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    Arts

    Great Audiobooks

    100 Great Audiobooks of Literary Masterpieces!

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    Latest Episodes:
    Confessions, by Jean-Jacques Rousseau. Part III. Sep 21, 2023
    Show notes

    The Confessions is an auto-biography by Jean-Jacques Rousseau, covering the first fifty-three years of his life, up to 1765.

    “Thus I have acted; these were my thoughts; such was I.”

    Rousseau’s lengthy and sometimes anguished dossier on the Self is one of the most remarkable and courageous works of introspection ever undertaken. Some readers may be repelled by his tendency to revel in embarrassing accounts of humiliation and fiasco, as if he were striving too hard to achieve an ultimate nakedness, a nakedness of the soul perhaps. Others may recall the compulsive self-searching of the narrator of Proust’s A la recherche du temps perdu, who also rather dwelt on the co-existence in the individual of the vile and the virtuous.

    The two opening volumes of the Confessions, presented in this inevitably censored edition of 1903, deal with the author’s childhood and callow adolescence.

    In volume 3 and 4 is again the youthful, hero-worshiping Jean-Jacques – displaying an emotional immaturity that leads him into picaresque escapades in the company of transients and misfits, always ending in reunion with mother-surrogate Madame de Warens.

    “The smallest, the most trifling pleasure that is conveniently within my reach, tempts me more than all the joys of paradise.”

    In a literally unprecedented gesture of self-revelation, Rousseau opens Volume 3 exposing himself indecently in dark alleyways. This 1903 edition fails to appreciate the humorous strangeness of the passage and removes it to protect the reader.

    From the last two volumes:

    "She was more to me than a sister, a mother, a friend, or even than a mistress, and for this very reason she was not a mistress; in a word, I loved her too much to desire her..."

    More of the amours of the twentysomething Jean-Jacques: here initiated into a strangely compromised manhood by his "maman" and perennial comforter -

    "Was I happy? No: I felt I know-not-what invincible sadness which empoisoned my happiness, it seemed that I had committed an incest, and two or three times, pressing her eagerly in my arms, I deluged her bosom with my tears. On her part, as she had never sought pleasure, she had not the stings of remorse..."


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    Confessions, by Jean-Jacques Rousseau. Part II. Sep 21, 2023
    Show notes

    The Confessions is an auto-biography by Jean-Jacques Rousseau, covering the first fifty-three years of his life, up to 1765.

    “Thus I have acted; these were my thoughts; such was I.”

    Rousseau’s lengthy and sometimes anguished dossier on the Self is one of the most remarkable and courageous works of introspection ever undertaken. Some readers may be repelled by his tendency to revel in embarrassing accounts of humiliation and fiasco, as if he were striving too hard to achieve an ultimate nakedness, a nakedness of the soul perhaps. Others may recall the compulsive self-searching of the narrator of Proust’s A la recherche du temps perdu, who also rather dwelt on the co-existence in the individual of the vile and the virtuous.

    The two opening volumes of the Confessions, presented in this inevitably censored edition of 1903, deal with the author’s childhood and callow adolescence.

    In volume 3 and 4 is again the youthful, hero-worshiping Jean-Jacques – displaying an emotional immaturity that leads him into picaresque escapades in the company of transients and misfits, always ending in reunion with mother-surrogate Madame de Warens.

    “The smallest, the most trifling pleasure that is conveniently within my reach, tempts me more than all the joys of paradise.”

    In a literally unprecedented gesture of self-revelation, Rousseau opens Volume 3 exposing himself indecently in dark alleyways. This 1903 edition fails to appreciate the humorous strangeness of the passage and removes it to protect the reader.

    From the last two volumes:

    "She was more to me than a sister, a mother, a friend, or even than a mistress, and for this very reason she was not a mistress; in a word, I loved her too much to desire her..."

    More of the amours of the twentysomething Jean-Jacques: here initiated into a strangely compromised manhood by his "maman" and perennial comforter -

    "Was I happy? No: I felt I know-not-what invincible sadness which empoisoned my happiness, it seemed that I had committed an incest, and two or three times, pressing her eagerly in my arms, I deluged her bosom with my tears. On her part, as she had never sought pleasure, she had not the stings of remorse..."


    Advertising Inquiries: https://redcircle.com/brands
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    Confessions, by Jean-Jacques Rousseau. Part I. Sep 21, 2023
    Show notes

    The Confessions is an auto-biography by Jean-Jacques Rousseau, covering the first fifty-three years of his life, up to 1765.

    “Thus I have acted; these were my thoughts; such was I.”

    Rousseau’s lengthy and sometimes anguished dossier on the Self is one of the most remarkable and courageous works of introspection ever undertaken. Some readers may be repelled by his tendency to revel in embarrassing accounts of humiliation and fiasco, as if he were striving too hard to achieve an ultimate nakedness, a nakedness of the soul perhaps. Others may recall the compulsive self-searching of the narrator of Proust’s A la recherche du temps perdu, who also rather dwelt on the co-existence in the individual of the vile and the virtuous.

    The two opening volumes of the Confessions, presented in this inevitably censored edition of 1903, deal with the author’s childhood and callow adolescence.

    In volume 3 and 4 is again the youthful, hero-worshiping Jean-Jacques – displaying an emotional immaturity that leads him into picaresque escapades in the company of transients and misfits, always ending in reunion with mother-surrogate Madame de Warens.

    “The smallest, the most trifling pleasure that is conveniently within my reach, tempts me more than all the joys of paradise.”

