In Our Time: Culture - BBC Radio 4

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New Series Oct 14, 2026

Show notes

Misha Glenny introduces the brand new series of In Our Time, which begins with a discussion on Thomas More’s 16th-century ‘bestseller’ Utopia, his vision of a perfect republic. This follows his latest archive selection, from 2012, that explores timekeeping in the ancient world up to the modern digital clock.

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A Message from Misha Oct 12, 2026

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This podcast collection is now unavailable. To continue listening, search for and follow the main In Our Time podcast on BBC Sounds or wherever you find your podcasts. New episodes arrive weekly.

Vigée Le Brun Jul 23, 2026

Show notes

Misha Glenny and guests discuss the French portrait painter Élisabeth Vigée Le Brun (1755 - 1842). From her teens she delighted her high society subjects in and around Paris, notably Marie Antoinette who she painted around 30 times, and she invariably found ways to show her sitters at their best. Some critics were affronted that she, a young woman, dared paint at all and, when they saw how good her portraits were, some spread a rumour that surely this could not really be her work and she must have had a secret male lover finishing her portraits in a studio. The French Revolution forced Vigée Le Brun out of France and so she set off from one European court to another to find more success from Naples to Vienna to St Petersburg and to London, eventually settling back in France. Today her works are on show in major galleries around the world.

With

Rosalind Polly Blakesley Master of Pembroke College and Professor of Russian and European Art at the University of Cambridge

Robert Wenley Deputy Director of Collections and Research at the Barber Institute of Fine Arts, University of Birmingham

And

Francesca Whitlum-Cooper Curator of Later Italian, Spanish and French Paintings at The National Gallery, London.

Producer: Simon Tillotson

Reading list:

Joseph Baillio, Katharine Baetjer and Paul Lang (eds), Vigée Le Brun (exhibition catalogue in English, Metropolitan Museum of Art, 2016)

Joseph Baillio et al., Elisabeth Louise Vigée Le Brun: 1755-1842 (exhibition catalogue in French, Grand Palais, Paris, 2015/16)

Rosalind P. Blakesley, Women Artists in the Reign of Catherine the Great (Lund Humphries Publishers Ltd, 2023), especially chapter 8 ‘The Triumphant Refugee’

Lucy Davies, Vigée Le Brun: Self Portrait in a Straw Hat (National Gallery Global, 2025)

Angelica Goodden, The Sweetness of Life: A Biography of Elisabeth Louise Vigée Le Brun (Andre Deutsch Ltd, 1997)

Franny Moyle, Mrs Kauffman and Madame Le Brun: The Entwined Lives of Two Great Eighteenth-Century Women Artists (Apollo, 2025)

Jordana Pomeroy, Daring: The Life and Art of Elisabeth Vigée Le Brun (Getty Publications, 2025)

Mary D. Sheriff, The Exceptional Woman: Elisabeth Vigée-Lebrun and the Cultural Politics of Art (University of Chicago Press, 1997)

Paris Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 (Paul Mellon Centre, Yale University Press London, 2022)

Elisabeth Vigee Le Brun (trans. Sian Evans), The Memoirs of Elisabeth Vigee Le Brun (Camden Press, 1989)

Louise-Elisabeth Vigée-Lebrun, Souvenirs de Madame Louise-Élisabeth Vigée-Lebrun (first published 1869; Tredition Classics, 2012)

In Our Time is a BBC Studios production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Joseph Roth Jun 04, 2026

Show notes

Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then in Galicia, next in Poland and is now in Ukraine, Roth (1894 - 1939) was to spend his short life moving first to Lviv then to Vienna and finally to Paris via Berlin without ever finding a settled home. Roth explored the loss of homeland and anticipated the dangers of the new nationalism through his journalism and in his novels including Radetzky March, Job, Rebellion and Flight Without End, and his books were among the first the Nazis burned.

