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    HDTV and Home Theater Podcast

    The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

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    Copyright: Copyright © 2022, HT Guys. All rights reserved.

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    Latest Episodes:
    Podcast #1203: Top Series Finales of Network/Cable TV Shows May 30, 2025
    Show notes

    On this week's show we look at our favorite TV Series Finales from Network and Cable TV. We also read your emails and take a look at the week's news.

    News:

    • TCL Will Add Dolby Atmos FlexConnect to QD-Mini LED TVs
    • Apple's smart home hub could reportedly make its debut later this year
    • YouTube leads US TV viewing for 3rd consecutive month
    Top Series Finales of Network/Cable TV Shows

    Here is a rundown of our favorite TV Series Finales. What are your favorites?

    M*A*S*H – "Goodbye, Farewell and Amen" (CBS, February 28, 1983)

    This 2.5-hour finale remains the highest-rated scripted TV episode in U.S. history, with a 72% audience share. It masterfully blended comedy and drama, reflecting the show's tone. The Korean War ends, and the 4077th unit disbands, with emotional farewells like Hawkeye's helicopter spotting B.J.'s "GOODBYE" in stones.

    The Sopranos - "Made in America" (HBO, June 10, 2007)

    The final episode leaves viewers with a cliffhanger that remains open to interpretation. Tony Soprano is at a diner with his family when the screen cuts to black as a suspicious-looking man glances at him. The ending doesn't explicitly confirm whether Tony is killed, but rather leaves the audience to wonder if he will continue to live under the threat of violence inherent to his mob life. The episode's iconic music, Journey's "Don't Stop Believin'," plays in the background, adding to the tension and suspense.

    The Mary Tyler Moore Show – "The Last Show" (CBS, March 19, 1977)

    When WJM-TV's new owner fires the entire newsroom except the incompetent Ted Baxter, the team shares a tearful group hug, and Mary delivers a poignant monologue. Her final act of turning off the studio lights became an iconic TV trope.

    Snowfall - "The Struggle" (FX, April 19, 2023)

    The Snowfall saga chronicled the origins and spread of crack cocaine in South Central and how it ultimately threw Los Angeles neighbourhoods into chaos. Anti-hero Franklin Saint, who we first met on a bright summer day full of promise and big dreams, ended the series on that same street hopeless, delusional and destitute. He was last seen wandering away from the house he bought for his mother - his final possession - as officers from the L.A. Sheriff's Department swooped in to evict him over unpaid property taxes.

    Newhart – "The Last Newhart" (CBS, May 21, 1990)

    This finale is legendary for its meta twist. After eight seasons of running a Vermont inn, Dick Loudon (Bob Newhart) is hit by a golf ball and wakes up as Dr. Bob Hartley from The Bob Newhart Show (1972–1978), next to his wife Emily (Suzanne Pleshette), revealing the entire series was a dream.

    The Office - "Finale" (NBC, May 16, 2013)

    One year later, Dunder Mifflin employees past and present reunite for a panel discussion about the documentary and to attend Dwight and Angela's wedding.The episode features cameos and wraps up several character storylines, with characters attending the wedding and reflecting on their lives and experience. Pretty much everyone gets a happy ending - "That's what she said."

    Asian Jim - The Office US

    Cheers – "One for the Road" (NBC, May 20, 1993)

    Watched by over 80 million viewers, this 98-minute finale wrapped up the Sam-Diane romance with honesty. Diane (Shelley Long) returns, but instead of a fairy-tale ending, Sam chooses his bar—his true love—over rekindling their relationship. The final line, "Sorry, we're closed," delivered to a late-night customer, symbolizes the show's end.

    Justified - "The Promise" (FX, April 14, 2015)

    After five seasons of rivalry and dare we say friendship, Justified's sixth and final season saw Deputy U.S. Marshal Raylan Givens put his "nemesis" Boyd Crowder behind bars. But that isn't what made the finale so incredible. Aside from giving just about every character a bit of closure, there was one scene that we'll never forget: Raylan sitting across from Boyd in prison as he lies about Ava's death and then, when asked why he traveled long and far to deliver the news in person, he finally admitted the one thing viewers have always known - that Boyd isn't his enemy. Goggins then perfectly delivered the line that said everything about their relationship: "We dug coal together."

