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    Gadgets

    HDTV and Home Theater Podcast

    The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

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    Copyright: Copyright © 2022, HT Guys. All rights reserved.

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    Latest Episodes:
    Podcast #607: Universal Devices ISY-994i Review Oct 31, 2013
    Show notes

    Universal Devices ISY-994i Review

    You can control the volume on your surround sound system, it isn’t a simply on or off switch. You can control the brightness and the contrast on your television, you can even change channels, pause and fast forward and maybe even run web enabled apps and content. But your lights are either on or off. It’s time to face the facts, you have dumb lights. But they don’t have to be dumb.

    This may or may not be the year of home automation, but if you still haven’t given it a try for yourself, you really should. You bought a smart TV, so now its time to get some smart lighting and home control. But if you want to go beyond the basics of dimmers and plugs, you’ll want an automation server running to allow you to process events, customize activities and really make your home operate like you want.

    There are several great automation software packages like Indigo, the one Ara uses, and SmartHome’s own HouseLinc for Windows, the one Braden previously used. That’s the route we typically recommend. If you have an old computer sitting around, or can assemble one for relatively low cost, just buy the software and your automation server is done. You had the computer anyways, so what not turn it into a control server to make your home a little smarter?

    But there are drawbacks to the computer approach. You have to leave the computer running 24 hours a day, 7 days a week. That may be a little more power hungry than you’d like. If it isn’t always on, the events you want to occur may not happen. If your computer is set to automatically apply updates, it may restart on you, causing you to lose automation for a brief time. And if it was an old computer you had sitting around, it was probably sitting around for a reason, so it is really capable of doing everything you want in a reasonable amount of time?

    But don’t fret, you can have smart lights (and many other items in your home) without leaving a computer running all the time. You simply pick up an ISY-994i from Universal Devices for around $200 from SmartHome or Amazon and you don’t need to. In our case, because we use Insteon, we also had to purchase an Insteon control module, the Dual Band PLM 2413S. SmartHome sells them in a package for $300.

    Setup

    Installation is pretty simple. The PLM plugs into a wall outlet and has a cable connection that plugs into the back of the ISY-994i using a standard Ethernet cable. You run another ethernet cable from the ISY to your router for control, configuration and status over the network. Of course the ISY needs power, so you have to do that as well, but that’s it for installation.

    Once you’re all plugged in, you can connect to the ISY from any browser on any computer that’s connected to the same network. This is where things may get a little shaky. For many, the connection will “just work.” We weren’t so lucky. Our browser wasn’t able to find the server by name, so we had to look up the IP address in our router. Connecting with the IP address, however, was seamless. Once we got past that hurdle, we were ready to start programming.

    Step one in setting up the server itself is to add all your automation devices to it. This is as easy as telling the server to enter an “add devices” mode and walking around to all your devices and clicking their set buttons. You may grow weary after a while if you have a lot of devices, but that’s the price you pay for automating your home. Our devices added without a glitch, we renamed them to friendly, descriptive names, the promptly starting programming.

    Use and Programming

    As with most automation servers, you start with scenes. Scenes are collections of lights or other modules at pre-set on, off or dimmed settings. That allows you to turn on a group of lights, pre-configured for a specific usage, such as everything on and bright for ‘dinner party’ or just a couple on, really dim, to light your path to the kitchen for ‘midnight snack. Once you have a scene or two set up, you can change light switches, or IR commands from your universal remote, or buttons on your smartphone, to turn the scenes on or off as a unit.

    From there, you jump over to custom programming. This is where you can program lights or a scene to come on at dusk or at dawn, to activate at a particular time of day, or when another event occurs, like a motion sensor is tripped, a leak sensor is activated or a door is opened. Custom programs can turn lights on or off, send emails or even communicate with other external systems. Once you start programming, its hard to stop.

    Programming on the ISY-994i is quite simple. You have 3 main blocks, the IF block determines what will cause the program to run. For example, you can say “If the motion sensor is tripped and it is dark outside,” or “if it is dusk and a weekday.” After you’ve decided what will activate the program, you simply fill in the THEN block. These are the actions that will be performed, like tunr on a light or scene, send a notification, run a different program, etc. There’s also an ELSE block that can perform actions if the IF block doesn’t fire.

