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    Arts

    Everything Band Podcast

    Conversations with teachers, composers, and performers of music for winds and percussion.

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    Copyright: © Copyright 2017 Mark J. Connor

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    Latest Episodes:
    Episode 14 - Blair Smith Jun 26, 2017
    Show notes

    Retired band director Blair Smith joins the podcast to discuss building relationships and finding balance.

    Topics:

    • Blair's background
    • Commissioning composers, Sean O'Loughlin's pants, and the David Holsinger bedroom
    • Networking and advice about how to properly use your state conference to build relationships
    • Advice for young band directors
    • Digital Performance Gear
    • Parallels between golf and music

    Links:

    • Digital Performance Gear
    • Mahler/Reynolds - Finale from Symphony No. 3
    • Claude T. Smith - Entrada, Adoration, and Praise

    Biography:

    Blair Smith recently retired after 30 years of service to the North Carolina public education system. His final 25 years was at Central Cabarrus HS and Jay M. Robinson HS. Blair is from Mechanicsville, VA. He began his 30-year teaching career at Chaloner MS in Roanoke Rapids. He moved to Central Cabarrus in 1991.

    Mr. Smith's concert bands have performed under numerous national educators. His bands have received Superior ratings at all grade levels as well as commissioning and premiering several compositions. His Wind Ensemble performed at the NC Music Educator's Conference in 1997. More than 20 of his former students have continued to become music educators.

    His marching bands have received Superior and 1st place ratings. As a prominent BOA participant, his bands were consistent finalists. His 1991 Central Cabarrus Band was the last NC band to make finals at BOA Grand Nationals.

    He is a member of ASBDA, PAS and NBA. Mr. Smith is past-president for the NC Chapter of the National Band Association, He is the past chairman of the SC District Bandmasters Assoc. Mr. Smith received the Award of Excellence from the NC Bandmasters Association in 2007. He is an active clinician, adjudicator and guest conductor.

    Blair currently work for Digital Performance Gear which specializes in designing uniforms and equipment for the pageantry arts. Mr. Smith is married to Linda Smith and they have two sons Aaron and Drew. Mr. Smith is a solid 23 handicap golfer, but he is getting better.


    Episode 13 - Patrick Burns Jun 19, 2017
    Show notes

    Patrick Burns from Bandworks Publications joins me in a great conversation about his career, Bandworks publications, and he offers numerous insights for composers and teachers.

    Topics:

    • Pat's background and music education
    • Finishing an music education degree and not getting a doctorate in composition
    • Pat's compositional inspiration... the alto clarinet.
    • The Bloomfield Youth Band and the founding of Bandworks Publications
    • What Pat looks for when selecting music for publication
    • Advice for young composers

    Links:

    • Bandworks Publications
    • Montclair State University
    • Bloomfield Youth Band
    • Ronald Lo Presti - Elegy for a Young American
    • Gordon Jacobs - An Original Suite
    • James Syler - The Hound of Heaven
    • David Holsinger - Liturgical Dances

    Biography:

    PATRICK J. BURNS (b. 1969) has served as Adjunct Professor of Music at Montclair State University in New Jersey since 1994, where he teaches courses in music theory, orchestration, and composition, and has also taught instrumental music in the Caldwell-West Caldwell Public Schools since 1998. As a clarinetist, Mr. Burns has performed with many professional ensembles in the New York metro area including the Metropolitan Opera Summer Ballet Orchestra, the pit orchestra for the Broadway revival production of Camelot starring Robert Goulet, and with the New Jersey Chamber Music Society in broadcasts for National Public Radio and New Jersey Network Television. In September 2011, Mr. Burns began his tenure as Director of the Symphony of Winds and Percussion at New Jersey City University. More recently, he has signed on with Ackk Studios as orchestrator/composer/conductor for the company's video game projects being produced for the Nintendo and Sony Corporations.