    The Big Bang Theory – "The Stockholm Syndrome" (CBS, May 16, 2019)

    Sheldon and Amy's Nobel win, paired with his heartfelt tribute to his friends, closed the sitcom with sentimentality and growth, though some felt it was overly tidy

    Friends – "The Last One" (NBC, May 6, 2004)

    With 52.5 million viewers, this finale delivered closure for the six friends' arcs. Monica and Chandler move to the suburbs with their twins, Ross and Rachel reunite, and the group leaves Monica's apartment for the last time. It balanced humor, nostalgia, and emotional payoff without overstaying its welcome.

    The Good Place – "Whenever You're Ready" (NBC, January 30, 2020)

    This philosophical comedy concluded with the characters choosing when to leave their afterlife, reflecting the show's themes of morality and growth. Emotional farewells, especially Eleanor's influence on Chidi, resonated deeply, set against a hopeful yet bittersweet tone. There is a really good series twist at the end of season one as well. Which brings up the concept of season ending cliffhangers. Maybe for another show!


    Podcast #1202: Home Theater System for under $2000 May 23, 2025
    Show notes

    On this week's show we look at how the strategies keep changing in the streaming wars. We spend your money and design a home theater system for less than $2000. And as usual we read your email and take a look at the week's news.

    News:

    • Broadcast Schedule's New Paradigm
    • 75% of Streamers Have Tried an Ad-Supported Plan
    • Google TV users will soon be asked to rate apps
    • Viewers can now add Apple TV+ to a DIRECTV subscription
    Top Streaming Services Change Up Strategies

    A Business Insider article suggests the streaming wars have shifted from competition to strategic alliances and distinct priorities. Netflix now prioritizes engagement over subscriber numbers, revamping its homepage with vertical video to rival YouTube and TikTok.

    Disney focuses on subscriber growth through bundles with Hulu and ESPN, aiming for profitable expansion. Warner Bros. Discovery's Max emphasizes profitability, leveraging high-quality content to retain subscribers rather than competing with Netflix's scale.

    Engagement is key as streamers build ad businesses. Netflix, with 8% of U.S. connected TV watch time, uses engagement to reduce churn and support its $2.2 billion ad business. Amazon's Prime Video scales ads by enabling them for all users unless they opt out, using shopping data to boost ad effectiveness.

    While Netflix and Amazon focus on engagement for ads, Disney, Paramount+ (79 million subscribers), and Peacock (41 million) prioritize subscriber growth, though neither is profitable yet.

    Profitability is critical for WBD, which has cut Max's content spending to focus on financial sustainability, leveraging HBO's legacy content. Its bundling with Disney+ and Hulu supports international growth.

    Apple TV+ faces high churn due to its limited library, leaving its strategy unclear. As streamers balance growth, engagement, and profitability, alliances and niche strategies redefine success in a crowded market.

    Home Theater System for under $2000

    Ok so you bought a house and spent all your money but you already had a 70" TV from your previous home. And while that has been great you want something more out of your TV watching experience. Somehow you scrape together a $2000 budget and want to know what kind of "Home Theater" System you can cobble together to provide you with immersive surround sound. For this exercise we are assuming a typical living room (e.g., ~15x20 ft) and a focus on movies and general entertainment. We will emphasize value and performance while keeping the setup beginner-friendly.

    Key Considerations

    • Room Size: Our medium-sized living room can benefit from a 5.1 or possibly a 5.1.2 (Dolby Atmos) setup for surround sound. We have chosen to stay with a 5.1 system for budget concerns.
    • Priorities: Clear dialogue, deep bass, and immersive surround effects are key for movies and gaming. Music performance is secondary but still considered.
    • Components: You'll need an AV receiver, speakers (front, center, surrounds), a subwoofer, and a streaming device.
    • Setup: We opted for wired speakers for reliability and cost savings over wireless systems, which can eat into the budget.