    What we didn’t like

    Our main complaint about the ISY-994i is the interface. The main configuration interface is a Java application. Not that Java is bad, but this UI shows some signs of age. It does everything it is supposed to do, but is a tad cumbersome and can be pretty slow at times. There is a simple status and on/off web interface you can use instead of the Java GUI. Although quite basic, it is nice and feels much more modern. It presents a nice alternative to the Java console, but doesn’t allow any of the program or customization. For that, you have to use the Java admin interface.

    Other Cool Bits

    It turns out the ISY-994i is field upgradable. You can buy the base model and if, in the future, you find you need additional capacity for more devices, or you’d like to add IR control capabilities, you can do that without buying a whole new ISY. This allows you to do like we typically suggest, jump in at a low cost and start automating. Let the system grow with you. From that aspect, it’s the perfect home automation server.

    Conclusion

    We can argue whether or not 2013 is the year of home automation, but what we agree on is that home automation is fun, and pretty darn rewarding. It’s cool to have the best TV around, or the biggest subwoofer, or the loudest surround sound system, but it doesn’t have to stop there. It’s pretty cool to have your lights fade in and out or have your shades open and close in sync with the activity in your theater, like when you turn it on or pause a movie. That’s what turns a home theater into your home theater. If you’re looking for a very simple, cost-effective, yet powerful and flexible way to add server control to your automation system, the ISY-994i checks all the boxes.


    Podcast #606: Best Selling Projectors Oct 25, 2013
    Show notes

    Best Selling Projectors

    We’ll receive emails from time to time asking us for a little more coverage of projectors so for today’s show we decided to take a look at the top five selling home theater projectors on ProjectorPeople.com.

    Panasonic PT-AE8000U Projector (Buy Now $2450) - The number one projector isn’t cheap but you get a lot. We are always impressed when we look at this projector. For a while both of us were considering this line for our own homes. This is also an LCD based projector that does 3D. Its brighter than its predecessor which helps 3D viewing. A quiet fan will not disturb you while watching something that doesn’t have much going on in the surrounds. If you have a budget of $2500 this should be on your short list to consider.

    Panasonic PT-AR100U Projector (Buy Now $1299) - If you like what you read about the AE8000U but don’t quite have the budget for it you may want to take a look at this model. The 100U is a little brighter than the 8000U but its fan is a bit louder. If you don’t have a dedicated theater room with ambient light control this projector may work better for you. It also doesn’t support 3D which is something to consider. One thing we will point out is that 3D does work better on very large format displays so you may want to consider a model that does support it. The only real negative in the way of picture quality is the black level is a little washed out. It is a tradeoff for the price.

    Epson Home Cinema 5030UB Projector (Buy Now $2599 on ProjectorPeople.com) - This is not a cheap projector but you sure do get a lot for the money. The 5030 is uses 3 chip LCD technology and has a wide horizontal shift which allows for easier room placement. It is THX certified and will do a 2D to 3D conversion if you want and as an added bonus it comes with two pairs of 3D glasses. This is a highly rated projector from both consumers and professionals. Braden loves his Epson projector!

    Epson MegaPlex MG-850HD B Stock Projector (Buy Now $549 on ProjectorPeople.com) - This one is a great deal if you act quickly (normally priced $799). We love B-Stock, refurbished, or gently used. Its a great way to get great equipment and really low prices. This is a portable full sized projector that is great for travelers or for those who want to pull it out for special occasions. It has stereo speakers and connects up to your portable devices including laptops. it has a dock for your ipad and iPhone and will charge them while connected provided the connectors are pre-lighting port. The projector outputs 2800 lumens so it should work well in rooms with little light control. It screams backyard theater!!

    BenQ W1070 Projector (Buy Now $999 on ProjectorPeople.com) This is the only DLP projector of the group, using the DarkChip 3 DLP processor from Texas Instruments. Its not the brightest projector at 2,000 lumens so you’ll want to make sure you use it in a room with good light control. Its 1080p and 3D capable and is ISF certified meaning that it can be calibrated to optimize its performance. If you are looking to get into front projection without breaking the bank this is one to consider.


    Podcast #605: Is Virtual Reality the Next Big Thing in Home Theater? Oct 18, 2013
    Show notes

    Is Virtual Reality the Next Big Thing in Home Theater?

