Stay ConnectedReal-world, practical advice for moving from where you are to becoming a pro drummer! You’ll hear from Daniel Hadaway, The Drum Coach, along with other musicians who are earning a real living playing music. You’ll finish every episode inspired to continue your journey, and you’ll be equipped with practical, actionable steps YOU can take to get your first paying gig!
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The recent excitement and controversy over the Gamestop stock reminded me of an old adage that applies to both the stock market and the music business: a product (like your drumming) is only worth what someone else is willing to pay for it.
So if that's the case- how can YOU as a drummer take back that control, and charge whatever you like as a drummer?
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No one told me when I became a full-time drummer that my job would be anything more than just playing awesome music all the time. But the reality is: the second you become a pro drummer- or even the minute you decide to pursue it- your job stops being just playing the drums. Your job actually becomes: finding and keeping gigs. Drumming is a part of that, but you can't drum for a living if you aren't successful at finding and keeping gigs. Let's talk about it today...
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So many drummers complain about a lack of opportunity- and yet they aren't prepared for a potential gig. If you aren't ready for an opportunity right now, then you don't deserve the opportunity yet! But that can change! Start today by preparing for the gig you WANT as if the gig is already yours!
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Since we're starting a new season of this show, I think it's a good time to make sure you're in the right place... And the honest truth is that this is NOT the right place for everyone. If you've listened to the show for a while, you probably already know that this is the right place for you. So I made sure to include some brand new advice for you too!
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We're going to talk about something today that many of us are reluctant to address: our health as drummers. Particularly our hearing health and protecting our hands, feet, and joints. The only thing less exciting than warming up/stretching before playing, is the thought of being injured and unable to drum at all! So while this may not seem like a super-exciting topic, let's spend 10 minutes today on something that can save you years of heartache down the road.
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I went on a YouTube bender recently, and rediscovered one of my biggest pet peeves about amateur drummers. So today I thought I'd offer some advice on how to fix this issue, if you suffer from it too- AND how to figure out if you have it!
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So let's say you get that first paying drumming gig. What can you do during, before and after that gig to turn that one opportunity into more opportunities? In today's show I'm going to share several things I either do myself on every gig, or things I've directly seen other pro musicians do on gigs- that help turn one gig into many more!
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I take this approach in nearly every recording session I play on- so I thought today we could put it in to practice, and you can follow along in realtime. So let's do an experiment today!
We're going to play an over-simplified drum part, with the VISION that we can make it feel/groove harder by complementing the drum tracks with additional loops after the fact.
Want to get drastically better at drumming with a click track in just 14 days and 20 minutes per day? Check out http://BoomClick.net to find out how.
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I was thrown into a musical situation where I really couldn't use notes or charts- and I had basically one day to prepare and memorize 4 songs that I had never heard. Thankfully, this isn't too uncommon in the music world, so I've done this before. Today I'm going to share with you my preparation routine that ensures I show up to every gig 100% ready...
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I got a call last week for a gig, based 100% on an Instagram video I posted that same day. The style of the video and the style of the gig couldn't be more opposite- it didn't matter to the artist and it won't matter to most artists that are thinking about hiring you. Today, we'll talk about why.
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Many drummers think that becoming well-rounded stylistically is the path to scoring gigs. This is actually wrong- and today I'll talk about why...
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It's often said in the business world that if you only have one customer that pays your bills, you don't own a business- you have a boss... AKA just another kind of job. The same is true of us drummers... If you plan to someday get hired by famous artist and then ride their coattails for the rest of your life then A) That's going to require you to get EXTREMELY lucky and B) This episode is not for you.
But- if you're interested in building a real, lasting career, AKA a business as a drummer- this episode is for you!
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Mark writes: What are the strategies you use to keep yourself motivated to progress in your playing and approach to practice? Do you have any tips to help get through a rut in your playing?
Let's talk about it!
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I've always preached that if you want to be a professional drummer- you have to do the things that other professional drummers are doing. And this one trick that I'll share today is a simple and easy way to not only do exactly what other pro drummers are doing, but also make your playing have a TON more feel and groove. I'm excited to share this with you today!
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I suffer from the same affliction that you might have: I often find myself binging on videos of drum tutorials and performances. I'm starting to realize that this may not be such a good thing- and that we all can get so caught up in learning things on the drums, that we take away from the most valuable use of our time: playing the drums!
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I hate playing behind those glass drum shields as much as you! So here's what I do to convince the sound guy that the shield isn't necessary.
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You may not be able to hang out with other musicians right now, or build relationships like you usually could. But there's still plenty you can do right now to build your career. And what's even better is that this strategy works even when things get back to "normal".
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In part two of our snare drum sound series, we'll talk about how I tune every snare drum that I play. My approach isn't incredibly unique, but it is 100% ingrained in me and certainly contributes to my drum sound more than essentially any other aspect under my control.
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I get a lot of questions about my snare sound and how I achieve it. So today's episode is part one of two that covers most of the details about how I do just that. In part 1, we'll talk about head selection, and my number 1 tip for selecting the right head for getting the sound YOU hear in your head!
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I've made lots of clever (if I do say so myself) changes and adjustment to my practice setup over the years. My goal is to make it as easy and quick as possible for me to get into practicing and make the most of every moment playing drums. So let's talk about how you can make similar changes in your own drumming setup- and get MORE from your practice!
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A huge controversy in the drumming world popped up this week... And it brought up an even bigger question I think many of us have asked before: "How can I get advice on my drumming career and trust that it's the RIGHT advice?" So today I'm going to give you a few steps in the right direction to make sure your pro drumming career is headed in the right direction.
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There have been SO many times that I've heard a recording of my drumming- and something just felt off. It really wasn't until a producer friend of mine started hiring me to edit my own drum tracks that I figured out why. And what's crazy is that this exact reason for drumming not "feeling" right is extremely common in drummers... In fact, in a lot of cases, the more experience you have drumming- the more likely you are to have this problem, and the worse it will be.
So today we're going to talk about this issue and my favorite exercise on the drums that has helped ME and many others fix it!
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When I got fired from my first big gig, I was told it was because they thought of me as more of a "rock drummer" and the artist was going in a different direction. What's weird is that I knew that I could play way more than just rock- but somehow was never given an opportunity to show that to the artist. Years later, a producer friend of mine originally called me for some "rock" sessions- but then started calling me in for all kinds of different styles of music. So what was the difference between those two situations? In both cases, they originally only gave me an opportunity to play rock music. But in the case of the producer- he saw that I could play more than just rock, while that first artist only saw me as a rock drummer.
Today we'll discuss the difference-maker in those two situations.
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If you have a Big Fat Snare Drum (and even if you don't) - you need to listen to this episode. So many drummers get caught in this trap with their playing, and doing this with a Big Fat Snare Drum on your snare really draws attention to it. In fact, this bad habit is so bad, that it is the first thing I work on with drummers who I do 1-on-1 lessons with. Find out what this habit is, and how to fix in today's episode.
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Have you ever really wanted something- and it didn't work out? And then later you find out something about that thing you really wanted, that makes you realize you would have been miserable if you had gotten that thing? That happened with me one time- with a drumming gig. I'll tell you all about on today's episode.
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Think being a "better" drummer than everyone else will get you the gig? Wrong. Being the best drummer in your scene is rarely, if ever, the path to success. Today, we're going to talk about what really matters to the people looking to hire drummers.
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What's the number one sign that you aren't growing enough as a drummer? It's if you aren't REGULARLY making mistakes in what you're choosing to play.
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Many of us have heard the advice that we should operate our drumming careers like a business. Based on what I've seen, many drummers have taken this advice to heart, but in the wrong ways. So today, I'm going to share with you the RIGHT way to operate your drumming-business... even if you never want to make a dollar from drumming.
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Let's talk about something that can seem kind of geeky- phase. Now, if you don't know what phase is, or why you should care about it- we're going to break it down in today's episode. AND- I'm going to tell you exactly how to make sure your recordings are always in phase (or as close as you can get)!
Trust me- once you start paying attention to phase in your drum recordings- it will immediately become so much easier to get a fantastic drum sound- no matter how many mics you're using, or where you plan on posting your recording! Today's episode is an essential listen for any drummer that cares at all about recording their drums!
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If you aren't approaching your drumming like a business (whether you want to make money from it or not)- you're missing out on TONS of opportunities that could be within your grasp. Today, we're going to talk about why you need to stop putting so much effort into developing your drumming- and start doing something else instead. What's that something else? Listen to find out!
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I've noticed one key difference between the players that "make it" as drummers and those that don't... And it all can be figured out by looking at how each drummer approaches rudiments...
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I bet you've been forced to work from home this week... So why not take advantage of this OPPORTUNITY to improve your drumming- and maybe even make some progress in your music career?
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I know it can be tough if you live in an area where there might be a huge market for paid professional drummers. So, what can you do in those situations to find new opportunities? You CREATE the market! We'll talk about how that's possible in today's episode.
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There are tons of online drum lesson sites- full of amazing drummers doing things I could only dream of doing... They're all very entertaining to watch, but is there really any way to get something useful out of them?
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Let's dive into the somewhat-controversial subject of time-aligning or quantizing our recorded drum tracks- aka making our timing sound perfect. Should we do it in order to make the best possible recordings- or should we avoid it so that we don't use it as a crutch and to keep the recordings sounding as natural as possible?
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Literally nothing should stop you from the musical success you're seeking- whether that's being a pro drummer, or just being the best musician you possibly can be. Today, we're talking about common hurdles to our music careers and the choices we have to make as a result.
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I've come to a crossroads with this show, and we're going to go back to focusing on all you drummers out there!
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We finally moved into our new house! Since moving, I've been constantly noticing little things that are broken- or at least not is as good shape as I would expect them to be- considering it's a brand-new house. Along the way, I've rediscovered an old concept in my music career that I think everyone can benefit from...
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I recently heard an interview with Harry Styles where he talked for a bit about the practice of songwriting, and how that relates to being prepared for inspiration. It was a perfect description of how I feel about the practice of being someone that calls themself a musician. Let's talk about it.
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It can be so so tempting to want that really cool, shiny new music toy... And if you're anything like me, the shinier the better. But sometimes, the best next piece of gear is something a little less sexy and a little more impactful on our music careers. Let's talk about it today...
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Is there something you wish you could change about the music scene you're trying to "make it" in? For many of us, it might be that our music scene doesn't value musicians the way we'd like to be valued... So we're being underpaid. If this sounds anything like a thought you've had, today's episode of the show is for you...
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I talk about this topic a lot because I get the most questions about it from other musicians.
Is there a right way and a wrong way to network? Is there a secret to networking so that it is actually effective, but also not extremely awkward and dishonest? You bet... Let's talk about it on today's episode.
