Stay ConnectedEach fortnight, hosts Lauren and Alicia delve into a ‘deviant’ woman from history, fiction, mythology and the contemporary world: those who aren’t afraid to break the rules, to subvert the system, to explore, to seek and to challenge the status quo.
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New to Lipp Media, hosts Heidi & Jessa relive the most cringey moments of their adolescence as they guide listeners through Dolly and Girlfriend Magazines from the late 90s and early 00s. In this episode of My Girlfriend Dolly, Jessa & Heidi read to you from Dolly magazine from July 2002. They discuss joining Lipp Media (OMG!!), 00's it girl Kate Bosworth & Miki cosmetics, read articles I'm Not Afraid To Be A Freak & take the quiz Are You A Grot?
Listen to My Girlfriend Dolly wherever you listen to us!
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For over 1000 years, poetry has remained one of the most important traditions of Persian culture. So when, in the mid-twentieth century, a young woman emerged with a voice that spoke with a whirlwind of desire, a voice yearning with love, intimacy, and insight well beyond her years, the establishment was shaken. With a tumultuous love life that saw her become one of Iran's most controversial and scandalous public figures, Farrokhzād suffered under the glaring public eye. But she was also a mother, a filmmaker, and a visionary. Despite her poetry being banned for more than a decade after the Iranian Islamic Revolution, today she is seen as one of Iran's most revered poets, a woman with the audacity to speak taboos in a revolutionary form.
Join us for the last episode of Season Four as we explore one of the most extraordinary poets of the twentieth century.
Selected References
Dehghan, Saeed Kamali. “Former lover of the poet known as Iran's Sylvia Plath breaks his silence.” The Guardian, Mon 13 Feb, 2017. https://www.theguardian.com/books/2017/feb/12/forough-farrokhzad-iranian-poet-ebrahim-golestan-slyvia-plath
Forugh Farrokhzad: The Rebel Poet of Iran, http://farrokhzadpoems.com/
Forugh Farrokhzad. 2018. https://www.forughfarrokhzad.org/index1.htm
Ghasemi, Parvin, and Farideh Pourgiv. "Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry." Women's History Review 19.5 (2010): 759-774.
Hillmann, Michael C., A. Lonely Woman. "Forugh Farrokhzad and Her Poetry." Washington DC: Mage Publishers (1987).
Milani, Farzaneh. "Love and sexuality in the poetry of Forugh Farrokhzad: A reconsideration." Iranian Studies 15.1-4 (1982): 117-128.
Radjy, Amir-Hussein. “Overlooked No More: Forough Farrokhzad, Iranian Poet Who Broke Barriers of Sex and Society.” New York Times, Jan 30, 2019. https://www.nytimes.com/2019/01/30/obituaries/forough-farrokhzad-overlooked.html
Zubizarreta, John. "The woman who sings no, no, no: Love, freedom, and rebellion in the poetry of Forugh Farrokhzad." World Literature Today 66.3 (1992): 421-426.
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As Halloween approaches and we near the end of the spooky season, it's time to delve back into the world of the dark and sinister. And who better to take us there than the queen of mystery, suspense and menace, author Daphne du Maurier.
Du Maurier spent her formative years exploring the windswept coast of Cornwall where her imagination was fired by shipwrecks and derelict mansions, with the ever present backdrop of the ocean churning nearby. Du Maurier would go on to spend most of her life along the rugged Cornish coastline, and it was also here that she set her most enduring work, Rebecca. Published over eighty years ago, Rebecca has never been out of print, and its thrilling and gothic tone still haunts readers today. But Rebecca was only one of a string of successful works for du Maurier, whose short stories and novels have been endlessly dramatised for the big and small screens, continuing to inspire adaptations to this day. But du Maurier herself was also a woman of secrets, and her personal life bled into her fiction, informing the dark and brooding worlds she so often created. So keep a lamp burning in the dark night as we open the pages on the life and work of Daphne du Maurier.
De Rosney, Tatiana. Manderley Forever: A Biography of Daphne Du Maurier. St Martin's Publishing Group, 2017.
Forster, Margaret. Daphne Du Maurier. Random House, 2012.
Horner, Avril & Zlosnik, Sue. Daphne du Maurier: Writing, Identity and the Gothic Imagination. Palgrave Macmillan, 1998.
Pryor, Cathy. 'Venetian tendencies; Daphne du Maurier, born 100 years ago today, kept a dark secret behind the facade of the respectable English wife'. The Independent of Sunday, 13 May 2007.
White, Sophie. 'The menacing Daphne du Maurier'. The Independent, 2 October 2017.
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On the darkest of dark and stormy nights, the teenage Mary Shelley awoke from a nightmare. In her vision she saw a young man, a 'pale student of unhallowed arts', kneeling over his creation. The image inspired one of the most enduring horror works of our time, Frankenstein. But Mary Shelley was not just a mistress of the gothic. Born to one of the most influential proto-feminists of our age, Mary Wollstoncraft, and political radical and anarchist William Godwin, Mary moved in intellectual and artistic circles that would often overshadow her own greatness. But great she was. A woman who suffered and overcame tremendous loss, she was a survivor who spoke to some of the greatest anxieties of her - and our - time. But she was also a travel writer, an editor, a biographer, and feminist activist.
Join us as we steal away in the night to traverse the stormy crossing from England to France and curl up by a fire to hear the tale of the original teen goth, Mary Shelley.
Selected References
Crook, Nora. "Mary Shelley, Author of Frankenstein." A New Companion to the Gothic, edited by David Punter. Chichester, UK: John Wiley & Sons, 2012. 110-22.
Gilbert, Sandra M. “Horror's Twin: Mary Shelley's Monstrous Eve.” The Madwoman in the Attic. 2nd ed., Yale University Press, 2000. 213-247.
Lovejoy, Bess. Mary Shelley’s Obsession with the Cemetery. JSTOR Daily October 3, 2018. https://daily.jstor.org/mary-shelleys-obsession-with-the-cemetery/
Lepore, Jill. The Strange and Twisted Life of Frankenstein. The New Yorker. Feb 12 & 19 2018. https://www.newyorker.com/magazine/2018/02/12/the-strange-and-twisted-life-of-frankenstein
Sampson, Fiona. Frankenstein at 200 – why hasn't Mary Shelley been given the respect she deserves? The Guardian. Jan 13, 2018. https://www.theguardian.com/books/2018/jan/13/frankenstein-at-200-why-hasnt-mary-shelley-been-given-the-respect-she-deserves-
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When it comes to fairy tale tellers, most of us think of the Brothers Grimm, Hans Christian Andersen, or even Charles Perrault. But the names we less frequently associate with the genre are those of women: the writers and weavers of stories that are so often overshadowed by many of their male contemporaries. During the tail end of the 19th century, one such woman was adding her voice to the world of the Fae, crafting stories of talking animals, witches and wizards, pixies, peasants, princes and princesses - all the ingredients we've come to associate with the art of the fairy tale. But Mary de Morgan wasn't afraid to play with these tropes, and the many and varied influences that shaped her life also helped to shape her stories. From growing up participating in the seances and salons of her Spiritualist mother to moving in a circle of artists that included members of the Pre-Raphaelites and the Arts and Craft Movement, Mary was surrounded by inspiration to fuel her creativity, leading her to publish three volumes of fairy tales in her lifetime and to write many other works besides. But it's only recently that de Morgan's stories have come back to the fore, and that she has begun to receive the recognition she so deserves for her contribution to the mystical and magical world of faerie.
Gather round as we cross into fairyland, and discover the life and works of Mary de Morgan.
Carroll, Alicia. ‘The Greening of Mary De Morgan: The Cultivating Woman and the Ecological Imaginary in “The Seeds of Love”’. Victorian Review, vol. 36, no. 2, Fall 2010, pp.104-117.
De Morgan, Mary. On a Pincushion and Other Fairy Tales. Seeley, Jackson & Halliday, 1877.
The Necklace of Princess Fiorimonde and Other Stories. MacMillan & Co., 1880.
Pemberton. Marilyn. Out of the Shadows: The Life and Works of Mary De Morgan. Cambridge Scholars Publishing, 2012.
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In the 1920s, the infancy of aviation, pilots took to the skies to shock and awe their audiences with death dives, barrel-roles, and wing-walking. Within these flying circuses, one performer truly stood out: the Bird Woman, Bessie Coleman. Born to a family of sharecroppers in Texas, Coleman knew that to live her dreams, she'd need to leave the US and its prejudiced segregationist policies and move to France. Here, a place where women were truly excelling at the new art of flying, she grew her own wings and became the first Black woman in history to earn her pilot's licence. At home, she quickly became a sensation, performing daring feats of high-flying acrobatics in her old war-time Jenny. But she was a performer as much on ground as she was in the air, and she wasn't afraid to self-aggrandise, particularly in the effort to increase Black participation in aviation. As flying became a symbol of her own political empowerment, Coleman soon dreamed of establishing a flying school of her own and opening the skies to those who'd been denied such freedoms.
So put on your goggles, fire up an old biplane, and take to the skies with us as we explore the daring life of Bessie Coleman.
Bix, Amy. "Bessie Coleman: Race and Gender Realities behind Aviation Dreams." Realizing the Dream of Flight, edited by Virginia P. Dawson and Mark D. Bowle, National Aeronautics and Space Administration, NASA History Division, 2005.
Cochrane, Kira (3 Oct, 2009). Trailblazers: The early women aviators, The Guardian. https://www.theguardian.com/lifeandstyle/2009/oct/03/early-women-aviators
Creasman, Kim. "Black Birds in the Sky: The Legacies of Bessie Coleman and Dr. Mae Jemison." The Journal of Negro History 82.1 (1997): 158-68. Web.
Gils, Bieke. "Bessie Coleman: “The Only Race Aviatrix in the World”." Before Jackie Robinson: The Transcendent Role of Black Sporting Pioneers, University of Nebraska Press, 2017.
Slotnik, Daniel E. (Dec. 11, 2019). Overlooked No More: Bessie Coleman, Pioneering African-American Aviatrix The New York Times https://www.nytimes.com/2019/12/11/obituaries/bessie-coleman-overlooked.html
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In 1919, an autobiography appeared that scandalised polite American society. Chronicling the life and times of a sex worker who went by the pseudonym Madeleine Blair, Madeleine: An Autobiography took to task the puritanical forces that condemned her work and her industry, and laid on the table the story of her life as a so called 'soiled dove'. In her frank and engaging accounts, she outlines the many ups and downs that lead her into the life of a 'painted lady', but adamantly refuses to let anyone view her as a victim. From her time in Montana and Chicago, to her work over the border in Canada, Blair traverses many a bawdy-house of ill-repute, always striving to champion the legitimacy of her profession and to shed light on the world of debauchery in which she moved.