    In 1986, at the age of seventeen, Mr. Burns founded the Bloomfield Youth Band, a community wind ensemble of some 55 secondary school and collegiate musicians which he continues to direct today. The Youth Band has been recognized for its outstanding artistic achievements and service to the community by the United States Congress, the New Jersey Legislature and the Mayor and Town Council of Bloomfield. His compositions for symphonic band are performed by bands of every level throughout the country. The United States Army Band, "Pershing's Own", has performed his music in Washington, D.C. and at Carnegie Hall. His music has also been performed by conservatory and military bands in Sweden, Russia, Japan and China. Mr. Burns is former director of the Montclair State University Youth Orchestra and the Imperial Brass. He has been featured as guest conductor and clinician with public school, community, university, region and all-state bands in New Jersey, New York, Pennsylvania, Maryland, Virginia and Ohio and has recorded albums and concertized with world-renowned brass artists Philip Smith, Warren Vaché, Roger Webster and Chris Jaudes.

    Patrick Burns' music for symphonic band is published by G. Schirmer, Daehn Publications, Grand Mesa Music Publishers, FJH Music, Wingert-Jones Music, and TRN Music Publisher. His music has appeared on Bandworld magazine's Top 100 list of band compositions five times. The Instrumentalist and School Music News have printed numerous favorable reviews of Mr. Burns' band music and The Classical New Jersey Society Journal has praised his chamber music. His music for symphonic band has been performed at The Midwest Clinic in Chicago and has been recorded for the educational series Distinguished Music for the Developing Band. He has received commissions from many organizations including the Goldman Band/Harvey Phillips Foundation, Ohio Northern University, the Bel Air (Maryland) Community Band, the SoundTree Corporation and Westlake Village High School Wind Ensemble (California) for the band's performance at Carnegie Hall.

    From 2003-2010, Mr. Burns served as president of the Bloomfield Federation of Music and in March 2010, he founded his own publishing company, Bandworks Publications.


    Episode 12 - Gary Gackstatter Jun 12, 2017
    Show notes

    Gary Gackstatter is a composer, conductor, and artist with a wealth of teaching experience. He joins me this week to discuss his career and offer his thoughts about teaching and music education.

    Topics:

    • Gary's background and teaching experience
    • Advice for young teachers
    • His career as a composer and thoughts about commissioning new works for band
    • Creativity and being published
    • Gary's forthcoming book The Spark: Notes from the Podium
    • Band competitions and what we should be judging
    • Thoughts about the current state of band literature

    Links:

    • Gary Gackstatter's Website
    • Gary's YouTube Channel
    • St. Louis Community College Meramec Campus
    • C. Alan Publications
    • Grainger: Lincolnshire Posy
    • Holst: First Suite in E-flat

    Biography:

    Gary Gackstatter is an active artist, composer, conductor, clinician, performer and teacher, teaching at STLCC Meramec as Coordinator of Music and conductor of the Symphonic Band and Meramec Orchestra since 2007. He has served as conductor at Cowley College, Southwestern College and Wichita State University, and has 12 years of public school teaching experience. He holds a BME from Southwestern Oklahoma State and a MMP/Conducting from Wichita State University. His groups have been featured at Missouri Music Educators Association, Kansas Music Educators Association and Kansas Bandmasters Association state conventions, and have won many regional and state awards. Gackstatter has served as a state and regional MENC Composition Chairman.

    Gackstatter has been the clinician/conductor for district and state festival bands, orchestras and jazz bands, as well as over 200 high school band and orchestra clinics since 1990. A two-time Kansas Governor's Arts Award recipient (as an individual artist/musician and as conductor of the Winfield Regional Symphony), he is directly responsible for many art events including symphonic debuts, band/orchestra festivals, internationally known guest artists, and projects combining multiple art forms. His published compositions (with C. Alan Publications) are performed internationally and his vision to combine the various arts genres in performances has gained national attention.


    Episode 11 - Jeff Girard Jun 05, 2017
    Show notes

    Jeff Girard, the band specialist at Midwest Sheet Music joins me to offer some thoughts about conducting, band music, and copyright law from the perspective of a music retailer.

