS
VideoBlocks.com - (IFH Discount SAVE $50)
Werner Herzog Master Class
Aaron Sorkin Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 098: How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP! Sep 07, 2016

When I began my filmmaking journey with my first feature film, This is Meg, I had no idea what camera I'd be shooting with. I had access to both RED Cinema and Arri Alexa Cameras for free if I wanted them but I choose against using them on this film for the following reasons:
The infrastructure need to make those camera work was complicated and expensive (even if you are getting the camera bodies for free)
I wouldn't have the freedom to shoot whenever I had the cast available. (we shot over 6 weeks)
The "footprint" of those cameras do not lend themselves to run and gun guerrilla filmmaking.
The Post Production workflow would be costly and drives are expensive.
Production Insurance would be needed and that's pricey.
So I looked around and settled on the BlackMagic Cinema Camera.
"But Alex you are nutz! You could've shot on a RED or ALEXA and you choose a BlackMagic Cinema Camera?"
Yes I did. For a few reasons:
I could own the camera, play with it, test and experiment.
No production insurance.
Small footprint for those "guerrilla filmmaking" moment out in the streets.
Amazing post production workflow (I edited and finish This is Meg on the DaVinci Resolve, more on that in the podcast)
I could affordably pimp out the rig and customize it for my shooting needs.
This is Meg is a small character driven indie film, shooting with RED or ALEXA would've been overkill.
Shooting with the BMCC
Now I've been a colorist for over 10 years and the image quality of RED or ALEXA is superior to the BlackMagic Cinema Camera but you need to choose the right tool for the project. The BMCC gave me the freedom that the other couldn't and the BlackMagic Cinema Camera is BY FAR the best bang for your buck. Speaking as a colorist and the director of photography of the film, the image quality is stellar. You just need to understand the camera's strengths and weakness.
Here are some tips when shooting with the BlackMagic Cinema Camera 2.5k.
The camera need a ton of light.
Make sure you shoot at 400 ISO unless you are shooting nights. Try to always shot 400 ISO. The BMCC Image will like it better.
Record with a minimum 240gig Card.
SHOOT RAW, not ProRes 422 HQ!
I also decided to shoot with the BlackMagic Cinema Camera because of its amazing RAW Cinema DNG file it produces. I shot with the BlackMagic Cinema Camera 2.5K not the 4k version. The 4k would've been nice but the cost in media and hard drives out weighted the extra pixel. I also knew I'd be mastering in 1080p and blowing up to 2k for the DCP deliverable.
You can shoot ProRes 422 HQ but I'd suggest shooting RAW because if you don't light the scene perfectly having that RAW Cinema DNG file can really get you out of a pickle...trust me!
I go into great detail on how I put this rig together in this weeks podcast. I share tips, tricks and real world stories of what worked and what didn't. I also talk about the post production workflow I went through editing in DaVinci Resolve.
For links to all the gear spoken about goto: https://www.indiefilmhustle.com/blackmagic-cinema-camera/
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IFH 097: Doug Richardson - Screenwriting Bad Boys, Die Hard 2 & Making It in Hollyweird Sep 06, 2016

Can you imagine having a front row seat to the start of the filmmaking careers of Will Smith, Bruce Willis and Michael Bay? Well this week's guest Screenwriter Doug Richardson did just that. In 1989 20th Century Fox hired Doug to adapt Walter Wager’s novel 58 Minutes into the first sequel to the hit franchise Die Hard. In 1990, it was released as Die Hard 2, Die Harder.
Around the same period, Doug and his one-time writing partner, Rick Jaffa, garnered national attention when their spec screenplay, Hellbent…and Back was the first in Hollywood to sell for a million dollars. Doug has since written and produced feature films including the box office smash Bad Boys (1995), Money Train (1995), and Hostage (2005).
In addition to writing for the screen and print, Doug posts a weekly blog on his website, dougrichardson.com, where he shares personal anecdotes and insight from his thirty-year showbiz career. The first collection of his blogs, The Smoking Gun: True Tales from Hollywood’s Screenwriting Trenches was published in 2015.
I had a ball chatting with Doug and his stories from the set had been mesmerized. He dropped some major knowledge bombs in this interview. Enjoy!
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IFH 096: Gravitas Ventures - Confessions of an Indie Film Distributor Sep 01, 2016

Gravitas Ventures: Confessions of an Indie Film Distributor
If you have ever given any thought to the process of distributing your feature film, you know it can be nutz! The film distribution landscape has changed, and changed again as I'm writing this article.
Finding a good and reputable film distributor in today's world is hard to say the least. So I wanted to bring onto the show a film distributor that has a very good reputation for working with filmmakers, being transparent and honest. Enter Michael Murphy, President of Gravitas Ventures.
Indie Film Distribution from the Ground Up
Gravitas Ventures is a global entertainment distribution operation with the ability to connect filmmakers and producers with consumers through hundreds of media platforms throughout the world.
Gravitas was one of the first companies to develop a global network of digital media platforms as partners and now has relationships with many of the key providers of cable video on demand (“VOD”), subscription video on demand, electronic sell through and electronic rental platforms around the world. CEO Nolan Gallagher founded Gravitas Ventures in 2006 after helping shape VOD strategies for the largest North American cable operator (Comcast), and a major studio (Warner Bros). With a simple mission to deliver ideas to the digital market, Nolan recognized that Gravitas could build a bridge between filmmakers and consumer friendly technology offerings.
Soon after Gravitas’ inception, Nolan and Gravitas’ President and co-owner Michael Murphy began attending worldwide film festivals in search of thought-provoking features and documentaries while establishing distribution relationships with worldwide cable, satellite, television and internet based partners.
While not abandoning its digital roots, Gravitas Ventures is now one of the largest all rights distributors in the world, with the ability to distribute films into theaters and brick and mortar retailers. The company releases over 400 new films annually and is a scalable partner to new media outlets interested in licensing from our library of thousands of titles. As technology advances and new distribution opportunities arise, Gravitas Ventures continues to stay at the forefront, providing exceptional film product to audiences worldwide.
So as you can see Michael knows is stuff. I wanted to grill him on what it takes to get an indie film distributed to the world. Enjoy my interview with Michael Murphy from Gravitas Ventures.
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IFH 095: How to Break-Through Your Fear & Shoot Your First Feature Film Aug 30, 2016

How to Break-Through Your Fear & Shoot Your First Feature Film
Fear, the one thing that stops most indie filmmakers from moving forward and following their dreams. Fear of shooting their fist feature film, writing that screenplay, making that short film or just taking the first few steps towards their goals.
Fear has been a strange bedfellow of mine throughout my career. It has slowed and out right stopped my progress. It has taken many years of failures to final realize I have nothing to fear. As they say:
"We stopped checking for monsters under the bed when we realized they were inside of us."
Breaking through the Fear
I finally decided to "feel the fear and do it anyways". Directing a full blown feature film always seemed like this huge, monstrous mountain I had to climb. It was like going to hike Mt. Everest when I never even climb a mountain before.
Then I figured out that that a feature film didn't have to be a "huge, monstrous mountain" and that many filmmakers started off shooting smaller films before climbing Mt. Everest. Chris Nolan shot The Following before he made Memento and then the The Dark Knight Trilogy.
In that spirit I ventured off into uncharted territory with the making of my first feature film This is Meg. Below is the story on how I got that film started.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
This is Meg
IFH 075: What Does It Really Take to Make in Hollywood with Sebastian Twardosz
Sebastian Twardosz - Email
Bill and Ted's Excellent Adventure
Steven Spielberg's 1941
Robert Rodriguez Mexico Trilogy
Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player
SPONCERS
VideoBlocks.com - (IFH Discount SAVE $50)
Werner Herzog Master Class
Aaron Sorkin Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Film
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 094: From Dusk Till Dawn to Nickelodeon with Director Joe Menendez Aug 25, 2016

From Dusk Till Dawn to Nickelodeon with Director Joe Menendez
This week on the show we have the very talented director Joe Menendez. Joe is an award-winning filmmaker of both a successful feature film director and a prolific television director/producer as well -- having moved seamlessly between both mediums his entire career. Joe Menendez has directed over 95 hours of television (both single and multi-camera), written a handful of teleplays, produced several TV series and films, and has directed eight feature films and TV movies so far. He is a multi-genre veteran of drama, action, comedy, family entertainment, horror and rom-com. His numerous and varied credits show that he is a skilled craftsman and an accomplished, versatile storyteller.
For this reason I had to have him on the show. Joe Menendez is currently in post-production on Nickelodeon's LEGENDS OF THE HIDDEN TEMPLE, an action-adventure TV movie he directed for Nickelodeon, based on the popular game show of the same name, from the 1990s.
His last feature, the action/comedy, LADRONES (THIEVES), was released by Pantelion Films October 9th, 2015, and received a CinemaScore of "A". LADRONES is the sequel to his 2007 feature film LADRON QUE ROBA A LADRON (TO ROB A THIEF), which opened at the time to a record-grossing opening weekend at the box-office for a Spanish-language film in the U.S.
Joe Menendez has directed multiple episodes of the one-hour drama FROM DUSK TILL DAWN: The Series for Robert Rodriguez and his El Rey Network, multiples of the new Amazon Series JUST ADD MAGIC and the Prequel Series plus the "uncensored" episodes for the 2nd season of HULU's hit drama series EAST LOS HIGH.
I also wanted to have him on the show to discuss what's it like working with a filmmaking legend like Robert Rodriguez. He did not disappoint. His stories are AMAZING! Get ready and enjoy my conversation with Joe Menendez.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Joe Menendez - Official Site
Joe Menendez - IMDB
From Dusk Till Dawn: The Series
Legends of the Hidden Temple
Ladrones
SPONCERS
VideoBlocks.com - (IFH Discount SAVE $50)
Werner Herzog Master Class
Aaron Sorkin Master Class
FreeFilmBook.com (Download Your FREE Filmmaking Audio Book)
KILLER RESOURCES!!!
INDIE FILM SYNDICATE Filmmaking Community
IFH's Online Film School
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 093: How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle Aug 17, 2016

How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle
So I had the plesure of speaking at the HollyShorts! Film Festival at a "fireside chat" with my brotha from another mutha RB Blotto from Stage32.com. We sat down and discussed How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle.
I had a ball and as promised I recorded the evening for those of you who couldn't make it. Check it out below:
You’ve got an amazing script, now what? The first step is to identify your audience and create a brand for yourself that you can leverage when crowdfunding or selling your film. Once your film is done, the next step is marketing and promotion. Join us for a fireside chat with Writer/Director and Indie Film Hustle founder, Alex Ferrari, and RB Blotto, Stage32.com founder, as they offer best practices on building an audience, creating a brand, marketing yourself and your film, and finally, getting the word out via social media, which is crucial to your success.
Sit back and enjoy this knowledge bomb filled episode.
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IFH 092: Why Having No Money Makes You a Better Filmmaker Aug 15, 2016

What is this guy talking about? No money = better filmmaker? He must be nuts. We'll I'll have to disagree with you. As I am going through my adventure on the making of my first feature film THIS IS MEG, I have discovered that is the truth. Having less resources has made me a better filmmaker.
When you have no money and limited resources you discover new and creative ways to solve problems. The creative ways end up on the screen and that is where innovation comes from. Doing something people say is nuts.
Credit: QuoteAddicts
"No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy." - Mark Duplass
When I announced I was going to direct This is Meg with a micro budget I can't tell you how many people said I was nuts. BTW, I love it when people do that, it lights my fire. I still think most of the cast and crew still don't know how we're going to pull this off.
In this podcast I go over the techinques I used to not only get the ball rolling but also get the film shot and edited. Enjoy!
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IFH 091: What Filmmakers Can Do About the Diversity Problem in Hollywood Aug 04, 2016