Come with us to the plush parlour rooms and smoking dens of the American north, as we delve into the life of this savvy business woman and entrepreneur, Madeleine Blair.
Blair, Madeleine. Madeleine: An Autobiography. Harper & Brothers Publishers, 1919. https://digital.library.upenn.edu/women/madeleine/madeleine/madeleine.html#intro
Butler, Anne. M. Daughters of Joy, Sisters of Misery: Prostitutes in the American West, 1865-90. University of Illinois Press, 1987.
Erickson, Lesley. Westward Bound: Sex, Violence, the Law, and the Making of a Settler Society. UBC Press, 2011.
MacKell Collins, Jan. Good Time Girls of the Rocky Mountains: A Red-Light History of Montana, Idaho, and Wyoming. TwoDot, 2020.
McMaster, Lindsey. Working Girls in the West: Representations of Wage-Earning Women. UBC Press, 2007.
Morgan, Lael. Wanton West: Madams, Money, Murder, and the Wild Women of Montana's Frontier. Chicago Review Press, 2011.
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After a childhood spent buried amongst the texts of her grandfather's library teaching herself Latin and Nahuatl, Greek rhetoric, and philosophy, it's not surprising that the young Juana was considered a prodigy. So much so that, at just fifteen, she found herself lady-in-waiting to the Vicereine, wife of the Viceroy of New Spain. Court life, however, didn't appeal to young Juana, who, sick of rich and drunken bachelors and their flirtatious ways, craved the space and time to dedicate herself to her studies. So, what was she to do? Join the nunnery, of course! Here, she found the scholarly solace she desired. But when the Bishop of Puebla, one of the most influential men of the New World, publically maligned her for daring to think beyond her sphere, Juana penned a manifesto that would become one of the most important proto-feminist texts in the history of the Americas - if not the world.
Donaway, Elizabeth. A Baroque Drama: Sor Juana Inés de la Cruz’s Crisis in Seventeenth-Century New Spain, 2019. Hanover Univesity. Thesis. https://history.hanover.edu/hhr/19/HHR2019-donaway-sorjuana.pdf
Merrim, Stephanie. “Sor Juana Inés de la Cruz”. Encyclopædia Britannica, 2020. https://www.britannica.com/biography/Sor-Juana-Ines-de-la-Cruz#ref959
Merrim, Stephanie, ed. Feminist perspectives on Sor Juana inés de la cruz. Wayne State University Press, 1999.
Paz, Octavio. Sor Juana, or, the traps of faith. Harvard University Press, 1988.
Schuessler, Michael. “Reply to Sor Philotea”. Enyclopedia.com, 2019. https://www.encyclopedia.com/arts/culture-magazines/reply-sor-philotea
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In the deep, dark forests of Russia, where danger lurks in the liminal spaces, you might just find the unusual abode of one of folklore's most fascinating characters: the incomparable Baba Yaga. With her hooked nose, her bedraggled hair and her wrinkled skin, this hag of hags appears in her strange mode of transport, ready to aid or to hinder, depending on how much you keep your wits about you. With roots in the early Slavic pantheon of gods and goddesses, Baba Yaga has changed through the centuries, playing different roles for different listeners, and slowly crystallising into the ultimate fairy tale witch.
Arm yourself with your magic charms and keep your tongue sharp as we cross the threshold into the domain of talking creatures and mystical powers to stoke the fires and spin a tale or two of Baba Yaga.
Afanasev, Aleksandr. Russian Fairy Tales. Guterman, Norbert (ed.). Pantheon Books, 1973.
Baba Yaga: The Wild Witch of the East in Russian Fairy Tales. Intro & Trans by Forrester, Sibelan. University of Mississippi Press, 2013.
Johns, Andreas. Baba Yaga: The Ambiguous Mother and Witch of the Russian Folklore. Peter Lang, 2004.
Tatar, Maria. Off with Their Heads!: Fairy Tales and the Culture of Childhood. Princeton University Press, 1993.
Warner, Marina. No Go the Bogeyman: Scaring, Lulling and Making Mock. Vintage Book, 2000.
Zipes, Jack. The Irresistible Fairy Tale. Princeton University Press, 2012.
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In 1919, into the heart of the burgeoning Harlem Renaissance, Norma Miller was born. As a child, she would watch the likes of Duke Ellington and Ella Fitzgerald play to the hopping crowds of the Savoy Ballroom, the majestic heart of Harlem and the birthplace of swing. At just 12, she was plucked from the street outside its doors and so began a career that would take her around the globe as one of the world's foremost swing dancers - and all before she turned 18. So put on a record and lace up your dancing shoes, because we're swinging out from the sprung-wood floors of the Savoy to the slippery decks of British liners and the beaches of Rio as we follow the life of Norma Miller, Queen of Swing.
McFadden, Robert D. “Norma Miller, Lindy-Hopping ‘Queen of Swing,’ Is Dead at 99”, New York Times, May 6, 2019, https://www.nytimes.com/2019/05/06/obituaries/norma-miller-dead.html
Miller, Norma. Swingin'at the Savoy: the Memoir of a Jazz Dancer. Temple University Press, 1996.
Spring, Howard. "Swing and the Lindy Hop: dance, venue, media, and tradition." American Music (1997): 183-207.
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May Contain Traces Of Soy is a new show on Lipp Media, a network celebrating the voices of women and the LGBTQ+ community. Join host Rochelle Lindquist on her journey down a plant-based path as she pursues a more zero-waste existence.
In this episode, Rochelle discusses women's health, period stigma and period poverty with Katie Norbury from Share the Dignity and Get Papped. They also discuss the importance of going zero-waste with your monthly flow, getting the fold right with your menstrual cup and the freedom of period pants.
Listen to May Contain Traces Of Soy wherever you listen to us!
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During the 1960s, the world was in the grip of enormous ideological change. In Australia, there was public outcry against the Vietnam War and growing support for equal pay for women, free education, fair wages, and the abolishment of the White Australia Policy. There was also growing support for radical changes to the rights, or lack thereof, afforded to Indigenous Australians. Helping to drive this movement was a woman who was intimately familiar with what it felt like to face racial discrimination. The daughter of a slave "blackbirded" from the South Sea Islands in the 1880s, Faith Bandler was inspired by the injustices she saw around her to co-found the Aboriginal-Australian Fellowship, and soon began the long fight that would eventually lead to a monumental referendum in 1967. But the referendum was only one part of a bigger whole, and in her latter life, Bandler continued to fight for those who were oppressed, eventually turning her attention towards her cultural roots in Vanuatu.
Join us as we grab our placards and take to the streets to celebrate Bandler's contribution to the crucial work towards equality that continues in this country today.
Bandler, Faith, & Fox, Len. The Time Was Ripe: A History of the Aboriginal-Australian Fellowship (1956-69). Alternative Co-operative, 1983.
Heimans, Frank. Australian Biography. Faith Bandler. National Film and Sound Archive of Australia, 1993. https://www.nfsa.gov.au/collection/curated/australian-biography-faith-bandler-0
Lake, Marilyn. Faith : Faith Bandler, Gentle Activist. Allen & Unwin, 2002.
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Born into The United States' last days of slavery, Ida B. Wells was raised to fight. The daughter of two politically active entrepreneurs, she wanted to raise herself and her siblings into the middle class. But while emancipation may have passed into law, new structural barriers emerged to keep women like Wells out - out of the economy, out of the political system, and out of first class train carriages. When a conductor tried to force Wells into the smoking car on a ride from Memphis to Nashville, Wells took a stand. The event launched a writing and activist career that would see her tackle some of the greatest injustices of her age - and ours. Her reports, Southern Horrors and The Red Record, laid bare the horror of lynchings in the South and she would go on to found a number of Civil Rights organisations - some of which survive today. She was also a suffragist unafraid to call out the movement for its lack of Black representation - an intersectional feminist well before her time!
DuRocher, Kristina. Ida B. Wells: Social Reformer and Activist. 2017. Routledge Historical Americans.
Dickerson, Cailtin. “Ida B. Wells: Took on Racism in the Deep South with Powerful Reporting on Lynchings.” New York Times. 9 March 2018. https://www.nytimes.com/interactive/2018/obituaries/overlooked-ida-b-wells.html
Join us to discover more about one of the most influential figures of the Civil Rights Movement, a woman whose work lives on in those continuing the fight for Black Lives Matter today.
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Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging
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Saint, mystic, Mamma. Activist, author, Doctor of the Church. These are some of the ways that the young Catherine di Benincasa would come to be remembered. After receiving visions of Christ when she was only a child, Catherine devoted herself to religious sacrifice, compelled by the knowledge that God had bigger plans for her. When her life of penitence and privation led her to join the Dominican Order, her piety soon began to earn her a following. And as news started to spread of the small miracles that surrounded her – like her levitation during prayer and her ability to restore the deathly ill – the church was ready to sit up and pay attention. The growing belief in Catherine's holiness gave her remarkable access to the inner sanctum of the patriarchal Catholic church, even to the Pope himself. But her spiritual devotion would eventually led to her demise, as her lifelong commitment to fasting and starvation ultimately took its toll on her.
Join us as we return to 14th century Europe, far away from the battlefields of France to the solitude and reflection of Catherine of Siena.
Bell, Rudolph M. Holy Anorexia. The University of Chicago Press, 1985.
Cavallini, Guiliana. Catherine of Siena. Bloomsbury Publishing, 2005.
Egan, Jennifer. ‘Power Suffering’. The New York Times, 1999 https://archive.nytimes.com/www.nytimes.com/library/magazine/millennium/m2/egan.html
Luongo, F Thomas. The Saintly Politics of Catherine of Siena. Cornell University Press, 2006.
Walker Bynum, Caroline. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. The University of California Press, 1987.
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At the beginning of the Hundred Years' War, well before Joan of Arc led her army, another French woman was making men tremble. On the volatile English channel, Jeanne de Clisson was seeking vengeance. The target of her wrath was none other than the King of France, Phillip VI, himself. As leader of the Black Fleet, she carved a name for herself as a violent and unwavering leader, unafraid to hack the heads from her enemies with a swing of her trusty axe. But it wasn't always this way. Born into nobility, Jeanne was destined for a very different kind of life. So what kind of callousness could have turned this mother of seven to a life of treachery?
Grab your axe and join us as we discover the violent lives and violent ends of Jeanne de Clisson, The Lioness of Brittany, and the noblewomen who led and took up arms in the War of the Breton Succession.
