Gravy

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Yock Is for Lovers: Chinese Soul Food in Tidewater Virginia Mar 27, 2024

Show notes

In "Yock Is for Lovers: Chinese Soul Food in Tidewater Virginia," Gravy producer Nicole Hutcheson delves into the history of Yock-a-Mein, tracing its origins to the Tidewater region of Virginia and delving into its significant role in shaping the distinctive culinary tradition known as Chinese soul food.

Originally created by a novice noodle maker and budding entrepreneur, Yock-a-Mein has evolved into an unofficial regional delicacy, gracing the tables of baby showers, rent parties, office potlucks, and funeral repasses. Rooted in humble ingredients born of necessity, it carries a legacy of resilience often overlooked in the world of gastronomy. Yock has not only sustained communities for generations, but also served as a unifying force among them.

While the narrative of Southern cuisine commonly reflects on the nation’s colonial past and the fusion of enslaved Africans, Native Americans, and Europeans, there exists another narrative—the convergence of urban and immigrant communities in the early 20th century, forging new culinary traditions in the South.

Today, with many original establishments serving Yock and other Chinese soul food specialties now facing closure, the rich history of these dishes is in question.

In this episode of Gravy, Hutcheson speaks with Frank Duenas, owner of Mama Chan’s Chinese Takeout in Portsmouth, Virginia, now in its third decade of business. She meets Jenny Wong, whose father Park F. Wong once owned the Norfolk Noodle Factory in Norfolk and created Yock-a-Mein noodles, as well as Greg Shia, who purchased the factory in 2003 and operates it today. Finally, Andreka Gibson—known locally as the “Yock Queen”—describes her journey from Yock pop-up to flourishing, Instagram-worthy business, charting the future of this regional tradition.

For Hutcheson and her audience, recognizing the history and origins of this dish stands as a testament to its enduring presence. By spotlighting those who continue the tradition, the hope is to preserve its legacy for generations to come.

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Catering: Behind the Pipe and Drape Mar 13, 2024

Show notes

Have you ever been to a wedding and wondered how hundreds of plates of food arrive at the right destinations at the right time? Often without an on-site kitchen. This is high-concept cooking, done without a net. Cookbook authors Matt Lee and Ted Lee spent four years immersed in the catering industry and wrote a book about their experiences and revelations called Hotbox. In this episode, we step behind the scenes with the Lee Brothers as our guides.

Sara Brooke Curtis is an award-winning radio producer. Her work has aired on The Splendid Table, KCRW’s UnFictional, KCRW’s Good Food, CBC’s Love Me, and BBC’s Short Cuts, among others. She lives in western Massachusetts and loves recording sounds of everyday life and producing sonic worlds for listeners to surrender to and delight in.

Special thanks to Steven Satterfield, Virginia Willis, Matt Bolus, Shuai and Corey Wang, Cheetie Kumar, Vishwesh Bhatt, and Eddie Hernandez for their delicious food and interviews.

Hotbox: Inside Catering, the Food World's Riskiest Business, published by MacMillan, may be purchased from your favorite local bookstore.

Gravy is proud to be a part of the APT Podcast Studios.

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California Dreams and Flossie’s Mississippi Tamales Feb 28, 2024

Show notes

In “California Dreams and Flossie’s Mississippi Tamales,” journalist and Gravy producer Eve Troeh joins businesswoman Sandra Miller Foster to tell the story of the restaurant Flossie’s, and the mother-daughter dream that fueled it. This story grew from a simple question: “Does anyone serve Mississippi-style hot tamales in Los Angeles?” The answer was clear, but complicated. There was just one documented place that sold the specialty, and it brought Troeh to Foster.

The narrative of Sandra, her mother Flossie Miller, and their celebrated Southern cooking spans from a Cleveland, Mississippi fine dining restaurant in the 1950s to an empty strip mall storefront in 1980s Los Angeles. Flossie’s grew famous for beloved “meat and three” plate lunches and dinners at its southern California location—with, yes, the simmered and spicy hot tamales on offer as well. They struggled to get their business off the ground, closing their first place after just three years. But eventually they built a celebrated restaurant that lasted decades, and defined success on their terms.

Owning a restaurant, for so many people, is more than just a business venture. It represents pride, the joy of service, and the ability to work for yourself. Restaurants are more likely to be owned by women or people of color than other businesses. And nearly half of restaurant businesses are owned by women.

For this episode, Troeh interviews Sandra Foster and her best friend of forty-plus years, Susan Anderson, to learn how hard work and self-reliance made a Southern soul food institution thrive in Los Angeles. The story of Flossie’s twenty-plus years in business is one of family triumphs and losses, critical acclaim that led to lines of customers out the door, and many more twists and turns. It prompts bigger questions of who gets opportunities in the restaurant business, what it takes to make it as an independent owner, and what success really means at the end of the day.

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Gravy Travels Due South Feb 26, 2024

Show notes

If you're looking for a show that is a source for news, information, and perspectives from across North Carolina and the South, then you should really check out Due South from our public radio friends at WUNC—North Carolina Public Radio. Due South is a place to make sense of what’s happening in our community. The show takes deep dives into the news—while also providing a break from the news cycle with conversations on topics ranging from food and music to arts and culture.

Gravy is excited to share a special episode of Due South with you today. Join co-host Leoneda Inge as she takes a close look at the distinct flavors Black women in North Carolina are bringing to the beer and spirits industries, as well as the challenges they face breaking into the white and male-dominated market. She speaks with several women in the state of North Carolina who are changing the face of the local alcohol industry.

Due South is the perfect companion podcast to Gravy, especially if you’re looking for another narrative Southern podcast that tells stories that go beyond the headlines. Make sure to follow Due South on your favorite podcast app.

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The Miracle of Slaw and Fishes: Louisiana’s Lenten Fish Fries Feb 14, 2024

Show notes

Order a catfish po-boy or a few pounds of crawfish in Acadiana any Friday between Mardi Gras and Easter, and you may be surprised to learn that your delight is another person’s sacrifice. The Catholic tradition of abstaining from meat during Fridays in Lent is alive and well in Southwest Louisiana, a region where more than a third identify as Catholic. Thanks to the long list of Catholic churches and restaurants that roll out an array of delectable seafood options on Lenten Fridays, it’s not much of a burden. St. Francis of Assisi in Breaux Bridge and the Knights of Columbus Council at St. Pius X in Lafayette both have long-standing Lenten fish fry traditions that bring together their communities and welcome anyone hungry for fried catfish, regardless of religion. Olde Tyme Grocery in Lafayette sells close to 2,300 seafood po-boys during the 40-day period. Religious abstinence never tasted so good.

The episode was reported and produced by Sarah Holtz. Sarah is an independent radio producer and documentary artist based in New Orleans.

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From Stuckey's to Buc-ee's Jan 31, 2024

Show notes

Few companies have inspired more fanatical devotion among Texans than the convenience chain Buc-ee’s. Described by the New York Times as both a “Disneyland of roadside capitalism,” and the “through line of America’s second most sprawling state,” its iconic, buck-toothed beaver mascot has been spotted not just on billboards, but on wedding cakes and tattooed arms of its most loyal customers. Founded as a small-town gas station, today it boasts 47 locations across the South known for massive floor spaces brimming with souvenirs, fudge, BBQ stations, cases of jerky, and walls of branded snacks like “beaver nuggets.”

Yet unlike other treasured Lone Star enterprises like Whataburger, Blue Bell, or the grocery chain H-E-B, Buc-ee’s ascendance has been a fast, recent phenomenon. They are also far from the first convenience chain to endear themselves to travelers through reliably clean restrooms, kitschy gifts and road food. In fact, one could argue they stand on the shoulders of the Georgia-born Stuckey’s, whose nutty treats sparked a mid-century rest stop empire.

