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    Classic Ghost Stories

    A weekly fiction podcast bringing you classic ghost stories, horror stories, and weird tales in audio form.

    Most episodes feature classic stories from the masters of the supernatural: cosy Edwardian ghost stories (E. F. Benson, Walter de la Mare), Victorian supernatural mysteries (M. R. James, Elizabeth Gaskell, Bram Stoker, Charles Dickens), and 20th‑century Weird Tales (Robert Aickman, Fritz Leiber, Clark Ashton Smith, H. P. Lovecraft), wandering from the Gothic to the Odd, even to the Literary, and back again.

    Occasionally, we feature living authors – but the majority are dead. Some, perhaps, are undead.

    Each story is followed by Tony’s commentary on the tale, its author, themes, and literary context – which can be especially useful for students and anyone curious about the history of ghost stories.

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    Copyright: © 2023 Classic Ghost Stories

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    Latest Episodes:
    S02E25 The Story of Salome by Amelia B Edwards Jan 16, 2021
    Show notes

    The Story of Salome by Amelia B EdwardsWe did https://player.captivate.fm/episode/9913ad9b-e382-4acb-a42a-1000157a734c (The Phantom Coach )by Amelia B Edwards as Episode 8, which seems a long time ago now.That was a splendidly written story too. To remind ourselves:Amelia Edwards was born in 1831 in London, England. As such she is one of the oldest writers we’ve read so far in this podcast. She died aged only 60 in Weston Supermare, a seaside resort in the west of England.She came from a wealthy background and didn’t have to work, but she was a very successful writer based on her own talents. She was born in London to an Irish mother and a father who had been a British army officer before becoming a banker.She was in fact a very talented woman and had the potential to be a professional artist though her father, a banker, frowned on that as a career. She also made home with a woman, long before such things were accepted by polite British society.She was also an Egyptologist and after a cruise down the Nile and a long stay among the monuments, she devoted all of her efforts to saving the Egyptian monuments and took a lecture tour over several years in the United States to promote the cause.I found this Story of Salome in the https://amzn.to/3nfbbDJ (Virago Book of Ghost Stories)Edited by Richard Dalby. Richard Dalby had great taste in stories and there are lots of good ones in this anthology.You may, or may not, know that I have a fondness for Venice. I have read this Story of Salome, on the podcast as well as Ray Russell’s https://tonywalker.substack.com/p/s0202-vendetta-by-ray-russell (Vendetta) and Vernon Lee’s https://player.captivate.fm/episode/b2eed482-997c-4621-9f2a-42361174312f (A Wicked Voice).I have also written my own Christmas ghost story set in Venice which is available in my More Christmas Ghost Stories, soon to be out as an audiobook once Audible get their finger out. If you can’t wait for Audible, Audiobookstore has it https://audiobookstore.com/audiobooks/more-christmas-ghost-stories.aspx (here)The subject of the story is Salome, daughter of Isaac. She is Jewish and inevitably this throws up attitudes that make me uncomfortable. I do not think this is an anti Semitic story though it does have the theme of converting Salome to Christianity. It is of its period but better than many in its attitudes.I think it very well written and was easy to narrate without the tripping syntax of James or the excitable lists and adjectives of Dickens.Edwards performs the trick of portraying a main character who is reasonably convinced that the grave belongs to Salome’s aged father Isaac, rather that to her. In the end, when the truth is almost impossible to ignore she had a nice little run of him convincing himself that there must be another Salome, that his Salome can’t be dead. We’ve all been there, trying to kid ourselves that something isn’t true when we know fine well it must be.And the description of his flighty friend, Coventy Turnour, loving Salome followed by a disinterested account by our main character only to slowly reveal that he himself is infatuated with her. This is the same trick as him believing the grave is Salome’s fathers. We the readers and listeners know before he admits it to himself both that he loves Salome and that she is dead.And he finds her more beautiful as a ghost, though he doesn’t know it. He talks about her more spiritual beauty.One mystery is why Turnour left Venice. He lost hope in winning Salome quite suddenly, and left. She in her turn converted secretly to Christianity. It’s not explained why, but I wonder whether it was something to do with Turnour? DidSupport the show