This podcast episode comes straight from the heart. Diversity in the film industry is a problem. The numbers do not lie.
Original Source: Fusion.net
Original Source: GirlTalkHQ.com
The film business needs to have many points of views and not just a select few. The more points of views you have, the better the industry as a how will be.
Filmmakers can not use their gender or race as an excuse for "not making it". The diversity problem in Hollywood is SLOWLY getting better. Ava DuVernay, the director of Selma, has become the first African-American Female director to helm a major studio film with a $100 million dollar budget. (Source: Business Insider)
Original Source: The Hollywood Reporter and The Ralph J. Bunche Center for African American Studies
Their are many examples of the industry changing. Robert Rodriguez, Guillermo del Toro, Tyler Perry, Spike Lee, Alejandro González Iñárritu, Ava DuVernay, Gale Anne Hurd, Kathryn Bigelow, Sofia Coppola, and many more have cracked the diversity wall.
Original Source: Fusion
Now that being said, I'm not saying it has been easy for the filmmakers I've listed. It was DAMN HARD! Things are changing but very slowly. I've never allowed being latino stop me from creating my own opportunities. Indie Filmmakers have to create their own opportunities and stop waiting around for "Hollywood" to give it to them. I hope this episode inspires filmmakers to go out and make it happen...no matter what!
Keep hustlin' my friends!
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IFH 090: Life After Winning Sundance with Diane Bell Jul 28, 2016

Life After Winning Sundance with Diane Bell
I always talk about not counting on the "lottery ticket" mentality that so many filmmakers today count on. Winning Sundance is not a distribution plan. Well I was involved in a project, written and directed by Diane Bell, that did just that. It won not one but two awards at Sundance. She didn't count on winning, hell she didn't think in her wildest dreams that she would even be accepted. Here's the story.
In 2010, 16 feature films were selected out of 1,058 submissions to be screened in the US Dramatic Competition at the Sundance Film Festival. Diane Bell's OBSELIDIA was one of them. It was made for less than $140,000, it had no movie stars in it, and none of the cast or crew had connections to Sundance. And yet it was picked out of the slush pile, and selected to premier on this world stage, alongside movies that had cost 100 times as much with big name movie stars and recognized directors.
OBSELIDIA, premiered in the US Dramatic Competition at the Sundance Film Festival 2010, where it won the Alfred P. Sloan Award and the award for Excellence in Cinematography. It was nominated for two Independent Spirit Awards 2011, including one for Best First Screenplay. It won acclaim at festivals around the world, including being named as Best of Fest at the Edinburgh Film Festival, Best Narrative Feature at Ashland Independent Film Festival, and winning the Youth Jury Prize for Best Film at the Valladolid Festival, Spain.
If you ever wanted to know what it was like to be accepted and win awards at the Sundance Film Festival sit back and enjoy on conversation with Diane Bell.
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IFH 089: How To Write A Screenplay with Fight Club Screenwriter Jim Uhls Jul 20, 2016

We I have a MAJOR treat for the tribe this week. I have no other than Jim Uhls, the master screenwriter behind David Fincher's "Fight Club", one of the greatest films in my generation, in my humble option.
When Chuck Palahniuk's Fight Club was making the rounds in Hollywood, it was a tough sale to be adapted for the screen. But then Brad Pitt got involved; add David Fincher and Ed Norton, throw Jim Uhls into the mix and you've got a modern classic.
Jim’s sceenwriting credits include of course the modern classic “Fight Club” the feature-film "Jumper" the NBC television film "Semper Fi" and the SyFy miniseries "Spin".
In this remarkable discussion Jim Uhls breaks the first rule of Fight Club: He talks about it, working with David Fincher, why he hates outlines and why you should interview your characters. Step inside the mind of the man who figured out how to conquer Hollywood as he lays down knowledge bomb after knowledge bomb in this eye opening interview.
Towards the end of the interview Jim gives easily the GREATEST ADVICE ON HOW TO BECOME A WORKING SCREENWRITER I'VE EVER HEARD! This podcast is not to be missed.
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IFH 088: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It Jul 18, 2016

I'm truly PISSED OFF guys and am tired of seeing my fellow indie filmmakers and artist struggle to make a living doing what they love. I decided to put together a lists of steps that every indie filmmaker needs to do in order to thrive in the film business.
Since this website is call INDIE FILM HUSTLE the terminology I'll be using will be aimed at filmmaking or screenwriting but all of these concepts can be applied to any art form.
PLEASE NOTE: If you were to ever listen to a podcast of mine, this is the one. I'll be laying out the steps in the article but I go MUCH DEEPER into each one on the podcast.
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IFH 087: Into the Madness: Shooting a Micro Budget Feature Film w/ Jill-Michele Meleán Jul 15, 2016

You knew it was bound to happen. Well the time is here. Please welcome the talented Jill-Michele Meleán to the Indie Film Hustle Tribe. Jill is the star of my debut feature film "This is Meg". She is one of the most talented actors/comedian I've ever worked with and we have worked on a ton of projects of the years.
Jill-Michele Meleán, “Jilly” was born and raised in Miami, Florida (aka Cuba). She declared at a young age that she wanted to be like Bette Davis, Joan Crawford and Benny Hill. Jilly started in Theatre and toured with The Coconut Grove Playhouse (which is the Broadway of Miami). In 2000, she moved to Los Angeles and needed to be on stage.
She took her natural comedic timing to the Standup Stage, headlining across the country while continuing her Acting career. After many years of hard work, she’s made a name for herself in the Comedy Television world with memorable performances on FOX’s “MadTV” and Comedy Central’s “Reno 911”. However, her first love is her dramatic acting career. As she continues her theatrical Film and Television career, she’ll never stop making people laugh.
Which brings us to This is Meg. Take a listen and get a window into how we are creating this "micro budget" film.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE:
THIS IS MEG Crowdfunding Campaign
Jill-Michele Meleán - Official Site
Jill-Michele Meleán - IMDB
Jill-Michele Meleán - Facebook & Twitter
Indie Film Syndicate - Filmmaker Community
SaveSave
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IFH 086: Jenica Bergere - Insanity in Acting & Directing a Micro Budget Feature Film Jul 12, 2016

What do you get when you add a stand up comedian, a fearless actress and a great personality? You get today's guest Jenica Bergere. This is one of the reason we cast here in my debut feature film This is Meg as the bitchy nut job Ruby.
Jenica Bergere began her career as a stand up comedienne becoming a paid regular at The Comedy Store as well as the Improv when she was barely old enough to vote. Jenica credits Russell Simmons for discovering and representing her as the only “crazy white girl” on his Def Jam slate.
Since then she has continued to hone her craft becoming an accomplished writer, actress, comedienne and now award winning director with her feature film Come Simi for which Jenica co-wrote the screenplay with Doc Pedrolie (2010 Jack Nicholson Award for Screenwriting). Filmed ‘guerilla style’ in only 6 days, Bergere brought the film in for $10,000 and sites being a micro budget filmmaker as something she actually enjoyed.
Distributors have called the film “brave”, a word that also defines Jenica Bergere as a director. Willing to take risks and do whatever it takes to get the desired results, Jenica brought her camera crew into the hospital room to film her labor and delivery, ensuring the shots were captured as she envisioned, directing everyone all the whilst.
Take a look at the trailer for Jenica's Micro Budget Film Come Simi:
Get ready to laugh out load in this amazing interview with Jenica Bergere.
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IFH 085: Why You Don't Need a Screenplay to Make an Amazing Film Jul 04, 2016

Why You Don't Need a Screenplay to Make an Amazing Film
As indie filmmakers we throw a lot of obstacles on our own path to creating a feature or short film. No obstacle is larger then the almighty screenplay. How many screenwriters and filmmakers do you know that have been working on the movie script for 3, 5, or 7 years? They keep chipping at it in hopes of cracking that nut or it gives them an excuse for not actually making a feature film.
I was no different. One of the biggest things that slowed, if not stopped my filmmaking journey was "the screenplay." I decided to see if there was a different way to approach making a movie with my first feature film This is Meg.
In doing my research I came to realize that in the last few years, some of my favorite films happen to be (almost) entirely improvised. No structured screenplay. Some were huge tent pole studio movies, Oscar winners (Ironically for best screenplay) and small indie films. It certainly seemed to be a more prolific style among independent filmmakers and I find that it can mean success when they cast the right actors. Especially in the "Mumblecore" and "Dogma 95" indie film movements.
Iron Man had no screenplay?
My favorite "lack of screenplay" story was the Marvel Studios tent-pole Iron Man. You heard me correctly. The film that launched the Marvel Cinematic Universe and that show the word what a great leading Robert Downey Jr could be. It remains one of the most enjoyable adaptations of a Marvel comic book to date.
via Marvel Studios
Take a listen to what Jeff Bridges revealed in a recent interview.
"They had no script, man! They had an outline. We would show up for big scenes every day and we wouldn't know what we were going to say. We would have to go into our trailer and work on this scene and call up writers on the phone, 'You got any ideas?' Meanwhile the crew is tapping their foot on the stage waiting for us to come on."
Although a story and structure was firmly in place, the dialogue wasn't - leading to much improvisation on set, which accounts for the film's energetic, sparky atmosphere.
"I said, ‘Oh, what we're doing here, we're making a $200 million student film. We're all just fuckin' around! We're playin'. Oh, great!. That took all the pressure off. Oh, just jam, man, just play. And it turned out great!" Bridges recalled.
Here is a list of film I mention and discuss in detail in the podcast:
John Cassavetes - Shadows
Mike Leigh - Vera Drake
David O. Russell - American Hustle
Lynn Shelton - Your Sister's Sister
Jon Favreau - Iron Man
Derek Cianfrance -
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IFH 084: How Filmmakers & Artists Should Deal with Haters! Jun 30, 2016

How Filmmakers & Artists Should Deal with Haters!
Haters, a problem that artists, filmmakers or anybody who puts themselves out there have to deal with. I know of many filmmakers who are crippled by what other people think or say about them. The fact is that you are going to create anything; a poem, writer a novel, make a movie, write a song, cook a meal or build a house, there will be people who have opinions.
Now opinions are fine. As they say ever has an opinion and the internet has given everyone with an opinion a voice. Now there is constructive, mature opinions and there are straight up haters. People who want to bring you down for a myriad of reasons.
I decide to shine a bit of light on this topic because it is so important on your filmmaking journey to be free of the good opinions of others, as the late Wayne Dyer used to say. You can not allow other peoples opinions or thoughts bring you down or stop your forward momentum when making art of any kind.
Take a listen to my experience with haters I've dealt with over the years. I hope it inspires you to continue creating regardless of the good opinion of others.
"Don't let compliments get to your head and don't let their criticism get to your heart." - Anoyomous
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IFH 083: 11 Golden Rules for Filmmakers on Social Media Jun 28, 2016

11 Golden Rules for Filmmakers on Social Media
With social media taking over the world it is more necessary than ever to use it to get the word out on yourself, you film project or your production company. Most indie filmmakers have no idea on how to build an audience or how to use social media to promote and engage with that audience.
In this podcast I go into great detail on each of the 11 Golden Rules for Filmmakers on Social Media.
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IFH 082: How to Work with a Music Composer with Cris Velasco Jun 23, 2016

