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    Education

    Essential Guide to Writing a Novel

    Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer’s novels are “superbly crafted’) and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer’s “writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.

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    Copyright: © 2024 Essential Guide to Writing a Novel

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    Latest Episodes:
    Episode 169 - How to find a surefire plot. Jun 13, 2025
    Show notes

    Stephen King says there is no idea dump we can visit to find a good plot. We have to create our own plots. How can we do so? Here's a discussion on creating plots. Also, if Meriwether Lewis of the Lewis and Clark expedition can learn to write, so can we. And the critical technique of using the active sentence form.

    Support the show

    Buy the master class.

    Episode 168 - Making our first sentence sparkle. Jun 06, 2025
    Show notes

    Does our story's first sentence cause the reader to ask, "What's next?" Or does the reader say, "So what?" Here are thoughts on creating a tense, sparkling first sentence. Also, how the masters use specific, definite, and concrete details to convince the reader.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.

    Episode 167 - Revealing our character by the setting. May 30, 2025
    Show notes

    Our setting descriptions should do more than describe a place. They can also show the reader much about our character. Here's how to do so. Also: what's the main thing our plot needs: trouble. Here's why. And how Edna Ferber worked.

    Support the show

    Buy the master class.

    Episode 166- Showing our character's thoughts. May 23, 2025
    Show notes

    Two mistakes can ruin our presentation of what our character is thinking: telling rather than showing, and interior monologue. Here are ways to present thoughts in a way that grabs the reader. Also, how Octavia Butler worked. And examples of wonderful character descriptions from masterful writers.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.

    Episode 165 - The rule of exceptions. May 16, 2025
    Show notes

    Sometimes the strongest writing technique isn't the strongest in our story. Every writing rule has exceptions, and here's a discussion on when to make exceptions. Also, how to create a strong title for our novel and short story.

    Support the show

    Buy the master class.

    Episode 164 - Design our cover? And the masters on setting details. May 09, 2025
    Show notes

    We are learning fiction techniques, and we are or soon will be skilled fiction writers. Does this mean we should design our own book covers? Also, Michael Chabon's terrific sense of smell. And the use of details in the haunted house.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.

    Episode 163 - The benefits of an underdog. May 02, 2025
    Show notes

    Having readers fall in love with our character is so important, and making our hero an underdog is a good way to do it. Here are thoughts on underdog characters. Also, I'll read a few character descriptions from master story-tellers that may make us stronger writers.

    Support the show

    Buy the master class.

    Episode 162 - The state fair plotting technique. Apr 25, 2025
    Show notes

    Our story should be like a state fair: one thing after another. Here are some ideas on state fair plotting. Plus: settings shouldn't be inert locations in our novel or short story but rather should work for our story. Here's how to get the most from our settings. Also: my experiment with AI proofreading.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.

    Episode 161 - Ways to give readers what they want. Apr 18, 2025
    Show notes

    Readers want five things in a story, three of which are right in the beginning. Here's a discussion of how to deliver those five things. Plus, a character's thoughts are the least interesting aspect of a story. How can we show what a character is thinking without entering her mind?

    Support the show

    Buy the master class.

    Episode 160 - Should our story have a theme? Apr 11, 2025
    Show notes

    Best-selling writers disagree on the importance of a theme in stories. Here are thoughts on whether we should present a theme in our novel or short story. And famous authors on their writing discipline. Plus, mixing genres when telling an agent or publisher about our novel.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.

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