    Recommended System

    AV Receiver: Denon AVR-S760H 2021 Model ($500 from Amazon)

    We are on a budget so a 2021 model that does everything you need for a small family room on a budget is absolutely the right call here. Don't overlook last year's models on your A/V equipment. No one will walk into your house and whisper about last years (or four years ago) model behind your back. This is a 7.2-channel receiver with 75W per channel, supporting 4K/120Hz, Dolby Atmos, DTS:X, and room calibration (Audyssey). It's versatile, beginner-friendly, and handles modern formats for movies and gaming. 6 HDMI inputs (3 with 8K support), Bluetooth, Wi-Fi, and HEOS for streaming. Refurbished units can save even more.

    Speaker System: RSL CG3M 5.1 home theater system ($850 Direct from RSL)

    We splurged a little on the speakers. The CG3Ms will not disappoint! We have been fans of RSL since we had Joe Rogers on the show about 15 years ago. He is a musician and understands what music is supposed to sound like and has designed speakers with that in mind.

    This compact speaker system will put you right in the middle of a concert or movie! You really can't get better at this price. The 300 watt 10" subwoofer is plenty for your small to medium sized family room.

    Speaker Wire and Cables: Monoprice ($50 Budget)

    Pretty much from day one we have been saying buy good cables but don't spend a lot of money doing so. $50 at Monoprice goes a long way for your Speaker and HDMI cables.

    Streaming Device: ($150 Budget)

    A streaming device enhances your home theater by providing access to all kinds of entertainment options, including Netflix, Hulu, and Disney+,and YouTube. These dedicated streaming devices offer faster performance, regular software updates, and broader app compatibility. They also support advanced features like 4K HDR, Dolby Atmos, and voice control, elevating your viewing experience with superior picture and sound quality. Additionally, devices like Roku, Amazon Fire TV, or Apple TV are portable, affordable, and easy to set up, making them a versatile upgrade for any home theater, regardless of your TV's age or brand.

    Sales Tax: $90 - $150

    Unfortunately we can't forget the tax man. There are a few places in the US that do not have a sales tax and other areas range from 6% up to 10%.

    Total Cost: ~$1,640-$1,700

    This leaves ~$300-$360 for a programmable remote, Atmos, or height speakers. Or a year of a new streaming service.

    This system balances cost, performance, and future expandability, delivering an elevated experience for your new home without breaking the bank.


    HDTV Rewind Episode #5: 2009-2010 TV Season By the Numbers May 20, 2025
    Show notes

    On this episode of the Rewind show we go back to May 21st 2010 where we read your emails look at a news story or two and wrap up the 2009 - 2010 TV Season


    Podcast #1201: The Best Movie Plot Twists May 16, 2025
    Show notes

    On this week's show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week's news.

    News:

    • Fox unveils 'Fox One' as name of new streamer
    • YouTube TV Is Now The 4th Largest TV Provider In the United States
    • Free TV is booming
    • tvOS 18.5 just gave your Apple TV 4K a new feature for Dolby Atmos
    Three Incredible Deals on a UHD TV

    As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing.

    • Samsung 70" Crystal UHD 4K HDR TV (DU7200)
      • Price: $479.99
      • Retailer: Amazon
      • Details: This is noted as the lowest price ever for this 2024 model. It features Samsung's Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand.
      • Why It's a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities.
    • Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV
      • Price: $849.99
      • Retailer: Amazon
      • Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming.
      • Why It's a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups.
    • Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV
      • Price: $447.99
      • Retailer: Amazon
      • Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming.
      • Why It's a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand.
    The Best Movie Plot Twists

    I came across an article that was discussing how a good movie will lead you down one path and then in a "Plot Twist" send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites?

    • The Sixth Sense (1999) - The twist redefines the entire story, forcing viewers to rethink every scene. It's iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis' character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming.
    • The Empire Strikes Back (1980) - The revelation Darth Vader is Luke's Father altered the saga's emotional core and is still one of the most quoted twists ever.
    • Planet of the Apes (1968) - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema.
    • Se7en (1995) - The climax delivers a horrific surprise that ties the story's themes together. It's a twist that's both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin.

    Braden's Pics:

    • Usual Suspects
    • Fight Club
    • Shutter Island
    • Memento

    HDTV Rewind Episode #4: Tips for Buying Speakers and Wireless Surrounds May 13, 2025
    Show notes

    On this week's show we go back to the second week of May 2007 where we look give you some tips on buying speakers that still hold true today. We also look at wireless speakers and read a couple of emails from back then.