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When wealthy American socialites Florence and Edward Deacon moved to the vibrant playground of Paris in 1879, they had come to join the artists and intellectuals of the haute bohème. Born into this world of decadence, their daughter Gladys would soon have her childhood shattered by a shocking scandal that pitted her mother and father against each other for the rest of their lives. Despite this, Gladys would go on to be educated in the best schools, growing into an intelligent, witty, and beautiful young woman. After reading about the marriage of an American railroad heiress to an English Duke, Gladys decided that she too should find herself such a man.
Across Europe, Gladys's feminine wiles attracted the crème de la crème of society, from painters, sculptors and poets to princes and kings. In 1902, a shift to London serendipitously found her moving in the same circles as the English Duke of her childhood crush, and Gladys finally had the world in the palm of her hand. But when her desire to become even more beautiful led her to make a horrifying mistake, Gladys turned away from the limelight, and the once shining star retreated to the shadows.
So join us as we - yet again! - journey to the fabulous and frivolous world of the Belle Époque to examine the life of a woman who would eventually go from the dizzying glamour of high society to the quiet and solitary life of a recluse.
Michael Mosley: A History of Surgery - Fixing Faces. Season 1, Ep. 4, BBC, 2008.
Vickers, Hugh. 'What happened to Gladys Deacon, Duchess of Marlborough?' BBC Oxford. 17 February, 2011. http://news.bbc.co.uk/local/oxford/hi/people_and_places/history/newsid_9398000/9398406.stm
Vickers, Hugo. The Sphinx: The Life of Gladys Deacon - Duchess of Marlborough. Hachette, 2020.
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In the 1960s, vice-admiral Erik af Klint opened a crate of art. It had been left to him by his aunt with strict instructions that it should remain sealed for some twenty years after her death. What Erik found was a remarkable cache of work that would throw into question everything we believe about the beginning of abstract art. You see, five years before Kadinsky and Mondrian began their forays into abstractionism, a Swedish woman named Hilma af Klint had received a special commission: to create a remarkable collection of work that would adorn a spiral temple. But who was this great benefactor? It was no businessman or high-ranking official, but rather the High Master Amaleil, who communicated the missive to af Klint in a séance she held regularly with her closest friends, a collective of women known as 'The Five'. Af Klint went on to create an extraordinary body of boldly colourful, geometric and highly symbolic art, all guided by the spirtual masters with whom she regularly communed.
So light some candles and settle in as we delve into the fascinating world of Theosophy, Rosicrucianism and Hilma af Klint's astonishing proto-abstractionism!
Af Klint, Johann and Hedvig Ersman. “Inspiration and Influence: The Spiritual Journey of Artist Hilma af Klint” Guggenheim. 11 October, 2018, https://www.guggenheim.org/blogs/checklist/inspiration-and-influence-the-spiritual-journey-of-artist-hilma-af-klint
Ferren, Andrew. “In Search of Hilma af Klint, Who Upended Art History, But Left Few Traces” The New York Times. 21 October, 2019. https://www.nytimes.com/2019/10/21/travel/stockholm-hilma-af-klint.html
Schjeldahl, Peter. “Hilma af Klint’s Visionary Paintings”. The New Yorker. 18 October, 2018, https://www.newyorker.com/magazine/2018/10/22/hilma-af-klints-visionary-paintings
Smith, Roberta. “’Hilma Who?’ No More”. The New York Times. 11 October, 2018. https://www.nytimes.com/2018/10/11/arts/design/hilma-af-klint-review-guggenheim.html
Utkan Özden, Hatice. “What Did the High Masters Tell Hilma af Klint?” border_less.https://www.border-l-e-s-s.com/new-page-63
Yao, John. “Hilma af Klint, Outlier for the Ages”. Hyperallergic. 25 November, 2018, https://hyperallergic.com/472426/hilma-af-klint-paintings-for-the-future-solomon-r-guggenheim-museum/
Notable Exhibitions:
The Spiritual in Art: Abstract Painting 1890–1985, Los Angeles County Museum of Art, Los Angeles, USA. November 23, 1986 – March 8, 1987.
Hilma af Klint: Paintings for the Future, Solomon R. Guggenheim Museum in New York, USA. October 12, 2018 – April 23, 2019
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Brand new on Lipp Media, All Bases Covered is a weekly podcast helping you navigate the beauty industry to cut through the bullsh*t. Lauren, Lisa and Alex use their backgrounds in beauty, science and business to cover all bases in discussing the latest beauty news, trialing new products, breaking down ingredients and plenty more.
In this episode, the girls discuss animal testing & China - can the people’s favourite brand stay true to themselves or are they selling their ethics for money?
Subscribe wherever you listen to us!
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By the turn of the twentieth century, the fight for women's suffrage in the United Kingdom had already been raging for nearly forty years. Suffragists everywhere had been calling for changes that would allow women the right to become part of the political life of the nation, but their pleas had persistently been denied. Frustrated and angered, a new generation of activist women rose up, and the suffragette was born. With the motto 'deeds, not words', these fierce women were through asking nicely and, turning to militant tactics, they literally put their lives on the line to demand change. Among them was a woman who rarely escaped attention. With her modified tricycle for mobility, Rosa May Billinghurst threw herself into the fray alongside her sisters, suffering at the hands of mobs of angry men and a cruel and ruthless legal system. Ultimately they would be successful, but in a world where so many rights are still for the few rather than for all, their struggle for equality resonates as deeply today as it did over a hundred years ago.
So get ready to take to the streets (not literally! Stay home! Stay safe!) and join us as we venture into the protest marches and picket lines of suffragette city!
Andrews, Maggie, & Lomas, Janis. Hidden Heroines: The Forgotten Suffragettes. Crowood Press Ltd, 2018.
Purvis, June. ‘The prison experiences of the suffragettes in Edwardian Britain’, Women's History Review, 4 (1995), 103–33.
Trueman, H. ‘Billinghhurst, (Rosa) May (1875-1953). Oxford Dictionary of National Biography. 2004.
Van Wingerden, Sophia A. The Women's Suffrage Movement in Britain, 1866-1928. Palgrave McMillan, 2002.
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For one last Women’s History Month celebration, we teamed up with Steph and Andrea from ‘All the Shit I’ve Learned Abroad’ to share tales of our favourite travel heroines. All four of us are avid solo female adventuresses, but perhaps we wouldn’t be if it wasn’t for the women who paved the way. From Isabelle Eberhardt’s cross-dressing nomadic life in North Africa, to Aloha Wanderwell’s seven-year road trip, Robyn Davidson’s solo trek through the Australian desert, and Jeanne Baret’s circumnavigation of the world, these are some of the most bad-ass, intrepid and inspiring women around. So strap on your metaphorical boots and imagine the world outside your window in this special bonus episode.
And, if you want some travel reading to keep you occupied or distracted – whichever you need in these times, we’ve got you covered!
Robyn Davidson (1980) Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback. Vintage.
Isabelle Eberhardt (1995) Prisoner of Dunes. trans. by. Sharon Bangert. Peter Owen Publishers. London & Chester Springs PA.
Isabelle Eberhardt (2003) Nomad: The Diaries of Isabelle Eberhardt. ed. by. Elizabeth Kershaw. Interlink Books (first published in English as The Passionate Nomad: The Journals of Isabelle Eberhardt, 1987, Virago Press)
Isabelle Eberhardt (2003) In the Shadow of Islam. trans. by. Sharon Bangert. Peter Owen Publishers. London & Chester Springs PA.
Jeff Moag (2019) Jeanne Baret The First Woman to Sail Around the World Was a Cross-Dressing Botanist, Adventure Journal
Aloha Wanderwell (1939, re-released 2016) Call to Adventure! True Tales of the Wanderwell Expedition, Nile Baker Estate & Boyd Production Group Publishing
Additional essayists/writers mentioned: Rebecca Solnit, Joan Didion, Mary Shelley, Simone de Beauvoir, and Virginia Woolf
If you want to hear more from Steph and Andrea’s adventures, check them out wherever you listen to podcasts! www.podfollow.com/shitabroadpod
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In the underworld of Paris's Belle Epoque, where the wealthiest of men flocked to mingle with the beautiful and cultured demimondaine, Liane de Pougy found the calling she didn't know she was looking for. After leaving her abusive husband and young son, eighteen-year-old Anne-Marie Chassagne found herself in this centre of pleasure and decided to take up with the reigning queen of courtesans, Valtesse de la Bigne. Under her mistresses' tutelage, Chassagne, who renamed herself Liane de Pougy, would go on to grace the stage at the Folies-Bergere, be courted by the likes of Leopold II, and publish subversive sapphic auto-fiction. But it wasn't all partying. After losing her prince husband, Pougy took the veil and devoted her life to supporting those with disabilities.
So in this time of great uncertainty, escape with us into the the fabulous and decadent world of the Belle Epoque!
Griffin, Susan. The book of the courtesans: a catalogue of their virtues. Broadway, 2002.
Hewitt, Catherine. The Mistress of Paris: The 19th-century Courtesan who Built an Empire on a Secret. St. Martin's Press, 2017.
Prioleau, Elizabeth. Seductress: Women who ravished the world and their lost art of love. Penguin, 2004.
Deviant Women is recorded and produced on the lands of the Kaurna People and we pay our respect to Elders past, present and emerging.
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At the turn of the twentieth-century, in the rowdy streets of Chattanooga, Tennessee, a young Bessie Smith was literally singing for her supper. Busking alongside her brother, Bessie learned the hard way just what it took to capture an audience against the odds: to sing and dance and demand attention despite the clatter of carts and the shouts of storeowners and vendors selling their wares. This early foray into the performing life would help shape Smith into the greatest performer of her age, rising up to the heights of Empress of the Blues and becoming the highest paid black entertainer of her day. In her private life she was just as bold and brash as her stage persona, never shying away from saying what she thought and more than happy to get into a fistfight or two. So put the needle on some vinyl and join us we get down and bluesy with Bessie Smith.
Brooks, Edward. The Bessie Smith Companion. Da Capo, 1983.
Clark, John. Experiencing Bessie Smith: A Listeners Companion. Rowman and Littlefield, 2017.
NPR’s “Jazz Profiles” Bessie Smith: ‘Blues Empress’. May 7, 2008, https://www.npr.org/2008/05/07/90206287/bessie-smith-blues-empress
Scott, Michelle R. Blues Empress in Black Chattanooga: Bessie Smith and the Emerging Urban South. University of Illinois Press, 2008.
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In the melting pot of 19th century New Orleans, one woman emerged as the most powerful and legendary practitioners of Louisiana Voodoo. From her humble beginnings as the daughter of a free-man and his Voodoo doctor mistress, Laveau grew up to become a priestess, a healer, an activist and a commanding and influential leader of her community. But Laveau's story is as much legend as it is reality, and even in her lifetime stories proliferated about her midnight graveyard ceremonies, animal sacrifices and mesmerising evil incantations.
