TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Music

    Contrabass Conversations

    Contrabass Conversations features interviews and performances from top leaders in the world of the double bass. Podcast host Jason Heath dives deep into what makes these world-class artists tick. With 2 million downloads and counting, Contrabass Conversations is the most popular podcast for double bassists. Join the community and experience life on the low end of the spectrum!

    Advertise

    Copyright: © 2019 Contrabass Conversations

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    404: The Bassinova Quartet Sep 28, 2017
    Show notes

    The Bassinova Quartet is a revolutionary new force in the double bass world. They have turned heads worldwide with their stunning performances of traditional string quartet literature, and they are commissioning new works and breaking new ground.

    Jason sits down with quartet members Daniel Nix, Aaron Olguin, Lauren Pierce, and Harry Dearman for a spirited conversation on the origins of the group and where it's going.

    Links to Check Out:
    • Bassinova Quartet Website
    • Requirements from their past audition
    • Bassinova on Facebook
    • Bassinova on Twitter
    • Bassinova on Instagram
    • Bassinova on YouTube
    Contrabass Conversations is sponsored by:

    The Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    403: Kate Jones on Suzuki bass teaching Sep 27, 2017
    Show notes

    I had a great time talking with Kate Jones for the podcast! Kate is a Suzuki bass specialist working in the Hurst-Euless-Bedford School District in the Dallas-Fort Worth area. She is doing remarkable things for young bass students!

    Links to Check Out:
    • Kate's website
    • Jason attempting to play a 1/32 size bass
    More About Kate:

    Double bassist Kate Jones studied with Jeff Bradetich at the University of North Texas, where she completed her Doctorate of Musical Arts in the summer of 2014. Before moving to Texas, Kate received her Master of Music degree at Cleveland Institute of Music under the direction of Max Dimoff and Jeff Bradetich. In Cleveland she was actively involved in several area orchestras, including the CIM Orchestra, Cleveland Opera Circle, Firelands Symphony and the Cleveland Womens' Orchestra. Kate received her Bachelor of Music at Illinois Wesleyan University in 2008. Here she was active in the IWU Civic Orchestra as well as Wind Ensemble, in addition to local orchestras such as the Muscatine Symphony and the Champaign-Urbana Symphony. Kate currently holds regular positions in Texas and has subbed for such orchestras as Fort Worth Symphony. In the fall of 2014 she joined the faculty of Hurst-Euless-Bedford ISD as their bass specialist.

    Kate began playing chamber music at an early age with her family--first reading the Trout Quintet in High School. Her fascination with this genre continued to grow and blossomed during a summer abroad in 2007. It was then that she first played the Dvořák string Quintet as well as the Prokofiev Op. 39 Quintet. These performances prepared her for work in contemporary chamber ensembles such as the CIM Bass Quartet and the Cleveland contemporary ensemble Secundum Silentium.

    Kate has had the pleasure of participating in workshops and masterclasses with such artists as Edgar Meyer, Jeff Turner, and Michael Tilson Thomas. She attended Chautauqua Music Festival during the summers of 2011 and 2012.

    Contrabass Conversations is sponsored by:

    A440 Violin Shop - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.

    The Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    402: Jack Unzicker on practicing and musicality Sep 26, 2017
    Show notes

    Spending time with Jack Unzicker was a major highlight of my trip to the Dallas-Fort Worth area. Jack is an assistant professor at The University of Texas at Arlington and is one of the most professionally active bassists in the region.

    We dig into all kinds of topics, like:
    • what Jack's professional life looks like
    • where the bass is headed
    • what possibilities look like for music students
    • private teaching
    • modalities of practice
    Links to Check Out:
    • Jack's Website
    • Jack's UT-Arlington Faculty Page
    • Jack and Jason chatting for Viva el Bajo Live in 2017 (YouTube)
    More About Jack:

    Jack Unzicker is the Assistant Professor of Double Bass at the University of Texas at Arlington and is a sought-after performer and educator. He has extensive and varied experience in all performance areas, from early music to contemporary, solo, chamber, and orchestral, as well as jazz and electric bass. He maintains an active performing schedule, over 300 performances since his appointment at UT Arlington in 2012.