    Podcast #1200: The History of Color Television in the United States May 09, 2025
    Show notes

    On this week's show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week's news.

    News:

    • Roku's smart home strategy is making its streaming devices harder to ignore
    • Sonos Strikes a Surprising Deal with Yamaha
    • Masimo to Sell Consumer Audio Business to HARMAN International

    Other:

    • Robert's Forever Home Theater
    • Has the Best Universal Remote Got Better? - Remote 3
    • Google AI Reimagines Wizard of Oz for the Las Vegas Sphere! 🤯 Behind the Scenes
    The History of Color Television in the United States

    We received an email from a listener with a link to a YouTube video called ANTIQUE TV EVENT 2024. It's a long video but an extremely informative presentation that takes a fascinating and detailed look at early color TV programming. Watch it if you get a chance.You can skip through parts of it because it's four hours long. This week we thought we'd take a look back at the transition from black and white and compare it to the transition to HDTV.

    The history of color television in the United States spans several decades, marked by technological innovation, regulatory battles, and gradual consumer adoption.

    • Early Concepts (1920s-1930s): The idea of color television emerged in the 1920s. German engineer Walter Bruch demonstrated a mechanical color TV system in 1929, but it was impractical. In the U.S., early experiments by RCA and others focused on monochrome TV, with color as a future goal.
    • Initial Development (1940s): During World War II, TV development slowed, but post-war efforts intensified. CBS developed a field-sequential color system, which used a rotati ng color wheel to transmit red, blue, and green images in sequence. It was incompatible with existing black-and-white sets, requiring new receivers or adapters.
    • CBS System Approval (1950): On October 11, 1950, the FCC approved CBS's color system as the U.S. standard. Broadcasting began in June 1951, but the system faced challenges: it was expensive, bulky, and incompatible with the millions of black-and-white TVs in use. Only about 200 color sets were sold, and production halted during the Korean War.
    • RCA's NTSC System (1953): RCA, a major player in TV manufacturing, developed a compatible color system based on the National Television System Committee (NTSC) standards. This system allowed black-and-white TVs to receive color broadcasts in monochrome, while color TVs could display full-color images. After intense lobbying and demonstrations, the FCC reversed its decision and adopted the NTSC standard on December 17, 1953.
    • First Color Broadcasts (1954): RCA's system launched commercially on January 1, 1954, with NBC (owned by RCA) airing the first nationwide color broadcast, the Tournament of Roses Parade. Early color broadcasts were limited, and color TVs were expensive—around $1,000 (equivalent to ~$10,000 today).
    • Slow Adoption (1950s-1960s): Color TV adoption was gradual due to high costs and limited programming. By 1960, only 0.1% of U.S. households had color sets. Networks like NBC and CBS slowly increased color content, with shows like Walt Disney's Wonderful World of Color (1961) boosting interest. RCA's aggressive marketing and price reductions helped.
    • Mass Adoption (Mid-1960s-1970s): By 1965, all three major networks (NBC, CBS, ABC) were broadcasting most prime-time shows in color. The FCC mandated that all new TVs sold after 1966 include color capability. By 1972, color TV sales surpassed black-and-white, and by the mid-1970s, over 50% of U.S. households owned color sets. Full-color broadcasting became standard by 1977.
    • Technological Refinements (1980s-1990s): Color TV technology improved with better picture tubes, larger screens, and stereo sound. The NTSC standard remained dominant until the transition to digital TV in the 2000s. Cable and satellite TV expanded access to vivid color programming.
    • Legacy and Digital Transition (2000s): The NTSC analog system was phased out in 2009, replaced by digital ATSC standards, which offered superior color fidelity and high-definition. Color TV became a cornerstone of home entertainment, paving the way for modern LED, OLED, and 4K displays.

    Key Milestones:

    1950: CBS's color system approved.

    1953: NTSC standard adopted.

    1954: First NTSC color broadcast.

    1965: Full-color prime-time schedules.

    1972: Color TV sales overtake black-and-white.

    2009: Analog NTSC broadcasting ends.

