Composer Magazine Podcast

Latest Episodes:

Ryan Lott of Son Lux Jan 27, 2025

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A lot of what has transpired in Ryan Lott’s life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated band for best score, and the choices he made to get there, and beyond.

Christopher Bear & Daniel Rossen (Grizzly Bear) Jan 27, 2025

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Christopher Bear and Daniel Rossen spent the better part of the last two decades captivating the indie rock world as members of Grizzly Bear. They re-emerged this past year to score the Oscar-nominated Past Lives, a film that has captivated its entire audience.

Laura Karpman Jan 27, 2025

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In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is quietly one of the best films of 2023. It showcases a different side of Karpman than the grand-scale Marvel projects for which she's known.

Cristobal Tapia de Veer, Part 2 Jan 27, 2025

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Cristobal Tapia de Veer, Part 1 Jan 27, 2025

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For the third episode of the Composer Magazine Podcast this season, we‘re joined by one of the most distinct, unusual and immediately recognisable contemporary composers: Cristobal Tapia de Veer, the wild creator of the music for The White Lotus and Smile.

Este Haim & Amanda Yamate, Part 2 Jan 27, 2025

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Este & Amanda had a lot to share, and Charles & Natalie were very curious. So, here is Part 2 of their long conversation.

Carter Burwell, Part 2 Jan 27, 2025

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Part 2 of our talk with the honorable Carter Burwell. Class resumes session.

Jeff Russo Sep 05, 2024

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Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.

Volker Bertelmann Aug 02, 2024

Show notes

This episode we're joined by Volker Bertelmann (aka Hauschka) - Oscar-winning composer and boldly experimental. With 'All Quiet on the Western Front' under his belt, and two new projects ('Enclave' and 'The Crow') coming later this year, let's dive into the mind of one of the most pioneering composers in contemporary cinema, and discover his creative process, thoughts on pushing boundaries - and how he utilises the power of reverb.

Leopold Ross Jun 10, 2024

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Leo Ross’s occupation as a composer has certainly been gaining steam. After an early music career of playing in and writing music for his bands, Ross transitioned into scoring under the wing of his older brother Atticus, merging the ethos of band culture into his new field while collaborating with Atticus and others on all of his projects. Now Leo Ross’s immersion into the scoring life is full fledged. His collaborative score for Shōgun was the belle of this TV season, and his solo score for Monarch: Legacy of Monsters has given him room to explore his individual style. Before all of this, Leo sat down with Charles at a hotel in Los Angeles. Here is their conversation.

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