    Raised in Juneau, Alaska, he began his musical studies with piano, guitar, and percussion and began performing as a professional bassist and teaching private lessons at the age of fourteen. He earned his Doctor of Musical Arts and Master of Music degrees from the University of North Texas, where he studied solo and orchestral performance, orchestral conducting, jazz studies, and early music with Jeff Bradetich, Paul Sharpe, Bill Clay, Anshel Brusilow, Lynn Seaton, and Lenora McCroskey. Dr. Unzicker earned his Bachelor of Music degree from Western Washington University where he studied jazz studies, performance, and contemporary music with Chuck Israels, Anna Doak, and Roger Briggs. Dr. Unzicker continued his studies at the Henry Mancini Institute, working with Bertram Turetzky, Christian McBride, and John Clayton, the Pierre Monteux School for Conductors, and the Pirastro Strings Elite Soloists Program.

    In 2016, Dr. Unzicker was a featured soloist with the Dallas Chamber Symphony, performing Hindemith's Trauermusik. Upcoming projects include a recording for commercial release in 2017, of an ongoing duo project. This duo project is in collaboration with Dr. Martha Walvoord, UT Arlington violin professor, and contemporary composers to commission, perform, and record new works for violin and double bass. Composers include six-time Grammy-award winner Michael Daugherty, Roger Briggs, Andrea Clearfield, Tom Knific, George Chave, and Daniel M. Cavanagh. The duo will perform a recital at the International Society of Bassists 2017 Convention in Ithaca, NY on June 10, 2017.

    Dr. Unzicker's recent chamber music performances include the Adams Chamber Symphony, Bach Brandenburg Concerto No. 1, 2, 3, & 6, Beethoven Septet, Bruch Octet, Ginastera Variaciones Concertantes, Prokofiev Quintet, Stravinsky L'Histoire du soldat, and Brahms Sextet in B-flat Major, Svendsen Octet, and Schubert Octet with members of the Dallas Symphony, Dallas Opera, Fort Worth Symphony, Grand Rapids Symphony, and professors from Rice University and the University of North Texas. Dr. Unzicker is also principal double bass of the Dallas Chamber Symphony and Santa Fe Pro Musica.

    As an orchestral musician, Dr. Unzicker has performed with the Artosphere Festival Orchestra, Dallas Opera, Dallas Symphony, Fort Worth Opera, Fort Worth Symphony Orchestra, Holland Symphony, Waco Symphony, and as principal of the AIMS Festival Orchestra (Austria), Dallas Chamber Orchestra, Lubbock Symphony Orchestra, Orquesta Divertimento (Costa Rica), and Plano Symphony Orchestra. He has worked extensively with conductor Miguel Harth-Bedoya, as well as Jaap Van Zweden, Otto Werner-Mueller, Larry Rachleff, Rossen Milanov, James Conlon, Anshel Brusilow, and Gunther Schuller.

    As a pedagogue, Dr. Unzicker serves on the board of the Bradetich Foundation, a double bass performance and education organization, and is the Bass Forum Editor for the journal American String Teacher. He has been featured in articles on playing and teaching the double bass in The Strad, Bass World, American String Teacher, and Strings Magazine and frequently performs, adjudicates, and presents at the International Society of Bassists, American String Teachers Association, and Texas Music Educators Association Conventions. In the summers, he performs and teaches as Artist Faculty and as the Assistant Director of the Annual Bradetich Double Bass Master Classes.

    Current and former students of Dr. Unzicker have been accepted to undergraduate, graduate, and summer programs at the Colburn School, Juilliard School, University of Southern California, Boston University, Indiana University, University of North Texas, Florida State University, University of Texas, North Carolina School of the Arts, New World Symphony, Curtis Institute of Music Summerfest, Aspen Music Festival and School, National Orchestral Institute, National Repertory Orchestra, Interlochen Arts Camp, Round Top Music Festival, Texas Chamber Music Institute, and the WaBass Institute. The double bass studio at the University of Texas at Arlington has proudly hosted many guest artists recently, including Artist-In-Residence Eddie Gomez, Ira Gold, Milton Masciadri, Jeff Bradetich, Brian Perry, Aaro Heinonen, and the Bassinova Quartet.