    Below is a list of notable U.S. TV stations and networks, along with available data on when they began color broadcasting based on historical information. I have noted where specific station data and precise dates are unclear or unavailable.

    United States

    WCBS-TV (New York, NY, CBS Affiliate)

    Year: 1951 (limited), 1965–1966 (full transition)

    Details: WCBS-TV, a CBS owned-and-operated station, was among the first to broadcast in color during CBS's experimental Field Sequential broadcasts starting June 25, 1951, from New York's Studio 57. These were limited to a few hours daily and required special receivers, as they were incompatible with black-and-white sets. Only about 10.5 million monochrome sets existed in the U.S., and production of CBS's color sets was halted by the Korean War. Regular color broadcasts using the NTSC standard likely began in the mid-1960s, with CBS equipping its Broadcast Center with GE PE-24 color film chains by 1965.

    WNBT (now WNBC, New York, NY, NBC Affiliate)

    Year: 1954 (regular broadcasts)

    Details: NBC's flagship station in New York conducted color field tests as early as July 1951 using RCA's dot sequential system. It broadcast the first nationwide color program, the Tournament of Roses Parade, on January 1, 1954, marking a significant milestone. WNBT was a leader in early color adoption due to NBC's parent company, RCA, pushing the NTSC standard.

    WCAU-TV (Philadelphia, PA, CBS Affiliate at the time)

    Year: 1950–1951 (experimental), mid-1960s (full transition)

    Details: WCAU-TV received CBS's experimental color broadcasts via coaxial cable from New York starting December 13, 1950, for public viewing on color receivers. These used CBS's Field Sequential system. Full NTSC color broadcasting likely aligned with CBS's broader adoption by the mid-1960s, as WCAU used RCA TK-42 cameras by 1966.

    WMT-TV (now KGAN-TV, Cedar Rapids, IA)

    Year: 1967

    Details: WMT-TV, the first TV station in eastern Iowa, transitioned to color in 1967, as documented in a viral video showing news anchor Robert Bruner announcing the switch live on air. The station's new color cameras improved monochrome pictures for black-and-white set viewers while enabling full color for those with color TVs.

    WQEX (now WINP-TV, Pittsburgh, PA, PBS Affiliate)

    Year: 1986

    Details: One of the last North American stations to convert to color, WQEX began color broadcasting on October 16, 1986, after its 1950s-era black-and-white transmitter failed in February 1985. The station's owner, WQED, raised pledge money to purchase a color transmitter, highlighting the financial barriers for smaller or public stations.

    WNEW-TV (now WNYW, New York, NY, Independent at the time)

    Year: Mid-1960s (approx. 1965–1966)

    Details: WNEW-TV, a major independent station, purchased three GE PE-24 color cameras in the mid-1960s, aligning with the industry's push toward color. Exact dates are unclear, but this was part of the broader color adoption wave.

    WBBM-TV (Chicago, IL, CBS Affiliate)

    Year: 1967–1968 (approx.)

    Details: As a CBS owned-and-operated station, WBBM-TV used Marconi Mark VII color cameras starting in the 1967–68 season, indicating a full transition to color by this time. Earlier experimental broadcasts may have occurred in the mid-1960s.

    KMOX-TV (now KMOV, St. Louis, MO, CBS Affiliate at the time)

    Year: 1967–1968 (approx.)

    Details: Like WBBM-TV, KMOX-TV adopted Marconi Mark VII color cameras for the 1967–68 season, suggesting a full color transition by this period.

    KNXT (now KCBS-TV, Los Angeles, CA, CBS Affiliate)

    Year: 1967–1968 (approx.) KNXT became KCBS-TV on April 2, 1984, at noon.

    Details: KNXT, another CBS owned station, also used Marconi Mark VII cameras starting in 1967–68, aligning with CBS's broader color adoption.

    NBC Network (Nationwide, affecting O&O and affiliate stations)

    Year: 1954 (partial), 1965 (full primetime)

    Details: NBC was the earliest adopter of color, driven by RCA's development of the NTSC standard. It began regular color broadcasts with the Rose Parade on January 1, 1954, and was the first network to air a full-color primetime schedule in 1965. Shows like Walt Disney's Wonderful World of Color (1961) and Bonanza were early color hits. NBC's owned-and-operated stations (e.g., WRC-TV in Washington, D.C.) and affiliates followed, with about one-third of NBC's O&O stations having color transmitters by 1954.