    Many of us are constantly on the lookout for the next big thing in Home Theater. When the HDTV revolution hit, we couldn’t get enough. Then there was HD-DVD and Blu-ray, followed by a flop or two, like 3D. Right now it looks like it might be 4K HD. But what if 3D was just the precursor to the real next big thing, Virtual Reality.

    What is Virtual Reality?

    When you think Virtual Reality, you probably imagine yourself on the holodeck of the USS Enterprise, hanging out, perhaps, in the old west with Captain Picard. That’s the idea, but we probably won’t see that full implementation anytime soon. The wikipedia definition is: “a computer-simulated environment that can simulate physical presence in places in the real world or imagined worlds.” It’s you, inside the movie or the game, playing or watching from within - and being an active participant.

    Current Technology

    A company called Oculus VR is building a VR mask you can wear, called the Oculus Rift. It resembles a black, blacked-out ViewMaster you strap to your head. Once you’ve strapped on your VR goggles, you’re instantly transported into whatever world, time or place you can image. It’s like 3D, if the 3D didn’t stop at the edge of the screen. We haven’t used the device ourselves, but have seen similar demonstrations at CES in the past, and it’s pretty cool.

    Oculus VR is very focused on the gaming market, and that makes sense. It’s really the only technology that could embrace Virtual Reality anytime soon. The vision is to let gamers feel like they’re really driving the car, throwing the ball or carrying the gun through the battlefield. Imagine taking the microsoft Kinect technology to the next level. Instead of just having your body control the action you see on screen, your body controls the action you see all around you, the action you’re right on the middle of.

    Another company, called Avegant, is building a wearable Virtual Reality headset that projects images directly onto your retina. At first this sounds painful, then scary, then super futuristic and cool. It’s like beaming images directly into your brain. A technology like this requires very precise alignment, which is why most companies aren’t pursuing it. But Avegant thinks they have it down. If they do, the visual experience will be unparalleled because the beamed image should cover your entire visual experience.

    Limitations

    Processing power is an issue for current Virtual Reality systems, and would prove to be very challenging if anyone tried to scale it to a large format like the holodeck. It takes a lot of CPU and graphics processing to produce what amounts to any potential view of any reality at any time. The computational decisions on what to render, and the graphics ability to render it in real-time are a big limiting factor in how pervasive VR can become, even for gaming.

    Like 3D for home theater, VR also suffers from physical side-effects like motion sickness and headaches. In the industry it is known as simulation sickness. Like motion sickness, it occurs when your brain and body don’t agree on what’s actually going on. You brain senses movement, but your body doesn’t. This can lead to some serious queesyness.

    And of course, there’s the issue of space. If you’ve played a Wii or used the XBox360 with Kinect, you know it’s easy to run out of space pretty quickly. This isn’t an issue if you happen to be driving a car or flying a plane, but if you’re running through a battlefield, or across a football field - how do you run without really running? How do you get from here to there, when ‘there’ is bigger than the room you’re in?

    Applications for Home Theater

    When you imagine watching a movie as if you were in the film itself, it sounds amazing, until you start to look at the limitations. But there may be ways to introduce Virtual Reality concepts into home theater and make it work. It could be like what 3D should be - the movie is actually occurring all around you. Movement might be tricky, and there may be some scenes where placing the viewer would be tricky or awkward, but that’s solvable. Imagine if, when a character walked onscreen, the actually walked right past you. Or if something was going on to the left, or to the right, or above, you could turn your head to get a better view.

    There may be some movies that VR wouldn’t be good for. It sounds cool for action films like Saving Private Ryan, but would you really want to be that close to the action? Sometimes viewing from a distance, as a removed observer, is the only way to reasonably experience something. Most of us wouldn’t really want to storm the beach at Normandy and see the devastation that close. But for nature documentaries, like we see on Discovery or NatGeo, sitting in the middle of a pack of lions or walking inside an ant colony, it could be amazing.

    Sports could be fun in Virtual Reality as well. The amount of cameras required to make it happen is probably unfeasible. But it would be great if you could move closer to a play on the football field. Or place yourself on second base to watch a baseball game. Do your own replay on something you saw and move around to get a better view. Or zoom closer to see it first hand. These are all things Oculus VR and Avegant are trying to enable for gaming, but maybe, in the future, we’ll be able to apply them to home theater as well.