    Dr. Unzicker performs primarily on instruments by Daniel Hachez and Albert Jakstadt, and a bow by Reid Hudson.

    Contrabass Conversations is sponsored by:

    The Upton Bass String Instrument Company. Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long "Karr neck" has even become a favorite of crossover electric players.

    Check out this video of David Murray "auditioning" his Upton Bass!

    The Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    401: Brian Perry on auditioning and motivation Sep 25, 2017
    Show notes

    I had a great time chatting with Dallas Symphony bassist and Southern Methodist University faculty member Brian Perry! Brian is also on the Board of Directors for the Bradetich Foundation and the International Society of Bassists, and he is the editor for the Bass World column "In The Zone."

    This episode is organized into three parts:
    • Part 1 - the difference one teacher can make
    • Part 2 - auditioning
    • Part 3 - staying motivated
    More About Brian:

    Brian Perry is the newest member of the Dallas Symphony Orchestra double bass section. Prior to his appointment in 2013, he was a member of the Fort Worth Symphony Orchestra for nine seasons. He has appeared with the Minnesota Orchestra, National Symphony and Cleveland Orchestra, and often performs with the Boston Symphony Orchestra at Tanglewood. An active collaborator, Perry is a frequent guest artist with pianist Buddy Bray for the Cliburn Foundation's Musical Awakenings educational concert series and has performed locally on the Spectrum Chamber Music, Fine Arts Chamber Players and Cliburn at the Modern series. Additionally, he has appeared as guest artist with the Vermeer String Quartet and pianist Natalie Zhu on the Bay Chamber Concerts series in Rockport, Maine. In recent seasons, he has served as the bassist in Miguel Harth-Bedoya's Caminos del Inka ensemble and as a member of the Funkytown All-Stars, an all double-bass quartet based in Fort Worth. Always keeping his eyes open for new repertoire for the double bass, Perry performed his transcription of William Bolcom's Graceful Ghost Rag for the composer himself in an all-Bolcom program at the Modern Art Museum in Fort Worth in 2010.

    Perry earned his music degrees from Boston University and the University of North Texas. His principal teachers include Larry Moore, Jeff Bradetich and Edwin Barker. Perry is currently adjunct lecturer of double bass at the Meadows School of the Arts at Southern Methodist University in Dallas. He also serves as a board member for the International Society of Bassists (I.S.B.) and the Bradetich Foundation, an organization dedicated to promoting the double bass as a solo instrument. Committed to educating and mentoring young bassists, he has adjudicated and presented master classes for both the 2015 I.S.B. convention and the TCU Bass Fest and, since 2010, has been the double bass instructor at the highly acclaimed Boston University Tanglewood Institute in Lenox, Mass., one of the nation's premier summer orchestral training programs for high school students.

    Links to Check Out:
      • Brian's SMU page
      • SMU in the Double Bassists Guide to Colleges
    Contrabass Conversations is sponsored by:

    The Chromatic Endpin.

    A straight endpin only lets you balance the bass one way.

    The Chromatic Endpin opens up many possibilities.You can feel more of the bass's weight, make it feel light as a feather, or anywhere in between.

    When the bass is balanced, you stand comfortably on two feet with a neutral spine.

    The instrument feels lighter, is easier to hold, and you're more comfortable.

    The Upton Bass String Instrument Company. Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long "Karr neck" has even become a favorite of crossover electric players.

    Check out this video of David Murray "auditioning" his Upton Bass!

    The Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    400: Zach Rowden on forging your own path and doing what you want Sep 22, 2017
    Show notes

    Former podcast guest Donovan Stokes recommended that I contact Zach Rowden and dig into what his musical journey looks like.

    I did just that, and the result was a fascinating conversation about careers, traditional music school mindsets, and how wide the possibilities really when you decide to do your own thing.

    Zach is a former student of both Donovan Stokes and Robert Black, and we discuss the impact that both these teachers had on the Zach's musical evolution.

