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    Music

    Contrabass Conversations

    Contrabass Conversations features interviews and performances from top leaders in the world of the double bass. Podcast host Jason Heath dives deep into what makes these world-class artists tick. With 2 million downloads and counting, Contrabass Conversations is the most popular podcast for double bassists. Join the community and experience life on the low end of the spectrum!

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    Copyright: © 2019 Contrabass Conversations

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    Latest Episodes:
    204: Tips for Teachers with Peter Tambroni Apr 18, 2016
    Show notes

    Today's podcast featuring a conversation with Peter Tambroni, who was an early guest on the podcast back in 2007 on episode 32. Pete is the author of An Introduction to Bass Playing, which is now in its seventh edition, and is an active bass performer, teacher, and author. You can learn more about Pete on his website petertambroni.com.

    About Peter:

    Peter Tambroni received his Master of Music in Double Bass Performance from the University of Illinois at Urbana – Champaign and his Bachelor of Music in Music Education from the Crane School of Music. He has taught elementary, middle school, and high school strings and is a former faculty member of the State University of New York at Plattsburgh. Peter has been an orchestra director in Mannheim School District 83 since 2001.

    From 1998 – 2005 he taught and coached at the Crane School of Music's summer youth program. In 2006 he was the Mannheim Middle School's PTA Teacher of the year.

    Peter is an active double bassist performing throughout the Chicago area. He has performed with professional orchestras in New York and Illinois and in 2000 appeared on national television with the Bozo Super Sunday Show.

    As a writer, he has been published several times in the international journal American String Teacher and on EnergyAddict.com, the website of best-selling author, Jon Gordon. His book, An Introduction to Double Bass Playing, is available at www.lulu.com/tambroni.

    He also created and maintains the blogs MostlyBass.com and EvolvingEducator.com

    Peter can reached via email at tambroni AT gmail DOT com


    203: Adam Ben Ezra on YouTube fame, looping, and percussive techniques Apr 11, 2016
    Show notes

    Today we are featuring Adam Ben Ezra, who has exploded onto the double bass scene in recent years with his unique musical voice. Adam combines elements of Arabic music, Latin drumming, American pop, looping, and many other styles to form his own craft. He has become quite popular on YouTube, and his videos are fun and visually compelling. To me, Adam is an example of what I find so exciting about the bass world right now. He's taking the instrument in fascinating new directions, he's pushing the boundaries of technique, and he's changing the very perception of the instrument.

    I'd also like to welcome back our sponsor Discover Double Bass and let you know about their new double bass scales package. 17 different scale types are covered in all 12 keys, over one and two octaves, along with backing tracks. Geoff Chalmers does an excellent job with these tools, which are clear, concise, and built to benefit your playing regardless of your current level. Look for this course to launch in the next week, and check out Geoff's many other offerings at discoverdoublebass.com/store.

    We're featuring excerpts from several of Adam's songs:
    • Can't Stop Running
    • Elohima
    • Flamenco
    • ConTraBajo (this video features the woman baking in the background)
    • Dexter
    • Double Bass Projection and Mapping

    Adam has become well-known for his drum'n'bass technique, which you will hear through all of these excerpts, and he offers a video lesson series on this technique as well as transcriptions of several of his tunes. We have links to these in the show notes, and learn more about Adam's music, tour dates, his upcoming master class project, and much more at adambenezra.com.


    202: Chuck Israels on rhythm, amplification and jazz education Apr 04, 2016
    Show notes

    Today's guest is jazz bass legend Chuck Israels. We start by covering more familiar topics like meeting Charlie Mingus, playing with Bill Evans, Bill's use of rhythm, the importance of having concrete and specific role models, and then go deep into topics like Balinese wood carving (the time it takes to get good) - not creating your own artistic world without the traditions that preceded you, the perils of the "parallel case", and commonalities among how great artists approach their craft.

    Chuck has just released a new album on Dot Time Records titled Garden of Delights. We'll be featuring a few clips from the first three tracks of this album: The Skipping Tune, Garden of Delights, and Mingus.

    I'd also like to welcome back our sponsor Discover Double Bass! Their beginner's course is arranged into 43 sequential HD video lessons arranged into eight chapters that cover everything from choosing your first instrument to the essentials of technique. You can check out this course as well as many other offerings at discoverdoublebass.com/store.