    CBS Network (Nationwide, affecting O&O and affiliate stations)

    Year: 1951 (experimental), 1966–1967 (full primetime)

    Details: CBS pioneered the first commercial color broadcast on June 25, 1951, with the show Premiere, but its Field Sequential system was incompatible and abandoned. By 1965, CBS had GE color film chains and was broadcasting color for primetime shows, with daytime soaps like The Secret Storm converting by 1967. A test episode of Perry Mason was shot in color in 1966. Affiliates in major markets followed, though smaller stations were slower.

    ABC Network (Nationwide, affecting O&O and affiliate stations)

    Year: 1962 (partial), 1966 (full primetime)

    Details: ABC lagged behind NBC and CBS due to financial constraints but began color broadcasts in the early 1960s, with shows like The Flintstones produced in color by 1962 (though some affiliates aired it in black-and-white). ABC used a mix of RCA, Norelco, and GE color equipment and achieved full primetime color by 1966.

    United Kingdom

    • BBC2, London: July 1, 1967 – First UK station to broadcast in color, starting with the Wimbledon Championships.
    • BBC1 and ITV, London: November 15, 1969 – Both began color broadcasts, covering London, Midlands, North-West, and Yorkshire regions.
    • ITV Scotland: December 13, 1969 – First color programs aired.
    • ITV Wales: April 6, 1970 – Began color broadcasts.
    • ITV Northern Ireland: September 14, 1970 – Started color programming.

    Other Countries

    • ATV (Associated Television), Australia: March 1, 1975 – Official switch to color, with a notable broadcast event.
    • NRK, Norway: August 25, 1972 – First color broadcast, part of a gradual national transition.
    • ORTF, France: October 1, 1967 – Began color broadcasts, with a famously understated switch.
    • ARD, West Germany: August 25, 1967 – First color broadcast, slightly ahead of schedule due to technical efficiency.
    • CCTV, China: May 25, 1973 – First experimental color broadcast using the American NTSC standard, with full adoption later.
    • SABC, South Africa: January 5, 1976 – Began color broadcasts, delayed due to late adoption of television itself.

    HDTV Rewind Episode #3: 10 Things About Sound and Costco May 06, 2025
    Show notes

    On this week's show we go back to May of 2007 where we look at an article titled: 10 things about sound but were afraid to ask as well as revisiting a trip to Costco. We also look at the news and email of the day.


    Podcast #1199: TV Renewal Scorecard May 02, 2025
    Show notes

    On this week's show We rundown the recently concluded TV season and which shows are coming back for another season. We also read your emails and take a look at the week's news.

    News:

    • Netflix rolls out dialogue-only subtitles
    • Netflix CEO Says Movie Theater Model Is 'Outdated'
    • YouTube Announces a New Viewing Experience on TVs with Enhanced Playback
    • LG Elaborates More on QNED evo Lineup Coming Next Month

    Other:

    • What does $1,000,000 sound like? - My Trip to AXPONA 2025
    TV Renewal Scorecard

    Each TV season we highlight the upcoming TV season in September and then around the end of April we take a look at which shows are coming back. This list is provided by TV Line and can be found here.

    The Scorecard does not include unscripted series. The eight levels in TVLine's annual renewal scorecard are as follows:

    • Officially renewed
    • A sure thing
    • A safe bet
    • Could go either way
    • A long-shot
    • Essentially cancelled
    • Officially cancelled
    • Too early to tell

    ABC

    • 9-1-1: Officially renewed
    • Abbott Elementary: Officially renewed
    • The Conners: Officially cancelled/ending in 2025
    • Doctor Odyssey: Could go either way
    • Grey's Anatomy: Officially renewed
    • High Potential: Officially renewed
    • The Rookie: Officially renewed
    • Shifting Gears: Officially renewed
    • Will Trent: Officially renewed