So I entitled this podcast "How to Work with a Music Composer" because it is a mystery to many filmmakers. As visual storytellers we focus so much energy and effort to the moving image. For many of us music is an after thought.
What would Jaws, Indiana Jones or Star Wars be without the musical score? With technology it has become more and more affordable to have a beautiful score added to your indie film. A computer can't do it alone, you still need a maestro to compose that music for you.
A good score can add a great deal of production value to your little indie film. This is why I invited composer Cris Velasco on the show. Cris and I have worked on many projects together. His music has definitely elevated my projects.
Here's some info on the man:
Cris Velasco is a multiple award-winning composer of epic orchestral, dark experimental and modern hybrid music scores for video games, film and television. After graduating from UCLA with a degree in Music Composition, Velasco pursued his passion to write music for visual media; his first major release was composing for Sony’s blockbuster God of War.
A prolific and versatile composer, Velasco has become one of the most sought-after composers in interactive entertainment, scoring many major titles including Company of Heroes 2, Mass Effect 3, Borderlands 2, ZombiU, Warhammer 40,000: Space Marine, God of War 3, Tron: Evolution, Borderlands, God of War 2, Darksiders, Clive Barker’s Jericho, and many more.
I wanted Cris to go into his creative process and how he likes to work with filmmakers and creatives. Plus you get a bonus "Star Wars" themed music score he created on the Warner Brothers backlot.
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IFH 081: Top 10 Tips to Launch a Film Crowdfunding Campaign Jun 21, 2016

Film Crowdfunding Campaign
So today is the day. The THIS IS MEG Film Crowdfunding Campaign is LIVE! Click here to check it out: Down the Filmmaking Rabbit Hole. I've been working for months on the campaign and am very proud of what I and the team has done. So below I wanted to share the Top ten tip I have learned from the many experts, guest and successful campaigns I've reviewed in prepping for my launch.
I'll be going in greater detail on all these topics in the podcast so definitly take a listen: Top 10 Tips to Launch a Film Crowdfunding Campaign
Top 10 Tips to Launch a Film Crowdfunding Campaign
Assemble a Team Ahead of Time: You are not an island! You need a group of amazing people who are willing to help you on this journey. Check out our Launch Team for THIS IS MEG - Click here
30 day campaigns works best: Of all the film campaigns that met their goals, 32.71% of them ran their campaigns for 30-39 days, while only 13.87% of successful campaigns ran for 60 days.
Keep your campaign page updated: On average, successful film campaigns post 5 updates. Updates can include anything from press mentions, new incentives, celebrity endorsements, events, – anything that you think your community would be interested in. After all, your contributors are giving their money to help bring your film to the screen, so naturally they’ll be interested in any updates you provide. Continually updating your campaign page is one of the best ways to keep your community and fans involved in the process.
Estimate Costs Carefully: So many filmmakers just pull a budget out of their butts. Breakdown what you really need for your entire filmmaking journey.
Study Successes and Failures: I studied sooooooo many campaigns before we launched. I took courses (see free crowdfunding campain below) and analized both successes and failures.
Give Fans An Inside Look: People want to be part of the process. Bring them into your process, your filmmaking craftmanship.
Add New Perks through the Campaign: One unique aspect of film campaigns is that filmmakers have an huge range of creativity for your incentives. From signed memorbilia to meet-and-greets to set visits, you have lots of ways to incentivize your backers to help you reach your goal.
Include affordable perks: Don't make the incentives for the private sky boxes, create incentives for the bleachers too. Make the journey accessable to all who want to join the trip.
Include a pitch video: For God's sake make a good pitch video. I go into a ton of detail on this in the podcast. Check out our pitch video and let us know what you think:
Build an Audience & Networking: I can not stress the importance of building and audience before you launch. Not only that but also know where the audience for your film hangs out online so you can reach them.
Right click here to download the MP3
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
INDIE FILM SYNDICATE Membership Community
THIS IS MEG Crowdfunding Campaign
Audio-Technica ATR2100-USB Cardioid Dynamic USB/XLR Microphone
TASCAM DR-40 4-Track Por
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 080: FREE Crowdfunding Course & Why I Choose Seed & Spark.com Jun 14, 2016

Why I Choose Seed & Spark.com to Crowdfund THIS IS MEG
With all the choices out there to crowdfund your film, it can get kinda crazy! Kickstarter and Indiegogo are the two Goliath's in the arena with Seed&Spark.com play David. If you know the story the two Goliaths don't fear David but this David has a hella of a punch.
I choose Seed and Spark to crowdfund my new feature film THIS IS MEG, because of a few reasons.
They have a 75% Success Rate (2 times any other platform)
The average raise is $17K (2.5 times any other platform)
There average fee is only 3% (40% Less than anyone else)
They guarentee distribution if you hit a certain benchmark
How is this possible because they focus on one thing...FILMMAKERS. They don't crowdfund for the next transforming coffeemaking pen. Seed and Spark is all about indie filmmakers and creating independence for film artists. Take a listen to this episodes and find out how we are putting our crowdfunding campaign together for THIS IS MEG.
When you're done listening to the episode take a look at the remarkable FREE Crowdfunding Course created by Seed & Spark to entertain, educate and make you a truly "independent" filmmaker.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 079: From Micro Budget to Million Dollar Budget Films with Christian Sesma Jun 09, 2016

From Micro Budget to Million Dollar Budget Films with Christian Sesma
Many indie filmmakers dream of going from micro budget to million dollar budget films. Well my friends on this weeks episode I've got a guy who not only did exactly that but also had fun doing it. Christian Sesma is a indie film writer/director based in Palm Spring, CA. I've know Christian for probably over 10 years now and I've watched him grow from a small $15,000 horror film (On Bloody Sunday) to his latest action blood fest Vigilante Diaries starring Paul Sloan, Michael Madsen, Michael Jai White, Jason Mewes and UFC legend Quinton ‘Rampage’ Jackson.
Take a look at the trailer below.
Vigilante Diaries will hit select theaters and be available on iTunes on June 24, 2016.
Synopsis:
Jason Mewes of CLERKS and JAY AND SILENT BOB STRIKE BACK stars as an in-your-face filmmaker known for his web videos of an urban avenger known only as ‘The Vigilante’ (Paul Sloan). But when The Vigilante terminates a creep with deep connections, it’ll trigger a live-feed bloodbath between the Armenian mob, Mexican cartels, a rogue team of Special Forces commandos, and an international black ops conspiracy that’s about to make things very personal. UFC legend Quinton ‘Rampage’ Jackson, Michael Jai White (BLACK DYNAMITE), Jaqueline Lord (MERCENARY FOR JUSTICE), WWE star Sal ‘Chavo’ Guerrero, Jr., James Russo (DJANGO UNCHAINED) and Michael Madsen (THE HATEFUL EIGHT) co-star in this explosive throwback packed with badass swagger, hardcore firepower and bone-crunching action.
I wanted to pick his brain and share his unique journey with the IFH Tribe. Enjoy this one, it's a blast!
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IFH 078: Follow Your Passion, No Matter What! Jun 01, 2016

Follow Your Passion, No Matter What!
This is a special episode of the podcast guys. I recently had a good friend of mine pass, Allan Wertheim. He was a legendary First Assistant Director and Unit Production Manager. Allan and I worked together almost 20 years ago on one of my first directing gigs.
This is by far the most difficult project I have ever worked on and Allan was kind enough to mentor me and protect me from the siutation. He passed a few days ago at the age of 72 and my friend left it all on the field. He worked with legendary directors like Martin Scorsese and David Fincher but more importantly lived a happy life with his family.
I wanted this episode to spotlight the fact that you can't leave with the music still inside of you. Take a listen to this special episode. I hope it inspires you a bit.
Right click here to download the MP3
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Allan Wertheim - IMDB
Raging Bull
Se7en
Love Story
Saturday Night Fever
Action Items:
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If you like Follow Your Passion, No Matter What!, then click below:
How I Made Over $90,000 Selling my Short Film
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IFH 077: Acting & the Art of Being Yourself with Adrian Martinez May 26, 2016

Acting & the Art of Being Yourself with Adrian Martinez
Being yourself in any situation in life is hard for many people. Actors do make a living playing other people but the art of being comfortable in your own skin is a lesson we can all learn. I invited on the show Adrian Martinez, a actor, writer, producer, and soon-to-be-director, with nearly 100 film and TV credits.
Adrian's career began as a high school track star on NBC's "Unsolved Mysteries". Some in casting have called Adrian, "the sidekick to the stars," as evidenced by his recent sidekick trifecta-- Will Smith's sidekick in Warner Bros' "Focus," , Ben Stiller's sidekick in his Fox remake of "The Secret Life of Walter Mitty," Will Ferrell's sidekick in Lionsgate's "Casa de mi Padre," to name a few.
Mr. Martinez's TV work includes over forty guest spots, including a recurring guest star in CBS' "A Gifted Man," opposite Patrick Wilson, FX's "Louie" opposite Louis CK, HBO's "Flight of the Conchords," "Sex and the City," and is recurring on Comedy Central's "Inside Amy Schumer."
Adrian is currently making his directorial debut with the film "iCreep," through his production company, Paloma Pictures.
I wanted have Adrian Martinez on the show to see if he would share some of his secret sauce for maintaining such a long and successful career...and he did. Whether your an actor, director, writer, or artist the knowledge bombs Adrian drops are massive.
BTW, this happens to be one of the funniest episodes I've ever done. Adrian is not only generous with his knowledge but he's FUNNY AS HELL! Enjoy.
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IFH 076: How to Blaze Your Own Path in the Film Industry May 23, 2016

How to Blaze Your Own Path in the Film Industry
Have you been banging your head against the wall trying to figure out what you need to do to break into the film industry? Me too. This episode is dedicated to all the indie filmmakers out there trying to make a living as a filmmaker.
After studying so many success stories of directors, writers, producers, and actors who finally broke through and made it into the exclusive party I found one common denominator among every single one of them.
I discuss that truth and make a major announcement to the Indie Film Hustle Tribe about what I'll be doing over the next year and how it applies to the topic of "Blazing Your Own Path in the Film Industry."
If your a bit lost or just keep running into walls trying to make it as a filmmaker then this is the podcast you need to listen to. I hope you find some value in it. Good luck!
Right click here to download the MP3
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Indie Film Hustle's FULL ACCESS Membership
THIS IS MEG Launch Team
Jill Michele-Mélean
VideoBlocks (Stock Footage - IFH Discount)
IFH Online Film School - 30% OFF Discount
IFH 069: Michael Polish – How to Make Money Selling a No Budget DSLR Indie Film
For Lovers Only
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 075: GUT CHECK! What Does It Really Take to Make in Hollywood with Sebastian Twardosz May 19, 2016

Every once in a while we all need to get a gut check. A "gut check" is when some new situation, or in this case knowledge, that tests your belief on what it takes to achieve your goal.
I invited Sebastian Twardosz to give us that gut check and lay down some major knowledge bombs on the Indie Film Hustle Tribe. Now Sebastian has been playing the Hollywood game for close to two decades and has ranked up some major experience. Hollywood and the film business in general is a "relationship business". Here's what Sebastian said:
"Some of you will be successful and some of you will be less successful—it’s a numbers game, but regardless of the stats, you will likely fail if you don’t help each other."
Sebastian Twardosz’s first production job was from 1995-1999 for Tom Cruise and Paula Wagner’s Paramount-based company where he started as an assistant and was promoted to executive, actively participating in the making of Mission Impossible 1-2 and Without Limits.
Like many hopefuls wanting to get into the film biz, Sebastian Twardosz started as an agent's assistant in the motion picture department at ICM. He graduated from the USC School of Cinematic Arts in 1993. His short film, Silent Rain, received a Student Academy Award from the Academy of Motion Picture Arts and Sciences as well as the Student Emmy.
Sebastian co-produced the independent feature Small Town Saturday Night starring Chris Pine, and he has been an adjunct professor at both UCLA and USC Film Schools teaching about the art and business of film since 2006.
He also hosted a weekly show called The Insiders which aims to shed light on the “behind-the-scenes world of Hollywood” for aspiring filmmakers. Sebastian is currently a partner in Circus Road Films, which advises and represents emerging filmmakers. Take a listen to this eye opening interview.
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IFH 074: How to Make Money TODAY Selling Your Short or Feature Film with Amazon Video Direct May 16, 2016