    Links to Check Out:
    • Zach on Bandcamp
    • Zach on Facebook
    • Zach Rowden Uses His Double Bass As An Acoustic Playground (from the Hartford Courant)
    Contrabass Conversations is sponsored by:

    Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    399: Miles Brown on Alarm Will Sound, extended techniques, and versatility Sep 21, 2017
    Show notes

    It was great to chat with Miles Brown about what it's like playing with Alarm Will Sound, learning massively complicated music for this group, and how to be versatile in today's music world!

    Miles ran the after hours sessions for ISB 2017, and he just took a new position at the University of Delaware after overseeing the jazz department at Oakland University in Michigan.

    More about Miles

    ​Bassist, composer, performer and teacher Miles Brown comes from a musical family, and began playing the bass at an early age. He attended the Eastman School of Music for his undergraduate degree, earning a Bachelor of Music in Music Education and Jazz and Contemporary Media. In 2003, he received a Master of Music in String Bass Performance from Mannes College of Music, and he earned a Doctorate in Jazz Performance from Eastman in 2012.

    A versatile musician, Dr. Brown is the bassist for the new music ensemble Alarm Will Sound, and he has had his compositions performed at Carnegie Hall and Lincoln Center. Dr. Brown has performed with Regina Carter, Dave Ballou, John Mosca, Bill Goodwin, Bill Dobbins, Ben Monder, Joe Magnarelli, Walt Weiskopf, Gary Smulyan, Sam Rivers, Steve Wilson and Harold Danko. In 2008, Dr. Brown was the interim Herbert Gussman Director of Jazz Studies at Cornell University. Since 2009, he has served as the jazz program coordinator at Oakland University. In this position, Dr. Brown teaches jazz band, jazz theory, arranging and jazz combos. He also teaches privately as Oakland's applied string bass teacher. Dr. Brown is excited to join the faculty of the University of Delaware as instructor of double bass and jazz in the fall of 2017.

    Links to Check Out:
    • Miles' website
    • Miles' University of Delaware faculty page
    • Alarm Will Sound
    Contrabass Conversations is sponsored by:

    A440 Violin Shop - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.

    Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    398: Max Dimoff and Ranaan Meyer on team teaching at the University of Michigan Sep 20, 2017
    Show notes

    Cleveland Orchestra principal bassist Max Dimoff and Time for Three bassist Ranaan Meyer are the new teaching team at the University of Michigan! Both Max and Ranaan have been featured on past podcast episodes as well as in my 2016 book Winning the Audition.

    Learn more about the program:
    • University of Michigan School of Music, Theatre, & Dance (Facebook)
    • University of Michigan profile page on doublebassblog.org
    • Email Max
    • Email Ranaan
    Past Max and Ranaan Appearances on Contrabass Conversations:
    • Max:
      • Standing vs. Sitting
      • Practicing Technique
      • Winning the Audition
      • original 2009 interview
    • Ranaan
      • Round Two Interview from 2017
      • original 2007 interview

    Subscribe to the podcast to get these interviews delivered to you automatically!


    397: John Goldsby on writing books, life overseas, and innovation Sep 19, 2017
    Show notes

    Where do you even start when you're talking with John Goldsby? I mean, this is the person who literally wrote the book on jazz bass playing with his groundbreaking work The Jazz Bass Book.

    I've been reading articles by John in Bass Player Magazine ever since I picked up the instrument, and it was such a pleasure to chat with him for the show!

    More About John

    Since 1994, John Goldsby has been a member of the Westdeutscher Rundfunk Big Band (also known as the WDR Big Band or the Cologne Radio Big Band). From 1980 to 1994, Goldsby lived in New York City and was a fixture on the jazz scene there. He continues to contribute to the art form as a bassist, bandleader, composer, teacher, clinician and author.

    Mr. Goldsby has written two other instructional method books, Bowing Techniques for the Improvising Bassist and Bass Notes. Bass Player magazine says, Bass Notes is an excellent resource for intermediate to advanced jazz bassist." The National Association of Jazz Educators says, Bowing Techniques should be a required publication for upright bassists!" Goldsby is a disciple and master of the Paul Chambers school of jazz bass playing, and spent many years perfecting his own style of arco (bowed) jazz playing. Through private study with Dave Holland and Michael Moore throughout the '80s, Goldsby codified and honed the techniques of arco jazz. Goldsby perceived a gap in jazz bass pedagogy in the area of arco technique, and published his first book Jazz Bowing Techniques for the Improvising Bassist in 1990.