    Topics:

    • Jeff's background as a conductor and band specialist at Midwest Sheet Music
    • Band Together
    • The challenges and compromises of conducting a community band
    • Interactions with composers and the music publishing industry from a retail perspective
    • What qualities make Jeff recommended a band piece
    • Lessons learned from Jeff's surprising background as a professional wrestler

    Links:

    • Midwest Sheet Music
    • Jerry Brubaker: A Celebration of Taps
    • Jack Wilds: Showdown at High Noon
    • Copyright Handbook for Music Educators
    • Music Copyright Law
    • Music Law in the Digital Age
    • Ron Nelson: Passacaglia (Homage on BACH)
    • John Paulson: Epinicion
    • Frank Ticheli: Blue Shades
    • Stephen McNeff: Ghosts
    • Maecenas Music
    • BandTogether
    • Wind Band Report Archives
    • Wind Band Report Sign Up

    Biography:

    Jeff Girard is a wind band conducting specialist at Midwest Sheet Music in St. Louis who has been working with wind band literature for 20 years now. He's particularly adept at tracking down hard to find, obscure and foreign wind band titles, as well as finding the hidden gems amongst all the hundreds of new wind band works published each year. He also directs a local community band, BandTogether, during the year.


    Episode 10 - Cynthia Johnston Turner May 29, 2017
    Show notes

    Cynthia Johnston Turner from the University of Georgia shares her thoughts about the importance of finding your authentic self on the podium, gender issues in the band world, and ideas for programming music.

    Topics:

    • Cynthia's background and the sense of belonging that band provides for young people
    • Impostor syndrome and being your authentic self
    • The band program at the University of Georgia
    • Gender in the band world
    • Working with composers
    • Programming "new" music
    • Technology in the band rehearsal
    • Programming transcriptions

    Links:

    • Cynthia Johnston Turner
    • Hugh Hodgson School of Music at the University of Georgia
    • Women composers in wind band music (Google Doc)
    • Women composers in wind band music (YouTube playlist)
    • Candy Floss and Merry-Go-Rounds: Female Composers, Gendered Language, and Emotion
    • Joni Greene: Enigma Machine
    • Adolphus Hailstork: American Guernica
    • Karel Husa: Music for Prague 1968
    • University of Hawai'i Conductor's Workshop
    • New England Band Director's Institute

    Biography:

    Cynthia Johnston Turner is Director of Bands, Professor of Music, Area Chair of Conducting, and Artistic Director of Rote Hund Muzik at the Hodgson School of Music, University of Georgia. Turner conducts the Hodgson Wind Ensemble, leads the MM and DMA programs in conducting, and oversees the entire band program including the 430-member Redcoat Marching Band.

    Before her appointment at the Hodgson School at the University of Georgia, Cynthia was Director of Wind Ensembles at Cornell University. Earlier in her career Cynthia was a high school music educator, taught middle school beginning instrumental music in Toronto and choral music in Switzerland.


    Episode 9 - John W. Parks IV May 22, 2017
    Show notes

    Florida State University percussion professor John W. Parks IV is really passionate about the importance of teaching and learning the "right way" and this becomes a recurring theme throughout this remarkable conversation.

    Topics:

    • John's musical background
    • Trophy hunting in music education and putting the students first
    • The type of students John brings to FSU and how he disarms "problem" students
    • Use the local college to find a percussion teacher to come into your band room.
    • Qualities necessary to becoming a successful teacher and having a plan!
    • Teach skills, not pieces
    • Percussion resources for teachers
    • 2000 Eastman Wind Ensemble Japan tour
    • Garnet House Productions
    • Why college football coaches need to stop cursing so much!

    Links:

    • Daniel's Orchestral Music
    • Raynor Caroll: Symphonic Repertoire Guide for Timpani and Percussion
    • Black Swamp Percussion Videos
    • Vic Firth Percussion Videos
    • John teaches the Porgy and Bess xylophone solo
    • Percy Grainger: Irish Tune from County Derry
    • Anthony Iannaccone: Sea Drift (Mvmt I)
    • 2017 Orange Bowl Bet with Jonathan Ovalle
    • Garnet House Productions
    • John W. Parks IV

    Biography:

    John W. Parks IV, Professor of Percussion at The Florida State University, holds degrees from the Eastman School of Music, Northwestern University, and Furman University and has studied with Patricia Dash of the Chicago Symphony Orchestra, John Beck of the Rochester Philharmonic, Michael Burritt, Paul Wertico (formerly of the Pat Metheny Group), and John Beckford. He is artist/clinician for Malletech, Avedis Zildjian Cymbals, Black Swamp Percussion, and Remo. ​ Parks made his Carnegie Hall solo recital debut in Weill Recital Hall in May of 2007, and has performed with diverse performing organizations ranging from the Eastman Wind Ensemble on their 2000 tour of Japan and Taiwan and the Schlossfestspiele Orchestra of Heidelberg, Germany to the Kansas City, Alabama, Key West, Jacksonville, and Tallahassee Symphony Orchestras as well as the Florida Orchestra, Naples Philharmonic, and Eastern Music Festival Faculty Orchestra. Dr. Parks also leads the FSU Percussion Ensemble, winners of the 2007 and 2011 Percussive Arts Society International Percussion Ensemble Competitions and the subject of four critically-acclaimed recordings (Volume One, Volume Two: Not Far From Here, Volume Three: Ten Windows, and Volume Four: Unknown Kind), and has appeared as performer/clinician at the 2011 Basilica Festival in Belgium, 2009 Thailand Brass and Percussion Conference in Bangkok, three Midwest Band and Orchestra Clinics, twelve Percussive Arts Society International Conventions, NACWPI, National Public Radio, and state MENC conventions. In 2006 he won a university-wide teaching award at FSU, and in 2013 was inducted into the Engineering Wing of the National Academy of Recording Arts and Sciences as a voting member of the Grammy Awards.


    Episode 8 - Jay Coles May 15, 2017
    Show notes

    Just 23 years old, the enormously talented Jay Coles has already published several works for band through Carl Fischer, C.L. Barnhouse, and C. Alan Publications and is the author of a new novel inspired by the Black Lives Matter movement titled Tyler Jones was Here and scheduled to be released in 2018 by Little Brown, Children's.

    Topics:

    • Jay's musical background and his young career
    • Using social media to create opportunity
    • Jay's first big break with the Kirankai High School Wind Ensemble in Wakayamashi, Japan
    • Diversity in the wind literature and thoughts about how to lift up the marginalized in the band community
    • Finding publishers as a composer
    • His forthcoming young adult novel and the differences between music publishing and book publishing
    • His process for writing a piece of music​

    Links:

    • Ball State University Music
    • Orchesis: Legends of Thailand
    • Galactic Episode
    • Michael Markowski: Saturn Returns
    • Michael Daugherty: Raise the Roof

    Biography: Jay Coles (b. 1995) is a composer, conductor, and clinician residing in the wonderful and beautiful state of Indiana. He attends Ball State University, where he studies Music, Education and English, though he currently holds an A.S. Degree in Liberal Arts. Jay has come to be known as an emerging and distinguished young composer and is rapidly making his debut on many programs across the globe. Jay's first composition for wind ensemble, a self-published grade 5 piece entitled "Orchesis: Legends of Thailand," was premiered in Wakayama-Shi, Japan. The piece was performed by the Kinrinkai Junior and Senior High School Wind Ensemble under the direction of Mr. Masago Hirokazu. ​ Jay's performance background is very eclectic. He's performed in numerous jazz ensembles, wind ensembles and pep bands, and currently, Jay plays bassoon and euphonium professionally. He is also the lead pianist and residential composer for his church, where he has arranged and composed many works for small choirs and chamber orchestras. He maintains a tight and busy schedule of composing and arranging, performing, and traveling. Additionally, Jay has composed numerous works for wind band for just about every level. Jay's music is published by Carl Fischer Music and Birch Island Co. as well as works that are self-published which can be found on his website. Jay accredits composers and mentors Brian Balmages, Larry Clark, Ryan Main, and Michael Markowski for their guidance and many lessons that continue to shape his music—all those lessons that motivate him to thrive as a composer.


    Episode 7 - Mark Stickney May 08, 2017
    Show notes

    Mark Stickney, the conductor at Plymouth State University and of the Seacoast Wind Ensemble joins me for a wide ranging conversation that includes the value of being a lifelong learner, the band grading system, and the New England Band Director's institute.

