TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Drama

    Classic Ghost Stories

    A weekly fiction podcast bringing you classic ghost stories, horror stories, and weird tales in audio form.

    Most episodes feature classic stories from the masters of the supernatural: cosy Edwardian ghost stories (E. F. Benson, Walter de la Mare), Victorian supernatural mysteries (M. R. James, Elizabeth Gaskell, Bram Stoker, Charles Dickens), and 20th‑century Weird Tales (Robert Aickman, Fritz Leiber, Clark Ashton Smith, H. P. Lovecraft), wandering from the Gothic to the Odd, even to the Literary, and back again.

    Occasionally, we feature living authors – but the majority are dead. Some, perhaps, are undead.

    Each story is followed by Tony’s commentary on the tale, its author, themes, and literary context – which can be especially useful for students and anyone curious about the history of ghost stories.

    Advertise

    Copyright: © 2023 Classic Ghost Stories

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    A Bottle of Perrier by Edith Wharton Apr 02, 2026
    Show notes

    Join the mailing list for an occasional newsletter

    https://www.classicghost.com/#/portal

    A man arrives at a desert fortress to visit an old friend. The friend is not there. The English servant says he will return shortly. The heat presses down. The water tastes wrong. And the waiting stretches on in ways that are difficult to explain.

    Edith Wharton set this story not in her usual territory of New York drawing rooms, but somewhere in North Africa, in a crumbling pile of Crusader stonework and Arab plasterwork, where the palms rattle like rain above an ancient well, and the desert stretches out in every direction, golden and merciless. She wrote it without a single ghost. She didn't need one.

    First published in the Saturday Evening Post in March 1926 under the title "A Bottle of Evian," the story was collected in Certain People (1930) and later reprinted in Wharton's posthumous ghost story anthology Ghosts (1937).

    Edith Wharton (1862-1937) was an American novelist and short story writer, the first woman to win the Pulitzer Prize for Fiction, awarded for The Age of Innocence in 1921. She published more than forty books across four decades.

    📚 Buy my paperbacks here:

    https://books.by/tony-walker-books

    🎙️ Buy my ebooks and audiobooks here:

    payhip.com/TheClassicGhostStoriesPodcast

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    For the Blood is the Life by F. Marion Crawford Mar 26, 2026
    Show notes

    The moon lifts off the water and climbs the sky over Calabria.

    Two men sit on the stones of an old tower above the coast, sipping the local wine, basking in the warm dark. Below them, where the rock runs down toward the sea, there is a mound in the earth.

    One of them notices something in the gorge far below. He descends to look. The other sits, and watches, and says nothing.

    When the first man climbs back up, his companion turns to him quietly and asks: do you want to hear the story of what you saw there, and also what you didn't?

    First published in Collier's Weekly, 16 December 1905. Collected in Wandering Ghosts, 1911.

    F. Marion Crawford (1854–1909) lived most of his adult life in Italy. In his own time he was one of the most widely read novelists in the English language. He is less remembered now than he deserves.

    New type of image because I was recently told that my Audiobook style images were the reason that my channel's growth has stagnated. Hope you like it!!!!!


    📚 Buy my paperbacks here:


    https://books.by/tony-walker-books


    🎙️ Buy my ebooks and audiobooks here:


    payhip.com/TheClassicGhostStoriesPodcast

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    The Thing Invisible by W H Hodgson Mar 20, 2026
    Show notes

    In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel’s peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man’s final hours and tests the chapel’s sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own.

    First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain.

    William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki.


    📚 Buy my paperbacks here:


    https://books.by/tony-walker-books


    🎙️ Buy my ebooks and audiobooks here:


    payhip.com/TheClassicGhostStoriesPodcast

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    A Recluse by Walter de la Mare Mar 13, 2026
    Show notes

    There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet.

    Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes.

    And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay?

    Why not?

    A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930.


    Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    The Bat by Bela Lugosi Mar 10, 2026
    Show notes

    Link to Audio version

    “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.

    After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula.

    His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed.

    While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre.

    • The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi.

    • The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939).

    • Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies."

    In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously).

    Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

    📚 Buy my paperbacks here:

    https://books.by/tony-walker-books

    🎙️ Buy my ebooks and audiobooks here:

    payhip.com/TheClassicGhostStoriesPodcast


    The Bat by Bela Lugosi Mar 10, 2026
    Show notes

    Link to Audio version

    “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.

    After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula.

    His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed.

    While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre.

    • The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi.

    • The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939).

    • Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies."

    In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously).

    Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

    📚 Buy my paperbacks here:

    https://books.by/tony-walker-books

    🎙️ Buy my ebooks and audiobooks here:

    payhip.com/TheClassicGhostStoriesPodcast

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    The Terror of Blue John Gap by Arthur Conan Doyle Mar 06, 2026
    Show notes

    A young doctor, recovering from illness, is sent to the Derbyshire hills for his health. He takes lodgings at a remote farm, where he notices the family's reluctance to discuss the valley below. There's a Roman mine nearby that no one acknowledges, and a particular opening in the earth that unsettles him.

    His diary records what starts as mild interest in local folklore. But as he explores the mine workings beneath the Blue John caverns, his entries shift. The question becomes less about what might exist in the old tunnels, and more about what happens to a man who goes looking for it.

    First published in The Strand Magazine in August 1910, “The Terror of Blue John Gap” was later collected in The Last Galley: Impressions and Tales in 1911. It draws on the real Blue John Cavern near Castleton, with its distinctive banded fluorite.

    Sir Arthur Conan Doyle (1859–1930) was a Scottish physician and author, best known as the creator of Sherlock Holmes. Beyond detective fiction, he wrote historical novels, science‑fiction romances, and a rich vein of ghostly and weird tales.

    Get the last copies of the first edition of Once in a Haunted House, our print magazine. Not many left!

    Here: https://payhip.com/b/fE1Gz

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    And No Bird Sings by E F Benson Feb 27, 2026
    Show notes

    A man takes a sunlit shortcut through an English wood and finds that something is missing. There is no thrush, and no blackbird, and no rustle of wings – only a strange dimming of the light, and a silence that feels willed, and watchful, and almost hungry. At his friend's house the dogs will not cross the tree-line, and they bare their teeth at empty air. In the evenings, that grey band of trees seems to lie under a shadow that falls from nowhere anyone can see.


    There is something in the wood, something that makes the dogs keep away and the birds fall silent. His friend suspects it, and his friend's wife avoids talking about it, and neither will say what they believe it might be.

    First published in Woman magazine in December 1926, and later collected in Spook Stories (Hutchinson, 1928). Public domain text sourced from Project Gutenberg Canada.


    Edward Frederic Benson (1867–1940) was an English novelist, and biographer, and master of the uncanny short story. Best known for his Mapp and Lucia comedies and his eerie tales of the supernatural, he wrote across nearly every genre of early twentieth-century popular fiction.


    📚 Buy my paperbacks here:

    https://books.by/tony-walker-books


    🎙️ Buy my ebooks and audiobooks here:

    payhip.com/TheClassicGhostStoriesPodcast

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Mezengerstein by Edgar Allan Poe Feb 20, 2026
    Show notes

    Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything.

    In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables.

    He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature.

    It performs impossible feats. The servants whisper of things they cannot explain.

    Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance.

    Publication Details:

    "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840.

    Author Biography:

    Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature.


    Learn more about your ad choices. Visit megaphone.fm/adchoices


    An Encounter in the Mist by A N L Munby Feb 16, 2026
    Show notes

    A solitary man, lost in the Welsh hills, stumbles through thick mist—his only companion a mounting sense of unease. The landscape is indifferent; the path vanishes; every familiar landmark dissolves into obscurity. Rescue appears in the form of an enigmatic stranger, whose kindness feels both matter-of-fact and unsettling. A map changes hands, but the mist has a memory longer than any traveller’s, and the hills have their own way of keeping secrets. What follows is not a tale of terror, but a quiet reckoning with the uncanny—a story in which benevolence and danger are not so easily separated.

    “An Encounter in the Mist” by A. N. L. Munby, first published in The Alabaster Hand (1949).

    A. N. L. Munby (1913–1974) was a British librarian, bibliographer, and author, best known for his ghost stories and scholarly work on rare books.


    Join Our Podia Community for 100s of Ad Free Ghost Stories

    https://www.classicghost.com/ghost-stories-episodes/buy

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Previous 1 2 3 4 5 6 40 Next

    Related Podcasts

    The Black Tapes

    1

    The Black Tapes Arts
    Terms

    2

    Terms Drama
    Homecoming – Gimlet

    3

    Homecoming – Gimlet Arts
    Rabbits

    4

    Rabbits Arts
    The Black Tapes

    5

    The Black Tapes Arts
    Alice Isn’t Dead

    6

    Alice Isn’t Dead Arts
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights