Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Just like Larry Levan was Paradise Garage, Tony Humphries was Club Zanzibar. With his inimitable take on house and garage, the US-DJ was able to command audiences for hours, taking them up and down, round and round with a dizzyingly eclectic mix of soul, tribal and gospel styles. Kerri Chandler has said before how much of an influence Tony was on him during those early days in New Jersey, and this August he will offer a very real link to that past with a set at Melkweg under the title 'A Tribute To Zanzibar'. Ahead of that, Tony has served up a ninety minute mix for us that showcases the skills he has been honing for more than 35 years. It is a party starting selection that touches on every facet of house music in feel good fashion. Quick and slick and always smooth, more than the odd history lesson is included along the way but the results never feel less than timeless.
Quentin Vandewalle is probably better known to you as Zaltan. The French DJ is head of the Antinote label; a homebase for many upcoming artists such as Syracuse (catch them on this year’s Lente Kabinet), D.K, Dominique Dumont and Geena. It is the place where horizontal ambient, gently Balearic sounds and nostalgic house all rub up with retro design attached to it. Each EP and LP is a lovingly crafted and memorable affair that will sooth any busy brain or tired soul, and that is the case with his journeying mix for Dekmantel. Over the course of an hour, it will ensure you to forget your woes and drift to a sunnier place before getting down to some dancing action. Vocal ditties, dusty breakbeats and crunchy DIY beats get blended and fused into a set that is expertly slow to start, then decidedly direct later on. Listen and learn from a master of balancing beats with blissfulness.
Vakula is a prolific Ukranian producer, DJ and outspoken artist who very much has his own sound and is a Dekmantel family member for a long time now. Releasing a vast amount of house and techno that touches on everything from super sweet and deep to melodically off kilter, stripped back and ornate to magically cosmic. Before now the Leleka boss has released a number of conceptually strong LPs and plenty of EPs as well as an album of psychedelic rock and spoken word. His album 'You've Never Been To Konotop' is a modern classic. He takes risks and isn’t afraid to buck trends, basically, and for that reason has a cult following around the world. Proof that Vakula does things his own way is this mix (released on his birthday) which focusses completely on techno. At around two and a half hours, it really allows him to stretch his legs into a weird and spaced out techno world. From Detroit and Millsian to old school and jacking, many different moods and grooves are explored here but never do energy levels dip below full on sweaty.
Gerd Janson is the influential label boss, journalist, DJ and producer behind the Running Back imprint an doesn't need any introduction nowadays. With a fine ear for unearthing new artists and developing them on his label, Gerd has a very busy schedule and puts out a dizzying amount of music from ambient to disco, house to techno. As a DJ, he has no identifiable style but is a master of many and is someone who can play to just about any crowd and make them move. As if that wasn't enough, as one half of Tuff City Kids he kicks out the club-ready jams that keep kids dancing. Back on New Year’s Eve 2015, he played back-to-back with Irishman Krystal Klear, who is at the heart of the modern house scene in his hometown Manchester. His fresh take on a classic sound has seen him win plenty of favour with the youth of the day, as well as getting him signed to Kerri Chandler’s MadTech label. Only active for six years, he has already become a regular on the global circuit and now heads up his own Cold Tonic label as well as hosting an influential show on Rinse FM. With a great sense of humour that always permeates his music, former Hoya: Hoya resident Krystal Klear has a passion for a wide range of sounds. Our latest mix is taken from the five hour b2b the pair played that NYE. As such it really found them stretching their legs and playing across the board. From slow disco to playful r&b grooves, 80s synths to classic house, it is a truly playful set that is chock full of jams, all carefully mixed into one explosive and loved-up whole.
As you would expect of someone called Lovefingers, American DJ and producer Andrew Hogge has a very special touch when it comes to making, playing and releasing emotionally involving, blissed out music. Hailing from LA, he runs the magical ESP Institute label and is also half of The Stallions as well as being a self-proclaimed hippie. That always comes through in the organic, loved up music he works with, and visual aesthetics always seem just as important to him as musical ones. The romantic and intoxicating mix he serves up is dedicated to Red Light Records owner Tako Reyenga and Mule Musiq affiliate Kuniyuki Takahashi. It is a loose-limbed, love-fuelled and fully horizontal delight made up of underlapping grooves, oriental motifs and gluey pads. The second half touches on more physical drums but also offers up yet more heavenly ambiance, bird song and jumbled percussion that will have you reaching for your shades and dreaming of summer.