    CBS

    • Blue Bloods: Officially cancelled (ended Dec. 13)
    • Elsbeth: Officially renewed
    • The Equalizer: Could go either way
    • FBI: Renewed through Season 9
    • FBI: International: Officially cancelled
    • FBI: Most Wanted: Officially cancelled
    • Fire Country: Officially renewed
    • Georgie & Mandy's First Marriage: Officially renewed
    • Ghosts: Officially renewed (through 2026-27 season)
    • Matlock: Officially renewed
    • NCIS: Officially renewed
    • NCIS: Origins: Officially renewed
    • NCIS: Sydney: Officially renewed
    • The Neighborhood: Officially renewed for final season
    • Poppa's House: Officially cancelled
    • S.W.A.T.: Officially cancelled
    • Tracker: Officially renewed
    • Watson: Officially renewed

    Not on the list is Survivor. There will be a season 50 at a minimum!

    CW

    • All American: Could go either way
    • Children Ruin Everything: Cancelled by CTV (Season 4B premieres on CW June 18)
    • Good Cop/Bad Cop: A safe bet
    • Joan: Officially ended (limited series)
    • Sherlock & Daughter: Too soon to tell (premieres April 16)
    • Sight Unseen: Renewed in Canada; CW status TBD
    • Son of a Critch: Renewed in Canada; CW status TBD
    • Sullivan's Crossing: Season 3 premieres May 7
    • Superman & Lois: Cancelled
    • Wild Cards: A safe bet

    Fox

    • 9-1-1: Lone Star: Officially cancelled
    • Accused: Could go either way
    • Alert: MPU: Too soon to tell
    • Animal Control: A safe bet
    • Bob's Burgers: Officially renewed (for another 4 seasons!)
    • The Cleaning Lady: Too soon to tell
    • Doc: Officially renewed
    • Family Guy: Officially renewed (for another 4 seasons!)
    • Going Dutch: Could go either way
    • The Great North: Could go either way
    • Grimsburg: Could go either way
    • Krapopolis: Officially renewed through Season 4
    • Murder in a Small Town: Officially renewed
    • Rescue: HI-Surf: A safe bet
    • The Simpsons: Officially renewed (for another 4 seasons!)
    • Universal Basic Guys: Officially renewed

    NBC

    • Brilliant Minds: A safe bet
    • Chicago Fire: A sure thing
    • Chicago Med: A sure thing
    • Chicago P.D.: A sure thing
    • Found: A safe bet
    • Happy's Place: Officially renewed
    • Grosse Pointe Garden Society: A long-shot
    • The Hunting Party: Could go either way
    • The Irrational: Could go either way
    • Law & Order: Could go either way
    • Law & Order: SVU: A sure thing
    • Lopez vs. Lopez: Could go either way
    • Night Court: A safe bet
    • St. Denis Medical: Officially renewed
    • Suits LA: A long-shot

    Fun facts about the 2024-2025 TV Season

    • CBS Dominates Viewership (Again): CBS claimed the title of the most-watched network for the 17th consecutive season, with shows like Tracker leading as the season's top entertainment program, averaging a larger audience than its debut season. CBS also boasted eight of the top 10 most-watched programs, including new show hits Matlock and Georgie & Mandy's First Marriage.
    • Freshman Shows Boost Time Slots: New series like CBS's reboot of Matlock and ABC's High Potential and Shifting Gears improved their respective time slots' viewership. Matlock became the season's most-watched new series, while Georgie & Mandy's First Marriage was the top comedy.
    • Reboots and Spinoffs Rule: The season leaned heavily on familiar franchises. Examples include CBS's NCIS: Origins (a prequel to NCIS), Georgie & Mandy's First Marriage (a Young Sheldon spinoff), and NBC's Happy's Place (starring Reba McEntire, echoing her sitcom roots). This reflects a cautious approach by networks, favoring known brands over original concepts.
    • Long-Running Shows Keep Going: Iconic animated series on Fox, like The Simpsons (renewed through its 40th season), Family Guy (through its 27th season), and Bob's Burgers (through its 19th season), continued their historic runs, cementing their status as cultural staples.
    • The CW's Reboot Continues: The CW, now under new management, focused on sports and unscripted content, airing NASCAR Xfinity Series races and shows like Totally Funny Animals. It also renewed scripted series like Sullivan's Crossing for a third season, signaling a shift from its former teen-drama-heavy identity.
    • Broadcast TV Still Draws Older Viewers: Social media chatter on X suggested younger audiences are drifting from broadcast TV, with "boomers" as the primary viewers. This perception aligns with complaints about repetitive genres (cop, lawyer, doctor shows) and a lack of risk-taking, though hits like Tracker and High Potential still pulled diverse viewers.

