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    Society & Culture

    Bullseye with Jesse Thorn

    Bullseye is a celebration of the best of arts and culture in public radio form. Host Jesse Thorn sifts the wheat from the chaff to bring you in-depth interviews with the most revered and revolutionary minds in our culture. Bullseye has been featured in Time, The New York Times, GQ and McSweeney’s, which called it “the kind of show people listen to in a more perfect world.”

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    Latest Episodes:
    Jena Friedman, comedian & host of Adult Swim's Soft Focus Mar 08, 2019
    Show notes

    WARNING: This episode contains some discussion of difficult topics. We cover sexual assault, miscarriage, violence against women and more. If you're sensitive to these kinds of topics, we figured we'd give you a heads up. Our guest is Jena Friedman. She's a comic, a filmmaker, and a writer. She created and hosts a show on Adult Swim. It's called Soft Focus. It's really funny, just like her all of her comedy, but it also talks about some very difficult, sometimes painful topics. It's satire that cuts deep. Jesse talks with her about the show, about her earlier work on the Daily Show, and her practice of incorporating hard to talk about stuff into her comedy.
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    Actor Stephen Root on Barry, Office Space and more Mar 05, 2019
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    Has Stphen Root, the actor, had a million parts? It's not a million, right? Ok. It's 236. Still: wow! Root is is the kind of character actor that can take even the most basic, dreary TV show or movie and light it up. One or two scenes with Stephen in it, say a by the book police procedural or a saccharine sitcom, and that's all you'll talk about. He'll joins us to discuss some of his most memorable roles: He'll tell us why his voiceover role in "King of the Hill" was one of his favorite gigs. Plus, he'll tell us how he got the part in his most recent project HBO's "Barry," and how he helped flesh out his character's role.
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    Bonus: Katie Nguyen & Roseblood Live! Mar 03, 2019
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    Two very special bonus tidbits for you this week - live comedy and music from Bullseye's recent show at the Listen Up Festival in Portland Oregon. You'll hear comedy from the great Katie Nguyen - who's performed at festivals all over the place and has written for the New Yorker. Then, music from the band Roseblood. The band's fronted by Kathy Foster, who also played in The Thermals and All Girl Summer Fun Band.
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    Simpsons writer, Fast food reviewer Bill Oakley Mar 01, 2019
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    Aurora Borealis! In your kitchen! May I see it? It's a very special Bullseye with Bill Oakley, the veteran TV writer. He worked on Futurama, Portlandia, and some of the greatest Simpsons episode of all time. Including... you guessed it! Steamed hams! The classic Simpsons bit turned ubiquitous, weird and postmodern meme. Bill's also taking up a new career: reviewing fast food on Instagram! We talk about all that and more from the stage at the Listen Up Festival in Portland, Oregon.
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    Sleater-Kinney's Corin Tucker & Filmmaker Lance Bangs Feb 26, 2019
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    Bullseye is a show about the creative process. And how artists' lives affect the work they make: their loved ones, friends and family, too. But what about when two artists - two genuine creative geniuses - are married to each other? Corin Tucker, the singer and guitarist of Sleater-Kinney has been with her husband Lance Bangs for over two decades. Earlier this month, they joined Jesse to talk about how they mix music, movies and love... and how they spent this past Valentine's Day. They couldn't even get a table at the Cheesecake Factory! This interview was recorded on stage at Revolution Hall in Portland Oregon as part of the first annual Listen Up Festival.
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    Oscar nominated filmmaker Nicole Holofcener Feb 22, 2019
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    Filmmaker Nicole Holofcener, one of our favorites, is up for an Academy-Award nomination. It's for the adapted screenplay. and won the Writers Guild of America Award for Best Adapted Screenplay for the film "Can You Ever Forgive Me?." We'll revisit our conversation with Nicole – when she stopped by we talked about another one of her recent projects, "The Land of Steady Habits." She'll also discuss her childhood growing up among Hollywood royalty.
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    Director Debra Granik of "Leave No Trace" and "Winter's Bone" Feb 19, 2019
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    Happy Tuesday! This time, we're listening back to our 2018 conversation with filmmaker Debra Granik. In 2010, she wrote and directed "Winter's Bone," the acclaimed drama that launched Jennifer Lawrence's career and was nominated for a Best Picture Oscar. Now, the long awaited follow-up is available to stream on Amazon. It's called "Leave No Trace" and it's been met with similar acclaim. She and Jesse talk about the new film, about the pitfalls of calling an artist a "genius" and her first ever paid movie gig: shooting weddings!
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    Artist Barbara Kruger Feb 15, 2019
    Show notes

    Dream interview alert! Today: Jesse talks with Barbara Kruger. Kruger is a fascinating and profoundly influential artist. She works in big, bold text usually in white font over ribbons of red. The text is usually superimposed over black and white photos, usually of people. The messages say stuff like "YOUR BODY IS A BATTLEGROUND," "WE DON'T NEED ANOTHER HERO," or "DON'T BE A JERK." If all that doesn't ring a bell yet, you can find thousands of samples of her work on the internet. Maybe the fonts and colors remind of you something: the Supreme logo? That Instagram Stories filter? It all started with Barbara Kruger. Jesse talks with Kruger about why she dropped out of art school, how she found footing in the contemporary art world, and what she's trying to communicate these days in her work.
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    Composer and Producer Ludwig Göransson (Black Panther, Childish Gambino) Feb 14, 2019
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    Every now and then we like bring you a segment we call to the Song That Changed My Life. It's a chance to find out what makes some of our favorite musicians the person they are today. Stepping up this time: Ludwig Göransson. Maybe you don't know him by name. But you've heard almost certainly heard his work. He was in Sweden and moved to the States in 2007. And before long, he started working in TV shows and movies as a composer. One of his first was Community. It was actually on the set of Community where he met Donald Glover. The two became friends, then, when he found out Glover could sing and rap, collaborators. Göransson's been the principal producer on all of Glover's Childish Gambino records. He actually just scored several Grammy awards for the song "This is America" by Glover. He's scored some pretty big films, too: Fruitvale Station, Creed, Venom... and Black Panther. The music he wrote for Black Panther is up for the Academy Award for Best Original Score at this year's Oscars. So we asked Ludwig, this brilliant composer and hip-hop producer, to tell us about the song that changed his life. His pick? Enter Sandman by Metallica.
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    Adam McKay on Vice, Second City and more Feb 12, 2019
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    Adam McKay has had a pretty eclectic career. He started in sketch comedy first as a founder of the Upright Citizens Brigade, then as a writer on Saturday Night Live. He studied at Second City, too, so throw that in there. Then, movies: He collaborated with Will Ferrell to make some stone cold comedy classics: Anchorman, Step Brothers, Talladega Nights. Lately, though, his work has been more serious. Topical. Political. A few years back, he wrote and directed The Big Short, which deconstructed and explained the 2008 financial crisis. He helped create the HBO show Succession - a drama about a family that owns a colossal American media empire. Now there's Vice, his latest movie, which is the story of former Vice President Dick Cheney. It's playing in theaters now and is up for eight Academy Awards. The common thread with McKay's work is that it's never boring, never forced. He'll take an extremely dumb joke and frame it in a way that's so clever and compelling that you just lose it. He'll find a way to explain credit default swaps that are so entertaining and engrossing that you forget you're learning about... credit default swaps. In this conversation, Adam tells Jesse how he manages to keep his films fresh, funny and weird, and also shares some of the more reckless tales in improv comedy from his time in Chicago.
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