We making money selling your short film, feature film or web series just got a whole lot easier. Amazon.com has thrown it's hat into the Independent creators VOD ring with the launch of Amazon Video Direct.
This move is designed to go head to head with Google's YouTube for video-ad dollars. as well as going after other juggernauts like Facebook and Vimeo.
Amazon Video Direct has four distribution options for its creators.
Filmmakers can make their films available to Prime Video subscribers and receive a per-hour royalty fee
Films or Series can be sold as a subscription through the Streaming Partners Program
Films can be made available for digital rental or purchase
Films can be made available to ALL Amazon customers for free with ads, and filmmaker would receive a 55% share of the ad revenue (exactly as they do on YouTube).
Take listen for the lowdown.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 073: Film Gear in Cinematography Today with Ernesto Lomeli May 12, 2016

Film Gear in Cinematography Today with Ernesto Lomeli
Oh, the dilemma! What film gear should I use for my film? Which camera will give me the look I want for my project? What gear can I afford? Well as I've said before:
"Film gear does not make a movie, the story does. No one ever won Sundance or an Oscar® because they used the latest and great film gear. They won because of, you guessed it, story."
With that said choosing the right film gear for your film is important. You need to have the right paint brush and not nesseraly the most expensive or newest paint brush to create your opus.
I thought it would be interesting to have cinematographer Ernesto Lomeli on the show. He's one of the most technical film geeks I know. Ernesto shares a bunch of knowledge bombs with us in this interview and discusses what film gear to get and what you really need to make your project sing!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 072: How Marketable is Your Film Idea or Screenplay? May 10, 2016

How Marketable is Your Film Idea or Screenplay?
So how marketable is your film idea or screenplay? I know so many screenwriters and filmmakers who spend months and sometimes years on an idea that is cool to just themselves.
Depending on what you are attempting to achieve with your story, you should always figure out if you idea is marketable or if you have a fighting chance of selling the screenplay or final film.
Paul Castro, the writer of the Warner Brothers feature film August Rush (Starring Robin Williams) shares with us his thoughts on how to test and find marketable ideas.
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IFH 071: Save the Cat – Screenwriting Story Structure Made Easy May 04, 2016

Why would you want to ‘Save the Cat’? If you are a screenwriter or aspiring one you should of heard by now of Blake Snyder’s game changing screenwriting book.
In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.
His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May, 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.
Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, was published in November, 2009.
Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake’s work.
I had the pleasure of interviewing one of Blake’s main pupils Jose Silerio. Jose is carrying the torch of Blake’s work and travels around the world well…saving the cat.
Enjoy my informative interview with Jose Silerio.
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IFH 070: A Filmmaker's Focus - Podcast Interview with Alex Ferrari May 03, 2016

So this week I'm doing something different. I occasionally get asked to be guest on other people's podcasts. In these podcast I go over topics I might not of spoken about on the IFH Podcast in the past so to mix things up, with the permission of the hosts, I'll be uploading bonus episodes with these interviews.
In my effort to bring you more value I think you'll enjoy these interviews. First up is my interview with Doc Kennedy from the Filmmaker's Focus Podcast. This interview was a ton of fun.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 069: Michael Polish - How to Make Money Selling a No Budget Indie Film Apr 27, 2016

I'm always looking for indie filmmaking models to study. I like to analyze how other filmmakers make successful indie films while doing through a new DIY method, self distributing their film or achieving critical and fan respect for their work.
Well I found a film that checks all the boxes, For Lovers Only create by the Polish Brothers, Michael and Mark Polish (more on that film later). These filmmakers have been making films, on their terms, for over a decade now.
Since premiering at Sundance with their debut feature, 1999's Twin Falls Idaho, the brothers have remained steadfast in their commitment to creating personal, character-driven films.
How does one make money shooting a feature film on a DSLR? The film in question came from a screenplay that Mark Polish wrote more than a decade ago called For Lovers Only, about an American photographer who runs into an old flame while on assignment in Paris. The film follows the rekindled lovers around Paris, France in a series of quiet vignettes that gradually reveal more about the complications in the couples' lives.
Related: DSLR Video Tips: How to Make Your DSLR Film or Video Look More Cinematic
Inspired by the guerilla style of the French New Wave filmmakers of yesteryear, Mark and Michael Polish came up with a simple plan: they'd fly over to France with only a Canon 5D Mark II camera (which they already owned) and one actress (Castle star Stana Katic) in tow and just go out and shoot feature film. Oh did I mention it was in black and white?
Michael Polish sat down with me for an amazing interview about his filmmaking life, Hollywood and what it means to be an artist.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 068: Do You Need a Movie Star to Sell Your Indie Film? Apr 26, 2016

Do You Need a Movie Star to Sell Your Indie Film?
Being in post production for over 20 years, many films have walked through my doors. Some with huge movie stars that go nowhere and other with no stars that win Sundance.
The question is do you really need a movie star in your independent film to be able to sell it? The answer is yes...and no. I layout specifics on when and if you need star power in your film and I discuss what the new definition of star power is today.
The times they are a changing my indie film hustlers and if you don't change with them you'll be left behind. Take a listen and let me know what you thin in the comments below.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 067: Film Festival Secrets - How to Crack the Festival Code with Chris Holland Apr 21, 2016

Submitting to film festivals is a torture. Did I get in? Did the programmer watch it yet? When will I know? How much to submit? You wait by your email to see if Sundance or SXSW accepted you? Wouldn't be amazing if you had some insight to the film festival process? Maybe even some torture Film Festival Secrets?
On the show today I have one of the leading authorities on film festivals, Chris Holland from Film Festival Secrets.com. The man literally wrote the book on the subject, Film Festival Secrets: A Handbook For Independent Filmmakers.
So enjoy my conversation with Chris Holland.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 066: What Really is an Independent Film? Apr 19, 2016

This is a question I've been asked many times.
"What is an Independent Film?"
Is George Lucas an independent filmmaker? He did make all his films outside the studio system and paid for them all out of his pocket. Is the $8000 horror feature created to with the sole purpose to be sold an independent film? Is the five million dollar film starring a major movie star that worked for scale an independent film?
Take a listen
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IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies Apr 14, 2016

What can I say about Lloyd Kaufman? Director. Writer. Producer. Indie Filmmaker. Innovator. Nice guy. Pain in the ass of main stream media. I believe all of those statements are true and then some.
Lloyd Kaufman is one the original indie filmmakers going back to the 1970's. The Troma Universe was born in 1974 with a series of highly original, raunchy comedies such as Squeeze Play!, Stuck On You!, Waitress!, and other film titles ending with an exclamation point.
In my favorite decade, the 80's, is where Lloyd Kaufman really made a name for himself. His 1984 sleeper hit The Toxic Avenger launched his career and his production company Troma Entertainment. Creating his own brand of independent films, Lloyd Kaufman discovered there was a market for his "unique type" of films.
The success of The Toxic Avenger was followed by a string of commercial and artistic triumphs in a similar vein, blending fantasy, comedy, bad ass action, and a bit of eroticism in a style that can only be described as “Tromatic”.
To say this was an enjoyable and entertaining interview would be an understatement. Enjoy my conversation with the one and only Lloyd Kaufman.
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IFH 064: No One Gives a CRAP What You Shoot Your Film On! Apr 12, 2016

No One Gives a CRAP What You Shoot Your Film On!
OK, so before I get bombarded with hate email please hear me out. I was speaking to my filmmaker inner circle the other day and the topic of format and camera came up. I'm a huge tech head. I love gear as much as the next filmmaker.
Hell, you can't make movies without gear. Advances in filmmaking technology has liberated a generation of storytellers, filmmakers and content creators. Now does the audience give a SH*T about what camera you used to make your movie...NO!
If you want to know what it really takes to be a successful filmmaker in today's world take a listen to this short podcast.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales Apr 06, 2016

IFH 063: The Walking Dead - Working on the Dead Set
If you are a Walking Dead fan you are going to LOVE this episode. If you ever wanted to know what an assistant director does on set you are going to LOVE this episode.
On today's episode we have a long time friend Vince Gonzales. Vince has been working in the film industry for over top decades. His IMDB page is pretty crazy. He's worked on 90 classics like The Sandlot, Speed and What Dreams May Come. Now after 2000 his credits start to heat up: Pearl Harbor, Six Feet Under, Charmed, Boston Legal, Grey's Anatomy, Transformers: Age of Extinction and of course The Walking Dead.
I wanted to bring Vince on the show to discuss his time on The Walking Dead but also what it takes to be an assistant director on both small and "monstrous" sets. Don't listen to this episode in the dark.
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IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of! Apr 05, 2016

Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!
I've been at a fair share of film festivals in my life and I've submitted to many more than I've been accepts to. With that said I have seen many less than honorable film festival organizers throughout the process.
Now not all film festivals are run by grifters and con men but you need to be aware of the signs that a film festival you are submitting to may just be in existence to remove you from you hard earned cash and not to celebrate amazing independent film and filmmakers.
I put together a few warning signs you should look out for when submitting to film festivals. Stay safe out there everyone!
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IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint Mar 31, 2016

If you have seen Star Wars then you know Joseph Campbell's work. If you ever have seen The Lion King then you have seen one of Campbell's best student's, Chris Vogler, work.
Chris Vogler wrote the game changing book The Writers Journey: Mythic Structure for Writers. I read this book over 20 years ago and it changed the way I look at story. Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the bases for Star Wars as well as almost every other Hollywood feature film in the past 60 years.
What Chris Vogler did so well is that he translated Campbell's work and applied it to movies. The Writer's Journey explores the powerful relationship between mythology and storytelling in a clear, concise style that's made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world. He has influenced the screenplays of movies from THE LION KING to FIGHT CLUB to BLACK SWAN to NOAH.
"I teach sometimes, and always say that Chris Vogler is the first book that everyone's got to read."
-- Darren Aronofsky , Oscar-nominated Screenwriter/Director, Noah, Black Swan, The Wrestle
Pretty high praised from one of the best filmmakers working today. In this episode I ask Chris to breakdown a bunch of concepts of the Hero's Journey, why it resinates with people around the world and what makes an amazing hero and villain.
Enjoy my conversation with Chris Vogler.
Screenwriting & Story Blueprint: The Hero's Two Journeys
The Writers Journey: Mythic Structure for Writers, 3rd Edition
Myth & the Movies: Discovering the Myth Structure of 50 Unforgettable Films
The Hero with a Thousand Faces (The Collected Works of Joseph Campbell)
Memo from the Story Department: Secrets of Structure and Character
The Million Dollar Screenplay
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 060: Should You Work for Deferred Payment or Back End Points? Mar 29, 2016

A Indie Film Hustle Tribe member recently asked me
"Should You Work for Deferred Payment or Back End Points?"
Believe it or not I get this question A LOT! So I decided to dedicate a podcast episode to the question. There are times I would say yes definitely work for deferred payment or back end points.
I heard a story of a screenwriter that was asked to do a rush job, write an entire screenplay in two week over Christmas vacation. He really didn't want to do it but the agent said he could get him paid and get him back end points. The screenwriter took the gig, the producer love the script and the movie went on to gross $500,000,000 world wide. He took home over $20 million. Not bad.
So yes there is a time to make that deal but alas there are times you should never work for deferred. Take a listen to when to and when not to work for deferred payments or back end points.
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IFH 059: How a 17 yr old Shot & Sold her 1st Feature on 16mm Film Mar 24, 2016