    In a literally unprecedented gesture of self-revelation, Rousseau opens Volume 3 exposing himself indecently in dark alleyways. This 1903 edition fails to appreciate the humorous strangeness of the passage and removes it to protect the reader.

    From the last two volumes:

    "She was more to me than a sister, a mother, a friend, or even than a mistress, and for this very reason she was not a mistress; in a word, I loved her too much to desire her..."

    More of the amours of the twentysomething Jean-Jacques: here initiated into a strangely compromised manhood by his "maman" and perennial comforter -

    "Was I happy? No: I felt I know-not-what invincible sadness which empoisoned my happiness, it seemed that I had committed an incest, and two or three times, pressing her eagerly in my arms, I deluged her bosom with my tears. On her part, as she had never sought pleasure, she had not the stings of remorse..."


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    The Diary of a Nobody, by George and Weedon Grossmith. Part III. Sep 18, 2023
    Show notes

    The Diary of a Nobody is the fictitious record of fifteen months in the life of Charles Pooter, his family, friends and small circle of acquaintances. It first appeared, serialised in Punch magazine and might be regarded as the first ‘blog’; being a record of the simplicities and humiliations in the life of this mundane, but upright, city clerk, who had an incontestable faith that a record of his daily life was worth preserving for posterity.

    Set in about 1891 in Holloway, which was then a typical suburb of the impecuniously respectable kind, the authors contrive a record of the manners, customs and experiences of the late Victorian era. The bare record of facts, simply recorded, manages to be humorous rather than dull, no doubt because of the usual occupations of the authors.


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    The Diary of a Nobody, by George and Weedon Grossmith. Part II. Sep 18, 2023
    Show notes

    The Diary of a Nobody is the fictitious record of fifteen months in the life of Charles Pooter, his family, friends and small circle of acquaintances. It first appeared, serialised in Punch magazine and might be regarded as the first ‘blog’; being a record of the simplicities and humiliations in the life of this mundane, but upright, city clerk, who had an incontestable faith that a record of his daily life was worth preserving for posterity.

    Set in about 1891 in Holloway, which was then a typical suburb of the impecuniously respectable kind, the authors contrive a record of the manners, customs and experiences of the late Victorian era. The bare record of facts, simply recorded, manages to be humorous rather than dull, no doubt because of the usual occupations of the authors.


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    Privacy & Opt-Out: https://redcircle.com/privacy

    The Diary of a Nobody, by George and Weedon Grossmith. Part I. Sep 18, 2023
    Show notes

    The Diary of a Nobody is the fictitious record of fifteen months in the life of Charles Pooter, his family, friends and small circle of acquaintances. It first appeared, serialised in Punch magazine and might be regarded as the first ‘blog’; being a record of the simplicities and humiliations in the life of this mundane, but upright, city clerk, who had an incontestable faith that a record of his daily life was worth preserving for posterity.

    Set in about 1891 in Holloway, which was then a typical suburb of the impecuniously respectable kind, the authors contrive a record of the manners, customs and experiences of the late Victorian era. The bare record of facts, simply recorded, manages to be humorous rather than dull, no doubt because of the usual occupations of the authors.


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    Privacy & Opt-Out: https://redcircle.com/privacy

    The Prisoner of Zenda, by Anthony Hope. Part IV. Sep 18, 2023
    Show notes

    The Prisoner of Zenda tells the story of Rudolf Rassendyll, an English gentleman on holiday in Ruritania, a country not a thousand miles from Bavaria. There, by reason of his resemblance to the King of Ruritania he becomes involved in saving the King’s Life and his Throne from the King’s dastardly brother and his allies. Woods, moated castles, pomp, swordplay, gallantry, villainy and a beautiful princess. What story could ask for more?


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    The Prisoner of Zenda, by Anthony Hope. Part III. Sep 18, 2023
    Show notes

    The Prisoner of Zenda tells the story of Rudolf Rassendyll, an English gentleman on holiday in Ruritania, a country not a thousand miles from Bavaria. There, by reason of his resemblance to the King of Ruritania he becomes involved in saving the King’s Life and his Throne from the King’s dastardly brother and his allies. Woods, moated castles, pomp, swordplay, gallantry, villainy and a beautiful princess. What story could ask for more?


    Advertising Inquiries: https://redcircle.com/brands
    Privacy & Opt-Out: https://redcircle.com/privacy

    The Prisoner of Zenda, by Anthony Hope. Part II. Sep 18, 2023
    Show notes

    The Prisoner of Zenda tells the story of Rudolf Rassendyll, an English gentleman on holiday in Ruritania, a country not a thousand miles from Bavaria. There, by reason of his resemblance to the King of Ruritania he becomes involved in saving the King’s Life and his Throne from the King’s dastardly brother and his allies. Woods, moated castles, pomp, swordplay, gallantry, villainy and a beautiful princess. What story could ask for more?


    Advertising Inquiries: https://redcircle.com/brands
    Privacy & Opt-Out: https://redcircle.com/privacy

    The Prisoner of Zenda, by Anthony Hope. Part I. Sep 18, 2023
    Show notes

    The Prisoner of Zenda tells the story of Rudolf Rassendyll, an English gentleman on holiday in Ruritania, a country not a thousand miles from Bavaria. There, by reason of his resemblance to the King of Ruritania he becomes involved in saving the King’s Life and his Throne from the King’s dastardly brother and his allies. Woods, moated castles, pomp, swordplay, gallantry, villainy and a beautiful princess. What story could ask for more?


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    Privacy & Opt-Out: https://redcircle.com/privacy

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