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It's almost a guarantee that there will be someone in your life that either:
Won't understand why you're trying to be a pro musician,
Won't be supportive of your pursuit of a music career,
Or both!
So today, let's talk about the inevitable... What can you do to deal with an unsupportive friend or family member?
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No joke: if you can master what we're talking about this week, you'll have the single greatest weapon in your arsenal that any pro musician could dream of having!
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There are times when warming up, running through some scales or rudiments, and mentally preparing for a practice session before beginning that session is called for... But what about when you've got 30 minutes of practice time and you've got 4 new songs to learn? Let's talk about it...
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A couple of practical tips (and maybe one not-so-practical tip) for finding time in life to do things you enjoy, simply because you enjoy them!
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The fastest way to torpedo your music career before it even starts is by having a plan that is too detailed. Let's talk about why, and what you should do instead of over-planning.
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Let's talk about money. Specifically, a fun concept that I've used to afford (or at least justify purchasing) tons of awesome gear for many years!
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Tales and tips of what not to do from your local name-dropping musician.
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Today, let's take a fun look at some of the ways that touring can change aspects of our personalities, and the real-world consequences that can have.
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What can you actually do right now that will start you down the path of becoming a pro musician? What about if you've already tried to start, but feel stuck? Today's episode is for you...
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It hit me the other day that I've never shared this story with you. 12 years ago, immediately after getting fired from my dream gig I was offered a job as a real estate agent, even though I've never worked in real estate before, and I was in my early 20's. So today, I'm going to share my story of how that job came about, why I never actually worked that job, and an incredible, life-changing lesson I learned along the way.
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I recently sat down with a friend who plays for one of the biggest artists in the world. He let me in on something that (to me at least) was too cool not to share...
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I recently got to play a show with an old friend and we did things just like the "good ole days"... No tour bus, tour manager, or our own sound guy- or anything else that I got used to having as a professional musician. We just jumped in the car and drove 5 hours to play a show for a few hundred people. Doing things the old way got me thinking:
What would I do if I had to start over in my music career from scratch?
I came up with some ideas, and I hope that these ideas will help you in your journey.
Those ideas are:
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I'm going to tell you something today that might sting a little. And it probably will make some pro musicians out there kinda mad... But it's ok. This episode will help demystify some of the process of getting gigs as an aspiring pro musician. And if you're a pro musician and are feeling angry about me saying "Getting gigs isn't hard," I'll explain to you why you're wrong.
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There are many things in our music careers that can take time and effort in order to achieve or address. But today, we're going to talk about something you can do that is the opposite.
Let's talk about how to find more time to focus on music today. And what's great about this exercise is that it works for virtually anything that you'd like have more time to do, but can't seem to find the time for.
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One VERY common challenge that most of us have faced, or will face at some point is this:
How can I start charging people for my musicianship when there are tons of other musicians in my scene willing to do it for free?
Today we'll discuss 3 principles that will help you move from playing for free to playing for pay!
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Today we'll discuss 3 different seemingly-unrelated happenings in my life, that all point to the same concept that will help YOU continue forward in your music career. Plus: what does chugging coleslaw in a high school cafeteria have to do with getting gigs?
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Does becoming a professional musician change our behavior- specifically in musical/professional situations? Or do we have to change our behavior in order to become pro musicians? Kind of a chicken or the egg type of question, I know. Well, I actually think we change our behavior first.
The reason that the most successful pro musicians all seem to carry themselves in a certain way is not because they graduated some class, achieved some level of success and then decided "OK, now I'll start acting more professionally." Nope... Part of their success can be attributed to the fact that they already were behaving this way. So what about you? How can you unlock the superhero within yourself and become someone greater in the moments where it matters most- specifically if you're shy or introverted? Let's talk about it.
Here's a link to the book I mentioned in this episode: The Alter Ego Effect by Todd Herman
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After having a major touring gig as a musician, you'd think I would've figured out how to take the shortcut to more gigs at the same level. But what I discovered, even after succeeding once already, was that it was much harder than I expected.
So what about you? How can you anticipate what it will take to "make it" as a pro musician? And what can you do when things don't quite turn out as planned? Let's talk about it.
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This is a quick-hit of an episode about counting the true cost of becoming a pro musician- and then moving forward anyway!
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I got fired from my dream gig when I was 23. It completely ruined my life for a while, but looking back on it, I learned some HUGE lessons about becoming (and staying) a pro musician. The cliffs notes version of the lessons are:
Also- I'm pumped to announce that ProMusician.org is finally live! Check it out and let me know what you think!
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As a musician, you've probably heard it countless times: "If you want to get gigs and become a professional musician, you HAVE to network with other musicians."
But I've always hated the idea of networking because I can't stand the idea of going into a room of strangers and trying to convince them that they should hire me... AND I'm not very good at it.
So today I want to talk about the kind of networking that I DO enjoy, and I bet it's something you'll enjoy too- and you're probably really good at it!
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Almost every musician that I know has at some point expressed to me that they are anxious about money. Specifically- making the leap from their day job to trying to make a full-time living from music. How do you make that leap? And can you make that leap in a way that doesn't feel like a leap?
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The hardest part about making real headway in your music career is often just figuring out what to do next- and even how to get started. In today's episode we'll talk about some practical steps you can take right now to figure out what your next steps are- and how to achieve balance in the process...
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Are you following advice from people who don't know what they're talking about? Today's episode is all about making sure to listen to the RIGHT people when looking for music career advice.
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Hey this show looks different! And it sounds different! What's up with that? Listen to find out!
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This is kind of the end of Drummer Daily- but don't worry... I'm not going anywhere- and neither is this podcast. Confused? Listen to find out what I mean.
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I had a conversation with a friend recently who feels that he's ready to start getting paid for his drumming. I had a few questions for him that I thought he needed to consider before making that move- and I thought you might benefit from considering these same questions.
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Today we'll talk about something I've never covered on the podcast: anxiety. Now I've honestly never felt anxiety directly regarding playing the drums, but I have dealt with anxiety around many other aspects of being a professional musician. So today, I'll share some practical steps I've learned to take to help me deal with anxious feelings.
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Benjamin writes in: What do I do if I'm stuck in a small town next to a city where all the major studio producers are in bed with the drummers that are just mediocre, so I can't get the sessions to get into these big studios ( bureaucracy and politics)?
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Nathan writes: What insight do you have to offer on balancing the time you spend on tour away from home with spending time with your family? How have you dealt with this aspect of a musical career?
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Today we hear from Bradley who asks: What is the main key to becoming a pro drummer?
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Today Bryan writes: I play for 2 different bands...one is a genre that I know fairly well. The other is a genre I really don't know well. How do I play in a band to a genre I don't know well, professionally? Should I leave that band until I'm a lot more familiar with the genre?
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Today's question comes from Chris: Something I’m struggling with right now is working with self taught musicians. I recently got roped into a hardcore band and these guys have no idea how to communicate musically. I finally got a demo and that cleared some things up, but how do break the language barrier?
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You may have noticed I've been MIA for a little while. On today's episode I'll explain where I've been, and how I've used my time away to regain my energy and inspiration for my drumming!
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It's time for another rant... But this time I make sure to circle back and give you some actionable advice on how you can stand out in your music scene and make a name for yourself. And the best part is: it really isn't that hard!
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Does each groove in your arsenal only have one volume level? If so, this episode is for you. I'm going to share a concept that I picked up a few years back that has made my drumming much more versatile.
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Is the extent of your practice plan "Find some great drummers and try to play what they play"? Well, let's talk about how we can keep doing that but add a few other elements into our drum practice plan to accelerate our drumming development.
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Are you reluctant to make a change to your "online identity" and embrace your dreams of being a professional drummer? Are you afraid of what your non-musician friends will think when you go "all in" on this music thing? If so, today's episode is for you!
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Let's talk about the myth of the "starving artist"... Now, it's certainly not a myth for everyone- there are plenty of starving artists out there- but if you're a drummer who hasn't "hit it big", you certainly shouldn't count yourself as beholden to a life of poverty.
The book I'm sharing with you today- Real Artists Don't Starve by Jeff Goins (Amazon Link) - talks exactly about this idea.
Did you know that the great Michelangelo was extremely wealthy? Well I didn't, until I read this book. Jeff shows example after example of artists who didn't buy into the "starving artist" mentality and how any artist can find new ways of generating income that can result in us as musicians not only surviving on music, but thriving. Based on what I learned in this book, I've been able to move beyond surviving- and I believe you can too!
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In part 3 of our series on my favorite books, I'm sharing an old standby. In fact, I think this is the only book on my list of four that I've talked about previously on the podcast.
I'm talking about The 10X Rule by Grant Cardone (Amazon Link)
Now, this is certainly more of a "business" book than a music book. BUT, if you want to achieve WILD success in anything, including music/drumming, this book certainly will speak to you. The basic concept of the book is this: any goal or level of success will typically require 10 times the effort that you originally think it will. So, if you want to achieve something (like becoming a pro drummer), why not start out putting in 10x the effort than you think the goal requires? If you want guaranteed success at something, pick a goal, and then put in 10 times the work.
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In part 2 of our series on my recommended books for drummers, let's talk about what your job is as an artist (you do know you're an artist right?). We're going to take a look at The War of Art by Steven Pressfield (Amazon Link).
If you've ever struggled to "stick with it" in your drumming, or if you've ever felt like a MAJORITY of the music you create isn't very good (that's certainly how I feel)- this book is for you. The War of Art reveals the secrets that EVERY great artist eventually learns. My favorite takeaway from this book is something I employ every day- your job as an artist (read: as a DRUMMER) is to simply create art (music). An artist is an artist because he or she creates art... It's not necessarily all good art- in fact MOST art created by even the best artists of our generation is not very good. But great artists understand the value in showing up every day and creating something. It's in this discipline that your creative genius (which everyone has) is given the pathway to emerge.
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In part 1 of a special series of episodes about my favorite books from a drumming perspective, I'm going to talk about Steal Like an Artist by Austin Kleon (Amazon Link).
I started with this book because I truly believe EVERY musician should have this book. It's really small (about the size of a CD) and can be read in less than a couple of hours. And it's worth reading about once a month. Steal Like an Artist walks through the process of understanding that any great artist's job is to steal from other artists (ethically) and combine other influences and pioneers to create a unique voice. This book WILL get your creative juices flowing in new ways and inspire you to not only be a great drummer, but a great artist on the drums!
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Sometimes life gets in the way and we might go loooong periods of time without practicing, performing or doing anything even related to the drums. So how can we take advantage of these breaks (whether we've planned them or not) and come back refreshed and energized for our drumming?
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Today, I'm going to share the 3 or 4 sentences that I've said to countless musicians, producers, band leaders, music directors- and practically everyone that I've worked with (and want to work with again). I truly believe that saying something at least like what I'm sharing with you today can be a key to your ongoing success as a drummer.