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    SE02E24 Rosalind by Richmal Crompton Jan 01, 2021
    Show notes

    Richmal Crompton Richmal Crompton was born in Bury, Lancashire in 1890 and died in Bromley, Kent in 1969, aged 78. She was the daughter of a clergyman who though he was ordained worked as a teacher of Greek and Latin at Bury Grammar School. She was not born into the aristocratic world portrayed in this story.She was educated at a private school for the daughters of clergymen in Lancashire. She trained as a schoolteacher like her father and got a BA in Classics from the Royal Holloway College in 1914. She was a supporter of Women's Suffrage. She worked as a teacher until 1923 when she became a full-time writer. She never married and had no children.She contracted polio and had to use a wheelchair for the rest of her life.She had moved to Bromley in Kent, just outside London when she was twenty-seven to teach at the school there. She never left the area and her writing was so successful she had a house built for herself on the Common.She was a successful novelist and published forty one novels. Her most famous series of novels was for children and featured the comic figure of William, a rather feckless schoolboy. The first of these Just William was published in 1922. The stories are hilarious and were a great favourite of mine when I was a small boy.She wrote several ghost stories and these were published in 1928 as Mist and Other Stories.Rosalind by Richmal CromptonIn Rosalind, we are plunged once more into that Edwardian world of the leisured rich of England such as we see in the stories of E F Benson. However, the story is also about an artist and his model, such as we heard in The Yellow Sign. It's quite a different story to the Yellow Sign for all that.I think this is one of the best ghost stories we have ever read. The characterisation is very poignant. Our unnam med narrator paints such a picture of Heath as the bored, but talented rich boy to whom everything comes to easily and for whom everything is therefore shallow.He takes Helen, our man's beloved, with no thought. He doesn't even consider our narrator at all. It's not selfishness, it's blindness to the existence of other people. He falls in love with Rosalind but there is no question that an artist's model will every be a life match for the future Viscount of Evesham. It would have been easy for Crompton to suggest Rosalind wished this but she is subtle enough to have Rosalind accept it too. I guess that Rosalind is willing to accept being his mistress and mother of his illegitimate child.Heath is the selfish narcissist that he sees the pregnancy only as an interruption to his idyll. He is bad tempered about this, and we see him pleased that his child and Rosalind have died so as to put an end to the possibility that it will ruin his well-planned marriage to Helen.But Heath is sentimental too. Once he realises he's lost Helen, and is unfulfilled by his planned marriage, he starts to mope and goes over the top bringing down armfuls of orchids and roses in a sentimental but ironically cheap gesture.He is so sentimental that Rosalind gestures him to his death. We can look at this in several ways. First that this is Rosalind's revenge from beyond the grave and that her ghost has connived at this and timed it perfectly just before his wedding. We remember Rosalind's vow that se won't let Helen have him.Or, it might be seen as the workings of a greater Fate, in that Heath's marriage to Helen was untenable because it was in bad faith, and that it could not be allowed to go ahead.Presumably, Helen is going into this marriage with her eyes open. She knows what it will entail and is willing to take it on as a job in order to obtain the posSupport the show

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    S02E23 The Story of A Disappearance and An Appearance by M R James Dec 25, 2020
    Show notes