Every once in a while I get sent a story that blows my mind. They story is a 17 year old 1st time director shoot and sells her first feature film (that was shot on 16mm) right out of the gate.
How that hell does that happen? Well may I introduce you to Kansas Bowling, the director of the feature film B.C. Butcher. Inspired by the likes of Russ Meyer, Annette Funicello, and Roger Corman, Kansas and her friend Kenzie began writing a script in high school about a tribe of cavewomen being stalked by a prehistoric monster.
Thus, the first prehistoric slasher was born! At only 17, Kansas directed, co-wrote, and funded her own feature film, entirely shot on 16mm, called “B.C. Butcher”.
The film is unique in many ways, being a horror flick and a comedy, featuring live music, gore, gags, and campy historical inaccuracy. Because of this, immediately after shooting, “B.C. Butcher” caught the eye of Lloyd Kaufman (who will be a guest on the podcast in a few weeks), legendary producer/director and founder of Troma Entertainment Inc. Troma acquired the film for distribution and is now slated for a 2016 release.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 058: Tips on How Directors Should Work with a Colorist Mar 22, 2016

Working with a professional colorist can be intimating if you haven't done it before. I've been a colorist for over 12 years and have spent my fair share of time in a color grading suite.
I decided to put together a few tips on how filmmakers and directors should work with a colorist. I also included a few videos to help you along on your post adventures.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 057: HollyShorts: Confessions of a Film Festival Programmer w/ Daniel Sol Mar 17, 2016

Have you ever wanted to know what really happens behind the scenes at a top level film festival like the HollyShorts Film Festival? Well this week I kidnapped co-founder and film festival programmer Daniel Sol, tied him up in a darken warehouse and shine a bright light on his face to get the truth out of him.
The interview might not have been that dramatic but Daniel laid down a ton of behind the scenes knowledge bombs you all you Indie Film Hustlers out there.
HollyShorts! and I go way back. My first short film BROKEN played at the very first HollyShorts Film Festival over a decade ago and I've been friends with Daniel Sol and Theo Dumont (co-founders) ever since.
They truly care about filmmakers and were name one of the Top 25 film festivals in the world worth the submission fee by Filmmaker Magazine.
Enjoy my candid chat with Daniel Sol from the HollyShorts! Film Festival.
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IFH 056: Do You Need an Agent or Talent Agency to Make it in Hollywood? Mar 15, 2016

Is an agent or talent agency needed to make it in Hollywood? Well it helps! Seriously, this is a question I get asked all the time.
In this episode I go over what you need to do to get an agent and also help you figure out if you need one right now. Below are the seven major talent agencies in Hollywood.
APA Talent Agency
Size: 3,400 clients; 325 employees (210 agents, 15 managing partners); offices in Los Angeles, New York and Nashville
Origin story: Founded in 1962 by former MCA agents David Baumgarten, Roger Vorce and Harvey Litwin.
CAA Talent Agency
Size: About 5,000 clients; 1,500+ employees; 11 offices worldwide, including in China
Origin story: Founded in 1975 by William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, Bill Haber and Rowland Perkins.
GERSH Talent Agency
Size: About 2,000 clients; 175 employees (75 agents, 16 partners); offices in L.A. and New York
Origin story: Founded in 1949 by Phil Gersh.
ICM PARTNERS Talent Agency
Size: 4,500+ clients; 400+ employees (200+ agents and execs, 40 partners); four offices
Origin story: Formed in 1975 with the merger of Creative Management Associates and International Famous Agency.
PARADIGM Talent Agency
Size: 2,500 clients; 370+ employees (160 agents); six offices
Origin story: Founded in 1992 by Sam Gores through the mergers and acquisitions of several boutiques
UTA Talent Agency
Size: 3,000+ clients; 500 employees (200 agents, 46 partners); offices in L.A. and New York
Origin story: Founded in 1991 with the merger of Bauer-Benedek and Leading Artists.
WME | IMG Talent Agency
Size: 4,000+ clients; nearly 5,000 employees (200 agents) in 25+ countries
Origin story: WME | IMG was founded in 2014 with the merger of IMG and WME, which was founded in 2009 with the takeover of William Morris by upstart Endeavor.
Hope this episode helps you out on your journey to get an agent. Good luck!
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IFH: Filmmaking Motivation - Go Make Your Film! Mar 14, 2016

IFH 055: Michael Hauge - Writing a Screenplay That Sells Mar 10, 2016

Michael Hauge - Writing a Screenplay That Sells
You are in for a treat. This week's guest, MICHAEL HAUGE has been one of Hollywood’s top script consultants, story experts and authors for more than 30 years.
He coaches screenwriters, novelists, filmmakers, professional speakers, internet marketers and corporate leaders, helping transform their stories and their audiences using the principles and methods of Hollywood’s most successful movies.
Michael has consulted on films starring – among many others - Will Smith, Tom Cruise, Reese Witherspoon, Julia Roberts and Morgan Freeman, and has presented lectures and workshops to more than 70,000 participants worldwide.
He is the best selling author of Writing Screenplays That Sell (now in its 20th Anniversary Edition), and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read. According to Will Smith,
“No one is better than Michael Hauge at finding what is most authentic in every moment of a story.” - Will Smith
After our interview Michael Hauge and I decide to bring one of his best courses to the IFH Tribe. We called is Screenplay and Story Blueprint: The Hero's Two Journeys
If you click here you'll get a SPECIAL IFH DISCOUNT: Screenplay & Story Blueprint
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IFH 054: How NOT to Get Ripped Off in Post Production Mar 08, 2016

Over the years I've seen many of my fellow indie filmmakers get completely ripped off when they entered the post production process.
So many promises are given and the rates they charge are criminal. I wanted to put together a podcast to pull the curtain back on the "true" pricing of post production services.
Now this is based on my experience working in Los Angeles so the prices might differ depending where you are in the country or the world.
I hope this episode provides a great amount of value and that it saves you your hard earned cash while making your next indie film. Enjoy!
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IFH 052: The 5 Lies of Film Distribution Feb 23, 2016

Film distribution in a mystery to most indie filmmakers. It is filled with deception, scams, mis-information and straight out LIES! I wanted to put together an episode spotlighting the five major lies filmmakers hear about film distribution.
Like many truths in the world these might not be easy to swallow but there is hope. If you have a plan "BEFORE YOU SHOOT YOUR FILM" your odds of success go up greatly.
I see so many indie filmmakers killing themselves to make their films but have no idea how to recoup their money or actually make a living doing what they love to do. I hope this podcast helps.
Insider View of Creating an Indie Feature Film - FULL ACCESS MEMBERSHIP
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IFH 051: Are the Oscars Too White…Again? #OscarsSoWhite Feb 17, 2016

So the question of the moment is
"Why are the Oscars® so white again? #OscarsSoWhite
The 88th Annual Academy Awards haven’t even aired yet, and there is a hurricane of drama surrounding Hollywood’s most exciting night. Celebrities like Spike Lee and Will and Jada Pinkett Smith have called for a boycott due to a lack of minority nominees.
If you look at the graphic below (Courtesy of www.mirror.co.uk) you see the Acadamy doesn't have a firm foundation to stand on.
Courtesy of www.mirror.co.uk
I usually don't discuss topics like this on Indie Film Hustle but when the opportunity to have a sit-down with RB Botto from Stage32.com and talk all things Oscar I jumped at the chance.
Related: Filmmaking Hacks: How to Shoot and Market Your Indie Film
We discuss not only "Why are the Oscars® so white again? #OscarsSoWhite" but we discuss this year's Oscar races, surprises, snubs and we talk about the current state of the film business. Take a listen!
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IFH 049: How to Pitch Your Film Like a Pro with Stephanie Palmer Feb 11, 2016

Stephanie Palmer - How to Pitch Your Film Like a Pro
Ever wanted to learn the dark craft of being able to pitch your story idea successfully? Stephanie Palmer has made it her life's mission to help people do just that. Stephanie Palmer is a former MGM Pictures executive and best-selling author of the book "Good in a Room: How To Sell Yourself (And Your Ideas) And Win Over Any Audience"
She has heard thousands of pitches. She know how to and how not to pitch your screenplay or story idea. She worked on films like Legally Blonde, Armageddon, Con Air and was even on an intern on Titanic, there's a very inserting story there.
Learn how to pitch your screenplay like a pro with Stephanie Palmer.
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IFH 048: What to do when people DON'T BELIEVE IN YOU! Feb 09, 2016

I know that everyone reading this has had a moment in time where someone did not believe in them for one reason of another. It is a part of life and a REAL BIG PART of the film industry. So many times in my career I was told that:
"You nuts! That'll never work."
or
"That's never been done before."
Well I love hearing that. I has taken time for me to enjoy when people say "it can't be done." I truly use it as fuel. You must first believe in yourself before anyone will believe in you.
Now you also have to be smart about this. You can't blindly believe in yourself without having a plan, educating yourself and understanding the playing field you'll be walking on to.
In this episode I go over exactly that, how to deal with nonbelievers and how to build a plan to make your goal come true. Please share this episode with anyone who needs to hear it.
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IFH 047: Yancey Arias - How to Make It as a Working Actor Feb 04, 2016

Want to learn how to make it as a working actor? Well studying actor, producer and director Yancey Arias would not be a bad start. I met Yancey Arias years ago and since have worked on several projects together. I've always admired how Yancey was able to always keep working.
To date Yancey Arias has over 70 acting credits in film, television and Broadway. His credit list is kind of nuts:
Castle
NCSI: New Orleans
The Sopranos
Bones
Hawaii 5.0
Elementary
Blue Bloods
CSI: NY
NCIS: Los Angeles
Burn Notice
The Shield
I just got tired of typing, his credit list is impressive to say the least. He's also worked on huge studio tentpoles live Live Free or Die Hard, Time Machine and the Hands of Stone starring Robert DeNiro.
I sat down with Yancey while he was in between setups on the hit show Marvel's Agents of Shield. He'll be popping up on the show in 2016. I really wanted to get a seasoned actor's perspective on what it takes to make it in Hollywood.
We also discuss his work on indie films, his new life as a director and producer with his production company NYC Films and much more. Enjoy!
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IFH 046: Film Festival Hacks: Secrets on How to Get Your Film Accepted Feb 02, 2016

Getting into film festival is getting tougher and tougher everyday. Indie filmmakers can end up spending thousands and thousands of dollars submitting to every film festival around, and there are a ton. At last count there was over 3000 film festivals around the world. That’s a lot of submission fees.
When I was doing my rounds with my films I learned a few things. A few tricks that I put into a FREE eBook: “Six Tips to Get into Film Festivals for cheap or FREE.”
This eBook was such a success that the Indie Film Hustle Tribe kept reaching out to me to create some sort of “master class” on film festivals. Well I heard the call and teamed up with arguably one of the leading voices in film festivals Chris Holland from FilmFestivalsSecrets.com.
We got together and create a one of a kind resource for any filmmaker even thinking of submitting to a film festival. We call it Film Festival Hacks!
In this episode I give you a SNEAK PEEK at Film Festival Hacks and let you listen to a FREE lecture from the course. So get ready to take notes and have a taste of Film Festival Hacks.
Oh, before I forget Chris Holland is also giving you another FREE sample of the course on his podcast so when you are done listening to this head over there for more FREE content. Click here: FilmFestivalSecrets – Podcast
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IFH 045: From Film Geek to Online Media Empire with Todd Brown Jan 28, 2016

How does a film geek turn his love for movies into a media empire? Ask Todd Brown from Twitch Film. I met Todd Brown over ten years ago when I was promoting my short film "BROKEN." He did a killer review of the film and we became fast friends.
His movie review site Twitch Film.com was just starting out then but it has grown into a leading voice in global cinema. Twitch Film focuses on more obscure, independent and international films; something that was missing from the movie review site blogosphere.
Twitch Film's focus on those kind of films made it stand out and over the years has grown into a mega movie website. My advice, always be nice to people you never know when you paths will cross again.
Todd leveraged his knowledge and access to great international and independent films and joined forces with XYZ Films.
XYZ Films is an integrated content company whose mission is to empower visionary storytellers from every corner of the planet. As an independent production company and worldwide sales agency, the company is uniquely suited to identify talented filmmakers and bring their stories to life.
You might of heard of some of their breakout hits "The Raid " and "The Raid 2."
Todd and I sat down to discuss all things film geek, the state on independent film and the new landscape of film distribution. Enjoy!
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IFH 044: How to Create Multiple Revenue Streams for Your Indie Film Jan 26, 2016