    Blu-ray Review #68: Iron Man 3 Oct 15, 2013
    Show notes 4.7 Stars (out of 5) - Rated PG-13 Synopsis

    Tony Stark/Iron Man faces an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him.

    Starring:

    Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Paul Bettany, Jon Favreau

    Director:

    Shane Black

    Blu-ray Release Date:

    September 24, 2013

    Subtitles:

    English SDH, French, Spanish

    Rating

    Overall rating weighted as follows:

    Audio 40%, Video 40%, Special Features 20%, Movie - its just our opinion so take it with a grain of salt

    Audio 5.0 Stars (out of 5)

    Dolby and DTS Demo Discs used as basis for comparison

    ● Subwoofer – 5.0 Stars

    ● Dialog – 5.0 Stars

    ● Surround Effects – 5.0 Stars

    ● Dynamic Range – 5.0 Stars

    English: DTS-HD Master Audio 7.1, French: DTS-HD HR 7.1, Spanish: Dolby Digital 5.1

    The subwoofer never lets up and delivers hefty punches, concussive gunshots, and deep wide explosions that rumble the couch. The witty dialog never gets lost in the action, and can always be clearly heard. Rear speakers always have something interesting to hear whether it be breaking glass, whipping helicopter blades, a waves of water, or the jets from the Iron Man suits.

    Video 5.0 Stars (out of 5)

    Spears & Munsil Benchmark Blu-ray Edition used as basis for comparison

    ● Color Accuracy - 5.0 Stars

    ● Shadow detail – 5.0 Stars

    ● Clarity – 5.0 Stars

    ● Skin tones – 5.0 Stars

    ● Compression – 5.0 Stars

    Codec: MPEG-4 AVC, Resolution: 1080p, Aspect Ratio: 2.40:1, Original Aspect Ratio: 2.39:1

    Colors are natural and helped feature orange glowing skin, various colored Iron Man suits, fireworks, lights on Christmas trees, and tons of balls of fire. Some scenes are very dark, but this Blu-ray does a marvelous of keeping shadows inky dark without compromising on too much detail. Clarity was clean and made easy to see beard hairs, wrinkles on skin, blood on faces, and tiny scratches on metal.

    Bonus Features 3.5 Stars (out of 5)

    ● Marvel One-Shot: Agent Carter (HD, 15 minutes): Girl power, circa WWII, comes courtesy of Marvel's latest entertaining "One-Shot" short film: Agent Carter, starring Hayley Atwell as Steve Rogers' wartime flame Peggy Carter.

    ● Audio Commentary: Director/co-writer Shane Black and co-writer Drew Pearce

    ● Iron Man 3 Unmasked (HD, 11 minutes): A behind-the-scenes featurette that offers a lot of great information before wrapping much too quickly.

    ● Deconstructing the Scene: Attack on Air Force One (HD, 9 minutes): A breakdown of the action sequence that took place on a mock up Air Force One.

    ● Deleted and Extended Scenes (HD, 16 minutes)

    ● Exclusive Look at Thor: The Dark World (HD, 2 minutes)

    ● Gag Reel (HD, 5 minutes)

    ● Restore the Database Second Screen Experience (HD)

    Movie – 4.5 Stars (out of 5) Review

    Iron Man 3 is one of Marvel’s best movies, it’s full of excitement, good acting, and has a decent plot. A large portion of the action happens when Tony Stark is out of the armor, and it’s just as entertaining as if he was. This movie fits tightly into the Marvel universe and it’s required that least you watch The Avengers before this movie. There were a few political messages in the film, but it doesn’t hit you over the head with them. It ended in a way I didn’t expect but I found it satisfying. I was afraid that since Jon Favreau (who directed the first 2 Iron Man films) didn’t direct this one, it would lose some of the Marvel magic. However, Shane Black did great job of balancing the Stark’s emotional issues, funny moments, and lots of action to make an awesome superhero movie.


