Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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Enjoy a new episode in the Dekmantel Mix Series, published bi-weekly.
http://www.dekmantel.com
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@facta & @k-lone93 have been on a roll recently. Their Wisdom Teeth label has seen them put out not only excellent music from Tristan Arp, but also Facta's brilliant downtempo album Blush and K-Lone's recent Zissou EP. Both hail from London but are now Bristol-based and they mix up many of the different styles you'd expect from those two musical hotbeds. Everything from 2-step to Baltimore, post-dubstep to deep house gets distilled into their sets and productions, but always with well-swung drums and high-pressure bass. The pair kick off the New Year for us with a nimble mix that moves smoothly through glossy house depths, stripped-back broken beats and elastic rhythms. There is always a rich layer of percussion, sweet vocal or elegant melody burrowing deep into your brain while the beats keep your body happy. It's a perfectly persuasive listen that eases you off the sofa and back to the dance floor in no time.
@sky_h1 dropped her debut album Azure at the start of December. It was a genre-busting statement that built on all the sounds she has been exposed to since the start. Drum & bass, techno, grime and dubstep all informed the rhythms while her own life experiences contributed to the album's rich emotion. Next to making club music for labels like Creamcake and PAN's sub-label Codes, the Brussels artist has also written for galleries, films and concerts so is adept at making sounds that evoke in a range of different settings. Across her eighty-minute podcast, SKY H1 strikes a perfect balance between potent drum breaks and heady ambient designs. Tracks float through the cosmos then come banging down to earth on a bed of heavy bass. It's a mix that is as well suited to being lost in deep thought as it is thrashing about on the dance floor. Finding emotional nuance amongst such physical sounds is exactly what SKY H1 does best. Find out more about SKY H1 through: https://skyh1.net/
Glasgow's @fergus_clark has a depth of musical knowledge way beyond his years. He is one-quarter of the 12th Isle label, party and radio collective and digs deep into everything from early techno to musique concrete to obscure exotica. Back in 2017 he released a still essential tape on Tasker's 88T label and a thrilling compilation with JD Twitch, Miracle Steps (Music from the 4th World). Both of these releases are indicative of how Clark puts together music with a sense of storytelling, scene-setting and endless mysticism. This week's mix sure does give you a sense of exploration, of journeying through new worlds somewhere in the global south. The music is humid and wet, with tribal vocal chants and digital synths paired with indigenous instrumentation. As you get deeper into the aural jungle, the drums get bigger, proto-house rhythms make you move and you end up at a steamy tropical rave. It is another accomplished and subversive mix from this ever more renowned DJ.
@zvrra is an avant-garde artist by anyone's standards. Her background as a video game developer has a clear influence on the music she makes. That can be anything from industrial to techno, witch house to hip hop, but most often her sounds exist in the intricate spaces in between all that. Her perfectly entitled November album Bizarroland on Avian was a fine example of that, and one united by an eerie darkness that kept you looking over your shoulder. But this week's mix is full steam ahead through a shadowy world of grit and grime. It's a one-hour techno excursion that explores myriad different rhythms from flat-footed to floating, broken to brutal. It is unrelenting from start to finish, building the tension through a mix of texture and tempo, pulling back then going again just when it matters. It speaks of DJ with a unique sense of control and mastery of darkness. To learn about what inspired the mix, how it was put together, the influence of video games on Zvrra's music and about her recent EP, head over to our website to read a quick interview with the artist herself: https://dekmantel.com/editorial/dekmantel-podcast-363-zvrra
@layla-rutherford has been on our radar for a while and finally played for us on the beach at Dekmantel Selectors in the summer. Her first EP came all the way back in 2014 and was an exemplary and delicate deep house offering co-produced by Floating Points. A year later, she returned the favour by providing vocals for his majestic Elaenia album. Since then she has been a regular on the likes of Worldwide FM and NTS with tasteful selections that cover downtempo, gospel, house and plenty in between. Layla recorded this week's all vinyl mix with two decks and an E&S mixer. It is a perfectly homely selection of soulful songs and gospel goodies interspersed with lo-fi rollers from Omar S, well swung US garage and funk nuggets from around the world. There is no formula and no predictable arc to this mix, just plenty of feel-good music served up with love. Perfect.
