Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Brooklyn’s Jacques Renault is a dance music polyglot. In his long career he has undertaken, and succeeded with, many different projects. Whether working solo or collaboratively, turning out original productions or cultured edits, DJing around the world or running his labels On The Prowl and Let’s Play House, he always comes correct. His sound is impossible to pin down as evidenced by his broad and sweeping DJ sets which range from Italo to techno, Afro to disco and back again. With this mix we find him in fine form across three enthralling and widescreen hours that showcase his democratic approach to digging. Effortlessly drifting from slow and tropical grooves to party starting disco, it embodies the sound of summer, of late afternoon BBQs and sunset sessions before getting more groove driven later on. Bubbly, breezy house becomes the order of the night, and it’s all underpinned by a loose and playful sense of love for the good times.
The Russia based Inga Mauer will proudly line up at our Dekmantel Festival this summer. And it is easy to see why: she has a high impact, strobe lit dark techno sound that is impossible to escape. This is true of her DJ-sets as well as her productions, which have been released on labels like Hivern Discs and shtum. Imbued with elements of EBM, hellish synth craft and psychedelic tendencies, she brings a fresh and widescreen persecutive to electronic music that really stands her out. Her mix is here just as alarming for all the right reasons: it quickly shifts from foreboding noise tracks to eerie drones, from cold wave styles to thudding house via nasty old school techno. Powerful and visceral throughout, it’s a muscular mix that takes many risks and veers off into a weird and wonderful world of sound that is never less than brilliantly unpredictable.
We don’t use the world genius lightly, but young Belgian based artist Roman Hiele might be just that. In only four years, he participated the Red Bull Music Academy and has put out five albums that have proved him to be an one of a kind producer with his own inventive sound. It is informed by a wide world of musical influence from classical to ambient, juke to acid via breaks and techno. Distilling all these into his his own rhythm noise, the artist works on labels Ekster and YYAA with great success. @hielehiele is known for his outstanding live sets and records that draw the perfect landscapes. But his one hour mix for us is one of the most brilliantly unusual in the series, and is completely dance floor orientated. One moment serving up kinetic drum programming it then flips into a retro synth world before dropping into a slow and atmospheric pool of pads and chords. Later on unhinged techno returns, dreamy house makes an appearance and experimental loops of busted drum and frazzled synths play us out. It’s perfectly anarchic and bravely left of centre and never lets up.
Any of you synth freaks out there will know all about London Modular Alliance. It is the alias of a live electronic act made up of Koova, Yes Effect and Pip Williams, but is also a much loved and cult synth shop of the same name in Hackney, London. In the club, London Modular Alliance do things properly: they cook up brain frying soundtracks, on the fly, with modular synths, no laptops, and many patch cables. Exactly what will go down at any of their shows is unknown even by the men behind the machines, such is their nature, but suffice it to say they always impress. Their studio sounds are equally beguiling and have come on Brokntoys and Hypercolour, and now they make their unique entry into our mix series. Clocking in at just over an hour, it is a one of the most alive soundtracks we have heard: the whole thing unfolds and evolves seemingly with a life of its own. There are no joins between tracks, no jarring transitions, just a fluid fusion of electro and techno grooves coated in that raw analogue texture we all love so much. Variously prickly and kinetic, raw and freaky or more supple and seductive, it is a splendid session from some of the finest synth maestros out there.
This week we turn to another close Dekmantel family member in Matrixxman. In just a couple of years the American has emerged as one of the foremost producers in the house and techno world. His rugged analogue sounds have come thick and fast over nearly 20 EPs and are famous for their balance of quality, invention and diversity. Never sticking to the same sound for long, his Sector series on our label proved that, roaming as it does from repetitive peak time techno futurism to mind melting acid and back again. Always focussed squarely on the dance floor, that carries over into his always body jerking sets, many of which have been at Dekmantel events and festivals around the world. Over the course of an hour here, the artist goes deep into a streamlined, intergalactic techno soundworld. Supple synths are layered up over pressurised and rubbery drums, manic melodies circle the grooves and there is a sense of darkness to the whole thing that is truly compelling. As energy levels ramp up throughout, you can’t help but go hard right until the blissed out ambient end game.
Interest in Japanese electronic music never wanes, and that is thanks to the work of producers like Gonno. As a key part of the contemporary musical landscape in the Far East, he has released on local as well as international labels like Perc Trax, Endless Flight and Ostgut Ton. He is someone who brings acid and melody to his techno and has put out fantastically realized full lengths such as 2015’s Remember The Life Is Beautiful as well as many EPs in the last decade. A regular guest at key parties in Europe as well as Japan, he recently played one such party on a Sunday afternoon. Taking place at a club near the beach called Oppala, he played for seven hours straight and managed to record the mix. Now he presented the first three hours for our podcast series. Starting with some unmistakably Japanese ambient sounds and delicate instruments, he then plots a journey through organic slow motion grooves that drip with musicality and tumble in pleasing ways. Never less than smooth and seductive, things get a little more energetic later on with more corrugated grooves, icy hi hats and bumpy beats and the whole thing makes for a rare recorded insight into the DJ side of this esteemed artist.
As boyhood friends, Dutchie @Jan-van-Kampen DJ’ed with founders Casper Tielrooij and Thomas Martojo as Dekmantel Soundsystem in Holland. Anno 2017, the skilled DJ is flying solo quite succesfully. He layed down a super sunny disco set on Boiler Room Dekmantel last year, and now he also comes correct in our mix series. Over the course of ninety minutes he digs out a diverse mix of music from the moody spoken word opener through some breezy house and loose organic grooves. Always hovering around a steady tempo, its the details around the beats that keep you locked here - they are intoxicating and deep, late night and playful, with many different shades of heady house all touched upon in smooth and seductive fashion.
Underground Resistance founder Robert Hood is one of the pioneering old guard who is still doing it right today. He is the epitome of Detroit house and techno, serving up pulsing minimal, and has been since the early nineties. Last year he joined our label for a series of three EPs entitled Paradygm Shift and a full length which will see the light of day the 22nd of May. The project is aimed to take techno out of its current comfort zone and very much did so, as does Hood himself whenever he plays one of our parties. Now he has served up the latest mix in our series and once again subverts expectation. His hour long Paradygm Shift Mix water no time in establishing a rock solid kick drum, and then proceeds to colour the airwaves around it with hypnotic hi hat loops, rougher claps, and raw synths. As ever with Hood, it is a bouncy and fast moving mix that hurries you along at a great rate, but because there are so many thrills along the way, you are more than willing to go wherever he wants to take you.
Mumdance embraces a much wider world of sound than many. The UK producer is an experienced collaborator who grounds his sounds in anything from grime to breaks, techno to hardcore, experimental to world and afro. Making textured noise with a module set up, playing sets that run a dizzying gamut of genres and performing live with the likes of Novelist, he is a restless creative who works with labels like Tectonic, Keysound Recordings and XL Recordings. On top of all this, he runs his own Different Circles label, heads up one of Rinse FM’s most popular radio shows and designed sound presents for the relaunched 303 and 909 machines by Roland. His mix for us is a beguiling, hard to categorise blend of all of this, forthcoming stuff and more: from brain frying frequencies and skeletal grooves from somewhere on the hardcore continuum to sci-fi ambiance, deep techno rhythms and immersive passages of raved-up sound design, it is a singular proposition from someone who embodies many different aspects of UK electronic music past, present and future, often all at once.
The last couple of years have seen D.K. emerge at the centre of a new age, ambient laced and misty sonic sphere. Taking cues from boogie and synth pop, house and funk, the Frenchman’s subtly soothing sounds have come mostly on Antinote and sound at once nostalgic but also forward looking. Musical and lush, dreamy and balearic, it is music for warm climates and laid back moments in your life. And so is the mix he has put together for us: over the course of ninety minutes it takes you from the hammock to the beach bar and on to the club. Starting with the sort of smooth and serene sounds you would expect, things get crunchier and more hard hitting as you move along through prickly house, wild analogue jams and trippy four thumpers.