    Since 1990, John Goldsby has been a featured writer for Bass Player Magazine with his columns "The Tradition," "Mastering Jazz," and "Jazz Concepts." Goldsby has also written for Double Bassist Magazine, The Strad, and the International Society of Bassists Journal (ISB).

    In 2009, Goldsby was awarded the International Society of Bassists Special Recognition Award for Scholarship, a biennial award recognizing players and scholars who contribute their special talents, knowledge and support to furthering ISB ideals. Goldsby received jazz performance grants from the National Endowment for the Arts in 1988, 1990, and 1993. The "John Goldsby Plays Oscar Pettiford" concert, which was funded by the 1990 grant received much critical acclaim from the New York Times, Jazz Times, and the Village Voice.

    This episode is organized into three parts:
    • Part 1 - life in the WDR Big Band and the experience of moving from New York City to Cologne
    • Part 2 - why John is inspired to write books and articles and what this has done for his bass playing
    • Part 3 - the concept of being a follower, developer, or innovator and what John would do if he wasn't a musician
    Links to Check Out:
    • John Goldsby's website
    • Upright Bass Handbook, Truefire Video Bass Course
    • John on Facebook
    • John on Twitter
    • Videos featuring John
      • "Plant Bassed" with WDR Big Band (bass feature)
      • "Two For The Blues" with Superbass — Christian McBride, Ray Brown, John Clayton
      • "Ligeti Split" trio with Jacob Duncan, Jason Tiemann
      • "Solar" duo with Peter Leitch (arco bass solo)
    • excerpts from this episode are from the following Goldsby albums
      • The Innkeeper's Gun
      • Space for the Bass
      • The Visit
    Contrabass Conversations is sponsored by:

    The Upton Bass String Instrument Company. Upton's Mittenwald model is a sister to their popular Brescian model. The contrabasses from the Mittenwald school are characterized by a high-shouldered gamba pattern with outside linings on deep ribs, resulting in a fine orchestral double bass. Our version incorporates all the ergonomic improvements and geometries found in other Upton models, with great flexibility in sizing afforded by the stout German pattern. The gamba pattern, especially when combined with a flat back, allows us to build this instrument in the 5/8ths sizing of the Kloz copy, all the way up to a large 7/8ths pattern built to lift a string section or push a big band.

    Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    396: Orin O'Brien on Leonard Bernstein, Fred Zimmerman, and life in the New York Philharmonic Sep 18, 2017
    Show notes

    It is an honor and a pleasure to welcome Orin O'Brien to the show! I've been hoping to have Orin as a guest for years, and I want to give a big shout-out to Chris Mathers for connecting the two of us!

    We chat about numerous shared acquaintances, including Greg Sarchet, Miloslov Gajdos, David Grossman, Ira Gold, Ed Barker, Hal Robinson, Max Dimoff, Michael Hovnanian, Douglas Mapp, and Ron Wasserman.

    More About Orin

    New York Philharmonic bassist Orin O'Brien was born in Hollywood to parents in the film industry, George O'Brien and Marguerite Churchill, and received her early musical training in Los Angeles, where she studied with Milton Kestenbaum and Herman Reinshagen. She then studied in New York with Frederick Zimmermann and graduated from The Juilliard School, and is an alumna of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy.

    She has been a member of the New York Philharmonic since 1966, where she has played with the world's leading conductors. She has participated in numerous chamber music festivals, including Marlboro, and in first performances of the Gunther Schuller Quartet for Four Double Basses.

    She co-chaired the double bass department of The Juilliard School for ten years, and currently serves on the faculties of the Manhattan School of Music and Mannes College of Music. Her most recent chamber music performances were the quintets of Schubert and Dvorak with the Guarneri String Quartet.

