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    Education

    Essential Guide to Writing a Novel

    Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer’s novels are “superbly crafted’) and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer’s “writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.

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    Copyright: © 2024 Essential Guide to Writing a Novel

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    Latest Episodes:
    Episode 109 - How we can stop stalling and get going. Apr 19, 2024
    Show notes

    Some of us have a hard time beginning the writing of our novels or short stories. Here are the reasons why and things we might do to overcome them. Also, the best first sentences in literature. And now novelist John Cheever worked.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.


    Episode 108 - Every description should do double duty. Apr 12, 2024
    Show notes

    We can avoid inert paragraphs by having our descriptions do more than one thing at once. Descriptions of our characters, settings, and action and our dialogue can do double duty--two things at the same time--which will engage the reader and enliven our story. Here's how .

    Support the show

    Buy the master class.


    Episode 107 - The differences between literary and commercial fiction. Apr 05, 2024
    Show notes

    Should we categorize our novel as literary or commercial? What are the benefits and drawbacks of doing so? Also, we can improve our dialogue writing by reading great crime fiction. And: the importance of avoiding filters.

    Support the show

    Buy the master class.


    Episode 106 - How to write a scene's sequel, and plotting the novel's middle. Mar 29, 2024
    Show notes

    Jack Bickham says that scenes should be followed by sequels. Here are thoughts on how to write a sequel. Also, the middle of a novel--sometimes called the Great Swampy Middle--can be hard to plot. We'll discuss techniques on bulking up the middle of our story.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.


    Episode 105 - A technique for plotting scene to scene, and my failed writing experiment. Mar 22, 2024
    Show notes

    What is the best way to plot our novel, plotting from scene to scene? Here is a discussion of the critical technique of avoiding a scene's set up and wind down. Also, I took part in a writing experiment and spectacularly failed, and here is an account of it. I still wince when I recall it. Also, a strong writing technique is avoiding "was" and "were." We'll discuss why and how to do so.

    Support the show

    Buy the master class.


    Episode 104 - Let's get to work, and showing with dialogue. Mar 15, 2024
    Show notes

    What if we are stymied in our plotting, and can't think of enough story? Here are some thoughts on how we might get to work. Also; one of the best ways we can reveal our characters to readers is with the characters' own words, with their dialogue. Here are some thoughts on showing--as opposed to telling--with dialogue. Also, this episode contains the words "oaf," "poltroon," and "knucklehead," such words being like salt; they make anything better.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.


    Episode 103 - The joy of creating something out of nothing. And, is our new plot point a strong one? Mar 08, 2024
    Show notes

    We writers get to experience the joy of creating something--a character, a setting, an event--out of nothing. And, how can we tell if the new plot point we've come up with is any good? Are there questions we can ask ourselves to test our new plot point? Also: who are the most memorable villains in fiction? Here is Stephen King's list. And here is something technical; how to paragraph dialogue.

    Support the show

    Buy the master class.


    Episode 102 - Lovely sentence-by-sentence writing, and pumping up our creativity. Mar 01, 2024
    Show notes

    Most of us subscribe to the our-words-should-be-a-clear-window-to-the-story technique but some writers intentionally make their sentences beautiful so that we think about the words on the page. Here are some thoughts on writing beautiful sentences. Also, how can we pump up our creativity so as to get us off the dime regarding our plotting? And Edna Ferber's striking character descriptions.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.


    Episode 101 - The phrases notebook, and avoiding our plot bogging down. Feb 23, 2024
    Show notes

    A phrases notebook is a remarkably useful tool for writers. Here's how to create one. Also, sometimes while writing we might get the feeling that our plot is becoming aimless and that it is bogging down. We'll list questions we can ask ourselves to determine if it's true, and how to fix the problem.

    Support the show

    Buy the master class.


    Episode 100 - Getting into the flow, and the power of fiction. Feb 16, 2024
    Show notes

    Can we writers get into a mental state called the flow or the zone, then write 40 pages? Maybe. Here's how. And: our fiction might someday change people's lives. Also, showing--as opposed to telling--negative emotions such as disgust. And a monkey in Thailand.

    Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more. Each episode is focused and about 30 minutes. The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars. If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.

    Support the show

    Buy the master class.


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