    Podcast 604: Understanding Speaker Specs Oct 11, 2013
    Show notes

    Understanding Speaker Specs

    We threw out a speaker specification a couple episodes back while reviewing the Cerwin Vega VE Series Speakers and afterwards realized that we all may not share the same level of comfort and understanding with the various specs and measurements thrown around when shopping for or comparing speakers. Of course how they sound to you is really all that matters, but often a solid understanding of what all those numbers mean can help you make a more informed buying decision.

    Sensitivity

    This is the spec we mentioned with the Cerwin Vega speakers and one we use routinely to rank speakers when purley going by paper, not by sound. If you’re doing your homework on Amazon or another online retailer, keep an eye out for sensitivity. It gives you an idea of how efficient a speaker is; in other words, how hard it is going to make your receiver or amplifier work to play back those explosions you want to hear louder than you probably should. What it really measures is how loud the speaker will play when given a standard test input and measured at a specific distance, typically 1 meter.

    As you can imagine, when fed the same test signal, the louder a speaker will play, the more efficient it is. So sensitivity is a measure of the speaker’s volume, expressed (as volume often is) in decibels. The higher the number, the higher the efficiency and the better your speaker will perform. Your receiver or amplifier won’t have to work as hard to produce the same volume level. Typical numbers are in the mid to high 80s; anything over 90 is considered excellent. Sensitivity won’t tell you how good a speaker sounds, but it will tell you how easy it will be to crank it up.

    Frequency Response

    Measures the range of audible frequencies a speaker reproduces sound across the entire audio spectrum. This spec helps you assemble a set of speakers that allow you to hear everything you’re supposed to. The general rule of thumb is that we humans can hear really low sounds down to 20 Hz all the way up to really high-pitch, piercing sound at 20 kHz. Many argue that the highest and lowest frequencies are less important because the human ear doesn’t hear them as well. But for the lower range, it may not be as important to hear it as it is to feel it.

    Larger speakers tend to cover a wider range of frequencies, which is why you typically want larger speakers for your front and center channels. You can get away with smaller speakers in the surround channels because the sound there doesn't tend to be as dynamic as the front of the room. Although some very large speakers will cover the lowest end of the spectrum, down to 20 Hz, most home theater speakers don’t go that low, so you need a subwoofer to fill that gap. Without the really the low end frequencies, a home theater tends to lack punch and the audio doesn’t feel as full.

    Impedance

    This is another measurement, like sensitivity, that is of no value when it comes to the pure audio quality of the speaker, but it can help guide some buying decisions. Where sensitivity tells you how hard the amplifier needs to work to produce a particular volume level, impedance tells you how much strain the speaker itself puts on your amplifier. Most speakers are rated at 8 ohms, and most receiver specs are quoted assuming an 8 ohm speaker load. The lower the impedance number, the more strain, so if you come across a sweet pair of 4 or 6 ohm speakers, you’ll need to make sure your receiver can handle them.

    Also keep in mind that impedance is something you can influence if you decide to add more speakers to your home theater. You can’t simply add more speakers to the same channel. When you do, you change the overall load or impedance for that amplifier channel. Adding a second speaker to a channel, when connected in parallel, will actually cut the impedance in half, so instead of the amplifier working to run one 8 ohm speaker, it now has to work as if it is connected to one 4 ohm speaker. This could have a negative impact on your amp. Connecting speakers in series, however, actually has the opposite impact, but that may be too deepa discussion for this episode. Bottom line, make sure you know what you’re doing if you decide to add multiple speakers to the same surround sound channel.

    Power Handling

    This tells you the maximum amount of power you can run into a speaker without damaging it. To be honest, the spec is somewhat useless. A 200 watt per channel amplifier will rarely, if ever, run at the full 200 watts to each channel. If you tried it, you’d probably have blood coming from your ears before your speakers, that may be rated for 100 or 125 max watts per channel, would give out or blow. The 180 watt or 200 watt receiver is probably going to be a higher quality item than a 50 or 80 watt unit, so even though the smaller ones will never have the chance to ruin your speakers, they won’t sound as good either. Use common sense and you should be just fine.