The one thing more difficult than actually making an indie film is marketing and selling that film. I get asked all the time the same question:
"How can I make CASH, MONEY, DINERO with my film?"
So I decided to put together this very dense podcast with suggestions on multiple revenue streams for independent films. This podcast is probably one of the most info packed episodes I've ever done.
So get your iPad ready to take some detail notes cause this episode is worth MUCHO DINERO for the filmmaker who wants to put in the work.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
IFH 023: How to Crowdfund Your Film Like a Pro w/ Emily Best
IFH: 025: How t Get a Theatrical Release for Your Indie Film
IFH 017: Guide to Selling Your Film to VOD
IFH: Filmmaking Hacks
Twitter Hacks: 10,000 True Fans in 10 Weeks
USC Film School's ONLY On-line Course: Directing the Actor
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Kung Fury
Turbo Kid
Vimeo Pro
VHX.tv
Seed and Spark
Tugg
Indie Rights
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 043: Ultimate Guide to Film Distribution & Marketing with Jon Reiss Jan 21, 2016

Want to hear a crazy story on how one filmmaker used a hybrid distribution and marketing strategy to sell his film Bomb It. May I introduce Jon Reiss. After hearing his story I had to have him on the show so he can tell his story to the IFH Tribe.
Jon Reiss was named one of “10 Digital Directors to Watch” by Daily Variety, Jon Reiss is a critically acclaimed filmmaker whose experience releasing his documentary feature, Bomb It with a hybrid distribution and marketing strategy.
This strategy inspired him writing Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era, the first step-by-step guide for filmmakers to distribute and market their films. Two years ago he co-wrote Selling Your Film Without Selling Your Soul and last year co-wrote Selling Your Film Outside the U.S.: Digital Distribution in Europe.
Jon Reiss teaches in the Film Directing Program at California Institute of the Arts. He created the course "Real World Survival Skills: Everything I Wish I Had Been Taught in Film School" which covers the practical/business aspects of filmmaking from fundraising through distribution.
Jon is a very interesting filmmaker. When I spoke to him he brought the heat and shared a ton of film marketing and distribution knowledge.
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IFH 042: Social Media - 11 Ways to Use It to Sell Your Indie Film Jan 19, 2016

Social media is a mystery to most filmmakers. It's really easy to get lost in Facebook, Twitter, Instagram, LinkedIn, Pinterest, Tumblr, Youtube, Snap Chat, Periscope, Meerkat, or any of the hundreds of other social media platforms available online.
With so many choices and platforms to learn many of us just don't even bother but for those that take the time to educate themselves on social media and it's power the rewards can be HUGE.
Marketing an indie film today without including social media is crazy. To watch how Star Wars: The Force Awakens leveraged social media in their marketing campaign was like watching Bobby Fisher play chess...masterful.
In this episode I give you a few tips on how to use social media to build your brand, sell your product or promote your film.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 041: How to Craft a Freelance Career with Paddy Bird Jan 14, 2016

The Indie Film Hustle Podcast has been around for five short months. I have not had the same guest on twice, until now. Paddy Bird from Inside the Edit. Last time he was on Paddy Bird dropped some major post production knowledge on the IFH Tribe. I had to have him back.
Just as a refresher, Paddy Bird is one of television’s most prolific and accomplished editors. For the past fifteen years he has edited dozens of prime time documentary, entertainment and reality TV shows for British and American television. He has even worked in war zones, spending time editing news stories on location in Iraq.
He also created Inside the Edit, the world's best course on creative editing...period. You can get more info on Inside the Edit and listen to our last podcast here: IFH 013: Inside the Edit.
This time around we discuss how to build a career as an editor and a freelancer. Paddy goes into a ton of detail and as always delivers the goods. You may need to listen to this episode more than once. Enjoy my conversation with Paddy Bird!
If you're interested in checking out his master editing course click here: Inside the Edit
TO GET 10% OFF USE THE PROMO CODE: IFHCREATIVE
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IFH 040: Knowing When to Work for FREE in the Film Industry Jan 12, 2016

So I know working in the film industry can be tough. Breaking in is even tougher. Many people tell you you have to work for free or intern somewhere to get a foot in the door. Now those people aren't totally wrong.
The question is when do you work for free? When is trading your time, energy and effort really worth it? In this episode I break down when you should work for free or cheap and when you need to stand your ground and get paid.
This episode is not just for film students. I tell you my story of when I got to Los Angeles and what I choose to do and why even after having 10 years of experience, credits and work under my belt. Enjoy this eye opening episode.
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IFH 039: How to Write the Million Dollar Screenplay with August Rush writer Paul Castro Jan 07, 2016

We've all read in Variety or The Hollywood Reporter of some no name screenwriter selling his or her screenplay for a million bucks. Ever wonder how they did it? What structure did they use? What tricks of the trade were employed?
May I introduce Paul Castro, the writer of one of my favorite films August Rush. Paul Castro is a produced, award winning screenwriter and world-renowned screenwriting professor.
"Structure...is the canvas on which we paint with words." - Paul Castro
His project, August Rush was produced by Warner Brothers and starred the late great Robin Williams, Keri Russell, Freddie Highmore, Danny Glover, Kelsey Grammer, and Jonathan Rhys Meyers. The film took Paul Castro into the belly of the Hollywood beast.
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IFH 038: Stop Obsessing Over Film Gear & Start Making Movies! Jan 05, 2016

OK, I wanted to start off the new year on the right foot. Over the course of my career I've seen so many filmmakers obsess over film gear, to a paralyzing end. They focused so much on gear that they never make actual films.
No one is saying you shouldn't keep up to date on the latest film gear. You need gear, without it you can't make films but cameras, lenses, drones, and grip equipment are just tools.
Do you think Chris Nolan, Martin Scorsese, or Quentin Tarantino obsessed about film gear? No. They learned to tell stories first and then grabbed the tools available to them to tell those stories. Sure now they play with all the latest toys but I can guarantee you Quentin Tarantino worked on The Hateful Eight script first before he thought of shooting it on 70mm.
You can pay $1 for a hammer or $100 but both will put the nail in the wood. It’s the master carpenter who practiced and took the time to learn how to hit that nail just right, with one swing, that is the craftsman.
Don’t rely so heavilyly on film gear to tell your stories, because gear is not the storyteller, you the filmmaker are. A good filmmaker tells a story with a RED Dragon or an iPhone as this year's Sundance Film Festival Winner 'Tangerine' proved.
Don’t believe the hype from all the gear companies having you run out and upgrade your cameras or lenses everytime they release something new. Stop obsessing over gear and start making movies! Take a listen to hear my argument against this "gear porn" epidemic.
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IFH 037.1: Filmmaking Motivation for 2016 - Happy New Year! Jan 01, 2016

Happy New Year! I has been ana amazing 2015 for Indie Film Hustle. We launch five short months ago and have grown at a alarming rate. Thanks to the IFH Tribe the Indie Film Hustle Podcast has become the #1 filmmaking podcast on iTunes, just three months after launch...CRAZY!
The Indie Film Hustle Youtube Channel is closing in on over 1000 subscribers and I was able to gather over 23,000 followers throughout all the IFH social media platforms. Again I have all of you to thank.
This is a special New Years 2016 edition of the the show. I want to let you know what to expect from IFH in 2016 and wanted to give you a little motivation as well.
Sit back and get ready to be motivated! Keep that hustle going in 2016 and beyond.
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IFH 037: Surviving the Hollywood Implosion with Scott McMahon Dec 31, 2015

Surviving the Hollywood Implosion with Scott McMahon
Is there an implosion coming to Hollywood? Film Trooper Scott McMahon thinks so and he's not alone. Think its crazy, think again. Listen to what the king of the blockbusters Steven Spielberg had to say,
“There’s going to be an implosion. Mega budget movies are going to go crashing into the ground and that’s going to change the paradigm.”
If the Hollywood implosion does come to fruition, then where do aspiring filmmakers go to make a living? Step in Film Trooper Scott McMahon. Scott created a book entitled "How to Make and Sell Your Film Online and Survive the Hollywood Implosion While Doing It."
There are a lot of books on how to make a movie and how to be part of the Hollywood machine; but this step-by-step guide will show you, the über independent filmmaker...
...how to bypass all of that and get to the heart of making and selling digital products (your film) directly to an online audience and survive the Hollywood implosion while doing it.
I've known Scott McMahon for a while now and he's a wealth of information. He's truly trying to help the "über independent filmmaker" make it in the film business. His site Film Trooper is a perfect extension of his mission.
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 036: How to Direct Actors with Nina Foch Dec 29, 2015

Have you been confused and frustrated when directing actors? I think every director and actor has been frustrated with each other at one or more points in there career but don't worry Nina Foch is here to help. I'll get to who she is in a moment.
For a filmmaker, directing actors can be a daunting task. Actors seem to have a language of their own which us directors have a very hard time understanding. For those masters like Steven Spielberg, Quentin Tarantino, and Martin Scorsese, directing actors is second nature.
They are able to understand the language of the actor. They are able to make a scene come alive. No matter how well a scene is written, if the direct can not communicate with his or her actors then all is lost.
What to do? Enter Nina Foch, the legendary film teacher from the gold standard of film schools, USC School of Cinematic Arts.
As I was looking for filmmaking courses on-line I came across this gem of a course that I couldn't believe was available to us mere indie film mortals. A master class from USC School of Cinematic Arts called Directing the Actor by Nina Foch.
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IFH 035: What Happens After You Win the SXSW Film Festival with Brant Sersen Dec 24, 2015

Have you always wonder what happens to indie filmmakers who win HUGE film festivals like the SXSW Film Festival? Well wonder no more.
I've invited one of my oldest friends onto the show, Brant Sersen, the writer and director of the SXSW Audience Award winning film "Blackballed: The Bobby Dukes Story" staring Rob Corddry.
Some other films he's directed are Release, Splinterheads, and Sanatorium.
Over the years I've heard Brant tell me all sorts of stories about his misadventures in Hollywood. So if you are expecting a "Entourage" style story you're on the wrong website.
What I try to do with Indie Film Hustle is to give you the no BS info, stories and experiences you can only get by being in the heat of battle. Brant Sersen's story is no different.
Take a listen...
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IFH 034: VFX Supervisor: Their Role & How They Can Help Your Film Dec 22, 2015

How can a VFX Supervisor make your indie film's VFX shine? I've been a VFX Supervisor on multiple feature films, shorts, commercial and music videos. My job was to get the shots the director wanted done at a high standard and on budget.
I've seen many independent films come through my doors at Numb Robot with VFX dreams in their eye but also with no understanding or budget on how to achieve them, that where a good VFX Supervisor comes in.
In this episode I breakdown what a VFX Supervisor does and also the things indie filmmakers need to understand before creating Jurassic World in their backyard.
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IFH 032: How a Post Production Supervisor Can Save Your Butt! Dec 15, 2015

So how can a Post Production Supervisor save your butt? Well I've been a Post Production Supervisor for over 15 years and have seen a lot of indie filmmakers get beaten up, taken advantage of and just plain ripped off in the post production process.
In short the Post Production Supervisor is there to protect the film or project from going over budget, ripped off and making sure everything is done on time and budget.
Here is the official definition of a Post Production Supervisor:
Post Production Supervisors are responsible for the post production process, during which they maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production accountant.
The Post Production Supervisor has a pivotal role in ensuring that the film's post production budget is manageable and doable, and that all deadlines are met.
Take a listen!
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IFH 031: How to Make a Good Script Great with Linda Seger Dec 10, 2015

