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    Arts

    Great Audiobooks

    100 Great Audiobooks of Literary Masterpieces!

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    Latest Episodes:
    The Life of Charlemagne, by Einhard. Jul 02, 2026
    Show notes

    Einhard was employed by Charlemagne as a court historian. At the request of Charlemagne's son and successor Louis the Pious, he wrote a biography of Charlemagne, the Vita Karoli Magni or Life of Charlemagne (c. 817–830), which provides much direct information about Charlemagne's life and character.

    In composing this he made full use of the Frankish Royal annals. Einhard's literary model was the classical work of the Roman historian Suetonius, the Lives of the Caesars. (Adjusted from Wikipedia.)

    Translated by Samuel Epes Turner.

    This is a collaborative reading.


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    Henry Ford's Own Story, by Rose Wilder Lane. Part IV. Jul 02, 2026
    Show notes

    Rose Wilder Lane was a newspaper reporter, free-lance writer, political activist, and the daughter of Laura Ingalls Wilder, author of the "Little House" series of popular children's books.

    In this biography of Henry Ford, Ms. Lane worked directly with Ford to tell his story from his birth to his founding of the Ford Motor Company and his use of modern assembly lines to mass produce his cars.


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    Henry Ford's Own Story, by Rose Wilder Lane. Part III. Jul 02, 2026
    Show notes

    Rose Wilder Lane was a newspaper reporter, free-lance writer, political activist, and the daughter of Laura Ingalls Wilder, author of the "Little House" series of popular children's books.

    In this biography of Henry Ford, Ms. Lane worked directly with Ford to tell his story from his birth to his founding of the Ford Motor Company and his use of modern assembly lines to mass produce his cars.


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    Henry Ford's Own Story, by Rose Wilder Lane. Part II. Jul 02, 2026
    Show notes

    Rose Wilder Lane was a newspaper reporter, free-lance writer, political activist, and the daughter of Laura Ingalls Wilder, author of the "Little House" series of popular children's books.

    In this biography of Henry Ford, Ms. Lane worked directly with Ford to tell his story from his birth to his founding of the Ford Motor Company and his use of modern assembly lines to mass produce his cars.


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    Henry Ford's Own Story, by Rose Wilder Lane. Part I. Jul 02, 2026
    Show notes

    Rose Wilder Lane was a newspaper reporter, free-lance writer, political activist, and the daughter of Laura Ingalls Wilder, author of the "Little House" series of popular children's books.

    In this biography of Henry Ford, Ms. Lane worked directly with Ford to tell his story from his birth to his founding of the Ford Motor Company and his use of modern assembly lines to mass produce his cars.


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    Essay on the Creative Imagination, by Théodule-Armand Ribot. Part VII. Jun 29, 2026
    Show notes

    "It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks.

    Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that imagination is a function of mind common to all men in some degree, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists.

    The only difference is that the manifestation is not the same." - Albert H. N. Baron, in translator's preface to Essai sur l'imagination créatrice.

    Translated by Albert H. N. Baron.


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    Essay on the Creative Imagination, by Théodule-Armand Ribot. Part VI. Jun 29, 2026
    Show notes

    "It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks.

    Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that imagination is a function of mind common to all men in some degree, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists.

    The only difference is that the manifestation is not the same." - Albert H. N. Baron, in translator's preface to Essai sur l'imagination créatrice.

    Translated by Albert H. N. Baron.


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    Essay on the Creative Imagination, by Théodule-Armand Ribot. Part V. Jun 29, 2026
    Show notes

    "It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks.

    Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that imagination is a function of mind common to all men in some degree, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists.

    The only difference is that the manifestation is not the same." - Albert H. N. Baron, in translator's preface to Essai sur l'imagination créatrice.

    Translated by Albert H. N. Baron.


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    Essay on the Creative Imagination, by Théodule-Armand Ribot. Part IV. Jun 29, 2026
    Show notes

    "It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks.

    Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that imagination is a function of mind common to all men in some degree, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists.

    The only difference is that the manifestation is not the same." - Albert H. N. Baron, in translator's preface to Essai sur l'imagination créatrice.

    Translated by Albert H. N. Baron.


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    Essay on the Creative Imagination, by Théodule-Armand Ribot. Part III. Jun 29, 2026
    Show notes

    "It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks.

    Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that imagination is a function of mind common to all men in some degree, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists.

    The only difference is that the manifestation is not the same." - Albert H. N. Baron, in translator's preface to Essai sur l'imagination créatrice.

    Translated by Albert H. N. Baron.


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