Standing out in the overcrowded DJ world is not easy. To do so when you're just 17 is almost unbelievable. But that is when Belgian-born AliA (@aliamusicc) first started making people take note of her fresh selections and technical skills on the decks. They were way beyond her years and since then she has gone on to become a resident at Belgium’s HORST Festival and a guest at the likes of Worldwide, Dimensions and Lowlands. This week's mix is pure vibes. It shows off AliA's ability to seamlessly join dots between seemingly disparate sounds: in her hands a transition from lo-fi house to breezy jazz-funk is easy. A lush vocal cut into dark and dirty bass rhythms? No problem. It all adds up to a selection that will be suited to any occasion, from a pre-party warm-up at home to a long drive in your car. Good music is good music, no matter the speed or style, and never is that more obvious than when listening to AliA do her thing.
@mamasnake is at the heart of Copenhagen's blistering techno scene. She plays with a serious amount of speed and showcased that as far back as 2018 when she played for Boiler Room at our Amsterdam festival. But she is also a qualified surgeon, co-founder of Amniote Editions and curator who oversees the release of music, posters, videos and t-shirts. She prefers to keep a low profile and operate in darkened spaces at the dead of night, but with her at the controls, there is no finer place to be. Mama Snake's supple and sublime sound is a mix of sleek techno and uplifting trance. She plays with a tight and technical mixing style and can make you fall in love with tracks you didn't even know you liked. On this week's mix, she charges through kinetic beats and slithering synths that never let up, but never get stuck in a rut. There is always a breakdown to reset the mood, a dreamy lead to take your mind away or a vocal latch on to. They say that speed kills, but when it comes to Mama Snake, speed thrills.
This Friday, @parris_dj releases his long-awaited debut album, Soaked In Indigo Moonlight, on the can you feel the sun label he co-runs with Call Super. The album is rooted in the pop music he loves but characterised by his own inventive rhythms, joyful vocal features and the many different emotions associated with personal relationships. It comes after years of colourful and psychedelic takes on bass and techno on labels like Idle Hands and Hemlock, and marks a new high watermark in his already assured discography. On this week’s mix, Parris threads together all aspects of his sound - there’s restrained bass music, lively grime and novel techno. Each one is skewed through his own lens and served up with compelling energy. Despite the physical results, the dynamic grooves retain the sort of depth and detail that keep your head as busy as your heel.
Pandora's Jukebox (@pandoras-jukebox) is a perfect name for a DJ who always serves up sonic surprises. By day, Yasmina Dexter works as an art director, but in the evening she deconstructs electronic music before reassembling it in hypnotic fashion. Her dead-of-night soundtracks are both trippy and hypnotic whether she is hosting her NTS show or playing as a resident at Cicciolina Paris. Her abstract, slowed-down take on techno joins inconceivable dots between a broad array of sounds and scenes and sounds that leave you enjoyably discombobulated. This week's mix is another irresistible musical mood board from Pandora's Jukebox. Slow in tempo but dynamic with its detail, it unfolds like a half-remembered dream: fragments of melody and a snatched vocal snippet come and go, a well-swung rhythm becomes a bumping beat and shards of percussion fade away into a gorgeous ambient pad, all without fanfare. Put this one on and prepare to get truly lost in sound.
@gwenans' rise through the ranks has always been driven by a love for the music. She hasn't produced any big breakout hit and never dreamt of headlining on a super-sized main stage. Instead, she has quietly honed her craft playing at intimate London parties like Toi Toi and her own Hi Fi, made a successful move to Berlin where she fomented close ties with cultured crews like The Ghost and impressed with her pitch-perfect sets as a resident at London's Pickle Factory as well as the beloved Freerotation in her native Wales. Her sound is rooted in house and techno that is deep and kinetic, but it can stretch way beyond and into a world of leftfield electronics and heady ambient. On this week's mix, Gwenan does what she does best: establishes a groove your body can't resist then slowly tweaks and builds on it for 80 minutes. There are never any big left turns or flashy tracks, just a well-sequenced, neatly mixed and super-tight selection of irresistibly good records. Some go heavy on the bass, some twist and turn on a cosmic synth and some have a machine-made soul that warms you to your core.