    THE STORY OF A DISAPPEARANCE AND AN APPEARANCE by M R JamesThe Story of a Disappearance and an Appearance is one of the few M R James stories actually set at Christmas. He was well-known for reading out his stories at Christmas, but few of them are actually set over the festive period. It was first published the June 4, 1913 issue of the Cambridge Review. It then appeared in his anthology A Thin Ghost and Others in 1919. First of all some explanations of words which may be strange to some listeners. Bands are a kind of white tie worn by Anglican clergymen. A bagman is a commercial traveller, a salesman or pedlar. Clearly he'll be late home if he's still on the road on Christmas Eve. So what happened?It appears that Uncle Henry got murdered, his head bashed in and his corpse buried in the sandpit. My reading was that the two Punch & Judy men killed him. These two who were masquerading as Italians but who were English rogues really. The bagman told W R that he had not seen any suspicious characters on the road: no gipsies, tramps or wandering sailors. This all happened not long after the Napoleonic wars and out of work sailors and soldiers had to wander the countryside looking for a living. No Help for Heroes for them. The bagman did see a most wonderful Punch and Judy show. These travelling showmen or 'carnies' as such folk would later be called in the USA are inherently dubious, so it's no wonder that they would murder an innocent clergyman. It is heresy to say anything against the great M R James, but I would only observe that he throws a few 'portents' and 'omens' into the story that seem to have no real bearing on the narrative. They aren't clues or anything, unless I'm missing some subtlety. I mean the owl that wakes our man W R from sleep, the Toby Dog running off and howling, the organ wolving during the funeral and the odd ringing of the bell. These are all signs that something unnatural and eerie is afoot. There is also mention of the bier being put out by mistake and the moth-eaten pall taken out and having to be folded on Christmas Day. Most inappropriate, but they seem more what we would have called 'dungeon dressing' in my D&D days—something to create atmosphere that is not essential to the plot. But again, I may be missing something.The mention of the Toby Dog reminds me of Cole Hawkins and the Toby Dog in John Masefield's Box of Delights that I will be re-reading, or at least watching the 1980s BBC version this Christmas. Punch and Judy is a ghastly tale of murder played out for children and so it has its own horror lurking not far below the surface. It seems that the dead Uncle Henry came as visitation to the two murderous Punch & Judy chaps, like a proper vengeful ghost and cause the first to die of fright inside the Punch and Judy set-up, while the other runs to the sandpit, breaks his neck and reveals the resting place of Uncle Henry, up until now hidden. Mr Bowman the inn keeper seems only there for comic effects, and to show that Uncle Henry was rather serious and straight-laced. I think that M R James has put in the comic inn-keeper and the portents and omens to entertain the audience rather than to drive the narrative. W R also at one point alludes to a vague reason why he's writing everything out in longhand, but this is well before anything supernatural or even out of the ordinary occurs. Again, I can't help but suspect that this is just to gee-up the reader because it comes to not much.James has a way or inserting the jarringly weird into his stories, and it is this weirdness that really unsettles the reader. We have it in the flapping shirt and advancing figure in Support the show

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    S02E22 A Christmas Carol The Spirit of Christmas Future Dec 24, 2020
    Show notes