    Podcast 603: CEDIA Wrapup Oct 04, 2013
    Show notes

    On today's show we speake with Stuart Sweet of the Solid Signal Blog about what he saw at CEDIA


    Blu-ray Review #67 - World War Z Oct 01, 2013
    Show notes

    World War Z - Blu-ray Review 4.3 Stars (out of 5) - Rated PG-13 Synopsis

    A U.N. employee races against time and fate as he travels the world trying to stop the spread of a deadly zombie pandemic. As the undead hordes gain strength across the globe, governments topple and Earth stands on the brink of total social collapse.

    Starring:

    Brad Pitt, Matthew Fox, Mireille Enos, James Badge Dale, David Morse, David Andrews

    Director:

    Marc Forster

    Blu-ray Release Date:

    September 17, 2013

    Subtitles:

    English, English SDH, French, Spanish, Portuguese

    Rating

    Overall rating weighted as follows:

    Audio 40%, Video 40%, Special Features 20%, Movie - its just our opinion so take it with a grain of salt

    Audio 4.5 Stars (out of 5)

    Dolby and DTS Demo Discs used as basis for comparison

    ● Subwoofer – 4.5 Stars

    ● Dialog – 4.5 Stars

    ● Surround Effects – 4.0 Stars

    ● Dynamic Range - 5.0 Stars

    English: DTS-HD Master Audio 7.1, French: Dolby Digital 5.1, Spanish: Dolby Digital 5.1, Portuguese: Dolby Digital 5.1

    The subwoofer gets some action but it’s not as bombastic as I would like. However several scenes feature low frequencies such as explosions, car crashes, gunshots, hordes of tumbling zombies, and exploding grenades. In a few scenes it was difficult to make out some lines of dialog. It sounded a little muffled and was lost to the background. The rear channels are not used as often as they could have been, but they do a good job filling the room with the sounds of helicopters, broken glass, screaming crowds, airplane propellers, soft falling rain, and of course screaming congregation of unhappy zombies.

    Video 4.5 Stars (out of 5)

    Spears & Munsil Benchmark Blu-ray Edition used as basis for comparison

    ● Color Accuracy - 4.5 Stars

    ● Shadow detail – 4.5 Stars

    ● Clarity – 4.0 Stars

    ● Skin tones – 4.5 Stars

    ● Compression – 5.0 Stars

    Codec: MPEG-4 AVC, Resolution: 1080p, Aspect Ratio: 2.40:1, Original Aspect Ratio: 2.39:1

    Colors are cold in most scenes, in a few others colors are natural looking but overall the hue matches the tone … dreary. A few colors are more noticeable than others like yellow taxi cabs, glowing red road flares, and one short view of some green grass. There are numerous dark scenes and it does a decent job of handling it but a few details do get lost in the shadows. The clarity is mediocre for a Blu-ray. It won’t wow you but it’s good enough to see, loose hairs in the wind, individual grey hairs in Pitt’s beard, wrinkles on skin, and floating ash.

    Bonus Features 3.5 Stars (out of 5)

    ● Origins (HD, 8:21): A look at the film's production, from the book's release in 2006 and translating it into film.

    ● Looking to Science (HD, 7:28): An examination of how real-world scientific truths and analysis were used to enhance the film.

    ● WWZ: Production (HD): A four-part Documentary detailing the making of the film. It

    • Outbreak (8:31), a detailed look at the making of the film's opening sequence. The

    • Journey Begins (8:39) focuses on building several of the visual effects and shooting the scenes that end the first act and play through part of the second.

    • Behind the Wall (9:41), a thorough examination of making the extended Israeli action sequence.

    • Camouflage (9:25) guides viewers through the making of the film's extended airliner sequence and third act elements.

    Movie – 3.5 Stars (out of 5) Review

    World War Z is a high budget zombie movie with the tone of an action drama instead of a horror film. Don’t expect this PG-13 movie to be filled with gore and blood it spends more time solving the zombie problem than it does fighting them. Having an Oscar nominated actor like Brad Pitt in a zombie movie makes it more terrifying since he is able to emote terror and disgust in ways I haven’t seen in a horror film before. It’s a unique film that shows how different countries handle the “Z” problem, and it makes the scope of the movie seem very large. The plot is really four different stories that all star Pitt’s character. This method of storytelling will definitely stop you from getting bored, but it also makes it hard to connect with the characters.

    http://www.youtube.com/watch?v=4EC7P5WdUko

    |


    Podcast 602: Cerwin Vega VE Series Speakers Sep 27, 2013
    Show notes

    Cerwin Vega VE Series Speakers

    Ara was looking for a use for his Harman-Kardon receiver that was put out to pasture by his Denon. He figured why not put a surround system in his master bedroom. All that was needed was five speakers since he also had a subwoofer that was put out to pasture by his Hsu VTF-3 MK4. A lot of devices get put out to pasture in the Derderian household. Since this was so far beyond what Ara’s wife wanted in the bedroom the cost had to be very affordable.