Today, both brands find themselves at a crossroads. Buc-ee’s is rapidly expanding, while following years of corporate mismanagement and decline, Stuckey’s is rebuilding itself one pecan log roll at a time.

In this episode we’ll ride shotgun with Gravy producer Evan Stern as he explores how food has shaped these companies' brand identities, how they’re grappling with change, and what their stories reveal about the past, present,t and future of snacking on the American road.

Along the way, we’ll step inside a Buc-ee’s that sprawls over 65,000 square feet, get to know some devoted customers and hear from journalist Eric Benson, who argues this chain has come to symbolize 21st century Texas. We’ll also meet Stephanie Stuckey who, following a career in politics and environmental law, now serves as the chair of Stuckey’s. She shares her grandfather’s journey from pecan broker to gas station magnate, how she envisions Stuckey’s evolving, and why the road trip remains ingrained in the company’s DNA.

The resulting piece is a profile of two brands who have shaped and continue to make American highways a “corridor of consumption.”

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Mahalia Jackson's Glori-Fried Chicken Jan 17, 2024

Show notes

In addition to her work as an international recording artist and civil rights activist, the Queen of Gospel entered the restaurant business in the late 1960s with Mahalia Jackson’s Glori-fried Chicken. The fast food chain was more than a brand extension for the star; it was the first African American-owned franchise in the South. Producer Betsy Shepherd explores how Mahalia used the gospel bird to push for economic empowerment in the black community.

Betsy Shepherd produced this episode for Gravy.

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It's Hip To Be a Cube: Maggi Bouillon Unwrapped Jan 03, 2024

Show notes

In the episode “It’s Hip to Be a Cube: Maggie Bouillon Unwrapped,” Gravy producers Katie Jane Fernelius and Ishan Thakore take a deeper look at a humble but ubiquitous pantry staple—the bouillon cube. As many home cooks know, these dehydrated cubes of salty, umami flavor dissolve in water to create a makeshift broth. But the result is much more than soup. For immigrants to the American South, for example, bouillon cubes carry powerful sentiments of nostalgia and home.

Approximately 120 million Maggi bouillon cubes are sold each day. It’s a testament to the reach and ubiquity of the Nestle brand, arguably the most notable brand of bouillon cubes—just as many people call a tissue a Kleenex, so do many people call bouillon cubes Maggi.

In fact, if you were to go to an international supermarket, you’d find dozens and dozens of varieties of Maggi. Some would be sold in packages labeled in Arabic, others in French or English… each with its own flavor profile specific to regional cuisines: Djon Djon. Golden Beef. Poulet. Tomato. Ginger and Garlic. Naija Pot.

Maggi’s diversity of flavor profiles speak to just how readily the little cube has been adopted into so many kitchens around the world. And it’s not uncommon for cooks to say it’s the secret ingredient to their favorite local dish.

So, how did Maggi manage to become both a global juggernaut and hometown hero?

In this episode, Fernelius and Thakore trace Maggi’s path from Swiss laboratories in the late nineteenth century, to Cubism, to postcolonial countries across the Global South, to a beloved Nigerian restaurant just outside of Atlanta, Georgia. They speak to Toyin Adesayo, chef and owner of Toyin Takeout in Marietta, Georgia; Nadia Berenstein, an award-winning food writer and scholar of flavor; and Nigerian chef, writer, and activist Tunde Wey. Through these conversations, they learn why the little bouillon cube has become so special to so many.

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Gravy Recommendation: Southern Songs and Stories Dec 29, 2023

Show notes

If you appreciate Gravy, you'll likely enjoy Southern Songs and Stories. The episode we're sharing with you today features Jake Xerxes Fussell, a musician whose music is well-known in Oxford, Mississippi, the town the Southern Foodways Alliance calls home.