    We dig into a wealth of topics, including:
    • how Orin came to study with Fred Zimmerman
    • how to play specific excerpts
    • the switch from gut strings to steel strings and the premiere of the Gunther Schuller Quartet (these two events are interlocking)
    • how Orin felt about being the first woman in the NY Phil (the answer will surprise you!)
    • how to really be a good principal player
    • what trips people up in auditions
    • New York in the 50s
    • Herman Reinshagen and the bass lineage of the 20th century the great premieres throughout her career
    • how special Riccardo Muti is as a conductor, and what makes him special - one of the living greats
    • what was special about the musicianship of Carlos Kleiber
    • how a great conductor can use imagery to inspire the orchestra
    Links to Check Out:
    • Double Bass Notebook - amazing book by Orin O'Brien
    • Orin's New York Philharmonic page
    • the Manhattan School of Music double bass program
    • Orin O'Brien Tribute from ISB 2013 (arranged and conducted by Inez Wyrick and narrated by Kristin Korb)
    • Felix Weingartner - On the performance of Beethoven's Symphonies (PDF)
    • Women in Orchestras panel discussion with Orin - Brooklyn Museum
    • the Miloslav Gajdos video Orin references
    • Corresponding with Carlos: A Biography of Carlos Kleiber
    Contrabass Conversations is sponsored by:

    The Upton Bass String Instrument Company. Upton's Mittenwald model is a sister to their popular Brescian model. The contrabasses from the Mittenwald school are characterized by a high-shouldered gamba pattern with outside linings on deep ribs, resulting in a fine orchestral double bass. Our version incorporates all the ergonomic improvements and geometries found in other Upton models, with great flexibility in sizing afforded by the stout German pattern. The gamba pattern, especially when combined with a flat back, allows us to build this instrument in the 5/8ths sizing of the Kloz copy, all the way up to a large 7/8ths pattern built to lift a string section or push a big band.

    Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    395: Todd Parks on Nashville, technology, and the acoustic music scene Sep 14, 2017
    Show notes

    What is it about the energy of Nashville?

    How has the technology surrounding us changed the way we musicians do what we do?

    How does a person go from being down to their last pot of coffee to touring the world with the biggest names in their scene?

    We answer these questions and much more on this episode featuring Todd Parks.

    Todd is one of the most active bassists in the Nashville scene and has played with people like Sam Bush, Jerry Douglas, James Taylor, Alison Krauss, Garth Brooks, and many others.

    Todd has also served as the house bassist for prominent fixtures such as A Prairie Home Companion and Pelicula Films' Transatlantic Sessions 3 and 4. In 2006, while touring/recording with Jerry Douglas, he and fellow band members supported the Paul Simon Surprise tour. Todd has been touring and recording with mandolin luminary Sam Bush since 2010.

    Here's the flow for the episode:
    • Part 1- the creative energy of Nashville
    • Part 2 - Todd's remarkable journey
    • Part 3 - playing for massive crowds and the magic of the acoustic music scene

    Check out more interviews with folks in the newgrass and acoustic scene here.

    Contrabass Conversations is sponsored by:

    The Upton Bass String Instrument Company. Upton's Concord model is the first truly authentic New England double bass that they've made. Beautiful sloping shoulders (the same upper bouts as their Gary Karr Upton Double Bass), Busetto corners, Prescott ff-holes, flat maple back and sides (many grades available) with deep ribs (lined outside) and a deluxe spruce top combined with a finely detailed scroll, button and hand-cut tuners that pay homage to Prescott while keeping with their own highly-revered and uniquely New England tradition of instrument building.

    Bass Violin Shop - Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

    Subscribe to the podcast to get these interviews delivered to you automatically!


    Previous 1 76 77 78 79 80 117 Next

    Related Podcasts

    Twenty Thousand Hertz

    1

    Twenty Thousand Hertz Arts
    NPR Music

    2

    NPR Music Music
    Here’s The Thing with Alec Baldwin

    3

    Here’s The Thing with Alec Baldwin Arts
    Drink Champs

    4

    Drink Champs Music
    Soundtracking with Edith Bowman

    5

    Soundtracking with Edith Bowman Music
    Red FM Bauaa

    6

    Red FM Bauaa Music
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights