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    100 Great Audiobooks of Literary Masterpieces!

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    Trent's Last Case, by Edmund Clerihew Bentley. Part III. Apr 30, 2026
    Show notes

    This is one of a series of EC Bentley novels featuring the highly erudite artist qua reporter / detective, Philip Trent.

    In it, Trent is sent to a charming English seaside village to cover the murder of Sigsbee Manderson for a large London newspaper. The victim is an unpopular and extremely powerful financial tycoon, who is murdered virtually within sight of his own house, at a time when it seems impossible that anyone there – to say nothing of all of its more than half dozen inhabitants – could have failed to see or hear the crime being committed.

    As Trent pokes around, attention is focused on Manderson’s extremely troubled marriage, not least because Trent himself falls in love with Margaret Manderson, the widow of the murdered man. At the same time, Trent himself considers her to be at least complicit in the crime for much of the novel. The plot cannot be described further without spoiling the punch-line, as it were. Indeed, to the really clever detective fiction-lover, this is already almost saying too much.

    Trent’s Last Case was on the “ten best” list of Rex Stout, author of the famous Nero Wolfe mysteries. Like Stout, Bentley has a fondness for complex plot twists of the “boxes within boxes” variety.


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    Trent's Last Case, by Edmund Clerihew Bentley. Part II. Apr 30, 2026
    Show notes

    This is one of a series of EC Bentley novels featuring the highly erudite artist qua reporter / detective, Philip Trent.

    In it, Trent is sent to a charming English seaside village to cover the murder of Sigsbee Manderson for a large London newspaper. The victim is an unpopular and extremely powerful financial tycoon, who is murdered virtually within sight of his own house, at a time when it seems impossible that anyone there – to say nothing of all of its more than half dozen inhabitants – could have failed to see or hear the crime being committed.

    As Trent pokes around, attention is focused on Manderson’s extremely troubled marriage, not least because Trent himself falls in love with Margaret Manderson, the widow of the murdered man. At the same time, Trent himself considers her to be at least complicit in the crime for much of the novel. The plot cannot be described further without spoiling the punch-line, as it were. Indeed, to the really clever detective fiction-lover, this is already almost saying too much.

    Trent’s Last Case was on the “ten best” list of Rex Stout, author of the famous Nero Wolfe mysteries. Like Stout, Bentley has a fondness for complex plot twists of the “boxes within boxes” variety.


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    Trent's Last Case, by Edmund Clerihew Bentley. Part I. Apr 30, 2026
    Show notes

    This is one of a series of EC Bentley novels featuring the highly erudite artist qua reporter / detective, Philip Trent.

    In it, Trent is sent to a charming English seaside village to cover the murder of Sigsbee Manderson for a large London newspaper. The victim is an unpopular and extremely powerful financial tycoon, who is murdered virtually within sight of his own house, at a time when it seems impossible that anyone there – to say nothing of all of its more than half dozen inhabitants – could have failed to see or hear the crime being committed.

    As Trent pokes around, attention is focused on Manderson’s extremely troubled marriage, not least because Trent himself falls in love with Margaret Manderson, the widow of the murdered man. At the same time, Trent himself considers her to be at least complicit in the crime for much of the novel. The plot cannot be described further without spoiling the punch-line, as it were. Indeed, to the really clever detective fiction-lover, this is already almost saying too much.

    Trent’s Last Case was on the “ten best” list of Rex Stout, author of the famous Nero Wolfe mysteries. Like Stout, Bentley has a fondness for complex plot twists of the “boxes within boxes” variety.


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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part VIII. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part VII. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


    Advertising Inquiries: https://redcircle.com/brands
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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part VI. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


    Advertising Inquiries: https://redcircle.com/brands
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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part V. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


    Advertising Inquiries: https://redcircle.com/brands
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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part IV. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


    Advertising Inquiries: https://redcircle.com/brands
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    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part III. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


    Advertising Inquiries: https://redcircle.com/brands
    Privacy & Opt-Out: https://redcircle.com/privacy
    Mary Barton: A Tale of Manchester Life, by Elizabeth Cleghorn Gaskell. Part II. Apr 27, 2026
    Show notes

    "Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848. Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a emotionally complex significance; influenced by religious faith but also by more personal considerations.

    In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.

    Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.


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