From Southern Songs and Stories:

In this series, we often spend time with artists and styles of music that are not celebrated in the mainstream, and our guest here is no exception. With a focus on music that is from artists living in the South and on music that has roots in the region, we are constantly talking with bluegrass, blues, country, rock, and Americana artists. These forms of music are immensely important to the history and legacy of original music in this country, but they seldom are associated with today’s biggest stars. One reason why we love those genres is simply because they became so popular, fueling one of America’s greatest exports to the world. But it is easy to get wrapped up in that history and culture and lose sight of other traditions that are not celebrated in the mainstream, nor are they a part of the narrative where roots music born in the South becomes foundational to a preponderance of popular music in the twentieth century. In this conversation with Jake Xerxes Fussell, I was reminded of that.

That episode is just one part of our conversation that took place in mid-May 2023 at the Albino Skunk Music Festival in Greer, SC. Jake played a solo set on guitar, and afterward we spoke about his deep roots in folklore, his fourth album Good and Green Again, being a DJ on WHUP in Hillsborough, NC, and more. This episode also features excerpts of music from his live set.

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Filipino Balikbayan is Homecoming in a Box Dec 20, 2023

Show notes

Christmas is the time of year when many people line up at the Post Office to ship gifts to far-flung loved ones across the country, maybe even the world. In the Philippines, this practice is not just customary, but a state policy called the Balikbayan Program.

Balikbayan, which is the Tagalog word for “homecoming,” was first coined by President Ferdinand Marcos in 1973 when he launched a series of policies to encourage the large number of overseas Filipino workers to return home for Christmas in the Catholic country. He hoped they would spend their hard-earned foreign currencies in their home country, helping to bolster the Filipino economy. But, if they were not able to make it home, then he encouraged them to send tax-free “balikbayan boxes” in their place.

Balikbayan boxes are typically 3-foot-by-3-foot-by-3-foot boxes stuffed full of canned goods, candy bars, packaged cookies, toothpastes, deodorants, sweatshirts, shoes, and many other items.

Today, approximately half-a-million balikbayan boxes are shipped to the Philippines each month by Filipinos working overseas––and this number only increases further around Christmastime. Whole industries exist around the logistics of shipping balikbayan boxes: for example, in Houston, where 2.5 million Filipino immigrants live, companies like Forex Texas have been operating since the mid-1990s to safely ship balikbayan boxes to the Philippines. (These box companies are not uncommon in various Filipino enclaves across America.)

Balikbayan boxes are not just impressive economic operation, they also are a certified cultural practice and pop culture meme. Filipino comedian Mikey Bustos sang about balikbayan boxes in a video parodying Miley Cyrus’ “Wrecking Ball”:

“I got my balikbayan box, I waited for it for 2 months. I bet it's full of awesome stuff. Some Colgate and new briefs, imported corn beef, I got my balikbayan box, so full of imported products, I know I will feel so sosyal parang foreigner lang, thanks to my Mommy. I'll have Nikes on my feet!”

In this episode of Gravy, producer Katie Jane Fernelius examines the histories underlying the balikbayan box. She speaks with Royal Sumikat, a Filipino artist in Houston, who designed a whole exhibit based on the box. Royal draws upon her experience as a child in the Philippines receiving these boxes from her dad and reflects upon the economic and political realities that forced her dad to work overseas. Jade Alburo, a librarian at UCLA who focuses on the study of Southeast Asia and the Pacific Islands. discusses the impact of American colonialism in the Philippines and how it inspired what items are most coveted for balikbayan boxes. Gravy also explores how to frame the importance of balikbayan boxes to Filipino families living across borders.

SFA is proud to be a part of APT Podcast Studios.

We thank the following individuals for help with this episode:

Royal Sumikat

Jade Albur

Christy Panis Poisot

Featured music in this episode includes:

Talang Patnubay (Silen), Christmas in the Philippines, Bayanihan Philippine Dance Company - Smithsonian Folkways

Ang Pasko Ay Sumapit, Christmas in the Philippines, Bayanihan Philippine Dance Company - Smithsonian Folkways

"Calisson," by Blue Dot Studios

"We Collect Shiny Things," by Blue Dot Studios

"Waltz and Fury," by Blue Dot Studios

The image is from Royal Sumikat’s exhibit in Houston, Texas.