    201: Ira Gold on bow strokes, musical curiosity, and practicing techniques Mar 31, 2016
    Show notes

    We're featuring National Symphony bassist and Peabody Institute faculty member Ira Gold on today's episode. Ira was one of the very first interview guests for the podcast, and we spread it out over three episodes: 15, 18, and 43. This "round two" interview was conducted almost a decade after the first conversation, and Ira has been incredibly active with all sorts of new projects. In this interview, we talk about physical fitness and how it helps with all aspects of life, making the transition to standing full-time, what Ira listens for on an audition committee, wanting to make music with people who share the same musical values, how being a "curious person" opens yourself up to new experiences in playing, practicing techniques, turning practice into puzzle solving, and many other topics. We also talked about the three summer camps at which he'll be teaching:

    • DCBass
    • Peabody Bass Works
    • Orchestral Bowing Workshop
    You can learn more about Ira and all his activities on his website. Enjoy!

    200: Living a Fulfilling Life Mar 28, 2016
    Show notes

    I'm turning 40 today, the podcast just passed a million downloads, I wrote a chunky blog post that resonated with a lot of people, and I just got back from Cuba. This is a different kind of episode where I share details on where I've been and where I'm headed in many areas of life.

    If you haven't read the above referenced post, check it out and you'll find links to a lot of what I talk about in this episode. More "regular" episodes to come later this week.


    199: Federico Marchesano and The Inner Bass Mar 24, 2016
    Show notes

    This is an all-music episode of Contrabass Conversations featuring Italian bassist Federico Marchesano and tracks from his recent release on the Solitunes label titled The Inner Bass. The first track, Piggy, features pedal effects and overdubs. We then hear Hakazehe, a traditional Burundi song that features the bass being hit by a wooden stick. We round out the show today with the haunting track Contrabutoh, which becomes true heavy metal at the end. Enjoy these tracks from Federico, and check him out online at federicomarchesano.com. Links:

    • Federico's homepage
    • YouTube example 1
    • YouTube example 2
    • Solitunes label
    • Solitunes on Facebook

    198: Todd Coolman new release Mar 21, 2016
    Show notes

    This is an all-music of Contrabass Conversations featuring jazz bass legend Todd Coolman with some tracks from his new album Collectibles. The Coolman Trifecta is made up of Todd on bass, Bill Cunliffe on piano, and Dennis Mackrel on drums. We featured Todd as an interview guest on the podcast back on episode 137, and Win Hinkle was our guest host for this interview, so be sure to check it out if you haven't in the past. The album will be released May 26th, so this is a sneak preview of what you'll be hearing from Todd. Todd is also he author of The Bottom Line: The Ultimate Bass Line Book, and we have a link to this book in the show notes. We feature three tracks today:

    • New Rhumba
    • Joshua
    • You're My Everything
    Enjoy these new tracks from the great Todd Coolman!

    197: Bert Turetzky on forging new paths, compositional language, and commissioning over 300 works Mar 17, 2016
    Show notes

    Today's episode features an interview with the great Bert Turetzky. With nearly 60 years spent championing new works for the contrabass, Bert truly is the father of modern bass playing. Bert has recently released a memoir titled A Different View which chronicles his life spent in music. It delves into his early years growing up in Connecticut, his dreams of becoming a jazz player, his orchestral experiences, teaching at the Hartt School and the University of California San Diego, and it covers in great detail his work as an advocate for the contrabass. We also feature clips from a University of California Television broadcast from 2008 titled Bertram Turetzky and Friends: Music for Contrabass. This program featured solo and chamber works, including four premieres and several pieces that have made Bert famous. The entire program is available on YouTube. Be sure to check out the YouTube video for Bert's wonderful descriptions of these works. Audio used in the podcast:

    • Seven Miscellaneous by Donald Erb
    • Onde (World Premiere) by Salvatore Macchia
    • Inside by Kenneth Gaburo
    • Contrabajissimo (World Premiere) by Astor Piazzolla
    Links:
    • Bert Turetzky - video interview about A Different View (43 min)
    • Bertram Turetzky and Friends: Music for Contrabass
    • A Different View - memoir by Bertram Turetzky
    • Bert's Wikipedia page

    196: Andrés Martín on the creative process, the composer mind, and forging a bass scene Mar 14, 2016
    Show notes

    Today's episode features composer, teacher, and bassist Andrés Martín. Andrés has written works recently that have become quite popular in the bass community these past few years, and I've been looking forward to talking with him ever since hearing his music. Andrés is also the composer of Anna's Gift and is currently writing the music for Anna's Promise, the project spearheaded by Barry Green (a former Contrabass Conversations guest) that we featured on episode 189 of the podcast. We'll be playing excerpts from Andrés' music throughout this episode, and we'll start with an excerpt from the second movement of Andres' bass concerto. He's a distinctive and exciting new voice in the world of the bass and has captured the bass world's imagination for sure. Andrés is a great guy and a deep thinker about creativity and the compositional process, and I think that you'll learn a lot about inspiration and the composer mind from this discussion. Tracks featured:

    • Bass Concerto No. 1 (excerpts from movements 2 and 3)
    • Suite Para Contrabajo Y Guitarra Española (2009) III. Milongitana
    • 43 by Andrés Martín and Donovan Stokes (excerpts from movement 2 and movement 3)
    • Elegia Para Contrabajo Solo (2011)
    • Andrés Martín solo CD Cera
    • andresmartin.net
    About Andrés: Native of Buenos Aires, Argentina, bassist, arranger, and composer Andrés Martín has performed with orchestras and chamber ensembles in Argentina, Costa Rica, Venezuela, Brazil, Mexico, England, Germany and United States. Since his arrival in Tijuana (Mexico), Andrés has been immersed in teaching as well as performing as a soloist and chamber musician. He is a member of the "Orquesta de Baja California" and "Cuatro para Tango", a chamber ensemble with whom he has released four recordings. He also organizes and directs "Contrabajos de Baja California A.C. ", a Double Bass academy who celebrates an international double bass festival and chamber music course held in Tijuana every summer. As a composer and arranger, he works with a wide language which ranges from contemporary techniques to tango and rock. His work has been performed and recorded by very successful orchestras, ensembles, and soloists in Mexico, Argentina, Colombia, Germany, Italy, Denmark, Netherlands, Japan and the United States.

    195: Gaelen McCormick on bow strokes, Progressive Repertoire, and the Pomodoro Technique Mar 10, 2016
    Show notes

    We are featuring double bassist Gaelen McCormick on today's episode. Gaelen is a member of the Rochester Philharmonic, teaches at Nazareth College and the Eastman Community Music School and is the author of Mastering the Bow, a two-part series for bass. Part one is based on the violin studies of Franz Wohlfahrt, and part two features off-the-strings strokes.

    We had a wonderful conversation about her early years in music, studying with Jeff Turner for graduate school (and you can listen to Jeff on the podcast—he was a guest back on episode 26), structuring practice time, the George Vance Progressive Repertoire series, and many other topics.

    Before and after the interview, we feature Gaelen and Ed Paulsen performing a couple of Dave Anderson's wonderful duets, and you can check out our interview with Dave on episode 75 of the podcast.

    About Gaelen:

    Ms. McCormick has been a member of the Rochester Philharmonic's bass section since 1995. Before joining the RPO, she held positions with regional orchestras such as the Erie (PA) Philharmonic, the Binghamton Philharmonic and the Albany Symphony. Ms. McCormick has performed regularly with other major orchestras, including the Buffalo Philharmonic and the Syracuse Symphony. She holds degrees in performance from the Eastman School and Carnegie Mellon University.

    Teaching the double bass to students of all ages has become a significant part of Gaelen's life. She joined the faculty of Nazareth College in 2010, and has been the bass instructor for the Eastman Community Music School since 2001. She enjoys working with talented high school aged string players in the summer at Eastman's Music Horizons program where she teaches chamber music and gives bass lessons. In 2003, she was invited to teach for the year at Duquesne University's City Music Center, a program for talented, pre-college students.

    Gaelen has given masterclasses and recitals at Ithaca College, Williams College, the College of St. Rose, and Roberts Wesleyan College. In 2013, she gave classes on double bass technique at both the International Society of Bassists convention in Rochester and the NYSSMA Winter Conference. "Mastering the Bow", the first of three books on double bass bow technique, was published by Carl Fischer in 2013, and the second will be published during the 2014 season.

    Playing chamber music has been a passion for Ms. McCormick. Before moving to Rochester, she often performed with the St. Cecilia Chamber Orchestra (Albany, NY) as their sole bassist. During her tenure in Pittsburgh, she became the founding bassist of the Pittsburgh Live Music Chamber Orchestra. She was the founding member of the innovative string quintet "Gibbs and Main", and recorded a cd of tango standards with them, and commissioned a new work for the ensemble by Judd Greenstein.

    In recent summers, she has been performing with the Music in the Mountains chamber orchestra, a festival based in Durango, Colorado. She is frequently invited to play chamber music with musicians from around the country in festivals such as the Roycroft Chamber Music Festival and the Syracuse New Music Ensemble. This summer, Ms. McCormick will make her debut appearance at the Canandaigua Lake Chamber Music Festival.

    Gaelen has been involved in volunteering and arts advocacy, and is proud to be the representative for the RPO in the International Conference of Symphony and Opera Musicians. She is honored to be a member of Phi Kappa Phi and Pi Kappa Lambda, groups recognizing and supporting excellence in the humanities and in music specifically. In her spare time, Gaelen enjoys kayaking, Argentine tango and West Coast swing dancing, and spending time with her toddler Clara.


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