With

Helen Chambers Emeritus Professor of German at the University of St Andrews

Deborah Holmes Associate Professor of Modern German Literature at the University of Salzburg

And

Jon Hughes Reader in German and Cultural Studies at Royal Holloway, University of London

Producer: Simon Tillotson

Reading list:

Jon Hughes, Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s (MHRA, 2006)

Heinz Lunzer and Victoria Lunzer-Talos, Joseph Roth: Leben und Werk in Bildern (Kiepenheuer & Witsch, 1994)

Keiron Pim, Endless Flight: The Life of Joseph Roth (Granta, 2022)

Joseph Roth (trans. Deborah Holmes, ed. Helen Constantine), Vienna Tales (Oxford University Press, 2014)

Joseph Roth (trans. and ed. Michael Hofmann), A Life in Letters (Granta, 2012)

Joseph Roth (trans. Michael Hofmann), Collected Shorter Fiction (Granta, 2001)

Joseph Roth (trans. Michael Hofmann), Rebellion (Granta, 2000)

Joseph Roth (trans. Michael Hofmann), The Radetzky March (Granta, 2022)

Joseph Roth (trans. Michael Hofmann), The Legend of the Holy Drinker (Granta, 2022)

Joseph Roth (trans. Michael Hofmann), The Wandering Jews (Granta, 2001)

Joseph Roth (trans. Michael Hofmann), What I Saw: Reports from Berlin 1920-1933 (Granta, 2022)

Joseph Roth (trans. Michael Hofmann), The Hotel Years: Wanderings in Europe Between the Wars (Granta, 2015)

Joseph Roth (trans. Michael Hofmann), Reports from a Parisian Paradise: Essays from France 1925-1939 (Granta, 2004)

Joseph Roth (trans. Michael Hofmann), The Emperor’s Tomb (Granta, 2013)

Joseph Roth (trans. Michael Hofmann), The String of Pearls (Granta, 1999)

Joseph Roth (trans. Michael Hofmann), The White Cities: Reports From France 1925-1939 (Granta, 2013)

Joseph Roth (trans. David Le Vay), Weights and Measures (Pushkin Press, 2024)

Joseph Roth (trans. Daved Le Vay and Beatrice Musgrave), Flight Without End (Pushkin Press, 2024)

Joseph Roth (trans. Ruth Martin), The Coral Merchant: Essential Stories (Pushkin Press, 2020)

Joseph Roth (trans Will Stone), On the End of the World (Pushkin Press, 2019)

Joseph Roth (trans. Dorothy Thompson), Job: The Story of a Simple Man (Granta, 2022)

Wilhelm Von Sternburg, Joseph Roth: Eine Biographie (Kiepenheuer & Witsch, 2009)

In Our Time is a BBC Studios Production

M.C. Escher May 14, 2026

Show notes

Misha Glenny and guests discuss the work of Maurits Cornelis Escher (1898-1972), the graphic artist and printmaker best known for his impossible buildings, paradoxical perspectives, and repeating geometric patterns. Born in Leeuwarden and trained as a printmaker, Escher visited the Alhambra in Granada and found inspiration in the tessellating shapes of Islamic art. Through his career he went on to create some of the most famous images of the twentieth century and has been called a one-man art movement. After his work was exhibited in a 1954 conference, Escher’s work also caught the eye of mathematicians who appreciated his intuitive geometric precision. Escher was influenced by their work, and they were influenced by his – despite Escher never thinking he was actually very good at maths himself. With

Marcus du Sautoy Simonyi Professor for the Public Understanding of Science, Professor of Mathematics and Fellow of New College, University of Oxford Sarah Hart Professor Emerita of Mathematics and Fellow of Birkbeck, University of London, and Fellow of Gresham College And Judith Kadee Exhibitions project manager and public programme curator at Hague Historical Museum Producer: Martha Owen

Reading list:

Marcus du Sautoy, Blueprints: How Mathematics Shapes Creativity (Fourth Estate, 2025)

Marcus du Sautoy, Finding Moonshine: A Mathematician’s Journey Into Symmetry (Harper Perennial, 2009)

Bruno Ernst, The Magic Mirror of M.C. Escher (Taschen, 2007)

M.C. Escher, M.C. Escher: The Graphic Work (Taschen America Llc, 1992)

Miranda Fellows, The Life and Works of Escher (Siena,1996)

Frederico Giudiceandrea, Escher op reis or Escher’s Journey (Publisher Wbooks, 2018, in Dutch)

Sarah Hart, Once Upon a Prime: The Wondrous Connections Between Mathematics and Literature (Flatiron Books, 2023)

Douglas Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid (first published 1979; Basic Books, 1999)

Siobhan Roberts, King of Infinite Space: Donald Coxeter, The Man Who Saved Geometry (Profile Books, 2007)

Claudio Salsi, Paolo Branca and Claudio Bartocci (eds.), M.C. Escher. Tra arte e scienza. Catalogo della mostra (24 Ore Cultura, 2025, in Italian)

Doris Schattschneider, “The Mathematical Side of M.C. Escher” (Notices of the American Mathematical Society, Vol. 57, 6, 2010)

Doris Schattschneider, M.C. Escher: Visions of Symmetry (Thames and Hudson Ltd, 2004)

Wouter van Reek, Nadir & Zenith in the World of Escher (Leopold, 2019)

In Our Time is a BBC Studios production

Handel's Messiah May 07, 2026

Show notes

Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.

With

Donald Burrows Emeritus Professor of Music at the Open University

Ruth Smith Trustee and Council Member of the Handel Institute

And

Larry Zazzo Countertenor, and Senior Lecturer in Music at Newcastle University

Producer: Simon Tillotson

Reading list:

Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)

Donald Burrows, Messiah (Edition Peters, 1987)

Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991)

Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012)

George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020)

G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009)

G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974) Arthur Holroyd, Reassuring 18th-Century Protestants: The Librettist’s Intended Message for Handel’s ‘Messiah’ (Quacks Books, 2018)

Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024)

Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957)

Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992)

Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965)

Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989)

Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012)

Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)

Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010)

Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025)

In Our Time is a BBC Studios production

Dadaism Apr 16, 2026

Show notes

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.

With Dawn Ades Emeritus Professor of Art History and Theory at the University of Essex

Ruth Hemus Professor of French and Visual Culture at Royal Holloway, University of London

And

Stephen Forcer Professor of French at the University of Glasgow

Produced by Martha Owen

Reading list:

Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006)

Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996)

Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015)

Ruth Hemus, Dada's Women (Yale University Press, 2009)

David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004)

Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015)

In Our Time is a BBC Studios Production

John Keats Mar 19, 2026

Show notes

Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics.

With

Fiona Stafford Professor of English Language and Literature and Tutorial Fellow at Somerville College, University of Oxford

Nicholas Roe Wardlaw Professor of English Literature at the University of St Andrews

And

Meiko O’Halloran, Senior Lecturer in Romantic Literature at Newcastle University

Producer: Simon Tillotson

Reading list:

John Barnard, John Keats (Cambridge University Press, 1987)

Katie Garner and Nicholas Roe (eds), John Keats and Romantic Scotland (Oxford University Press, 2022)

Ian Jack, Keats and the Mirror of Art (Oxford University Press, 1967)

John Keats (ed. John Barnard), John Keats: Selected Writings (Oxford University Press, 2020)

John Keats (ed. John Barnard), John Keats: Oxford 21st-Century Authors (University Press, 2017)

John Keats (ed. John Barnard), Selected Poems (Penguin, 2007)

John Keats (ed. John Barnard), The Complete Poems (Penguin, 2nd edition, 1977)

John Keats (ed. Jeffrey N. Cox), Keats’s Poetry and Prose: A Norton Critical Edition (W. W. Norton & Company, 2008)

Carol Kyros Walker, Walking North with Keats (Edinburgh University Press, 2021)

Richard Marggraf Turley (ed.), Keats’s Places (Palgrave Macmillan, 2018)

Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph (Jonathan Cape, 2021)

Michael O’Neill (ed.), John Keats in Context (Cambridge University Press, 2017)

Christopher Ricks, Keats and Embarrassment (Oxford University Press, 1974)

Nicholas Roe, John Keats: A New Life (Yale University Press, 2012) Helen Vendler, The Odes of Keats (Belknap Press, 2004)

Susan J. Wolfson, Reading John Keats (Cambridge University Press, 2015)

Susan J. Wolfson (ed.), The Cambridge Companion to Keats (Cambridge University Press, 2001)

In Our Time is a BBC Studios Production

Henry IV Part 1 Mar 05, 2026

Show notes

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.

With

Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford

Lucy Munro Professor of Shakespeare and Early Modern Literature at Kings College London

And

Laurence Publicover Associate Professor in the Department of English at the University of Bristol

Producer: Simon Tillotson

Reading list:

Hailey Bachrach, Staging Female Characters in Shakespeare’s English History Plays (Cambridge University Press, 2023)

Warren Chernaik, The Cambridge Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007)

Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018)

Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)

Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)

William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024)

William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003)

In Our Time is a BBC Studios Production

On Liberty Feb 12, 2026

Show notes

Journalist, author and historian Misha Glenny presents his first edition of In Our Time, succeeding Melvyn Bragg who retired from this role last summer. Misha and his guests discuss the landmark work On Liberty by John Stuart Mill, published in 1859 and the increasing recognition for his wife Harriet Taylor Mill's contribution. The subject matter of the essay is ‘civil or social liberty: the nature and limits of the power which can be legitimately exercised by society over the individual’ and it argues that the sole end for which mankind may interfere with the liberty of action of anyone is self-protection and even then only to prevent harm to others. This essay became enormously popular and a foundational text for liberalism.

With

Helen McCabe Professor of Political Theory at the University of Nottingham

Mark Philp Emeritus Professor of History and Politics at the University of Warwick

And

Piers Norris Turner Associate Professor of Philosophy at The Ohio State University

Producer: Simon Tillotson

Reading list:

Jo Ellen Jacobs (ed.), Harriet Taylor Mill, Complete Works (Indiana University Press, 1998)

Bruce L. Kinzer, Ann P. Robson and John M. Robson, A Moralist In and Out of Parliament: John Stuart Mill at Westminster, 1865-1868 (University of Toronto Press, 1992) Christopher Macleod and Dale Miller (eds.), A Companion to Mill (Wiley, 2016)

Helen McCabe, John Stuart Mill, Socialist (McGill-Queen’s University Press, 2021)

Helen McCabe, Harriet Taylor Mill (Cambridge, 2023)

Piers Norris Turner, ‘The Arguments of On Liberty: Mill’s Institutional Designs’ (Nineteenth-Century Prose 47 (1), 2020)

Piers Norris Turner et al (eds.), John Stuart Mill and Harriet Taylor Mill, On Liberty with Related Writings (Hackett Publishing, forthcoming 2026)

Mark Philp (ed.), John Stuart Mill: Autobiography (Oxford University Press, 2018)

Mark Philp and Frederick Rosen (eds.), John Stuart Mill: On Liberty, Utilitarianism and other Essays (Oxford University Press, 2015)

Frederick Rosen, Mill (Oxford University Press, 2013)

Alan Ryan, The Philosophy of John Stuart Mill (Palgrave MacMillan, 1998)

Ben Saunders, ‘Reformulating Mill’s Harm Principle’ (Mind 125/500, 2016)

John Skorupski, Why Read Mill Today? (Routledge, 2006)

William Stafford, John Stuart Mill (Red Globe Press, 1998)

C. L. Ten (ed.), Mill: On Liberty: A Critical Guide (Cambridge University Press, 2008)

Nadia Urbinati and Alex Zakaras (eds.), John Stuart Mill’s Political Thought: A Bicentennial Reassessment (Cambridge University Press, 2007)

In Our Time is a BBC Studios production

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