    Topics:

    • Plymouth State University, the Seacoast Wind Ensemble, and the Newport Music Festival
    • Teaching a band a new piece of music
    • Fear in the ensemble and how to help students overcome their fear
    • Conducting honor bands
    • The value of being a lifelong learner
    • Working with composers
    • The band grading system
    • Competition in music
    • The New England Band Director's Institute
    • Self published composers and finding new music
    • The importance of relationships

    ​Links:

    • Plymouth State University Music
    • New England Band Director's Institute
    • Newport Music Festival
    • Seacoast Wind Ensemble
    • Composers and Schools in Concert
    • Libby Larsen: Introduction to the Moon, Part 1
    • Phillip Rathman: America the Beautiful
    • Gustav Holst: Second Suite in F
    • Stickneymusic.net

    Biography:

    Dr. Mark A Stickney is the Director of Bands at Plymouth State University, where he directs the Symphonic Band, and teaches courses in conducting, applied low brass and music education. In addition he serves as coordinator of the Graduate Instrumental Music Education Program, the All New England Band Festival and the New England Band Directors Institute. He has also held conducting and brass teaching positions at the Community College of Rhode Island, Oklahoma Panhandle State University, Salve Regina University, and Southern Utah University. He has conducted festival bands and orchestras all over the United States. In 2016, he was appointed as the Artistic Director of the Seacoast Wind Ensemble in Kittery, ME. Dr. Stickney received his DMA in Wind Conducting from Rutgers University, his MA in Tuba Performance from Montclair State University, and his BA from Gettysburg College. Dr. Stickney frequently writes on matters of music education, conducting, and nature on his blog: stickneymusic.wordpress.com.


    Episode 6 - Demondrae Thurman May 01, 2017
    Show notes

    Renowned euphonium soloist and Samford University conductor Demondrae Thurman shares his story and offers a wealth of knowledge and advice on a variety of topics. Of special note is his advice about starting kids on the euphonium, tips for conductors on score preparation and rehearsal techniques, and the story of his collaboration with composer Anthony Barfield and the remarkable Heritage Concerto.

    Topics:

    • Demondrae's early history and musical education
    • The Sotto Voce Tuba Quartet
    • Starting kids on euphonium/baritone
    • Characteristic sound
    • The Samford University Wind Ensemble
    • Score preparation and study
    • Rehearsal techniques
    • The Heritage Concerto by composer Anthony Barfield
    • Advice for young musicians
    • The Brass Band of Battle Creek​

    Links:

    • The University of Alabama School of Music
    • The University of Wisconsin School of Music
    • John Stevens, Tuba
    • Mike Forbes, composer and tuba
    • David Childs, euphonium
    • Adam Frey, euphonium
    • Brian Bowman, euphonium
    • Matthew Murchison, euphonium
    • Matthew Tropman, euphonium
    • Doug Bristol Sonata for Euphonium and Piano
    • John Barnes Chance Elegy
    • Paul Hindemith Symphony in B-flat

    Biography: Demondrae Thurman is considered one of the stars of the formidable generation of brass soloists. His euphonium playing has been described as "awe inspiring", and he is touted as "an amazing musician". Demondrae has a firm international reputation as a euphonium soloist having performed in Europe, Asia and throughout North America. Many of America's premiere colleges and universities have hosted him as a performer and teacher and he continues to be in high demand. Currently, Demondrae is Associate Professor of Music at Samford University where he teaches low brass, conducts the Wind Ensemble, and serves as Director of Graduate Studies. In addition to his duties at Samford University, Demondrae is also on the faculty of the Miraphone Academy, Southeastern Tuba Euphonium Workshop and the National Music Festival Euphonium Workshop. ​


    Episode 5 - Garrett Hope Apr 24, 2017
    Show notes

    Garrett Hope has done over 130 interviews with composers and music professionals for his own podcast The Portfolio Composer. Garrett brings a wealth of knowledge and insight about the business of music and shares his thoughts as a relative newcomer to the band world.


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