So how, in a story like this, do we tell the difference between history and myth? And who do we believe when we listen to her story? Join us for our Season Four premier as we pick apart the complex and fascinating life of the Voodoo Queen of New Orleans, Marie Laveau!
Fandrich, Ina Johanna. The Mysterious Voodoo Queen, Marie Laveaux : a Study of Powerful Female Leadership in Nineteenth-Century New Orleans. Routledge, 2016.
Long, Carolyn Morrow. "Perceptions of New Orleans Voodoo: Sin, Fraud, Entertainment, and Religion." Nova Religio: The Journal of Alternative and Emergent Religions 6.1 (2002): 86-101.
Ward, Martha. Voodoo Queen The Spirited Lives of Marie Laveau. University Press of Mississippi, 2004.
Hurston, Zora. “Hoodoo in America.” Journal of American Folklore, 44. 171 (1931): pp. 317-417.
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It’s 2020, and on February 27 Deviant Women are back for season four, bringing you more hags and enchantresses, more gender-queering lady-lovers, more gin-swirling, party-loving bohemians, and more brilliant muses and killer queens.
This isn’t just a podcast that celebrates the heroism of forgotten women of the past: Deviant Women isn’t afraid to get down and dirty with the good, the bad, and everything in between, unpicking the blurry zigzag of history and myth and the downright messy and misunderstood stories of femininity we’ve been telling ourselves for centuries.
So join Deviant Women on February 27 as they launch another season dedicated to unravelling the stories of those who double, double toiled and troubled, who fought and duelled and died in glorious ruin, and who didn’t write the rules, but smashed them.
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To whet your appetites before our season 4 launch on February 27, we decided to break into the Patreon vault and unlock one of our exclusive Holes in History episodes for your listening pleasure! So plug in your headphones, get the car's bluetooth switched on, or plug into the stereo so the whole family can enjoy ... The Valiant Ladies of Potosi!
The story of two swashbuckling lady lovers is one that's cropped up on the internet of late, and it's not surprising why. Two young women dressed as men, duelling and brawling from the taverns to the streets, what's not to love? But when history and fiction collide, things get slippery. Join us as we unpack the mystery at the heart of The Valiant Ladies of Potosi!
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It's the holiday season, but we've taken a little time out of our summer break to bring you some good cheer with our annual Christmas Special! In this end of year special we chat about our summer plans, our favourite Deviant Women of 2019, and then we dive into the Roman goddess of the New Year, Strenua, and her Italian counterpart, La Befana. Grab a drink, a mince pie and some pudding, and let's get into some festive goodness!
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In the underworld of prohibitionist Harlem, there was one queen who ruled the roost - Stephanie 'Queenie' St Clair. The Caribbean racketeer was not only a boss entrepreneur of the illegal numbers game, she was also a leader and activist, funnelling her vast riches back into the community. Unlike others on the scene, she ruled by reputation alone, and was known for her elegant style and give-no-fucks attitude. But then, as prohibition came to an end, the mob started seeking out new lucrative enterprises and showed up on her turf. Queenie soon found herself in the midst of a gang-land showdown with the infamous mobster Dutch Schultz! So join us down at the speakeasy as we knock one back in our final episode of 2019 with Queenie St Clair!
Stewart, Shirley. The World of Stephanie St. Clair: An Entrepreneur, Race Woman and Outlaw in Early Twentieth Century Harlem. Peter Lang, 2014.
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By the end of the 1920s, the U.S. was rocked by financial and ecological disasters that saw it spiral into the Great Depression. At the same time, the advent of sound film was ushering in the golden age of American animation, and with it, one of history's most iconic film makers: Walt Disney. While Disney would become a household name, at the heart of his finest work were countless unsung artists and animators; one of the most legendary among them was Mary Blair. With a background in watercolour and fine arts, Blair's use of bold colours and shapes would go on to cement her reputation as one of the most influential artists in the Disney story. But she would leave more than just her legacy at Disney, devoting her working life to creating the kind of art that dreams are made of. So gather your woodland animal friends about you as we take a break from our last few darker episodes and go goofy (sorry) for the art and flair of Mary Blair.
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Sadly, due to come unforeseen circumstances we’ve had to delay our episode by one week. We’ll see you next week, but for now we get to introduce a new addition to Lipp Media. All the Shit I’ve Learned Abroad is a travel podcast focussed on everything and anything related to travel. Hosts Steph and Andrea, two Canadian expats, come together remotely each week to record episodes based on their own travel experiences ranging from lost passports, missed flights, and travel scams. Andrea lives and works in London and travels around Europe whenever a free weekend permits. And Steph now lives in Melbourne after spending the past four years traveling the world.
The show launched in 2019 with popular episodes on underrated travel destinations, travel snobbery and how to navigate trips during festival season. In the following episode, Steph and Andrea discuss solo travel. This episode touches on why traveling on your lonesome is so great, what holds you back from trying it and how to make that initial leap.
If you enjoy what you hear, you can listen to All The Shit I've Learned Abroad on Apple Podcasts, Spotify or wherever you listen to us!
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In 1632 in a small, haunted Ursuline convent, a series of strange disturbance began to occur. When the Prioress, 25-year-old Sister Jeanne, was beset by terrifying dreams of a priest who cursed her and bade her to perform obscene sexual acts, she knew who was to blame. She had been possessed, she claimed, by demons under the direction of one Urbaine Grandier, the powerful parish priest of Loudun. As more and more of the nuns came under the influence of devils, it was determined that elaborate exorcisms were in order, and investigations into Grandier's maleficent magic began. While Sister Jeanne maintained that she was the innocent victim of possession, others soon suggested her potential involvement with a conspiracy to bring Grandier down. So, was Jeanne indeed a victim of maleficent witchcraft, or is the power of hysteria to blame for her actions? Perhaps, though, she was far more calculating than this! Get out your rosary beads and holy water and join us in this week's Halloween episode to find out more about Sister Jeanne des Anges and the infamous possessions at Loudun!
Bourguignon, Erika. "Suffering and healing, subordination and power: Women and possession trance." Ethos 32.4 (2004): 557-574.
Dauge-Roth, Katherine Louise. Troubling women: Reading and writing possessed bodies in early modern France. Diss. 1999.
Ferber, Sarah. Demonic possession and exorcism: In early modern France. Routledge, 2013.
Lietaer, Hugo, and Jozef Corvelyn. "Psychoanalytical Interpretation of the Demoniacal Possession and the mystical development of Sister
Jeanne des Anges from Loudun (1605-1665)." The International Journal for the Psychology of Religion 5.4 (1995): 259-276.
Stephenson, Craig E. "The Possessions at Loudun: Tracking the Discourse of Dissociation." Journal of Analytical Psychology 62.4 (2017): 544-66.
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It's finally time, Deviants! This fortnight, we journeyed way, way back to visit the figure who started it all, the original Deviant Woman - the witch, the slayer, the mean mother you don't want to cross - Medea! From her mythological beginnings as Jason's right-hand-woman to her titular role at the centre of Euripides' famous drama, Medea remains one of Greek mythology's most infamous and intriguing figures. After supporting Jason through his conquests with the Argonauts (andsaving his life on multiple occasions!) Medea was betrayed in the most awful way, and her method of revenge is one that has seen her labelled a madwoman, a fiend, and a wicked and monstrous mother. But is it really that simple?
We're joined by Let's Talk About Myths, Baby'sfabulous host Liv to dive into all things monsters, betrayal, rage and revenge. So grab your poisons, your favourite coronet and climb aboard your dragon chariot, and join us as we break down one of our all time favourite Deviant Women, Medea!
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Known in her lifetime by many names, Malintzin would be recorded in history as the infamous La Malinche. Born into nobility and sold into slavery, from a young age Malintzin possessed a gift for language and diplomacy. In 1519, she was given to Hernán Cortés, the leader of the Spanish invading forces. When her translation skills were discovered, Cortés used her as his interpreter and, eventually, took her as his lover. Positioned as a vital go-between for the Spanish and indigenous peoples, her role is now seen as the decisive factor in the success of the Spanish mission in the "New World". Often cast as either the victim of the Spanish invaders or Cortés’s duplicitous ‘whore’, she has only recently started to be understood in the light of her historical reality. Journey with us to the temples of Tenochtitlan to witness an epic clash of civilisations, and discover La Malinche: scheming betrayer of her people to some, symbolic mother of the Mestizo race to others.
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In the dark and seedy cabarets of Weimar Berlin, where sex was a performance and decadence was king, one woman ruled the room. Born to artist parents at the turn of the century, Anita Berber was destined for a life on the stage. Famed for her kohl-rimmed eyes, her bright red hair, and her provocative burlesque, Berber became an underground sensation. But she was just as infamous for her scandalous bisexual affairs and hotel orgies as her avante-garde performances, and with dances named 'Cocaine', 'Morphine', and 'Asylum', you know she partied as hard as she danced! So join us in the end-of-the-world liberalism of Weimar Germany as we trace this Expressionist queen to the stage and beyond!
Funkenstein, Susan Laikin. “Anita Berber: Imaging a Weimar Performance Artist.” Woman's Art Journal, vol. 26, no. 1, 2005, pp. 26–31.
Gordon, Mel. The seven addictions and five professions of Anita Berber: Weimar Berlin's priestess of depravity. Feral House, 2006.
Toepfer, Karl Eric. Empire of ecstasy: nudity and movement in German body culture, 1910-1935. Univ of California Press, 1997.
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During the turbulent years of World War II the pool halls and billiard rooms of the U.S. were quiet: the men who had once populated them had gone off to fight. But after the war a new buzz brought audiences flooding back to professional billiards, and an unexpected star was on the rise. Known as the 'First Lady of Billiards', Masako Katsura hailed from Japan, where she had already established herself as a national champion. But after meeting and marrying an American serviceman, Katsura found herself in the U.S., where a resurgence in the sport meant she stood to become the world's first female billiards champion. So come on and chalk your cue (that's not a euphemism...) as we delve into the world of a woman whose ball skills (also not a euphemism...) paved the way for women in the male-dominated world of professional billiards.
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We are Alicia and Lauren, your Deviant Women hosts! Each fortnight, we discuss a ‘deviant’ woman from history, fiction, mythology or the contemporary world. Women who aren’t afraid to break the rules, to subvert the system, to explore, to seek and to challenge the status quo.
But we also like to dig deep into the ideas that have restricted women's lives and shaped the way we tell their stories. Who gets to be a virgin? Who gets to be a whore? Why not be both?! (It's always better to be both). So join us, won't you, and learn more about the devious, dastardly, and daring women overlooked in the history books.
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When Wendy Carlos released Switched On Bach, the first classical album recorded on a synthesizer, she radically transformed people's understandings of what electronic music could do. At the time of the album's release, Wendy was also six-months into hormone therapy and struggling with her rising fame and anxieties about how the public might react to her transition. But Switched On Bach was a huge success and Wendy went on not only to critical acclaim, but to work with famed composers and film directors, including scoring Stanley Kubrik's A Clockwork Orange and The Shining. Join Lauren and our special guest host, Deviant Women's own composer India Hooi, as we discover how Wendy Carlos changed music forever!
“Behind The Score: A Clockwork Orange by Wendy Carlos.” Noisegate, 16 Sep. 2018 https://noisegate.com.au/behind-the-score-a-clockwork-orange-wendy-carlos/. Accessed 10 August, 2019.
Playboy Magazine. "Playboy Interview: Wendy/Walter Carlos." Digital Transgender Archive. 1979, https://www.digitaltransgenderarchive.net/files/nv935298c. Accessed 6 August, 2019.
Graham, Mark. “Switched-On Bach: How a transgender synth pioneer changed music”. The Irish Times 20 Nov. 2018, https://www.irishtimes.com/culture/music/switched-on-bach-how-a-transgender-synth-pioneer-changed-music-1.3699133. Accessed 6 August, 2019.
MacDonald-Dupuis, Natasha. “Meet Wendy Carlos: The Trans Godmother of Electronic Music.” Vice, 12 Aug. 2015,https://www.vice.com/en_us/article/53agdb/meet-wendy-carlos-the-trans-godmother-of-electronic-music. Accessed 6 August, 2019.
Michaelson, Jay. “What it Was Like to Transition 50 Years Ago”. Daily Beast. 4 Apr. 2017, https://www.thedailybeast.com/what-it-was-like-to-transition-50-years-ago. Accessed 10 August, 2019.
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What the hell is queer theory? Who gets to identify as queer? Does it mean anything to call yourself a “queer ally”? These are the kinds of questions writers Benjamin Riley and Simon Copland ask on Queers, a discussion and interview podcast about critical queer politics and culture.
Simon Copland is a PhD Student in Sociology at the ANU. He is a freelance writer with a focus on gender, sexuality and politics. In his spare time he does powerlifting, loves rugby union and is a David Bowie fanatic. Benjamin Riley is a freelance writer and journalist, writing about queer politics and culture, sex and gender, and mental health.
Listen to Queers on Apple Podcasts, Google Podcasts, Spotify, or below.
Queers is a Lipp Media podcast.
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*Content Warning. This episode contains discussion of mass murder and suicide*
Carolyn Layton had an idyllic childhood. Daughter of a socially progressive Methodist minister father and peace activist mother, she grew up believing passionately in social justice and racial equality. After marrying Larry Layton, a conscientious objector, the two began a new life together, a life founded on their shared principles of equality, freedom and social progress. Then they found an incredible new church, that seemed to share and espouse the values they held most dear: The People's Temple. As Carolyn became progressively more involved with the organisation and its charismatic leader, Jim Jones, she started to change, and it wasn't for the better.
Join us as we chat to Laura Elizabeth Woollett, author of Beautiful Revolutionary, about how Carolyn became implicated in the greatest loss of American life until September 11, and the complexities of how we remember the mistress of Jim Jones.
If you want more, be sure to pick up a copy of Beautiful Revolutionary wherever you buy good books! We also highly recommend The Love of a Bad Man, her short story collection imagining the lives of the girlfriends, wives and mistresses of history's worst men.
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After fleeing her arms-dealing husband and his castle in the Austrian countryside, Hedy Lamarr made her way to Hollywood and the open arms of MGM Studios. She was going to be a star! The only problem: she'd gained a risque reputation for herself in the Czech film Ecstacy. This temptress image is one that would follow Hedy for much of her career, despite the fact that not only was she an extraordinary talent, she was also an extraordinary mind. Because little did most of Hollywood know, Hedy spent her evenings working on an invention that would go on to change the world forever! Join us as we journey through wartime Vienna to the MGMs studio lots, and watch the thrilling and devastating downfall of the bombshell, Hedy Lamarr.
Barton, Ruth. Hedy Lamarr: the most beautiful woman in film. University Press of Kentucky, 2010
Dean, Alexandra director. Bombshell: The Hedy Lamarr Story (2017) Reframed Pictures.
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As colonial powers muscled in on 18th century India, one woman rose from obscurity to become the leader of a powerful and formidable mercenary army. From the life of a dancing girl to life on the battlefields, the Begum Samru was feared and respected not just by her troops, but also by those who held the highest power. But she loved just as boldly as she fought, and her heart led her to desperate measures of Shakespearean proportions. Follow us into the wild and vibrant streets of the Mughal Empire as we trace the legendary life of the Begum Samru.
Keay, Julia. Farzana: The Woman Who Saved an Empire. I.B. Tauris, 2014.
Sleeman, William, 1788-1856.Rambles and Recollections of an Indian Official. http://www.gutenberg.org/ebooks/15483?msg=welcome_stranger#Ch75
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Marsha P. Johnson was a legend of Christopher Street, a revolutionary trans and LGBTQ+ activist, and a leading figure of Stonewall. Famed for her extravagant floral headdresses, her bright red plastic heels, and her generous spirit, Marsha made a name for herself not just as a drag queen, but as a mother to the queer street and trans youth who needed her. Together with her best friend, fellow trans activist Sylvia Rivera, she created STAR, the Street Transvestite (now Transgender) Action Revolutionaries, and advocated for the rights of the most marginalised of her community. Join us on the 50th anniversary of the Stonewall Riots as we celebrate the life of one of Pride's most important figures.Brockell, Gillian “Marsha P Johnson: ‘America’s first transgender statue’ will immortalise Stonewall riots veteran.” Independent, 13 June 2019. Carter, David. Stonewall: The riots that sparked the gay revolution. Macmillan, 2004.Chan, Sewell. “Marsha P. Johnson: A transgender pioneer and activist who was a fixture of Greenwich Village street life.” The New York Times, corrected 8 March 2018France, David, director. The Death and Life of Marsha P. Johnson. Performance by Victoria Cruz, Marsha P. Johnson (archive), Sylvia Rivera (archive). Netflix.Global Network of Sex Work Projects. “Street Transvestite Action Revolutionaries found STAR House.” Global Network of Sex Work Projects,Kasino, Michael, director. Pay It No Mind: Marsha P Johnson. Performance by Martin Boyce, Jimmy Camicia, David Carter. Redux Pictures.Naseef, Zoe. “Stonewall was Started by Trans Women of Colour and We Do Not Appreciate Them Nearly Enough.” Bust,NYC LGBT Historic Sites Project (2017) Activism Before StonewallRiki Wilchins (March 5, 2002) ‘A Woman for Her Time: In Memory of Stonewall Warrior Sylvia Rivera’ The Village VoiceIf you want to support Deviant Women, follow us on: PatreonTwitter @DeviantWomenFacebook @deviantwomenpodcastInstagram @deviantwomenpodcast
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In part two of our look at the history of reproduction rights in America, we trace the life of Pat Maginnis: a grassroots activist who campaigned tirelessly to change America's abortion laws. After two harrowing years spent working in an army hospital in Panama, it was Maginnis' personal struggle to find safe and legal abortion providers in the U.S. that cemented her desire to enact change. Pounding the street corners of San Francisco, Maginnis and 'The Army of Three' helped thousands of women, while across the country grassroots organisations sprung up in a pushback that would eventually culminate in the landmark case of Roe v. Wade. Join us as we take a look at the life of just one of the many women who struggled for change, and whose legacy we fight to protect today.
Baehr, Nina. Abortion Without Apology: A Radical History for the 1990s. South End Press, 1990.
Gilmore, Stephanie. Groundswell: Grassroots Feminist Activism in Postwar America. Routledge, 2013.
Loofbourow, Lili. 'They Called Her "the Che Guevara of Abortion Reformers": A decade before Roe, Pat Maginnis' radical activism - and righteous rage - changed the abortion debate forever.' Slate, Dec 4, 2018. https://slate.com/human-interest/2018/12/pat-maginnis-abortion-rights-pro-choice-activist.html
For more information on current abortion laws globally visit: https://reproductiverights.org/worldabortionlaws.
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In the early 20th century the highly restrictive Comstock Act made it almost impossible for American women to gain access to, or an understanding of, contraceptive methods. Arriving into the impoverished communities of New York city's East side, nurse Margaret Sanger saw women struggling with enormous families of children, the health ramifications of multiple births, and the horrors of back-alley abortions. This motivated her to act, starting a campaign of birth control advocacy that would form her life's work. In the wake of the recent attacks on women's reproductive rights in the U.S., the first of our two part episode looks at this controversial woman's career, and the fundamental changes brought about by her life long work.
Baker, Jean B. Margaret Sanger: A Life of Passion. Farrar, Straus and Giroux Books, 2011.
Huss, S., and Dwight, L. "Planned Parenthood: 100 years of leadership and controversy." in Leadership and Sexuality. Edward Elgar Publishing, 2018.
Kennedy, David M. Birth Control in America: The Career of Margaret Sanger. Yale University Press, 1970.
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Famous today as the overlooked illustrator of the influential Rider-Waite-Smith Tarot Deck, in her own time Pamela Colman Smith something of an enigma. Known for her lively and enchanting Jamaican folklore performances, her publishing press and literary magazine, and for her extraordinary miniature theatre, Pamela - Pixie to her friends - wove magical worlds where women had agency and gender was fluid. But she was also a woman cloaked in mystery, and who was often Othered by her contemporaries. Join us, together with PCS scholar Elizabeth Foley O'Connor, as we travel from England to Jamaica, New York and Cornwall, tracing this elusive and enigmatic woman. Join us, together with PCS scholar Elizabeth Foley O'Connor, as we travel from England to Jamaica, New York and Cornwall, tracing this elusive and enigmatic woman.
Kaplan, Stuart. R., Mary. K. Greer, Elizabeth Foley O'Connor, Melinda Boyd Parsons. Pamela Colman Smith: The Untold Story. U.S. Games, 2018. O’Connor, Elizabeth Foley. "‘We Disgruntled Devils Don’t Please Anybody’: Pamela Colman Smith, The Green Sheaf, and Female Literary Networks." South Carolina Review 48: 72-89.
O’Connor, Elizabeth Foley. "Pamela Colman Smith’s Performative Primitivism" in Caribbean Irish Connections: Interdisciplinary Perspectives, edited by Alison Donnell, Maria McGarrity, Evelyn O'Callaghan. University of the West Indies Press, 2015.