Just a few years ago, Daniel Avery emerged from a famous Scrutton Street studio where the likes of Andrew Weatherall and Timothy J FairPlay were regulars. Since then, he has gone his own way, releasing a machine made, proudly analogue brand of indie-electro-techno-dance music that has come mostly on Errol Alkan’s Phantasy Sound label. Mixing dark beats with dense and smoky synth atmospheres as both a DJ and producer, he knows how to cook up a metallic and menacing groove with aplomb. After impressing with his debut album, Drone Logic, in 2013, we're proud to invite him to this year's Lente Kabinet, Dekmantel Festival (together with Roman Flügel), and our mix series. The fabric resident kicks off his mix with some heady drones and deep, spacious grooves that are eerie and unsettling. The next 90 odd minutes sees him blend sublime acid, slithering synths and increasingly minimal techno into a seductive set that is expertly paced and seamlessly mixed. Perfect for the dead of night in some intimate back room, it shows a heady and atmospheric side to Avery that is truly compelling.
We would like to think we have served up plenty of special treats in our podcast series so far, but this latest one is certainly one that many people will get very excited about. It is not often that Detroit key-figures step out and offer us a window into their current musical world, but that is what we have here from Sherard Ingram aka DJ Stingray. Famed for many reasons—not least for always DJing in a black balaclava—he is founder of the Urban Tribe super group with KDJ, C2 and Shake, was DJ for the legendary electro outfit Drexcyia and is also a fierce DJ and producer in his own right. He came up playing tough techno and electro in hardcore motorcycle clubs in the D, but is now a regular in the world’s finest underground spaces, where he pushes a dark, intense sound that is socially and politically charged. Shades of Miami bass and ghetto tech also characterise his work on labels like Shipwreck, Bleep43, [NakedLunch] and Unknown to the Unknown, and in 2016 he is as busy and prolific as he has ever been. This summer he plays a rather exclusive back to back set with Helena Hauff at our festival in Amsterdam. The mix he serves up is a great snapshot of what Stingray does - forces you to dance to his high tempo, high impact sounds. He mixes them quickly and slickly and there is a real sense of urban paranoia and future menace in every tune he reaches for. Sit back, then, and bask in the glory of a real master.
German Daniel Ansorge, aka Barnt, is a DJ and producer who, in his own way, sticks to the Bauhaus principle: he makes music that has nothing in it that isn’t totally necessary or functional. With this rough blueprint, he has conjured up some unsettling techno on his own Magazine label as well as Matias Aguayo’s Cómeme. Mule and Hinge Finger have also come calling for his works, and despite their minimalist approach, they are textured and hypnotic, strange and subversive. Last year he toured the US for the first time, and he's already a very welcome guest at Europe's forward thinking clubs. So after years of quiet toil, he is now getting the recognition he deserves around the world. The fascinating mix he serves up is suitably spooky and chilling to start, with ambient drones, soft drums and haunting pads all operating on a bleak horizontal plane. Later on some sleek metal grooves and post apocalyptic techno gets you on your toes before everything decays back to a dystopian nothingness. It makes for quite the trip and offers a snapshot of the sort of thing you can expect from the man when working in either the DJ booth or home studio.
The undisputed talent of Miami-based Greg Beato graced its way to two of the most unique souls in electronic music. Both Ron Morelli (L.I.E.S.) and FunkinEven (Apron Records) signed his distinctive, tripped out dancefloor material that majestically sits in a class of its own. As a DJ, Beato is spinning into prosperous future as well, playing at the worlds clubs and festivals alike. His Podcast is a live recording from a night in Cologne somewhere late 2015 and has the signature Beato vibe all over it.
We keep it local with our next podcast, a long time Dekmantel friend. Yuri Boselie is an occasional producer of deep and moody sounds but is foremost a DJ extra-ordinaire. He was a resident at the sorely missed Trouw and is the sort of DJ who defies categorisation. From major festivals to Boiler Room gigs, intimate basements to open air sessions, he knows exactly what to draw for and when to draw for it. House, garage, techno and plenty in between are all fair game for the man who has also collaborated with Tom Trago, and who is responsible for the Beat Dimension compilations that kickstarted the growth of the beats scene in Europe. The podcast he puts together is 70 minutes of smooth, feel house and playful grooves. There are trips into acid, tracks from yesterday year and pure party vibes all neatly melted together into the sort of bouncy session that is deceptively effortless.