    Ara searched around online looking for good speakers that didn’t break the bank. Many 5.1 systems met the criteria but included a subwoofer. So rather than buy one of those and simply give the subwoofer away, he looked for speakers that were sold as separates or at least pairs. He stumbled across the Cerwin Vega VE series and it met all the criteria, size, price, and sound quality. Well if you believe user comments on Amazon for the sound quality part. Regardless, remembering the name Cerwin Vega from when Ara was a little kid he took a chance on it and bought four bookshelf (Buy Now $129 a Pair) and one center channel (Buy Now $99) speakers.

    For those who have never heard of Cerwin Vega it was started by Gene Czerwinski in 1954. Gene was an aerospace engineer who loved music. Today Cerwin Vega is owned by The Stanton Group.

    Specifications

    The speakers themselves have pretty decent specs:

    VE 5C (Center Channel)

    • Frequency Response: 60 Hz - 20 kHz

    • Power Capacity: 150 watts

    • Sensitivity (1w/1m): 91 dB

    VE 5M (Bookshelf)

    • Frequency Response: 60 Hz - 20 kHz

    • Power Capacity: 125 watts

    • Sensitivity (1w/1m): 89 dB

    These speakers are pretty efficient which makes it easier for your receiver to drive them. They are also fairly compact and can easily placed in smaller rooms. The bookshelves measure:

    • Dimensions (DxWxH) - 6.1” x 7.2” x 10.3” 154.9 mm x 183 mm x 261.6 mm

    • Weight - 7 lbs 3.2 kgs

    The center channel measures:

    • Dimensions (DxWxH) - 7.2” x 15” x 6.1” 182.8 mm x 381 mm x 154.9 mm

    • Weight - 11 lbs 5 kgs

    Performance

    We didn’t really have high expectations because of the price and use case. Really, how high fidelity do you need for a bedroom surround system? But we were pleasantly surprised! The first thing we did was listen to music without the subwoofer so we were worried that having the speakers only go down to 60 hz may eliminate some of the boom in modern music. They do a good job with the low end but if you have some modern music with a heavy bass track you will need a subwoofer. Beyond that, the bass sounds remarkably full for such a small cabinet. On the high frequencies everything sounded crisp and bright. Maybe even a bit too bright.

    Watching movies was a lot of fun because we typically don’t get to watch in surround in our bedrooms. You may think this is total overkill and we probably agree but what else are you going to do with spare equipment. Dialog was clear and easy to make out, surround effects added a new dimension to watching a movie or TV show before going to bed. But with as good as this all sounds, what really brought it home was the subwoofer. In most cases you can probably go with L,C,R and a subwoofer and be totally happy.

    Conclusion

    While we are extremely happy with these speakers we are not going to swap them out in our main rooms. But if you are just starting out or have a small room that needs a 5.1 system you will be much better served buying these plus a subwoofer over any home theater in a box system. Side note: Ara was going to go wireless for the surround system but he could not find one that performed without annoying pops and cracks. In the end he wired up the surrounds by stringing cable all the way around the room with channel tracks attached to the baseboards. More on that in a future show.


    CEDIA Day 1 Sep 26, 2013
    Show notes

    Stuart Sweet of the Solid Signal Blog checks in with Day One of the CEDIA Expo


    Blu-ray Review #66 - Star Trek II: The Wrath of Khan Sep 24, 2013
    Show notes

    To escape his desk job, Adm. James T. Kirk returns to the USS Enterprise, assisting Spock in a training mission for Starfleet cadets. But the inexperienced crew is put to the test when escaped villain Khan steals a powerful weapon and comes after the admiral seeking revenge. Now, Kirk must use all his wiles and whip the cadets into shape if they hope to defeat Khan's deadly traps.


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