    A Christmas Carol Part 4: The Spirit of Christmas Future & The End of ItThe Ghost of Christmas Future is the scariest of the ghosts. No jovial sprite he! He's just a heap of black cloak and a pointing hand. At the end, the spirit's hand quivers kindly, but he gives Scrooge no answers. Scrooge, even unanswered, intuits that he will be okay if he mends his ways. I thought that the first scene with the lowly char-folk and undertakers men and old Joe with his greasy fat and mouldy bones was a masterpiece of dialogue. The attitude of the working folk to Scrooge reveals tons about the man. It is this scene that breaks Scrooge even though he thinks it's some other skinflint that has met his end. Dickens withholds the information in a neat little device that we twig who the dead man is far sooner than Scrooge does. We are shouting out, 'Scrooge, it's you lying there you damn fool!' All the while as he wonders why he doesn't see himself. It's darned obvious. Then the last walk to the walled graveyard (and the fact it's walled adds something) to the graveside when we see from Scrooge's faltering steps that at last he realises what the name on the stone will be. The last section, the denouement with happy jokey Scrooge is a nice bit of comic Dickens that I enjoyed reading out. I enjoyed reading the scary bit of the Ghost of Christmas Future too.So that's that. A job well done, I thought, if only that it's done and nothing else. You see I am getting quite Dickensian in my ramblings!I promise you a bit of M R James for Christmas, but if I don't see you before, have a Merry Christmas or a happy Hanukkah. It's a bit late for Diwali, but may any Festival of Light you choose be truly marvellous. And for those of you who don't prefer light, your Festival of Darkness. Actually, I love the winter dark in its stillness and brooding. I love the dark and star-spangled winter skies. I've never seen the Northern Lights, though Sheila says she has. Me, I think it was Dumfries.MusicStart and Middle Music by The Heartwood Institutehttps://bit.ly/somecomeback (Listen on Bandcamp)End music is The Drowning by Dvoynik. Listen and download for https://bit.ly/dvoynikdrowning (free)Free Download Audiobook https://bit.ly/DalstonVampire (The Dalston Vampire)My New Collection of Christmas Ghost Storieshttps://amzn.to/3lViZKg (More Christmas Ghost Stories)The Classic Ghost Stories Podcast Newsletterhttps://bit.ly/substacklanding (On Substack)***If you'd like to show your appreciation for the Podcast, you can buy me a coffee!http://bit.ly/ghostiest (Ko-Fi)Support the show

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    SO2E21 A Christmas Carol: The Spirit of Christmas Present Dec 21, 2020
    Show notes

    A Christmas Carol Part 3: The Spirit of Christmas PresentHe brought a tear to my eye and halt to my throat, did Old Dickens in this episode. I think he was a man of great humanity who genuinely did care for those who were not as well-off as he was.The only slight caution I had was Old Topper chasing The Plump Sister and getting her in a corner. We inevitably all view behaviour through the lens of our own time and of course this behaviour reminded me of the #MeToo. I certainly wouldn't want my daughters, mother or my partner cornered like this. But I read it out, because I must make some kind of editorial decisions about which stories I read out. Some, I suppose, I will choose not to read, and if I read them out, I won't abridge them.Except, I recall changing single offensive words that would just be a jolt to the reader. I suppose if the word is not used by the writer to be offensive... but that might be a cop out. It's all up for debate I know.But yes, this was a lovely episode. The descriptions are wonderful and lots of episodes are superfluous to the narrative, but great fun. The other observation is about the degree to which Dickens is reporting the Christmas festivities of his period or is actually encouraging them, and in measure therefore creating them. Were Christmasses as Christmassy as Dickens portrays them? Maybe not before, but certainly afterwards as we all began to emulate what we read and heard in this book, even if we didn't read it or hear it ourselves but only obtained it via the TV.Enjoy your plum pudding. More Christmas Ghost Stories Ebook & PaperbackOh, did I mention my https://amzn.to/3olobIJ (More Christmas Ghost Stories) it out? The paperback and ebook are done and the audiobook is being approved now. So you can get it if you want. The stories are good, and improved by the attention of my Beta Readers. I have had the most wonderful 5 star review. Thanks a million Emhack from Torquay for that. Also had a splendid and rather humbling review for the podcast from Sandra Quintal from Canda.Thanks also to my Substackers and Patreons for your ongoing support. Dracula soon, just for you. MusicThe opening music is Some Come Back by The https://bit.ly/somecomeback (Heartwood Institute). At the end I've added The Heartwood track: From The Forest, From The Furrows, From The Fields which is on their Secret Rites album. As I say in the episode, this is a canonical folk horror track.The last piece of music is from The Hare & The Moon and is called https://bit.ly/midnighfolk (The Midnight Folk). I talk about my love of John Masefield's book of that name. Of course the Midnight Folk was the sequel to The Box of Delights and that was made into BBC series which I think is enjoying its 36th anniversary this Christmas.Both Jonathan of The Heartwood Institute and Grey Malkin (ex Hare & The Moon) allow me to use their music free of charge, so if you fancy popping over to Bandcamp and getting some of their stuff, I (and I'm sure they) would be very pleased.Begging Bowlhttps://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes and Get Episodes As Soon As I Make Them!)And/Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (Ko-Fi)And you could always https://bit.ly/dalstonvampire (Download A Free Audiobook Of My Story The Dalston Vampire)Support the show

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    S02E20 A Christmas Carol: The Spirit of Christmas Past Dec 19, 2020
    Show notes

    Christmas Carol Part 2. The First Spirit.I am enjoying this story. It's a long time since I've read it, and I'd forgotten a lot of the detail. I do like Dickens's writing. His description of the Ghost of Christmas Past with its extinguisher (a candle-snuffer I think) and its sparkling belt.His description of the country lane they appear on on Christmas Day where young Scrooge is alone is wonderful.With all these stories that go over more than one episode there isn't much to say in the show notes. The only thing that occurred to me as I was driving along today is that writers today are told to cut things out—extraneous scenes and superfluous words must go! Dickens didn't work like that. He was paid by the word so he puts scenes in that the story could probably do without and still get its message along. I mean the scene with Fezziwig dancing and some of the others. When they make adaptations of the story, they cut out huge swathes.But it made me think that these scenes are a delight. It doesn't matter that they aren't essential to the story; they are fun. It's like telling a composer to cut out the extra bits that aren't essential to the story. Those pieces of music are what we listen for, and these extra scenes in A Christmas Carol are to the story, not take away from it.I shall make my stories three times as long.More Christmas Ghost Stories Ebook & PaperbackOh, did I mention my https://amzn.to/3olobIJ (More Christmas Ghost Stories) it out? The paperback and ebook are done and the audiobook is being approved now. So you can get it if you want. The stories are good, and improved by the attention of my Beta Readers.MusicThe opening music is Some Come Back by The Heartwood Institute. Check out their new release https://theheartwoodinstitute.bandcamp.com/ (Witchseason). Listen to it for many reasons but at least one of those should be to hear the insane comments in Witchphase 1.5 from the King of The Witches, Alex Sanders. Who knew he was so mad?The first track after my commentary is https://thehareandthemoon.bandcamp.com/track/the-haunted-cabaret (The Haunted Cabaret) by Kentin Jivek and The Hare and The Moon.The second is https://theheartwoodinstitute.bandcamp.com/track/circle-of-protection (Circle of Protection) by The Heartwood Institute. Begging Bowlhttps://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes and Get Episodes As Soon As I Make Them!)And/Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (Ko-Fi)And you could always https://bit.ly/dalstonvampire (Download A Free Audiobook Of My Story The Dalston Vampire)Support the show

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    S02E19 A Christmas Carol — Marley's Ghost Dec 12, 2020
    Show notes

    Charles DickensCharles John Huffam Dickens was born in Portsmouth, Hampshire, England in 1812. He died in Higham, Kent in 1879, aged only 58 and was buried at Poet's Corner, Westminster Abbey—a high honour indeed.Dickens's writing was very popular during his lifetime and he was recognised as a literary genius by the 20th Century.His first success was The Pickwick Papers in 1836, when he was 24. He had been forced to go to work in a factory rather than school. Dickens worked pasting on labels on pots of boot blacking.Dickens's father was locked up in a debtor's prison. Dickens was not formally educated, though his writing shows formal rhetorical devices so he must have studied himself later. He was a voracious reader of the novels of his time and earlier.One of his great tricks was the cliffhanger ending and this came about because most of his fifteen novels and umpteen other works were published in weekly serial publications. Dickens's characters tend to be larger than life and he is especially good at portraying the great poverty and terrible social situations that those in his close family had experienced .By work, his father was a clerk to the Royal Navy, the biggest employer in his home town of Portsmouth. There were eight children in the family. Dickens' third name Huffman came from his godfather, Christopher Huffman, a rigger in the Navy.Unfortunately, the Dickens family lived beyond their financial means, easy to do with a family of ten I should think.Dickens was massively famous and popular throughout his life and worked immensely hard, leading to ill-health in his fifties.He died of a stroke while writing Edwin Drood, leaving that novel unfinished.A Christmas CarolA Christmas Carol is possibly Dickens's most famous work, though there are so many to choose from. It is the eve of December, and I have wanted to do this story since last year. It is such a delight to read Dickens's clever, lively prose after Henry James's convoluted sentences. Dickens's words always conjure vivid images, while James is more subtle. I am bound to compare the two. James's characters are subtly drawn too and he can reveal a great vista into a character with a little incident. Dickens's character are more like cartoons, but cartoons are very entertaining.I have enjoyed both stories.In this first part, the scene is set for the coming of the first ghost.A Christmas Carol was published in 1843 on 19 December and the first edition sold out by Christmas Eve. Dickens had self-published, in that he paid for the costs of the printing and publication, which was a shrewd financial bet as it turned out. Dickens was only 31 at the time. A Christmas Carol was so popular that a bootleg edition was published in 1844 and Dickens sued the bootleggers. He did public readings of the story from 1849 and went on tour with it, performing it 127 times until his death in 1870.It turns out that Dickens was always a fan of Christmas. In 1835 he published an article on Christmas Festivities. MusicThe opening music is Some Come Back by The Heartwood Institute. Check out their new release https://theheartwoodinstitute.bandcamp.com (Witchseason). Listen to it for many reasons but at least one of those should be to hear the insane comments in Witchphase 1.5 from the King of The Witches, Alex Sanders. Who knew he was so mad?The closing music is The Unquiet Grave by Grey Malkin of https://thehareandthemoon.bandcamp.com (The Hare & The Moon) from their forthcoming album: Widow's Weeds. Check out their ethereal vibe.https://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)And/Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (KoSupport the show

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    S02E18 The Ghost of Christmas Eve by J M Barrie Dec 05, 2020
    Show notes

    S02E18 The Ghost of Christmas Eve by J M BarrieJames Matthew Barrie was born in Kirriemuir in Angus in North East Scotland in 1860. His father was a weaver. He was one of nine children, though two died before he was born and Barrie’s brother David died in an ice-skating accident the day before Barrie’s fourteenth birthday. Barrie tried to comfort his mother by wearing his dead brother’s clothes, whistling as his brother used to and taking on his mannerisms.Barrie’s most famous work is of course Peter Pan, and it’s said that his mother took comfort from the fact that his dead brother David would never grow up and leave her.He went to school Glasgow, then Forfar then Dumfries in Scotland. He studied literature at Edinburgh and wrote drama reviews for the local Edinburgh newspaper. He graduated with an MA in 1882.He went to work as a journalist in Nottingham, in England and wrote stories which he submitted to journals. Some fo them were accepted.His short stories and novels were received with what are politely known as mixed reviews.Barrie started writing plays and was drawn to the theatre. He married and moved to London, living in South Kensington. It was his habit to take walks in Kensington Gardens.Unfortunately for Barrie, his wife had an affair with a younger man and they were divorced in 1909. Apparently, Barrie was heartbroken. Even though she had left him, he gave her an allowance every year even after she married her lover.Peter Pan was first performed just after Christmas, on 27 December in 1904. He invented the girls' name Wendy, apparently because a girl called Margaret Henley called Barrie ‘friendy’ but lisped her rs, making it sound like ‘fwendy.’ Apparently.An interesting fact is that Barrie was only 5 foot 3 inches.He gave the copyright of Peter Pan to the Great Ormond Street Hospital for Sick Children and they continue to get royalties from Peter Pan.He was made a baronet in 1913 by King George V, and became Sir J M BarrieBarrie died in London in 1937 aged 77 and was buried in his home village of Kirriemuir with his family.He has two schools named after him, the Sir James Barrie Primary School in Wandsworth, London and the Barrie School in Silver Spring, Maryland.The Ghost of Christmas EveThis story is very short and intentionally so because I felt I deserved a rest after the marathon that was The Turn Of The Screw.It's a neat little story and falls into the tradition of ghosts that weren't ghosts. I tend to prefer stories about ghosts that actually were ghosts, but there is an honourable tradition of stories that debunk the supernatural. Of course, Scooby Doo is the most famous example of this kind of story, but you will remember that https://player.captivate.fm/episode/c2f5324d-9f32-4086-b3a1-3f79ccd702ef (The Open Door) by Charlotte Riddell is mostly a debunking story, though the door is left open (ha ha!) to the possibility that as well as the fraud, there may have been a ghost there as well.And of course Wilkie Collin's The Woman in White is about a ghost who turns out to be a con-trick.A briar is a pipe used for smoking tobacco. The only other mystery is the hint that his room, when he awoke on Christmas Day smelled of tobacco. his recollection of going to fetch his briar from his coat downstairs is a bit hazy, but what does this smell of tobacco suggest? I missed this. Does it mean the he had a sleep-smoke? Or that there was a ghost?? I don't get it, Ted.Thanks for listening.Listen again soon.Tonyhttps://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (Ko-Fi)https://bit.ly/dalstonvampire (Download A Free AuSupport the show

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    S02E17 The Turn Of The Screw Part 8 Dec 01, 2020
    Show notes

    PhewIt's done! This is the final part of our reading of the The Turn Of The Screw novella.While, I'm pleased the job is done, the race is run and I can take a small break before focusing on Christmas ghost stories, I am somewhat sad to leave the sombre glory of Bly.The last part is full of mysteries. I discuss my take on them at the end of the Podcast.The podcast also includes music by the Heartwood Institute. The intro music a snippet of Some Come Back, and the last track is the very haunting We Are The Past.Thanks all the supporters who bought me coffee (and some cakes). Respect and thanks. Remember if you go to Ko-Fi, you can buy my coffee, yes, but there are free audio stories you can snag. That is an Americanism, but like many Americanisms, cute.Other ConsiderationsDownload A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Start Music: "https://theheartwoodinstitute.bandcamp.com/track/some-come-back (Some Come Back)" by the Heartwood Institute, Check our their new release for Halloween, Witch Season.End Music: We Are The Past by The Heartwood Institute.Please consider that you can https://ko-fi.com/tonywalker (Buy me a Ko-Fi) to say thanks for all my hard work. Grab some free stuff while you're there.Support the show

    Visit us here: www.ghostpod.org
    Buy me a coffee if you're glad I do this: https://ko-fi.com/tonywalker
    If you really want to help me, become a Patreon: https://www.patreon.com/barcud
    Music by The Heartwood Institute: https://bit.ly/somecomeback

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    S02E16 The Turn Of The Screw Part 7 Nov 30, 2020
    Show notes

    S02E16 The Turn Of The Screw Part 7Forgive me not saying much in these show notes. We have one last part of The Turn Of The Screw after this. I hope to get it done within a few days.https://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)Download A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Start Music: "https://theheartwoodinstitute.bandcamp.com/track/some-come-back (Some Come Back)" by the Heartwood Institute, Check our their new release for Halloween, Witch Season.End Music: "https://soundcloud.com/dvoynik_au/a-drowning (A Drowning)" by Dvoynikhttps://ko-fi.com/tonywalker (Buy me a Ko-Fi) to say thanks for all my hard work. Grab some free stuff while you're there.Support the show

    Visit us here: www.ghostpod.org
    Buy me a coffee if you're glad I do this: https://ko-fi.com/tonywalker
    If you really want to help me, become a Patreon: https://www.patreon.com/barcud
    Music by The Heartwood Institute: https://bit.ly/somecomeback

    Learn more about your ad choices. Visit megaphone.fm/adchoices


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