In this episode, Madeline and Zack dive into the re-release of Taylor's most confounding record: the bright, burning, Red. On the agenda today is a plethora of topics; there are some throwbacks to Easter eggs from the past, a review of Taylor's recent (and excellent) promotional appearances, and some reminiscing about the original release week with the context of what we know now about her emotional state in 2012. Things heat up when they discuss the copycat recordings (which, like Red, are completely all over the place) and excessive praise is lavished over the truly compelling and wonderfully intricate vault tracks. Madeline gives a blow by blow account of experience with her "white boy of the millennium" being cast in a Taylor Swift production. To top it off, they dissect the All Too Well: Short Film and psychoanalyse Jake x Taylor.
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