Linda Seger is a legend when it comes to screenwriting coaching and script consultanting. She's been couching for over 30 years and pretty much invented the job title. After reading her best selling book, "Making A Good Script Great" I had to have her on the show.
She's best known for her method of analyzing movie scripts, which she originally developed as her graduate school dissertation on "What Makes a Great Script." She founded the script consulting industry, becoming the first entrepreneur who saw script consulting as a business, rather than an offshoot of seminars or books.
Linda Seger has consulted on over 2000 screenplays and over 100 produced films and television shows including Universal Soldier, The Neverending Story II, Luther, The Bridge (miniseries,) etc.
Take a listen to this master class on screenwriting with Linda Seger and get ready to take notes!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 030: How to Make a Music Video Dec 08, 2015

So you want to make music videos. Want to follow in the foot steps of David Fincher, Mark Romanek and Spike Jonez? It's not a bad plan at all. Many filmmakers start off in music videos. It's a great place to get experience, learn the tools and experiment.
I've directed a few music videos in my day and have worked in some capacity on hundreds over the years. I wanted to do an episode where I breakdown my process for making a music video. The music video in question is for the band Ozomatli and the stand up comic Gabriel Iglesias aka Fluffy.
Gab and I have done a few projects together over the years, two of which were music videos, Hey It's Fluffy and Stand Up Revolution.
I had an absolute ball shooting both. Today we will be dissecting Stand Up Revolution, which was for his Comedy Central show "Gabriel Iglesias Presents: Stand-Up Revolution." It was a large production for me and I learn a ton.
Take a listen!
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IFH 029: Blueprint to Make it in the Film Business with Richard "RB" Botto from Stage 32 Dec 03, 2015

Blueprint to Make it in the Film Business with Stage 32
Have you ever wanted an easy blueprint to make it in the film business? I know I have. Well you are in for a treat. I had an amazing interview with Richard "RB" Botto from the online film community Stage 32.com.
Stage 32 is a US-based social network and educational site for creative professionals who work in film, television and theater. Stage 32 links professionals in the entertainment industry including directors, writers, actors and entertainment staff.
It caters to film industry professionals with featured bloggers, online education taught by industry professionals, news from Hollywood and filming locations around the world, Stage 32 meetups page, an online lounge and a film business jobs page that allows members to connect with others on film ventures, along with standard social media functions.
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IFH 028: How Quentin Tarantino is Keeping Film Alive w/ The Hateful Eight Dec 01, 2015

Ah, the good ol' digital vs film debate. Well you won't get any of that in the article or podcast. With Quentin Tarantino's The Hateful Eight coming out Dec 25, 2015, and it being shot in "Glorious 70mm," there has been a lot of chatter about film again.
With filmmakers like Christopher Nolan shooting 35mm and IMAX on his latest film and JJ Abrams shooting Star Wars: The Force Awakens in 35 mm, film seems to still be an art form that many filmmakers are not ready to let go of just yet.
What Quentin Tarantino has done with The Hateful Eight is unique. He has brought back to life the Ultra Panavision 70 technique along with anamorphic 65mm lenses that haven't been seen since the 60's.
Here are some specs:
Camera: Panavision 65 HR Camera and Panavision Panaflex System 65 Studio
Lenses: Panavision APO Panatar
Film Stock 65mm: Kodak Vision3 200T 5213, Vision3 500T 5219
Aspect Ratio: 2.75:1
Listen to the episode for the rest.
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IFH 027: Kico Velarde - From Being Broke to Emmy Winner Nov 26, 2015

IFH 027: Kico Velarde - From Being Broke to Emmy Winner
The Cinderella story that is Kico Velarde's life is remarkable. From being a struggling out of work editor to becoming the toast of the Cannes International Film Festival to winning an Emmy for producing Jay Leno's Garage. Crazy!!!
His film PVC-1 - was accepted into the Director's Fortnight at the Cannes International Film Festival and was nominated for the Camera D' Or Award in 2007. He became the toast of the festival but barely had two cents to rub together as he spent his last cash on tickets to the festival.
After the festival it took sometime to get back on his feet but then got an opportunity of a lifetime, to work as an editor on a small YouTube show about Jay Leno's Garage. Fast forward a year and he wins an Emmy for the show and the rest is history.
Kico's story is truly an inspirational one. Take a listen and get ready to be inspired.
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IFH 026: Is Film School Really Worth the Cost? Nov 24, 2015

Is Film School Really Worth the Cost?
Let me start by saying that I’m a big believer in education and constant learning throughout life. I believe that the only way to truly experience the amazing things the world has to offer is by educating yourself as much as humanly possible.
With that said, people who go to film schools to educate themselves about the basics of filmmaking are fools. Now full disclosure, I was one of those fools.
A little about me, I’ve been in the film industry for almost twenty years. I started my filmmaking journey by attending a technical college in Orlando, FL in 1995. My first job in the industry was in the post-production world.
As years went by I learned different crafts and wore different hats; I became a director, writer, producer, editor, colorist, post-production supervisor and visual effect supervisor.
I’ve done pretty much almost every job imaginable in the film business. In my multicolor travels I’ve had the opportunity to work with numerous indie filmmakers, with Oscar® and Sundance winners and even a Moose Jaw Film Festival winner, so every kind of filmmaker under the sun.
When I went to film school non-linear editing was just getting off the ground. No AVID, Final Cut or After Effects. No DSLRs. No RED Camera. No Mini-DV cameras. No low cost digital VFX. No YouTube. No DVDs with awesome film commentaries and by the way, the Internet was just getting started.
Listen to the episode for the skinny!
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IFH 024: How I Made Over $90,000 Selling my Short Film Nov 17, 2015

So I directed a small action short film a few years back called "BROKEN." I shot the film on MiniDV Tape (yes I'm old) on the Panasonic DVX 100a, the indie film workhorse of its day. My team and I filmed it in West Palm Beach Florida (not exactly the Mecca of the film industry) and it starred only local, non named actors.
Now once the filming was over I marketed the living hell out of that little short. It went on to screen at over 250 international film festivals, win countless awards and be covered by over 300 news outlets. That little film had a life of it's own. I even got a review of legendary film critic Roger Ebert:
"BROKEN is essentially a demonstration of the mastery of horror imagery and techniques. Effective and professional." - Roger Ebert
Now you must be asking,
"But Alex how the hell did you make money with it?"
Well, I knew that no one would pay real money for a 20 minute short film, shot on MiniDV, with no name actors and from a first time director to boot. So I planned to create a guerrilla indie film school with over 3 hours of footage, tutorials, commentaries and more.
For the whole story take a listen.
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IFH 023: Crowdfunding Your Indie Film Like a Pro with Emily Best Nov 12, 2015

Crowdfunding has always been a mystery to me. I never really understood how indie filmmakers can raise $50,000, $100,000 or $1,000,000 to make their films. I tried once with the "if I built they will come" idea but they never came.
When I discovered this weeks guest, Emily Best CEO and founder of the indie film crowdfunding website Seed & Spark, I had to get her on the show. I attempted to squeeze out of her every bit of crowdfunding knowledge I could. We discuss:
How to create a successful crowdfunding campaign?
What are the biggest mistake indie filmmakers make when crowdfunding their film?
How should indie filmmakers crowdsource (building an audience for you, your film or your company)?
How do indie filmmaker determine how much to ask for when crowdfunding?
How do you build a killer crowdfunding page and video?
What incentives should you give when crowdfunding?
How do you build momentum so your audience will follow your film's creation from beginning to end?
How do you determine if your film has an audience?
All of these question on crowdfunding are answered and more. Seriously this podcast is a condensed master class on crowdfunding. I was selflessly asking the questions I wanted the answers to and now you guys benefit as well. Enjoy!
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IFH 022: Does Your Indie Film Have a Audience? Nov 10, 2015

I'm never surprised anymore when I speak to filmmakers and ask them one simple but powerful question, does your film have an audience?
I usually just get a blank stare. This is probably the most important question you can ask yourself as a indie filmmaker. Now if you are making film as art and have no intention or care at all about making money with your film then should stop reading this email.
Now, there's nothing wrong with that but that is not what I'm discussing here today.
For the rest of us that want and need to make money with our films these few little words should be your mantra in the development process.
Does Your Indie Film Have a Audience?
Most filmmakers get so excited by the concept of a story, the emotion or just with the idea of making a feature film that they never ask the question. They are scared to because it might stop the fun they are having. Trust me I know the feeling.
Listen to this episode and find out some tips and tricks to see if your film has an audience.
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IFH 021: Wakaliwood: Introducing Uganda's Quentin Tarantino Isaac Nabwana with Alan Hofmanis Nov 05, 2015

Imagine you were back in the early 1900’s, when the film industry was a newborn. People were learning and experimenting with the new technology of moving pictures.
Craftsmen were excited about discovering new ways of creating art with this powerful and amazing new technology. You would think that could never be recreated in todays high tech world but you would be mistaken.
May I introduce you to Wakaliwood. A remarkable filmmaker by the name of Isaac Nabwana from Ramon Film Productions has created the Ugandan film industry, almost single handily without having any of the filmmaking knowledge or updated filmmaking technology.
As we get to study the giants that came before us like Orson Welles, Stanley Kubrick, Martin Scorsese, David Fincher, and Akira Kurosawa, Isaac only had his imagination and his undeniable passion for telling stories.
Isaac is easily one of the most passionate filmmakers I’ve ever met. With all the opportunities and technology we in the United States take for granted, he created an entire film industry with basically string and tape.
On this podcast we get a true understanding of what the definition of “passion” is. Alan Hofmanis and Isaac Nabwana open up on how they make a Wakaliwood action film, how Isaac taught himself every aspect of the filmmaking process and what he would like to see Ramon Films Production and Wakaliwood become on the world stage.
I alway hear excuses why indie filmmakers don’t pull the trigger on making their independent film. Like not enough money, I don’t know any screenwriters, don’t have the camera I want, can’t get name actors, don’t understand post production, can’t find people to help and the list goes on and on. I hope this podcast lights a fire under the asses of every indie filmmaker that listens to it.
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IFH 020: Why Indie Filmmakers Should NOT Shoot 4k! Nov 03, 2015

An issue I see come up again and again is indie filmmakers shooting a format that they can't handle in post production. Currently the big buzz word is "Ultra High Definition."
Technically, "Ultra High Definition" is actually a derivation of the 4K digital cinema standard. However while your local multiplex shows images in native 4096 x 2160 4K resolution, the new Ultra HD consumer format has a slightly lower resolution of 3840 X 2160.
Now while having a larger image to play with is better it does bring a ton of baggage along with it. RED Cameras started popularizing 4k with it's first camera the RED ONE. It was so far beyond anything else on the market at the time that it ignited the imagination of indie filmmakers everywhere.
Now shooting 4k in todays world is a bit different. It cost much more than you'd expect once you factor in all the things you'll be dealing with down the pipeline.
In this episode I go over a ton of info on why you shouldn't shoot 4k if you're an indie filmmaker.
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IFH 019: How to Make a Terrifying Horror Film with Edwin Pagan Oct 29, 2015

Making scary independent horror films in the current marketplace is difficult to say the least. Today’s sophisticated audiences are getting harder and harder to scare every day
When many filmmakers start out they make a film in the horror genre. It worked for famed filmmakers like Guillermo del Toro, Sam Raimi, George Romero, James Wan, John Carpenter, Wes Craven, Roman Polanski, David Cronenberg and Alfred Hitchcock just to name a few.
In this week’s episode, I’m joined by the aficionado of horror films Edwin Pagan from LatinHorror.com. We discuss what it takes to make terrifying horror films, the difference between Latino horror films versus Korean or American horror films and what is truly terrifying.
We also packed this scary episode with indie filmmaking tips on the do’s and don’ts of indie horror filmmaking, adventures of a working cinematographer in New York City and what it really takes to scare the hell out of your audience.
Don’t listen to the episode alone. Happy Halloween and be safe everyone!
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IFH 018: Don't Only Hire a DP because they own a RED Camera! Oct 27, 2015

Now before I get a bunch of hate mail please let me explain. I love cinematographers. You can;t make a movie without on. It's by far one of the toughest positions on set. The pressure is immense.
With that said the explosion of low cost cameras and lighting gear has thrown a huge amount of "cinematographers" into the market place.
This podcast is a warning to young and inexperienced filmmakers not to hire not just a director of photography but any top level crew member solely because they on some of the latest gear.
This advice also goes for sound department, editorial, lighting, visual effects and definitely color grading. When hiring any top level positions in a film production it should be based on resume, demo reel, or reputation.
All I'm saying is don't hire a crew member just because of the gear he or she owns. You'll thank me. Take a listen to this episode to hear my horror story that cost me over $50,000. OUCH!
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IFH 017: Indie Film Distribution on VOD with Linda Nelson Oct 22, 2015

The world of film distribution is filled with unknown land mines. Even more mysterious is how an indie filmmaker can get their film placed on these elusive VOD or Video on Demand platforms?
That's where this episode comes in, we have video on demand expert Linda Nelson from Indie Film Rights, the film distribution arm of Nelson Madison Films. Linda walks us through the maze of VOD and film distribution options and explains what it takes to get your film placed in the potentially very lucrative platforms.
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IFH 016: Getting Attention from Influencers – My Roger Ebert Story Oct 20, 2015

I always get asked by indie filmmakers:
“How do I get attention for my indie film?”
This is one of the major challenges facing indie filmmakers/entrepreneurs in today’s noisy independent film landscape. One fast way is to get an “influencer” to focus a little light onto you or your project.
Now this is much easier said than done. When I promote my projects I approach every online indie film influencer I can.
This includes indie film sites, niche sites (around your subject matter), industry news outlets, film magazines, movie fan websites, film festivals, podcasters, conventions, and movie reviewers.
In this podcast I tell the story of how the legendary film critic Roger Ebert was so amazingly kind to a young filmmaker.
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IFH 015: Selling Your Film at the American Film Market with Ben Yennie Oct 15, 2015

If you have ever looked into selling your film at a film market then you more than likely have heard of the North America's largest film market, AFM or the American Film Market.
The American Film Market is a labyrinth of crazy characters, thieves, wannabes, filmmakers hustling their latest film, distributors, industry professionals and of course buyers and sellers from around the globe.
My guest this week is Ben Yennie who has written the only real guide to this carnival called "The Guerilla Rep: American Film Market Distribution Success on No Budget." You should not go to the American Film Market or any film market for that matter without reading this book.
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IFH 014: Post Production Workflow - Understand it or DIE! Oct 12, 2015

I know I'm being a bit dramatic when I say "Understand Post Production Workflow or DIE!" but I've seen and been involved with sooooooo many independent films that just die in post production because of one simple thing, they didn't understand post production workflow.
Post Production Workflow is not a black art that only a few understand, granted it is getting more and more complicated these days but you as a indie filmmaker can still understand the basics.
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IFH 013: Inside the Edit with Paddy Bird Oct 08, 2015

I've been an editor now for over twenty years. When I was starting out I looked everywhere for some course, book, video, or anything that could teach me the black art of creative editing. There are many courses design to teach you AVID, Adobe Premiere or Final Cut Pro software but nothing on the creative process.
One day I was surfing the net and found this site called "Inside the Edit." The site was boasting the it was the world's first "creative editing course," which I found very hard to believe. I took the course for a test ride and OH MY GOD, they did it, they cracked the code.
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
Inside the Edit - 10% OFF email: IFHDISCOUNT@insidetheedit.com
Inside the Edit
Blackmagic Design DaVinci Resolve Software for Mac/Win/Linux
Adobe Premiere Pro CC
Final Cut Pro X
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Get Social with Indie Film Hustle:
Facebook: Indie Film Hustle
Twitter: @indiefilmhustle
Instagram: @ifilmhustle
YouTube: Indie Film Hustle TVPodcast: IFH Podcast
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IFH 012: How to Turn Your Independent Film into a Business Oct 06, 2015

How to Turn Your Independent Film into a Money Making Business
So many independent film creators just want to think of themselves as artists. That's fine but it's called show business for a reason. If you don't understand the business you won't be able to create the show.
In this episode I share with you what it takes to change your mindset and start thinking of your independent film not just as a precious piece of art but to also think of it as a product that needs to do well in the marketplace in order for you as the filmmaker to continue putting on that show!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher or via RSS.
If you like this show take a listen to Dov Simens Interview:
America's Greatest and Quentin's Tarantino's Film Teacher
Enjoyed this blog post? Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. Or post to your blog and anywhere else you feel it would be a good fit. Thanks.
I welcome thoughts and remarks on ANY of the content above in the comments section below...
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IFH 011: Suzanne Lyons Pt 2: How to Produce Your First Feature Film Sep 29, 2015

Here's Part Two of my interview with Suzanne Lyons.
This week on the show I'm excited to have uber independent film producer Suzanne Lyons. She has been living in the indie film space for over twenty years. Working on SAG Ultra Low Budgets to over $15,000,000 budgets she has seen it all.Suzanne Lyons takes you by the hand and walks you through what it takes to produce your first feature film. She goes over the pitfalls, legal concerns, deliverables, selling to foreign countries and most importantly of all how she gets her financing for her feature films.
She laid out such amazing information that I had to break the episode up into two parts. I spoke at one of her famous indie film producing workshop and learned a ton while I was there. Suzanne Lyons also wrote an amazing book called Indie Film Producing: The Craft of Low Budget Filmmaking. I suggest you all pick it up. It's better than film school!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE:
Suzanne Lyons IMDB
Suzanne Lyons Production Company
Indie Film Producing: The Craft of Low Budget Filmmaking
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 010: Suzanne Lyons Pt 1: How to Produce Your First Feature Film Sep 29, 2015

This week on the show I'm excited to have uber independent film producer Suzanne Lyons. She has been living in the indie film space for over twenty years. Working on SAG Ultra Low Budgets to over $15,000,000 budgets she has seen it all.Suzanne Lyons takes you by the hand and walks you through what it takes to produce your first feature film. She goes over the pitfalls, legal concerns, deliverables, selling to foreign countries and most importantly of all how she gets her financing for her feature films.
She laid out such amazing information that I had to break the episode up into two parts. I spoke at one of her famous indie film producing workshop and learned a ton while I was there. Suzanne Lyons also wrote an amazing book called Indie Film Producing: The Craft of Low Budget Filmmaking. I suggest you all pick it up. It's better than film school!
LINKS AND RESOURCES MENTIONED IN THIS EPISODE:
Suzanne Lyons IMDB
Suzanne Lyons Production Company
Indie Film Producing: The Craft of Low Budget Filmmaking
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 009: Suki Medencevic ASC & the Art of Cinematography Sep 23, 2015

Suki Medencevic ASC and the Art of Cinematography
I have found over the years that is one of the biggest technical issues in independent film. Someone borrows a friends RED Camera or Arri Alexa and thinks that's all you need. Cinematography is not only a mystical art but imperitive in today's gluttony of indie films in the market place.
Good cinematography can really make your independent film project rise out of the gutter of poorly produced indie films. Today on the show I interview Suki Medencevic ASC (American Society of Cinematographers).
For all the show notes goto: http://www.indiefilmhustle.com/009
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IFH 008: Karl Iglesias Screenwriting Master Class & How to Create an Emotional Impact Sep 16, 2015

This week we were lucky enough to have as out guest screenwriting guru Karl Iglesias. He has written award winning books including: The 101 Habits of Highly Successful Screenwriters, Writing for Emotional Impact, and Cut to the Chase.
I discovered Karl Iglesias' work reading Writing for Emotional Impact. It really transformed the way I wrote screenplays and created a bunch of new habits that I still use today.
It was a major treat to interview Karl on the show. His work is so specific but yet broad. His one rule that can never be broken,
"Always be interesting."
I think most films coming out of Hollywood today should take that advice. Keep your audience engaged and emotionally invested. So many filmmakers and screenwriters today don't understand that basic concept.
I really asked Karl the tough questions so we could fill this episode with amazing content for you. This is one podcast your won't want to miss. Enjoy!
Right click here to download the MP3
LINKS AND RESOURCES MENTIONED IN THIS EPISODE:
Pixar's Emotional Core: The Essential Element in all Successful Stories
Writing for Emotional Impact
Cut to the Chase
The 101 Habits of Highly Successful Screenwriters
Karl Iglesias' Official Site
FreeFilmBook.com (Your FREE Audio Book)
Six Secrets to get into Film Festivals for FREE!
Action Items:
Subscribe to the Podcast on iTunes, Stitcher or via RSS.
Get Social with Indie Film Hustle:
Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustle
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

IFH 007: Dov Simens - American Greatest & Quentin Tarantino's Only Film Teacher Sep 10, 2015

I'm so excited to have on the show this week Dov Simens, founder of Hollywood Film Institute. He created the remarkable 2 Day Film School and has launched the careers of Quentin Tarantino, Chris Nolan, Spike Lee, Kevin Smith, Queen Latifah, Guy Ritchie & more.
Dov's teaching style is entertaining, in your face and straight from the street. Real world, practical film education. Sit back and prepared to be schooled in the ways of Jedi Film Teacher Dov Simens.
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IFH 006: Indie Film VFX Master Class with VFX Artist Dan Cregan Sep 02, 2015

In this episode we tackle visual effects in indie film. Visual Effects in Indie Film is really hit or miss, mostly miss. Many indie filmmakers don't any idea what to do when it comes to visual effects.
Uber visual effects artist Dan Cregan takes you through a master class on indie film visual effects and tells us how he went from indie visual effects to huge studio films like Guaridans of the Galaxy and The Hobbit.
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IFH 005: Do I Need to Move to Los Angeles to Make it in Hollywood? Aug 26, 2015

So you want to move to Los Angeles and make it big in Hollywood. The question is should you? Do you need to? When should you if you do? What kind of plan should I have in place? What should I do if I live in another country? All will be answered in this episode.
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IFH 004: What's a Producer's Rep and How Not to be Ripped off! Aug 19, 2015

On this week's episode we discuss a dirty indie film distribution secret, Producer's Reps. Like all things in life not all producer's reps are evil, scam artists or scumbags. Many do a great job and are more than fair with the filmmakers they work for.
I'm hear to warn you about the other kind of producer's rep, the predatory, conman that loves to promise the world and deliver nothing to the already broke filmmaker. I was burned by one of these grifters early in my journey as a indie filmmaker and producer.
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IFH 003: Are you a Indie Film Marketing Spammer? Aug 13, 2015

This week we ask, are you a Indie Film Marketing Spammer? Do you ask people you just met on-line to support your film or kickstarter campaign without taking the time to build a relationship? Do you blast your latest reel or trailer on every you can post it? Then you might be a filmmaking spammer. We are here to help you get what you want without pissing everyone off in the process.
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IFH 002: The Hollywood Game - Be Prepared to Play Aug 13, 2015

This week we discuss my misadventures in Hollywood with my film BROKEN. I talk about how to be ready if and when the spotlight of Hollywood is on you and your project. What to do in those meetings and how NOT to waste the opportunity.
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IFH 001: Oscar Nominee & Legendary Actor Robert Forster Jul 30, 2015

This week we are joined by Oscar nominee & legendary actor Robert Forster. He dishes out amazing advice to actors, directors and human beings a like. He even tell us his favorite Quentin Tarantino direction he got on the set of Jackie Brown.
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IFH 000: Introduction | Show Formalities | What to Expect Jul 06, 2015

Here it is! The first episode of the Indie Film Hustle Podcast. I'm going to go over what to expect from the show and from me. I'm here to help you survive and thrive in the film business and get your film hustle on! Take a listen!
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

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