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Along the rivers and waterways of Mexico, a woman's cries can be heard in the night. Punished for the crime of infanticide, La Llorona wanders in the dark for eternity, ready to snatch away unsuspecting children. But while her story makes for perfect horror film fare, there is more to her than meets the eye. With echoes of the Aztec goddess Cihuacóatl, her significance as a symbol of women's agency and power has been reclaimed in modern feminist reimaginings of La Llorona lore. So turn the lights down low as we prepare for a ghost story that reveals much more about prescribed gender roles than Hollywood would like us to think...
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Infamous as the 'Mad Queen of Madagascar', Queen Ranavalona's reign is remembered as one of violence and tyranny. But she was also a queen with a noble mission: to protect the sovereignty and traditional practices of her people from the enormous and oppressive colonial forces of the French and English. Her methods, though, were inventive. Come with us to the island of Madagascar to discover a queen unafraid to poison a witch or two (or a few thousand), hang herself some Christians, and lead her nation to its industrial revolution.
Chernock, Arianne. "Queen Victoria and the "Bloody Mary of Madagascar"." Victorian Studies 55.3 (2013): 425-49,575. Web.
Kamhi, Alison. "Perceptions of Ranavalona I: A Malagasy Historic Figure as a Thematic Symbol of Malagasy Attitudes Toward History." Letter from the Editors-in-Chief (2002): 29. Encyclopedia of World Biography.
Queen of Madagascar Ranavalona I Biography https://www.notablebiographies.com/supp/Supplement-Mi-So/Ranavalona-I-Queen-of-Madagascar.html
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Celebrated as the iconic model and muse for the Pre-Raphaelite Brotherhood, Elizabeth Eleanor Siddall has become one of the most recognisable faces in the history of Western art. However, famed for her beauty and romanticised for her tragic personal life, Lizzie Siddall's own art and poetry was largely brushed aside, diminished by the grandeur of the "great men" who surrounded her. Come with us as we button our bonnets and prepare for some grave-digging in order to examine the mythic story of her life and death, and the long undervalued significance of her own work.
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From conservative Melbourne to the Bohemian underworld of Paris' Rive Gauche, and a wild mountain hideaway in Positano, Vali Myers led a life like no other. Heralded as the original hippy and the muse of beatniks and hipsters, Vali Myers was an artist, dancer and environmentalist who left entire movements in her wake. After living on the streets and dancing in jazz clubs to stay alive, she went on to establish a wildlife sanctuary in Italy where she painted profound images of the sacred, nature and the feminine. Join us as we uncover the extraordinary life of the woman dubbed the Witch of Positano.
For more, read: Arnel Stephanie. Vali Myers, Her Place: Women’s Museum Australia, https://herplacemuseum.com/encounters/vali_myers/ Fitzgerald, Danny and Eve, Lina, directors. His Savage Mistress, 2010. https://www.youtube.com/watch?v=tK1tflgkX8A
McIntosh, Martin, Jones, Gemma, editors. NightFlower: The Life and Art of Vali Myers, Outre Gallery Press, 2012
van der Elsken, Ed. Love on the Left Bank, Dewi Lewis Publishing, 1999
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In our first episode back for Season Three, we get piratical with the most successful pirate of them all ... a woman! From infamous beginnings, Ching Shih's path crossed with Cheng I, a notorious sea dog who terrorised China's southern coastline. Together, they formed an unstoppable coalition of pirates, with a stranglehold on the precious trade that ran through the Pearl River Delta to Canton. But when Cheng I died a new leader was needed, and Ching Shih stepped up to write her place in history. So get your sea legs ready and prepare for battle as we explore the life of the fierce Ching Shih.
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It's the holidays and whatever you celebrate - Christmas, Hanukkah, Yule or the Solstice - we hope you have a most excellent break and enjoy some festive cheer! In our end of year special, we talk about some of our favourites from the season and then get deep into the figure of Frau Pertcha, the Alpine Goddess whose naughty list you *don't* want to end up on! We then trace her connection to Holda, the protectress of women's crafts and children's souls. So grab some eggnog, charge your yule glasses, and join us for some myth and merriment!
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In 1993, in the freezing Siberian Steppes, archeologists unearthed a remarkable grave. In it they found the tattoed and mummifed remains of a 2500 year old female shaman. This discovery would contribute to a complete re-imagining of the lives of women in antiquity, and allow historians to see the connection between the mythical Amazons and their real-life counterparts, the Scythians. Join us as we untangle myth from reality, unlocking the Ukok Princess' secrets, and those of her warrior sisters, to understand more about the powerful archetype of the Amazon, and how she continues to inspire us today!
‘The Siberian Princess reveals her 2500 year old tattoos’, The Siberian Times, 14 August 2012 https://siberiantimes.com/culture/others/features/siberian-princess-reveals-her-2500-year-old-tattoos/
Mayor, Adrienne, Amazons: Lives and Legends of Warrior Women across the Ancient World, Princeton University Press, 2014
Worrall, Simon, ‘Amazon Warriors Did Indeed Fight and Die Like Men’, National Geographic, 28 October 2014, https://news.nationalgeographic.com/news/2014/10/141029-amazons-scythians-hunger-games-herodotus-ice-princess-tattoo-cannabis/
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This week we teamed up with the wonderful Kendra and Autumn of Reading Women to get spooky and chat all things Shirley Jackson, the queen of horror! From her unhappy childhood as the unwanted daughter of aspiring socialites, to her equally unhappy marriage to the philandering Stanley Hymen, we investigate how the demons of domesticity and anxiety (and a dose of a love for the occult) primed her to become one of the greatest gothic horror writers of all time. We then dive into her masterful short story, 'The Lottery', and geek out about the new adaptation of The Haunting of Hill House. So grab your favourite dog-eared Jackson paperback, and settle in for Halloween and Day of the Dead with us!
About Reading Women: Kendra and Autumn became friends in graduate school after they realized they had a mutual dislike for wedding planning and a shared love for feminist literature. It was only after they no longer lived in the same state that Kendra and Autumn decided to turn their hours long discussions and miles long chat histories into the Reading Women podcast. As they say, the rest is herstory.
Check them out here:
Website, Twitter, Facebook, Instagram, Goodreads, iTunes
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To celebrate the release of I Used to be Normal: A BoyBand Fangirl Story, Deviant Women sat down with producer Rita Walsh to dish the dirt on what it means when your love for boybands is larger than life. From shame to empowerment, hysteria and the formation of sexuality and identity, we explore how fandom shapes the lives of young women, their passions, their communities, and why we should pay attention to them.
I Used to Be Normal: A Boyband Fangirl Story (dir: Jessica Leski) is screening in selected cinemas from November 22!
Maguire, Emma, 'My Inner Fangirl' in Kill Your Darlings, 6 July 2016 https://killyourdarlings.com.au/article/my-inner-fangirl/?doing_wp_cron=1539827872.2687649726867675781250
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From humble beginnings as the daughter of a blacksmith, little Emy Lyon could never have known she would end up Lady Emma Hamilton: wife of the English ambassador to Naples, lover to the glorified hero Admiral Nelson, and muse to some of the greatest artists of her age. But history has defined Emma by the men she inspired, overlooking the complex and creative woman who developed her own style of performance art, and who was instrumental in the political machinations that would see Nelson defeat the French. Follow us from the seedy "health spas" of London into the shadow of Mount Vesuvius, as we follow a woman whose scandalous and unconventional life made her a celebrity.
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Jennet Device was just nine years old when she found herself at the centre of one of history’s most infamous witch trials. On the stand, she denounced her entire family as witches and set up a precedent for child witness testimony that would have ramifications long after she was gone. We trace the fascinating details of this notorious trial – from its canine familiars to clay figures and forbidden sabbats – and investigate just how complicit Jennet may have been in the Device family’s demise!
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In the 5th century BCE the Persian Empire stretched from Asia and the Middle East, as far as Africa and Europe. But the Persian King, Xerxes, sought to expand the empire, launching his armies into Greece by land and by sea. Among the commanders of the Persian fleet was Artemisia: Queen of Caria and ruthless naval strategist. Her courage at the Battle of Artemisium set her apart, and her wily recklessness at the Battle of Salamis cemented her place in history, as well as in Xerxes' esteem. But the historicity of her life is elusive, leading some to fill in the gaps with clichéd tropes. Take your place to witness an epic clash of civilisations, as we consider Artemisia's place in the fray alongside Hollywood's representation of this fascinating figure.
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In our second interview of season two we are lucky enough to be joined by multi-award winning author, Hannah Kent. Based on the true story of the last person to be executed in Iceland, Hannah's international bestseller, Burial Rites, follows the last days of the accused murderess, Agnes Magnusdottir, while her second novel, The Good People, examines the lives of three very different women caught up in the world of Irish folklore and superstition. We chat to Hannah about her historical research, the difficulties of representation, and the real-life women who have inspired her work. Hannah is also the co-founder and publishing director of Australian literary publication Kill Your Darlings. You can find out more about Hannah and her work at hannahkentauthor.com.
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Famed as the legendary Nun Lieutenant, Catalina de Erauso, fighter, lover and all round adventurer, was perhaps even more revered for her status as a supreme seducer than her skills with a sword. After escaping the convent where she spent her childhood, Catalina fashioned herself hose and doublet and made her way through Spain and South America under a number of male guises. Her pattern of lawbreaking, finding sanctuary in churches and evading execution eventually got her an audience with the Pope himself. So don your habit, grab your sword and join us for one hell of an adventure.
De Erauso, Catalina. Lieutenant Nun: Memoir of a Basque Transvestite in the New World. Beacon Press, 2011.
Velasco, Sherry M. Lieutenant Nun Transgenderism, Lesbian Desire, & Catalina De Erauso. 1st ed. Austin: U of Texas, 2000.
Web. Hernández Isabel ‘From Spain to the Americas, from the convent to the front: Catalina de Erauso's shifting identities: Catalina de Erauso's shifting identities’ 16 September 2011 https://www.eurozine.com/from-spain-to-the-americas-from-the-convent-to-the-front-catalina-de-erausos-shifting-identities/
Villanueva, Sonia Pérez. The Life of Catalina De Erauso, the Lieutenant Nun : an Early-Modern Autobiography. 2014.
Wirzba, Norman. Neither Saints nor Sinners: Writing the Lives of Women in Spanish America, Oxford University Press USA, 2003.
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Carry A. Nation was born Carrie Amelia Moore in 1846 in Kentucky. By the time the Civil War had ended, Carry had experienced first hand the devastation that alcoholism could inflict. Headstrong and determined, Carry left an abusive husband to start her life over again. When she met and married David Nation, Carry took the surname that would define her and her God-given mission to end the spread of alcohol, setting out to single-handedly reform a nation caught in the grips of liquid sin. Go get your smashers listeners, because it's time to have a hatchetation!
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To celebrate NAIDOC week, we wanted to honour the extraordinary life of one of Australia’s foremost, but often misremembered Indigenous women, Truganini. Born on Bruny Island off the Tasmanian Coast in the early 19th century in the Palawa community, Truganini’s life was quickly transformed by the arrival of British invaders. After surviving a tragic early life, she realised she could help her people by becoming a guide and interpreter. But when she lost hope in even that, she turned to the bush and life as an outlaw. A content warning to listeners that this episode contains discussion of extreme violence and genocide. Because of her, we can.
https://meanjin.com.au/essays/the-national-confessional/
http://www.abc.net.au/local/audio/2011/02/10/3135481.htm http://adb.anu.edu.au/biography/trugernanner-truganini-4752
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In October 2017, women across the globe came together under the hashtag MeToo. However, social activist and advocate Tarana Burke had already been campaigning for women of colour under the same banner for eleven long years. In this episode, we talk about her incredibly important work, the pervasiveness of predatory behaviour, and the way women are constantly told that they should somehow take responsibility for a culture of misogyny and sexual entitlement beyond their control. A content warning for listeners that we discuss issues of sexual violence and trauma, getting pretty angry and emotional in the process. This is not an episode best suited to your morning commute! At the same time, we also celebrate the influence of this inspiring woman, and the movement that has grown up in the wake of her work.
Here's some of the articles we discussed:
Brockes, Emma, “Me Too founder Tarana Burke: ‘You have to use your privilege to serve other people’” 15 January 2018 https://www.theguardian.com/world/2018/jan/15/me-too-founder-tarana-burke-women-sexual-assault
Ford, Clementine, “Don't let Eurydice Dixon's death be a 'cautionary tale'” 15 June 2018 https://www.smh.com.au/lifestyle/life-and-relationships/don-t-let-eurydice-dixon-s-death-be-a-cautionary-tale-20180615-p4zllb.html
Gilmore, Jane, “Another vigil for another woman who should be here” 18 June 2018 https://www.smh.com.au/lifestyle/life-and-relationships/another-vigil-for-another-woman-who-should-be-here-20180617-p4zm1q.html
Moran, Claire, “Not everyone can say #MeToo and we need to tackle the causes of sexual violence” 28 March 2018 https://theconversation.com/not-everyone-can-say-metoo-and-we-need-to-tackle-the-causes-of-sexual-violence-93075
Ohlheiser, Abby, “The woman behind ‘Me Too’ knew the power of the phrase when she created it — 10 years ago” 19 October 2017, https://www.washingtonpost.com/news/the-intersect/wp/2017/10/19/the-woman-behind-me-too-knew-the-power-of-the-phrase-when-she-created-it-10-years-ago/?noredirect=on&utm_term=.5d2f4a129393
Zacharek, Stephanie, Dockterman, Eliana and Sweetland Edwards, Haley “The Silence Breakers” 2017 http://time.com/time-person-of-the-year-2017-silence-breakers/ “Tarana Burke Biography”, March 2 2018, https://www.biography.com/people/tarana-burke,
“021 Tarana Burke” The Call with Erika Williams Simon 2 January 2018, https://itunes.apple.com/au/podcast/the-call-with-erica-williams-simon/id1213080056?mt=2
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In our first interview of season two, (and the launch of a new special series!) we sat down with author Margot McGovern to chat all things YA: from the emergence of 'unlikable' female protagonists (and why they're so irresistible) to the power of transforming myths of masculine adventure for girls, we delved deep into the gender dynamics of the world's fastest growing literary genre. In Neverland, Margot's own feisty and - let's be honest - bratty heroine Kit must navigate her return to her island home-turned-boarding school and its troubled teenage inhabitants, the depths of lust and attraction, not to mention the treacherous waters of her family's tragic past and her own history of self-harm. We like our heroines complicated, and Kit Learmonth doesn't disappoint, so grab yourself a map and join us for our first dive into the waters of YA.
Jacobson, Megan, 'In defence of ‘unlikeable’ female characters', 5 February 2018, https://meganjacobson.com/2018/02/05/in-defence-of-unlikeable-female-characters/
Robinson, Natasha, 'Getting boys to love literature and reading: One school's bid to improve English results', 16 November 2017, http://www.abc.net.au/news/2017-11-16/getting-boys-to-love-literature-and-reading/9149382
Wilkinson, Lili, 'Won't Someone Think of the Boys', 28 November 2017, https://overland.org.au/2017/11/wont-someone-think-of-the-boys/comment-page-1/
Danielle Binks' Twitter thread re: 'unlikable' female protagonists: https://twitter.com/danielle_binks/status/960444178474741760 Image Credit: Ron Langman
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After leaving her home at the Yankton Indian Reservation in South Dakota for the brutal regiment of boarding school in the east, Zitkála-Šá began developing the creative talents and political consciousness that would make her one of the most influential Native American women of the 20th Century. Her acclaimed stories and essays chronicled her struggles with identity and culture, and her translations brought Native American legends to a whole new audience. All the while, she maintained a subversive rebellious spirit that lit the flames of her later activism. So join us as we traverse prairies and plains with one who knows them best, Zitkála-Šá.
Fisher, Dexter. "Zitkala Sa: The evolution of a writer." American Indian Quarterly (1979): 229-238.
Susag, Dorothea M. “Zitkala-Sa (Gertrude Simmons Bonnin): A Power(Full) Literary Voice.” Studies in American Indian Literatures, vol. 5, no. 4, (1993), pp. 3–24.
Terrance, Laura L. "Resisting colonial education: Zitkala-Sa and Native Feminist archival refusal." International Journal of Qualitative Studies in Education 24.5 (2011): 621-626.
Lukens, Margot. “The American Indian Story of Zitkala-Sa.” In Her Own Voice: Nineteenth-Century American Women Essayists. Ed. Sherry Lee Linkon. New York: Garland Publishing, (1997): 141-55.
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Many different versions of Sedna's story abound, from a young woman forced to marry a dog, to a victim of abduction by a bird man. But in all her tellings, Sedna emerges as a powerful spiritual force, a mistress of the sea and its creatures, transformed by a brutal physical attack. Come with us to the chill of the frozen north as we dive into the dark waters and seek out this mythic woman's tale.
Gerlof, Jarich & Laugrand, Frédéric. The Sea Woman: Sedna in Inuit Shamanism and Art in the Eastern Arctic, University of Alaska Press, 2008. Motz, Lotte. The Faces of the Goddess, Oxford University Press, 1997.
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Known as the Liberator of the Liberator, Manuela Sáenz rose to prominence as the mistress of revolutionary hero, Simón Bolívar. A heroine in her own right, Manuela became a celebrated patriot, spy, recruiter and trusted informant of the revolution that saw the overthrow of Spanish rule in South America. But she was also infamous for her wild antics, from the strange battlefield trophy she'd wear to masquerades to the wild political stunts she'd pull at parties. Wherever Manuela went, controversy wasn't far behind! Join us as we unfurl the patriot banner, evade an assassination attempt or two, and traverse the expanse of the newly liberated (though short lived) state of Gran Colombia!
If you'd like some more information on Manuela Sáenz, here's some sources we used for the show:
Murray, Pamela S. For Glory and Bolívar: The Remarkable Life of Manuela Sáenz. University of Texas Press, 2009.
Adams, Jerome R. Notable Latin American Women: Twenty-nine leaders, rebels, poets, battlers, and spies, 1500-1900. McFarland, 1995.
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Towards the close of the 17th century, the opulent hallways of Versailles were swept up with the scandalous 'Affair of the Poisons'. The Sun King, Louis XIV, ordered an investigation into the dark underworld of the Paris occult, hunting down those who supplied potions and aphrodisiacs alongside more sinister wares. One of those was Catherine Monvoisin, a favoured fortune teller and sorceress among the wealthy elite. Join us as we press our ears to the grand doorways of the palace, abuzz with whispered gossip and treachery, and endeavour to unpick truth from accusation in the life of La Voisin.
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Infamous as the last woman tried under the Witchcraft Act of 1735, Helen Duncan caused more than a few stirs in her time. After terrifying her schoolmates her with dire predictions, Helen grew up to become one of wartime Britain's foremost physical mediums. She soon become the target of a series of scientific investigations and caught the attention of MI5 which resulted in a court-case Winston Churchill himself described as 'obsolete tomfoolery.' So grab your cheesecloth and darken the lights as we delve into the scandalous life of Mrs Duncan!
If you want to know more about Helen Duncan, here's some of the material we used this week:
Gaskill, Malcolm. Hellish Nell: last of Britain's witches. Fourth Estate, 2001.https://www.amazon.com/Hellish-Nell-Last-Britains-witches/dp/1841151092
Featherstone, Simon. "Spiritualism as popular performance in the 1930s: The dark theatre of Helen Duncan." New Theatre Quarterly 27.2 (2011): 141-152.
Mantel, Hillary. "Unhappy Medium." The Guardian 4 May 2001. https://www.theguardian.com/books/2001/may/03/londonreviewofbooks
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One of Australia's most awarded playwrights, Patricia Cornelius isn't afraid to go where other writers won't. With titles like SHIT and SLUT, Patricia pushes her audience to pay attention to some of society's most visceral issues. In The Club was specially commissioned for the State Theatre Company of South Australia, and it shines a blinding light on accounts of sexual violence in one of our most beloved national sports. Patricia sat down with us to discuss her life in the theatre, and just what inspired her to write this uncompromising new work. In The Club runs as part of the Adelaide Festival 2018 from the 23rd of Feb to the 18th of March. Find tickets and further details here. Our thanks to Patricia and the State Theatre Company.
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Merry Christmas, Deviants! In our special Christmas episode, we close the year by revisiting a few of our favourite deviant women of season one, and introducing our first ever live show. We also take a quick trip to the snowy north to meet the Yule Lad's terrifying mother, and discover the mythological woman at the heart of kissing under the mistletoe! So grab a glass of gluhwein, sit beneath some fairy lights, and join us as we wrap up (ey?) 2017!
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For teenage Uschi Obermaier, rock’n’roll offered an escape from the drudgery of post-war Munich, and it didn’t take long before her beauty and brazenness caught the eye of some of the 20th century’s greatest male musicians. Both lauded and denigrated for her ‘groupie’ status, Uschi's modelling career and high-profile relationships saw her gain notoriety for her hedonistic attitude, but also allowed her the freedom to travel the world. Settle the needle into the groove of a good record, and join us for our final episode of Series One, as we delve into the world of a woman who lived life by her own rules to become an icon of an era.
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Born in the early hours of a thunderstorm, with pointed ears and 'witches' marks' on her skin, little Rosaleen was destined for a life of the occult. From her earliest childhood, Roie was drawn to the dark, and her drawings and stories about ghouls, monsters and grotesque horrors set her apart from her peers. As a young woman, she immersed herself in Theosophy, Western Esoterism, dedicated herself to the pagan god, Pan, and pursued a life of art. Come with us to the dingy streets of mid-century Sydney, where Rosaleen's occult paintings and pagan ways made her infamous as the Witch of King's Cross.
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Amidst the surge and spray of Niagara Falls, Edmonia Lewis spent her childhood hunting, fishing, and making crafts for tourists. But when her half-brother helped her to pursue an education, Edmonia's talent as a sculptor flourished. After leaving America to join the milieu of Italy's artistic sisterhood, Edmonia threw herself into a dedication to art that would see her gain fame, both in Europe and at home. Join us in the bustling art scene of Rome, as we stroll through the arcades and galleries on our search to uncover the life and works of this fascinating figure.
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A disguised princess forced into domestic drudgery who meets a prince at an extravagant ball might sound familiar, but there’s more to Juleidah’s version of the tale. After escaping the illicit desires of her father, this Egyptian princess dons a suit of leather and travels to a nearby kingdom, hiding out as the scullery maid and Queen’s jester. Come with us to a mythical land as we explore Cinderella’s lesser known cousin, ‘The Princess in the Suit of Leather’.
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From the moment eighteen-year-old Charlotte Cushman stepped out on stage as Lady Macbeth she was destined for greatness. Treading the boards from New York to London, Charlotte cemented her reputation as the finest American actress of the 19th century. But her personal life was just as dramatic as the parts she played, with a slew of female lovers that placed her at the centre of Rome's artistic expatriate community. Follow us backstage as the houselights dim and we peer beyond the curtain into the life and times of one of the theatre's true legends.
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From a progressive upbringing in otherwise conservative late-Victorian Melbourne, Agnes Goodsir went on to become one of Australia’s foremost bohemians. After studying and exhibiting between London and Paris, Goodsir eventually settled with her muse and lover, Cherry. Come with us to the salons of the Left Bank on the cusp of a new century, where Agnes and Cherry can be found sipping wine with Paris’ famous artistic and lesbian elite.
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In the rowdy wrestling arenas of Mexico City, there is a woman whose iconic status rivals that of the most famous of the male fighters. Luchadora Irma González grew up in the circus, but it didn't take long before she found her way into the ring, and began travelling the world as a champion fighter, appearing on the silver screen and even pursuing a singing career. Come on and take your ring-side seats and prepare to get shouty as we delve into the amazing world of the women of lucha libre.
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In the humid tropics of 1920s Townsville, Lizzy O’Dea became infamous in the local tabloids for shooting her rival. As the press continued to sensationalise her adventures, notoriety for her petty theft and sexual exploits grew. Join us as we chat with author Ariella Van Luyn, whose novel Treading Air follows Lizzy from bookie’s daughter in Brisbane to working girl at the Causeway Hotel, about researching the life of one of history’s hidden women, and why such stories continue to be relevant to us today.
You can find out more about how to get your hands on a copy of Treading Air at ariellavanluyn.com.
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Nakano Takeko of the prominent Aiku clan was a fierce Onna-bugeisha and master of the deadly naginata. When the Boshin War saw the Shogun’s army square off against the Imperialists, Takeko knew where her duty lay. At just 21, with the Imperial Army at the gates, she led a rag-tag squad of lady warriors onto the battlefield, determined to sacrifice everything for the honour of her clan. Join us as we delve into the fray, but don’t forget to pen your death-poem first, and bring your kaikan dagger just in case …
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In the frosty splendour of 18th century Moscow, the death of Peter the Great paves the way for family rivalries and political intrigue. Drawn into the fray is Anna, the impoverished and largely forgotten Duchess of Courland. As the noble men of court clamour to pull the strings, Anna makes her move, becoming Empress of all Russia on her own terms. While Anna's ten-year reign bolstered advances in science and the arts she is mostly remembered for her excess, extravagance, and ruthless cruelty. Brace yourself as we sweep through the lavish rooms of the Winter Palace, and into the fiendish realities of Anna's imagination. You are going to need a very warm coat...
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Aunt Lydia, armed with a cattle-prod and carefully selected biblical verse, has the important task of indoctrinating young women into the new republic of Gilead. At times cruel schoolmistress, and at others caring mother, ultimately Aunt Lydia reminds us of the ways women can become entrenched in patriarchal structures, and contribute to their own oppression.
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Janine seems like Gilead's perfect Handmaid: the aunt's favourite and first to carry a child. But in order to adapt to her surroundings, Janine loses her sense of self, and her mind. As she deteriorates further into madness, she reminds us that unlike Offred and Moira, not all women can withstand this brutal regime.
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Ofglen is, at first, a mysterious woman. Is she loyal to Gilead or does she, like Offred, harbour hidden resentment? Once her true loyalties are revealed, Ofglen becomes a powerfully rebellious figure who suffers tremendous punishment, but never gives in. Join us for mini-sode four, as we delve into Mayday and the path of resistance.
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Moira, the rebellious best friend to Offred, doesn't take to the new Gilead regime lightly. After escaping the Red Centre and finding herself in the midst of a new kind of terror, she nearly lets the bastards grind her down. Join us for our third mini-sode, Moira.
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Serena Joy, the Commander's wife, seems cold and calculating, but what is lurking beneath the surface? Join us for our second mini-sode of Deviant Women as we discuss what makes a writer give up her craft, the power dynamics of a complex marriage, and what happens when the puppet master's strings are cut.
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Join us for our first special mini-sode of Deviant Women, as we discuss Offred, the handmaid at the centre of Atwood's tale. From forced Handmaid to reluctant rebel, Offred is a woman who learns to work the restrained Gilead system not only for her own survival, but in hope of reconnecting with those she's lost.
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In 1984 author Margaret Atwood wrote The Handmaid's Tale: the chilling dystopic story of Offred, a woman trying to survive in a world where women have been reduced to their procreative functions. Since its publication, the novel has been turned into a film, an opera, a ballet, and most recently into a Hulu television series. Join us as we pair up with Justin from Mayday: The Handmaid's Tale Podcast to unpack just what it is about Atwood's vision that seems so compelling, and so relevant, over thirty years later.
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In the epic time of Norse mythology, the Völsunga Saga tells of love, betrayal, tragedy and blood feuds. At the heart of one family's legend sits Guðrún Gjúkadóttir, wife to three kings, and a woman to whom vengeance necessitates a devastating sacrifice. Join us as we venture into a land of Valkyries and dragons, where a sorceress's prophecy might foretell your doom, and you must always be wary of accepting ale!
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Born to only ever be the King's Great Wife, Hatshepsut defied history and, after the death of her Pharaoh husband, proclaimed herself King. A great builder, trader, and military leader, the history of Hatshepsut's achievements was systematically erased, lost for thousands of years until archeologists began to piece together the truth about the woman who ruled as Pharaoh. Come with us as we travel through the mists of time to a land steeped in myth and legends to discover one of the ancient world's greatest rulers.
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Both born bastards, and disguised as boys in their youths, Anne Bonny and Mary Read shared more than just their love for the sea. Each left the British Isles for a life of piracy in the Caribbean where their fates intertwined. Infamy soon followed, as the pair gained a reputation as the most fearless and ferocious duo of the high seas. Come aboard as we follow the reckless adventures of these swashbuckling lady pirates!
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Assigned female at birth, Eugenia Falleni led most of his life as Harry Crawford: a tough-talking, whiskey-drinking ladies man. In 1920 Harry was charged with the murder of his first wife, Annie Birkett, and his 'duplicitous' identity as Harry - then perceived a 'sexual perversion' - became Australia's headline news. Join us as we trace Harry's life, from shocking events aboard a merchant vessel on the high seas, to the working houses of Sydney, and wonder whether or not Harry's fate could have been any different. *this episode contains discussion of trans experience and mention of sexual violence.
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Josephine Baker broke from a life of poverty in St Louis to take jazz age Paris by storm. Riotous and erotic, Baker was adored for her uninhibited sensuality, unpredictability and wild humour. But she was also one of the most glamorous espionage spies of the French Resistance, and a passionate advocate of the Civil Rights Movement. Join us as we travel from St Louis to Paris, Berlin and Casablanca, chasing one of the twentieth century’s most dynamic women.
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Cult hit stars, The Travelling Sisters, are physical, musical, and character comedy at its finest. From Queensland to France, Edinburgh to Hong Kong and everywhere in-between, their sassy and absurdist wit proves that funny women are a force to be reckoned with. Join us in our very exciting and very first guest episode, as we chat to Lucy, Laura, and Ell about the continuing misconceptions around women in comedy, and how to smack down anyone who tells you that 'women aren't funny'.
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From the north west of England to the heaving metropolis of Mexico City, Leonora Carrington defied convention. A celebrated Surrealist painter and a deeply inventive writer, Carrington's personal life was just as colourful as her art. Join us as we follow her escape from stuffy English society, Nazi occupied France, and the asylum, to the vibrant and fantastical worlds of her imagination.
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The identity of Tituba, the Arawak slave at the centre of the Salem Witch Trials, has undergone a series of transformations in the centuries since the craze. From instigator to accused, innocent servant to dark and terrifying Obeah queen, Tituba’s legacy is one that doesn’t always reflect the woman that she was. Come with us to the dark New England forests, where witchcraft is rife and Tituba sits at the heart of its infamous mythology...
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Witty, subversive, and unafraid to offend, author Angela Carter wrote fiction and non-fiction that dealt with sexuality and gender, and that often probed the boundaries of good taste. Join us as we open the book on some of Carter's best known work and the women she writes.
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Infamous as Charlotte Brontë's 'Madwoman in the Attic', Bertha Mason has become one of literary history's most intriguing women. From her portrayal as the pyromaniac feral woman and first Mrs Rochester, locked away in the cavernous attic, to her revival as passionate young Antoinette in Jean Rhys' Wide Sargasso Sea, Bertha Mason is a character who continues to fascinate both readers and scholars. Join us as we delve into these two portrayals, and attempt to uncover who Bertha Mason is, and what she continues to represent to us.
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Bold, talented, and rebellious, Isabelle Eberhardt was moulded by an unconventional upbringing in Switzerland. In 1897 she set sail across the Mediterranean Sea for the golden dunes and rugged landscapes of North Africa. Come with us on a journey across the sands as we retrace the footsteps of this intrepid gender-bending explorer.If you want to support Deviant Women, follow us on: PatreonTwitter @DeviantWomenFacebook @deviantwomenpodcastInstagram @deviantwomenpodcast
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Florence Cook was a young woman who, at the tender age of 15, began speaking with the dead, launching her meteoric rise as one of London's foremost mediums. With her beautiful and mischievous spirit control, Katie King, she took the spiritualist scene by storm. Join us at the dark seance table as we discuss Florence Cook, our first deviant woman!
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