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I used to get really frustrated when I would attend a drum clinic or watch an instructional drum video that turned out to just be more of a performance. But I've found an approach that allows me to almost always find something I can use in these situations, and I'd like to share that with you today.
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Do you only learn new things on the drums from people who are technically "better" than you? Or can we learn new things on the drums from others- regardless of their skill level? Today we're going to talk about a quote from Charles Schwab and what it has to do with where we learn new things on the drums...
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If you're fairly solid at drumming with a click track, today's episode is for you!
For those of us that were drummers in the marching band, drum corps or other "precision-focused" disciplines of drumming, it can be hard to play accurately (especially with a click track) without sounding mechanical. So in this video, I thought I'd share my own experience with intentionally changing how I think about playing patterns on the drums.
Check out the video for this episode at http://danielhadaway.com/201
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I get questions fairly often on Instagram about the specifics of my recording setup. So today, I'm going to walk you through every piece of gear that I use to track drums, along with some insight on why I chose these particular pieces of gear.
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For some reason, toms always have seemed like an intimidating topic when it comes to tuning. But today, I'm going to share 3 tips with you for tuning toms that will hopefully simplify the process quite a bit and, as a result, make it seem like not such scary thing after all!
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I recently noticed that sometimes, even when I've played the drums accurately (meaning everything is "lining up" like it should)- that something is missing from the track. Even though I've played the parts well, and it's every bit as accurate as any other track I've played on- why is it that THIS track lacks feel? Did I suddenly lose my groove?
Well those are questions I used to ask myself, until I discovered what the culprit was, and how to fix it... And what's great about this concept is that it works on tracks even AFTER I've recorded them (and no- it doesn't involve chopping up and editing my playing!).
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Today is the day! Doors are open for your 2018 Drumming Intensive! Whether you want to get specific insight to your situation and unique challenges to becoming a pro drummer, or you want to come to Nashville and get some real-world experience in the studio... This drumming intensive is an opportunity that may be life-changing!
Check out details at DrumIntensive.com
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William writes in: How do I set myself up to become a professional drummer straight out of high school?" I'm looking at a few different jobs I can start once I get out of high school, and, I'm lost as to how I can set myself up to where I only have to be at a "normal" job for a few years. I don't want to go down a path to where I put so much time and money into a job I have to work at it for a long time to make it pay itself off (except for music). How do I see a clear path to becoming a professional drummer right now so I know exactly what buttons to push once I graduate?
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Roderick writes in: My biggest question about becoming a pro drummer is... How exactly do I get on a pro tour? Right now I am in 4 bands in my hometown but i'm not making much money from them. Should I leave them to join a pro tour? I really don't want to, but I want to get paid.
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Andrew writes in with a great question: What are some good practice tips to help me transition from marching percussion to being that smooth Gospel drummer? I have chops- I'm just trying loosen up more on these odd time signatures like 7/8 , 9/8.
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Recently I've been getting lots of requests to do remote recording sessions for artists... So I thought I'd walk you through my process for recording in my home studio- and collaborating with artists via the internet. PLUS, I share some tactics I use to not only make my job easier and more convenient, but also to make more money!
Check it out!
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Tino writes in with what is probably the most common question I get here on Drummer Daily:
What is the best way of getting discovered?
I'll walk you through 3 steps EVERY musician should go through in anticipation of getting "discovered".
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Longtime friend of the show, Will writes in:
When did you start focusing on gigs as steady income and not just playing opportunities?
Thankfully I've been through this process a couple of times, (each in different ways) so I'll share how I made those choices, and some considerations/questions you can ask yourself to help determine when the right time to "make the leap" is for you...
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Today Braden writes in: What is the secret to playing with hundreds of different musicians and being able to flow with them to the point of excellence when you haven’t had much time to play with them? I’m thinking filling in for the house drummer or filling in for different bands here and there.
Check out my FREE class where I walk you through how you can become a pro drummer without getting lucky, even if you don't know anyone in the music business and aren't a musical prodigy: DanielHadaway.com/class
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Since we're getting close to 200 episodes, I think it's time for all of us to do a gut-check. If you're frustrated by your (lack of) progress either as a player or as a professional musician, ask yourself "Am I actually DOING anything?".
More specifically- after nearly 200 episodes, I've given you a TON of free info and specific steps you can follow to become the kind of drummer you want to be- but if you haven't actually implemented any of it- you probably aren't going to get very far!
Check out my FREE class where I walk you through how you can become a pro drummer without getting lucky, even if you don't know anyone in the music business and aren't a musical prodigy: DanielHadaway.com/class
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Remember when you were a kid and got obsessed with Transformers, or G.I. Joe, or Pokemon, or Bob the Builder? Or maybe you were like me and when you got a little older you became obsessed with certain bands or musicians?
Well I certainly remember that, and today I want to bring some perspective on how we can leverage that same passion again as musicians to fuel our musical development.
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If you've ever thought "I wish I could really spend a day inside a producer or artist's head just so I can figure out what they want from a drummer", today's episode is going to give you 3 ways to do exactly that.Get free drumless backing tracks, click track training, tuning resources and more at ProDrumAcademy.com
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I'm making some changes to by Drum Intensive program to hopefully allow more of you to make it a reality. Check it out and let me know what you think!
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Do you hate the idea of networking? I've never been shy about the fact that I hate "networking". But I DO believe in being intentional about meeting others in the music business and counting on others to help in our music careers. So, how can you meet others and develop relationships that lead to more gigs? Let's talk about it.Also, don't forget to check out ProDrumAcademy.com where you can get started on your path to a career as a pro drummer for FREE!
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Today Rob writes in and asks about how to transition from playing for free to getting paid for drumming. So, what do you say to someone who says "Why should I pay you now, when you used to play for free? I thought we were friends..."Want to be a pro drummer? Get tons of FREE training at ProDrumAcademy.com
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If you already "feel the rhythm" and "feel the rhyme" - you might be a Cool Runnings type of drummer. But I want to share something with you that I discovered on a recent viewing of one of the greatest movies of all time.Get Boom Click Boot Camp for FREE as part of the Pro Drummer Essentials Bundle at ProDrumAcademy.com
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Today I'd thought I'd give you a peek into the internal struggle I went through when I got hired for my first "big-time" gig, and then got fired around a year later. I think the lessons I learned along the way can be helpful to you- whether you're an aspiring pro drummer, or just want to be a great drummer on your own!Get FREE drum mixing tutorials, drumless backing tracks, and a 14-day click track training program at ProDrumAcademy.com
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Do you ever feel like you're off in your own little bubble- plugging away at becoming a better drummer- but you have NO idea if you're any closer to your goals as a musician than you were 1, 2 or even 10 years ago? Today's episode is for you...
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Today I hear from Zack, who's 16 and wants to know about where to start networking, getting sessions, and generally putting his name out there. We'll also talk about what kind of recording gear to get started with.Learn how to become a pro drummer, and get started for free at ProDrumAcademy.com
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I give an important update about my immediate plans for the future, and maybe give you some plans for your future too!
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Here's a mental exercise I like to do in order to figure out where I need to improve as a drummer, musician and all-around human being...
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Let's talk about the compromises you'll make every step of the way as a drummer- whether you're just growing as a musician or as a professional...
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Do you want to become a famous drummer? Guess what: I have no idea how to do that! Do you want to become a professional, working drummer that makes a living doing what you love? Great! I can help you with that...Learn how to become a pro drummer at DanielHadaway.com
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It's 2018... Instead of a traditional resolution, where you choose to start doing something new- I want to ask you: What you are going to STOP doing this year?Check out my daily podcast for drummers at DanielHadaway.com/175
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One trait that separates the pros from amateurs in both the studio and live settings is the ability to have "vision" for the entire rhythmic foundation of a song. Let's talk about how we can develop our vision in creative settings and effectively communicate that to others- and ultimately leverage this ability into more gigs...
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As a drummer, if you want to be a professional, or simply want to be in-demand by other musicians, you have to look at what you're presenting publicly and how that aligns or fits in with those who might hire you... Today on the podcast we'll talk about how you can do just that...
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Many drummers who DO "make it" as a pro aren't prepared for the drastic swings in income month-to-month and as a result find themselves working 2 or 3 extra jobs just to support their "career" as a drummer. Why does this happen and how can you prevent it? Let's talk about it today on Drummer Daily.Get this and many more resources just for drummers at DanielHadaway.com/172
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I hear a ton of comments like "Becoming a pro drummer isn't hard to figure out- just work hard, become a great player, and network." But people who say that invariable HAVEN'T become a pro drummer. So why is that? Let's discuss...
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Is becoming a pro drummer simple and easy? Today I'll make the case for why I think it is.Get more Drummer Daily episodes at DanielHadaway.com/170
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I've discovered an epidemic amongst us drummers... It's an addiction to learning ABOUT drumming and searching for some magical tip or trick that will change our drumming, without actually TRYING or DOING anything. Let's talk about it.
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In this episode, I'll do my best to describe the technique that I use to play the kick drum... It may or may not be unique to me, but I think it's a great way to get more control and power out of my right foot.Get the whole story at DanielHadaway.com/168
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I'm not super-dogmatic about HOW you should play the drums. I'm all about personal creativity and finding something that works for you. However- there are a couple of aspects of playing the drums that I feel should be non-negotiable... And I want to talk about one of those today.Check out tons of free resources for drummers at DanielHadaway.com/167
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I recently got roped into another Facebook thread where I witnessed a ton of other drummers giving someone TERRIBLE advice- and it all relates to how we look at our "drum diet". I'll explain in today's episode.Take 5 minutes to fill out my survey- it REALLY helps! http://survey.podtrac.com/start-survey.aspx?pubid=vdG8CEDb3RO9&ver=shortGet the full story and tons of great, free drumming resources at DanielHadaway.com/166
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I've made a career out of NOT giving producers and artists what they're asking for. In fact, I think this one aspect of my approach is probably the most responsible for my music career. So how can you make a career out of giving people something different than what they ask for? Listen to find out...Help me out by filling out a super-short survey here: http://survey.podtrac.com/start-survey.aspx?pubid=vdG8CEDb3RO9&ver=short
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A lot of things in music might be considered "impossible" until they aren't impossible anymore. Whether it's a specific technique or lick in your drumming, or your overall pursuit of becoming a paid professional, diligently pursuing your own "4-minute mile" is the only you'll find true success as a musician.Get the full story at DanielHadaway.com/164
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I get a lot of questions about meeting the right people, and once we meet them- how to "work" the relationship in order to advance our pro drumming careers. Here's my advice about how to approach those situations, and some tips for promoting yourself as a pro drummer.