    HDTV Rewind Episode #2: Dolby Surround and More HD-DVD Fun Apr 30, 2025
    Show notes

    In this episode we read some emails concerning mp3 bit rates and more on HDDVD. We also explain Dolby Surround. We finish with a TV Show Theme trivia game.


    Podcast #1198: Are You Satisfied With Your Streaming Providers? Apr 25, 2025
    Show notes

    On this week's show we ask, how satisfied are you with your streaming service providers? We also read your emails and take a look at the week's news.

    News:

    • Prime Video has 88% of customers on ad-supported plans
    • Amazon gearing up to roll out new Fire TV OS on streaming player
    • Roku announces 2 new streaming sticks starting at just $30
    • Max begins password-sharing crackdown

    Other:

    • Aiwa: Then and Now
    State of Streaming: Satisfaction with streaming providers (The Streamable)

    How are Americans really feeling about their streaming services? Recently, we surveyed nearly 1,500 cord-cutters to get a clearer picture of how people are watching, what they're paying, and which services they are most satisfied with. The results reveal shifting habits in a saturated streaming market and point to what matters most as we speed right through 2025. Full article here…

    Streaming services people use:

    • YouTube TV: 30%
    • Hulu + Live TV: 10%
    • Sling TV: 7%
    • DIRECTV STREAM – 6%
    • Fubo: 3%
    • Philo: 3%
    • DIRECTV via internet: 2%
    • Dish: 2%
    • None of the above: 38%

    Are subscribers satisfied?

    Despite rising subscription costs and service fragmentation, 58% of users are satisfied with their streaming experience, 33% are neutral, and only 9% are dissatisfied. This high satisfaction rate, despite 2024's price hikes and content reshuffles, is likely due to improved app performance, better device compatibility, and more tailored subscription options.

    How many services do people use?

    In 2025, streaming is typically a multi-platform experience: 49% of households subscribe to 2-4 services, 38% use 5 or more, and only 12% stick to a single service. Content fragmentation drives users to stack subscriptions for their favorite shows and sports, a shift from the cable era, making multiple subscriptions the norm for convenience.

    Monthly spending on streaming

    The typical streaming bill has surged, with 35% of users spending $50-$100 monthly, often on live TV and multiple on-demand subscriptions. Additionally, 26% spend over $100, likely on premium plans or add-ons, while only 19% keep costs at $25 or less by limiting subscriptions or using free trials. Streaming costs and complexity now rival traditional cable bills.

    Bundled benefits

    Bundling is a popular cost-saving strategy, with 31% of respondents accessing streaming through Amazon Prime and 14% via phone bills, often getting discounted or free access to platforms like Netflix or Disney+. However, 36% prefer direct subscriptions or find their preferred platforms aren't bundled, showing bundling is common but not universal.

    Churn vs. loyalty

    In 2025, 70% of users showed strong loyalty to their existing services, indicating platform stickiness despite subscription fatigue. However, 50% canceled at least one streaming service in 2024, driven by cyclical pauses, price hikes, or lack of content. Unlike cable, streaming subscriptions are easily canceled, leading to dynamic, seasonal churn, with some users returning for new content.

    What matters most?

    Here are the features that matter most to users:

    • Affordable pricing
    • Access to local channels
    • Live sports availability
    • Device compatibility (smart TVs, streaming sticks, etc.)
    • Channel variety
    • Reliable streaming quality
    • DVR functionality
    • Support for 4K resolution and surround sound (less critical)

    Preferred streaming devices

    Smart TVs are the top choice for streaming, used by 56% of viewers, followed by Roku devices at 44%, then Fire TV, Apple TV, and web/mobile viewing. This highlights a trend toward living room, lean-back streaming experiences over desktop viewing, driven by widespread smart TV adoption and improved built-in apps.


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