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I'll share how I've become aware of some of my own "weaknesses" and how I take advantage of those weaknesses to develop my own drumming, my music career, and achieve goals.
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We all have days (maybe even weeks or months) where it doesn't feel like we have much time to practice drums. So I've got some advice for you- mainly what the ONE THING you should do in your practice time if you don't have much time for practice...Get tons of free resources for drumming at DanielHadaway.com/161
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Many of us overcomplicate how we go about creating, memorizing or even thinking about drum parts in songs that we play. In this episode I'll offer you a (possibly) new way to think about how you structure drum parts in songs.
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There are two different scenarios in which we can get caught up asking questions of ourselves that use the word "can" instead of "how". One involves our drumming at a very practical level, and the other involves our overall outlook on meeting our goals in music, or even just in life.Check out more awesome resources for becoming a pro drummer at DanielHadaway.com/159
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How can we get our name out there and get recognized as a drummer, and hopefully start getting called for gigs and recording sessions?Get tons of resources - all about becoming a pro drummer - for FREE at DanielHadaway.com/158
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If you're ready to jump into recording your own drums- either for social media videos or for remote session work- this episode will give you a good place to start if you don't have any hear (and not much of a budget).
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So you want to get hired for more gigs... You probably need a website, a super-cool bio, maybe some press photos, and an online calendar that shows how busy you are and a way for people to book your time, right? WRONG!!!Get the whole story at DanielHadaway.com/156
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Here's a great question that I received in an email from a listener: How can I pursue drumming without it taking away from time with my family and other responsibilities- it's starting to feel like a second full-time job!Listen to over 150 other episodes of Drummer Daily at DanielHadaway.com/155
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Is it typical of bands, artists or producers to hire multiple drummers on an album? Why, and who makes that call?... The artist, the producer?…
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Sometimes we pursue success as a drummer (or in life) so relentlessly that we miss out on a much simpler path: rather than pursuing that success, what if we focused on being the kind of musician that others find value in?Learn more about how to become a pro drummer at DanielHadaway.com/153
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Let's talk about something a little less serious and a little more fun today: GEAR! Specifically, I'm going to share my approach to using ride cymbals in different contexts... And even using crash cymbals as rides in some situations. This one should be fun!More fun talk about drum gear can be found at DanielHadaway.com/152
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Let's talk about something really practical today: what signs can we look for that will show us it's time to replace a drum head?Get the full story at DanielHadaway.com/151
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Today is a very special episode of Drummer Daily. I want to share a special message with you. If you're feeling like your pursuit of becoming a pro drummer isn't going as well as you'd hoped, or you're feeling frustrated with a lack of progress in your playing- this episode is for you!
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Why in the world would a music producer hire a drummer who lives across the globe to provide studio drum tracks when he can hire a local pro drummer and have him in the studio within 30 minutes? Great question- and it's one worth exploring... Let's get into it...Show notes and more resources for building a career as a pro drummer at DanielHadaway.com/149
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Listener Harrison writes in: "I want to know how to get in the industry. I really want this career but I don't know what to do."Find out how to become a professional drummer at DanielHadaway.com/148
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Let's get down to the nitty-gritty today. Raphael asks: "My question is the same as any other professional, I guess, How do you get your first paid gig (customer)?"Explore all Drummer Daily episodes, plus more FREE stuff over at DanielHadaway.com/147
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Mark asks about what the most efficient ways to network as a drummer are... What kind of places/events should we attend, what websites do we join, etc. My answer might surprise you...Show notes (along with links mentioned in this episode) are available at DanielHadaway.com/146
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Today's excellent question comes from Austin. He asks: "How often do you work on rudiments and for how long? Also, what's your typical practice routine? I feel like I haven't been improving as much as I should be and I know it's because I don't have a disciplined practice routine. I usually end up just jamming to music, practicing the church songs for that week, or playing grooves to a click. What would you recommend for a solid routine that will help me take my drumming to the next level?"Check out the answer and more at DanielHadaway.com/145
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Ryo asks a question about how to pursue a drum career without feeling like you're taking away from your family or being selfish. This is a tough one, and definitely something that I have experience with. So let's talk about it...Explore the complete path to becoming a professional drummer at DanielHadaway.com/144
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Listener Samuele writes: "I've always dreamed to make my passion (playing drums) a job but I never understood how could I live from that, I mean what's the way to take to get money by playing the drums?"Great question and I've got a great answer. More info and AWESOME resources at DanielHadaway.com/143
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Sometimes, when it comes to our drumming and practice, it's not going to be exactly "right" in every way. When we identify those moments as they happen, we can choose to just "show up" and do the work, knowing that it still counts as progress, or we can do nothing at all...Get the whole story and more at danielhadaway.com/142
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Is going to open jam sessions at small clubs and bars a good way ro network/meet other musicians? Or should we focus on getting better in the studio? Today's excellent question comes from Nicholas: "My biggest question is about playing out in open jam situations or at smaller bars/clubs. Is this a good way to get your foot in the door and meet people in the industry or is it more important to work with backing/click tracks and be more studio focused? I've had opportunities to meet and play with professional musicians in both types of settings and I understand that it's important to be able to do both, but my question is more from a networking perspective. Is doing one more important than the other?"Get the whole story and tons of free drumming content at DanielHadaway.com/141
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How can you make contacts and start a band if you're shy? Listener Edmond had that question. He says: So, my burning question is, as a teenager, how do I find the people to make a band with or to play music with? I'm kind of stuck, because my friends don't really want to and I'm a naturally shy person, so the idea of going out and finding people terrifies me. Any advice?Get the full story and more at DanielHadaway.com/140
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A great question today from Josh. He says "If I go for a specific sound as a drummer, then it seems that i'm limiting myself to artists that only want that sound. Also, I see many studios around where I live that already have kits set up and tuned/dialed in so it would seem that my own personal sound would be irrelevant if the producer already knows what she/he wants."Get the whole story and more at DanielHadaway.com/139
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The second you decide to become a pro drummer, your job description drastically changes. Let's talk about that, plus how can you tell if you REALLY want to be a pro drummer, or should just be happy playing drums at home?Get all the info, plus join my FREE track of the month club over at DanielHadaway.com/138
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My story of opening a coffee shop and how it relates to being a pro drummer. Also some tough love about taking a closer look at our dreams and aspirations as drummers and deciding if they're dreams, or merely fantasies...All this and a ton more awesome drum-related goodness over at DanielHadaway.com/137
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Elijah writes in and asks: How many takes does it usually take to get a solid drum track in the studio? Are there guys who can do it in one take? And what about quantizing drums- do you ever do that? Are there professionals who are "that good" and never get quantized?
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An excellent question comes in from Cory today: Can I actually make money recording drums remotely at my house for other people? So let's talk about it: Is this actually possible? If so, how does it work?Get the whole story and more at danielhadaway.com/135
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Listener Jamie writes in and asks about how he can make the most of moving to a new city- where he doesn't know anyone in the music scene. So how can we start to make contacts in the music business and hopefully start to leverage that into paying gigs?Explore tons of awesome resources for aspiring professional drummers (and show notes for this episode) at danielhadaway.com/134
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Jeremy writes: "Without all of the high tech video/recording equipment, how am I supposed to get some good footage of my playing? Without videos that I can show prospective employers I feel like i'm stuck..."Get the whole story, including links and videos mentioned in this episode at danielhadaway.com/133
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I received a great question from listener Josh: As a drummer, does it help to move to a heavy musical city such as Nashville or the west/east coast? I am a drummer in Little Rock, Arkansas. I would prefer to start a career as a drummer with a band that comes out of my city. How do I leverage networking and building my portfolio while not necessarily being in a city that has a ton going for it in the world of music?Full transcript, free drumless backing tracks and more available at danielhadaway.com/132
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Another listener question and it's a good one... How can I get to know music industry contacts if I'm moving to a new city to make it in the music business?Get the full story, transcript and more at DanielHadaway.com/131
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Listener Declan writes: "At what stage do you need to consider taking the plunge and quitting the day job to pursue a career as a drummer? At the moment I have a very secure job but am just dying to turn this from semi-pro to pro."Check out the full transcript and more cool drum stuff at DanielHadaway.com/130
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I received a great question from Mitch the other day about mixing and matching different lines and even different brands of cymbals. I thought we'd all benefit from talking about it...Full transcript and more drumming fun over at DanielHadaway.com/129
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Let me tell you about a few different celebrities (at least they were to me when I was 8). They all made a career for themselves doing amazing things... But what part did luck have in it? And what part foes luck play in our pursuit to become a pro drummer?
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If you want to get hired as a drummer and are looking to introduce yourself to new people in the music business, it's important to keep one thing in mind: you are essentially MARKETING yourself. So here is some solid advice on exactly what to say to a producer, music director or anyone else who might be looking to hire a drummer.Full transcript, and more drumming awesomeness over at DanielHadaway.com/127
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One of the hardest parts of tuning drums is even being able to hear the different pitches between the lugs. I know that's the hardest part for me. So here are three tips for alternative ways to be able to hear those differences, and get much better at tuning drums in the process!
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I want to share a secret with you... This is a secret that almost every incredible artist already knows. And it's something we can use in our drumming to start unlocking our creativity and start playing more INSPIRED parts in our drumming.Full transcript, and tons of FREE drum stuff at danielhadaway.com/125
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Every once in a while we can surprise ourselves with how good our drumming turned out. This happens in recording situations pretty often. But how can we "hack" this process and make it happen more often?Full transcript and more Drummer Daily at DanielHadaway.com/124
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Are you a "serial learner"? Do you keep bouncing from idea to idea- trying to find the "next thing"? Today I want to offer you some motivation to get started on something- and stop hoarding knowledge...Full transcript, and tons of FREE resources (including free drumless backing tracks) at danielhadaway.com/123
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Years ago I decided that I didn't want to use charts anymore. It's tough having my head buried in a chart when I'm trying to pay attention to what's going on, musically speaking. So I had to come up with a way to memorize patterns quickly. I'm going to share that with you today. And let me tell you: this comes in SUPER-HANDY in the studio.Full transcript and more resources for drummers at danielhadaway.com/122
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I keep talking about becoming a "professional drummer". Well what does that mean? And why does it matter how I choose to define "pro drummer", and why should it matter to you?Full transcript and more, including my FREE backing track of the month club at http://danielhadaway.com/121
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Want to instantly make your playing come across as tighter and having more feel- without really changing much of anything in your actual playing? Here's one way I've figured out how to do that (and it pretty much works every time).Full transcript and more available at http://danielhadaway.com/120
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A super-common problem many drummers encounter is the dreaded "my kick drum sounds like I'm bouncing a basketball" issue. Here are a few different ideas on how to fix it...Well hey there, welcome back or more Drummer Daily. I'm happy you're here. My name's Daniel, and I'm going to be your drum coach for at least the amount of time that you listen to this podcast. This weekend, this past weekend, I got a question and I thought I'd share it with you and see if we could maybe help you out with something that you might be facing, which is this. I was doing one of my drive intensives, and the person that I was doing it with, one of his questions was, "Hey, I feel like a lot of times my kick drum sounds like a giant basketball when I hit it." That sound, if you don't know what I mean then you probably don't have this problem. If you relate at all then all of a sudden you'll be like, "Yes, I know exactly what you're talking about."That is a, the kick drum sounding like a basketball, where it just has this really weird bouncy sound to it. It's not a pleasing sound. That's a common problem, and it's a problem that I've had before. It's definitely a problem that I had when I first started playing drums, and especially when I first started really paying attention to tuning drums, and the heads that I was using, things like that.I thought I'd offer a little bit of advice on some places to kind of start looking, to kind of troubleshoot that. The real cause I think of that, and for me to explain this I don't want to get too geeky, or too technical in a way that's boring or hard to follow. In order to kind of really grasp what's happening that causes a bass drum, or a kick drum to sound like a basketball bouncing, we have to think about how a drum creates sound. There's a lot of stuff going on in a drum, and I don't understand most of it. Let me just put that disclaimer out. There's the basics of you have a giant cylinder basically, with a couple of stretchy pieces of plastic on each side. You're hitting one side of that, and there is sound waves being generated. They bounce around inside the drum until the sound waves and the air escape somehow. Either as energy back into one of those two heads, or through an air hole, or another hole in the drum, or the head itself.What I think of is this. When your bass drum beater, when it hits the head, think of it this way. The energy obviously gets transferred from the bass drum beater into that head that it hits. Then that head moves, the whole surface of the head moves at some level, and all of this air and sound waves get pushed out of that head forward into the front head of the bass drum. Now, there's sound waves which is energy, and there's air all moving around. It kind of sends forth energy, it sends forth, I think of it like the energy coming out of the bass drum head that you hit, is kind of like a bunch of football players just running full speed ahead towards that front head.Depending on what that front head is made of, they're either going to bounce off of that head. Think about a bunch of football players running, big heavy football players running at a piece of paper stretched across the field. How easy it would be for them all as a group to just rip right through that, and move it a lot. Versus if there was a giant 20 foot thick brick wall in front of them. No matter how hard they're running, you're going to ... They're going to not get very hard, and probably not move anything at all.Full transcript at http://danielhadaway.com/119
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Looking for a clear, proven path to becoming a professional drummer? Great! Because today, I'm going to outline that exact path for you...Hey there. How are you? I am so well. I'm so excited that you've come back here again to hang out with me, and I'm super pumped because today is the day that I have been teasing for a long time, and I've been saying, "I'm about to announce something, and I can't tell you what it is." I've been saying, "If you've been asking about the backing tracks that I use on Instagram ..." people have been asking where they can get them, I've been saying, "Hey, if you just wait until May 1st I'll tell you how to get those for free." So, I've just been saying a lot of, "Wait. Wait. Wait until May 1st," and May 1st is finally here, and so I'm so excited to tell you about what I've got going on, but I don't want this to just be an announcement. I want to actually share some really serious info with you, and so I think today I'm going to make this announcement, but then I'm also going to share with you what I'm going to say is really the one secret to becoming a professional drummer, and I mean that.This is not some gimmick or some goofy, cheap catch phrase. This is legitimately the basic path and the secret to becoming a professional drummer, but first I want to tell you about how you can get those backing tracks for free. What you need to do is head over to prodrumacademy.com. Now, prodrumacademy.com is a new website that I’m launching. It’s not live yet, but if you go there to prodrumacademy.com right now you’ll be able to click a link and take a survey for me that will just help me kind of shape the final pieces of prodrumacademy.com while I’m finishing it up. So, what it is is you go to prodrumacademy.com, click on the link, and I believe there’s eight or so questions -- maybe 10 questions at most -- that just ask you, basically, like what challenges you face in becoming a professional drummer. Asks you a few questions about some ideas I had about different courses and things I might come out with.Full transcript at DanielHadaway.com/118
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Can making your drums sound better (through tuning or mixing/mic'ing) actually make you a better drummer? I think so...Man, what a week it's been for me. I hope it's been a week for you. It's a week in all caps. Man, it's been a WEEK. We've talked a little bit about all the things that are going on, and this episode's coming out on Friday, so hopefully we're a few days away from the launch of my next big thing. Or, not the launch, but the announcement of my next big thing.Part of that, I don't know if I've mentioned this on the podcast, but part of that announcement on May 1st is that I'll be ... People ask me all the time on Instagram, "Hey, where can I find a copy of that backing track that you used for this video or that video?" Well, what I am announcing on Monday will be a way for you to get almost all of the backing tracks that I've used on Instagram, for free. Hopefully you'll look forward to that, hopefully you'll jump on that. I'm not planning on limiting it to the number of people, but there's a chance my bandwidth will run out or something, and I'll have to limit the number of downloads I can allow. Anyway, we'll see about that.Man, it's been a week, but I want to talk to you today about something that hit me the other day. It was when I was ... I do these live Facebook broadcasts. I do like, a live drum clinic kind of thing. As part of that I play the drums. I have a way of mixing all the drums and everything and then putting them through. After I shoot the videos and go live, I always go back and look at the recording, and I try to skip around at least to the parts where I am playing a little bit, just to make sure everything came across well and there weren't any hiccups or pops or hisses or anything like that. Also, just in case the drums sound really bad or something, I want to fix that for the next time.So far, I've just been so blown away by how good the drums sound...Full transcript and more available at DanielHadaway.com
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There are times when drumming actually isn't very much fun. So here are some mindset shifts we can use to get through the tough times when drumming is more of a discipline than fun activity.Hey there, welcome back to Drummer Daily, I am ... pulling out my hair is not the right word, because I'm not frustrated, I just am so busy. I am in the middle of redoing my website, so there might be some pieces of it you can already see now, depending on when you're listening to this and when you're happening to browse my website, danielhadaway.com. I am trying to redesign the look of it, but more, I'm trying to make it clearer when you come to my website. I've put out so many resources for you as drummers, videos, downloads, YouTube videos, instructional videos, and my plan is to crate a lot more of those coming up soon and actually link them back to what we're talking about in podcasts a lot, so kind of having more free resources associated with what you're hearing about on this podcast.So maybe it could be a thing like, I don't know, I've heard some people say, "Hey, I wish you could demonstrate playing more on the podcast." Well, as I mentioned before, it's kind of tough to do, but maybe what I'm going to try to do is maybe have something like, if I discuss breaking down the subtleties in playing with quiet dynamics on the snare drum, maybe I'll offer a video that's related to that on my website. So I'm going to say, "Hey go to this address on my website" and you can quickly get that downloaded or whatever.Full transcript and free resources for drummers at DanielHadaway.com
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Have you ever heard of the Nashville Numbers System? Today, we'll talk about what it is, and how you can use it as a drummer to better communicate with other musicians.Transcript:Hey there. Welcome back for more Drummer Daily. I am happy you're here. Today, I over the weekend, this is Tuesday, but over the weekend I painted my studio room. I'm getting prepared for this thing. I'm sure you're probably rolling your eyes at this point because I've talked about it so much, but I'm getting ready to announce something on May first. This episode comes out on April 25th, so were less than a week away. I'm announcing something on May first, and it's a new thing. It's a new thing. I can't tell you what it is yet. I realized I had the need, or it would be better if I kind of revamped my studio space just a little bit, just aesthetically, just how it looks. Painting it was part of that, so I did that.Anyway ... I did that this weekend, so today I'm upstairs, or I'm going to be upstairs in a minute kind of putting everything back in place. I had to move a bunch of sound panels and stuff, sound absorbing panels for acoustic treatment, out of the way so I didn't get paint all over them, so moving all those back, putting plug covers back on the plugs on the wall and things like that. I'm looking forward to getting up there. I love hanging out in my little dedicated music space. It's very relaxing and very cool.Today I wanted to talk to you about something. I actually got an Instagram message from someone who listens and he asked me about, I believe it was Connors who asked me this. He said, "Hey, tell me, can you do something about the Nashville numbers system? Like maybe what you should know about it and how you can use it as a drummer." Basically all that stuff. I thought, that's a great idea. I haven't really talked about that much.Full transcript at http://danielhadaway.com/episode115
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If your snare sounds like trash, I bet I can tell you why (and how to fix it)...
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I'm always looking for more ways to serve you and your drumming goals. So I had this idea, and I'd love to hear what you think... Send me an email through my website - danielhadaway.com - and let me know if you'd be interested in this.
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I get questions/comments a lot about how seriously I take music and drumming. I know many of you are right here with me on this, but today I'm going to try to put words to the reasons WHY music is actually MORE important than life and death to me...
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Feeling down because you've made mistakes while drumming onstage? Good news: no one is paying attention!
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This might be the single quickest way to get objectively better at drumming. Most of us don't realize how much of our ability is actually tied to the positioning of our gear around the drum kit. Today, we'll talk about a little body hack to quickly take our skill BACK from our gear...
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This might be the single most important episode of the podcast I've done so far. If you've ever felt "stuck" in your drumming, or feel like there has to be some other way of doing things... This episode is for you!
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Are you obsessed with EVERY aspect of your drum sound? Drum material, head selection, drum tuning, mic'ing, mixing, mastering... All of it MATTERS! Let's talk about it!
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Continuing on with part 5 of our Manifesto series... Today let's talk about how we can quickly shift our playing to more easily compliment a song.
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Playing music involves other musicians; so how I treat others matters. It's incredible how far you can get in the music industry just by treating people kindly. I'm a prime example of this...
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I used to say "I don't play with a click- I like the music to have more feel". Well what I was REALLY saying was I CAN'T play to a click and "having more feel" was just my excuse for not being able to hold tempo. Yes, I know records in the 70's were recorded without a click and felt great, but unless you build a time machine, you're stuck playing in TODAY's world- which means playing with a click. To be clear- I'm only referring to drummers who say this as a blanket statement. Of course I don't always play with a click- but if you hear a drummer say "I don't play with a click" chances are you're talking to a bad drummer in denial.
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Do you like to show off on the drums? I hope you like playing alone!
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Part 1 of 7 of my Manifesto Series... Are you just a drummer, or are you something more? What do I even mean? Listen to find out...
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There's this rule I've used to add groove to my drumming, and also enable myself to be more creative with drum fills. I thought I'd share it with you today.
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I'm definitely not a "chops" drummer, but technique is still important. We'll discuss WHY and also go over a few techniques that will help ANY drummer...
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This milestone marks a bit of a change in direction for me and all of the drum-related content I'll be putting out: I'm going to start being more outspoken about what I STAND for as a drummer/influencer. I'll explain more in today's episode...
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Let's talk about some fun alternative "noise-makers". We'll talk about 4 of my favorite items, one of which might surprise you...
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As a follow-up to the last episode, let's talk bout how recording drums in a home studio is different than in a pro-studio session; specifically as it applies to our approach to playing...
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Let's talk about a key difference in how we approach drumming in the studio versus playing live...
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As a special bonus to podcast subscribers, here's the audio from my weekly live drum clinic I do on Facebook Live. If you'd like to join me live, make sure to like and follow my page over at FB.com/thedanielhadaway
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I don't do this much so bear with me... Today's episode is more of a "news you can use" type update. So I'm just giving you a little update into what's going on in my world, and how you can hang out with me every week for free as part of an online drum clinic.
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I talk about why I switched from a larger, more "standard" size drum kit, to a simpler setup with much fewer pieces, and what I learned in the process.
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Let's get serious today and talk about something no one wants to think about, but needs to be addressed: hearing protection...
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What do we do as drummers when we're already firing on all cylinders, but we have ANOTHER chorus to play? How can we build the intensity of the song when we don't have anywhere to go volume-wise? If you're already "giving it all you've got, captain" - try this simple drum fill...
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Let's have a little fun and talk about something that isn't often discussed in the drumming world: footwear!
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Let's talk about our dear old friend the hi-hat. He seems to always be too loud, yet most drummers insist on playing the hi-hat like they've got a sledgehammer and are trying to break up a boulder into gravel...
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I thought we'd tackle a subject we haven't discussed much yet on the podcast: drumsticks! I'll share a strange phenomena that I've experienced in my own quest for the perfect pair of drumsticks...
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If you're like me, you've probably experienced times where you had a very specific drum sound in your mind... But getting a drum to actually SOUND the way it does in your mind can be really challenging. So today we're going to talk about how to approach achieving the exact drum sound you're looking for with your drums...
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So many drummers approach their careers as a competition. This would only make sense if there were only so many gigs to go around, and no more opportunities were ever created. But this simply isn't how things work in the real world...
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This might be one of my favorite episodes yet. I talk about how we all aspire to be extraordinary drummers, but then we choose to practice and set goals just like every other drummer, most of whom are just average at best...
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It's probably never a good career aspiration as a drummer to be just like someone else, but if we attempt to imitate other drums, we might actually be able to find out own unique voice...
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I'm back!!! Thanks for sticking with me through my little unplanned break. Let's talk about something super-practical that I'm dealing with right now in real-life: taking a break from the drums, and then coming back...
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Low on funds, but still want to get the best sound possible from your drum kit? Today's episode is all about how we can achieve the best sound possible without having to spend ANY money...
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I probably am going to step on some toes with this one, but that's OK. If you're having gear problems - specifically with how LOUD your drums are - maybe it isn't the gear that's the problem...
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Today I'm going to share a trick for gaining some eye-opening perspective on our drumming... And it's not all bad! You might very well discover you're a better drummer than you give yourself credit for!
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There are a million different paths to a goal. Just because one path seems like it isn't plausible doesn't mean that your goal is impossible. Today I share a funny story about how I came face-to-face with an "implausible" situation in my drumming, and still achieved my goal...
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Think you're solid on a certain pattern or song? You probably aren't... Today we're going to talk about the never-ending pursuit of the details within the details in our drumming... Even the simplest pattern has details that are worth improving...
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Here are 3 things I do EVERY time I set my drums up in a room... EVERY TIME... Do these 3 things the next time you set up and I PROMISE you your drums will sound better. Not only that, you'll be more prepared for when something goes wrong, like your monitor mix is bad, or you can't hear yourself playing...
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Today, let's talk about the conflict between playing for love and playing for improvement...
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As a follow up to a recent blog post about this, I thought I'd share a couple of practical ways to deal with sitting down at the drum kit and realizing you just aren't "feeling it"...
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I will readily admit this specific episode is not going to be for everyone. But if you are SERIOUS about becoming a professional drummer, and want to come hang in Nashville with me, this episode is for you!
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It's ironic that most of us use our dominant hand to repetitively bash away with the same pattern on hi-hat or ride cymbal over and over again... What if we could develop our OTHER hand into being as fluent in the language of music as our hi-hat hand?
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There are so many small (and fun) ways to change up simple grooves that will not only make them more fun to play, but also make them FEEL better and make you sound AWESOME...
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Many us have to play electronic drum sets. Likely for the sake of extra volume control (why don't our neighbors like drums???). So today I'm sharing a few ideas about how we can get the MOST out of e-drums, by changing our mindset, our playing, and even the sound samples we use!
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I used to write out charts for every session, gig and church service I played in. But then I decided to stop, and haven't looked back since. Should you stop using charts (assuming you do)? Maybe you should or maybe not. Here's why I made the choice...
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Shhhhh.... Want to know a secret? There's something that EVERY studio drummer (with a career) has in common, and it's NOT what you think...
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When dealing with a problem-drum or even just trying something new, I often see drummers make this HUGE mistake. But I don't want you to make that mistake! So let's talk about it...
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Often overlooked the thinking about new gear purchases, the kick drum head is the foundation of our drum sound. And too many times we either overlook how important head selection is for our kick drum, or we overthink it, when we're just going to throw a pillow in the drum and muffle all of the tone anyway. So here are a couple of tips to make sure we're spending the appropriate amount of effort on picking out a new kick drum head...
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So... fun fact: I was in my high school's show choir band (cue the 'Jazz Hands' jokes). The experience was actually very positive and influential to my drumming- especially in one specific way- which I'd like to discuss with you today...
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As promised, today I'll share the other half of the story about how I got my first BIG drumming gig. Also, I tell you about the one factor that put me above the other drummers who auditioned...
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Today I peel back the curtain and give you an inside look at what it's like in an audition for a major touring artist (at least all of the auditions I've been on)...
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2016 has been incredible! I'm so thankful that you're on this drumming journey with me and I trust that we've helped each other grow as musicians! Here are a few exciting NEW things coming in 2017...
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Resolutions don't work... Goals do... Let's talk about it.
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Here's a sweet 3-part tip for finding out how solid (or maybe not-solid) you are at playing drums at a steady tempo...
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Every good endeavor must cost something... Other than the obvious (money), what is your drumming costing you?
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Today I got distracted by a squirrel in the backyard- and naturally, it got me thinking about drumming...
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A couple of cool recent new gear acquisitions got me thinking about making the most of the drum gear that we have...
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Today I'll share a couple of ideas about how to unlock that left hand and start playing some cool ghost-notes and such...
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Is it possible to instantly improve your drumming simply by changing the way you look? I think it is. And today we'll talk about why...
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I'm feeling festive today so I thought I'd share 9 of my favorite gift ideas for drummers. Whether you're buying a gift for a fellow drummer, or maybe you got a gift card this Christmas season and are looking for some cool drum-related stuff to spend it on, these are some of my top picks and most are less than $100 - and some are only a few dollars!
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Let's have the tough conversation about all those "drum cover" videos out there on YouTube and Instagram. I'll probably make some of you angry with this...
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Why do we play the patterns we play? How much thought are we putting into it? Why do we play the drums set up the way we do? What is the meaning of all this? Why are robin's eggs blue??? Most of these questions are explored in this podcast episode!
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Let's talk about keeping up our optimism and being willing to DREAM BIG as drummers... I've had some AMAZING things happen to me this week...
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This is it! The final installment in our 5 part series. Today we'll talk about the core principle behind getting lasting and fast improvement at playing with a click. I'll also share with you a way that you can get started becoming great with a click track TODAY with my help.Mentioned in this episode:BoomClick.net
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Today we're talking about an often overlooked aspect of EFFICIENT drumming practice, and the real key to getting results fast when trying to get better at drumming with a click track..
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Today we'll cover how to exercise not only our bodies while getting better at drumming with a click track, but also our minds. We'll find out how using a complex click track for practice can turbocharge our results and also make practice more fun...
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In part 2 of this 5-part series, we'll get in to the HOW a little bit more. Specifically HOW can we practice EFFICIENTLY and get the most out of every practice session.
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Today we'll start on a 5-part series that's all about how to get objectively and drastically better at playing with a click track VERY quickly. We begin with the simplest part of the process: Figuring out WHAT to play when we practice.
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Today I'll share a super-quick method for determining if you're playing in front of or behind the click track (or perfectly if you're a robot!)...
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Today we'll discuss a few more thoughts I have on drum muffling; specifically a couple of concepts I've picked up on recently that opened up a new world of drumming possibilities for me...
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Today we're talking all about drum shields and how to deal with playing in one if you have no choice...
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Here are a couple of tips for picking out drum sticks. As always, I try to steer clear of the obvious and pick out a few considerations to make that you might not think of at first.
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I've been drumming for almost 30 years now. Here are a few advantages and qualities having all that drumming experience has given me...
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3 things to think about when you're muffling drums either live or in the studio...
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My recommendation for an AMAZING snare drum that doesn't break the bank...
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Today I share something you can do very quickly and easily that will not only help you get more enjoyment from playing to a click track but will also help you play with more feel alongside a click track.
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I've been in a lot of great bands in my career. I've also played with some truly terrible ones. So what do you do when you find yourself on stage with musicians who maybe aren't as self-aware as you'd like them to be?
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One of the most common questions I get is about how I tune my drums. I wanted to give some really specific info about the method I currently use to tune my toms. I hope this helps!
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What happens when you go to a gig prepared to use a click track, but it turns out: you can't?
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Here are a couple of tips for choosing new drum heads. Including how to prioritize the unique features of different drum heads and find the one that's right for you!
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Today we'll talk about a few of the signs I look for when deciding it's time to change out my drum heads...
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I'm back!... and better than ever? Maybe- you be judge.
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Today we'll talk about how to become a more dependable drummer- which is the number one contributing factor to my success as a drummer.
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Another crucial part of worship drumming is playing with dynamics. Not only loud and soft, but working out how we incorporate the INTENSITY of our playing into all dynamic levels.
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One of 3 core traits I believe every great worship drummer should strive for- sensitivity can go a REALLY long way in improving the worship experience for everyone in your church.
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Let's go behind the scenes and find out what the rehearsals are like for a major national tour.
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Let's change our approach and how we think about practicing the drums, and maybe in the process actually practice MORE and get more improvement in our playing!
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Getting a new drum kit certainly feels like Christmas to me, but if your current drum set isn't getting you 80% of the sound quality you're looking for- it's time to make some other changes. That's what we're talking about today...
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Live from Walt Disney World....'s Parking Lot. One quick tip for getting your bass player to lock in with your drumming.
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Even the greatest musicians in the world don't knock it out of the park 100% of the time. In fact every single legendary musician I've ever worked with or encountered knows and accepts that he or she will actually be quite terrible from time to time. If you can start to embrace this about your own playing, you'll be able to start down the path to truly unlocking your genius.
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I've had a recurring dream about playing drums for the past 10 or 15 years. Here's what I think it means and what we can all learn from it...
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Today I'll share another magic trick on the drums- this time it has to do with how we can use people's perceptions of our cymbal sounds to pull off seemingly-impossible feats!
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My drum teacher used to always tell me to make sure to bounce my rolls- now I'm telling you to break that rule and try something different (and with much more feel)!
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When the time comes for a studio session, here are some unique questions you as a drummer should ask BEFORE the day of the session...
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Today we'll dive into the visual aspect of drumming, and how the way you look can affect the way your playing is perceived (heard) by others.
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Can you make drumming gigs magically appear just by pretending you have an audition coming up? Not really- but here's something that I think is worth your while...
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Most of the time, you'd rather be early than late, right? Well when it comes to drumming, that isn't ALWAYS the case...
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If you're a drum clinician, or someone who LOVES to play drum solos, you might not like what I have to say today...
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Today, I'll teach you a MAGIC trick on the drums
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Make a mistake playing drums? Don't fix it! Do it again!I have had a great day today. It's been a busy past few days for me. We had a rehearsal for All Sons & Daughters for our upcoming tour. On Thursday, I'll stop talking in days of the week, because I realize not everyone listens to this the day I record it. About four or five days ago, before the weekend, I had a rehearsal with All Sons & Daughters for tour and then on Friday, went back to the same studio where we rehearsed and had a session. I talked about that, I think, on that day, on Friday.Saturday we had a show with All Sons & Daughters, so we traveled up to Illinois, played a show, drove back yesterday, which would be Sunday and got back in the middle of the day. Today, had another rehearsal with All Sons & Daughters for the tour. That's been great. It's been a lot of fun to go through these new songs and really nitpick those and find what works and what doesn't work. Get a chance to play a lot of new songs all at once, which is always fun. Also, it can be really tiring to focus that long. It's almost like playing a session when you have to pay attention and put your energy into songs. You might play them over and over again, but you still have to focus and make sure you're paying attention to what you're playing and listening to yourself, and all kinds of stuff. Maybe I'll talk about that some day, about rehearsing.Right now, I am sweating and my mouth is on fire, because I just finished eating some Thai curry. I told them to give me a two-spice, which they do the 1-5 on the spice level. I think these people were like getting done for the day and decided they wanted to empty out their spice bucket or whatever the stuff is they put in there, because it was really hot for a two. My wife and I were down there eating, we were like crying. She said, you look like your lips are swollen. They probably are. Anyway, that's what's happening with me. Also, I think that... here's what I don't get. Why does curry retain heat so well? I feel like that and, if you've ever been up to Canada, Tim Hortons coffee, those things stay hot for forever.
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Some secrets and insights about what it really is like in a professional recording session for a drummer.I just walked inside from taking the trash out. That's the honest, glamorous life of a professional drummer in Nashville, you still take your own trash out. We didn't get the butler to do it this time. We gave them the day off. I hope you can tell I'm kidding, we don't have a butler. That's a whole other episode of the podcast, about what it's really like, the finances of being a professional drummer.But you probably don't want to hear that right now, and if you do, it's too late, because I recorded this. It's not live. But, what was I saying ... Oh yeah, I took the garbage out. The reason I took the garbage out, I've been waiting until it cooled off enough here and stopped raining to take the garbage out. It finally did, and it's actually pleasant outside right now here in Nashville, which is a rare occurrence.Speaking of Nashville, I wanted to talk to today, and after I got thinking about this I was like, oh man, I have probably three hours of material that relates to this topic. I thought I'd just kind of generally touch on it today and then we'll get into more specifics down the road. But what I wanted to talk about today was this.
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How to deal with making mistakes in big situations- and how things aren't always as bad as we think they are.Transcript: Hey, how's it going? Welcome to another episode of Drummer Daily. I'm Daniel. Thanks for listening. Today I want to tell you a story and then relate it back to something to do with drumming. Yesterday I have an office that's downstairs in our house near the front door. My wife works from home. So do I. We have a son. He was outside playing with some friends, and you hear screaming and crying all throughout the time that he's outside playing. He's got some friends on our street that he plays with all the time outside.Anytime, yesterday I'm working and I hear just wailing, just crying, like the end of the world just happened. Once you get to know your kids, you get to know their cries and what things mean. I knew he hadn't hurt himself. I thought maybe the kid had been really mean to him or something. There was something that was just destroying him. I go out there to find out ... I don't always go out when he's crying to try to not make a big deal about it and hopefully he'll learn not to always cry about everything and only cry when it's a big deal, which is something we're working on. Anyway, go outside and I'm like, "What is going on? What is happening?" He told me that Hans Solo was lost in the bushes.TO back up a little bit, my brother and I, we both played with Star Wars toys when we were kids, and my brother ended up with most of the old toys. Most of those toys he ended up having them stored away with him in Seattle. For his birthday, my son really wanted some Star Wars toys because he had seen the new movie and loved it. We got him a few of the new ones, but he really wanted a lot, and so I was like, "It would be so cool to pass down some of my toys to my son because they're exactly the same as the new ones, so why not?" Long story short, my brother shipped some to me, and it includes one of the Hans Solo figures from the '80s.Anyway, my son and his friend were outside, and my son had lost Hans Solo in the bushes out in front of our house. It's funny because that's what caused him to be so upset, was that he had lost Hans Solo. The resolution to that story is that I went out and found Hans Solo pretty quickly. It was around top of the bushes. He hadn't fallen into the bush. He had actually been caught by the other top layer of the bush, and that's where he was.Anyways, flash back 2 to 3 weeks ago, and he has this really nice awesome scooter that he rides around on, and the back wheel has one of those roller blade wheels with the break on it, and the break had broken on, and so he can't really stop anymore, so he can't ride his scooter until we get him a new one. He actually much less upset about that than he was about Hans Solo being temporarily missing. All that to say the things that we choose to make a big deal, and I'm talking about when we make mistakes playing drums, a lot of things that we choose to make a big deal about to ourselves the outside world doesn't think of those things as being as big of a deal.Basically what I'm trying to get at here is if you make a mistake in drumming, and the reason why it even matters what other people think is that drumming is a performance based thing. Part of the reason why most people play drums is that so other people can hear you play. You're trying to give something to those other people. Their perception of what you're doing actually can be important. When we make mistakes, the things we choose to make a big deal about don't actually always matter that much to everyone else.
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Is this podcast as good as the last 3 Hobbit movies? Probably not, but they DO have something in common. Oh yeah, and we'll talk about having fun while you practice on the drums too!Hey, how's it going? I hope you are ready because I am to bust into this sweet cornucopia of drumming awesomeness. I don't know if you can tell or not, but I make these up every time right when I hit record, so I apologize. I don't know what to say about that, I'm sorry. We are to day 3 of 3 on our series on how to have more fun practicing the drums. Today we're going to talk about something that piggy backs off of what we talked about in the last episode. It's a recap. Day 1 we talked about how you can have more fun practicing the drums if you can work on getting your drums to sound as good as possible to you, like how much more fun it is to play drums that actually sound good to you.
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Today I have a confession to make about how I've practiced my whole life.You're listening to to the Drummer Daily Podcast. The only daily podcast dedicated just to drummers. Go to my website at danielhadaway.com. Hey, hey there good to talk to you again today. As I mentioned, yesterday, we are now going to be in part two of three of my miniseries, my three-part opus, my trilogy of epic awesomeness on having more fun playing. Not having more fun playing drums, having more fun practicing the drums. It's always fun to play the drums I think, but practice is what's not always so fun.Today, I want to talk to you about ... Well, I have a confession to make, and then also a tip that kind of comes out of that. My confession is this; I have been playing drums for ... How long has it been now? 27 Years. 27 Years, that's a long time, which you do the math on that, you might figure how old I am, not that it really matters. I'm not scared of that. Anyway, I've been playing drums for 27 years. That's a long time. From day one of playing the drums, until this very moment, now, I'm talking to you, I think realistically I have maybe only played drums, or practiced drums with just me and the drums, probably ten or less times in my entire life.I would guess that most of those times were either during a lesson that I was taking, or, let's see ... I was prepping for an audition for when I played for this Christian artist Rebecca St. James, years and years ago. When I was preparing to audition for her, for her band, I practiced a couple of times the songs that I needed to play. I practiced those from memory to make sure that I had them completely learned without any reference from music. All the rest of the time, I have practiced playing along with music. I mean when I was five years old, there was a boom box blaring music, and I was playing drums with it. All throughout being a teenager, there were headphones on my head, and I never didn't play with music. That's what I was about to say that. I always played with music.What that means for me ... Here's the thing about it, is that I think of myself as maybe a music fan first and foremost. Then I also happen to play the drums. I really love a good song. I really love all of the instrumentation that goes into a great song, or a great performance, or a great band, or for church, you know, a great worship service. I really enjoy every aspect of music. I find a lot of enjoyment in listening to music and seeing it be played live. So much so, that even when I'm playing ... That's maybe why I enjoy playing such simple beats so much, is because I am able to be a part of something that I am perceiving to be bigger. I'm actually, even though I'm playing the drums and the music, I'm actually enjoying the fact that the overall band is sounding great, and I get to be a part of it.
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Today is the first of a 3-day series that's all about how to have more fun while practicing the drums. Because we all know that if we have fun doing something, we tend to do MORE of it!
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Why you should only ever HAVE to play up to 80 percent of your actual abilities.Hey, you guys. Thanks for listening to another episode of this glorious short daily podcast. Today, this episode is coming out a little bit later than I usually put them out each day because I've spent a couple hours outside today painting our deck. We have this stuff that we're painting with that you have to wait to where it hasn't rained in 48 hours. Also, once you paint, you need to make sure that it doesn't rain for another 24 hours after that. Here in Tennessee, in a summer like this, that is nearly impossible to achieve. Basically, 3 days straight without rain. Of course, we finally hit a time, I think today, where that's going to be possible. It was 95 degrees outside. My wife and I have been outside sweating and painting a deck for a while today. It was not fun. We got about half way done. A few weeks ago, I thought we had to half paint a deck and that wasn't cool.Anyway, all I had to say, this episode is a little later. Today, I want to talk to you what I would like to call, the 80% rule. Before I tell you about that, I want to tell you about my drum teacher in high school, my drumline teacher. Her name was Ms. [Vans 01:34]. Think about, if you could combine the coolest mom ever with the drill sergeant, that's what she was. She's all about a tough love. She cared more about us as a drumline and as individual drummers. She cared more about us being great than she did about us having fun. I think I'm really appreciative for that because years later now, you can have fun a lot of different ways. The greatness that she instilled in us to strive for was something that has affected me to this day. That's something that I keep with me. Like I said, fun normally doesn't last very long and doesn't affect you for the rest of your life. Even just the experience of striving for greatness, whether or not you achieve it, that's something that you carry with you.Anyway, I learned this idea from Ms. Vance. In drumline, we would have these warm ups. Of course, these grueling warm ups we had to play and these really tough ... They weren't really cadences because they weren't meant to entertain other people. They were more of just technical exercises. I guess they still were warm ups. They were technical exercises that we had to play. A lot of these things were really hard to play. They were much harder than the actual music we had to play. It was always funny to me and it came up from time to time that we were playing these warm ups and practicing these things that were so hard. When it came time to play whatever music was in the marching band, Reno and the orchestra, or whatever it was that we were doing at that time, what we actually had to play was so simple and easy compared to what we were having to play these exercises and warm ups.
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We don't know what we don't know. So how do you break out of your own mold and learn new drumming vocabulary?Today I was thinking about something, first off I got some feedback. I went live on Facebook yesterday and someone gave me some feedback. I was talking about having a bad habit and he was like, "Hey, I actually don't have that bad habit so instead of trying to use your exercise to break a bad habit I actually did the opposite of your exercise to break my own habit." Which was the exact opposite of what I was talking about, which I thought was really cool. I thought, "Man you're pretty genius if you can ... " I don't think about that, when someone says, "Hey, you should do this thing," I'm pretty like ... I don't know what the word is. If someone gives me advice, like, "Hey, you should do this thing," I'm like, "Okay, yeah I'll do it." I don't thin about it enough to be, "I don't have that problem but actually if I completely flip what you're telling me on its head, that will actually help me. It's valuable in its own way." I thought that was pretty cool.
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More practical advice today. 3 Tips for tuning your snare drum, Including an overview of the method I use to tune my snare drum every time.Hey guys. This is Daniel. I hope you're doing well. I'm kind of laughing still. I just was talking to my wife about how awesome it is that there is a ... I've been looking at the stats for downloads for the podcast and how many people are listening to this and I'm amazed that we're not too far into this and there are already quite a few of you who are listening every day and downloading it. I was like "Man, there's this many people listening to the podcast or who want to hear what I have to say." She was like "That's kind of scary." I was like "Yeah, that's true." People are actually wanting to listen to what I have to say every day it is kind of scary, definitely scary for my wife so that's funny.Today I'm really pumped. I wanted to share with you some more practical tips like I promised last episode. Today I want to share with you three tips for tuning a snare drum. Disclaimer on this: This is not THE way to tune a snare drum, this is not necessarily the best way, according to experts, whoever. This is how I tune my snare drum and I thought it would be worth it to mention it to you. I think I have alluded to this before in a previous episode. Here are my three tips, and if you saw me live on Facebook earlier today I mentioned these as well.The first tip is this: Don't approach tuning your snare drum like you tune a tom. A lot of people are fighting against the tone coming out of their snare drum a lot of times and the reason why they are fighting against it is because they learned one way to tune a drum and they use that method on every drum they tune. Snare drums are snare drums, toms are toms. They are made different and they are called different names because they are meant to sound different than each other. If you are tuning your snare drum the same way you tune your toms, then you most likely are fighting with tuning your snare drum.I have heard some feedback from a few of you who have already said "Yes, please talk more about this because I'm fighting with this all the time." A lot of people run into that problem. They're tuning their snare drum the same way they tune their toms and that is a problem. The way that I tune a drum is like this: I first ... Well let me back up because there is another tip. Before I get to how I tune my drum I want to share with you another tip that kind of goes along with this. A lot of people are always trying to tune their snare into a frequency or a tone range that that drum is not made to go in.
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Many of us who grew up playing in marching band or orchestra might have a habit of playing a flam every time we hit our right and left hands on the same beat. Today I talk about why this kills the feel of a groove and give you an exercise to start to correct it.Anyway, as promised today I want to share something with you that's a little more practical than what I've been sharing maybe in the past few episodes. I mean, everything is practical, but I mean more something specific to drumming versus just any other kind of principle or idea. Today, we're going to talk about what I think is one of the biggest enemies of playing with a click for sure, even without a click it's something that's kind of built into a lot of us, and it kind of ruins groove when trying to make things feel good. The thing is this, it is flams.A lot of us, myself included, grew up in band, orchestra, marching band, and whenever you play the snare drum, or other kinds of assorted drumming instruments, pretty much every time that you bring your hands down together on the drum, so visualize this with me, you have your hands out, and you're going to bring both hands down on the drum, so both sticks down on the drum at the same time. If you're playing a snare drum, or like I said, other kinds of upright ... banging on them instruments, you're always going to be playing when those hands come down a flam.For those of you who don't know what that is, it's where you hit a small hit ... so both hands come down together, but one hand, the first hand that hits, is going to be a little bit before the hand that actually hits right on the beat. If I'm bringing down a flam on beat one, and it's a right hand flam, my right hand is going to hit on beat one, but my left hand, my left stick, is going to hit right before beat one. It kind of goes "Brrah", kind of a little like ... they call it a flam. It's a little sound where it's kind of more than one hit at the same time. That's all well and good if you're playing snare drum in a marching band or orchestra stuff, but for me over time what happened was I played snare for a couple of years in marching band, and did a lot of orchestra stuff. What happened was I developed a habit of playing flams.
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Are you really willing to do what it takes to be a top-notch studio and live drummer?Hey there, you are listening to Drummer Daily, the Podcast, new world's first and only, I think, daily podcast for drummers. My name is Daniel, I am your host and in case you've never listened to this podcast before, this is how every podcast is. No frills, no music, no intro, just me talking. Why is that? It's because I do it everyday and if I had to do all that other stuff, I would never get around to doing the podcast. I want to do it daily for you guys, so that's why you don't hear any crazy production on this. Speaking of crazy production, and I have heard it from a few of you guys, that you'd like to hear more practical tips for drumming. I hear you loud and clear, so tomorrow I promise you I will have a very practical tip for playing drums with a click track, playing in a studio, playing live. Something that will make everything you're doing stand a lot cleaner and have a little more groove to it.Today, because it's Monday when I'm recording this, you might get this on Tuesday morning, but because it's Monday when I'm recording this, I wanted to talk to you about something that maybe will motivate you for the week. That is this, I have been working on this thing called Boom Click Boot Camp for a while. Today it got to the point where I had to ... It's a 14 day boot camp and each day has 3 or 4 little exercises, that each are about, you know, 4 or 5 minutes long. Each of those exercises needs a click track. It's not just a regular click track, it's going to be one that's programmed. Beats drop in and out, accents change, the click goes away completely for a few bars to kind of make it more of a game, where you can kind of hear how well you're keeping up and how well you're holding the beat down.It kind of makes things a little more fun than just playing along and practicing with a click track, playing the same old thing over and over again. Anyway, I have to program all these click tracks, and I didn't really do the math on the front end, but I realized that fourteen days of exercises and each of those days has between three and five exercises. Which meant that I had to program unique click tracks for each of those three or five exercises each day. You do the math on that and the way it worked out for me is I had fifty-three original click tracks that I had to program, and so I was doing that today. There's not many things like what I'm doing for this boot camp thing, and I always was like, "Why has no one done this before?" And I think I realized today why no one has done this before. It's because it's a lot of work, and that's just making this thing, not all the work that goes into actually making sure people know about it and can participate and all the technical stuff.
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My friend Dan said something interesting today after we finished filming my Boot Camp for Drummers.I've been filming all day for Boom Click Boot Camp. I'm recording this Friday night. My family's downstairs watching the Olympics opening ceremony which is like blowing my mind. I feel like I'm that guy on Super Troopers, I'm freaking out man because it's crazy.Anyway, I've been having a great day. Like I said, we filmed all the pre-recorded stuff for Boom Click Boot Camp today and I just wanted to share with you guys. There's this crazy thing that happened ... well it's not crazy to me because I knew it was true, but it was fun because my buddy, Dan, who's shooting all of these videos for me was here with me today. After we got done, we were wrapping up, we did the whole thing and it was great. What was crazy was he was like,"Yes man, I think this is going to do really well." He's a musician too. He's not a drummer, but he's a musician so he kind of understood what we were doing. He's like, you know what's crazy is I think people are going to really like this stuff, but you know what's crazy is it's not really anything ground breaking. It's not anything earth shattering or anything new. I was like, you're exactly right.That's the thing is what's going in to this boot camp is not anything mind blowingly new or different or secret. It's some structured exercises that I've put together. There's some cool, fun things in there that I'll tell you about later, but really it's nothing new. That's the thing is that what's true or what's been true for hundreds of years about drumming or any kind of craft or art like music is still true today and that's that the secret to getting better is not a secret. You just keep doing it. You work at it. You don't waste your time doing things that aren't going to help you so you don't spend hours and hours and hours doing things that aren't really going to improve you at all. You can't sit there and play the same beat for hours and hours and get better at all kinds of drumming. You get better at that one thing. What you have to do is you have to be smart at what you work on.
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Every pro drummer I know shares this one trait - adopt this into your life and get a head start in your music career!Yeah this is Daniel and you're listening to the Drummer Daily Podcast. I'm going to stop numbering these podcast, I was saying what number each episode was, but I'm not going to do that anymore. I realized that I plan on doing these daily and honestly. I'll probable be forgetting what number it is very soon, so no more numbers.I will just say and mention one thing, yesterday if you listened to yesterday's podcast. You probably just heard it randomly cut off at the end, which if you actually listen to the podcast. You'll know that was just par for the course yesterday, things going wrong, having to fight through things. Which happens a lot sometimes and the life of a entrepreneur and definitely life of a drummer. Things don't always go right, so sorry about that if you heard that. We're recovering today.
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What to do if you're stuck trying to play a difficult part, and just want a shortcut.I had an interesting afternoon, but before I tell you about that, I just want to remind you to go over to DanielHadaway.com and check out what I got going on there. If you haven't already signed up for my Boom Click Boot Camp Beta, go over there and do that, DanielHadaway.com/beta, and check that out. What I wanted to tell you about today was something that happened to me earlier today, and I don't know if I want to cry or I want to laugh about it. You might have seen, if you follow me on Instagram, if you don't, you should, but over on Instagram, I was doing a video, shooting a video of me playing drums. I like to at least try to get some professional mics and multi-track it into logic so that it sounds decent.
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Avoid these 3 Common Mistakes When Tuning Your Snare Drum!
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No... You DON'T need to work on your foot speed.
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